More Slippery Than Quotes

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I walked down the hall and saw that [she] was sitting on the floor next to a chair. This is always a bad sign. It's a slippery slope, and it's best just to sit in chairs, to eat when hungry, to sleep and rise and work. But we have all been there. Chairs are for people, and you're not sure if you are one.
Miranda July (No One Belongs Here More Than You)
So all you want is a kiss?" I asked. A little voice in my head said I was heading for one of those slippery slopes. I told the little voice to shut up. "Well, maybe more than one. But basically, yeah.
Jenna Black (Glimmerglass (Faeriewalker, #1))
And now he is once again finding life more and more difficult, each day a little less possible than the last. In his every day stands a tree, black and dying, with a single branch jutting to its right, a scarecrow's sole prosthetic, and it is from this branch that he hangs. Above him a rain is always misting, which makes the branch slippery. But he clings to it, as tired as he is, because beneath him is a hole bored into the earth so deep that he cannot see where it ends. He is petrified to let go because he will fall into the hole, but eventually he knows he will, he knows he must: he is so tired. His grasp weakens a bit, just a little bit, with every week. So it is with guilt and regret, but also with a sense of inevitability, that he cheats on his promise to Harold.
Hanya Yanagihara (A Little Life)
There is nothing in the world that I loathe more than group activity, that communal bath where the hairy and slippery mix in a multiplication of mediocrity.
Vladimir Nabokov
There is no more slippery task than to refrain from thinking of something.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
For men, the softer emotions are always intertwined with power and pride. That was why Karna waited for me to plead with him though he could have stopped my suffering with a single world. That was why he turned on me when I refused to ask for his pity. That was why he incited Dussasan to an action that was against the code of honor by which he lived his life. He knew he would regret it—in his fierce smile there had already been a glint of pain. But was a woman's heart any purer, in the end? That was the final truth I learned. All this time I'd thought myself better than my father, better than all those men who inflicted harm on a thousand innocents in order to punish the one man who had wronged them. I'd thought myself above the cravings that drove him. But I, too, was tainted with them, vengeance encoded into my blood. When the moment came I couldn't resist it, no more than a dog can resist chewing a bone that, splintering, makes his mouth bleed. Already I was storing these lessons inside me. I would use them over the long years of exile to gain what I wanted, no matter what its price. But Krishna, the slippery one, the one who had offered me a different solace, Krishna with his disappointed eyes—what was the lesson he'd tried to teach?
Chitra Banerjee Divakaruni (The Palace of Illusions)
I'd never attempted roast thievery before, and I was already regretting it. It happens to be very difficult to hold a chunk of raw meat while running. More slippery than I'd anticipated. If the butcher didn't catch me with his cleaver first, and literally cut of my future plans, I vowed to remember to get the meat wrapped next time. Then steal it.
Jennifer A. Nielsen (The False Prince (Ascendance, #1))
Lysistrata: "Calonice, it's more than I can bear, I am hot all over with blushes for our sex. Men say we're slippery rogues--" Calonice: "And aren't they right?
Aristophanes (Lysistrata)
Time's a slippery little jerk, Fin." Dad sounds tired. "Things happen more quickly than you think. One minute you're a kid, and the next minute you're grown up and wondering what the heck happened when you weren't looking.
Claire Legrand (Some Kind of Happiness)
A dream is a slippery thing, plucking and bending and toying with our memories, sometimes acting as a bridge between the living, the loved, and the loved no-longer-living, but more often than not acting as a lesson not quite learned.
Scott Wilbanks (The Lemoncholy Life of Annie Aster)
It's possible to find order in chaos, and it's equally possible to find chaos underlying apparent order. Order and chaos are slippery concepts. They're like a set of twins who like to swap clothing from time to time. Order and chaos frequently intermingle and overlap, the same as beginnings and endings. Things are often more complicated, or more simple, than they seem. Often it depends on your angle. I think that telling a story is a way of trying to make life's complexity more comprehensible. It's a way of trying to separate order from chaos, patterns from pandemonium.
Gavin Extence (The Universe Versus Alex Woods)
Beware, then, of the long word that's no better than the short word: "assistance" (help), "numerous" (many), "facilitate" (ease), "Individual" (man or woman), "remainder" (rest), "initial" (first), "implement" (do), "sufficient" (enough), "attempt" (try), "referred to as" (called), and hundreds more. Beware of all the slippery new fad words: paradigm and parameter, prioritize and potentialize. They are all weeds that will smother what you write. Don't dialogue with someone you can talk to. Don't interface with anybody.
William Zinsser (On Writing Well: The Classic Guide to Writing Nonfiction)
Whether it’s ourselves, our lovers, bosses, children, local Scrooge, or the political situation, it’s more daring and real not to shut anyone out of our hearts and not to make the other into an enemy. If we begin to live like this, we’ll find that we actually can’t make things completely right or completely wrong anymore, because things are a lot more slippery and playful than that. Everything is ambiguous; everything is always shifting and changing, and there are as many different takes on any given situation as there are people involved. Trying to find absolute rights and wrongs is a trick we play on ourselves to feel secure and comfortable.
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times)
[The book, Anna Karenina, is] a mirror held up to the real, grimy, quotidian interactions of married life, of which romance is little more than a passing mood: marriage, that slippery social contract that, if it works at all, depends more on indulgent disconnection than on some kind of sacred accord.
Kate Moses (Cakewalk: A Memoir)
If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure and equate the universe, which just wont be measured or equated without making man feel bestial and lonely.
Ray Bradbury (Fahrenheit 451)
And now he is once again finding life more and more difficult, each day a little less possible than the last. In his every day stands a tree, black and dying, with a single branch jutting to its right, a scarecrow’s sole prosthetic, and it is from this branch that he hangs. Above him a rain is always misting, which makes the branch slippery. But he clings to it, as tired as he is, because beneath him is a hole bored into the earth so deep that he cannot see where it ends. He is petrified to let go because he will fall into the hole, but eventually he knows he will, he knows he must: he is so tired. His grasp weakens a bit, just a little bit, with every week.
Hanya Yanagihara (A Little Life)
Only to say that the myths survive when everything else has been forgotten. And that sometimes the myths, for all their slippery deceptions, tell us more about the past than ruined walls and broken pots.
Tom Harper (The Lost Temple)
Impatience and cutting corners: it’s the primate way. It got us down out of the trees and up to the top of the evolutionary heap as a species, which is a lot more like a slippery, mud-slick game of King of the Hill with stabbing encouraged than any kind of tidy Victorian great chain of being or ladder of creation.
Elizabeth Bear (Ancestral Night (White Space, #1))
We learned one other amazing thing: in the eyes of the state and its representatives a physically strong person was better – yes, better – more moral, more valuable than a weak person who couldn’t shovel twenty cubic meters of dirt out of a trench in a day. The former was more moral than the latter. He fulfilled his ‘quota’, that is, carried out his chief duty to the state and society and was therefore respected by all. His advice was asked and his desires were taken into consideration, he was invited to meetings whose topics were far removed from shovelling heavy slippery dirt from wet and slimy ditches.
Varlam Shalamov (Kolyma Tales)
You can’t build a house without nails and wood. If you don’t want a house built, hide the nails and wood. If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy.
Ray Bradbury (Fahrenheit 451)
You can’t build a house without nails and wood. If you don’t want a house built, hide the nails and wood. If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it.
Ray Bradbury (Fahrenheit 451)
An up-front enemy is rare now and is actually a blessing. People hardly ever attack you openly anymore, showing their intentions, their desire to destroy you; instead they are political and indirect. Although the world is more competitive than ever, outward aggression is discouraged, so people have learned to go underground, to attack unpredictably and craftily. Many use friendship as a way to mask aggressive desires: they come close to you to do more harm. (A friend knows best how to hurt you.) Or, without actually being friends, they offer assistance and alliance: they may seem supportive, but in the end they’re advancing their own interests at your expense. Then there are those who master moral warfare, playing the victim, making you feel guilty for something unspecified you’ve done. The battlefield is full of these warriors, slippery, evasive, and clever.
Robert Greene (The 33 Strategies Of War (The Modern Machiavellian Robert Greene Book 1))
Car accidents killed or injured more teens than any other cause, including curses and slippery bathroom floors.
Darcie Little Badger (Elatsoe (Elatsoe, #1))
Your slippery tongue is more dangerous than your loaded gun. Always tame it to get rid of accident.
Lord Robin
Being naked strips away more than your clothes, it reveals unknown facets of your true nature. I had thought of myself as a career girl on the slippery pole of achievement and success. But really, I was just as content to follow where the road of life led. Had he seen something in me I had not known existed? Did he look at me and see a girl who wanted to be spanked?
Chloe Thurlow (Girl Trade)
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
She came through the fog, no more than a sliver of darkness. She didn’t run—she just walked with that insufferable swagger. Grave surveyed the buildings surrounding them. The stone was too slippery, and there were no windows.
Sarah J. Maas
The term “Judeo-Christian” is difficult to pin down because it is something of a fabrication.8 From a scholarly standpoint, as noted in a 1992 Newsweek article, “the idea of a single ‘Judeo-Christian tradition’ is a made-in-America myth.”9 One Jewish theologian stated the problem plainly: “Judaism is Judaism because it rejects Christianity, and Christianity is Christianity because it rejects Judaism.”10 “Judeo-Christian” is slippery because it is more a political invention than a scholarly description.
Andrew L. Seidel (The Founding Myth: Why Christian Nationalism Is Un-American)
It’s impossible to attain much success in politics if you’re the sort of person who can’t abide disingenuousness. This isn’t to say politics is full of lies and liars; it has no more liars than other fields do. Actually one hears very few proper lies in politics. Using vague, slippery, or just meaningless language is not the same as lying: it’s not intended to deceive so much as to preserve options, buy time, distance oneself from others, or just to sound like you’re saying something instead of nothing.
Barton Swaim (The Speechwriter: A Brief Education in Politics)
Truth could be a slippery thing, far more elusive and hard to get your hands around than a simple black-or-white, up-or-down concept like guilty or not guilty. Sometimes things aren’t what they seem to be. Sometimes they are. And sometimes, you just don’t know.
