Mopping Floors Quotes

Without a word or hesitation, Pain took the mop from Nick. Suffering moved to pick up glass. "Wow. Where have you two been all my life?" Pain quirked and eyebrow as he mopped the floor. "Walking hand in hand with you. Haven't you noticed?

I picked up the mop and started washing again as Rob struggled to his feet, red faced. John laughed, and Much covered a smile. "You lot think this is funny?" I asked. "I'll unman you too if you wish it." They jumped back, and Rob grunted. "You haven't unmanned me, and I resent the implication of it." "It were a warning blow," I told him, shoving the mop 'cross the floor. "Next time I'll try harder.

And an unstable childhood makes you appreciate calmness and not crave excitement. To spend a Saturday afternoon mopping your kitchen floor while listening to opera on the radio, and to go that night to an Indian restaurant with a friend and be home by nine o'clock - these are enough. They are gifts.

I am a mess. Like that MargieMocha, I am spilled across a floor, but there's nobody to mop me up. I have only one thing to show for the day: Perry Delloplane. The sound of a name. It is a grape in my mouth. I roll it over and over on my tongue--perrydelloplaneperrydelloplaneperrydelloplaneperrydelloplane--but when I try to crush it with my teeth, it slips away.

Relationships are a lot like houses: without a good foundation, they’ll crumble. When a light bulb goes out, you don’t buy a new house, you change the bulb. When the faucet drips, you don’t start mopping the floor before you fix the leak. In other words, no matter how much digging it takes, it’s important to get to the root of a problem.

Then we have an understanding. Keep the riffraff off my turf or I mop the floor with all of you. (ZT)

I think that slopes are meant to be slippery. I don't know why. I don't even know who invented the stupid notion of them. I don't even know why it matters. Who cares? Who cares about a scarred girl who can't seem to be by herself? Who cares about a scarred girl who mops floors and ferries drugs for her boyfriend? The scarred girl should care. But she doesn't know how and once you let the Makers Mark in, once you let anything like that in, like kissing, or sex, alcohol, drugs, anything that fills up time and makes you feel better, even if it's just for a little while, well, you're going to be a goner. And sometimes, once, maybe twice, she starts to say that she's thinking of taking a class with this lady artist, and stops, because a little mouse taps her brain and heart and whispers, 'But then you won't get to spend so much time with Riley,' and the words, they turn to stone again, fat in her throat, and she can feel little bits of herself disappearing in the large thing of Riley and me and and and ... The slippery slope, it will never, ever end.

Parents love bathtime because it means that bedtime is near. To prepare your darling for her bath, put on your full-length poncho, because toddlers don’t bathe, they splash, motherfucker. When toddlers bathe, they act like they’re a junior member of the summer Olympics diving team. Get ready. By the time you’re done, your bathroom floor will have a few inches of standing water. The good news is that wiping up all that water counts as mopping the floor.

She knew what my mother did not: either you want a clean floor or you want to use a mop, but you can’t have both.

The demon in me that knows there's a demon in you who can mop the floor with my raunchy butt tells me to say yes. I care. Deeply." (Ren)

For example, when Seymour told one of the twins or Zooey or Franny or even Mme. Boo Boo (who was only two years younger than myself, and often entirely the Lady), to take off his or her galoshes on coming into the apartment, each and all of them knew he mostly meant that the floor would get tracked up if they didn't and that Bessie would have to get out the mop. When I told them to take off their galoshes, they knew I mostly meant that people who didn't were slobs. It was bound to make no small difference in the way they kidded or ragged us separately.

I know a man who used to be a millionaire before 2007. Now he’s poor and mopping floors. But I’m not laughing, because at least he was able to get a job. Unlike me, who only has an English degree that’s not even worth the paper it’s printed on, the paper I folded into an origami dragon and lit on fire.

Can we talk now?” she asked. “Nay, we need to . . . load the dishwasher.” He padded into the kitchen and took his time rinsing everything in the sink before stacking it into the machine. He even scrubbed the pot he’d warmed the soup in. When he closed the dishwasher, she was waiting there, holding a mop. She offered it to him. “Do you want to clean the floors now? And sweep the porch? I think the antlers on the moose head need polishing.

She has drudge written all over her. She probably stares at the ceiling, things about mopping the floor.

Sleep is the only rest we get; It's then we are at peace. We do not have to mop away the floor And wipe away the grease.

In the lobby, an old woman with legs wrapped in elastic bandages mopped the floor with filthy water. She kept missing the same spot, over and over. There was the overpowering smell of disinfectant, bad tobacco, and wet wool. This was the smell of Russia indoors, the smell of the woman in front of you on line, the smell of every elevator. Near an abandoned newsstand, dozens of overcoats hung on long rows of pegs, somber and dark, lightly steaming, like nags in a stable.

And although I said it affects everyone,” he continued, “it’s an especially dangerous time for the homemaker. Because unlike a fourth grader who can put off her homework, or a businessman who can pretend to be listening, the homemaker must force herself to keep going. She has to get the kids down for a nap because if she doesn’t, the evening will be hell. She has to mop the floor because if she doesn’t, someone could slip on the spilled milk. She has to run to the store because if she doesn’t, there will be nothing to eat. By the way,” he said, pausing, “have you ever noticed how women always say they need to run to the store? Not walk, not go, not stop by. Run. That’s what I mean. The homemaker is operating at an insane level of hyperproductivity. And even though she’s in way over her head, she still has to make dinner. It’s not sustainable,

You’re not human, Eleanore Jones. I think that somewhere inside you, you must know that. You must always have known. You’re not made of ordinary bone or blood but of something else completely.” “Really. What am I of, then? Kelp and jellyfish, I suppose?” “You are made of magic.” He said it in an absolutely unremarkable way, as if instead he’d just said, I had coffee this morning or the floor needs mopping.

People who feel sorry for themselves are obsessed with their own problems and their own fate. Is that really much different than the greedy and egotistical people who want to feel better than everybody else? The higher I climb in my life, the more I realize how much I need to mop that floor. Because that’s where all the knowledge is. There is no grit at the top, no tests of resolve in steak dinners, five-star hotels, or spa treatments. Once you make it in this world, you have to freefall back to the bottom in some way to keep learning and growing.

People might feel sorry for a man who's fallen on hard times, but when an entire nation is poor, the rest of the world assumes that all its people must be brainless, lazy, dirty, clumsy fools. Instead of pity, the people provoke laughter. It's all a joke: their culture, their customs, their practices. In time the rest of the world may, some of them, begin to feel ashamed for having thought this way, and when they look around and see immigrants from that poor country mopping their floors and doing all the other lowest paying jobs, naturally they worry about what might happen if these workers one day rose up against them. So, to keep things sweet, they start taking an interest in the immigrants' culture and sometimes even pretend they think of them as equals.

He called back over his shoulder, “Make sure you clean that water off the floor too. I wouldn’t want to slip or anything. I’m blind, don’t you know?” I looked down in chagrin at the floor and saw that I was indeed dripping soapy water all over the floorboards. Smug know-it-all. I smiled and called back, “Don’t go in the sunroom. All the furniture has been moved around so I could mop. Hang on…. With second thoughts, you should go in the sunroom. It might teach you a lesson.” The bastard just laughed.

When I said I wasn’t with another girl the January after we fell in love for the 3rd time, it’s because it wasn’t actual sex. In the February that began our radio silence, it was actual sex. I hate the tight shirts that go below your waistline. Not only do they make you look too young, but then your torso is a giraffe’s neck attached to tiny legs. I screamed at myself in the subway for writing poems about you still. I made a scene. I think about you almost each morning, and roughly every five days, I still believe you’re there. I still masturbate to you. When we got really bad, I would put another coat of mop water on the floor of the bar to make sure you were asleep when I got to my side of the bed. You are the only person to whom I’ve lied, knowing I was telling the truth. I miss the way your neck wraps around my face like a cave we are both lost in. I remember when you said being with me is like being alone with company. My friend Sarah wrote a poem about pink ponies. I’m scared you’re my pink pony. Hers is dead. It is really sad. You’re not dead. You live in Ohio, or Washington, or Wherever. You are a shadow my body leaves on other girls. I have a growing queue of things I know will make you laugh and I don’t know where to put them. I mourn like you’re dead. If you had asked me to stay, I would not have said no. It would never mean yes.

