Morrison Inspirational Quotes

The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can't be any large-scale revolution until there's a personal revolution, on an individual level. It's got to happen inside first.

The function of freedom is to free someone else.

Anger ... it's a paralyzing emotion ... you can't get anything done. People sort of think it's an interesting, passionate, and igniting feeling — I don't think it's any of that — it's helpless ... it's absence of control — and I need all of my skills, all of the control, all of my powers ... and anger doesn't provide any of that — I have no use for it whatsoever." [Interview with CBS radio host Don Swaim, September 15, 1987.]

What difference do it make if the thing you scared of is real or not?

If you surrendered to the air, you could ride it.

There is really nothing more to say-except why. But since why is difficult to handle, one must take refuge in how.

All paradises, all utopias are defined by who is not there, by the people who are not allowed in. [Conversation with Elizabeth Farnsworth, PBS NewsHour, March 9, 1998]

I refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.

All water has a perfect memory and is forever trying to get back to where it was.

What I think the political correctness debate is really about is the power to be able to define. The definers want the power to name. And the defined are now taking that power away from them.

For me, Art is the restoration of order. It may discuss all sort of terrible things, but there must be satisfaction at the end. A little bit of hunger, but also satisfaction.

See? See what you can do? Never mind you can’t tell one letter from another, never mind you born a slave, never mind you lose your name, never mind your daddy dead, never mind nothing. Here, this here, is what a man can do if he puts his mind to it and his back in it. Stop sniveling,’ [the land] said. ‘Stop picking around the edges of the world. Take advantage, and if you can’t take advantage, take disadvantage. We live here. On this planet, in this nation, in this county right here. Nowhere else! We got a home in this rock, don’t you see! Nobody starving in my home; nobody crying in my home, and if I got a home you got one too! Grab it. Grab this land! Take it, hold it, my brothers, make it, my brothers, shake it, squeeze it, turn it, twist it, beat it, kick it, kiss it, whip it, stomp it, dig it, plow it, seed it, reap it, rent it, buy it, sell it, own it, build it, multiply it, and pass it on – can you hear me? Pass it on!

Birth, life, and death― each took place on the hidden side of a leaf.

I'm interested in the way in which the past affects the present and I think that if we understand a good deal more about history, we automatically understand a great more about contemporary life.

Her mind traveled crooked streets and aimless goat paths, arriving sometimes at profundity, other times at the revelations of a three-year-old. Throughout this fresh, if common, pursuit of knowledge, one conviction crowned her efforts: ...she knew there was nothing to fear.

They laughed too, even Rose Dear shook her head and smiled, and suddenly the world was right side up. Violet learned then what she had forgotten until this moment: that laughter is serious. More complicated, more serious than tears.

The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge. Whether it is obscuring state language or the faux-language of mindless media; whether it is the proud but calcified language of the academy or the commodity driven language of science; whether it is the malign language of law-without-ethics, or language designed for the estrangement of minorities, hiding its racist plunder in its literary cheek - it must be rejected, altered and exposed. It is the language that drinks blood, laps vulnerabilities, tucks its fascist boots under crinolines of respectability and patriotism as it moves relentlessly toward the bottom line and the bottomed-out mind. Sexist language, racist language, theistic language - all are typical of the policing languages of mastery, and cannot, do not permit new knowledge or encourage the mutual exchange of ideas. - Toni Morrison, Nobel Lecture, 1993

How soon country people forget. When they fall in love with a city it is forever, and it is like forever. As though there never was a time when they didn't love it. The minute they arrive at the train station or get off the ferry and glimpse the wide streets and the wasteful lamps lighting them, they know they are born for it. There, in a city, they are not so much new as themselves: their stronger, riskier selves.

Nothing and nobody is obliged to save you but you.

There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal. I know the world is bruised and bleeding, and though it is important not to ignore its pain, it is also critical to refuse to succumb to its malevolence. Like failure, chaos contains information that can lead to knowledge—even wisdom. Like art. —Toni Morrison, “No Place for Self-Pity, No Room for Fear,” The Nation, 23 Mar. 2015

We are all part of a greater whole, connected and interrelated by a web of energy and information.

If you can't count, they can cheat you. If you can't read, they can beat you.

The Nobel Prize is the best thing that can happen to a writer in terms of how it affects your contracts, the publishers, and the seriousness with which your work is taken. On the other hand, it does interfere with your private life, or it can if you let it, and it has zero effect on the writing.It doesn't help you write better and if you let it, it will intimidate you about future projects.

