Moon Lovers Quotes

As lovers, the difference between men and women is that women can love all day long, but men only at times.

I am your moon and your moonlight too I am your flower garden and your water too I have come all this way, eager for you Without shoes or shawl I want you to laugh To kill all your worries To love you To nourish you.

I look at you and see all the ways a soul can bruise, and I wish I could sink my hands into your flesh and light lanterns along your spine so you know there's nothing but light when I see you.

Once upon a time, an angel and a devil fell in love and dared to imagine a new way of living—one without massacres and torn throats and bonfires of the fallen, without revenants or bastard armies or children ripped from their mothers’ arms to take their turn in the killing and dying. Once, the lovers lay entwined in the moon’s secret temple and dreamed of a world that was a like a jewel-box without a jewel—a paradise waiting for them to find it and fill it with their happiness. This was not that world.

Patience is not sitting and waiting, it is foreseeing. It is looking at the thorn and seeing the rose, looking at the night and seeing the day. Lovers are patient and know that the moon needs time to become full.

Patience does not mean to passively endure. It means to be farsighted enough to trust the end result of a process. What does patience mean? It means to look at the thorn and see the rose, to look at the night and see the dawn. Impatience means to be so shortsighted as to not be able to see the outcome. The lovers of God never run out of patience, for they know that time is needed for the crescent moon to become full.

Consciousness expresses itself through creation. This world we live in is the dance of the creator. Dancers come and go in the twinkling of an eye but the dance lives on. On many an occasion when I am dancing, I have felt touched by something sacred.In those moments, I felt my spirit soar and become one with everything that exists. I become the stars and the moon. I become the lover and the beloved. I become thevictor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing then it is the eternal dance or creation. The creator and creation merge into one wholeness of joy. I keep on dancing...and dancing...and dancing. Until there is only...the dance.

Once upon a time, there were two moons, who were sisters. Nitid was the goddess of tears and life, and the sky was hers. No one worshipped Ellai but secret lovers.

There is a moon, that rests in the quiet corners of a lover’s lips.

Natures of your kind, with strong, delicate senses, the soul-oriented, the dreamers, poets, lovers are always superior to us creatures of the mind. You take your being from your mothers. You live fully; you were endowed with the strength of love, the ability to feel. Whereas we creatures of reason, we don't live fully; we live in an arid land, even though we often seem to guide and rule you. Yours is the plentitude of life, the sap of the fruit, the garden of passion, the beautiful landscape of art. Your home is the earth; ours is the world of ideas. You are in danger of drowning in the world of the senses; ours is the danger of suffocating in an airless void. You are an artist; I am a thinker. You sleep at your mother's breast; I wake in the desert. For me the sun shines; for you the moon and the stars.

Like This If anyone asks you how the perfect satisfaction of all our sexual wanting will look, lift your face and say, Like this. When someone mentions the gracefulness of the nightsky, climb up on the roof and dance and say, Like this. If anyone wants to know what "spirit" is, or what "God’s fragrance" means, lean your head toward him or her. Keep your face there close. Like this. When someone quotes the old poetic image about clouds gradually uncovering the moon, slowly loosen knot by knot the strings of your robe. Like this. If anyone wonders how Jesus raised the dead, don’t try to explain the miracle. Kiss me on the lips. Like this. Like this. When someone asks what it means to "die for love," point here. If someone asks how tall I am, frown and measure with your fingers the space between the creases on your forehead. This tall. The soul sometimes leaves the body, the returns. When someone doesn’t believe that, walk back into my house. Like this. When lovers moan, they’re telling our story. Like this. I am a sky where spirits live. Stare into this deepening blue, while the breeze says a secret. Like this. When someone asks what there is to do, light the candle in his hand. Like this. How did Joseph’s scent come to Jacob? Huuuuu. How did Jacob’s sight return? Huuuu. A little wind cleans the eyes. Like this. When Shams comes back from Tabriz, he’ll put just his head around the edge of the door to surprise us Like this.

Outlaws, like lovers, poets, and tubercular composers who cough blood onto piano keys, do their finest work in the slippery rays of the moon.

I want to take you under the moonlight.

Luna! Artemis! lovers' spats are icing on the cake! Your just showing off to us single people! -Minako

I write to find strength. I write to become the person that hides inside me. I write to light the way through the darkness for others. I write to be seen and heard. I write to be near those I love. I write by accident, promptings, purposefully and anywhere there is paper. I write because my heart speaks a different language that someone needs to hear. I write past the embarrassment of exposure. I write because hypocrisy doesn’t need answers, rather it needs questions to heal. I write myself out of nightmares. I write because I am nostalgic, romantic and demand happy endings. I write to remember. I write knowing conversations don’t always take place. I write because speaking can’t be reread. I write to sooth a mind that races. I write because you can play on the page like a child left alone in the sand. I write because my emotions belong to the moon; high tide, low tide. I write knowing I will fall on my words, but no one will say it was for very long. I write because I want to paint the world the way I see love should be. I write to provide a legacy. I write to make sense out of senselessness. I write knowing I will be killed by my own words, stabbed by critics, crucified by both misunderstanding and understanding. I write for the haters, the lovers, the lonely, the brokenhearted and the dreamers. I write because one day someone will tell me that my emotions were not a waste of time. I write because God loves stories. I write because one day I will be gone, but what I believed and felt will live on.

There is some kiss we want with our whole lives, the touch of spirit on the body. Seawater begs the pearl to break its shell. and the lily, how passionately it needs some wild darling! At night, I open the window and ask the moon to come and press its face against mine. Breathe into me. Close the language door and open the lovers window. The moon won’t use the door, only the window.

They say a woman always remembers her first lover with affection; but perhaps she does not always remember him.