She looks like a mop." "And this is exactly the problem." She waved at his entire body. "You can't even stop yourself from insulting an innocent animal. How am I supposed to get you ready for decent company?" .... "For your information, Gollum in a komondor. They're a breed with bold and majestic history." "A history of cleaning floors?

We are too busy mopping the floor to turn off the faucet. –Unknown

Even the most conscientious of cleaners would not dream of taking a mop to the forest floor.

Stoner asks what I think I’m doing. I tell him I am mopping the floor, spelled with a silent As you can plainly see, dumbass.

Far in the future, Hannah will have a boyfriend named Mike with whom she'll talk about her father. She'll say she isn't sorry about her upbringing before the divorce, that she thinks in a lot of ways it was useful. Being raised in an unstable household makes you understand that the world doesn't exist to accommodate you, which, in Hannah's observation, is something a lot of people struggle to understand well into adulthood. It makes you realize how quickly a situation can shift, how danger really is everywhere. But crises, when they occur, do not catch you off guard; you have never believed you live under the shelter of some essential benevolence. And an unstable childhood makes you appreciate calmness and not crave excitement. To spend a Saturday afternoon mopping your kitchen floor while listening to an opera on the radio, and to go that night to an Indian restaurant with a friend and be home by nine o' clock--these are enough. They are gifts.

If the universe doesn't remember, why should you? Being the youngest of three siblings, you can bet I was the subject of some vile comments. Fat, stupid, you name it. However, just because my brother called me an idiot for 12 years doesn't make it my reality. Your past never equals your future unless you allow it. Think about a coin flip. No matter how many times it's flipped, the next flip is always random. Probability cannot be attached to a future flip based on the past. Your past is the same. Just because you failed at five relationships doesn't mean your next will fail, especially if you learn from them! Just because you flipped burgers three hours ago doesn't mean you can't be a millionaire next year. The universe forgets, just like the universe forgot I mopped floors and delivered pizza not long ago.

It’s the central executive in your brain that notices that the floor is dirty. It forms an executive attentional set for “mop the floor” and then constructs a worker attentional set for doing the actual mopping.

I knew that reading that book would take me into another world — the real world, not the ordinary world of washing the dishes and mopping the floor. It would be like what Keats said about gazing through a magic casement into faery lands forlorn.

He’s still a baby.” “No, he’s not! I’ve been taking care of Jiyoung’s bags, school supplies, and homework since I was ten. When we were his age, we mopped the floor, hung laundry, and made ramen and fried eggs for ourselves.” “He’s the youngest.” “You mean he’s the son!

Peter smiled as Concheetah sashayed across the ballroom floor Concheetah sashayed towards him, wriggling her hips, full lips in a pout, followed obediently by the tentative, Tapping Ted dressed in tight shorts and singlet. Tapping? Tapping because he always wore conspicuous, tap-dancing shoes in the club. Was Ted going to rip up the stage as a mincing Irish dancer or maybe perform a Gene Kelly routine or the Swan Lake ballet in taps? It was terrible to imagine. Peter bit his lip at that thought, hoping he wouldn’t burst into howls of laughter. He had noted after coming to several shows, that Ted usually stood at the side of the stage ready with a drink of champagne and an encouraging word and a dry towel to mop Her Highness’s face. And he always cried during the show’s finale, Abba’s Dancing Queen. Poor Tapping Ted.

She liked it best when it was raining, and she sometimes imagined that in one of the many tall buildings there was another Gerty mopping the floor and looking back at her, a Gerty who had witnessed and learned from the many mistakes this Gerty had made. A Gerty who would do things right.

It’s like my grandpa always used to say, ‘A butter knife would make a deadlier weapon than a melting stick of butter.’”
 “Your grandpa never said that.”
 “No, but he should have. He was a damn fool not to have uttered those words.”
 “My grandpa was a janitor, in the Great Depression. The greatest thing he ever said was, ‘Greg, I just Gregged all over your floor. Do you have a mop I can use to clean it up?’”
 “Who’s Greg?”
 “I don’t know.”
 “What the shit kind of story is that? That story is bullshit. Greg doesn’t exist. Nobody knows nobody named Greg. It’s a unicorn name—it’s complete mythology.”
 “What about Lou Greg, the baseball player?”
 “Lou who? Lou Gehrig?”
 “Here’s a Lou for you. Greg Louganis.”
 “Bah, Greg Louganis doesn’t exist. He was a myth created by the Soviets to push their divers to perfection. The Russians realized they couldn’t be the best until they deceived their divers into believing there was someone who was always better.”
 “I’ve seen Greg Louganis, and he’s as real as you or me.”
 “You’ve seen what they wanted you to see. They gave you a blindfold to wear and convinced you it would improve your eyesight.”


Natural Floor Cleaner Ready In: 10 minutes INGREDIENTS: 1/ 4 cup white vinegar, 6 tablespoons of cornstarch, two gallons of hot water, 1/ 4 cup washing soda, 1 tablespoon of liquid soap DIRECTIONS: Add all the ingredients into a bucket and use a mop or similar device to clean the floors with as you normally would.

Once, I did a halfhearted job of sweeping and mopping the kitchen floor, and that’s the first place she checked because she knew I’d do a lousy job because “that’s the kind of kid you are.” As in I’m not a “go-getter who makes her own luck” like she is, so I’m “never going to get anywhere in this world.” She knew all that because of two missed Cheerios and a small dust bunny.

Lana started to make sounds, like the imprecations of a priestess, over the bills that the boy had given her. Whispered numerals and words floated upward from her coral lips, and, closing her eyes, she copied some figures onto a pad of paper. Her fine body, itself a profitable investment through the years, bent reverently over the Formica-top altar. Smoke, like incense, rose from the cigarette in the ashtray at her elbow, curling upward with her prayers, up above the host which she was elevating in order to study the date of its minting, the single silver dollar that lay among the offerings. Her bracelet tinkled, calling communicants to the altar, but the only one in the temple had been excommunicated from the Faith because of his parentage and continued mopping. An offering fell to the floor, the host, and Lana knelt to venerate and retrieve it.

She’d mopped the floors that morning; they were shiny and everything smelled like lemons and clean house. The phone was ringing in the kitchen, she came running in to answer it, and she slipped. She hit her head on the floor, and she was unconscious, but then she woke up and she was fine. That was her lucid interval. That’s what they call it. A little while later she said she had a headache, she went to lie down on the couch, and then she didn’t wake up.

When I go downstairs, Pop has just lifted the metal door that covers the storefront. It rattles on its way up and sends light all through everything, the deli case and the floor I mopped till it shone last night before closing. I go to get the chopped liver and the whitefish from the walk-in fridge, shielding my hands with a second skin of latex, then scoop them into the containers. I slice up onions and lettuce and tomatoes. I set out orange-pink lox on a platter and lay down a sheet of saran wrap over it.

Large or small, our actions forge our futures, hopefully inspiring others along the way. Entrepreneurs must love what they do to such a degree that doing it is worth sacrifice and, at times, pain. But doing anything else, we think, would be unimaginable. In times of adversity and change, we really discover who we are and what we’re made of. Effective leaders share two intertwined attributes: an unbridled level of confidence about where their organizations are headed, and the ability to bring people along. Fixing moments, like mopping a dirty floor, only provides short-term satisfaction. But take the time to understand the cause of the problem—like how to keep a floor from getting so dirty in the first place—solves, and maybe eliminates, a problem. How leaders embody the values they espouse sets a tone, an expectation, that guides their employees’ behaviors. While I would not want to constantly battle against the odds, the raw feeling of accomplishing something that others did not think possible, or leading people beyond where they thought they could go, is extremely gratifying.

