Moon And Sixpence Quotes

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Impropriety is the soul of wit.
W. Somerset Maugham (The Moon and Sixpence)
As lovers, the difference between men and women is that women can love all day long, but men only at times.
W. Somerset Maugham (The Moon and Sixpence)
It is one of the defects of my character that I cannot altogether dislike anyone who makes me laugh.
W. Somerset Maugham (The Moon and Sixpence)
When a woman loves you she's not satisfied until she possesses your soul. Because she's weak, she has a rage for domination, and nothing less will satisfy her.
W. Somerset Maugham (The Moon and Sixpence)
Women are constantly trying to commit suicide for love, but generally they take care not to succeed.
W. Somerset Maugham (The Moon and Sixpence)
Sometimes people carry to such perfection the mask they have assumed that in due course they actually become the person they seem.
W. Somerset Maugham (The Moon and Sixpence)
There is no cruelty greater than a woman's to a man who loves her and whom she does not love; she has no kindness then, no tolerance even, she has only an insane irritation.
W. Somerset Maugham (The Moon and Sixpence)
She loved three things — a joke, a glass of wine, and a handsome man.
W. Somerset Maugham (The Moon and Sixpence)
Life isn't long enough for love and art.
W. Somerset Maugham (The Moon and Sixpence)
It is not true that suffering ennobles the character; happiness does that sometimes, but suffering, for the most part, makes men petty and vindictive.
W. Somerset Maugham (The Moon and Sixpence)
Beauty is something wonderful and strange that the artist fashions out of the chaos of the world in the torment of his soul. And when he has made it, it is not given to all to know it. To recognize it you must repeat the adventure of the artist. It is a melody that he sings to you, and to hear it again in your own heart you want knowledge and sensitiveness and imagination.
W. Somerset Maugham (The Moon and Sixpence)
I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history.
W. Somerset Maugham (The Moon and Sixpence)
The world is hard and cruel. We are here none knows why, and we go none knows whither. We must be very humble. We must see the beauty of quietness. We must go through life so inconspicuously that Fate does not notice us. And let us seek the love of simple, ignorant people. Their ignorance is better than all our knowledge. Let us be silent, content in our little corner, meek and gentle like them. That is the wisdom of life.
W. Somerset Maugham (The Moon and Sixpence)
The writer is more concerned to know than to judge.
W. Somerset Maugham (The Moon and Sixpence)
Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they have not the power to accept them, and so we go lonely, side by side but not together, unable to know our fellows and unknown by them. We are like people living in a country whose language they know so little that, with all manner of beautiful and profound things to say, they are condemned to the banalities of the conversation manual. Their brain is seething with ideas, and they can only tell you that the umbrella of the gardener's aunt is in the house.
W. Somerset Maugham (The Moon and Sixpence)
A woman can forgive a man for the harm he does her...but she can never forgive him for the sacrifices he makes on her account.
W. Somerset Maugham (The Moon and Sixpence)
It was a night so beautiful that your soul seemed hardly able to bear the prison of the body.
W. Somerset Maugham (The Moon and Sixpence)
Unconsciously, perhaps, we treasure the power we have over people by their regard for our opinion of them, and we hate those upon whom we have no such influence.
W. Somerset Maugham (The Moon and Sixpence)
I forget who it was that recommended men for their soul's good to do each day two things they disliked: it was a wise man, and it is a precept that I have followed scrupulously; for every day I have got up and I have gone to bed.
W. Somerset Maugham (The Moon and Sixpence)
I could have forgiven it if he'd fallen desperately in love with someone and gone off with her. I should have thought that natural. I shouldn't really have blamed him. I should have thought he was led away. Men are so weak, and women are so unscrupulous.
W. Somerset Maugham (The Moon and Sixpence)
Because women can do nothing except love, they've given it a ridiculous importance. They want to persuade us that it's the whole of life. It's an insignificant part.
W. Somerset Maugham (The Moon and Sixpence)
To my mind the most interesting thing in art is the personality of the artist; and if that is singular, I am willing to excuse a thousand faults.
W. Somerset Maugham (The Moon and Sixpence)
For men, as a rule, love is but an episode which takes place among the other affairs of the day, and the emphasis laid on it in novels gives it an importance which is untrue to life. There are few men to whom it is the most important thing in the world, and they are not the very interesting ones; even women, with whom the subject is of paramount interest, have a contempt for them.