Joseph Teller (The Tenth Case (Jaywalker, #1))
The all-consuming selves we take for granted today are “merely empty receptacles of desire.” Infinitely plastic and decentered, the modern citizen of the republic of consumption lives on slippery terrain, journeying to nowhere in particular. So too, nothing could be more corrosive of the kinds of social sympathy and connectedness that constitute the emotional substructure of collective resistance and rebellion. Instead, consumer culture cultivates a politics of style and identity focused on the rights and inner psychic freedom of the individual, one not comfortable with an older ethos of social rather than individual liberation. On the contrary, it tends to infantilize, encouraging insatiable cravings for more and more novel forms of a faux self-expression. The individuality it promises is a kind of perpetual tease, nowadays generating, for example, an ever-expanding galaxy of internet apps leaving in their wake a residue of chronic anticipation. Hibernating inside this “material girl” quest for more stuff and self-improvement is a sacramental quest for transcendence, reveries of what might be, a “transubstantiation of goods, using products and gear to create a magical realm in which all is harmony, happiness, and contentment… in which their best and most admirable self will emerge at last.” The privatization of utopia! Still, what else is there?
Steve Fraser (The Age of Acquiescence: The Life and Death of American Resistance to Organized Wealth and Power)
In my career I’ve had my hands upon more revolting bodies than a layman is likely to encounter in a lifetime of trying. I’ve squeezed boils, soaked my hands in blood and pus, slipped in entrails, swaddled slippery stillborns, and pulled excrement from unwilling bowels by hand.
Cherie Priest (Maplecroft (The Borden Dispatches, #1))
Just then, in that instant, I saw His eyes. I recognised them. They were the eyes of that trembling father in a smoke-filled room on the ninety-third floor of Tower One, dialing his little girls for the last time. Those were the eyes behind that calming voice singing 'Amazing Grace' in a crowded and slippery stairwell, trapped outside a roof door when the ceilings began to cave. The eyes of the people who stayed behind with the handicapped victims waiting for police officers who never made it up the stairs. Those were the eyes of firemen who pushed me to safety, the doctor who cared for me for more than a year free of charge, the therapist who visited my home regularly so that I could sleep a little, the children who loved me, the brother who prayed nonstop, and the pastor who became my friend. Those were the eyes of God.
Leslie Haskin (Between Heaven and Ground Zero: One Woman's Struggle for Survival and Faith in the Ashes of 9/11)
I worry the Christian community has accepted an insidious shift from laboring for others to prioritizing our own rights. We’ve perpetuated a group identity as misunderstood and persecuted, defending our positions and preferring to be right over being good news. We’ve bought the lie that connecting with people on their terms is somehow compromising, that our refusal to proclaim our moral ground from word one is a slippery slope. It has become more vital to protect our own station than advocate for a world that needs Jesus, who came to us, wrapped in our skin, speaking our language. If we were not too beneath Christ, who died for us while we were still sinners, then how dare we take a superior position over any other human being? How lovely is a faith community that goes forth as loving sisters and brothers rather than angry defenders and separatists.
Jen Hatmaker (Interrupted: When Jesus Wrecks Your Comfortable Christianity)
Ladies and gentlemen, you have made most remarkable Progress, and progress, I agree, is a boon; You have built more automobiles than are parkable, Crashed the sound-barrier, and may very soon Be setting up juke-boxes on the Moon: But I beg to remind you that, despite all that, I, Death, still am and will always be Cosmocrat. Still I sport with the young and daring; at my whim, The climber steps upon the rotten boulder, The undertow catches boys as they swim, The speeder steers onto the slippery shoulder: With others I wait until they are older Before assigning, according to my humor, To one a coronary, to one a tumor. Liberal my views upon religion and race; Tax-posture, credit-rating, social ambition Cut no ice with me. We shall meet face to face, Despite the drugs and lies of your physician, The costly euphenisms of the mortician: Westchester matron and Bowery bum, Both shall dance with me when I rattle my drum.
W.H. Auden (Thank You, Fog)
The Baudelaires' journey up the Vertical Flame Diversion was so dark and treacherous that it is not enough to write “The Baudelaires' journey up the Vertical Flame Diversion was so dark and treacherous that it is not enough to write 'The Baudelaires' journey up the Vertical Flame Diversion was so dark and treacherous that it is not enough to write ”The Baudelaires' journey up the Vertical Flame Diversion was so dark and treacherous that it is not enough to write 'The Baudelaires' journey up the Vertical Flame Diversion was so dark and treacherous that it is not enough to write “My dear sister, I am taking a great risk in hiding a letter to you inside one of my books, but I am certain that even the most melancholy and well-read people in the world have found my account of the lives of the three Baudelaire children even more wretched than I had promised, and so this book will stay on the shelves of libraries, utterly ignored, waiting for you to open it and find this message.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
For the love that has been purged by gentleness of all tendency towards tyranny can give a joy more exquisite, more tender, more capable of transmuting the base metal of daily life into the pure gold of mystic ecstasy, than any emotion that is possible to the man still fighting and struggling to maintain his ascendency in this slippery world.
Bertrand Russell (The Conquest of Happiness)
We remember almost nothing. The idea that we remember a great deal of the subtleties and details of our experiences, as if we are playing back a movie, is nothing more than an illusion, a construct of the brain. And this is perhaps the greatest secret in the study of memory: the astounding truth that, starting from very little information, the brain generates a reality and a past that make us who we are, despite the fact that this past, this collection of memories, is extremely slippery; despite the fact that the mere act of bringing a memory to our consciousness inevitably changes it; despite the fact that what underlies my awareness of a unique, immutable “self” that makes me who I am is constantly changing.
Rodrigo Quian Quiroga (The Forgetting Machine: Memory, Perception, and the "Jennifer Aniston Neuron")
Analogies always deceive more than they reveal; I am no fan of analogies, I do not use them. Even metaphor, that mental operation we use with almost every word we speak, is slippery and deceptive. I always speak as plainly as I can. And yet language, and therefore thought, is a strange and imprecise game of metaphors and analogies, one that we must play to stay alive.
Kim Stanley Robinson (Red Moon)
It seems that it is incredibly easy to end up on the slippery slope where something about ourselves, our faithfulness in this case, becomes more important than our partner. The Otherness of the other again drops out of the picture, and we wind up dealing with the One (an idea, ideal, or signifier), not the Other. Libido becomes inextricably bound up with the symbolic, steering clear of the real.
Bruce Fink (Lacan on Love: An Exploration of Lacan's Seminar VIII, Transference)
No more light answers. Let our officers Have note what we purpose. I shall break The cause of our expedience to the Queen And get her leave to part. For not alone The death of Fulvia, with more urgent touches, Do strongly speak to us, but the letters too Of many our contriving friends in Rome Petition us at home. Sextus Pompeius Hath given the dare to Caesar and commands The empire of the sea. Our slippery people, Whose love is never linked to the deserver Till his deserts are past, begin to throw Pompey the Great and all his dignities Upon his son, who - high in name and power, Higher than both in blood and life - stands up For the main soldier; whose quality, going on, The sides o' th' world may danger. Much is breeding Which, like the courser's hair, hath yet but life And not a serpent's poison.
William Shakespeare (Antony and Cleopatra)
Go away,” she said voicelessly. Aureliano, smiled, picked her up by the waist with both hands like a pot of begonias, and dropped her on her back on the bed. With a brutal tug he pulled off her bathrobe before she had time to resist and he loomed over an abyss of newly washed nudity whose skin color, lines of fuzz, and hidden moles had all been imagined in the shadows of the other rooms. Amaranta Úrsula defended herself sincerely with the astuteness of a wise woman, weaseling her slippery, flexible, and fragrant weasel’s body as she tried to knee him in the kidneys and scorpion his face with her nails, but without either of them giving a gasp that might not have been taken for that”“breathing of a person watching the meager April sunset through the open window. It was a fierce fight, a battle to the death, but it seemed to be without violence because it consisted of distorted attacks and ghostly evasions, slow, cautious, solemn, so that during it all there was time for the petunias to bloom and for Gaston to forget about his aviator’s dream in the next room, as if they were two enemy lovers seeking reconciliation at the bottom of an aquarium. In the heat of that savage and ceremonious struggle, Amaranta Úrsula understood that her meticulous silence was so irrational that it could awaken the suspicions of her nearby husband much more than the sound of warfare that they were trying to avoid. Then she began to laugh with her lips tight together, without giving up the fight, but defending herself with false bites and deweaseling her body little by little until they both were conscious of being adversaries and accomplices at the same time and the affray degenerated into a conventional gambol and the attacks became”“caresses. Suddenly, almost playfully, like one more bit of mischief, Amaranta Úrsula dropped her defense, and when she tried to recover, frightened by what she herself had made possible, it was too late. A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange whistles and the invisible globes on the other side of death were like. She barely had time to reach out her hand and grope for the towel to put a gag between her teeth so that she would not let out the cat howls that were already tearing at her insides.
Gabriel García Márquez (One Hundred Years of Solitude)
Ironically, in an age of instant global connection, my certainty about anything has decreased. Rather than receiving truth from an authority, I am reduced to assembling my own certainty from the liquid stream of facts flowing through the web. Truth, with a capital T, becomes truths, plural. I have to sort the truths not just about things I care about, but about anything I touch, including areas about which I can’t possibly have any direct knowledge. That means that in general I have to constantly question what I think I know. We might consider this state perfect for the advancement of science, but it also means that I am more likely to have my mind changed for incorrect reasons. While hooked into the network of networks I feel like I am a network myself, trying to achieve reliability from unreliable parts. And in my quest to assemble truths from half-truths, nontruths, and some noble truths scattered in the flux, I find my mind attracted to fluid ways of thinking (scenarios, provisional belief, subjective hunches) and toward fluid media like mashups, twitterese, and search. But as I flow through this slippery web of
Kevin Kelly (The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future)
Do ye trust me enough to follow me up the hill and see if the hot spring truly exists?" "As cold as my toes are, I'd be willing to follow you if you said there was a fire lit by a dragon." Catriona let out a little laugh. "We have only fairies here, ye can keep your dragons." Samuel winked. "Which is mightier?" "I'm surprised ye wouldn't think a dragon, sir," she said, steering her horse around the tall stones and then up the slippery slope behind them. "Fairies have magic." "And dragons have fire." ..."Fire is not always more potent than magic," Samuel called.