Good morning! The sun is up! Wake up! Time to eat," said the birds. "Good morning," Ashlynn said back. There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep before her Happily Ever After.

So he'd waited. Counted the minutes. It had been worth it. Seeing her claw her way onto the landing, panting, hair curling with the sweat sliding down her face- completely worth his generally shit day. Nesta was still sprawled on the hall floor when she hissed, 'Whoever designed those stairs was a monster.' 'Would you believe that Rhys, Az, and I had to climb up and down them as punishment when we were boys?' Her eyes shimmered with temper- good. Better than the vacant ice. 'Why?' 'Because we were young and stupid and testing boundaries with a High Lord who didn't understand practical jokes regarding public nudity.' He nodded toward the stairs. 'I got so dizzy on the hike down that I puked on Az. he then puked on Rhys, and Rhys puked all over himself. It was the height of summer, and by the time we made the trek back up, the heat was unbearable, we all reeked, and the scent of the vomit on the stairs had become horrific. We all puked again as we walked through it.' He could have sworn the corners of her mouth were trying to twitch upward. He didn't hold back his own grin at the memory. Even if they'd still had to hike back down and mop it all up.

Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep her Happily Ever After.

You look a little glum these days,” he said. “You think so?” I said. “You must be thinking about things too much in the middle of the night,” he said. “I’ve stopped thinking about things at night.” “How’d you manage that?” “When I get depressed, I start to clean. Even if it’s two or three in the morning. I wash the dishes, wipe off the stove, mop the floor, bleach the dish towels, organize my desk drawers, iron every shirt in sight,” he said, stirring his drink with his finger. “I do that till I’m exhausted, then I have a drink and go to sleep. In the morning I get up and by the time I’m putting on my socks I can’t even remember what it was I was thinking about.

Please approach with care these figures in black. Regard with care the weight they bear, the scars that mark their hearts. Do you think you can handle these bodies of graphite & coal dust? This color might rub off. A drop of this red liquid could stain your skin. This black powder could blow you sky high. No ordinary pigments blacken our blues. Would you mop the floor with this bucket of blood? Would you rinse your soiled laundry in this basin of tears? Would you suckle hot milk from this cracked vessel? Would you be baptized in this fountain of funky sweat? Please approach with care these bodies still waiting to be touched. We invite you to come closer. We permit you to touch & be touched. We hope you will engage with care.

With just about every script, in almost every corner of the set, I was faced with the truth: This was my parents' life. My mother had sat in handcuffs; my father had once worn an orange jumpsuit like the dozens that sat folded in our wardrobe department. For the other actors and me on our show, this was all fantasy, the re-creation of a world we knew little about; for Mami and Papi, it could not have been any more real or painful...I've had so many scenes in which Flaca & I are doing the dirty work, like cleaning the kitchen or mopping the floors, which is when I think of my parents most. Long before they ended up in prison, they'd spent years handling the nastiest jobs, the ones often avoided by others. Manual labor. Low pay. No respect. They must've felt so trapped. It must've been so hard for them to maintain their dignity when others looked down on them or, worse, didn't see them at all.

The rain eased. A single drop, here then there, shook a leaf like the flick of a cat’s ear. Kya hopped up, cleaned out the Frigidaire-cupboard, mopped the stained plywood kitchen floor, and scraped off months of caked-on grits from the woodstove burners. Early the next morning, she scrubbed Pa’s sheets, reeking of sweat and whiskey, and draped them over the palmettos. She went through her brothers’ room, not much bigger than a closet, dusting and sweeping. Dirty socks were piled in the back of the closet and yellowed comic books strewn next to the two soiled mattresses on the floor. She tried to see the boys’ faces, the feet that went with the socks, but the details blurred. Even Jodie’s face was fading; she’d see his eyes for an instant, then they’d slip away, closing. The next morning, carrying a gallon can, she walked the sandy tracks to the Piggly and bought matches, backbone, and salt. Saved out two dimes. “Can’t get milk, gotta get gas.

What, I wonder, does the reader know of large families? More important, how much can he stand hearing on the subject, from me? I must say at least this much: If you're an older brother in a large family (particularly where, as with Seymour and Franny, there's an age difference of roughly eighteen years), and you either cast yourself or just not very advertently become cast in the role of local tutor or mentor, it's almost impossible not to turn into a monitor, too. But even monitors come in individual shapes, sizes, and colors. For example, when Seymour told one of the twins or Zooey or Franny, or even Mme Boo Boo (who was only two years younger than myself, and often entirely the Lady), to take off his or her rubbers on coming into the apartment, each and all of them knew he mostly meant that the floor would get tracked up if they didn't and that Bessie would have to get out the mop. When I told them to take off their rubbers, they knew I mostly meant that people who didn't were slobs. It was bound to make no small difference in the way they kidded or ragged us separately. Но, питам се, какво знае читателят за многочислените семейства? И което е по-важното, ще изтърпи ли не друг, а аз да му обясня този въпрос? Мога да кажа поне следното: ако си по-голям брат в многочислено семейство (в което разликата между Сиймор и Франи е горе-долу осемнайсет години) и сам си поел или някой е имал непредпазливостта да ти възложи ролята на наставник и опекун, почти невъзможно е да не се превърнеш и в надзирател. Но дори надзирателите се произвеждат в различни форми, размери и цветове. Така например, когато Сиймор кажеше на близнаците, на Зуи или Франи или дори на мадам Бу Бу (която е само две години по-малка от мен) да си събуват галошите, преди да влязат в апартамента, всеки от тях възприемаше думите му така: не се ли събуете, ще оставите стъпки по пода и после Беси ще трябва да се трепе с парцала. А когато аз им кажех да си събуят галошите, те го приемаха като обида: който не се събува е палачор. Оттук произтичаше и разликата в начина, по който те се шегуваха с него и с мен.

There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep her Happily Ever After.

THE ONLY THING THAT STANDS BETWEEN AMERICA AND OBLIVION IS A TOTAL immigration moratorium. There’s no possibility of quick fixes. The entire immigration bureaucracy has to be shut down. It’s evident that the government can’t be trusted to use three brain cells in admitting immigrants, so its discretion has to be completely revoked. No matter how clearly laws are written, government bureaucrats connive to confer citizenship on people that a majority of Americans would not want to let in as tourists, much less as our fellow citizens. Instead of trying to do the “Sorcerer’s Apprentice” thing, mopping the floor while the water is still pouring in, we need to stop the inflow, then take time to assimilate the immigrants already here. No other fix will work. Congress could just insist that immigrants pay taxes, learn English, not collect welfare, and have good moral character, except the problem is: It already has. All those laws were swept away by INS officials, judges, and Democratic administrations. Doing it again won’t produce a different result. We trusted the government, and it screwed up.