In my craft or sullen art Exercised in the still night When only the moon rages And the lovers lie abed With all their griefs in their arms, I labour by singing light Not for ambition or bread Or the strut and trade of charms On the ivory stages But for the common wages Of their most secret heart. Not for the proud man apart From the raging moon I write On these spindrift pages Nor for the towering dead With their nightingales and psalms But for the lovers, their arms Round the griefs of the ages, Who pay no praise or wages Nor heed my craft or art.

Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs. Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot. Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is? It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.

I am not delicate. I am skinny dipping at 2am; I am dancing naked under the full moon and playing in the mud. I am the reverberating echoes of a curse word ricocheting off the steeply sloping mountain you thought I couldn’t climb; I am bare skin in the deepest depths of winter; I am the song of courage, and the melody of freedom you long to sing. I am a fearless mother. I am a passionate lover; a devoted friend. I am the healer, the witch, the nurturing of your wounds. I am the heat of a wildfire, the rage of a storm. I am strong. Delicate things are pretty-cute, even. But I am not delicate. I am wild, fierce and unpredictable. I am breathtaking. I am beautiful. I am sacred.

I believe in love. And beauty. I believe that every single person has something they find beautiful and that they truly love. The smell of their child's hair, the silence of a forest, their lover's crooked grin. Their country, their religion, their family. And I believe that if you follow this love all the way to its end, if you start with the thing you find most beautiful and trace it's perfume back to its essence, you will perceive an intangible presence, a swath of stillness that allows the thing you love to be visible like the openness of the sky reveals the presence of the moon.

Marco could not have known about the mystical effect of a full moon on cats and books left on their own in the library. Not until he saw the lines breathe, the words unveiled.

Even on the sad days, when you have to process young children or those leaving lovers behind, you come to realise that every death is significant, even when every life appears not to be.

I think that we were both the same star in the beginning of the universe and as the star exploded we drew apart. Our atoms merging into two different bodies, but over time our atoms found a way and found each other again.

Out there somewhere there is a love who will never dream of calling you too much. Who speaks, like you, in poetry and candlewax and stardust. Who runs outside on stormy nights to howl at the moon. Who collects bones and sings incantation and talks to the ancestors. And that lover, when you find him or her, will see you and know you – just as you are and just as you should be. And they will say yes. Yes, you. I will go there with you. I have been waiting for this.

MY MOON I'll always wonder what time it is there; if you're dreaming, or awake. My moon is your sun; my darkness, your light. I'm in the future, you'd jokingly say. And I know where you are, because I'm watching you from the past.

Once upon a time, [...]. There was a world that was perfectly made and full of birds and striped creatures and lovely things like honey lilies and star tenzing and weasels— [...] And this world already had light and shadow, so it didn't need any rouge stars to come and save it, and it had no use for bleeding suns or weeping moons, either, and most important, it had never known war, which is a terrible and wasteful thing that no world needs. It had earth and water, air and fire, all four elements, but it was missing the last element. Love. [...] And so this paradise was like a jewel box without a jewel. There it lay, day after day of rose-colored dawns and creature sounds and strange perfumes, and waited for lovers to find it and fill it with their happiness. The end. [...] The story is unfinished. The world is still waiting.

Patience does not mean to passively endure. It means to be farsighted enough to trust the end result of a process. What does patience mean? It means to look at the thorn and see the rose, to look at the night and see the dawn. Impatience means to be so short-sighted as to not be able to see the outcome. The lover’s of God never run out of patience, for they know that time is needed for the crescent moon to become full. (9)

A Robin said: The Spring will never come, And I shall never care to build again. A Rosebush said: These frosts are wearisome, My sap will never stir for sun or rain. The half Moon said: These nights are fogged and slow, I neither care to wax nor care to wane. The Ocean said: I thirst from long ago, Because earth's rivers cannot fill the main. — When Springtime came, red Robin built a nest, And trilled a lover's song in sheer delight. Grey hoarfrost vanished, and the Rose with might Clothed her in leaves and buds of crimson core. The dim Moon brightened. Ocean sunned his crest, Dimpled his blue, yet thirsted evermore.

You’re not like other girls, you know that, right?’ Ed asks. ‘I’ve been aware of the problem,’ I tell him.

The moon seems unaware of night's dark hitting on the damp warm rain misguiding owl's spitting A thunder light of love raising hearts beating while weather learns more from rain lovers meeting

Be like the sun who fell in love with the moon and shared all his light.

When you find your twin flame you also find your freedom, for there is nothing more exhilarating, wild and free than absolute soul love.

My hands are in his hair and his arms wrap around my waist tighter. I know what Henry does to me. I’m space bound. A rocket about to blast off. And I want Henry to send me to the moon.

When Hades decided he loved this girl he built for her a duplicate of earth, everything the same, down to the meadow, but with a bed added. Everything the same, including sunlight, because it would be hard on a young girl to go so quickly from bright light to utter darkness Gradually, he thought, he’d introduce the night, first as the shadows of fluttering leaves. Then moon, then stars. Then no moon, no stars. Let Persephone get used to it slowly. In the end, he thought, she’d find it comforting. A replica of earth except there was love here. Doesn’t everyone want love? He waited many years, building a world, watching Persephone in the meadow. Persephone, a smeller, a taster. If you have one appetite, he thought, you have them all. Doesn’t everyone want to feel in the night the beloved body, compass, polestar, to hear the quiet breathing that says I am alive, that means also you are alive, because you hear me, you are here with me. And when one turns, the other turns— That’s what he felt, the lord of darkness, looking at the world he had constructed for Persephone. It never crossed his mind that there’d be no more smelling here, certainly no more eating. Guilt? Terror? The fear of love? These things he couldn’t imagine; no lover ever imagines them. He dreams, he wonders what to call this place. First he thinks: The New Hell. Then: The Garden. In the end, he decides to name it Persephone’s Girlhood. A soft light rising above the level meadow, behind the bed. He takes her in his arms. He wants to say I love you, nothing can hurt you but he thinks this is a lie, so he says in the end you’re dead, nothing can hurt you which seems to him a more promising beginning, more true.