W. Somerset Maugham (The Moon and Sixpence)
People talk of beauty lightly, and having no feeling for words, they use that one carelessly, so that it loses its force; and the thing it stands for, sharing its name with a hundred trivial objects, is deprived of dignity. They call beautiful a dress, a dog, a sermon; and when they are face to face with Beauty cannot recognise it.
W. Somerset Maugham (The Moon and Sixpence)
They say a woman always remembers her first lover with affection; but perhaps she does not always remember him.
W. Somerset Maugham (The Moon and Sixpence)
Women are strange little beasts,' he said to Dr. Coutras. 'You can treat them like dogs, you can beat them till your arm aches, and still they love you.' He shrugged his shoulders. 'Of course, it is one of the most absurd illusions of Christianity that they have souls.
W. Somerset Maugham (The Moon and Sixpence)
With the superciliousness of extreme youth, I put thirty-five as the utmost limit at which a man might fall in love without making a fool of himself.
W. Somerset Maugham (The Moon and Sixpence)
Each one of us is alone in the world. He is shut in a tower of brass, and can communicate with his fellows only by signs, and the signs have no common value, so that their sense is vague and uncertain. We seek pitifully to convey to others the treasures of our heart, but they have not the power to accept them, and so we go lonely, side by side but not together, unable to know our fellows and unknown by them.
W. Somerset Maugham (The Moon and Sixpence)
I think I was a little disappointed in her. I expected then people to be more of a piece than I do now, and I was distressed to find so much vindictiveness in so charming a creature. I did not realize how motley are the qualities that go to make up a human being. Now I am well aware that pettiness and grandeur, malice and charity, hatred and love, can find place side by side in the same human heart.
W. Somerset Maugham (The Moon and Sixpence)
Man's desire for the approval of his fellows is so strong, his dread of their censure so violent, that he himself has brought his enemy (conscience) within his gates; and it keeps watch over him, vigilant always in the interests of its master to crush any half-formed desire to break away from the herd.
W. Somerset Maugham (The Moon and Sixpence)
Only the poet or the saint can water an asphalt pavement in the confident anticipation that lilies will reward his labour.
W. Somerset Maugham (The Moon And Sixpence)
Oh, with you, I could conquer the world - oh, with you I could catch hold of the moon like a little silver sixpence.
Katherine Mansfield (Journal of Katherine Mansfield)
I did not believe him capable of love. That is an emotion in which tenderness is an essential part, but Strickland had no tenderness either for himself or for others; there is in love a sense of weakness, a desire to protect, an eagerness to do good and to give pleasure--if not unselfishness, at all events a selfishness which marvellously conceals itself; it has in it a certain diffidence.
W. Somerset Maugham (The Moon and Sixpence)
It is hard that a man's exterior should tally so little sometimes with his soul.
W. Somerset Maugham (The Moon and Sixpence)
Art is a manifestation of emotion, and emotion speaks a language that all may understand
W. Somerset Maugham (The Moon and Sixpence)
You rejoice in your freedom, and you feel that at last you can call your soul your own. You seem to walk with your head among the stars. And then, all of a sudden you can't stand it anymore, and you notice that all the time your feet have been walking in the mud.
W. Somerset Maugham (The Moon and Sixpence)
It is always distressing when outraged morality does not possess the strength of arm to administer direct chastisement on the sinner.
W. Somerset Maugham (The Moon and Sixpence)
I shall beat you,' he said, looking at her. How else should I know you loved me,' she answered.
W. Somerset Maugham (The Moon and Sixpence)
Perhaps that is the wisdom of life, to tread in your father's steps, and look neither to the right nor to the left.
W. Somerset Maugham (The Moon and Sixpence)
With infinite patience she prepared to snare and bind me. She wanted to bring me down to her level; she cared nothing for me, she only wanted me to be hers. She was willing to do everything in the world for me except the one thing I wanted: to leave me alone.
W. Somerset Maugham (The Moon and Sixpence)
He seemed to see his fellow creatures grotesquely, and he was angry with them because they were grotesque; life was a confusion of ridiculous, sordid happenings, a fit subject for laughter, and yet it made him sorrowful to laugh.
W. Somerset Maugham (The Moon and Sixpence)
It is a riddle which shares with the universe the merit of having no answer.
W. Somerset Maugham (The Moon and Sixpence)
She was willing to do everything in the world for me except the one thing I wanted: to leave me alone
W. Somerset Maugham (The Moon and Sixpence)
He was at once to great and too small for love.