Work" I laid telephone line, then cable when it came along. I pulled T-shirts off a silk-screen press. I cleaned offices in buildings thirty-five floors high. I filed the metal edges of grease fryers hot off a welding line. I humped sod in townhouse complexes, and when it became grass I cut it. I sorted mail. I washed police cars, and then I changed their oil. I installed remotes on gas meters so a truck could simply drive down the street and get the readings. I set posts and put up fences, wood and chain link. Five a.m. at the racetrack, I walked hot horses after their exercise. I bathed them. I mopped and swept aisles in a grocery store. Eventually, I stocked shelves. I corrected errors on mortgage papers for a bank. I racked tables in a pool hall. There’s more I’m not telling you. All of this befell me as an adult. As a kid, I cut neighbors’ lawns and delivered newspapers, and I watched after little kids while their parents worked. I painted houses. I collected frogs from ponds and sold them to pet stores. And so on. At fifteen, I went for a busboy position at an all-night diner, but they told me to come back when I turned sixteen. I did. Sometimes, on top of one, I took a second job. It gave me just enough time to sleep between the two. And eat. My father worked, harder than I did, and then he died. Then I worked harder. My mother said, “You’re the man of the house now.” I was seventeen. She kept an eye on me, to make sure I worked. I did. You've just read about all that. Eventually she died, too. I watched my social security numbers grow. I have a pretty good lump. I could leave it to somebody, a spouse or dependent. But there's no one. I have no plan to spend it, but I’ve paid into it. Today I quit my job, my jobs. I had them all written down, phone numbers too, and I called them. You should have seen me, dialing and dialing, crossing names off the list as I went. Some of them I called sounded angry. Some didn’t remember me, and a few didn’t answer. Others had answering machines, but I told the machines I quit anyway. I think about my father. How he worked. I sit by the phone now, after quitting all my jobs, and wish he could see this. A blank calendar on the wall. A single bulb hanging over my head, from a single cord, like the one he wrapped around his neck just before he died.

When we turn the body into human capital, the political consequences of the body disappear. Hands that are raised, legs that move, fingers that point, floors that are mopped, mouths that are fed. Our economy is built on bodies. If the body was taken seriously as a starting point for the economy, it would have far-reaching consequences. A society organized around the shared needs of human bodies would be a very different society from the one we know now. Hunger, cold, sickness, lack of healthcare, and lack of food would be central economic concerns. Not like today: unfortunate by-products of the one and only system. Our economic theories refuse to accept the reality of the body and flee as far from it as they can. That people are born small and die fragile, and that skin cut with a sharp object will bleed no matter who you are, no matter where you come from, no matter what you earn, and no matter where you live. What we have in common starts with the body. We shiver when we are cold, sweat when we run, cry out when we come, and cry out when we give birth. It's through the body that we can reach other people. So, economic man eradicates it. Pretends it doesn't exist. We observe it from the outside as if we were foreign capital. And we are alone.

Since Alexander came back, Tatiana had become fixated on his hands, and on her own by contrast. His hands were like the platter on which he carried his life. They were large and broad, dark and square, with heavy palms and heavy thumbs, but with long thick flexible fingers—as if he could play the piano as well as haul lobster trawls. They were knuckled and veined, and the palms were calloused. Everything was calloused, even the fingertips, roughened by carrying heavy weapons over thousands of miles, hardened by fighting, burning, logging, burying men. His hands reflected all manner of eternal struggles. You didn’t need to be a soothsayer, or a psychic or a palmreader, you needed not a single glance at the lines in the palms but just one cursory look at the hands and you knew instantly: the man they belonged to had done everything—and was capable of anything. And then take Tatiana and her own square hands. Among other things, her hands had worked in a weapons factory, they had made bombs and tanks and flamethrowers, worked the fields, mopped floors, dug holes in snow and in the ground. They had pulled sleds along the ice. They had taken care of dead men, of wounded men, of dying men; her hands had known life, and strife—yet they looked like they soaked in milk all day. They were tiny, unblemished, uncalloused, unknuckled, unveined, palms light, fingers slender. She was embarrassed by them— they were soft and delicate like a child’s hands. One would conclude that her hands had never done a day’s work in their life—and couldn’t!

For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider. The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out. You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement. After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping. In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased. Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around. Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.

Right,” he said, “As you well know, humans are biologically programmed to sleep twice a day—a siesta in the afternoon, then eight hours of sleep at night.” She nodded. “Except most of us skip the siesta because our jobs demand it. And when I say most of us, I really just mean Americans. Mexico doesn’t have this problem, nor does France or Italy or any of those other countries that drink even more than we do at lunch. Still, the fact remains: human productivity naturally drops in the afternoon. In TV, this is referred to as the Afternoon Depression Zone. Too late to get anything meaningful done; too early to go home. Doesn’t matter if you’re a homemaker, a fourth grader, a bricklayer, a businessman—no one is immune. Between the hours of one thirty-one and four forty-four p.m., productive life as we know it ceases to exist. It’s a virtual death zone.” Elizabeth raised an eyebrow. “And although I said it affects everyone,” he continued, “it’s an especially dangerous time for the homemaker. Because unlike a fourth grader who can put off her homework, or a businessman who can pretend to be listening, the homemaker must force herself to keep going. She has to get the kids down for a nap because if she doesn’t, the evening will be hell. She has to mop the floor because if she doesn’t, someone could slip on the spilled milk. She has to run to the store because if she doesn’t, there will be nothing to eat. By the way,” he said, pausing, “have you ever noticed how women always say they need to run to the store? Not walk, not go, not stop by. Run. That’s what I mean. The homemaker is operating at an insane level of hyperproductivity. And even though she’s in way over her head, she still has to make dinner. It’s not sustainable, Elizabeth. She’s going to have a heart attack or a stroke, or at the very least be in a foul mood. And it’s all because she can’t procrastinate like her fourth grader or pretend to be doing something like her husband. She’s forced to be productive despite the fact that she’s in a potentially fatal time zone—the Afternoon Depression Zone.” “It’s classic neurogenic deprivation,” Elizabeth said, nodding.

Some years ago I saw a documentary on dying whose main theme was that people die as they lived. That was Jimmy. For five years, since he began undergoing operations for bladder cancer and even after his lung cancer was diagnosed, he continued the activities that he considered important, marching against crackhouses, campaigning against the demolition of the Ford Auditorium, organizing Detroit Summer, making speeches, and writing letters to the editor and articles for the SOSAD newsletter and Northwest Detroiter. In 1992 while he was undergoing the chemotherapy that cleared up his bladder cancer, he helped form the Coalition against Privatization and to Save Our City. The coalition was initiated by activist members of a few AFSCME locals who contacted Carl Edwards and Alice Jennings who in turn contacted us. Jimmy helped write the mission statement that gave the union activists a sense of themselves as not only city workers but citizens of the city and its communities. The coalition’s town meetings and demonstrations were instrumental in persuading the new mayor, Dennis Archer, to come out against privatization, using language from the coalition newsletter to explain his position. At the same time Jimmy was putting out the garbage, keeping our corner at Field and Goethe free of litter and rubbish, mopping the kitchen and bathroom floors, picking cranberries, and keeping up “his” path on Sutton. After he entered the hospice program, which usually means death within six months, and up to a few weeks before his death, Jimmy slowed down a bit, but he was still writing and speaking and organizing. He used to say that he wasn’t going to die until he got ready, and because he was so cheerful and so engaged it was easy to believe him. A few weeks after he went on oxygen we did three movement-building workshops at the SOSAD office for a group of Roger Barfield’s friends who were trying to form a community-action group following a protest demonstration at a neighborhood sandwich shop over the murder of one of their friends. With oxygen tubes in his nostrils and a portable oxygen tank by his side, Jimmy spoke for almost an hour on one of his favorite subjects, the need to “think dialectically, rather than biologically.” Recognizing that this was probably one of Jimmy’s last extended speeches, I had the session videotaped by Ron Scott. At the end of this workshop we asked participants to come to the next session prepared to grapple with three questions: What can we do to make our neighborhoods safe? How can we motivate people to transform? How can we create jobs?

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

I stood there for a second, savouring the smell of stale sweat and cheap beer. My feet stuck to the floor as I made my way over to the bar. I guessed cleanliness was at the bottom of the list of priorities for maintaining this shit-hole. I felt sorry for the old wooden floor and wondered when was the last time it had been caressed by a mop and some hot soapy water." - FRANK DENVER, RANCID

My gaze falls on the machetes lined up on the magnet strip, immaculate and shiny after soaking in the chlorine solution I use for cleaning. I’ve been reading up online: Chlorine can remove visual evidence of blood, but to completely destroy hemoglobin, so it can’t be detected by forensics, you need a cleaning agent like hydrogen peroxide. Peroxy, the stuff that squirts out of the power hose I use to mop this concrete floor. I’m the last one out at night, so that job falls on me.