(The tree bend over. Suddenly, a hiss and a meow sounded an instant before two cats darted off across the backyard.) Look, Lanie, it’s Mr. Tomcat come to save me from my celibacy. Oh, help me, Moon Mistress. Whatever am I to do with the attentions of such an unwanted suitor! Help me quick, before he kills me with my allergies. (Grace)

Each night the moon kisses secretly the lover who counts the stars

A savage place! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover!

Just because your lover died doesn't mean you can't find another. Besides, if you don't start dating again your parents will intervene and I've met your parents, they scare the crap out of me." Anthony shivered at the memory of his parents' matchmaking skills. "Last time they fixed me up with a fairy." Steven snorted. "I thought you didn't like labels." "No. He was an actual fairy, you know, from Faeland." That got Steven's full attention. "What happened?" Anthony shrugged. "Let's just say it didn't work out.

Once upon a time, before chimaera and seraphim, there was the sun and the moons. The sun was betrothed to Nitid, the bright sister, but it was demure Ellai, always hiding behind her bold sister, who stirred his lust. He contrived upon her bathing in the sea and he took her. She struggled, but he was the sun, and he thought he should have what he wanted. Ellai stabbed him and escaped, and the blood of the sun flew like sparks to earth, where it became seraphim- misbegotten children of fire. And like their father, they believed it their due to want, and take, and have. As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimeara, children of regret. When the sun came again to the sisters, neither would have him. Nitid put Ellai behind her and protected her, though the sun, still bleeding sparks, knew Ellai was not as defenseless as she seemed. He plead with Nitid to forgive him but she refused, and to this day he follows the sisters across the sky, wanting and wanting and never having, and that will be his punishment, forever. Nitid is the goddess of tears and life, hunts and war, and her temples are too many to count. It is she who fills wombs, slows the hearts of the dying, and leads her children against the serephim. Her light is like a small sun; she chases away shadows. Ellai is more subtle. She is a trace, a phantom moon, and there are only a handful of nights she alone takes the sky. There are called Ellai nights, and they are dark and star-scattered and good for furtive things. Ellai is the goddes of assassins and secret lovers. Temples to her are few, and hidden, like the one in the requiem grove in the hills above Loramendi.

A suffering or tortured animal always filled her with such a surge of sympathy that it lifted her clean out of herself.

Oh…man. She was dressed for love, as far as he was concerned: Flannel pajama bottoms with stars and moons on them. Little white T-shirt. Floppy suede moccasins.

Do Djinn even like sex?" "With the right person, we enjoy sex very much." "We enjoy it in a leisurely fashion, and we devote all of our attention to it. And our lovers crave it.

And she forgot the stars, the moon, and sun/ And she forgot the blue above the trees,/ And she forgot the dells where waters run,/ And she forgot the chilly autumn breeze;/ She had no knowledge when the day was done,/ And the new morn she saw not: but in peace/ Hung over her sweet basil evermore,/ And moisten'd it with tears unto the core.

The thing about the sun… is that it’s always there. Like sometimes, you can’t see it, but it never really goes away.

Hair tangled with the wind Sun kissed face Lover of the forest the sea the sky and anything wild and free She’s a gypsy goddess.

Ancient moon priestesses were called virgins. ‘Virgin’ meant not married, not belong to a man - a woman who was ‘one-in-herself’. The very word derives from a Latin root meaning strength, force, skill; and was later applied to men: virle. Ishtar, Diana, Astarte, Isis were all all called virgin, which did not refer to sexual chasity, but sexual independence. And all great culture heroes of the past…, mythic or historic, were said to be born of virgin mothers: Marduk, Gilgamesh, Buddha, Osiris, Dionysus, Genghis Khan, Jesus - they were all affirmed as sons of the Great Mother, of the Original One, their worldly power deriving from her. When the Hebrews used the word, and in the original Aramaic, it meant ‘maiden’ or ‘young woman’, with no connotations to sexual chasity. But later Christian translators could not conceive of the ‘Virgin Mary’ as a woman of independent sexuality, needless to say; they distorted the meaning into sexually pure, chaste, never touched. When Joan of Arc, with her witch coven associations, was called La Pucelle - ‘the Maiden,’ ‘the Virgin’ - the word retained some of its original pagan sense of a strong and independent woman. The Moon Goddess was worshipped in orgiastic rites, being the divinity of matriarchal women free to take as many lovers as they choose. Women could ‘surrender’ themselves to the Goddess by making love to a stranger in her temple.

Cats don’t have dark sides. That’s all a shadow is—and though you might be prejudiced against the dark, you ought to remember that that’s where stars live, and the moon and raccoons and owls and fireflies and mushrooms and cats and enchantments and a rather lot of good, necessary things. Thieving, too, and conspiracies, sneaking, secrets, and desire so strong you might faint dead away with the punch of it. But your light side isn’t a perfectly pretty picture, either, I promise you. You couldn’t dream without the dark. You couldn’t rest. You couldn’t even meet a lover on a balcony by moonlight. And what would the world be worth without that? You need your dark side, because without it, you’re half gone. Cats, on the other hand, have a more sensible setup. We just have the one side, and it’s mostly the sneaking and sleeping side anyway. So the other Iago and I feel very companionable toward each other. Whereas I expect my drowsy mistress Above would loathe this version of herself, who is kind and quiet and lonely and rather dear, all the things the original is not. My love stands for both. This one pets me more; that one let me pounce on anything I wanted.

