Moonlight Short Quotes

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The raft finally got here," he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. "You just noticed?" "But if it only shows up for guys you like-" "Don't push your luck, Leo Valdez," she said. "I still hate you." "Okay." "And you are not coming back here," she insisted. "So don't give me any empty promises." "How about a full promise?" he said. "Because I'm definitely-" She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheeck from Piper, but that didn't count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would've short-circuited. Calypso pushed him away. "That didn't happen." "Okay." His voice sounded an octave higher than usual.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
My name is Kvothe, pronounced nearly the same as "quothe." Names are important as they tell you a great deal about a person. I've had more names than anyone has a right to. The Adem call me Maedre. Which, depending on how it's spoken, can mean The Flame, The Thunder, or The Broken Tree. "The Flame" is obvious if you've ever seen me. I have red hair, bright. If I had been born a couple of hundred years ago I would probably have been burned as a demon. I keep it short but it's unruly. When left to its own devices, it sticks up and makes me look as if I have been set afire. "The Thunder" I attribute to a strong baritone and a great deal of stage training at an early age. I've never thought of "The Broken Tree" as very significant. Although in retrospect, I suppose it could be considered at least partially prophetic. My first mentor called me E'lir because I was clever and I knew it. My first real lover called me Dulator because she liked the sound of it. I have been called Shadicar, Lightfinger, and Six-String. I have been called Kvothe the Bloodless, Kvothe the Arcane, and Kvothe Kingkiller. I have earned those names. Bought and paid for them. But I was brought up as Kvothe. My father once told me it meant "to know." I have, of course, been called many other things. Most of them uncouth, although very few were unearned. I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep. You may have heard of me.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
As soon as I got back to the apartment, through the pain of throwing away Braden came the fear. I stared down the hall at Ellie's bedroom door, and I had to stop myself from going back on my promise not to run from her. So I did the opposite. I kicked off my boots, shrugged out of my coat and crept silently into her darkened room. In the moonlight shining through her window, I saw Ellie curled up in a protective ball on her side. I made a move toward her and the floor creaked under my foot, and Ellie's eyes flew open immediately. She gazed up at me, wide-eyed but wary. That hurt. I started to cry harder and at the sight of my tears, a tear slid down Ellie's cheek. Without a word, I crawled onto her bed and right up beside her as she turned onto her back. We lay side by side, my head on her shoulder, and I grabbed her hand and held it in both of mine. "I'm sorry," I whispered. "It's okay," Ellie's voice was hoarse with emotion. "You came back." And because life was too short... "I love you, Ellie Carmichael. You're going to get through this." I heard her hitch on a sob. "I love you too, Joss.
Samantha Young (On Dublin Street (On Dublin Street, #1))
When they reached their ship, Ed gazed out at the bay. It was black. The sky was black, but the bay was even blacker. It was a slick, oily blackness that glowed and reflected the moonlight like a black jewel. Ed saw the tiny specks of light around the edges of the bay where he knew ships must be docked, and at different points within the bay where vessels would be anchored. The lights were pale and sickly yellow when compared with the bright blue-white sparkle of the stars overhead, but the stars glinted hard as diamonds, cold as ice. Pg. 26.
Clark Zlotchew (Once upon a Decade: Tales of the Fifties)
She had a new secret, the strenght of the moon, looking at her
Susan Engberg
It is easy to say I am thankful for the sweet and beautiful things in life: flower gardens, ice cream cones, diamond rings, dances under moonlight, children’s laughter, birdsongs, and the like. The challenge is recognizing things of value in the dark, sour, uglier parts of life. But if you look hard enough, you will find that even tough times offer pearls worthy of gratitude.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
These summer nights are short. Going to bed before midnight is unthinkable and talk, wine, moonlight and the warm air are often in league to defer it one, two or three hours more. It seems only a moment after falling asleep out of doors that dawn touches one gently on the shoulder, and, completely refreshed, up one gets, or creeps into the shade or indoors for another luxurious couple of hours. The afternoon is the time for real sleep: into the abyss one goes to emerge when the colours begin to revive and the world to breathe again about five o'clock, ready once more for the rigours and pleasures of late afternoon, the evening, and the night.
Patrick Leigh Fermor (Mani: Travels in the Southern Peloponnese)
April was just beginning, and after the warm spring day it turned cooler, slightly frosty, and a breath of spring could be felt in the soft, cold air. The road from the convent to town was sandy, they had to go at a walking pace; and on both sides of the carriage, in the bright, still moonlight, pilgrims trudged over the sand. And everyone was silent, deep in thought, everything around was welcoming, young, so near— the trees, the sky, even the moon—and one wanted to think it would always be so.
Anton Chekhov (Short Stories)
But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollow of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness. The autumn trees, ravaged as they are, take on the flash of tattered flags kindling in the gloom of cool cathedral caves where gold letters on marble pages describe death in battle and how bones bleach and burn far away in Indian sands. The autumns trees gleam in the yellow moonlight, in the light of harvest moons, the light which mellows the energy of labour, and smooths the stubble, and brings the wave lapping blue to the shore.
Virginia Woolf (To the Lighthouse)
I feel stuffy, as if there were not enough air to breathe - hot, and uneasy. Two months of no exercise have made me weak and plegmatic mentally and physically. On the short walk from here to the libe I drink the cold pure night air and the clear unbelievably delicate crescent-moonlight with a greedy reverence. Days are bizarre collections of hothouse languidities, mystical and poignant sensuous quotations (white thy fambles, red thy gan, and thy quarrons dainty is ... " Dark, liquid loveliness of words half dimly understood.)
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
You take your flashlight out on your walks, right?” Simon asked. “Depends on the moonlight.” “From now on, take it with you every night. When you’re out walking this way, you’ll pass the gazebo, where, chances are, I will be smoking.” “Then what?” “You can signal—say, three times if you want to take a walk with me. Twice if you want to walk alone. that way I’ll just let you walk on. It’ll be like a military code. No one gets hurt.” I laughed. “that’s silly and charming.” “I try. I can signal back with my cigarette lighter too,” Simon said, holding up the lighter and firing off three short bursts of flame. “So, like, if I see you first and I happen to not wish to talk to you, I can fire off two bursts and block you in your tracks.
Amanda Howells (The Summer of Skinny Dipping (Summer, #1))
Then he's here, emerging from the water like some kind of myth, some fabled Ai'oan god, his hand smoothing his wet hair back from his face, his chest and shoulders gleaming with water and moonlight. Behind him, a pale shimmering trail of blue light marks his passage through the water. His wet shorts hang a bit lower on his hips than they usually do, tempting my imagination. He extends the flower, which I take with trembling fingers. (...) He smiles a small, crooked smile, and I think he knows exactly how tightly he's bound my tongue in knots. I suspect fetching me the passionflower was only half his purpose in swimming through the glowing pool.
Jessica Khoury (Origin (Corpus, #1))
A Halloween flower, if ever there was one, would smell like an onion, have thorns like a rose. With charcoal black petals and vines that entangle, t'would grow under moonlight in mud, I suppose.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
The raft finally got here,” he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. “You just noticed?” “But if it only shows up for guys you like—” “Don’t push your luck, Leo Valdez,” she said. “I still hate you.” “Okay.” “And you are not coming back here,” she insisted. “So don’t give me any empty promises.” “How about a full promise?” he said. “Because I’m definitely—” She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheek from Piper, but that didn’t count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would’ve short-circuited. Calypso pushed him away. “That didn’t happen.” “Okay.” His voice sounded an octave higher than usual. “Get out of here.” “Okay.” She turned, wiping her eyes furiously, and stormed up the beach, the breeze tousling her hair. Leo wanted to call to her, but the sail caught the full force of the wind, and the raft cleared the beach. He struggled to align the guidance console. By the time Leo looked back, the island of Ogygia was a dark line in the distance, their campfire pulsing like a tiny orange heart. His lips still tingled from the kiss. That didn’t happen, he told himself. I can’t be in love with an immortal girl. She definitely can’t be in love with me. Not possible. As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better—an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn’t care. “I’m coming back for you, Calypso,” he said to the night wind. “I swear it on the River Styx.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
I'd like to be a wolf. Not all the time. Just sometimes. In the dark. I would run through the forests as a wolf at night," said Richard, mostly to himself. "I'd never hurt anyone. Not that kind of wolf. I'd just run and run forever in the moonlight, through the trees, and never get tired or out of breath, and never have to stop. That's what I want to be when I grow up...