Your mother is holding your hand too tightly. You whimper and cling to her dress, because you know what will happen next. She stares at you, as if she's forgotten how to blink. There's one last glimpse of her face before she bundles you into the cupboard under the stairs. 'Don't make a sound,' she hisses, 'don't even breathe.' Darkness smothers you as the key twists in the lock. There's a chance that he won't find you, cowering on the floor, between the broom and floor mops, a stack of wellington boots.

Inside the maize mill, the owners no longer had any use for a broom. The hungry people kept the floors cleaner than a wet mop. At the beginning of the month, the mill was packed full of those waiting for fallen scraps. The crowd would part long enough to allow women to pass with their pails of grain. As the machine rumbled and spit a white cloud of flour into the pails, the multitude of old people, women, and children watched intently with eyes dancing like butterflies. Once the pail was pulled away, they themselves on hands and knees and scooped the floor clean. Afterward, old women would rattle their walking sticks up inside the grinder as if ringing a bell, collecting the loose flour that drifted to the floor.

Sam’s Life” expresses this hope: There’s a fellow I know Folks call him Sam. He never gets as much as he gives. But if you’ll give a listen, “Please sir, please ma’am,” I’ll tell you something about how Sam lives. Sam’s life is not the sort of life you’d wish. Sam’s life is wash another dirty dish. Sam’s life is just another floor to mop, Harvesting somebody else’s crop. Sam’s life is common labor every day. Nothing but trouble comes the easy way. Sam’s life is weary muscles, aching back Praying to God and facing facts. Fact is this life of his Is too much pain and sorrow. But Sam’s strong and still has a song and hope for tomorrow. Sam’s life is a bright-eyed girl and boy Working to make a way so they’ll enjoy A little better opportunity Than ever was given to Sam or me. And I believe he can Because I believe in Sam.

Diana said: “Guess what, I’m going on a shooting weekend to Sandringham.” Lucinda replied: “Gosh, perhaps you are going to be the next queen of England.” As she wrung out a cloth which she was using to mop the floor Diana joked: “Beryl, I doubt it. Can you see me swanning around in kid gloves and a ballgown?

I am SAM, and this is my first mission. Wish me luck. Actually, don’t bother. I’m that good. I need to move fast, but I have to be careful too.This high-tech fortress disguised as a middle school has security systems like Hershey, Pennsylvania, has chocolate. My biggest concern (and archnemesis) is Jan I. Tor. He’s the half-human, half-cyborg “cleaning service” they use for “light security” around here. Yeah, right. Tor’s definition of “light security” is that he only kills you once if he finds you. So I wait in super-stealthy silence while Tor hovers past my hiding spot with his motion detectors running, laser cannons loaded, and a big dust mop attachment on his robotic arm. He’s cleaning that floor to within an inch of its life, but it could be me next. As soon as Tor’s out of range, I slip off my tungsten gripper shoes. Believe me, once he’s been through here, you do not want to leave footprints behind. That would be like leaving a business card in Sergeant Stricker’s in-box. Stricker is the big cheese who runs this place, and she’s all human, but just as scary as Tor. I don’t want to rumble with either one of those two. So I program the shoes to self-destruct and drop them in the trash. FWOOM! The coast is clear now, and I sneak back into action. I work my way up the corridor in my spy socks, quiet as a ghost walking on cotton balls. Very, very puffy cotton balls—I’m that quiet. What I need is the perfect place to leave the package I came here to deliver. That’s the mission, but I can’t just do it anywhere. I have to choose wisely. Bathroom? Nah. Too echoey. Library? Nah. Only one exit, and I can’t take that risk. Main lobby? Hmm… maybe so. In fact, I wish I’d thought of that on my way in. I could have saved myself one very expensive pair of tungsten gripper shoes. Once my radar-enabled Rolex watch tells me the main lobby is clear, I slide in there and get right to work. I enter the access code on my briefcase, confirm with my thumbprint, and then pop the case open. After that, it takes exactly seven seconds and one ordinary roll of masking tape to secure my package to the wall. That’s it. Package delivered. Mission accomplished. Catch you next time—because there’s no way you’ll ever catch me. SAM out!

I was looking into a darkened hallway, lined with a washing machine and dryer, and a few brooms and mops held in clamps on the wall. I put a hand on the doorknob and turned very slowly and quietly. It was unlocked. I took a deep breath— —and very nearly fell out of my skin as a horrible, shattering scream came from inside. It was the sound of anguish and horror and such a clear call for help that even Disinterested Dexter moved reflexively forward, and I had one foot actually inside the house when a tiny little question mark scuttled across the floor of my brain and I thought, I’ve heard that scream before. And as my second foot moved forward, farther into the house, I thought, Really? Where? The answer came quite quickly, which was comforting: it was the same scream that was on the “New Miami” videos that Weiss had made. —which meant that it was a recorded scream. —which meant it was intended to lure me inside. —which meant that Weiss was ready and waiting for me.

In the early '90s a beautiful young Russian soprano who loved music was studying opera at the St. Petersburg Conservatory. She told us how despite her single-minded focus on developing her voice, her teachers thought that perhaps, at best, one day she could sing in a chorus somewhere. But the soprano wasn't going to let her teachers' low opinion of her stop her from achieving her goal. While becoming a part-time janitor may not seem like a brilliant career move for an aspiring opera star, she took a job mopping floors at St. Petersburg's Kirov Opera, the greatest opera company in Russia. Still working hard in the conservatory, she earned the chance to audition for the Kirov and was accepted into the ensemble. During rehearsals, when the lead singer became ill, the stage director asked the soprano if she knew the part. "Of course I knew it", she told us. "I knew all the parts. I was ready." She had worked hard; she had worked smart by putting herself in the right place at the right time. And she performed well. Her once-skeptical teachers never could have imagined the career that the soprano, Anna Netrebko, would go on to have, becoming an operatic superstar and the reigning diva of the twenty-first century.

What emerged from the historic turmoil was a city where race and class tensions pervaded the atmosphere. The very rich were mostly walled off in hidden mansions, and much of the white middle class remained living in hyper-segregated neighborhoods. The brown, black, and immigrant working class and poor—who were becoming the bulk of the city’s ordinary people—were rarely seen by well-off, white L.A. unless they were cleaning houses, weeding gardens, working nonunion construction, driving buses, parking cars, stocking shelves in big-box factory stores, or cooking food and mopping floors in every restaurant in town. By

with or using old secondhand books the teachers had. The one from Potions had been the worst, with pages falling out, and someone had scribbled and crossed things out on almost every page. I hoped now I might actually start to learn some magic. During dinner, I kept looking over at Hermione. I caught her eye a few times, but she'd look away. When I got up to leave, she got up too. I had a feeling she was following me. I tried to walk quickly. "Austin," she yelled. "Wait up." I kept walking. "Austin." I walked faster. I didn't hear the exact spell she used, but a second later, something smacked into my back, and I started walking super slow, like in those nightmares where you can't run. "What the—" I said as she caught up with me. "Sorry." She glanced down at my legs. "I could tell you weren't going to stop." "So you... you what? Hexed me?" "Hardly." She tossed a mop of hair out of her face. "It's a children's spell, used for playing tag—magic tag, that is. It should wear off anytime." Sure enough, though my legs felt like lead, I was able to walk at a normal pace. "Whatever." "Where are you heading?" "Professor Flichwick’s for extra work." "Good. I’m heading to the second floor too." "Great." I tried to sound irritated. Really, I was glad

Someone had come in and mopped the floor, and the disinfectant smell was

I had allergies as a child. A doctor advised my parents to create a special room for me to sleep in, free of as many allergens as possible. This ideal room would have a tile floor that could be mopped every day, and it would contain only a metal bed frame with a plastic-covered mattress. There would be no curtains or blinds on the windows and no lamps or tables. If these guidelines were followed, and I lived in this plain room where dust had little chance to gather and could be wiped away easily, I might be allergy-free and therefore more comfortable. My mother thanked the doctor and we left, presumably to shop for the metal bed. Instead, we went home and never spoke of it again.