But the superheroes showed me how to overcome the Bomb. Superhero stories woke me up to my own potential. They gave me the basis of a code of ethics I still live by. They inspired my creativity, brought me money, and made it possible for me to turn doing what I loved into a career. They helped me grasp and understand the geometry of higher dimensions and alerted me to the fact that everything is real, especially our fictions. By offering role models whose heroism and transcendent qualities would once have been haloed and clothed in floaty robes, they nurtured in me a sense of the cosmic and ineffable that the turgid, dogmatically stupid "dad" religions could never match. I had no need for faith. My gods were real, made of paper and light, and they rolled up into my pocket like a superstring dimension.

I want to kill every best-seller list and encourage Americans to discover for themselves inspired new literature that will endure in perpetuity. Let’s pluck from squalid obscurity underground, and publish, the next Hemingways, Fitzgeralds, Morrisons, Bellows, Barths, Vonneguts and Faulkners.

I'm a Midwesterner, and everyone in Ohio is excited. I'm also a New Yorker, and a New Jerseyan, and an American, plus I'm an African-American, and a woman. I know it seems like I'm spreading like algae when I put it this way, but I'd like to think of the prize being distributed to these regions and nations and races.

I was talking about time. It`s so hard for me to believe in it. Some things go. Pass on. Some things just stay. I used to think it`s just my rememory. You know. Some things you forget. Other things you never do. But it`s not. [...] What I remember is a picture floating around out there outside my head. I mean, even if I don`t think it, even if I die, the picture of what I did, or knew, or saw is still out there. [...] Someday you be walking down the road and you hear something or see something going on. So clear. And you think it`s you thinking it up. A thought picture. But no. It`s when you bump into a rememory that belongs to somebody else.

Home is run no more.

She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they could not have it

Don't second-guess yourself.

By creating a healthy relationship between our own self, and balancing our Yin and Yang energies, we’ll find harmony and fulfillment within.

We are all part of a greater whole, connected and interrelated by a web of energy and information

By working on forming a complete and harmonious undivided whole-self, we begin raising above the limited boundaries of our body ego and begin to regain our full individuality.

At the core, everything begins with the relationship we have within ourselves. When this relationship doesn’t exist (either it is ignored or abandoned) or is not healthy, that is when we start experiencing pain, anxiety, and disease.

The plight (and resistance) of children living in a wholly commercialized environment that equates “entertainment” with happiness, products with status, “things” with love, and that is terrified of the free (meaning un-commodified, unpurchaseable) imagination of the young. (Although children participate enthusiastically in the “love me so buy me” pattern, I think they are taught to think that way and that on some deep level they know what is being substituted.)- Tony Morrison -Interview - (The Big Box)

The woman next to you that looks really bad might be going through the toughest challenge ever with her teenage daughter; think about if it were you in her shoes before gossiping about her. The man at the checkout line using change may have lost his job and is buying diapers for his baby at home because its all the money he has left; think about it before you snicker to your friends because he could've bought beer or cigarettes. The child with holes in his shoes could be homeless but he's still going to school because he feels safe there even though others laugh at him; think about it before you judge the innocent. You never know what challenges you're going to face from day to day!

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

Manzarek and Jim Morrison were film students at UCLA when they met. They both had an abiding interest in film and the past masters as well as creating a new cinema. Through The Doors they did create cinema. At first, one strictly of The Doors, but as their influence and legend spread through culture they, in turn, inspired those that were creating movies.   The Doors Film Feast of Friends Late in March 1968 (the exact date is unknown) The Doors decided to film a documentary of their forthcoming tour. The idea may have come about because Bobby Neuwirth, who was hired to hang out with Jim and try to direct his energies to more productive pursuits than drinking, produced a film Not to Touch the Earth that utilized behind the scenes film of The Doors. The band set up an initial budget of $20,000 for the project. Former UCLA film students Jim Morrison and Ray Manzarek hired film school friends Paul Ferrara as director of photography, Frank Lisciandro as editor, and Morrison friend Babe Hill as the sound recorder.

INPUTS: Stated succinctly, what is the clear and compelling purpose for the system? OUTPUTS: What are the meaningful outcomes you are committed to achieving? FEEDBACK: To what degree does your feedback process allow you to manage the inputs and improve the outputs on a consistent basis? In what ways has your “systems intelligence” grown?

Little wonder that both Helprin and Morrison, in depicting grief, illustrate, too, the frustrating inadequacy of language. “It was not enough.” And yet it’s all we’ve got. I expect fiction to be inspired.