In that moment, the moon and the sun shared the sky. For all of eternity, the moon and sun have chased each other around the world. Long into the future, they will continue this chase, merging the days into months into years into centuries, until the day the sun cannot take the separation any longer and she shatters, engulfing the moon and everything else in a burst of light. Most will call it the day of final judgment. The end. To the sun and the moon, it will only be the beginning. For the smallest of instants each day, they pause in this chase. They pause and look back at one another, smiling as if sharing a secret. Two lovers that can never exist as one, except in that single, brief instant. Lying there, Persephone smiled too. And as quickly as a smile parts two lips, the two sky wanderers parted ways. The chase was on again. Night gave way to day. That is true love, she had always thought. No force but love can impel one to step willingly into the shadows so that the other may shine.

May this marriage be blessed. May this marriage be as sweet as milk and honey. May this marriage be as intoxicating as old wine. May this marriage be fruitful like a date tree. May this marriage be full of laughter and everyday a paradise. May this marriage be a seal of compassion for here and hereafter. May this marriage be as welcome as the full moon in the night sky. Listen lovers, now you go on, as I become silent and kiss this blessed night.

Things I Want Decided Which shouldn't exist in this world, the one who forgets or the one who is forgotten? Which is better, to love one who has died or not to see each other when you're alive? Which is better, the distant lover you long for or the one you see daily without desire? Which is the least unreliable among fickle things — the swift rapids, a flowing river, or this human world?

And before you ask, I don't ask what equipment my lovers have, merely if they want to play.

Be careful of the curse that falls on young lovers Starts so soft and sweet and turns them to hunters A man who's pure of heart and says his prayers by night May still become a wolf when the autumn moon is bright If you could only see the beast you've made of me I held it in but now it seems you've set it running free The saints can't help me now, the ropes have been unbound I hunt for you with bloody feet across the hallow'd ground

You lost her. And now she lights up the night-time sky for her new lover 'Cause he recognized her as the moon. And you envy him. She could’ve been your moon, but you were too busy chasing the dimly lit stars.

I wrote too many poems in a language I did not yet know how to speak But I know now it doesn't matter how well I say grace if I am sitting at a table where I am offering no bread to eat So this is my wheat field you can have every acre, Love this is my garden song this is my fist fight with that bitter frost tonight I begged another stage light to become that back alley street lamp that we danced beneath the night your warm mouth fell on my timid cheek as i sang maybe i need you off key but in tune maybe i need you the way that big moon needs that open sea maybe i didn't even know i was here til i saw you holding me give me one room to come home to give me the palm of your hand every strand of my hair is a kite string and I have been blue in the face with your sky crying a flood over Iowa so you mother will wake to Venice Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chest now my heart is a pressed flower and a tattered bible it is the one verse you can trust so I'm putting all of my words in the collection plate I am setting the table with bread and grace my knees are bent like the corner of a page I am saving your place

I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me.

Everyday's a honeymoon. Cuz darling, I love you to the moon.

Dark night knows what full moon requires When all your love my heart acquires Celestial bodies no more faded Life makes sound; silence invaded

But in her web she still delights To weave the mirror’s magic sights, For often thro’ the silent nights A funeral, with plumes and lights, And music, went to Camelot: Or when the moon was overhead, Came two young lovers lately wed; “I am half-sick of shadows,” said The Lady of Shalott.

I don't need a mate,” she muttered, staring up at the bright circle of the early autumn moon. “But can't you send me a nice, sexy, strongmale to dance with? Pretty please?” She hadn't had a lover for close to eight months now, and it was starting to hurt on every level. “He doesn't even have to be smart, just good between the sheets.” Good enough to unsnap the tension in her body, allow her to function again. Because sex wasn't simply about pleasure for a cat like her—it was about affection, about trust, about everything good. “Though right this second, I'd take plain old hot sex.” That was when Riley walked out of the shadows. “Got an itch, kitty?” Snapping to her feet, she narrowed her eyes, knowing he had to have deliberately stayed downwind in order to sneak up on her. “Spying?” “When you're talking loud enough to wake the dead?” She swore she could feel steam coming out her ears.

Song of myself Smile O voluptuous cool-breath'd earth! Earth of the slumbering and liquid trees! Earth of departed sunset--earth of the mountains misty-topt! Earth of the vitreous pour of the full moon just tinged with blue! Earth of shine and dark mottling the tide of the river! Earth of the limpid gray of clouds brighter and clearer for my sake! Far-swooping elbow'd earth--rich apple-blossom'd earth! Smile, for your lover comes.

A Kite is a Victim A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do. A kite is a contract of glory that must be made with the sun, so you make friends with the field the river and the wind, then you pray the whole cold night before, under the travelling cordless moon, to make you worthy and lyric and pure. Gift You tell me that silence is nearer to peace than poems but if for my gift I brought you silence (for I know silence) you would say This is not silence this is another poem and you would hand it back to me There are some men There are some men who should have mountains to bear their names through time Grave markers are not high enough or green and sons go far away to lose the fist their father’s hand will always seem I had a friend he lived and died in mighty silence and with dignity left no book son or lover to mourn. Nor is this a mourning song but only a naming of this mountain on which I walk fragrant, dark and softly white under the pale of mist I name this mountain after him. -Believe nothing of me Except that I felt your beauty more closely than my own. I did not see any cities burn, I heard no promises of endless night, I felt your beauty more closely than my own. Promise me that I will return.- -When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you.- Song I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I'd never been your lover -Reach into the vineyard of arteries for my heart. Eat the fruit of ignorance and share with me the mist and fragrance of dying.-

I am becoming the woman I've wanted, grey at the temples, soft body, delighted, cracked up by life with a laugh that's known bitter but, past it, got better, knows she's a survivor-- that whatever comes, she can outlast it. I am becoming a deep weathered basket. I am becoming the woman I've longed for, the motherly lover with arms strong and tender, the growing up daughter who blushes surprises. I am becoming full moons and sunrises. I find her becoming, this woman I've wanted, who knows she'll encompass, who knows she's sufficient, knows where she's going and travels with passion. Who remembers she's precious, but knows she's not scarce-- who knows she is plenty, plenty to share.