Jamie nodded back. ‘Ms Cartwright—’ ‘It’s Mrs,’ she said automatically, the colour still drained from her cheeks. Her hand had moved from her mouth to her collarbones now as she processed it. ‘Would you mind if I took a look at those files?’  She shook her head, her eyes vacant. ‘No, no — there’s nothing much to see, but… Of course—’ She cut off, squeezing her face into a frown. ‘He’s… dead? But how? What happened? My God,’ she muttered. ‘He was… My God.’ Jamie stepped around her, leaving Roper to the interview. He was better at that sort of thing anyway. She rarely found interviewees easy to deal with. They always got emotional, blathered.  ‘Do you mind if I record this conversation?’ Roper asked behind her as she walked towards the back room. ‘No,’ Mary said quietly. ‘Great, thanks.’ He exhaled slowly, fiddling with the buttons, adding the audio file to the case. ‘What can you tell me about Ollie?’  The voices faded away as she reached the door and pushed on the handle. Inside looked to be a rehearsal room. On the left there were two steps leading up to a red door that opened onto the side of the stage, and the floor was bare concrete painted red. The paint had been chipped from years of use and the blue paint job underneath was showing through. Mary had a desk set up with two chairs in front of it, but no computer. In fact there was nothing of any value in the room.  On the right there was an old filing cabinet, and laid against it were rusted music stands as well as a mop and bucket and a couple of bottles of bargain cleaning supplies that had the word ‘Value’ written across them.  At the back of the room there was an old bookcase filled with second-hand literature — mostly children’s books and charity shop novels. Next to that an old plastic covered doctor’s examination bed was pushed against the wall. Sponge and felt were showing through the ripped brown covering.  Stood on the floor was a trifold cotton privacy screen that looked new, if not cheap. On the cracked beige walls, there was also a brand new hand-sanitiser dispenser and wide paper roll holder. She approached and checked the screws. They were still shiny. Brass. They had been put up recently. At least more recently than anything else in there.  The dispenser looked like it had come straight out of a doctor’s office, the roll holder too. Paper could be pulled out and laid over the bed so patients didn’t have to sit on the bare covering. Jamie stared at them for a second and then reached out, squirting sanitiser onto her hands.  She massaged it in before moving on.

Tempest by Maisie Aletha Smikle Night has come The day is done It's time to go to sleep And rest in peace so sweet Then arise at daybreak with a praise For with sweet slumber you were graced It's the break of dawn And all is blessedly calm Some are waking up from their peaceful slumber While others hasten home to get their daily slumber Birds happily chirp hello And roosters crow how do you do Angels descend to take their earthly morning stroll And take a roll Of when to sack the bad And when to reward the good Like an eye at the middle of a storm So was the calm at dawn Then…Swoosh...Swoosh A mighty wind blew Birds stop sipping dew and flew Windows flew wide open Curtains leapt then went airborne floating in the air Empty teapots flew off stove tops Banging on adjacent doors Before landing on the kitchen floors Utensils cups and saucers clatter Forks dance with spoons to the rhythm of the wind Animals huddle tight In awe and fright In treetops they huddle In holes they shudder For out of their holes they will flood like grains of sand And the winds from the treetops they can't withstand Swoosh… Swoosh the mighty winds blew Sweeping like an enormous broom The winds swept What was unswept And that which was unkept And without a trace the winds left The sun peeked from behind the clouds Checking to see if the tempest had really left Then gracefully the sun arises To mop that which wasn't swept by the bristles of the tempest

church, and I was exhausted. It was nine o’clock at least. In those days, with all the violence and riots going on, you did not want to be out that late at night. We were standing at the corner of Jellicoe Avenue and Oxford Road, right in the heart of Johannesburg’s wealthy, white suburbia, and there were no minibuses. The streets were empty. I so badly wanted to turn to my mom and say, “You see? This is why God wanted us to stay home.” But one look at the expression on her face, and I knew better than to speak. There were times I could talk smack to my mom—this was not one of them. We waited and waited for a minibus to come by. Under apartheid the government provided no public transportation for blacks, but white people still needed us to show up to mop their floors and clean their bathrooms. Necessity being the mother of invention, black people created their own transit system, an informal network of bus routes, controlled by private associations operating entirely outside the law. Because the minibus business was completely unregulated, it was basically organized crime. Different groups ran different routes, and they would fight over who controlled what. There was bribery and general shadiness that went on, a great deal of violence, and a lot of protection money paid to avoid violence. The one thing you didn’t do was steal a route from a rival group. Drivers who stole routes would get killed. Being unregulated, minibuses were also very unreliable. When they came, they came. When they didn’t, they didn’t.

It is a child of God looking at a trial and saying, “This is mine to handle. Let me do this for you. Let me hold the hand of the dying, let me care for the drug-addicted foster child, spend my life in a third-world country sharing the Gospel, mop the same floor I mopped yesterday and every day before that, or freely give away my time in a million ways with no expectation of getting it back. Let me change your diapers and hold your hand. Let me feed the hungry, and reach out to the lonely. Let me. I see my name all over this job. This is work for a daughter of the King.

Water is fair that leaps on high in a fountain white beneath the sky; but never did fountain sound so sweet as splashing Hot Water with my feet! There was a terrific splash, and a shout of Whoa! from Frodo. It appeared that a lot of Pippin’s bath had imitated a fountain and leaped on high. Merry went to the door: ‘What about supper and beer in the throat?’ he called. Frodo came out drying his hair. ‘There’s so much water in the air that I’m coming into the kitchen to finish,’ he said. ‘Lawks!’ said Merry, looking in. The stone floor was swimming. ‘You ought to mop all that up before you get anything to eat, Peregrin,’ he said. ‘Hurry up, or we shan’t wait for you.

You tend to think that you are mainly the big blotches on the canvas: the big splashes that you want to draw attention to (you're aiming for the Olympics one day, you're into drag racing, you're working for a luxury company in Paris, so on and so forth). But those big blotches that you want to draw attention to aren't you, at the end of the day. At the end of the day, you are the tiny dots that you've pulled together, the small dots on your canvas which you've pulled together that make up the fundamental person that you are: the way you put a flower on your slice of cake, the way you mop your floor three times because once isn't good enough, the way that you nurture another person who is growing on the same path you have already been through, so on and so forth. You are the accumulation of the attention that you put into your daily, mundane actions which lend life to your existence. Or character to your daily life. That is you. That is what you have to give. That is your energy. Your big blotches have no power if your little dots are not accounted for.

It’s the start of a new era, when people are finally ready to embrace the microbial world. When I walked through San Diego Zoo with Rob Knight at the start of this book, I was struck by how different everything seemed with microbes in mind. Every visitor, keeper, and animal looked like a world on legs – a mobile ecosystem that interacted with others, largely oblivious to their inner multitudes. When I drive through Chicago with Jack Gilbert, I experience the same dizzying shift in perspective. I see the city’s microbial underbelly – the rich seam of life that coats it, and moves through it on gusts of wind and currents of water and mobile bags of flesh. I see friends shaking hands, saying’ “how do you do”, and exchanging living organisms. I see people walking down the street, ejecting clouds of themselves in their wake. I see the decisions through which we have inadvertently shaped the microbial world around us: the choice to build with concrete versus brick, the opening of a window, and the daily schedule to which a janitor now mops the floor. And I see, in the driver’s seat, a guy who notices those rivers of microscopic life and is enthralled rather than repelled by them. He knows that microbes are mostly not to be feared or destroyed, but to be cherished, admired, and studied.