W. Somerset Maugham (The Moon and Sixpence)
I do not suppose she had ever really cared for her husband, and what I had taken for love was no more than the feminine response to caresses and comfort which in the minds of most women passes for it. It is a passive feeling capable of being roused for any object, as the vine can grow on any tree; and the wisdom of the world recognises its strength when it urges a girl to marry the man who wants her with the assurance that love will follow. It is an emotion made up of the satisfaction of security, pride of property, the pleasure of being desired, the gratification of a household, and it is only by an amiable vanity that women ascribe to it spiritual value. It is an emotion which is defenceless against passion.
W. Somerset Maugham (The Moon and Sixpence)
Conversion may come under many shapes, and it may be brought about in many ways. With some men it needs a cataclysm, as a stone may be broken to fragments by the fury of a torrent; but with some it comes gradually, as a stone may be worn away by the ceaseless fall of a drop of water.
W. Somerset Maugham (The Moon and Sixpence)
Sometimes I've thought of an island lost in a boundless sea, where I could live in some hidden valley, among strange trees, in silence. There I think I could find what I want.
W. Somerset Maugham (Moon and Sixpence)
...some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not.
W. Somerset Maugham
When people say they do not care what others thing of them, for the most part they deceive themselves
W. Somerset Maugham (The Moon and Sixpence)
He could as little escape her as the cause can escape the effect.
W. Somerset Maugham (The Moon and Sixpence)
The last words he said to me when I bade him good-night were: Tell Amy it's no good coming after me. Anyhow, I shall change my hotel, so she wouldn't be able to find me.' My own impression is that she's well rid of you,' I said. My dear fellow, I only hope you'll be able to make her see it. But women are very unintelligent.
W. Somerset Maugham (The Moon and Sixpence)
A man’s work reveals him. In social intercourse he gives you the surface that he wishes the world to accept, and you can only gain a true knowledge of him by inferences from little actions, of which he is unconscious, and from fleeting expressions, which cross his face unknown to him. Sometimes people carry to such perfection the mask they have assumed that in due course they actually become the person they seem. But in his book or his picture the real man delivers himself defenceless. His pretentiousness will only expose his vacuity. The lathe painted to look like iron is seen to be but a lathe. No affectation of peculiarity can conceal a commonplace mind. To the acute observer no one can produce the most casual work without disclosing the innermost secrets of the soul.
W. Somerset Maugham (The Moon and Sixpence)
I don't think of the past. The only thing that matters is the everlasting present.
W. Somerset Maugham (Moon and Sixpence)
art is a manifestation of emotion, and emotion speaks a language that all may understand.
W. Somerset Maugham (Moon and Sixpence)
The only way to live is to forget that you're going to die. Death is unimportant. The fear of it should never influence a single action of the wise man.
W. Somerset Maugham (Somerset Maugham - Of Human Bondage, & The Moon and Sixpence)
I have always been a little disconcerted by the passion women have for behaving beautifully at the deathbed of those they love. Sometimes it seems as if they grudge the longevity which postpones their chance of an effective scene.
W. Somerset Maugham (The Moon and Sixpence)
The artist, painter, poet, or musician, by his decoration, sublime or beautiful, satisfies the aesthetic sense; but that is akin to the sexual instinct, and shares its barbarity: he lays before you also the greater gift of himself.
W. Somerset Maugham (Moon and Sixpence)
If I have succeeded at all in giving the complicated impression that Strickland made on me, it will not seem outrageous to say that I felt he was at once too great and too small for love.
W. Somerset Maugham (The Moon and Sixpence)
Have you ever thought of death?" "Why should I? It doesn't matter.
W. Somerset Maugham (Moon and Sixpence)
art is a manifestation of emotion, and emotion speaks a language that all may understand. But
W. Somerset Maugham (Moon and Sixpence)
To the acute observer no one can produce the most casual work without disclosing the innermost secrets of his soul.
W. Somerset Maugham (Moon and Sixpence)
It was a night so beautiful that your soul seemed hardly able to bear the prison of the body. You
W. Somerset Maugham (Moon and Sixpence)
A man's work reveals him. In social intercourse he gives you the surface that he wishes the world to accept, but in his book or his picture the real man delivers himself defenceless. No affectation of peculiarity can conceal a commonplace mind. No one can produce the most casual work without disclosing the innermost secrets of his soul.