The night garden felt like a home, with the glittering sky for the ceiling, the bushes our rug, and the dilapidated pavilion our bed. He lit up the place like a heart-warming hearth fire. He was the walls of my sanctuary, the food for my eyes, the scent of a home. He was everything.

Those nights when my pain was at its sharpest, it would have been so easy to slide into resentment and hatred. Yet as much as I loved him, I loved myself more. And as I was discovering, there was no end to love- it was something which grew and renewed endlessly, expanding to encompass each new horizon. Family. Friends. And other lovers, too - nove of them the same - yet each so precious in their own way.

Dusk had fallen, While the sky was gray, Red flowers bloomed, And the yellow fade away, Night was to fall, But the sun had to stay, Moon of fourteen, For the lover had to pray, Life gave up hope, Yet the heart had to say, Lover wrote a letter, But the pigeon lost it's way.

because when i feel the human world is doomed, has doomed itself by its own mingy beastliness, then i feel the colonies aren't far enough. the moon wouldn't be far enough, because even there you could look back and see the earth, dirty, beastly, unsavory among all the stars: made foul by men. Then i feel i've swallowed gall, and its eating my inside out, and nowhere's far enough to get away. but when i get a turn, i forget it all again. though it's a shame, what's been done to people these last hundred years: men turned into nothing but labor-insects, and all their manhood taken away, and all their real life. i'd wipe the machines off the face of the earth again, and end the industrial epoch absolutely, like a black mistake. but since i can't, an' nobody can, i'd better hold my peace, an' try an' life my own life: if i've got one to live, which i rather doubt.

Variations: II Green light, from the moon, Pours over the dark blue trees, Green light from the autumn moon Pours on the grass ... Green light falls on the goblin fountain Where hesitant lovers meet and pass. They laugh in the moonlight, touching hands, They move like leaves on the wind ... I remember an autumn night like this, And not so long ago, When other lovers were blown like leaves, Before the coming of snow.

Men of dreams, the lovers and the poets, are better in most things than the men of my sort; the men of intellect. You take your being from your mothers. You live to the full: it is given you to love with your whole strength, to know and taste the whole of life. We thinkers, though often we seem to rule you, cannot live with half your joy and full reality. Ours is a thin and arid life, but the fullness of being is yours; yours the sap of the fruit, the garden of lovers, the joyous pleasaunces of beauty. Your home is the earth, ours the idea of it. Your danger is to be drowned in the world of sense, ours to gasp for breath in airless space. You are a poet, I a thinker. You sleep on your mother's breast, I watch in the wilderness. On me there shines the sun; on you the moon with all the stars. Your dreams are all of girls, mine of boys—

I can sense your love, why leave me in darkness? Beguile me for your amusement, stealing my soul without kisses. You are the sun and I, the moon. Your beauty is reflected in my eyes. When we are apart, I am extinguished in the blackness of these skies.

Anne's lovers are phantom gentlemen, flitting by night with adulterous intent. They come and go by night, unchallenged. They skim over the river like midges, flicker against the dark, their doublets sewn with diamonds. The moon sees them, peering from her hood of bone, and Thames water reflects them, glimmering like fish, like pearls.

Nothing belongs to itself anymore. These trees are yours because you once looked at them. These streets are yours because you once traversed them. These coffee shops and bookshops, these cafés and bars, their sole owner is you. They gave themselves so willingly, surrendering to your perfume. You sang with the birds and they stopped to listen to you. You smiled at the sheepish stars and they fell into your hair. The sun and moon, the sea and mountain, they have all left from heartbreak. Nothing belongs to itself anymore. You once spoke to Him, and then God became yours. He sits with us in darkness now to plot how to make you ours.” K.K.

A friend. What is a friend, in a world where any friend may be a lover at a new phase of the moon? Not I, locked in my virility: no friend to Therem Harth, or any other of his race. Neither man nor woman, neither and both, cyclic, lunar, metamorphosing under the hand's touch, changelings in the human cradle, they were no flesh of mine, no friends; no love between us.

From the night into his high-walled room there came, persistently, that evanescent and dissolving sound - something the city was tossing up and calling back again, like a child playing with a ball. In Harlem, the Bronx, Gramercy Park, and along the water-fronts, in little parlors or on pebble-strewn, moon-flooded roofs, a thousand lovers were making this sound, crying little fragments of it into the air. All the city was playing with this sound out there in the blue summer dark, throwing it up and calling it back, promising that, in a little while, life would be beautiful as a story, promising happiness - and by that promise giving it. It gave love hope in its own survival. It could do no more.

The riot had taken on a beauty of its own now. Arcs of gasoline fire under the crescent moon. Crimson tracer in mystical parabolas. Phosphorescence from the barrels of plastic bullet guns. A distant yelling like that of men below decks in a torpedoed prison ship. The scarlet whoosh of Molotovs intersecting with exacting surfaces. Helicopters everywhere: their spotlights finding one another like lovers in the Afterlife. And all this through a lens of oleaginous Belfast rain.

You think you cannot live anymore. You think that the light of your soul has been put out and that you will stay in the dark forever. But when you are engulfed by such solid darkness, when you have both eyes closed to the world, a third eye opens in your heart. And only then do you come to realize that eyesight conflicts with inner knowledge. No eye sees so clear and sharp as the eye of love. After grief comes another season, another valley, another you. And the lover who is nowhere to be found, you start to see everywhere. You see him in the drop of water that falls into the ocean, in the high tide that follows the waxing of the moon, or in the morning wind that spreads its fresh smell; you see him in the geomancy symbols in the sand, in the tiny particles of rock glittering under the sun, in the smile of a newborn baby, or in your throbbing vein. How can you say Shams is gone when he is everywhere and in everything?