Neil Gaiman (Smoke and Mirrors: Short Fiction and Illusions)
When Earthling comes, a child of Man He’ll carry moonlight in his hand He will wish and he will grieve But most of all he will believe He must believe. Only then will you be free Oh fair enchanted Emmalie.
Ellie B. Morris (Short and Tall)
At last the anchor was up, the sails were set, and off we glided. It was a short, cold Christmas; and as the short northern day merged into night, we found ourselves almost broad upon the wintry ocean, whose freezing spray cased us in ice, as in polished armor. The long rows of teeth on the bulwarks glistened in the moonlight; and like the white ivory tusks of some huge elephant, vast curving icicles depended from the bows.
Herman Melville (Moby-Dick or, The Whale)
First I need to do something.’ He pulled me closer towards him until our lips were almost touching. ‘What might that be?’ I managed to stutter, closing my eyes, anticipating the warmth of his lips against mine. But the kiss didn’t come. I opened my eyes. Alex had jumped to his feet. ‘Swim,’ he said, grinning at me. ‘Come on.’ ‘Swim?’ I pouted, unable to hide my disappointment that he wanted to swim rather than make out with me. Alex pulled his T-shirt off in one swift move. My eyes fell straightaway to his chest – which was tanned, smooth and ripped with muscle, and which, when you studied it as I had done, in detail, you discovered wasn’t a six-pack but actually a twelve-pack. My eyes flitted to the shadowed hollows where his hips disappeared into his shorts, causing a flutter in parts of my body that up until three weeks ago had been flutter-dormant. Alex’s hands dropped to his shorts and he started undoing his belt. I reassessed the swimming option. I could definitely do swimming. He shrugged off his shorts, but before I could catch an eyeful of anything, he was off, jogging towards the water. I paused for a nanosecond, weighing up my embarrassment at stripping naked over my desire to follow him. With a deep breath, I tore off my dress then kicked off my underwear and started running towards the sea, praying Nate wasn’t doing a fly-by. The water was warm and flat as a bath. I could see Alex in the distance, his skin gleaming in the now inky moonlight. When I got close to him, his hand snaked under the water, wrapped round my waist and pulled me towards him. I didn’t resist because I’d forgotten in that instant how to swim. And then he kissed me and I prayed silently and fervently that he took my shudder to be the effect of the water. I tried sticking myself onto him like a barnacle, but eventually Alex managed to pull himself free, holding my wrists in his hand so I couldn’t reattach. His resolve was as solid as a nuclear bunker’s walls. Alex had said there were always chinks. But I couldn’t seem to find the one in his armour. He swam two long strokes away from me. I trod water and stayed where I was, feeling confused, glad that the night was dark enough to hide my expression. ‘I’m just trying to protect your honour,’ he said, guessing it anyway. I groaned and rolled my eyes. When was he going to understand that I was happy for him to protect every other part of me, just not my honour?
Sarah Alderson (Losing Lila (Lila, #2))
What are you grinning at?' Nal muttered. As if in response, the gull spread its wings and opened its shadow over the miniature ruins of the castle - too huge, Nal thought, and vaguely humanoid in shape - and then it flew off, laboring heavily against the wind. In the soft moonlight this created the disturbing illusion that the bird had hitched itself to Nal's shadow and was pulling his darkness from him.
Karen Russell (Vampires in the Lemon Grove: Stories)
I would sooner," she said, "give you a spell against water, that all the world should thirst, than give you a spell against the song of streams that evening hears faintly over the ridge of a hill, too dim for wakeful ears, a song threading through dreams, whereby we learn of old wars and lost loves of the Spirits of rivers. I would sooner give you a spell against bread, that all the world should starve, than give you a spell against the magic of wheat that haunts the golden hollows in moonlight in July, through which in the warm short nights wander how many of whom man knows nothing. I would make you spells against comfort and clothing, food, shelter and warmth, aye and will do it, sooner than tear from these poor fields of Earth that magic that is to them an ample cloak against the chill of Space, and a gay raiment against the sneers of nothingness.
Lord Dunsany (The King of Elfland's Daughter)
Opening your heart may mean breaking it for a short while, but that's the sacrifice we all make when we dare to dream of love.
Nicola Mar (Roses by Moonlight)
Moonlight, the mystic smile of the night, can soothe the soul and calm the mind.
Shree Shambav (Twenty + One - 21 Short Stories - Series II)
Are you for real?” She let out a short laugh, looking away. Why did so many good-looking guys have to be such douche canoes? “Man, you are something else.” “That I am.” “That wasn’t a compliment.” “You sure about that?” “Uh, yeah. I am.” “Hmm.” He sounded utterly dismissive. She had to force her hands to unclench. “I think you’re the most uptight person I know.” “You know nothing about me.” “I know enough to know you need a hobby or a pastime. Maybe a different workout regimen to de-stress or you need to get laid. Something to loosen you up a bit.” His lips parted as he stared down at her. He looked affronted. Like if he had pearls, he’d be clutching them. “Did you seriously just tell me I needed to get laid?” Rosie rolled her eyes. “Did you seriously just prove what I said?” A moment passed. “Are you volunteering?
Jennifer L. Armentrout (Moonlight Scandals (de Vincent, #3))
Basil Ransom had got up just as Mrs. Luna made this last declaration; for a young lady had glided into the room, who stopped short as it fell upon her ears. She stood there looking, consciously and rather seriously, at Mr. Ransom; a smile of exceeding faintness played about her lips--it was just perceptible enough to light up the native gravity of her face. It might have been likened to a thin ray of moonlight resting upon the wall of a prison.
Henry James (The Bostonians)
It had been a windy night, that night where his life had taken its turning. The atmosphere, in flood, was trying to wash the trees right off the hills. The big oaks twisted and shuddered like black flames in the moonlight, and the white grass rippled and bannered. The wind that night made him feel his chronic longing. The wind, trying to stampede the trees, was roaring for a grand, universal departure to another solar system, a better deal, and the grass struggled to join the rootless giant of the air. All that lives strives to fly, to master time. All tribes of beings strain to rise in insurrection, all knowing their time is short, all, when the wind blows, wanting to climb aboard. ("The Growlimb")
Michael Shea (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
could stand it no longer. My nervous system seemed to give way in a moment. "Stop!" I screamed, springing to my feet. "Stop misguided and unprincipled men!" They both staggered backwards. I fancy they thought I was a spirit, with the moonlight streaming down upon my pale
Arthur Conan Doyle (120 Short Stories)
But you don’t have to!” Juliette did not mean to yell. But here she was. “You’re not actually one of them!” Kathleen pulled away vehemently. “Aren’t I?” she asked. “I am at their meetings. I draw their posters. I know their protest calls.” She tore her jade pendant off. Held it up, in the moonlight. “Short of these riches, short of my last name, what is stopping me from being one of them? I could just as easily be another face in the factories. I could just as easily have been another abandoned child thrown onto the streets, begging for scraps!