W. Somerset Maugham (The Moon and Sixpence)
Why should you think that beauty, which is the most precious thing in the world, lies like a stone on the beach for the careless passer-by to pick up idly? Beauty is something wonderful and strange that the artist fashions out of the chaos of the world in the torment of his soul. And when he has made it, it is not given to all to know it. To recognize it you must repeat the adventure of the artist. It is a melody that he sings to you, and to hear it again in your own heart you want knowledge and sensitiveness and imagination.
W. Somerset Maugham (Moon and Sixpence)
Character? I should have thought it needed a good deal of character to throw up a career after half an hour’s meditation, because you saw in another way of living a more intense significance. And it required still more character never to regret the sudden step. I wondered if Abraham really had made a hash of life. Is to do what you most want, to live under the conditions that please you, in peace with yourself, to make a hash of life; and is it success to be an eminent surgeon with ten thousand a year and a beautiful wife? I suppose it depends on what meaning you attach to life, the claim which you acknowledge to society, and the claim of the individual. But again I held my tongue, for who am I to argue with a knight?
W. Somerset Maugham (The Moon and Sixpence)
I forget who it was that recommended men for their soul's good to do each day two things they disliked: it was a wise man, and it is a precept that I have followed scrupulously; for every day I have got up and I have gone to bed. But there is in my nature a strain of asceticism, and I have subjected my flesh each week to a more severe mortification. I have never failed to read the Literary Supplement of The Times.
W. Somerset Maugham (The Moon and Sixpence)
I was growing stale in London. I was tired of doing much the same thing everyday. My friends pursued their course with uneventfulness; they had no longer any surprises for me, and when I met them I knew pretty well what they would say; even their love-affairs had a tedious banality. We were like tram-cars running on their lines from terminus to terminus, and it was possible to calculate within small limits the number of passengers they would carry. Life was ordered too pleasantly. I was seized with panic. I gave up my small apartment, sold my few belongings, and resolved to start afresh.
W. Somerset Maugham (The Moon and Sixpence)
It may be that in his rogues the writer gratifies instincts deep-rooted in him, which the manners and customs of a civilised world have forced back to the mysterious recesses of the subconscious. In giving to the character of his invention flesh and bones he is giving life to that part of himself which finds no other means of expression. His satisfaction is a sense of liberation. The writer is more concerned to know than to judge.
W. Somerset Maugham (The Moon and Sixpence)
The faculty for myth is innate in the human race. It seizes with avidity upon any incidents, surprising or mysterious, in the career of those who have at all distinguished themselves from their fellows, and invents a legend to which it then attaches a fanatical belief.
W. Somerset Maugham (Moon and Sixpence)
The fact is, I suppose, that it's not enough to have brains. The thing that counts is character.
W. Somerset Maugham (The Moon and Sixpence)
I will continue to write moral stories in rhymed couplets. But I should be thrice a fool if I did it for aught but my own entertainment.
W. Somerset Maugham (The Moon and Sixpence (Unabridged Start Publishing LLC))
Haven't you been in love since you came to Paris? I haven't got time for that sort of nonsense. Life isn't long enough for love and art
W. Somerset Maugham (The Moon and Sixpence)
Everyone likes power. I can't imagine a more wonderful exercise of it than to move the souls of men to pity or terror
W. Somerset Maugham (The Moon and Sixpence)
Can the law get blood out of a stone? I haven't any money.
W. Somerset Maugham (The Moon and Sixpence)
She was willing to do everything in the world for me except the one thing I wanted: to leave me alone.
W. Somerset Maugham (Moon and Sixpence)
Did I not tell you that I, too, in my way was an artist? I realised in myself the same desire as animated him. But whereas his medium was paint, mine has been life.
W. Somerset Maugham (Moon and Sixpence)
The experience of life shows that people are constantly doing things which must lead to disaster, and yet by some chance manage to evade the result of their folly.
W. Somerset Maugham (Moon and Sixpence)
Sometimes a man hits upon a place to which he mysteriously feels that he belongs. Here is the home he sought, and he will settle amid scenes that he has never seen before, among men he has never known, as though they were familiar to him from his birth. Here at last he finds rest.
W. Somerset Maugham (The Moon and Sixpence)
Mrs. Strickland was plainly nervous. "Well, tell us your news," she said. "I saw your husband. I'm afraid he's quite made up his mind not to return." I paused a little. "He wants to paint.