The most important thing is love," said Leigh-Cheri. "I know that now. There's no point in saving the world if it means losing the moon." Leigh-Cheri sent that message to Bernard through his attorney. The message continued, "I'm not quite 20, but, thanks to you, I've learned something that many women these days never learn: Prince Charming really is a toad. And the Beautiful Princess has halitosis. The bottom line is that (a) people are never perfect, but love can be, (b) that is the one and only way that the mediocre and the vile can be transformed, and (c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love. Wouldn't that be the way to make love stay?" The next day, Bernard's attorney delivered to her this reply: Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words "make" and "stay" become inappropriate. My love for you has no strings attached. I love you for free. Leigh-Cheri went out in the blackberries and wept. "I'll follow him to the ends of the earth," she sobbed. Yes, darling. But the earth doesn't have any ends. Columbus fixed that.

Meanwhile you just lived on and there was nothing to it. She understood perfectly well why people had cocktail parties, and jazzed, and Charlestoned till they were ready to drop. You had to take it out some way or other, your youth, or it ate you up. But what a ghastly thing, this youth! You felt as old as Methuselah, and yet the thing fizzed somehow, and didn't let you be comfortable. A mean sort of life! And no prospect! She almost wished she had gone off with Mick, and made her life one long cocktail party, and jazz evening. Anyhow that was better than just mooning yourself into the grave.

To Selene (Moon) Hear, Goddess queen, diffusing silver light, bull-horn'd and wand'ring thro' the gloom of Night. With stars surrounded, and with circuit wide Night's torch extending, thro' the heav'ns you ride: Female and Male with borrow'd rays you shine, and now full-orb'd, now tending to decline. Mother of ages, fruit-producing Moon [Mene], whose amber orb makes Night's reflected noon: Lover of horses, splendid, queen of Night, all-seeing pow'r bedeck'd with starry light. Lover of vigilance, the foe of strife, in peace rejoicing, and a prudent life: Fair lamp of Night, its ornament and friend, who giv'st to Nature's works their destin'd end. Queen of the stars, all-wife Diana hail! Deck'd with a graceful robe and shining veil; Come, blessed Goddess, prudent, starry, bright, come moony-lamp with chaste and splendid light, Shine on these sacred rites with prosp'rous rays, and pleas'd accept thy suppliant's mystic praise.

Meanwhile, in the expansiveness of her joy, the Moon filled all of the room like a phosphoric atmosphere, like a luminous poison; and all of that living light thought and said: “You will be eternally subject to the influence of my kiss. You will be beautiful in my manner. You will love what I love and who loves me: water, the clouds, silence, and the night; the immense, green sea; formless and multiform water; the place where you will not be; the lover you will not know; monstrous flowers; perfumes that make you delirious; cats who swoon on pianos, and who moan like women, with a hoarse, gentle voice!

Stevie: "If you think he's a lecher and all men are disgusting, why do you want me to date?" Zena: "Because, Stevie. Now and then, when the moon is full and bluish, when the galaxy is all calm and peaceful and serenity rules and even the falling stars are falling gracefully, and the wind creates a beautiful song, that's when you find one outstanding man. Kind. Loyal. Funny and smart, great in bed but not kinky. A lover in his head and in his body. A man who doesn't think as a dick-obsessed monkey with a brain the size of a testicle, but one who is thoughtful and can hold his emotions in one hand and hug you close with the other. A man who is a hunky, manly man but who can talk to you like your best girlfriend, because that's what he wants to be for you. Your best friend." (Page 44)

My love, you are closer to me than myself... You shine through my eyes, Your light is brighter than the Moon... Step into the garden so all the flowers... Even the tall poplar can kneel before your beauty... Let your voice silence the lily famous for its hundred tongues, When you want to be kind... You are softer than the soul... But when you withdraw... You can be so cold and harsh. Dear one, you can be wild and rebellious... But when you meet him face to face... His charm will make you docile like the earth, Throw away your shield and bare your chest... There is no stronger protection than him. That's why when the Lover withdraws from the world... He covers all the cracks in the wall... So the outside light cannot come though, He knows that only the inner light illuminates his world!

She'd like to say something about the metaphors of space. She won't, but she'd like to. In many religions, the sun is viewed as an analogue to God, and in some Near Eastern cults, the fire cults that interested Nietzsche, the sun is a diety, the origin of all energy, heat, light, and life. A masculine force, this sun, countered by the feminine lucent moon, mutable, pale pink at the horizon, grayish white overhead, and silver in daytime. The moon is a friend to women. Its attraction, its capacity to pull objects toward itself, is traditionally a metaphor for womanly force. Lovers know and understand the moon as a sign for love: a cliché, certainly, but one that does not wear out. "The Moon," they whisper, infinitely.

Edain came out of Midhir's hill, and lay Beside young Aengus in his tower of glass, Where time is drowned in odour-laden winds And Druid moons, and murmuring of boughs, And sleepy boughs, and boughs where apples made Of opal and ruhy and pale chrysolite Awake unsleeping fires; and wove seven strings, Sweet with all music, out of his long hair, Because her hands had been made wild by love. When Midhir's wife had changed her to a fly, He made a harp with Druid apple-wood That she among her winds might know he wept; And from that hour he has watched over none But faithful lovers.

When he came back, I hid my face within my hands. He said: "Fear nothing. Who has seen our kiss? --Who saw us? The night and the moon." "And the stars and the first flush of dawn. The moon has seen its visage in the lake, and told it to the water 'neath the willows. The water told it to the rower's oar. "And the oar has told it to the boat, and the boat has passed the secret to the fisher. Alas! alas! if that were only all! But the fisher told the secret to a woman. "The fisher told the secret to a woman: my father and my mother and my sisters, and all of Hellas now shall know the tale.

Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.

When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.