For some people relationships are not necessarily the place where they encounter their best selves. Actually, the person that they are in a relationship is not the person that they want to be or that they can be in other areas of life, they feel there are other possibilities that they’d like to explore. And you know I think getting into a relationship with someone, asking someone to be with you is a pretty cruel thing to do to someone that you love and admire and respect because the job is so hard, most people fail at it, you know when you ask somebody to marry you, for example, you are asking someone to be your chauffer, co-host, sexual partner, co-parent, fellow accountant, mop the kitchen floor together etc. No wonder that we fail at some of the tasks, and get irate with one another, it’s a burden. And I think sometimes, you know, the older I get, sometimes I think the nicest thing you can do to someone you really admire is leave them alone, just let them go, let them be, don’t impose yourself on them, because you’re challenging.

orderlies clanged buckets as they mopped the floor, porters pushed squeaking

Baking soda can take the place of most scrubbing products – I find it very helpful on my stove top or counters when they get gunky, and it takes away the ring around the tub like few other things can. Just put a little on a damp cloth and scrub away. Note that I said “a little”. If you use too much, you'll spend your time cleaning up your cleaning product. For the things that need to be shiny, I like 1 part of white vinegar to 3 parts water. It's a streak-free window cleaner, you can use it when mopping the floors, and the mild acidic content will help kill germs while being non-toxic to people and pets. It will also help you see where you left any traces of baking soda – just spritz where you were cleaning, and any remaining baking soda will react to the vinegar and fizz up! If you can't stand the vinegar smell, I've heard of many people using essential oils or soaking fragrant herbs in the vinegar to change the scent. Use

Landon reappeared, wearing a shirt, and pointed to the trash bag. “All done with that? I’m taking them to the garage.” Colby did a quick scan of the kitchen. “Yeah, looks like we got it all.” “Cool.” He knotted the top together then lifted the bag. Glass bottles rattled inside. “This shit stinks. Our friends are pigs.” Matt pretended to clear his throat. “Says the beer pong champ.” He lifted his hands, his face masked in innocence. “Didn’t say a thing.” “Ha-ha, okay, okay. Yeah, so maybe I contributed.” Landon shouldered the weighted bag. “A lot. But I also kicked your ass.” “We,” I chimed in. “Considering how drunk you were, we should probably respect the solid seventy/thirty split of the win.” Landon opened the garage door and paused. “Hold that thought.” “Uh-oh, you got him all fired up now.” Matt laughed and plopped down on the couch in the now clean living room. “You got anything for a headache?” Colby nodded, reached into the kitchen cabinet where he stored the ibuprofen, then tossed him the bottle. The garage door reopened and Landon stepped through already talking. “Okay, so if I’m not mistaken, you’re saying you did seventy percent of the winning?” “Seems about right.” I grinned, just to egg him on. “What I’m thinking is we should just call it fifty/fifty because my drunkenness just took my superior beer pong skills down to average-guy range.” “Oh? So that’s what we want to call it? Hmm…Okay, if this helps keep your ego nice and inflated, I guess I can get on board with that.” “Hey now…” He forced back a smile. “Kidding. We all know I suck at beer pong. If it hadn’t been for my champion of a partner and Matt’s extreme inebriation, I wouldn’t have stood a chance. It was a team effort and we…how did you say it? Mopped the floors with the blood of our enemies?” “Damn girl, you’re feisty. This isn’t no red wedding. I just said we kicked some ass.” “Oh, you didn’t say something like that? Wow, now I see how the inflated ego comes about. That kind of win just really goes straight to the head. I’m like crazy with power.” “I’d say.” He laughed. “And remind me to never play against you.

What’re you gonna tell your parents when your cousin mops the floor with you?” “That she cheated!

Although I’ve come to love the precision of the “hose” that the French favor for taking a shower, I can’t fathom why many homes and hotels in Europe don’t provide curtains for their showers. All it takes is a split-second of absentmindedly reaching for the soap to misdirect the spray and you’ve soaked the floor, the toilet, the toilet paper, and your toiletries. I don’t know about you, but the last activity I want to do when I hop buck-naked out of the shower is get on my hands and knees and start mopping the bathroom floor.

For example, suppose you intend to clean your home. You normally need five hours to make it appear spotless. This allows for vacuuming and mopping the floors, cleaning the countertops, washing the dishes, dusting and polishing the furniture, cleaning the appliances, washing the windows, sweeping the patio, and more. Now, impose a challenging time limit upon yourself. For instance, rather than allowing yourself five hours, give yourself two hours. Then, get as much cleaning done as possible in those two hours.

JAUNTILY, PENNY PARKER WALKED THROUGH the dimly lighted newsroom of the Riverview Star, her rubber heels making no sound on the bare, freshly scrubbed floor. Desks were deserted, for the final night edition of the paper had gone to press half an hour earlier, and only the cleaning women were at work. One of the women arrested a long sweep of her mop just in time to avoid splashing the girl with water.

Young people need looking after,” she said. “Think of that beautiful boy Galois. People felt there was something secret in his character. They were right. The secret was mathematics. His father a suicide. His own death a horrible farce. Dawn in the fields. Caped and whiskered seconds. Sinister marksman poised to fire.” I need all my courage to die at twenty. “Then there was Abel, not much older, desperately poor, Abel in delirium, hemorrhaging. So often mathematical experience consists of time segments too massive to be contained in the usual frame. Lives overstated. Themes pursued to extreme points. Adventure, romance and tragedy.” I will fight for my life. “Look at Pascal, who rid himself of physical pain by dwelling on mathematics. He was just a bit older than you when he constructed his mystic hexagram. The loveliest aspect of the mystic hexagram is that it is mystic. That’s what’s so lovely about it. It’s able to become its own shadow.” Keep believing it. “The tricky thing about mathematical genius,” she said, “is that its sources are so often buried. Galois for one. Ramanujan for another. No indication anywhere in their backgrounds that these boys would one day display such natural powers. Figures jumping out of sequence. Or completely misplaced.” (...) “Numbers have supernatural harmonies, according to Hermite. They exist beyond human thought. Divine order through number. Number as absolute reality. Someone said of Hermite: ‘The most abstract entities are for him like living creatures.’ That’s what someone said.” “People invented numbers,” he said. “You don’t have numbers without people.” “Good, let’s argue.” “I don’t want to argue.” “Secret lives,” she said. “Dedekind listed as dead twelve years before the fact. Poncelet scratching calculations on the walls of his cell. Lobachevski mopping the floors of an old museum. Sophie Germain using a man’s name. Do I have the order right? Sometimes I get it mixed up or completely backwards. (...) “Tell me about your mathematical dreams.” “Never had one.” “Cardano did, born half dead, his inner life a neon web of treachery and magic. Gambler, astrologer, heretic, court physician. Schemed his way through the algebra wars.” “Can I see the baby?” “Ramanujan had algebraic dreams. Wrote down the results after getting out of bed. Vast intuitive powers but poor education. Taken to Cambridge like a jungle boy. Sonja Kowalewski wasn’t allowed to attend university lectures. We both know why. When her husband died she spent days and days without food, coming out of her room only after she’d restored herself by working on her mathematics. Tell me, was it Kronecker who thought mathematics similar to poetry? I know Hamilton and many others tried their hands at verse. Our superduper Sonja preferred the novel.

This attitude is strikingly illustrated in a story about John F. Kennedy. He was about to address the American nation on the Apollo missions. On his way to a NASA hanger, he came across a janitor mopping the floor. JFK asked, ‘And what are you doing here?’ ‘Oh, Mr President, I’m putting a man on the moon.

After classes, the kids cleaned the school, mopping the floors, wiping the chalkboards, and emptying the garbage. The kids who had received demerits—for misbehaving or letting their hair grow too long—had to wear red pinnies and clean the bathrooms.