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Death might have struck me down in that moment; it would have seemed to me a trivial, or rather an impossible thing, for life was not outside, it was in me; I should have smiled pityingly had a philosopher then expressed the idea that some day, even some distant day, I should have to die, that the external forces of nature would survive me, the forces of that nature beneath whose godlike feet I was no more than a grain of dust; that, after me, there would still remain those rounded, swelling cliffs, that sea, that moonlight and that sky! How was that possible; how could the world last longer than myself, since it was it that was enclosed in me, in me whom it went a long way short of filling, in me, where, feeling that there was room to store so many other treasures, I flung contemptuously into a corner sky, sea and cliffs.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
She stood there looking, consciously and rather seriously, at Mr. Ransom; a smile of exceeding faintness played about her lips—it was just perceptible enough to light up the native gravity of her face. It might have been likened to a thin ray of moonlight resting upon the wall of a prison.
Henry James (Complete Works of Henry James: Novels, Short Stories, Plays, Essays, Autobiography and Letters: The Portrait of a Lady, The Wings of the Dove, The American, ... Knew, Washington Square, Daisy Miller…)
But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollows of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness. The autumn trees, ravaged as they are, take on the flesh of tattered flags kindling in the doom of cool cathedral caves where gold letters on marble pages describe death in battle and how bones bleach and burn far away in Indian sands. The autumn trees gleam in the yellow moonlight, in the light of harvest moons, the light which mellows the energy of labour, and smooths the stubble, and brings the wave lapping blue to the shore. It seemed now as if, touched by human penitence and all its toil, divine goodness had parted the curtain and displayed behind it, single, distinct, the hare erect; the wave falling; the boat rocking; which, did we deserve them, should be ours always. But alas, divine goodness, twitching the cord, draws the curtain; it does not please him; he covers his treasures in a drench of hail, and so breaks them, so confuses them that it seems impossible that their calm should ever return or that we should ever compose from their fragments a perfect whole or read in the littered pieces the clear words of truth. For our penitence deserves a glimpse only; our toil respite only. The nights now are full of wind and destruction; the trees plunge and bend and their leaves fly helter skelter until the lawn is plastered with them and they lie packed in gutters and choke rain pipes and scatter damp paths. Also the sea tosses itself and breaks itself, and should any sleeper fancying that he might find on the beach an answer to his doubts, a sharer of his solitude, throw off his bedclothes and go down by himself to walk on the sand, no image with semblance of serving and divine promptitude comes readily to hand bringing the night to order and making the world reflect the compass of the soul. The hand dwindles in his hand; the voice bellows in his ear. Almost it would appear that it is useless in such confusion to ask the night those questions as to what, and why, and wherefore, which tempt the sleeper from his bed to seek an answer.
Virginia Woolf (To the Lighthouse)
Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master." The poet replied: "I am always so, young man, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything - but death." Duroy began to laugh: "You make me shudder all over." Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself - of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every movemebt, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. Oh, you will realize this. If you stop and think for a moment you will understand. What do you expect? Love? A few more kisses and you will be impotent. Then money? For what? Women? Much fun that will be! In order to eat a lot and grow fat and lie awake at night suffering from gout? And after that? Glory? What use is that when it does not take the form of love? And after that? Death is always the end. I now see death so near that I often want to stretch my arms to push it back. It covers the earth and fills the universe. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, 'Behold it!' It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breath." He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns - never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egotistical promises, monstrously absurd. Death alone is certain." "Think of that, young man. Think of it for days, and months and years, and life will seem different to you. Try to get away from all the things that shut you in. Make a superhuman effort to emerge alive from your own body, from your own interests, from your thoughts, from humanity in general, so that your eyes may be turned in the opposite direction. Then you understand how unimportant is the quarrel between Romanticism and Realism, or the Budget debates.
Guy de Maupassant
In the life of Moses, in Hebrew folklore, there is a remarkable passage. Moses finds a shepherd in the desert. He spends the day with the shepherd and helps him milk his ewes, and at the end of the day he sees that the shepherd puts the best milk he has in a wooden bowl, which he places on a flat stone some distance away. So Moses asks him what it is for, and the shepherd replies 'This is God's milk.' Moses is puzzled and asks him what he means. The shepherd says 'I always take the best milk I possess, and I bring it as on offering to God.' Moses, who is far more sophisticated than the shepherd with his naive faith, asks, 'And does God drink it?' 'Yes,' replies the shepherd, 'He does.' Then Moses feels compelled to enlighten the poor shepherd and he explains that God, being pure spirit, does not drink milk. Yet the shepherd is sure that He does, and so they have a short argument, which ends with Moses telling the shepherd to hide behind the bushes to find out whether in fact God does come to drink the milk. Moses then goes out to pray in the desert. The shepherd hides, the night comes, and in the moonlight the shepherd sees a little fox that comes trotting from the desert, looks right, looks left and heads straight towards the milk, which he laps up, and disappears into the desert again. The next morning Moses finds the shepherd quite depressed and downcast. 'What's the matter?' he asks. The shepherd says 'You were right, God is pure spirit, and He doesn't want my milk.' Moses is surprised. He says 'You should be happy. You know more about God than you did before.' 'Yes, I do' says the shepherd, 'but the only thing I could do to express my love for Him has been taken away from me.' Moses sees the point. He retires into the desert and prays hard. In the night in a vision, God speaks to him and says 'Moses, you were wrong. It is true that I am pure spirit. Nevertheless I always accepted with gratitude the milk which the shepherd offered me, as the expression of his love, but since, being pure spirit, I do not need the milk, I shared it with this little fox, who is very fond of milk.
Anthony Bloom (Beginning to Pray)
He suddenly felt the intense sad loveliness of being as being, apart from right or wrong: that, indeed, the mere fact of being was the ultimate right. He began to love the land under him with a fierce longing, not because it was good or bad, but because it was: because of the shadows of the corn stocks on a golden evening; because the sheep’s tails would rattle when they ran, and the lambs, sucking, would revolve their tails in little eddies; because the clouds in daylight would surge it into light and shade; because the squadrons of green and golden plover, worming in pasture fields, would advance in short, unanimous charges, head to wind; because the spinsterish herons, who keep their hair up with fish bones according to David Garnett, would fall down in a faint if a boy could stalk them and shout before he was seen; because the smoke from homesteads was a blue beard straying into heaven; because the stars were brighter in puddles than in the sky; because there were puddles, and leaky gutters, and dung hills with poppies on them; because the salmon in the rivers suddenly leaped and fell; because the chestnut buds, in the balmy wind of spring, would jump out of their twigs like jacks-in-boxes, or like little spectres holding up green hands to scare him; because the jackdaws, building, would hang in the air with branches in their mouths, more beautiful than any ark-returning dove; because, in the moonlight there below, God’s greatest blessing to the world was stretched, the silver gift of sleep.
T.H. White
She went from one pair of arms to another, laughing and flirting. It was nothing short of grueling. She was aware of Tom's presence the entire time. And all the while, she was painfully aware that none of this was remotely comparable to that evening in the Clare winter garden, when Tom had waltzed her through shadows and moonlight as if on midnight wings. She'd never experienced that kind of ease, almost a rapture of movement, before or since. Her body still remembered the touch of his hands, so capable and gentle, guiding her without push or pull. So effortless.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Like everyone else in the show, Max avoided the Ogre, despising him as the lowest of the freaks, until one fateful night when his insomnia was eased by an unexpected strain of Mendelssohn that came wafting across the soft Manitoba summer night. Max went in search of the source of the music and was led, to his astonishment, to the misterable iron wagon at the back of the fairgrounds. In the moonlight he read three short words: SEE THE OGRE! It was then that Max, who had never before in all this time considered the matter, realized that all men, no matter what their estate, were in possession of shining immortal souls.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
SELKIE Alone, the cold body of the selkie man lay upon the sand, so like the drowned one the widow had called for. For her longing, he was hauled upon the sand, exposed to the moonlight. The selkie strained in fraught movements and human form broke from the gleaming seal fur. Undeniably he bore the image of the widow’s lost husband and spoke with the sounds of the dead man’s voice. She hailed back from the rocks. Shadows accumulating beyond the moon’s ability to reform. Colours were washed from sight and silver crashed through her, colder than snow dreams of being. In the dark, the ocean became the rolling flanks of a great beast drifting back across the horizon. Out deep soon, the land’s drop sharp.
