Morocco Travel Quotes

Travelling, one accepts everything; indignation stays at home. One looks, one listens, one is roused to enthusiasm by the most dreadful things because they are new. Good travellers are heartless.

I wish she’d said something different, but patriarchy is as prevalent around the world as racism and xenophobia are. We can’t hide from it, not even here.

Come to think of it, maybe God is a He after all, because only a cruel force would create something this beautiful and make it inaccessible to most people.

A little imagination goes a long way in Fes.

There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.

If Aphrodite chills at home in Cyprus for most of the year, then Fez must be the goddess’s playground.

In Morocco, before you even get to the matter of the sale, you have to coax the owner to sell.

Being the Novelist-in-Residence at a riad hotel in the kasbah of an Arabic North African city is a lot like trying to write one’s memoirs on shreds of napkins in a nuthouse.

My Morocco. I followed whatever train I wanted. I wrote without writing—of genies and hustlers and mythic travelers, my vagabondia. Then I would walk back home, happily

So I close this long reflection on what I hope is a not-too-quaveringly semi-Semitic note. When I am at home, I will only enter a synagogue for the bar or bat mitzvah of a friend's child, or in order to have a debate with the faithful. (When I was to be wed, I chose a rabbi named Robert Goldburg, an Einsteinian and a Shakespearean and a Spinozist, who had married Arthur Miller to Marilyn Monroe and had a copy of Marilyn’s conversion certificate. He conducted the ceremony in Victor and Annie Navasky's front room, with David Rieff and Steve Wasserman as my best of men.) I wanted to do something to acknowledge, and to knit up, the broken continuity between me and my German-Polish forebears. When I am traveling, I will stop at the shul if it is in a country where Jews are under threat, or dying out, or were once persecuted. This has taken me down queer and sad little side streets in Morocco and Tunisia and Eritrea and India, and in Damascus and Budapest and Prague and Istanbul, more than once to temples that have recently been desecrated by the new breed of racist Islamic gangster. (I have also had quite serious discussions, with Iraqi Kurdish friends, about the possibility of Jews genuinely returning in friendship to the places in northern Iraq from which they were once expelled.) I hate the idea that the dispossession of one people should be held hostage to the victimhood of another, as it is in the Middle East and as it was in Eastern Europe. But I find myself somehow assuming that Jewishness and 'normality' are in some profound way noncompatible. The most gracious thing said to me when I discovered my family secret was by Martin, who after a long evening of ironic reflection said quite simply: 'Hitch, I find that I am a little envious of you.' I choose to think that this proved, once again, his appreciation for the nuances of risk, uncertainty, ambivalence, and ambiguity. These happen to be the very things that 'security' and 'normality,' rather like the fantasy of salvation, cannot purchase.

I have never been to Japan. I have never been to India, or to Morocco, or to Germany, or to most of the places Arthur Less has traveled to over the past few months. I have never climbed an ancient pyramid. I have never kissed a man on a Paris rooftop. I have never ridden a camel. I have taught a high school English class for the best part of a decade, and graded homework every night, and woken up early in the morning to plan my lessons, and read and reread Shakespeare, and sat through enough conferences and meetings for even those in Purgatory to envy me. I have never seen a glowworm. I do not, by any reckoning, have the best life of anyone I know. But what I am trying to tell you (and I only have a moment), what I have been trying to tell you this whole time, is that from where I sit, the story of Arthur Less is not so bad. Because it is also mine. That is how it goes with love stories.

If Moroccans are dying in Indo-China, if it rains too much or not enough, if there is no work, if one’s wife is sick and penicillin is expensive, or if the French are still in Morocco, it is all the fault of America. She could change everything if she chose, but she does nothing because she does not love the Moslems.

I had travelled from Spain into Morocco and from there south to the Atlas Mountains, at the edge of the Sahara Desert…one night, in a youth hostel that was more like a stable, I woke and walked out into a snowstorm. But it wasn’t the snow I was used to in Minnesota, or anywhere else I had been. Standing bare chest to cool night, wearing flip-flops and shorts, I let a storm of stars swirl around me. I remember no light pollution, heck, I remember no lights. But I remember the light around me-the sense of being lit by starlight- and that I could see the ground to which the stars seemed to be floating down. I saw the sky that night in three dimensions- the sky had depth, some stars seemingly close and some much farther away, the Milky Way so well defined it had what astronomers call “structure”, that sense of its twisting depths. I remember stars from one horizon to another, making a night sky so plush it still seems like a dream. It was a time in my life when I was every day experiencing something new. I felt open to everything, as though I was made of clay, and the world was imprinting on me its breathtaking beauty (and terrible reality.) Standing nearly naked under that Moroccan sky, skin against the air, the dark, the stars, the night pressed its impression, and my lifelong connection was sealed.

I wanted to see the places he brought home in books from the Penrose Library—the campaniles of Italy, the windswept coastline of Morocco, the twinkling skyscrapers of Manhattan. Places I could only afford to travel to on the page.

Food stall owners reach out with menus, calling out their dinner selections like midway prizes

Marrakesh is translated from the words Mur N’Akush in the Berber language meaning “Land of God.

These fellaheen feeling about life, that timeless gayety of people not involved in great cultural and civilization issues you can find it almost anywhere else, in Morocco, in Latin America entire in Dakar, In Kurd land.