W. Somerset Maugham (Moon and Sixpence)
He had violent passions, and on occasion desire seized his body so that he was driven to an orgy of lust, but he hated the instincts that robbed him of his self-possession. I think, even, he hated the inevitable partner in his debauchery. When he had regained command over himself, he shuddered at the sight of the woman he had enjoyed. His thoughts floated then serenely in the empyrean, and he felt towards her the horror that perhaps the painted butterfly, hovering about the flowers, feels to the filthy chrysalis from which it has triumphantly emerged. I suppose that art is a manifestation of the sexual instinct. It is the same emotion which is excited in the human heart by the sight of a lovely woman, the Bay of Naples under the yellow moon, and the Entombment of Titian. It is possible that Strickland hated the normal release of sex because it seemed to him brutal by comparison with the satisfaction of artistic creation.
W. Somerset Maugham (The Moon and Sixpence)
Even here is something sad and terrible. But the impression is fleeting, and serves only to give a greater acuteness to the enjoyment of the moment. It is like the sadness which you may see in the jester's eyes when a merry company is laughing at his sallies; his lips smile and his jokes are gayer because in that communion of laughter he find himself more intolerably alone.
W. Somerset Maugham (The Moon and Sixpence)
I do not speak of that greatness which is achieved by the fortunate politician or the successful soldier; that is a quality which belongs to the place he occupies rather than to the man; and a change of circumstances reduces it to very discreet proportions.
W. Somerset Maugham (The Moon and Sixpence)
Unconsciously, perhaps, we treasure the power we have over people by their regard for our opinion of them, and we hate those upon whom we have no such influence. I suppose it is the bitterest wound to human pride. But I would not let him see that I was put out. "Is
W. Somerset Maugham (Moon and Sixpence)
The dining-room was in the good taste of the period. It was very severe. There was a high dado of white wood and a green paper on which were etchings by Whistler in neat black frames. The green curtains with their peacock design, hung in straight lines, and the green carpet, in the pattern of which pale rabbits frolicked among leafy trees, suggested the influence of William Morris. There was blue delft on the chimneypiece. At that time there must have been five hundred dining-rooms in London decorated in exactly the same manner. It was chaste, artistic, and dull.
W. Somerset Maugham (The Moon and Sixpence)
I do not know what infinite yearning possesses you, so that you are driven to a perilous, lonely search for some goal where you expect to find a final release from the spirit that torments you. I see you as the eternal pilgrim to some shrine that perhaps does not exist. I do not know to what inscrutable Nirvana you aim. Do you know yourself? Perhaps it is Truth and Freedom that you seek, and for a moment you thought that you might find release in Love. I think your tired soul sought rest in a woman’s arms, and when you found no rest there you hated her. You had no pity for her, because you have no pity for yourself. And you killed her out of fear, because you trembled still at the danger you had barely escaped.
W. Somerset Maugham (The Moon and Sixpence)
Man's desire for the approval of his fellows is so strong, his dread of their censure so violent, that he himself has brought his enemy within his gates; and it keeps watch over him, vigilant always in the interests of its master to crush any half-formed desire to break away from the herd. It
W. Somerset Maugham (Moon and Sixpence)
The most insignificant of Strickland's works suggests a personality which is strange, tormented, and complex; and it is this surely which prevents even those who do not like his pictures from being indifferent to them; it is this which has excited so curious an interest in his life and character.
W. Somerset Maugham (The Moon and Sixpence)
I saw its ordered happiness, but a fever in my blood asked for a wilder course. There seemed to me something alarming in such easy delights. In my heart was a desire to live more dangerously. I was not unprepared for jagged rocks and treacherous shoals if I could only have change - change and the excitement of the unforeseen.
W. Somerset Maugham (The Moon and Sixpence)
The faculty for myth is innate in the human race. It seizes with avidity upon any incidents, surprising or mysterious, in the career of those who have at all distinguished themselves from their fellows, and invents a legend to which it then attaches a fanatical belief. It is the protest of romance against the commonplace of life.
W. Somerset Maugham (Moon and Sixpence)
...the world is quickly bored by the recital of misfortune, and willingly avoids the sight of distress.
W. Somerset Maugham (Moon and Sixpence)
Pero la ceguera de su amor la empujaba a creer en lo que ella deseaba que fuese verdad, y su amor era tan grande que le parecía imposible que no pudiera ser correspondido en la misma forma.