Tamara Rendell (Mystical Tides)
In a flash Buck knew it. The time had come. It was to the death. As they circled about, snarling, ears laid back, keenly watchful for the advantage, the scene came to Buck with a sense of familiarity. He seemed to remember it all, — the white woods, and earth, and moonlight, and the thrill of battle. Over the whiteness and silence brooded a ghostly calm. There was not the faintest whisper of air — nothing moved, not a leaf quivered, the visible breaths of the dogs rising slowly and lingering in the frosty air. They had made short work of the snowshoe rabbit, these dogs that were ill-tamed wolves; and they were now drawn up in an expectant circle. They, too, were silent, their eyes only gleaming and their breaths drifting slowly upward. To Buck it was nothing new or strange, this scene of old time. It was as though it had always been, the wonted way of things.
Jack London (The Call of the Wild)
Then, remembering that strange sword just to her side, she leaned over the mountain edge to inspect it. The hilt was dull with age, but still gold, with short wings at the base of the blade that pointed forward. It had to be hundreds of years old. Mulan was about to leave it, but there was something inscribed on the blade itself. She could see only the first word. It was the same as in her name: Fa. Flower. Curious now, she reached down and tried to wrench the sword free. It was stuck tight. "Let me help." Shang knelt beside her and clasped the edge of the hilt. Together, they pulled. Out slid the sword. The weight of it nearly tipped Mulan over the mountain, but she caught herself in time and backed up away from the ledge. Catching her breath, she laid the sword on the grass, wiping it clean of dirt and grime. The characters on the blade glittered in the moonlight. "'The flower that blooms in adversity is the most rare and beautiful of all.
Elizabeth Lim (Reflection)
But if they didn’t return to Halstead Hall before their absence was discovered, she’d be ruined. A young unmarried female couldn’t just go off on a trip, no matter how short, with an unmarried gentleman. They’d have to marry. Yes-they would, wouldn’t they? A powerful longing swept him as he watched her hug Mrs. Duffet. For one fleeting moment, he indulged the fantasy of being Celia’s husband. He would return to Cheapside every day after work at Bow Street to find her, his wife, waiting in his home to greet him with a kiss. They’d have a pleasant dinner, then walk down to Blackfriars Bridge and stroll across the Thames to watch the sun set in summer or the moon rise on a chilly night in winter. Once they returned home, he’d write up his reports as she darned his socks- A harsh laugh clogged his throat. As if a lady like her would ever darn socks. Or be satisfied with a simple walk across a bridge in the moonlight instead of a night at the theater. You could afford a night at the theater from time to time, and new socks anytime your old ones get holes. But only if he became Chief Magistrate. And once the children came along… Children? That was quite the leap forward, considering that a marriage between them was impossible. Damn Mrs. Plumtree to hell.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Here and there, a few drops of this freshness were scattered on a human heart, and gave it youth again, and sympathy with the eternal youth of nature. The artist chanced to be one on whom the reviving influence fell. It made him feel — what he sometimes almost forgot, thrust so early as he had been into the rude struggle of man with man — how youthful he still was. “It seems to me,” he observed, “that I never watched the coming of so beautiful an eve, and never felt anything so very much like happiness as at this moment. After all, what a good world we live in! How good, and beautiful! How young it is, too, with nothing really rotten or age-worn in it! This old house, for example, which sometimes has positively oppressed my breath with its smell of decaying timber! And this garden, where the black mould always clings to my spade, as if I were a sexton delving in a graveyard! Could I keep the feeling that now possesses me, the garden would every day be virgin soil, with the earth’s first freshness in the flavor of its beans and squashes; and the house! — it would be like a bower in Eden, blossoming with the earliest roses that God ever made. Moonlight, and the sentiment in man’s heart responsive to it, are the greatest of renovators and reformers. And all other reform and renovation, I suppose, will prove to be no better than moonshine!
Nathaniel Hawthorne (The Complete Works of Nathaniel Hawthorne: Novels, Short Stories, Poetry, Essays, Letters and Memoirs)
No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself—of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every moment, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. I now see death so near that I often want to stretch my arms to push it back. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, "Behold it!" It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breathe.
Guy de Maupassant (Bel-Ami)
Just out of interest, not for the piece, what was the story of the little dark picture?” Theodore paused. “Well, it was the night before an engagement. In Virginia. Our Union boys were in their trenches, and the Confederates in theirs, not more than a couple of stone’s throw away. It was quite silent. The moonlight, as you saw, was falling on the scene. There must’ve been all ages, I suppose, between those trenches. Men well into middle years. And plenty who were little more than boys. There were women in the camp, too, of course. Wives, and others. “I supposed they would soon fall asleep. But then, over in the Confederate trenches, some fellow started singing ‘Dixie.’ And soon they were all joining in, right along the line. So they sang ‘Dixie’ at us for a while, then stopped. “Well, sure enough, our boys weren’t going to let it go at that. So a group of ’em started up ‘John Brown’s Body.’ And in no time the whole of our trenches were giving them that. Fine voices too, I may say. “And when they’d done, there was another silence. Then over in the Confederate trench, we heard a single voice. A young fellow by the sound of it. And he started singing a psalm. The twenty-third psalm it was. I’ll never forget that. “As you know, in the South, with the shape-note singing, every congregation is well practiced in the singing of psalms. So again, all along the line, they joined in. Kind of soft. Sweet and low. And maybe it was the moonlight, but I have to say it was the most beautiful sound I ever heard. “But I’d forgotten that many of our boys were accustomed to singing the psalms too. When you consider the profanities you hear spoken every day in camp, you might forget that; but it is so. And to my surprise, our boys began to sing with them. And in a short while, all along the lines, those two armies sang together, free for a moment of their circumstances, as if they were a single congregation of brothers in the moonlight. And then they sang another psalm, and then the twenty-third again. And after that, there was silence, for the rest of the night. “During which time, I took that photograph. “The next morning there was a battle. And before noon, Mr. Slim, I regret to say, there was scarcely a man from either of those trenches left. They had killed each other. Dead, sir, almost every one.” And, caught unawares, Theodore Keller suddenly stopped speaking, and was not able to continue for a minute or two.
Edward Rutherfurd (New York)
Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful
Zoey Shores (Touch Back (Playing for Keeps #1))
He was presented to her as Spencer Perceval, the Prime Minister of England. Kassandra stiffened as he bent over her hand. Mercifully, he released her swiftly but then proceeded to speak with exaggerated enunciation as though he presumed “foreign” and “slow” were synonymous. “I do hope your stay will be pleasant, Your Highness.” “Thank you, Prime Minister, I am quite assured that it will be. England is a delightful conjunction of seeming conflicts and contradictions, don’t you think?” Perceval frowned, taken by surprise and unsure how to respond. “Well, as to that-“ “After all, the culture that has produced that astonishing novel Sense and Sensibility and Lord Byron’s…ummm…affecting work within the space of just a few short months can hardly be considered merely> a self-aggrandizing island with delusions of empire, can it?” “I suppose not; that is to say?” “Do excuse us, Prime Minister,” Alex interjected smoothly. “I am sure you will understand there are so many waiting to meet Her Highness.” As he guided her toward the next eager greeter, Alex murmured, “Pray do try to remember we are not actually attempting to incite war with England.” Kassandra shrugged, feeling better since she had set down that vile Perceval. “Didn’t you suspect the Prime Minister of plotting an invasion of Akora just last year?” Her brother cast her a sharp look. “You weren’t supposed to know about that.” “For pity’s sake…” “All right, yes I did, but he was soundly discouraged by the Prince Regent himself. There is no reason to have any further concern in that regard.” Kassandra did not answer. She had her own thoughts on the subject and was not ye ready to share them. The introductions continued. Too soon, her head throbbed and the small of her back ached, but she kept her smile firmly in place. When the gong sounded for dinner, she resisted the urge to sag with relief.