Eliza Knight (Kissing the Highlander (Kilts and Kisses, #1; Highland Adventure, #7))
And eating animals is one of those topics, like abortion, where it is impossible to definitely know some of the most important details (When is a fetus a person, as opposed to a potential person? What is animal experience really like?) and that cuts right to one's deepest discomforts, often provoking defensiveness or aggression. It's a slippery, frustrating, and resonant subject. Each question prompts another, and it's easy to find yourself defending a position far more extreme than you actually believe or could live by. Or worse, finding no position worth defending or living by.
Jonathan Safran Foer (Eating Animals)
You may find it hard to believe, but a true lady won’t just roll over and accept a merciless cad for a suitor just because he manages to water her lawn satisfactorily. I am more than attuned to your personal moral standards and I have no desire to lower myself to them. So call it what you will, foolhardiness, stubbornness or just a pure and true desire to tangle my web with a real gentleman but when it comes down to it, Maxy boy, you have been measured and you have been found wanting. Now please refrain from touching me with your slippery flippers and let us return to our lesson.
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
There was a bag of coffee beans beneath a harpoon gun and a frozen hunk of spinach, but there was no way to grind the beans into tiny pieces to make coffee. Near a picnic basket and a large bag of mushrooms was a jug of orange juice, but it had been close to one of the bullet holes in the trunk, and so had frozen completely solid in the cold. And after Sunny moved aside three chunks of cold cheese, a large can of water chestnuts, and an eggplant as big as herself, she finally found a small jar of boysenberry jam, and a loaf of bread she could use to make toast, although it was so cold it felt more like a log than a breakfast ingredient.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
PANOTII LOOKS PUT OUT ABOUT BEING LEFT BEHIND AND dogs my steps as I stow his tack under the deep overhang on the south side of the wizard’s hovel. There’s plenty of grass here, water at the lake, and it’s not that cold yet, despite the shift in seasons. If the rains start before we get back, the horses can take shelter under the overhang. I’m not worried about them wandering off. Not one of them has stepped outside of the large makeshift corral of God Bolt pits since we got here. “You can’t come with us,” I tell him. “It’ll be cold and slippery. And big monsters will want to eat you.” He tosses his head, snorting. “Really big monsters. There might be Dragons. And the Hydra. And I can’t vouch for the friendliness of the Ipotane toward regular horses.” I blow gently into his nose. Panotii chuffs back. “You’ll be safe here, and if anyone tries to steal you, Grandpa Zeus will throw down a thunderbolt. Boom! No more horse thief.” “Zeus may have better things to do than babysit our horses,” Flynn says, stowing his own equine gear next to mine. I glance northward toward the Gods’ mountain home and speak loudly. “In that case, I’m announcing right now that I’ll make an Olympian stink if anything happens to my horse.” Flynn looks nervous and moves away from me like he’s expecting a God Bolt to come thundering down. “She’s not kidding.” Sunlight glints off Griffin’s windblown hair. Thick black stubble darkens his jaw. He flashes me a smile that brings out the slight hook in his nose, and something tightens in my belly. I turn back to Panotii and scratch under his jaw. “You’re in charge here.” His enormous ears flick my way. “You keep the others in line.” Panotii nods. I swear to the Gods, my horse nods. Brown Horse raises his head and pins me with a gimlet stare. I roll my eyes. “Fine. You can help. You’re both in charge.” Apparently satisfied, Griffin’s horse goes back to grazing, shearing the grass around him with neat, organized efficiency. Griffin and Brown Horse were made for each other. Panotii shoves his nose into my shoulder, knocking me back a step. Taking a handful of his chestnut mane, I stretch up on my toes to whisper into one of his donkey ears. “Seriously, you’re in charge. I’ll bet you can even rhyme.” Carver and Kato chuckle as they walk past. Griffin bands his arms around my waist from behind, surprising me. “I heard that.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
When I got back to the kitchen, my heart nearly stopped. Dad was leaning across the stainless worktable, over a pile of shrimp, almost right in Alex's face. He was holding a new knife, this one small and very sharp. "You got that,kid, or should I say it again?" he was demanding. Alex looked more nervous than I'd ever seen him. But only for a second. Then his face hardened, and he slapped both palms flat on the table. "I've got it," he said. He shoved up his sleeves and reached for the knife. Moments later, he was deveining shrimp with a lot of enthusiasm and a little skill. Dad turned and caught me gaping. He tilted his head in obvious warning. Raw, icky, slippery: This was the task he'd given the boy I brought into his kitchen, and I was not to interfere. Poor Alex. He was being tested for a position he didn't even want.
Melissa Jensen (The Fine Art of Truth or Dare)
Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S
Malay Roy Choudhury (Selected Poems)
You can't build a house without nails and wood. If you don't want a house built, hide the nails and wood. If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of non-combustible data, chock them so damned full of 'facts' they fell stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy. because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with.
Ray Bradbury (Fahrenheit 451)
He had been a sophomore at Michigan State, studying toward an architect’s certificate, and felt unable to continue, on borrowed money and the world’s sufferance. There was a shuddering in his head he could not eliminate. He let his brother Johan—Joop—cheaply buy his share of the greenhouses and let himself be drafted. Since this accident, the world wore a slippery surface for Piet; he stood on the skin of things in the posture of a man testing newly formed ice, his head cocked for the warning crack, his spine curved to make himself light. “… and we lift our hearts in petition for those who have died, who in the ripening of time have pierced the beyond …” Piet bent his thought toward the hope of his parents’ immortality, saw them dim and small among clouds, in their workaday greenhouse clothes, and realized that if they were preserved it was as strangers to him, blind to him, more than an ocean removed from the earthly concerns of which he had—infant, child, boy, and beginning man—been but one.
John Updike (Couples)
Plainly stated, I believe consciousness is an instinct. Many organisms, not just humans, come with it, ready-made. That is what instincts are, something organisms come with. Living things have an organization that allows life and ultimately consciousness to exist, even though they are made from the same materials as the non-living natural world that surrounds them. And instincts envelop organisms from bacteria to humans. Survival, sex, resilience, and walking are commonly thought to be instincts, but so, too, are more complex capacities such as language and sociality—all are instincts. The list is long, and we humans seem to have more instincts than other creatures. Yet there is something special about the consciousness instinct. It is no ordinary instinct. In fact, it seems so extraordinary that many think only we humans can lay claim to it. Even if that’s not the case, we want to know more about it. And because we all have it, we all think we have insight into it. As we will see, it is a slippery, complex instinct situated in the universe’s most impenetrable organ, the brain.
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
Kaz had never been able to dodge the horror of that night in the Ketterdam harbor, the memory of his brother’s corpse clutched tight in his arms as he told himself to kick a little harder, to take one more breath, stay afloat, stay alive. He’d found his way to shore, devoted himself to the vengeance he and his brother were owed. But the nightmare refused to fade. Kaz had been sure it would get easier. He would stop having to think twice before he shook a hand or was forced into close quarters. Instead, things got so bad he could barely brush up against someone on the street without finding himself once more in the harbor. He was on the Reaper’s Barge and death was all around him. He was kicking through the water, clinging to the slippery bloat of Jordie’s flesh, too frightened of drowning to let go. The situation had gotten dangerous. When Gorka once got too drunk to stand at the Blue Paradise, Kaz and Teapot had to carry him home. Six blocks they hauled him, Gorka’s weight shifting back and forth, slumping against Kaz in a sickening press of skin and stink, then flopping onto Teapot, freeing Kaz briefly—though he could still feel the rub of the man’s hairy arm against the back of his neck. Later, Teapot had found Kaz huddled in a lavatory, shaking and covered in sweat. He’d pleaded food poisoning, teeth chattering as he jammed his foot against the door to keep Teapot out. He could not be touched again or he would lose his mind completely. The next day he’d bought his first pair of gloves—cheap black things that bled dye whenever they got wet. Weakness was lethal in the Barrel. People could smell it on you like blood, and if Kaz was going to bring Pekka Rollins to his knees, he couldn’t afford any more nights trembling on a bathroom floor. Kaz never answered questions about the gloves, never responded to taunts. He just wore them, day in and day out, peeling them off only when he was alone. He told himself it was a temporary measure. But that didn’t stop him from remastering every bit of sleight of hand wearing them, learning to shuffle and work a deck even more deftly than he could barehanded. The gloves held back the waters, kept him from drowning when memories of that night threatened to drag him under. When he pulled them on, it felt like he was arming himself, and they were better than a knife or a gun. 
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She wasn’t going to be able to navigate the wet very well in those high heels, but I was sure glad she’d worn them. The graceful, unaffected feminine sway of her as she walked was a sight to see. She began making a bee-line for Murphy’s as quickly as she dared in those heels on the concrete, and then the wet slippery street. Proving there’s no fool like a desperate one, I timed my dash through the rain so I’d arrive in time to open the door for her. It is a risk in today’s climate to open a door for a woman, much less make a play for her — clumsy or otherwise. There was an elegance about her though; I could feel it, even from a distance. She didn’t strike me as the hateful, victimhood-embracing type at all; but perhaps I was simply lonely enough to risk a withering gaze or a tongue-lashing accusing me of being part of some dark, patriarchal and misogynistic conspiracy against her kind. It’s a big word, misogynistic, one of those two-dollar words, as my uneducated old man used to say. Misandrist comes before it in the dictionary, but the type of women who throw the word misogynistic around more often than a teenage girl plays with her hair to flirt, act as if misandrist isn’t a real word too.