2010, an estimated eleven million undocumented persons were living in the United States, in large part thoroughly woven into the fabric of American life. Many were longtime residents, with children who either were U.S. citizens by virtue of having been born on American soil or had been brought to the United States at such an early age that they were American in every respect except for a piece of paper. Entire sectors of the U.S. economy relied on their labor, as undocumented immigrants were often willing to do the toughest, dirtiest work for meager pay—picking the fruits and vegetables that stocked our grocery stores, mopping the floors of offices, washing dishes at restaurants, and providing care to the elderly.

In the more immediate case, the charmed visitor's deliverance came when Nate lowered his face against the cold tile and Zero had ‒ with the surprising ease of a single determined tug against his zip-line tight leash ‒ toppled the chair to which he had been secured. It clattered loudly as he dragged it across the floor for several feet until the looped handle slipped off the now horizontal left upper knob of the back support; immediately after which the fixated feline joined his owner by inserting his much smaller head as far underneath the narrow gap at the cabinet's base as it would fit and his neck could stretch. He began to virtually mimic the rhythm of Nate's mop maneuver by alternately extending his left, then his right paw ‒ as Twitch likewise scurried from the kitchen side to the far corner ‒ sliding each in turn; alternating back and forth across the tile as if they were shortish, furry, clawed windshield wipers. For good measure, he repeatedly hissed and then growled menacingly in the direction of his quarry; finally sending the unwitting intruder scurrying once again; directly to the left of his pursuers, who ‒ despite being quite synchronized in their movements ‒ had been working at cross-purposes. During his hurried effort to return to his feet, Nate momentarily lost his balance and realized even as he righted himself, that this had provided the fleet-footed rodent all the time needed to evade his trap and bolt out the left crevice. It was in precisely this instant that his rat's luck really kicked in. Rather than escaping through any number of open spaces at the front or on either side and surely leading to a three way race that would have favored Zero heavily ‒ Twitch instead ran alongside the wall, where he became quickly immobilized between the back left cabinet leg and granite baseboard rising behind it. His twitching whiskers and wiggling nose had reached the side crevice that minutes earlier tantalized him with impending passage to the freedom of the open floor. However, by then a zealous greeting in the form of a crouched Zero awaited instead.

groomed, and fed the family dog for years." A very common occurrence. "Reason for leaving last job: Pushed aside so the vice president's girlfriend could steal my job." Not a great experience then? "Previous experience: Self-employed -- a fiasco." And a poodle when it comes to modesty. "I am a pit bull when it comes to analysis."  Yeah and I am the Queen of England. "I am the king of accounts payable reconciliation." Travelling hobo. "Work history: Bum. Abandoned belongings and led nomadic lifestyle." Perhaps you need a mop for the floor? "I like slipping and sliding around behind the counter and controlling the temperature of the food." Sshhh, people maybe listening. .."Reason for leaving last job: The owner gave new meaning to the word 'paranoia.' I prefer to elaborate privately." It just has. "My ruthlessness terrorized the competition and can sometimes offend." Don't we all. "I love dancing and throwing parties." Wow, that quick. "I am quick at typing, about 25 words per minute.

I’d mop the floor with your butt if I thought I could get in the corners!

Panaka’s gaze finally turned to Leia. He stopped short, eyes wide with shock. Although he managed to hold on to his cup, some of his tea splashed onto the floor. “Moff Panaka, are you well?” Dalné hurried forward as the little droid reached out an extender to mop up the spill. “Of course. Forgive me. Your guest—reminded me of someone else.

Tile Grout Cleaning Mckinney TX 972-850-6769 You may not be aware of one of the reasons why your tiled floor is stained, discolored, and unattractive. It turns out that using soap and water to mop the floor might be ruining the tiles' appearance. Once you get in touch with us, we can use efficient methods to clean ceramic tile and grout. You are aware of how challenging it is to maintain tile floors.

Neurodivergent Checklist Time Blindness: Many neurodivergent people have trouble properly perceiving time as it passes. It either goes by too quickly or slowly. The perception of time depends on the level of stimulation the neurodivergent person is dealing with. It also can vary depending on what you’re focused on. If you’ve ever found yourself unable to account for time, you may be neurodivergent. Executive Dysfunction: This is what you experience when you want to accomplish a task, but despite how hard you try, you cannot see it through. Executive dysfunction happens for various reasons, depending on the type of neurodivergence in question. Still, the point is that this is a common occurrence in neurodivergent people. Task Multiplication: What is task multiplication? It happens when you set off to accomplish one thing but have to do a million other things, even though that wasn’t your original plan. For instance, you may want to sit down to finish some writing, only to notice water on the floor. You get up to grab a mop, and on the way, you notice the laundry you were supposed to drop off at the dry cleaners. Stooping to pick up the bag, you find yourself at eye level with your journal and remember you were supposed to make an entry the previous day, so you’re going to do that now. On and on it goes. Inconsistent Sleep Habits: This depends on what sort of neurodivergence you’re dealing with and if you’ve got comorbid disorders. Most importantly, neurodivergent people sleep more or less than “regular” people. You may also notice that your sleep habits fluctuate a lot. Sometimes you may sleep for eight hours at a stretch for a week, only to suddenly start running on just three hours of sleep. Emotional Dysregulation: With many neurodivergent people, it’s hard to keep emotions in check. Emotional dysregulation occurs in extreme emotions, sudden mood swings, or inappropriate emotional reactions (either not responding to the degree they should or overreacting). Hyperfixation: This also plays out differently depending on the brand of neurodivergence in question. Often, neurodivergent people get very involved in topics or hobbies to the point of what others may think of as obsession. Picking Up on Subtleties but Missing the Obvious: Neurodivergent people may struggle with picking up on things neurotypical people can see easily. At the same time, they are incredibly adept at noticing the subtle things everyone else misses. Sensory Sensitivities: If you’re neurodivergent, you may be unable to ignore your clothes tag scratching your back, have trouble hearing certain sounds, and can’t quite deal with certain textures of clothing, food, and so on. Rejection Sensitivity: Neurodivergent people are often more sensitive to rejection than others due to neurological differences and life experiences. For instance, children with ADHD get much more negative feedback than their peers without ADHD. Neurodivergent people are often rejected to the point where they notice rejection even when it’s not there.

Was it different-better. Fundamentally. In the car on the way home, I thought about our life in Oxford, with its walks and weekends, its dinners and author talks, minibreaks and exhibitions, Patrick’s important work and my very small work. I liked it no more or less than our life in London. It had been nearly two years. In the only way that mattered Oxford wasn’t different or better. There were still bathroom floor topics—Ingrid meant, the times I was so scared or leaden or in another way consumed by depression that I couldn’t move from whichever corner it had driven me into, until Patrick came, and put his hand out and pulled me up. Then, as always, in a day, a week, however long, I could go into the bathroom and think nothing about the corner where I’d previously trembled, cried, bit my lip, begged, except the whole floor could use a mop

It all started with a simple cleaning job. And now it might end with my blood being mopped off the cabin floor.

don’t understand, Lord, she prayed silently. We didn’t do anything, and Amberlie is so awful. Didn’t you say You would not let the guilty go unpunished? So why are we scrubbing pots and mopping floors, when the guilty one is probably out riding horses and having fun right now? It’s not fair. We should be enjoying our camp experience. Instead, we are stuck here.

After an hour or so, I went to roast a round of tuna steaks. The kitchen was dense with spices and smells. I'd massaged the tuna with cumin and ground coriander, plus lots of chili, serving it with new potatoes and carrots. We mopped up the sauce from our plates with thickly cut bread. We tossed any bones onto the floor, throwing them over our shoulders as was now tradition. The fat and the tomatoes left a thin red tide line around our mouths, which we dabbed at with tissues. After the tuna we had a smaller course of spaghetti puttanesca- served in sundae bowls we'd found in the kitchen. The pasta was a little overcooked, but the fiery anchovy sauce was delicious, finished with an extra drizzle of chili oil, its carmine flecks spitting and popping from the pan.