Josie Litton (Kingdom Of Moonlight (Akora, #2))
Shortly thereafter, the wrestling commenced. And very shortly after that, Kassandra began looking away only to be drawn back again and again to the painful spectacle. Royce did well, all things considered, but he was thrown into the ground again and again. He managed a few very good throws of his own, but wrestling was an art learned almost from infancy. He took his defeat in good humor, which Kassandra could not share, as she was too busy wincing with every fall he took. “It’s over,” Joanna said finally. “He’s fine, really. A little bruised but otherwise all right.” “He should have had more sense.” “They should all have more sense but they don’t. They’re men and we love them for it.” Amelia chortled just then, drawing the startled gazes of her mother and aunt. She laughed just exactly as though she had understood them and agreed entirely.
Josie Litton (Kingdom Of Moonlight (Akora, #2))
wake up now. Wake up and get out of the house. Run. NOW.” Shooting bolt upright, Rebecca gasped awake. All was black around her, lit only by the faintest sliver of moonlight through a gap in the curtains. Breath coming in short gasps; she tried to breathe, to swallow. She heard the familiar creak of the wooden floorboards outside her bedroom door. Eyes wide and heart pounding, she slid out of bed. The words from her dream thundered through her brain “—get out of the house. Run. NOW.” Moving quickly in a half-crouch, she crossed to the window.
Dianne J. Wilson (Shackles: The truth will set you free)
He was in love with his best friend and it was new and scary and perfect and so fucking beautiful that half the time he felt like he was just going to take off flying at any moment. “Jess, what’s wrong? You don’t want me to touch you?” Please say it’s okay. I’m dying… “I just thought you wouldn’t want to…because, well, you know.” Shane slipped his hands beneath Jesse’s T-shirt, wedging them between Jesse’s back and the bed. Jesse arched to give him more room. The skin on his back was smooth and a little damp from the heat. Shane wanted more. He had to feel more. “Jess, do you have any idea how sexy you are right now?” And he was. His spiky hair was all askew, glasses long lost to the carpet, those big gray eyes were shining up at Shane and his mouth was parted and wet, begging for more kisses. Shane wanted to show Jesse everything. Wanted to be his first. “I want whatever is okay with you.” “R-really?” Ah, shit, he’s nervous. He never stutters like that anymore. “It’s okay. Only if you want to. We can just kiss.” Shane ran his fingers through Jesse’s silky spikes and kissed him again, soft and romantic like they usually did. “N-no. I want you to do it. I do.” With trembling hands, Jesse unbuttoned his cargo shorts and loosened the zipper. Shane couldn’t help grinning at him. He’d wanted to touch Jesse for so long.
Piper Vaughn (More than Moonlight (Lucky Moon, #0.5))
Moonlight filtered in through the wires that were spread between buildings, and the tiny teardrops that fell from the heavens turned to silver as if the angels were weeping.
Prithiv Chandar (The Paris Appeal: A Short Story)
Hunter slipped from the bed and grabbed his breeches to pull them on. Bathed in moonlight, the planes of his body were gilded with silver, its contours cast into delineative shadow. Clutching a fur to her chest, Loretta sat up, pretending not to notice. She did, though, and what she saw set her pulse to skittering. Perhaps beautiful wasn’t an appropriate adjective for a man, but it was the only word that came to her. Watching him, she was, for the first time in her life, appreciative of the male form, the smooth play of muscle in motion, the subtle grace in strength. Lean tendons roped his buttocks and thighs. When he turned slightly she glimpsed his manhood, jutting forth, hard and proud from a mahogany nest of short curly hair. Her throat tightened, and deep within her there welled feelings she could scarcely credit, longing, tenderness, delicious excitement--and fierce pride. That such a man loved her and wanted her was nothing short of incredible. He could have had any girl in the village, someone supple and dark with liquid brown eyes, a dozen such someones if he chose, but instead he had picked her, a skinny, pallid farm girl. Cinching the drawstring of his pants, he tied a quick bowknot and extended a hand to her. For an instant Loretta was swept back in time to that first afternoon, when he had commanded she place her palm across his. She had been so terrified then, but no longer. His arm was her shield, just as he had promised. “Come, wife. My cousin brings a gift, eh?” “Hunter, I’m not dressed!” Chuckling, he grabbed a buffalo robe and draped it around her shoulders. After enveloping her in the fur, he drew her from the bed and to the door, untying the flap to sweep it aside.
Catherine Anderson (Comanche Moon (Comanche, #1))
Some people who are overcome by their attachment to emptiness seem to negate the interdependence of action and effect. This represents great nihilism, which is totally wrong. They should remedy this by seeking a definite understanding and a clear vision of the subtle aspect of interdependent karma and its effects. In short, it is essential to realize the following two concepts simultaneously: a perfect understanding of the unfailing consequences of one’s action and a definite awareness of the emptiness and essencelessness of all things. This is described as the object of wonderment by the Bodhisattvabhūmivṛtti:  Being fully aware that all things are intrinsically empty, One abides by the principle of karma and its consequences. This is wonderful, supremely wonderful! This is marvelous, supremely marvelous!
Dakpo Tashi Namgyal (Mahamudra: The Moonlight -- Quintessence of Mind and Meditation)
Not until after supper were the Hardys able to drive out to the Batter estate. The high, gabled mansion loomed starkly against the sky, silvered by moonlight. A broken porch rail and dark, blank windows gave it a sinister look. “Spooky-looking layout,” Joe muttered. “It’s a cinch no one’s taking care of the place.
Franklin W. Dixon (The Short-Wave Mystery (Hardy Boys, #24))
Outside, the moon is up - the harvest moon over harvest fields. It casts a sheen upon the empty stubbles, the bare rounding slopes, so altered from the close-crowded landscape of standing corn. It has glimmering secrets among the trees, and pierces into every entanglement of foliage, and lays faint shadows across the paths. Each finds a ghost of himself beside him on the ground. An elusive radiance haunts the country; the distances have a sense of shining mist. The men move homeward from the field; the last load creaking up the hill behind them, the hoofs of horses thudding, their breath sounding short. Peace comes, a vision in the fairy armour of moonlight, the peace of 'man goeth forth unto his work until the evening.
Adrian Bell (Corduroy)
If the body is upright, the shadow will not be slanted.
After Transmigrating into a Short-lived White Moonlight, had a HE with the Villain
He was probably just sleep-deprived and insatiably horny and it was messing with his head. "Was your head feeling particularly full of something?" she asked innocently. He couldn't help himself any longer. He looked down at Dina and, fuck, she was there, stark naked. His brain short-circuited; it was too much. Moonlight bounced off her deep honeyed skin. "Fuck, Dina. Look at you." Scott's voice was hoarse. She stared up at him with molten eyes. She was perfect, fuck, she was perfect. Just as he'd imagined--- no, better than he'd imagined. The curve of her hips, the softness of her belly and the swell of her breasts, her nipples stiff. For him. His eyes feasted their way down her body, to her inner thighs. If he kissed her there, would she be wet for him? Her face was only hunger, only lust. He needed to have her.