Bobby Underwood (You Were Wonderful (Noir Shots, #9))
Hagen understood that the policeman believes in law and order in a curiously innocent way. He believes in it more than does the public he serves. Law and order is, after all, the magic from which he derives his power, individual power which he cherishes as nearly all men cherish individual power. And yet there is always the smoldering resentment against the public he serves. They are at the same time his ward and his prey. As wards they are ungrateful, abusive and demanding. As prey they are slippery and dangerous, full of guile. As soon as one is in the policeman’s clutches the mechanism of the society the policeman defends marshals all its resources to cheat him of his prize. The fix is put in by politicians. Judges give lenient suspended sentences to the worst hoodlums. Governors of the States and the President of the United States himself give full pardons, assuming that respected lawyers have not already won his acquittal. After a time the cop learns. Why should he not collect the fees these hoodlums are paying? He needs it more. His children, why should they not go to college? Why shouldn’t his wife shop in more expensive places? Why shouldn’t he himself get the sun with a winter vacation in Florida? After all, he risks his life and that is no joke.
Mario Puzo (The Godfather (The Godfather #1))
The secret—to being you, to being Happy?” “Just keep on smiling. Even when you’re sad. Keep on smiling.” Not the most profound advice, admittedly. But Happy is wise, for only a fool or a philosopher would make sweeping generalizations about the nature of happiness. I am no philosopher, so here goes: Money matters, but less than we think and not in the way that we think. Family is important. So are friends. Envy is toxic. So is excessive thinking. Beaches are optional. Trust is not. Neither is gratitude. To venture any further, though, is to enter treacherous waters. A slippery seal, happiness is. On the road, I encountered bushels of inconsistencies. The Swiss are uptight and happy. The Thais are laid-back and happy. Icelanders find joy in their binge drinking, Moldovans only misery. Maybe an Indian mind can digest these contradictions, but mine can’t. Exasperated, I call one of the leading happiness researchers, John Helliwell. Perhaps he has some answers. “It’s simple,” he says. “There’s more than one path to happiness.” Of course. How could I have missed it? Tolstoy turned on his head. All miserable countries are alike; happy ones are happy in their own ways. It’s worth considering carbon. We wouldn’t be here without it. Carbon is the basis of all life, happy and otherwise. Carbon is also a chameleon atom. Assemble it one way—in tight, interlocking rows—and you have a diamond. Assemble it another way—a disorganized jumble—and you have a handful of soot. The arranging makes all the difference. Places are the same. It’s not the elements that matter so much as how they’re arranged and in which proportions. Arrange them one way, and you have Switzerland. Arrange them another way, and you have Moldova. Getting the balance right is important. Qatar has too much money and not enough culture. It has no way of absorbing all that cash. And then there is Iceland: a country that has no right to be happy yet is. Iceland gets the balance right. A small country but a cosmopolitan one. Dark and light. Efficient and laid-back. American gumption married to European social responsibility. A perfect, happy arrangement. The glue that holds the entire enterprise together is culture. It makes all the difference. I have some nagging doubts about my journey. I didn’t make it everywhere. Yet my doubts extend beyond matters of itinerary. I wonder if happiness is really the highest good, as Aristotle believed. Maybe Guru-ji, Sri Sri Ravi Shankar, is right. Maybe love is more important than happiness. Certainly, there are times when happiness seems beside the point. Ask a single, working mother if she is happy, and she’s likely to reply, “You’re not asking the right question.” Yes, we want to be happy but for the right reasons, and,
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...
Liz Braswell (Straight On Till Morning)
muddy ground. He pushed himself backward, his hands frantically splashing in puddles of muddied water. The darkness of the cemetery made it impossible to see anything more than a shadow, but Cody knew what stalked him. He knew the evil coming. He screamed and jumped back to his feet. He ran as fast as he could on the slippery ground. Another loud crash of thunder followed a bright flash of lightning. He was so close, so close to the entrance to the cemetery, but the rain, stronger than before, hammered down upon him. He splashed through puddles of water, flinching from the sheets of rain slapping his face. He struggled to increase his speed, his tears blending in with the rain. Four bicycles lay scattered on the ground near the entrance of the cemetery. Cody yanked his bicycle upright off the ground and checked behind him, but there wasn’t anything there. He hesitated, his heart breaking at the sight of his friends’ bikes lying next to his. “I’m so sorry,” he cried before mounting his own bike. The mud, caked onto the soles of his shoes, caused his feet to slip on the wet pedals. He peered into the dark depths of the cemetery again and found the familiar shadow creeping towards him. Whimpering again, Cody reached down to scrape the mud off with his bare hands, and then pedaled a mile to his home in the heavy rain. Rain-drenched, Cody jumped the curb in front of his house and dropped his bicycle on the lawn. He ran to his open bedroom window, stumbled through it, and fell onto the floor. His bedroom curtains flapped inward
Robert Pruneda (Devil's Nightmare (Devil's Nightmare #1))
You can’t do that again, Josie. I don’t want you to take care of me. I know you did it because you do care….but don’t take my pride from me.” “Is pride more important than friendship?” I said sadly. “Yes!” Samuel’s voice was harsh and emphatic. “That is so ridiculous!” I threw my arms wide in frustration. “Josie! You are just a little girl! You don’t know how helpless and weak and stupid it made me feel to stand there while you arranged my life like I was some kind of charity case!” Samuel fisted his hands in his hair and growling, turned towards the door. “I am not a little girl! I haven’t been a little girl for years…forever! I don’t think like a little girl, I don’t act like a little girl. I don’t LOOK like a little girl, do I? Don’t you dare say I am a little girl!” I pounded down on the piano keys - playing a violent riff, reminiscent of Wagner himself. Now I knew what Sonja meant by letting out the beast! I wanted to throw something, or smash something, and scream at Samuel. He was so impossible! Such a stubborn, mule-headed jerk! I played hard for several minutes, and Samuel stood at the door, dumbfounded. Suddenly Samuel sat down beside me on the piano bench and put his hands over the top of mine, bringing the din to a halt. “I’m sorry, Josie,” Samuel said softly. I was crying, tears dripping down onto the keys, making them slippery. I was a terrible beast, not fierce at all - just a blubbering baby beast. Samuel seemed at a loss. He sat very still, his hands covering mine. Slowly, his hands rose to my face and gently wiped the tears from my cheeks. “Will you play something else?” He requested softly, his voice remorseful. “Will you play something for me....please?
Amy Harmon (Running Barefoot)
No one acts in a void. We all take cues from cultural norms, shaped by the law. For the law affects our ideas of what is reasonable and appropriate. It does so by what it prohibits--you might think less of drinking if it were banned, or more of marijuana use if it were allowed--but also by what it approves. . . . Revisionists agree that it matters what California or the United States calls a marriage, because this affects how Californians or Americans come to think of marriage. Prominent Oxford philosopher Joseph Raz, no friend of the conjugal view, agrees: "[O]ne thing can be said with certainty [about recent changes in marriage law]. They will not be confined to adding new options to the familiar heterosexual monogamous family. They will change the character of that family. If these changes take root in our culture then the familiar marriage relations will disappear. They will not disappear suddenly. Rather they will be transformed into a somewhat different social form, which responds to the fact that it is one of several forms of bonding, and that bonding itself is much more easily and commonly dissoluble. All these factors are already working their way into the constitutive conventions which determine what is appropriate and expected within a conventional marriage and transforming its significance." Redefining civil marriage would change its meaning for everyone. Legally wedded opposite-sex unions would increasingly be defined by what they had in common with same-sex relationships. This wouldn't just shift opinion polls and tax burdens. Marriage, the human good, would be harder to achieve. For you can realize marriage only by choosing it, for which you need at least a rough, intuitive idea of what it really is. By warping people's view of marriage, revisionist policy would make them less able to realize this basic way of thriving--much as a man confused about what friendship requires will have trouble being a friend. . . . Redefining marriage will also harm the material interests of couples and children. As more people absorb the new law's lesson that marriage is fundamentally about emotions, marriages will increasingly take on emotion's tyrannical inconstancy. Because there is no reason that emotional unions--any more than the emotions that define them, or friendships generally--should be permanent or limited to two, these norms of marriage would make less sense. People would thus feel less bound to live by them whenever they simply preferred to live otherwise. . . . As we document below, even leading revisionists now argue that if sexual complementarity is optional, so are permanence and exclusivity. This is not because the slope from same-sex unions to expressly temporary and polyamorous ones is slippery, but because most revisionist arguments level the ground between them: If marriage is primarily about emotional union, why privilege two-person unions, or permanently committed ones? What is it about emotional union, valuable as it can be, that requires these limits? As these norms weaken, so will the emotional and material security that marriage gives spouses. Because children fare best on most indicators of health and well-being when reared by their wedded biological parents, the same erosion of marital norms would adversely affect children's health, education, and general formation. The poorest and most vulnerable among us would likely be hit the hardest. And the state would balloon: to adjudicate breakup and custody issues, to meet the needs of spouses and children affected by divorce, and to contain and feebly correct the challenges these children face.
Sherif Girgis
We don't have much time. The mono travels just as fast toward its point of ending whether Blaine's with us or not." "You don't really believe he's gone, do you?" Eddie asked. "A slippery pup like him? Come on, get real. He's peeking, I guarantee you." "I doubt it very much," Roland said, and Susannah decided she agreed with him. For now, at least. "You could hear how excited he was at the idea of riddling again after all these years. And-" "And he's confident," Susannah said. "Doesn't expect to have much trouble with the likes of us." "Will he?" Jake asked the gunslinger. "Will he have trouble with us?" "I don't know," Roland said. "I don't have a Watch Me hidden up my sleeve, if that's what you're asking. It's a straight game ... but at least it's a game I've played before. We've all played it before, at least to some extent. And there's that." He nodded toward the book which Jake had taken back from Oy. "There are forces at work here, big ones, and not all of them are working to keep us away from the Tower." Susannah heard him, but it was Blaine she was thinking of-Blaine who had gone away and left them alone, like the kid who's been chosen "it" obediently covering his eyes while his playmates hide. And wasn't that what they were? Blaine's playmates? The thought was somehow worse than the image she'd had of trying the escape hatch and having her head torn off. "So what do we do?" Eddie asked. "You must have an idea, or you never would have sent him away." "His great intelligence-coupled with his long period of loneliness and forced inactivity-may have combined to make him more human than he knows. That's my hope, anyway. First, we must establish a kind of geography. We must tell, if we can, where he is weak and where he is strong, where he is sure of the game and where not so sure. Riddles are not just about the cleverness of the riddler, never think it. They are also about the blind spots of he who is riddled." "Does he have blind spots?" Eddie asked. "If he doesn't," Roland said calmly, "we're going to die on this train.