I don't want to make somebody else. I want to make myself.

You know the popular saying “home is where the heart is”? Well, I see now the perfect home is up to me to find, within myself. Hailey, Surviving Seventeen

We’ve been trapped in here, away from civilisation. We’re wasting our lives away, waiting for something. But nothing’s happened, and nothing is going to happen unless we help ourselves.

Though his public teaching lasted only three years, it has been scrutinized by scholars in every science—among them theology, philosophy, psychology, and sociology to name a few. Jesus’ influence has founded universities like Oxford, Cambridge, Yale, Princeton, and Harvard. Now spanning the entire globe, Jesus’ followers have been inspired throughout the centuries to set up educational institutions to teach what he taught.

But I was death by overstimulation. My touch left humans crazed with hunger. Inspired all reason to abandon them. My body had been the end of many lives, and I’d loved every moment of it.

His body was a reminder that he was once sculpted by God then driven to Earth to commit and inspire devastating sins.

If you can give people a tool that then they can pass on, it can be more revolutionary and more likely to change people at the core than a rational discussion.

If you can give people a tool that then they can pass on, it can be more revolutionary and more likely to change people at the core than a rational discussion. Poems are fascinating bits of tools and bits of jewelry. They are fun, they are ornamental, but they also are essential. They are necessary and in some places desperately needed. To recognize this is cool, to be able to hand somebody a poem like you’d hand them a hammer or 20 bucks and say, “I hope this helps.” I think it is not only powerful but our responsibility as poets.

Poetry isn’t one tool. It’s many tools.

To be able to hand somebody a poem like you’d hand them a hammer or 20 bucks and say, 'I hope this helps' ...is not only powerful but our responsibility as poets.

If there's a book you want to read, but it hasn't been written yet, then you must write it.

If there is a book that you want to read, but it hasn’t been written yet, you must be the one to write it.

Other mothers who had defended their children from Sula's malevolence (or who had defended their positions as mothers from Sula's scorn for the role) now had nothing to rub up against. The tension was gone and so was the reason for the effort they had made. Without her mockery, affection for others sank into flaccid disrepair. Daughters who had complained bitterly about the responsibilities of taking care of their aged mothers-in-law had altered when Sula locked Eva away, and they began cleaning those old women's spittoons without a murmur. Now that Sula was dead and done with, they returned to a steeping resentment of the burdens of old people. Wives uncoddled their husbands; there seemed no further need to reinforce their vanity. And even those Negroes who had moved down from Cananda to Medallion, who remarked every chance they got that they had never been slaves, felt a loosening of the reactionary compassion for Southern-born blacks Sula had inspired in them. They returned to their original claims of superiority.

West harkens back to the halcyon days when there was “a vital community bound by its ethical ideals.”56 Unfortunately, oppression does not always produce such felicitous outcomes, and the victims of oppression are not always ennobled by their experience and an inspiration to the rest of us.

The entire Universe is kept in place with laws and principles of nature that are capable of controlling our internal energies. When we develop a conscious understanding of these laws, we can recognize and acknowledge them in our surroundings, utilizing them to the best of our abilities.

We are all linked by a mesh of energies that we contain within us.

To invest in improving and getting to know yourself better. It is the best investment you could ever make and one which you can harvest over lifetimes.

At sea, the darker the night the closer you will get to your past. The music you decide to play is the radio dial of your history. Van Morrison’s “Have I Told You Lately” played as I stared at the setting moon. This is a song that always transports me to a New Hampshire backroad of my youth. Her name was Katie. She was tall, blond, and wore the girl next door look like an angel. She was smart, funny, and kind. She infatuated me from the moment I met her at Wentworth Marina. She was the daughter of two well-to-do doctors from upstate New York. It was her plan to sail around the world, and she wanted me to join her. “Just to mate” she would always say with a wink. She told me, “Pull over, pull over. I love this song. We have to dance.” So I found myself with goosebumps despite dancing in the warmth of the summer air. The sky around us filled with the flashing luminance of fireflies, and it seemed like we were dancing in the heavens above. You could almost touch the music as it drifted out of my truck windows. I will never forget the look in those crystal-blue eyes as we danced to that song alongside my Dodge Ram pickup. Little did I know it would be the last night I would ever get to look into them again.

The dark, dark liver--love it, love it, and the beat and beating heart, love that too. More than eyes or feet.More than lungs that have yet to draw free air. More than your life holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.