Nadia El-Fassi (Best Hex Ever)
Little Mulberry will definitely not become stupid, because she is already stupid beyond words.
After Transmigrating into a Short-lived White Moonlight, had a HE with the Villain
You don't have the courage to get out of your unfortunate life, and hope that someone will take you out of the sea of misery, so you gladly accepted many strange concepts and turned into a strange person. To this moment, haven't you found out yet? Putting all your happiness on others is a very scary thing.
After Transmigrating into a Short-lived White Moonlight, had a HE with the Villain
Why is your heart more valuable than others? Just based on you being poor and blank, based on you having nothing? Based on you being weak, so you are reasonable?
After Transmigrating into a Short-lived White Moonlight, had a HE with the Villain
The simple and honest King of Zhang state was taken on a crooked road by You Wuming, and never returned.
After Transmigrating into a Short-lived White Moonlight, had a HE with the Villain
Should I be angry? Don't worry, I'm a very reasonable person with a clear sense of gratitude and resentment.
After Transmigrating into a Short-lived White Moonlight, had a HE with the Villain
I have forgiven twice but he still wants to 'apologize'. Then, it's not called an apology, but a provocation. He doesn't have any big malice actually. He just subconsciously wants to make You Wuming unhappy. If you indulge him, he will certainly be insatiable in the future.
After Transmigrating into a Short-lived White Moonlight, had a HE with the Villain
They went out the back of the house to the great stone terrace, its wide curving steps leading down to the gardens. The moonlight was crossed with shredded clouds that glowed against a sky the color of black plums. Puzzled but willing, Amelia went with Cam to the bottom of the steps. He stopped and gave a short whistle. “What—” Amelia gasped as she heard the pounding of heavy hooves and saw a huge black form rushing toward them like something from a nightmare. Alarm darted through her, and she burrowed against Cam, her face hidden against his chest. His arm went around her, tucking her close. When the thundering stopped, Amelia risked a glance at the apparition. It was a horse. A huge black horse, with puffing breaths that rose like wraiths in the raw air. “Is this really happening?” she asked. Cam reached in his pocket and fed the horse a sugar lump, and ran his hand over the sleek midnight neck. “Have you ever had a dream like this?” “Never.” “Then it must be happening.” “You actually have a horse who comes when you whistle?” “Yes, I trained him.” “What is his name?” His smile gleamed white in the darkness. “Can’t you guess?” Amelia thought for a moment. “Pooka?” The horse turned his head to look at her as if he understood. “Pooka,” she repeated with a faint smile. “Do you have wings, by any chance?” At Cam’s subtle gesture, the horse shook his head in an emphatic no, and Amelia laughed shakily. Walking to Pooka’s side, Cam swung up onto the packsaddle in a graceful movement. He sidled close to the step on which Amelia was standing and reached down to her. She took his hand, managing to gain a foothold on the stirrup. She was lifted easily onto the saddle in front of him. Momentum carried her a little too far, but Cam’s arm locked around her, keeping her in place. Amelia leaned back into the hard cradle of his chest and arm. Her nostrils were filled with the scents of autumn, damp earth, horse and man and midnight. “You knew I’d come with you, didn’t you?” she asked. Cam leaned over her, kissing her temple. “I only hoped.” His thighs tightened, setting the horse to a gallop, and then a smooth canter. And when Amelia closed her eyes, she could have sworn they were flying.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
All she could do was hope Sean had put the same consideration into his sleeping attire. He probably didn’t sleep in the buff, despite the deliciously vivid visual of that her imagination had no trouble conjuring. He’d been in the army for twelve years—a good chunk of that deployed overseas—and surely they weren’t in the habit of sleeping nude. Flannel would be nice. And not battered shorts, like hers. Long pants and a long-sleeved shirt buttoned up to his throat would be nice, like something Ward Cleaver would have worn to bed in his 1950s sitcom. When she finally dropped the curtain on the mental drama and left the bathroom, she was a little disappointed he was already asleep. Clearly he wasn’t struggling to hold back the reins of runaway sexual attraction the way she was. He’d dimmed the overhead light, but she could hear him softly snoring and make out the sheet pulled halfway up his stomach. His naked stomach, which led her gaze to his naked chest and then to his naked shoulders, the muscles nicely highlighted by the way he slept with his arms raised over his head. Was the rest of him naked, too? “When you stare at somebody who’s sleeping,” he mumbled without moving or opening his eyes, “they usually wake up.” Busted. Her face burned as though his words were a blowtorch and she rushed across the room to slap the light switch off. In the faint glow of moonlight penetrating the curtains, she went to the couch to try to get comfortable. It wasn’t quite long enough, but she curled up under the light cotton blanket and closed her eyes. Getting caught staring on the first night was embarrassing, but at least he wasn’t a mind reader. There was no way he could guess she’d been wondering what he wore from the waist down. “Good night, Emma.” The quiet, husky voice in the darkness made her shiver. “Night, Sean.” A little less than seven hours of tossing and turning later, Emma’s question was answered—much to the detriment of her recently revived libido. At some point during the night, Sean had thrown off the sheet. Probably right around the time he rolled onto his stomach. With his hands shoved under his pillow and one knee drawn up a little, she had a clear view of his ass—showcased perfectly in dark blue boxer briefs.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
My name is Kvothe, pronounced nearly the same as “Quothe.” Names are important as they tell you a great deal about a person. I’ve had more names than anyone has a right to. The Adem call me Maedre. Which, depending on how it’s spoken, can mean “The Flame,” “The Thunder,” or “The Broken Tree.” “The Flame” is obvious if you’ve ever seen me. I have red hair, bright. If I had been born a couple hundred years ago I would probably have been burned as a demon. I keep it short but it’s unruly. When left to its own devices, it sticks up and makes me look as if I have been set afire. “The Thunder” I attribute to a strong baritone and a great deal of stage training at an early age. I’ve never thought of “The Broken Tree” as very significant. Although in retrospect I suppose it could be considered at least partially prophetic. My first mentor called me E’lir because I was clever and I knew it. My first real lover called me Dulator because she liked the sound of it. I have been called Shadicar, Lightfinger, and Six-String. I have been called Kvothe the Bloodless, Kvothe the Arcane, and Kvothe Kingkiller. I have earned those names. Bought and paid for them. But I was brought up as Kvothe. My father once told me it meant “to know.” I have, of course, been called many other things. Most of them uncouth, although very few were unearned. I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to Gods, loved women, and written songs that make the minstrels weep. You may have heard of me.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Billie Holiday Her imperfect life led to her becoming a legendary performer with a continuing influence on American music. Born Eleanora Fagan on April 7, 1015 she became a songwriter and jazz singer with an unmistakable vocal style. Although she had a limited range her delivery, tempo and natural skills, held the attention of a devoted following. Influenced by Louis Armstrong and Bessie Smith her success as a pop singer with the Benny Goodman Band started with "Riffin' the Scotch", which sold 5,000 copies. She continued with Count Basie and Artie Shaw and was recognized throughout the 1930s and the 1940s with songs such as “I’ve Got My Love To Keep Me Warm,” “What a Little Moonlight Can Do” and “God Bless the Child.” Plagued with abusive relationships, drug and alcohol addiction, and even a short prison sentence she still rose to the top of the charts. Her predictable deterioration and eventual death on July 17, 1959 was caused by cirrholis of the liver.
Hank Bracker
See to it that no one falls short of the grace of God and that no bitter root grows up to cause trouble and defile many.