Stephen King (Wizard and Glass (The Dark Tower, #4))
Oil “Soviet Russia cannot survive without Baku’s oil,” told comrade Vladimir Lenin. One of the plans was to drain the Caspian Sea: “Is it possible? Can you drain the Caspian Sea?” said the powerful Stalin. It was more an order than a question.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Azerbaijan - Oil Country). Mafia “With his wife Victoria, they reigned here for nineteen years. This period Georgians called ironically the Victorian Era, and his wife got the name Queen Victoria. Victoria created the system when all was for sale: state documents ten times the price; 5,000 roubles to enter the Communist party; 50,000 for the judge job, … “ (- Angelika Regossi, “Russian Colonial Food”. Chapter: Gruzia - Where Soviet Mafia Was Born). Smoking “Smoking breaks in the USSR were long and often—and became an official excuse not to work, causing huge damage to the already failing state economy. But on the other hand, with zero unemployment and prison terms, if you are not on a payroll, the state could not provide enough work for everybody. People had to show up every day in the workplace. Boredom from nothing-to-do turned into massive laziness and Soviet workers spent long hours in the smoke rooms. For some, it was a place to relax, for others, to provoke a frank conversation—because … Well, let’s talk about it later.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Litva - Friends and Rebels). God “The bus was driving slowly, just forty km an hour on the slippery winter road. Outside was a spectacular view of the Caucasus mountains. Here and there appeared churches: nearby and far away, but always on the top of the hill: “Closer to God, as high as possible,” crossed His mind. The bus stopped with a creaking sound, and He slowly got off: “For me, Khor Virap Monastery will be the resting place: from the Soviet life … from the communist lies … I shall spend here the rest of my life. And from here … I shall go to eternity …” these were His last thoughts before He entered the monastery gate. He was dead tired from all that happened, walking uphill closer to God.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Armenia - Road in the First Christian State).
Angelika Regossi (Russian Colonial Food: Journey through the dissolved Communist Empire)
Just as the two of them finished their plump white asparagus spears in white sauce, they were served a selection of grilled vegetables. To think that onions could become so sweet and rich simply by grilling them! Rika had never been a fan of shishito peppers, but the ones on the plate in front of her were fragrant, with a gentle taste. Before she knew it, she'd devoured many more vegetables than she had the other night in that Japanese bistro, just a few dozen meters from here. She was fairly sure that the red meat being cooked on a section of the hotplate not far from where they were sitting was for them. Eventually, clear juice began oozing from its surface. Even the smell of the melting fat was appealing and mild--- not aggressive or meaty. She watched transfixed as the red turned to pale pink, as the white fat grew translucent. The meat was cut up and served to them in pieces. Rika imagined it would be steaming hot, but when she brought one of the chunks to her lips, she found it to be just the right temperature. The comfort it brought was that of a warm, affectionate tongue entering her mouth. When she bit into the aromatic seared surface of the meat, the juice from the moist, rare sections came seeping out, making the lining of her cheeks tremble. A blood-colored filament flickered across her vision. 'Apparently the garlic-butter rice here is truly out of this world. They use plenty of butter, as well as the leftover meat juices.' Rika was looking at the rice cooking on the hotplate as she spoke. Cloaked in their mantle of amber butter, the grains shimmied and danced before her eyes. There was a sizzle as the chef poured on some soy sauce, and then the short, spirited tango was over. Bowls of the glistening bronze rice appeared before them. Swathed in meat juice and butter, each and every grain shone potently. The rich, heady aroma of the soy sauce stoked Rika's appetite. The garlic singed to a deep brown unleashed a perilous bitterness and astringency across her palate. Slippery with fat, the rice slid across the plane of her tongue and down her throat. The meat she'd eaten before had been fantastically flavorsome, but this rice that had absorbed its juices was truly formidable in its taste. With each movement of her jaw, she felt a new lease of power surging up her body. The sense of fullness brought on a comfortable lethargy, and Rika felt she could happily drop off right at that moment.
Asako Yuzuki (Butter)
Here, for example, is a hypothetical: A football team is going to an away game when one of their vans breaks down. So they ask the mother of one of the players if they can borrow her van to transport them. Sure, she says, but I’m not going to drive. And so she asks the assistant coach to drive the team for her. But then, as they’re driving along, something horrible happens: the van skids off the road and flips over; everyone inside dies. There is no criminal case here. The road was slippery, the driver wasn’t intoxicated. It was an accident. But then the parents of the team, the mothers and fathers of the dead players, sue the owner of the van. It was her van, they argue, but more important, it was she who appointed the driver of her van. He was only her agent, and therefore, it is she who bears the responsibility. So: What happens? Should the plaintiffs win their suit? Students don’t like this case. I don’t teach it that often—its extremity makes it more flashy than it is instructive, I believe—but whenever I did, I would always hear a voice in the auditorium say, “But it’s not fair!” And as annoying as that word is—fair—it is important that students never forget the concept. “Fair” is never an answer, I would tell them. But it is always a consideration. He never mentioned whether something was fair, however. Fairness itself seemed to hold little interest for him, which I found fascinating, as people, especially young people, are very interested in what’s fair. Fairness is a concept taught to nice children: it is the governing principle of kindergartens and summer camps and playgrounds and soccer fields. Jacob, back when he was able to go to school and learn things and think and speak, knew what fairness was and that it was important, something to be valued. Fairness is for happy people, for people who have been lucky enough to have lived a life defined more by certainties than by ambiguities. Right and wrong, however, are for—well, not unhappy people, maybe, but scarred people; scared people. Or am I just thinking this now? “So were the plaintiffs successful?” I asked. That year, his first year, I had in fact taught that case. “Yes,” he said, and he explained why: he knew instinctively why they would have been. And then, right on cue, I heard the tiny “But it’s not fair!” from the back of the room, and before I could begin my first lecture of the season—“fair” is never an answer, etc., etc.—he said, quietly, “But it’s right.
Hanya Yanagihara (A Little Life)
Stark Electric Jesus Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide
Maitreyee Bhattacharjee Chowdhury (The Hungryalists)
Spaghetti alla puttanesca is typically made with tomatoes, olives, anchovies, capers, and garlic. It means, literally, "spaghetti in the style of a prostitute." It is a sloppy dish, the tomatoes and oil making the spaghetti lubricated and slippery. It is the sort of sauce that demands you slurp the noodles Goodfellas style, staining your cheeks with flecks of orange and red. It is very salty and very tangy and altogether very strong; after a small plate, you feel like you've had a visceral and significant experience. There are varying accounts as to when and how the dish originated- but the most likely explanation is that it became popular in the mid-twentieth century. The first documented mention of it is in Raffaele La Capria's 1961 novel, Ferito a Morte. According to the Italian Pasta Makers Union, spaghetti alla puttanesca was a very popular dish throughout the sixties, but its exact genesis is not quite known. Sandro Petti, a famous Napoli chef and co-owner of Ischian restaurant Rangio Fellone, claims to be its creator. Near closing time one evening, a group of customers sat at one of his tables and demanded to be served a meal. Running low on ingredients, Petti told them he didn't have enough to make anything, but they insisted. They were tired, and they were hungry, and they wanted pasta. "Facci una puttanata qualsiasi!" they cried. "Make any kind of garbage!" The late-night eater is not usually the most discerning. Petti raided the kitchen, finding four tomatoes, two olives, and a jar of capers, the base of the now-famous spaghetti dish; he included it on his menu the next day under the name spaghetti alla puttanesca. Others have their own origin myths. But the most common theory is that it was a quick, satisfying dish that the working girls of Naples could knock up with just a few key ingredients found at the back of the fridge- after a long and unforgiving night. As with all dishes containing tomatoes, there are lots of variations in technique. Some use a combination of tinned and fresh tomatoes, while others opt for a squirt of puree. Some require specifically cherry or plum tomatoes, while others go for a smooth, premade pasta. Many suggest that a teaspoon of sugar will "open up the flavor," though that has never really worked for me. I prefer fresh, chopped, and very ripe, cooked for a really long time. Tomatoes always take longer to cook than you think they will- I rarely go for anything less than an hour. This will make the sauce stronger, thicker, and less watery. Most recipes include onions, but I prefer to infuse the oil with onions, frying them until brown, then chucking them out. I like a little kick in most things, but especially in pasta, so I usually go for a generous dousing of chili flakes. I crush three or four cloves of garlic into the oil, then add any extras. The classic is olives, anchovies, and capers, though sometimes I add a handful of fresh spinach, which nicely soaks up any excess water- and the strange, metallic taste of cooked spinach adds an interesting extra dimension. The sauce is naturally quite salty, but I like to add a pinch of sea or Himalayan salt, too, which gives it a slightly more buttery taste, as opposed to the sharp, acrid salt of olives and anchovies. I once made this for a vegetarian friend, substituting braised tofu for anchovies. Usually a solid fish replacement, braised tofu is more like tuna than anchovy, so it was a mistake for puttanesca. It gave the dish an unpleasant solidity and heft. You want a fish that slips and melts into the pasta, not one that dominates it. In terms of garnishing, I go for dried oregano or fresh basil (never fresh oregano or dried basil) and a modest sprinkle of cheese. Oh, and I always use spaghetti. Not fettuccine. Not penne. Not farfalle. Not rigatoni. Not even linguine. Always spaghetti.
Lara Williams (Supper Club)
Up until the nineteenth century, the oyster was thought to be a simple primitive creature. We like to think this of the creatures we eat, especially the ones we pop into our mouths whole and raw. But it turns out that the oyster has a brain and a nervous system. In the words of the nineteenth-century British Darwinsist Thomas Huxley, ‘I suppose that when the sapid and slippery morsel – which is gone like a flash of gustatory summer lightning – glides along the palate, few people imagine that they are swallowing a piece of machinery (and going machinery) greatly more complicated than a watch.