I've written you sixty-seven love poems. Here’s another one for you. But really, for me. These poems are the candles that I light with the fire you have ignited in me. I place this candle here and another there so even if the stars have argued with the moon and are sulking away in a corner, you can still find your way to me. Sixty-eight poems now. What does the future hold for us? Joy? Disappointment? Gentle caresses? And subtle neglect? I hope the good is more than the bad. Much more. For what is the point of love if by lighting these candles our own flame loses its brightness? I know the good is more than the bad. Much more. I cannot wait to write you sixty-nine.

As the world turns toward winter and the nights grow long, people begin to wake in the dark. Lying in bed too long cramps the limbs, and dreams dreamt too long turn inward on themselves, grotesque as a Mandarin’s fingernails. By and large, the human body isn’t adapted for more than seven or eight hours’ sleep—but what happens when the nights are longer than that? What happens is the second sleep. You fall asleep from tiredness, soon after dark—but then wake again, rising toward the surface of your dreams like a trout coming up to feed. And should your sleeping partner also wake then—and people who have slept together for a good many years know at once when each other wakes—you have a small, private place to share, deep in the night. A place in which to rise, to stretch, to bring a juicy apple back to bed, to share slice by slice, fingers brushing lips. To have the luxury of conversation, uninterrupted by the business of the day. To make love slowly in the light of an autumn moon. And then, to lie close, and let a lover’s dreams caress your skin as you begin to sink once more beneath the waves of consciousness, blissful in the knowledge that dawn is far off—that’s second sleep.

When I heard at the close of the day how my name had been receiv’d with plaudits in the capitol, still it was not a happy night for me that follow’d, And else when I carous’d, or when my plans were accomplish’d, still I was not happy, But the day when I rose at dawn from the bed of perfect health, refresh’d, singing, inhaling the ripe breath of autumn, When I saw the full moon in the west grow pale and disappear in the morning light, When I wander’d alone over the beach, and undressing bathed, laughing with the cool waters, and saw the sun rise, And when I thought how my dear friend my lover was on his way coming, O then I was happy, O then each breath tasted sweeter, and all that day my food nourish’d me more, and the beautiful day pass’d well, And the next came with equal joy, and with the next at evening came my friend, And that night while all was still I heard the waters roll slowly continually up the shores, I heard the hissing rustle of the liquid and sands as directed to me whispering to congratulate me, For the one I love most lay sleeping by me under the same cover in the cool night, In the stillness in the autumn moonbeams his face was inclined toward me, And his arm lay lightly around my breast – and that night I was happy.

Enthusiasm is the first step," she said. "Artfulness comes later." "I hope I didn't disappoint you." "I'm not displeased, Jovanno. Hells, having a lover that's new to the dance means you can train him properly. Give me a few nights and I'll have you whipped into proper form." "The Asino brothers ... they always, well, they always invited me to go with them when they went out. To buy it, you know." "There's no shame in doing that. And there's no shame in not having done it. But those two are hounds, Jovanno. Any woman could smell it a mile away. Sometimes a run with the hounds is just what you're in the mood for, but in the end they'll always roll around in muck and shit on your floor." "Oh, they've got an endearing side," said Jean. "It comes out once a month, when the first moon is full. They're like backwards werewolves.

Mystery the moon A hole in the sky A supernatural nightlight So full but often right A pair of eyes, a closin' one, A chosen child of golden sun A marble dog that chases cars To farthest reaches of the beach and far beyond into the swimming sea of stars A cosmic fish they love to kiss They're giving birth to constellation No riffs and oh, no reservation. If they should fall you get a wish or dedication May I suggest you get the best For nothing less than you and I Let's take a chance as this romance is rising over before we lose the lighting Oh bella bella please Bella you beautiful luna Oh bella do what you do Do do do do do You are an illuminating anchor Of leagues to infinite number Crashing waves and breaking thunder Tiding the ebb and flows of hunger You're dancing naked there for me You expose all memory You make the most of boundary You're the ghost of royalty imposing love You are the queen and king combining everything Intertwining like a ring around the finger of a girl I'm just a singer, you're the world All I can bring ya Is the language of a lover Bella luna, my beautiful, beautiful moon How you swoon me like no other May I suggest you get the best Of your wish may I insist That no contest for little you or smaller I A larger chance happened, all them they lie On the rise, on the brink of our lives Bella please Bella you beautiful luna Oh bella do what you do Bella luna, my beautiful, beautiful moon How you swoon me like no other, oh oh oh ((Bella Luna))

I glanced over his shoulder to get a look at his latest drawing. A wolf and a coyote stood side by side beneath a dual sky, sun and moon shining at the same time. "They're brothers," Rafael said. He laid his charcoal on the grass. "Wolf is wise and judicious. Coyote's a trickster. They're the two faces of God. Everything in the world is dual-natured. Even God isn't all good or all bad." He told me about how the sun used to be married to the moon before they quarreled and parted ways, leaving the sun to rule the world at day and the moon at night. He told me how the Wolf had sewn us all out of seeds and put us in a cloth bag to keep us safe, but the Coyote had clawed the bag open and everyone had spilled out, landing and taking root in different parts of the world. He told me about the girl with Two Faces, one half of her face devastatingly beautiful, the other half impossibly ugly, and the man who lover her anyway. He told me about the days when death lacked permanence and ten different generations lived together beneath the same stars. He talked, as he always talked, without any real purpose, clearing his head of the cluttering thoughts that had gathered and built up until he could pour them into me.