Terri Blackstock (Truth Stained Lies (Moonlighters, #1))
He was presented to her as Spencer Perceval, the Prime Minister of England. Kassandra stiffened as he bent over her hand. Mercifully, he released her swiftly but then proceeded to speak with exaggerated enunciation as though he presumed “foreign” and “slow” were synonymous. “I do hope your stay will be pleasant, Your Highness.” “Thank you, Prime Minister, I am quite assured that it will be. England is a delightful conjunction of seeming conflicts and contradictions, don’t you think?” Perceval frowned, taken by surprise and unsure how to respond. “Well, as to that-“ “After all, the culture that has produced that astonishing novel Sense and Sensibility and Lord Byron’s…ummm…affecting work within the space of just a few short months can hardly be considered merely a self-aggrandizing island with delusions of empire, can it?” “I suppose not; that is to say?” “Do excuse us, Prime Minister,” Alex interjected smoothly. “I am sure you will understand there are so many waiting to meet Her Highness.” As he guided her toward the next eager greeter, Alex murmured, “Pray do try to remember we are not actually attempting to incite war with England.” Kassandra shrugged, feeling better since she had set down that vile Perceval. “Didn’t you suspect the Prime Minister of plotting an invasion of Akora just last year?” Her brother cast her a sharp look. “You weren’t supposed to know about that.” “For pity’s sake…” “All right, yes I did, but he was soundly discouraged by the Prince Regent himself. There is no reason to have any further concern in that regard.” Kassandra did not answer. She had her own thoughts on the subject and was not ye ready to share them. The introductions continued. Too soon, her head throbbed and the small of her back ached, but she kept her smile firmly in place. When the gong sounded for dinner, she resisted the urge to sag with relief.
Josie Litton (Kingdom Of Moonlight (Akora, #2))
Grabbing the T-shirt off the bed, he pulled it over his head. Plain black but not as loose as he normally wore. He turned toward the mirror and realized the tight fit emphasized his shoulders, chest and arms. Tinia’s teat, he looked like a hard-ass with the tattooed runes on his left arm and the muscles bulging. He’d probably scare the girl away. Except, the shorts kind of balanced it out, made him look a little more normal. Yeah, like the friendly neighborhood ex-con about to do his lawn. “And
Stephanie Julian (Kiss of Moonlight)
Faced with the choice between loving me for my short lifetime and beginning an upward climb with the rich and beautiful Freyda, he had made the practical decision. I’d always known that Eric was a pragmatist. There was a quiet knock at the back door. Bill, checking on my well-being. I went out onto the porch and flung the door open, saying, “I just can’t talk . . .” Eric stood on the steps. The moonlight was kind to him, of course, gilding the blond mane and the handsome face. “What the fuck are you doing here?” I looked over his shoulder. Bill was nowhere in sight. “Now that I’m not your wife, I thought you and Freyda would be . . . consummating your new relationship.” “I told you not to pay attention to what happened,” he said. He took a small step forward. “I told you it meant nothing to me.” I didn’t invite him in. “Pretty hard to believe it meant nothing to your king. And Freyda.” “I can keep you,” he said, with absolute confidence. “I can work out a way. You may not be my wife in name, but you are in my heart.” I felt like a pancake that had just been flipped over on the griddle. I had to go through this again? I snapped. “Not just no, but hell no. Don’t you hear yourself? You’re lying to me and to yourself.” I wanted to smack his face so badly my hand hurt. “Sookie, you’re mine.” He was beginning to be angry. “I am not. You said that in front of everyone.” “But I told you, I came to you in the night and told you I would—” “You told me that you loved me as much as you were able,” I said, almost bouncing on the balls of my feet in agitation. “It seems pretty clear that you’re not able.” “Sookie, I would never have dismissed you like that, so publicly, if I hadn’t been sure you understood that the ceremony was for the benefit of the others.
Charlaine Harris (Dead Ever After (Sookie Stackhouse, #13))
Now we drink espresso to remind ourselves that life is short. But it can be oh-so-delicious if it’s brewed the right way.
Peter Palmieri (Moonlight Over Florence)
Living in this world, life is the most important thing. Honor and etiquette, after all, is just worldly vanity.
After Transmigrating into a Short-lived White Moonlight, had a HE with the Villain
When on a moonlight night you see a broad village street, with its cottages, haystacks, and slumbering willows, a feeling of calm comes over the soul; in this peace, wrapped away from care, toil, and sorrow in the darkness of night, it is mild, melancholy, beautiful, and it seems as though the stars look down upon it kindly and with tenderness, and as though there were no evil on earth and all were well. On the left the open country began from the end of the village; it could be seen stretching far away to the horizon, and there was no movement, no sound in that whole expanse bathed in moonlight.
Anton Chekhov (The Collected Short Stories, Vol 1: 100 Short Stories)
Joe opened the throttle with a roar. The trim craft lifted her head and sprang forward. Twin arcs of white spray fell away from her bows. Heavy suds churned at her stern. The whole bay was bathed in bright moonlight. Far ahead they could make out the black line of rock marking the edge of the harbor, and the open gap revealing its entrance from the ocean. A short distance from shore lay the imposing white hulk of the Sea Bright, a passenger vessel which had just come from the Far East. Here and there floated buoys marking the channel for the ocean-going freighters. As the boys advanced, the whole harbor spread out
Franklin W. Dixon (While the Clock Ticked (Hardy Boys, #11))
All Yang’s men were in by midday and our party straggled in later completely done in. Chuen came in first. He was wearing a dark green commando’s beret, long green canvas boots with rubber soles – American jungle boots – and green battle-dress with lovely blue parachute wings over his left pocket. He is a little cheerful man and speaks fair English. Then came Humpleman, very young, blue-eyed, with a bland and serious manner; then Jim Hannah, lean, dark, hook-nosed, moustached, and over forty. At one time he was a journalist and in the rubber slump in Malaya he worked in Australia. Then came Harrison, short, with red face and sandy hair – a very silent Scot, also a planter. John and Richard brought up the rear, absolutely exhausted but very contented. After a meal they had got out on to the field and had everything ready an hour before midnight. Then they waited and waited and, as nothing happened, they got more and more worried and despondent. One hour late, then two hours. It was bitterly cold, and at last they were just talking of returning home when a faint drone was heard from the west. They were so excited that their hearts almost choked them! At last the Lib came over. Apparently she followed up the Perak river, then came across on a bearing. The moon was shining brilliantly and the sky was covered with high, white, fleecy clouds. The fires, freshly stoked with dry atap, burned up brightly, and Quayle with his torch flashed the recognition letter faster and faster with growing excitement as the great Lib, after flying round in a wide circle, swooped overhead, vast and glistening in the moonlight. Suddenly four little white balls seemed to appear in the plane’s wake, and four tiny black forms were seen swinging from side to side below them. John, Richard, and Frank all agreed it was the most exciting moment of their lives. While they were still lost in wonder, things started happening. Hannah and Harrison landed beautifully and were immediately fielded, but Humpleman fell in the stream and was retrieved soaking wet. The containers and packages, which had been released immediately after the bodies, now came down and all landed
F. Spencer Chapman (The Jungle is Neutral: The Epic True Story of One Man’s War Behind Enemy Lines)
Upon the bed sat a boy, pale as moonlight on new snow. I stopped short, for the creature was nothing like the changelings I have encountered before---ugly, spindly things to a one, with the brains of animals. The boy's long hair was bluish and translucent, and upon his skin was a glimmer like frost. He was beautiful, with an uncanny grace, his eyes sharp with intelligence.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
Men say foolish things. If we always did what men say, our lives would be hard and short.
T.M Cicinski (A Patchwork Of Moonlight And Shadow)
Don’t tell me the moon is shining. Show me moonlight reflected on broken glass. –Anton Chekov
Nancy Sakaduski (How to Write Winning Short Stories: A practical guide to writing stories that win contests and get selected for publication)
Moonlight reminds us that there is still light to guide us, even in the darkest of nights.