Mark Kurlansky
I’ve never much liked the whole setup of Christianity, with its emphasis on being saved, thereby acknowledging a debt that can only be paid by a lifetime of sacrifice and devotion. Must God’s love have strings attached? People who crave salvation should think about how they’re going to feel if it turns out that this God who saved them is, upon closer acquaintance, completely alien. He, possibly she (or, more likely, it), is not now and never has been one of us. Jesus clearly was not one of us, with his crypto-stories about the prodigal who is more beloved by the father than the dutiful son and the sliding pay scale for field hands, with his magic powers that run the gamut from improving the wedding beverage to blasting trees to raising the dead. These days we have born-agains everywhere, even in the White House, carping about how clear and meaningful everything is now that they’ve seen the light and accepted Christ as their Savior. There they were, just sinning along aimlessly, drinking and fornicating down that slippery slope lined with good intentions and ending you know where, when suddenly Jesus reached out and down or across and saved them. And now they feel grateful all the time, every day. It things go wrong, that’s God’s way of testing their faith, and if they are successful and make lots of money, that proves they have been chosen by God. It's supposed to be all about free will, but there’s not much freedom in it. And if God is really so eager to save the desperate from themselves, where was he when my mother was knocking back the Seconal with her lunatic girlfriend from hell.
Valerie Martin (The Confessions of Edward Day)
Persons such as Isaac Asimov and Carl Sagan say that tens of thousands (maybe tens of millions) of planets will fulfill the conditions for the support of life. And then they take the rather deceptive step from the ‘possibility of life’ to the ‘inevitability of life’ by such connivance as would shame a crooked gambler. They posit towering numbers of ‘civilizations’ on those ‘possibility-of-life planets’, at least half of them to be more advanced than the Civilization of Earth and Humankind. But there is a strong element of Advocacy Science in this. There is a great and powerful lobby advocating the existence of great numbers of superior civilizations. One reason for this is that the secular-liberal-agnostic-relativistic faction of scientists cannot allow the uniqueness of anything, not of Earth, not of Life, certainly not of Human Life, most certainly not of existing Human Civilization. To allow the uniqueness of any of these things, they would have to cease to be secular-liberal-agnostic-relativistic persons. And the shock of changing their style would kill all of them. Science Fiction also has a vested interest in there being a multiplicity of inhabited worlds and civilizations. That is one of the small number of things that Science Fiction is about. But Science Fiction is, after all, only a fiction.
R.A. Lafferty (It's Down the Slippery Cellar Stairs (Essays on Fantastic Literature 1))
climbers is that we can drench the wall in Cindy’s oil. That should make the wall exceptionally more difficult to climb due to the oil’s slippery nature.” “Ahh, great stuff, Cole. Please have all three ideas implemented immediately.” Cole nodded. “I’ll reach out to Tommy soon. Now, let’s move on, shall we?” We walked over to the next area, which was the golem mech area. “Oh, wow. You guys have been working hard, huh?” I said as I saw about five new golems. “Yes, they performed quite admirably in that last battle, so now we are going to make a whole fleet of these things. Well, that was always the plan, but that battle came sooner than expected.” I nodded. “Yeah, they definitely performed better than expected, so a whole fleet of them sounds awesome.” Cole grinned a big o’ smile. “Ah, I’m so happy to hear you say that. I know you were against using them, but I’m glad you’ve changed your mind.” “At one point, I was uncertain of the unproven technology, but yeah, those mechs rock, so…” “Hm? Actually, the mechs are made of iron, not rock. Though I suppose I could make them from rock, but they
Steve the Noob (Diary of Steve the Noob 39 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
But few gain sufficient experience in Wall Street to command sucess until they reach that period of life in which they have one foot in the grave. When this time comes these old veterans of the Street usually spend long intervals of repose at their comfortable homes, and in times of panic, which recur sometimes oftener than once a year, these old fellows will be seen in Wall Street, hobbling down on their canes to their brokers' office. Then they always buy good stocks to the extent of their bank balances, which have been permitted to accumulate for just such an emergency. The panic usually rages until enough of these cash purchases of stock is made to afford a big "rake in." When the panic has spent its force, these old fellows, who have been resting judiciously on their oars in expectation of the inevitable event, which usually returns with the regularity of the seasons, quickly realize, deposit their profits with their bankers, or the overplus thereof, after purchasing more real estate that is on the upgrade, for permanent investment, and retire for another season to the quietude of their splendid homes and the bosoms of their happy families. If young men had only the patience to watch the speculative signs of the times, as manifested in the periodical egress of these old prophetic speculators from their shells of security, they would make more money at these intervals than by following up the slippery "tips" of the professional "pointers" of the Stock Exchange all the year round, and they would feel no necessity for hanging at the coat tails, around the hotels, of those specious frauds, who pretend to be deep in the councils of the big operations and of all the new "pools" in process of formation. I say to the young speculators, therefore, watch the ominous visits to the Street of these old men. They are as certain to be seen on the eve of a panic as spiders creeping stealthily and noiselessly from their cobwebs just before rain.
Henry Clews (Fifty Years in Wall Street (Wiley Investment Classics))
Luckily, queer ones like her don't happen, often. We know how to nip most of them in the bud, early. You can't build a house without nails and wood. If you don't want a house built, hide the nails and wood. If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the Government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it. So bring on your clubs and parties, your acrobats and magicians, your dare-devils, jet cars, motor-cycle helicopters, your sex and heroin, more of everything to do with automatic reflex. If the drama is bad, if the film says nothing, if the play is hollow, sting me with the theremin, loudly. I'll think I'm responding to the play, when it's only a tactile reaction to vibration. But I don't care. I just like solid entertainment.
Ray Bradbury, Fahrenheit 451
His father curled a finger toward him. “I have need of your gift.” “Why?” His Starborn abilities were little more than a sparkle of starlight in his palm. His shadow talents were the more interesting gift. Even the temperature monitors on the high-tech cameras in this city couldn’t detect him when he shadow-walked. His father held up the prism. “Direct a beam of your starlight through this.” Not waiting for an answer, his father again put an eye to the metal viewing contraption atop the prism. It ordinarily took Ruhn a good amount of concentration to summon his starlight, and it usually left him with a headache for hours afterward, but … He was intrigued enough to try. Setting his index finger onto the crystal of the prism, Ruhn closed his eyes and focused upon his breathing. Let the clicking metal of the orrery guide him down, down, down into the black pit within himself, past the churning well of his shadows, to the little hollow beneath them. There, curled upon itself like some hibernating creature, lay the single seed of iridescent light. He gently cupped it with a mental palm, stirring it awake as he carefully brought it upward, as if he were carrying water in his hands. Up through himself, the power shimmering with anticipation, warm and lovely and just about the only part of himself he liked. Ruhn opened his eyes to find the starlight dancing at his fingertip, refracting through the prism. His father adjusted a few dials on the device, jotting down notes with his other hand. The starlight seed became slippery, disintegrating into the air around them. “Just another moment,” the king ordered. Ruhn gritted his teeth, as if it’d somehow keep the starlight from dissolving. Another click of the device, and another jotted note in an ancient, rigid hand. The Old Language of the Fae—his father recorded everything in the half-forgotten language their people had used when they had first come to Midgard through the Northern Rift. The starlight shivered, flared, and faded into nothing. The Autumn King grunted in annoyance, but Ruhn barely heard it over his pounding head. He’d mastered himself enough to pay attention as his father finished his notes. “What are you even doing with that thing?” “Studying how light moves through the world. How it can be shaped.” “Don’t we have scientists over at CCU doing this shit?” “Their interests are not the same as mine.” His father
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
I am what I am, irredeemably, irretrievably, implacably—as are most of my fellow desperadoes here on nine. We are monsters, stamped from birth with forbidden hungers, and these can no more be Corrected than can the need to breathe. Bird gotta whistle, fish gotta swim, and Dexter gotta find and flense the slippery wicked predators. However InCorrect that may be, it irreversibly Is.
Jeff Lindsay (Dexter Is Dead (Dexter, #8))
No. 1, when you ask who’s interested in this, the usual answer is, terminally ill people with excruciating pain. False. Factually not true. It tends to be a preoccupation of people who are depressed or hopeless for other reasons. No surprise, actually, if you look at what leads to suicide: hopelessness and depression. You have to look at euthanasia or assisted suicide as more like suicide than like a good death. Second, this notion that there’s no slippery slope, as advocates have long claimed? Totally wrong. Look at Belgium and the Netherlands: First, it’s accepted for adults who are competent and give consent. Then, it’s “We’re going to extend it to neonates with genetic defects, and adolescents.” Any time we do anything in medicine, it’s the same way: We develop an intervention for a narrow group of people, and once it’s well accepted, it gets expanded. I think it’s false to say, “We can hold the line here.” It doesn’t work that way. Third, people say this is a quick, reliable, painless intervention. No medical intervention in history is quick, reliable, painless and has no flaws. In the Netherlands, there’s about a 17 to 20 percent rate of problems, something screwing up. Initially, when the Oregon people published — “We have no problems. Every case went flawlessly!” — you knew the data was wrong. It had to be wrong. Either you’re not getting every case, so the denominator was wrong, or people are lying. There’s nobody who does a procedure, not even blood draws, and it’s perfect every time. So this idea that this is quick, reliable and painless is nonsense. And the last and most important point is: You want to legalize these interventions to improve end-of-life care in this country? That’s your motivation and this is your method? PS: I don’t think people argue that–— ZE: [interrupting] Oh, people do argue that! That is the justification for these procedures: It’s going to improve end-of-life care and give people control. The problem is, even in countries that have legalized it for a long time, at best 3 percent of people die this way in the Netherlands and Belgium. At best, 10 percent express interest in it. That is not a way to improve end-of-life care. You don’t focus lots of attention and effort on 3 percent. It’s the 97 percent, if you want to improve care. The typical response is, we can do both. Hmmm. Every system I’ve ever seen has a bandwidth problem: You can only do so much. We ought to focus our attention on the vast, vast majority, 97 percent of people, for whom this is not the right intervention and get that right — and we are far from that. I don’t think legalizing euthanasia and assisted suicide are the way to go. It’s a big, big distraction.