The past is buried deep within the ground in Rabat, although the ancient walls in the old city are still standing, painted in electrifying variations of royal blue that make the winding roads look like streamlets or shallow ocean water.

He was the most widely travelled poet of the Renaissance; a man who lost an eye in Morocco, who was exiled to the East for a sword fight, who was destitute in Goa and shipwrecked in the Mekong Delta – he swam ashore clutching his manuscript above his head while his Chinese lover drowned.

This is a plot: I hope he will keep quiet while he looks at them. I dive under the table and push the chest against his patent leather shoes, I put an armload of post cards and photos on his lap: Spain and Spanish Morocco. But I see by his laughing, open look that I have been singularly mistaken in hoping to reduce him to silence. He glances over a view of San Sebastian from Monte Igueldo, sets it cautiously on the table and remains silent for an instant. Then he sighs: 'Ah, Monsieur, you're lucky ... if what they say is true-travel is the best school. Is that your opinion, Monsieur?' I make a vague gesture. Luckily he has not finished. 'It must be such an upheaval. If I were ever to go on a trip, I think I should make written notes of the slightest traits of my character before leaving, so that when I returned I would be able to compare what I was and what I had become. I've read that there are travellers who have changed physically and morally to such an extent that even their closest relatives did not recognize them when they came back.

I thought of the fifteen years I lived 'sans papiers' in France and how Paris had belonged to me. I was like a king in France. And now that suddenly I was French, Paris was gone for me. I had abdicated the throne the French people had given to me. All those people were gone. The whole city had changed. I left for five years: three spent wandering in Europe, while two years I spent living in Muslim Morocco; and now Paris had changed and there was no going back.

It is precisely Battuta's lack of interest in peoples outside Dar-al- Islam—the world of Islam—that testifies to Muslim dominance of medieval Asian trade. In the fourteenth century, Battuta could travel 74,000 miles through Morocco, East Africa, India, central Asia, Southeast Asia, and China and remain entirely within the Muslim cultural envelope, never having to interact in a meaningful manner with those outside it in order to survive, to travel, or even to make a living.

But then Yasmin changed her mind and hopped a flight to Fez. „I knew I had to go. I didn‘t know why but I had to go. And I was really quite scared because I was going alone and I‘d never been to Morocco. I didn‘t know anyone. I traveled at night so I call it my ‚isra‘, my Night Journey. I landed late. I was really scared but I prayed to Allah, „I trust in You to look after me and protect me. I‘m here for whatever the purpose You‘ve planned for me. (p. 193)

Imilchil Auberge Chez Bassou In the centre of the village 0668 564475, chezbassou.hotel@com. Budget minimalism with style, this pension has spotless bedrooms (most en suite) with just a blanket on the bed by way of decor. Traditional Berber cuisine is served in the sparse restaurant. Bassou himself is a qualified mountain guide, and can organize treks in

There is a Cinzano on the table beside me and a siphon of aerated water. I am at a loss to know how ants have got into the siphon. Neither the ants themselves nor the people who filled the siphons can have intended this.

Between 1956 and 1961 more than 35,000 Moroccan Jews left clandestinely for Israel under the auspices of the Mossad. In 1960, the same year that he masterminded the capture of Adolf Eichmann in Argentina, Isser Harel, travelled to Morocco as a tourist. His visit there convinced him that manyJews wished to leave, and he appointed Alex Gatmon to be in charge of the Mossad operations in Morocco, under Ephraim Ronel in Paris.

We have seen, ladies and gentlemen, how selfhood has grown and gained a foothold, become increasingly distinct and affecting. Previously barely marked, prone to being blurred, subjugated to the collective. Imprisoned in the stays of roles, conventions, flattened in the press of traditions, subjugated to demands. Now it swells and annexes the world. ‘Once the gods were external, unavailable, from another world, and their apparent emissaries were angels and demons. But the human ego burst forth and swept the gods up and inside, furnished them a place somewhere between the hippocampus and the brain stem, between the pineal gland and Broca’s area. Only in this way can the gods survive – in the dark, quiet nooks of the human body, in the crevices of the brain, in the empty space between the synapses. This fascinating phenomenon is beginning to be studied by the fledgling discipline of travel psychotheology. ‘This growing process is more and more powerful – influencing reality is equally what we have invented and what we have not. Who else moves in the real? We know people who travel to Morocco through Bertolucci’s film, to Dublin through Joyce, to Tibet through a film about the Dalai Lama. ‘There is a certain well-known syndrome named after Stendhal in which one arrives in a place known from literature or art and experiences it so intensely that one grows weak or faints. There are those who boast they have discovered places totally unknown, and then we envy them for experiencing the truest reality even very fleetingly before that place, like all the rest, is absorbed by our minds. ‘Which is why we must ask, once more, insistently, the same question: where are they going, to what countries, to what places? Other countries have become an external complex, a knot of significations that a good topographical psychologist can unravel just like that, interpret on the spot.

I had to demonstrate that I had mastered the routes only a resident of the medina, the ancient city, would know. If I could not master the alleys, I would be forever hounded by the hawkers and illicit guides who preyed upon the unsuspecting, the weak, the lost, the tourists.

Traveling-- it leaves you speechless, then turns you into a storyteller.