You are the sun and the moon and the stars You are the force that pulls the tides You are the unrestrained howl under a wide-open moon You are the essence of what it is to dance into ecstasy You are the heat and the sex and the sweat and the burn and soft and the grace and the grit and the ocean of tears You are all of everything … Somewhere there is a love who will never dream of calling you too much Who speaks like you in poetry and candle-wax and stardust Who runs outside on stormy nights to howl at the moon Who collects bones and sings incantation and talks to the ancestors And that lover when you find him or her will see you and know you – just as you are and just as you should be And they will say yes Yes you I will go there with you I have been waiting for this

All Mad" 'He is mad as a hare, poor fellow, And should be in chains,' you say, I haven't a doubt of your statement, But who isn't mad, I pray? Why, the world is a great asylum, And the people are all insane, Gone daft with pleasure or folly, Or crazed with passion and pain. The infant who shrieks at a shadow, The child with his Santa Claus faith, The woman who worships Dame Fashion, Each man with his notions of death, The miser who hoards up his earnings, The spendthrift who wastes them too soon, The scholar grown blind in his delving, The lover who stares at the moon. The poet who thinks life a paean, The cynic who thinks it a fraud, The youth who goes seeking for pleasure, The preacher who dares talk of God, All priests with their creeds and their croaking, All doubters who dare to deny, The gay who find aught to wake laughter, The sad who find aught worth a sigh, Whoever is downcast or solemn, Whoever is gleeful and gay, Are only the dupes of delusions— We are all of us—all of us mad.

On the Necessity of Sadness" Let me tell you about longing. Let me presume that I have something new to say about it, that this room, naked, its walls pining for clocks, has something new to say about absence. Somewhere the crunch of an apple, fading sunflowers on a quilt, a window looking out to a landscape with a single tree. And you sitting under it. Let go, said you to me in a dream, but by the time the wind carried your voice to me, I was already walking through the yawning door, towards the small, necessary sadnesses of waking. I wish I could hold you now, but that is a line that has no place in a poem, like the swollen sheen of the moon tonight, or the word absence, or you, or longing. Let me tell you about longing. In a distant country two lovers are on a bench, and pigeons, unafraid, are perching beside them. She places a hand on his knee and says, say to me the truest thing you can. I am closing my eyes now. You are far away.

De Profundis by Oscar Wilde (this excerpt inspired my book, The Persecution of Mildred Dunlap. Wilde wrote it to his lover while in prison.) When first I was put into prison some people advised me to try and forget who I was. It was ruinous advice. It is only by realizing what I am that I have found comfort of any kind. Now I am advised by others to try on my release to forget that I have ever been in a prison at all. I know that would be equally fatal. It would mean that I would always be haunted by an intolerable sense of disgrace, and that those things that are meant for me as much as for anybody else – the beauty of the sun and moon, the pageant of the seasons, the music of daybreak and the silence of great nights, the rain falling through the leaves, or the dew creeping over the grass and making it silver – would all be tainted for me, and lose their healing power, and their power of communicating joy. To regret one's own experiences is to arrest one's own development. To deny one's own experiences is to put a lie into the lips of one's own life. It is no less than a denial of the soul.

To have without holding Learning to love differently is hard, love with the hands wide open, love with the doors banging on their hinges, the cupboard unlocked, the wind roaring and whimpering in the rooms rustling the sheets and snapping the blinds that thwack like rubber bands in an open palm. It hurts to love wide open stretching the muscles that feel as if they are made of wet plaster, then of blunt knives, then of sharp knives. It hurts to thwart the reflexes of grab, of clutch ; to love and let go again and again. It pesters to remember the lover who is not in the bed, to hold back what is owed to the work that gutters like a candle in a cave without air, to love consciously, conscientiously, concretely, constructively. I can’t do it, you say it’s killing me, but you thrive, you glow on the street like a neon raspberry, You float and sail, a helium balloon bright bachelor’s button blue and bobbing on the cold and hot winds of our breath, as we make and unmake in passionate diastole and systole the rhythm of our unbound bonding, to have and not to hold, to love with minimized malice, hunger and anger moment by moment balanced.

[33]* In the seventh month, when the heat is dreadful, everything in the building is kept open all through the night, and it’s delightful to wake on moonlit nights and lie there looking out. Dark nights too are delightful, and as for the sight of the moon at dawn, words cannot describe the loveliness. Picture her lying there, on a fresh new mat 1 placed near the outer edge of the gleaming wooden aisle-room floor, the low standing curtain pushed to the back of the room in a quite unseemly way. 2 It should normally be placed at the outer edge, but perhaps she’s concerned about being seen from within. Her lover must have already left. She is lying asleep, a robe drawn up over her head 3 – it is pale greyish-violet with deep violet inner lining, the outer surface a little faded, or perhaps it is a stiffish robe of rich gleaming damask. Beneath this, she is wearing a clove-tan or yellow gossamer-silk shift, and the long strings of her unlined scarlet skirted trousers trailing undone from below the hem of her clothing tell us that she must have fallen asleep with trousers still untied after her lover departed. The soft luxury of hair that lies piled in waves beside her speaks of its wonderful length.

They say that February is the shortest month, but you know they could be wrong. Compared, calendar page against calendar page, it looks to be the shortest, all right. Spread between January and March like lard on bread, it fails to reach the crust on either slice. In its galoshes it's a full head shorter than December, although in leap years, when it has growth spurts, it comes up to April's nose. However more abbreviated than it's cousins it may look, February feels longer than any of them. It is the meanest moon of winter, all the more cruel because it will masquerade as spring, occasionally for hours at a time, only to rip off its mask with a sadistic laugh and spit icicles into every gullible face, behavior that grows quickly old. February is pitiless, and it's boring. That parade of red numerals on its page adds up to zero: birthdays of politicians, a holiday reserved for rodents, what kind of celebrations are those? The only bubble in the flat champagne of February is Valentine's Day. It was no accident that our ancestors pinned Valentine's day on February's shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed. Except to the extent that it "tints the buds and swells the leaves within" February is as useless as the extra r in its name. It behaves like an obstacle, a wedge of slush and mud and ennui holding both progress and contentment at bay. If February is the color of lard on rye, its aroma is that of wet wool trousers. As for sound, it is an abstract melody played on a squeaky violin, the petty whine of a shrew with cabin fever. O February, you may be little but you're small! Where you twice your tiresome length, few of us would survive to greet the merry month of May.