Paula Span (Ezekiel Emanuel: The Kindle Singles Interview (Kindle Single))
Kahnawake August 1704 Temperature 75 degrees It was worth going into the water just to get away from Ruth’s nagging. Mercy waded in, appalled by how cold it was. Snow Walker towed her around for a minute and then let go. At first Mercy couldn’t take two strokes without having to stand up and reassure herself that there was a bottom, but soon she could swim ten, and then twenty, strokes. Joseph, who had been swimming with the boys, paddled over to admire her new skill. Snow Walker coaxed them to put their heads under the water and swim like fish. Mercy loved it. Wiping river water from her eyes and laughing, she shouted, “Come on in, Joanna!” In front of Snow Walker, she spoke Mohawk. “It feels so cool and slippery inside the water.” Joanna shook her head. “I can’t see where I’m going on land. I don’t want to be blind in water over my head.” “Ruth!” yelled Joseph, in English so she’d answer. “Try it. I won’t pull you under by the toes. I promise.” “Savages swim,” said Ruth. “English people walk or ride horses.” By now, Mercy had flung her tunic onto the grass and was as bare as everybody else. When Ruth scolded, Mercy ducked under the water and stayed there until the yelling was over. “Just wait till you get out, Mercy,” said Ruth. “The mosquitos are going to feast on your wet bare skin.” Mercy translated for Snow Walker, who said, “No, no. We grease to keep the mosquitos away.” Joseph, of course, had been greasing for weeks, but so far Mercy had not submitted. Ruth, unwilling to see Mercy slather bear fat over her nakedness, stalked away. “Good,” said Snow Walker, giggling. “The fire is out. We are safe now.” Mercy was startled. “I never heard you use her old name.” “I don’t call her Let the Sky In,” explained Snow Walker. “She would let nothing in but storms.” Snow Walker’s not such a fence post after all, thought Mercy. “Snow Walker, why have they given Ruth such a fine new name?” “I don’t know. One day at a feast, the story will be told.” “They’ll have to gag Ruth before they tell it,” said Joseph. “She hates her new name even more than she hated her old one.” They got out of the water, racing in circles to dry off, and then Snow Walker rubbed bear grease all over Mercy. “I can’t see you from here, Munnonock,” said Joanna, “but I can smell you.” “Want some?” said Mercy, planning to attack with a scoop of bear grease, but Joanna left for the safety of the cornfields and her mother. Snow Walker went back in to join a water ball team.
Caroline B. Cooney (The Ransom of Mercy Carter)
Jon pushing the wooden phallus against his puckered opening brought Tom out of his reverie, and he made a small, slightly shaky sound. Jon’s hand stroked the back of his thigh, his palm now warm and slippery with oil. The pressure increased and Tom felt himself begin to open up. He winced as the stretch bordered on painful for a moment, but it was more out of nerves than any real discomfort. “Fuck, Tom,” breathed Jon. “I am so fucking hard right now… watching this… doing this to you. I never thought…” Tom let out a groan at Jon’s words, his arousal rekindling again as he realized that the wooden cock sliding into his ass was not going to be the uncomfortable challenge that he had assumed it would be. Since the thing didn’t actually have a head, being smooth and widening only slightly near the base, he knew he could take it. Tom heard Jon take a shuddering breath and, hearing the rapid sound of skin on skin, came to the conclusion that Jon was jerking himself off as he fucked Tom’s ass with the dildo. Tom’s cock twitched against his stomach in response, almost painfully stiff and so sensitive that when he breathed and it moved against his belly hair, it sent little jolts of pleasure through him. He lifted his head to look at Jon and saw that he was flushed; his eyes had taken on the glazed, rapt look of profound arousal as he stroked himself quickly. Then Jon began pulling the phallus almost all the way out and pushing it back in, slick and hard into Tom’s body. “Oh gods,” murmured Jon. “I think I’m going to cum just looking at you.” Tom arched his head back on the pillow, his breath short and his heart thundering. He let out a gasp a moment later when the dildo left his ass and he heard Jon’s strangled cry as he sent a jet of cum right against Tom’s throbbing pucker. A second volley followed and then Jon pushed his slick cock inside Tom, fucking him quick and hard with a few deep thrusts as he rode out the tail of his climax. Tom felt frantic and desperately aroused when Jon pulled out with a satisfied growl.
Bey Deckard (Fated: Blood and Redemption (Baal's Heart, #3))
Running halfway around the world apparently hadn’t been far enough to leave him and all of what had transpired between her and the entire Jax family behind. So why did she think she could escape it along the span of one low-tide beach? She stopped so abruptly that he banged into the back of her, then immediately grabbed both of her arms when she pitched forward and lost her balance on the slippery rocks. He pulled her back against him, and the shock of the feel of that hard body lined up so perfectly with hers, so much better than she’d ever imagined it would feel--and oh, she’d imagined it--was far greater than almost pitching face-first against the rocks. The instant she had her balance she said, “I’m good” and moved out of his grasp. She wasn’t sure what it said that she was disappointed he didn’t take advantage of the moment to press his cause…or anything else he might be interested in pressing against her. But he let her go, and even stepped back for good measure. “Sorry,” she said, turning to face him. “I just--this isn’t solving anything.” “What is it that needs solving? To your way of thinking,” he added. She gaped at him, then shook her head and laughed. “Oh, I don’t know. Your coming thousands of miles to declare yourself to me, a year after I left and, as far as you knew, never looked back?” “You’ve already solved that one, haven’t you?” he said. “Back there in the pub. I believe you shut me down pretty effectively and quite definitively.” “So why are you here?” She gestured to their immediate surroundings, perhaps a bit more wildly than was technically necessary. “Why aren’t you trotting back to the airport and back home again? I’m sure your family can’t be thrilled with you up and taking off like that. It’s the middle of dry season.” “It’s always the middle of something,” he said. “And if you want to know the truth, it was Big Jack who presented me with the plane ticket.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Before he knew it, he’d reached his destination, and without bothering to kick off his shoes, he jumped into the large stone fountain that was situated halfway between the house and the cliffs that led to the sea. Splashing his way through the water, he reached the waterfall that had been built in the very middle of the fountain and stuck Thaddeus right into it. Shrieking with clear delight, Thaddeus began to wiggle, the paste that still covered him making him remarkably slippery. Afraid of dropping him, Everett set him down and then straightened, discovering that while he’d been busy with Thaddeus, Elizabeth had joined them in the fountain. Without so much as a by-your-leave, she sent water flying his way. And when Rose suddenly appeared in the fountain as well, he found himself splashed from all sides as the children went about the business of being children. Stumbling his way to the side of the fountain, he was just about to announce his surrender when a wave of water smacked him in the face, leaving him sputtering. When he finally caught his breath and pushed his hair out of his eyes, he found Millie grinning back at him, even as she scooped more water up into a bucket she’d somehow managed to procure. War was immediate, and one he knew he couldn’t win. The children continued splashing him as Millie threw bucketful after bucketful of water his way. When Millie slipped and fell, he saw an opportunity he couldn’t resist. Grabbing the bucket, which was floating beside her, he scooped up water and aimed it at Thaddeus, who’d abandoned his purple frock and was splashing around in nothing but his drawers. Drawing the bucket back, he let the water fly, but Thaddeus ducked out of the way—which had the water winging out of the fountain to land directly on . . . his mother. Even the peacocks that had been screeching just as loudly as the children had been shrieking seemed to realize the gravity of the situation. They stopped screeching, the children stopped shrieking, but Millie pushed soggy curls out of her eyes and simply smiled at his mother. “You’re more than welcome to join us, Mrs. Mulberry, now that you’re all wet.” For the briefest of seconds, Everett thought he caught a glimpse of longing in his mother’s eyes, but then she lifted her chin. “It would hardly be proper for me to frolic in a fountain, Miss Longfellow, nor is it proper for you to be in there, either.” She lifted her chin another notch as she glanced his way. “You’ve ruined my hat as well as soaked me to the skin.” With amusement tickling his throat, he looked his mother up and down. “I’ll buy you a new hat, Mother, but all I can suggest about you being soaked to the skin is to perhaps recommend you either search out a towel or, as Millie suggested, join us. It’s rather fun to frolic about in a fountain, even if society wouldn’t approve.” Dorothy
Jen Turano (In Good Company (A Class of Their Own Book #2))
Lily’s head fell back with her broken keen filling the air. “Holy shit!” Hal came running flat out, Lily’s cry still reverberating. He skidded to a halt on the slippery deck, his panicked rescue unfortunately bringing him quite near to where Sean and Lily were fused together. As comprehension dawned, embarrassment colored his face a flaming pink blush. Instinctively, Sean shoved Lily behind him, shielding her with his body. He could feel her tremble against him. Were her tremors the aftermath of blazing passion, or were they from horrified mortification? he wondered. He wished he could see her face. “Sorry we gave you a scare, Hal. I, uh, fell into the water. Then somehow, Lily and I got caught up in a water fight to the death. Guess I forgot how ticklish she is.” He coughed. It was a pathetic story, but the best he could do right now. At his words, Hal looked up from his seemingly rapt examination of the deck’s tiles. Although his face was still as pink as Evelyn Roemer’s dyed hair, his lips parted in a smile of relief. “Oh, yeah,” he nodded, more than willing to play along. “Everyone needs a good tickle now and again.” He cleared his throat and loudly said, “Sorry to break up the fun, but you two have probably had enough water sports for one night.” Hal’s gaze moved past Sean. “You okay there, Lily?” Behind Sean, Lily froze. What to say? That she’d been nanoseconds away from a soul-shattering orgasm when Hal came barreling poolside. Bereft of Sean’s intoxicating kisses to drug her senseless, Lily hardly recognized herself. Had she gone mad? Probably. She wondered whether she would ever recover from what was undoubtedly the most intensely erotic experience of her life. Oh, God! Of all the people to have interrupted her and Sean in the pool! Hal Storey was as close to a father as Lily would ever have. He’d always supported her, believed in her. . . “Lily?” “I’m fine, Hal. Just a bit achy.” She cringed, sure Hal would guess that the parts of her that ached and throbbed had nothing to do with swimming.