Shree Shambav (Twenty + One - 21 Short Stories - Series II)
Dear Daughter, Light up the night like the moonlight and sparkle like a star.
Gift Gugu Mona (Dear Daughter: Short and Sweet Messages for a Queen)
information that Volkov runs the primary supply routes for small arms and other supplies between Russia and the rebels in Donetsk.” “Can’t we just call in an air strike?” Max muttered. He was squatting next to Kate, peering through the darkness with a pair of night-vision binoculars and listening on a separate earpiece. Silver moonlight illuminated Max’s face and Kate found herself admiring his profile. He was even more handsome than when they first met several months ago outside Minsk. Back then, he was recovering from a two-foot piece of rebar that had impaled his side. Despite the constant strain of trying to keep his family alive, she noticed he was thriving under the pressure. A simmering fire burned behind the deep blackness of his eyes. He was bred for this sort of thing. Kate almost felt sorry for the consortium members, knowing Max wouldn’t rest until they were all dead and buried. Max’s eyes flashed when he looked over at her, reminding her of the strength he possessed. When he held her gaze, she saw a powerful conviction, the confidence he had gained after surviving in the face of overwhelming danger, a resolve emanating from the depths of his soul, an aura she couldn’t help but be attracted to. The moment lingered even as his eyes moved back to the binoculars and he went back into the dark recesses of his mind. She fought back the attraction, willing it to a place somewhere out of reach. She was bad at love. She had a habit of falling fast and hard before paying the price as things fell apart. As she got older, she found she didn’t want to bother with it anymore. It was too much work, too much of a distraction from what drove her. Besides, she couldn’t imagine there was room in his heart while he fought for his family’s survival. She touched his bicep. “If you’re from Belarus, and your given name was Mikhail, how did you end up with the nickname Max?” He kept his eyes glued to the field glasses. “It’s short for Maxim, a common name in Belarus. My mother started calling me Max when I was young. She said—” “Your surrogate mother?” “Right. The mother who raised me. She told me that she lost an argument with my father. She wanted to name me after Maxim Gorky, a Soviet Marxist writer and comrade of Lenin’s. My father wouldn’t hear of it. I think it was her
Jack Arbor (The Attack (Max Austin #3))
Ma’am cut her hair short in what Jacob called a Dora the Explorer hairstyle.
Karen McQuestion (The Moonlight Child)
They went out the back of the house to the great stone terrace, its wide curving steps leading down to the gardens. The moonlight was crossed with shredded clouds that glowed against a sky the color of black plums. Puzzled but willing, Amelia went with Cam to the bottom of the steps. He stopped and gave a short whistle. "What-" Amelia gasped as she heard the pounding of heavy hooves and saw a huge black form rushing toward them like something from a nightmare. Alarm darted through her, and she burrowed against Cam, her face hidden against his chest. His arm went around her, tucking her close. When the thundering stopped, Amelia risked a glance at the apparition. It was a horse. A huge black horse, with puffing breaths that rose like wraiths in the raw air. "Is this really happening?" she asked. Cam reached in his pocket and fed the horse a sugar lump, and ran his hand over the sleek midnight neck. "Have you ever had a dream like this?" "Never." "Then it must be happening." "You actually have a horse who comes when you whistle?" "Yes, I trained him." "What is his name?" His smile gleamed white in the darkness. "Can't you guess?" Amelia thought for a moment. "Pooka?" The horse turned his head to look at her as if he understood. "Pooka," she repeated with a faint smile. "Do you have wings, by any chance?" At Cam's subtle gesture, the horse shook his head in an emphatic no, and Amelia laughed shakily.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
What are you doing?” “Taking you for a ride.” As she sputtered with questions, he touched a gentle forefinger to her lips. “Trust me,” he whispered. Amelia complied in a daze as he pulled her from the bed, wrapped the velvet robe around her, and tucked her feet into soft slippers. Clasping her hand firmly in his, Cam led her from the room. The house was still and soundless, the walls hung with portraits of aristocrats with disapproving faces. They went out the back of the house to the great stone terrace, its wide curving steps leading down to the gardens. The moonlight was crossed with shredded clouds that glowed against a sky the color of black plums. Puzzled but willing, Amelia went with Cam to the bottom of the steps. He stopped and gave a short whistle. “What—” Amelia gasped as she heard the pounding of heavy hooves and saw a huge black form rushing toward them like something from a nightmare. Alarm darted through her, and she burrowed against Cam, her face hidden against his chest. His arm went around her, tucking her close. When the thundering stopped, Amelia risked a glance at the apparition. It was a horse. A huge black horse, with puffing breaths that rose like wraiths in the raw air. “Is this really happening?” she asked. Cam reached in his pocket and fed the horse a sugar lump, and ran his hand over the sleek midnight neck. “Have you ever had a dream like this?” “Never.” “Then it must be happening.” “You actually have a horse who comes when you whistle?” “Yes, I trained him.” “What is his name?” His smile gleamed white in the darkness. “Can’t you guess?” Amelia thought for a moment. “Pooka?” The horse turned his head to look at her as if he understood. “Pooka,” she repeated with a faint smile. “Do you have wings, by any chance?” At Cam’s subtle gesture, the horse shook his head in an emphatic no, and Amelia laughed shakily. Walking to Pooka’s side, Cam swung up onto the packsaddle in a graceful movement. He sidled close to the step on which Amelia was standing and reached down to her. She took his hand, managing to gain a foothold on the stirrup. She was lifted easily onto the saddle in front of him. Momentum carried her a little too far, but Cam’s arm locked around her, keeping her in place. Amelia leaned back into the hard cradle of his chest and arm. Her nostrils were filled with the scents of autumn, damp earth, horse and man and midnight. “You knew I’d come with you, didn’t you?” she asked. Cam leaned over her, kissing her temple. “I only hoped.” His thighs tightened, setting the horse to a gallop, and then a smooth canter. And when Amelia closed her eyes, she could have sworn they were flying.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Rowan’s smile was nothing short of wicked as he pulled away to run a broad hand from her throat down to the juncture of her thighs. She shuddered at the sheer possession in the touch, her breath coming in tight pants as he gripped either thigh and spread her legs, baring her fully for him. Another wave crashed, parting around them, the cool water like a thousand kisses along her skin. Rowan kissed her navel, then her hip. Aelin couldn’t take her eyes from his silver hair shining with salt water and moonlight, from the hands holding her wide for him as his head dipped between her legs. And as Rowan tasted her on that beach, as he
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Coventry remains the focus of a persistent story about Churchill’s ruthless determination to protect the Ultra secret. The city was victim of a massive bombing raid on the night of 14 November 1940 when over 500 civilians were killed, the city centre flattened and the cathedral destroyed. Although Ultra had revealed the target, so this tale runs, Churchill refused to allow countermeasures for fear of revealing to the Germans that their ciphers had been broken. Coventry, in short, was deliberately sacrificed to preserve Ultra. This is a myth. Three days before the raid Ultra revealed Luftwaffe plans for a major operation code-named Moonlight Sonata, but gave no date or targets.
David Stafford (Churchill & Secret Service)
WHEN it comes to ignorance, no weapon then become any useful because ignorance alone can destroy the entire world easily without firing even a short or long gun. But before the moon set off from East to West tonight, let me ask you this, '' WHO CREATED THE SUN AND THE MOON ? '' - Nana Adu-Boafo Jnr #NABJ #TheHerbalist #Moon #Moonlight #SUN #SUNlight #MYself
T/Dr. Nana Adu-Boafo Jnr
That’s not the point! It’s July, Beckett! July is for shorts and hikes and suntans, and being kissed under the moonlight. And I’m in jeans with no kisses, and my legs look like a Yeti somewhere in the Himalayas lent me his coat!
Rebecca Yarros (The Last Letter)