Laura Moore (Night Swimming: A Novel)
Trying to consume sugar in moderation, however it’s defined, in such a world is likely to be no more successful for some of us than trying to smoke cigarettes in moderation—just a few cigarettes a day, rather than a pack. Whether or not we can avoid any meaningful chronic effects by doing so, we may not be capable of managing our habits, or managing our habits might become the dominant theme in our lives (just as rationing sweets for our children can seem to be a dominant theme in parenting). Some of us certainly find it easier to consume no sugar than to consume a little—no dessert at all, rather than a spoonful or two before pushing the plate to the side. If sugar consumption may be a slippery slope, then advocating moderation is not a meaningful concept.
Gary Taubes (The Case Against Sugar)
In my career I’ve had my hands upon more revolting bodies than a layman is likely to encounter in a lifetime of trying. I’ve squeezed boils, soaked my hands in blood and pus, slipped in entrails, swaddled slippery stillborns, and pulled excrement from unwilling bowels by hand.
Anonymous
That boy’s more slippery than snot on a glass doorknob.
C.C. Tillery (Whistling Woman (Appalachian Journey, #1))
Here, there is no church to go to at all. But this is where I've been learning to pray. Simply, but often and earnestly.' 'And does it change things?' Julianne's reputation was ruined, her occupation discredited, and though she knew in her mind that babies did not miscarry from wounds to a mother's skin, her heart was unconvinced that her child had escaped the ordeal unscathed. Would prayer erase the mark from her skin and resurrect her hope? Denise's brown eyes softened. 'Prayer is not a magician's trick. The changes it brings cannot always be seen at first glance. But just as a slippery elm soothes inflammation, prayer is a balm for a raw and ragged soul. And isn't your soul in more need of healing than your skin?
Jocelyn Green (The Mark of the King)
The conventional view, however, is that the first detective story was Edgar Allan Poe’s ‘The Murders in the Rue Morgue’, published in 1841. But should the credit go to Hoffmann, Müllner or Hansen, or an even more obscure candidate? The answer depends on slippery issues of definition. As Reginald Hill has said, there is no more a single starting point for the modern crime story than there is for modern society.
Martin Edwards (The Life of Crime: Detecting the History of Mysteries and their Creators)
I’m more than just a slippery cunt, you know.
C.M. Stunich (Victory at Prescott High (The Havoc Boys, #5))
He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband’s boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband’s boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the
Paul Harding (Tinkers)
[W]hat concerns me more than a potentially slippery slope is that our Church's brightest people (especially the young) will increasingly abandon their faith if we let our worries get the best of us and back them into the corner of having to defend the indefensible by forcing them to reject evolution.
Matthew J. Ramage (From the Dust of the Earth: Benedict XVI, the Bible, and the Theory of Evolution)
Snow is a changing, fragile substance, which accumulates in layers: a deep puffy storm, followed by an inch of rain. Wind crust followed by cold light flakes. Avalanches are a combination of three factors: a sliding surface, a slope steep enough to slide, and a trigger. Here in Utah—and in other high, dry parts of the Rockies—more often than not, there’s a deep unbonded layer in that snowpack that could always slide, given a trigger. It seems to happen the same way almost every season. The first thin snowfall covers the mountains in a crystalized layer of sugar and anticipation. Then it stops, like climatic clockwork, for a few weeks. That layer of unbonded snow is exposed to the air, which sucks out moisture, creating slippery, faceted snow crystals called depth hoar. It forms a perfect sliding surface. When the snow starts in earnest, that surface, which avalanche forecasters call a persistent weak layer, is at the very bottom, slick and unbonded, ready to slide. That’s one of the constant hazards of skiing, you always know it’s down there. Just how big it could break is a question of what comes in on top of it.
Heather Hansman (Powder Days: Ski Bums, Ski Towns and the Future of Chasing Snow)
The lack of attention to your friends may leave them a little insulted that your phone seems more interesting than what they have to say. This feeling can be a slippery slope if they don't understand how your brain works.
Sarah Davis (Women with ADHD: The Complete Guide to Stay Organized, Overcome Distractions, and Improve Relationships. Manage Your Emotions, Finances, and Succeed in Life)
Carnaby, the brother, survived childhood.’ ‘If he went into the army, then there will be records,’ John Armstrong announced firmly. ‘I’ll contact my sons and Cecily’s husband, Captain Derwent. Trust me, Lavender; if the rogue did survive and went on to join the army, then there will be records of him—somewhere.’ ‘I need to go and speak with Doctor Goddard,’ Lavender said as they hurried down the main street in Bellingham. ‘We need to split up, Ned. I’ll visit Goddard, then go to The Redesdale Arms and speak to the landlord. You must go to Newcastle, find Mr Agar the lawyer and pursue my request for a copy of Baxter Carnaby’s last will and testament. I must see that document. The last master of Linn Hagh had far more secrets than I ever imagined.’ ‘Didn’t he just,’ Woods said. ‘This case has turned into a sack full of squirmin’ river eels. Slippery buggers, all of them Carnabys—especially the father.’ ‘Indeed. I hope that this document at the lawyers’ will shed some light on what really went on at Linn Hagh.’ ‘I’ll grab a bite to eat from The Rose and Crown before I go,’ Woods told him. ‘Oh—and I might just call on young Anna at her mother’s cottage on me way—just to check she got home safely
Karen Charlton (The Heiress of Linn Hagh (Detective Lavender Mysteries, #1))
It’s not until the intensity of a double orgasm starts to slip away that panic sets in. “Oh shit,” I mutter, probing my slippery finger into my now relaxed hole, trying to reach the toy. I can feel it with the tip of my finger, but I can’t do anything more than push it deeper. “Fuck, fuck, fuck.
K.M. Neuhold (Hardwood (Four Bears Construction, #3))
Some people have said that "Titoism is a communism with a human face." I would rather define it as a "milder communism." In some circumstances the face of that communism, sometimes called "Titoism," wasn't exactly human; it embittered the lives of many people. However, the circle of freedom had expanded: From Satellite No. 1, we had become the most liberal communist country, but still communist. The standard of living increased, faster than in the countries of the Soviet Bloc, although much slower than in the world of economic freedom and liberal democracy. When we dissatisfied Yugoslav citizens wanted a little consolation, we only had to glance across the border to Bulgaria, Romania, and Hungary, where until the end of the 190s "Yugoslavia" was an unachievable dream... On the other hand, if we needed a reality check, we only had to glance across the border at Austria or Italy. For more than thirty years we enjoyed the privilege of freedom of movement to the East and to the West. In the world of communist tyranny--to which in some degree we belonged--we were still an exception, the only communist country outside the iron curtain, outside the collective prison of a billion and a half people, a country in the slippery area of prescribed freedoms in which so much was permitted, but in which it was dangerous to seek freedom without a prescription.
Slavko Goldstein (1941: The Year That Keeps Returning)
The composite parts of far too many cultural arguments are sourced from questionable distributors, hastily slapped together in some morally questionable sweatshop, and hurriedly shipped out by the slippery pundits that liberally distribute them. However, more often than not truth is left sitting at the warehouse.
Craig D. Lounsbrough
Is this the kind of Shadowhunter you want to be? The kind that toys with the forces of darkness because you think you can handle it? Have you never seen a movie? Read a comic book? That's always how it starts -- just a little temptation, just a little taste of evil, and then bam, your lightsaber turns red and you're breathing through a big black mask and slicing off your son's hand just to be mean. They looked at him blankly. Forget it. It was funny, Shadowhunters knew more than mundanes about almost everything. They knew more about demons, about weapons, about the currents of power and magic that shaped the world. But they didn't understand temptation. They didn't understand how easy it was to make one small, terrible choice after another until you'd slid down the slippery slope into the pit of hell. Dura lex -- the Law is hard. So hard that the Shadowhunters had to pretend it was possible to be perfect...Once Shadowhunters started to slide, they didn't stop.
Cassandra Clare (Tales from the Shadowhunter Academy)
There was some ordinary pork, a heap of pigs' livers and some caul fat. Carenza had been to the market that morning and bought fronds of bronze fennel with their pollen-heavy flowers still on them; sorrel; bitter lettuce. I chose the fennel, went out to the courtyard and picked some marjoram, thyme, parsley and mint. I decided to make some tomacelli, because I liked them and it was the kind of fiddly, absorbing dish I could lose myself in. So I put the livers on to boil, and then cut up some veal haunch. Carenza liked mortadelli and so I'd make her some with the veal. I chopped the veal up finely with a bit of its fat and some lardo, mixed in some parsley and some marjoram. The livers were done, so I drained them and put them in a bowl. Into the mortadella mixture went a handful of grated parmigiana cheese, some cloves, cinnamon and a few threads of saffron. An egg yolk went in too, and then I sank my hands into the cool, slippery mound and mixed it with my fingers. When it was smooth I shaped it into egg-sized balls, wrapped them in pieces of caul and threaded them onto a spit. While the mortadelli sizzled over the flame, I took the livers and crumbled them up, added some minced pancetta, some grated pecorino, marjoram, parsley, raisins, some ginger and nutmeg and pepper. I bound it all together with a couple of eggs and made the stuff into balls, smaller than the mortadelli, wrapped them in more caul and set to frying them in melted lardo.
Philip Kazan (Appetite)
From a scholarly standpoint, as noted in a 1992 Newsweek article, “the idea of a single ‘Judeo-Christian tradition’ is a made-in-America myth.”9 One Jewish theologian stated the problem plainly: “Judaism is Judaism because it rejects Christianity, and Christianity is Christianity because it rejects Judaism.”10 “Judeo-Christian” is slippery because it is more a political invention than a scholarly description. It originated at the close of World War II when Christian exclusivity was too threatening.
Andrew L. Seidel (The Founding Myth: Why Christian Nationalism Is Un-American)