W. Somerset Maugham
A man's work reveals him. In social intercourse he gives you the surface that he wishes the world to accept, and you can only gain a true knowledge of him by inferences from little actions, of which he is unconscious, and from fleeting expressions, which cross his face unknown to him. Sometimes people carry to such perfection the mask they have assumed that in due course they actually become the person they seem. But in his book or his picture the real man delivers himself defenceless.
W. Somerset Maugham (Moon and Sixpence)
I have an idea that some men are born out of their due place. Accident has cast them amid strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played remain but a place of passage. Sometimes a man hits upon a place to which he mysteriously feels that he belongs. Here is the home he sought, and he will settle amid scenes he has never seen before, among men he has never known, as though they were familiar to him from his birth. Here at last he finds rest.
W. Somerset Maugham (The Moon and Sixpence)
Of course a miracle may happen, and you may be a great painter, but you must confess the chances are a million to one against it. It'll be an awful sell if at the end you have to acknowledge you've made a hash of it." "I've got to paint," he repeated. "Supposing you're never anything more than third-rate, do you think it will have been worth while to give up everything? After all, in any other walk in life it doesn't matter if you're not very good; you can get along quite comfortably if you're just adequate; but it's different with an artist." "You blasted fool," he said. "I don't see why, unless it's folly to say the obvious." "I tell you I've got to paint. I can't help myself. When a man falls into the water it doesn't matter how he swims, well or badly: he's got to get out or else he'll drown.
W. Somerset Maugham (The Moon and Sixpence)
Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history. Sometimes a man hits upon a place to which he mysteriously feels he belongs. Here is the home he sought, and he will settle amid scenes that he has never seen before, among men he has never known, as though they were familiar to him from his birth. Here at last he finds rest.
W. Somerset Maugham (The Moon and Sixpence)
Защото при мъжете любовта като правило е само един епизод между другите им ежедневни дела, а особеното внимание, което й се отделя в романите, не отговаря на нейното значение в живота. Малко са ония мъже, за които любовта е най-важното нещо на света, и те обикновено не са много интересни хора: към тях се отнасят с презрение дори жените, за които този въпрос е от първостепенно значение. Понякога се ласкаят и дори се вълнуват от тях, но същевременно изпитват неловкото чувство, че имат работа с жалки същества. Защото дори в кратките периоди, когато са влюбени, мъжете вършат още много други неща, които отвличат вниманието им — то е съсредоточено върху работата, от която печелят, увличат се от спорт или се интересуват от изкуство. Повечето от тях разграничават отделните дейности и могат да се задълбочат в една от тях, ако временно изключат всички останали. Имат способността да се съсредоточат върху онова, с което се занимават в момента, и се дразнят, ако едно занимание се намеси в друго. Разликата между мъжете и жените, когато са влюбени, е в това, че жените могат да обичат цял ден, а мъжете само от време на време.
W. Somerset Maugham (The Moon and Sixpence)
When people say they do not care what others think of them, for the most part they deceive themselves. Generally they mean only that no one will know their vulgarities; and at the utmost only that they are willing to act contrary to the opinion of the majority because they are supported by the approval of their neighbours. It is not difficult to be unconventional in the eyes of the world when your unconventionality is but the convention of your set. It affords you then an inordinate amount of self-esteem. You have the self-satisfaction of courage without the inconvenience of danger.
W. Somerset Maugham (Moon and Sixpence)
For men as a rule, love is but and episode which takes its place among the other affairs of the day, and the emphasis laid on it in novels gives it and importance which is untrue to life. There are few men to whom it is the most important thing it the world, and they are not very interesting ones; even women, with whom the subject is of paramount interest, have a contempt for them. They are flattered and excited by them, but have an uneasy feeling that they are poor creatures. But even during the brief intervals in which they are in love, men do other things which distract their minds; the trades by which they earn a living engage their attention; they are absorbed in sport; they can interest themselves in art. For the most part, they keep their various activities in various compartments, and they can pursue one to the temporary exclusion of the other. They have a faculty of concentration on that which occupies them at the moment, and it irk them if one encroaches on the other. As lovers, the difference between men and women is that women can love all day long, but men only at times.
W. Somerset Maugham (The Moon and Sixpence)
That must be the story of innumerable couples, and the pattern of life it offers has a homely grace. It reminds you of a placid rivulet, meandering smoothly through green pastures and shaded by pleasant trees, till at last it falls into the vasty sea; but the sea is so calm, so silent, so indifferent, that you are troubled suddenly by a vague uneasiness. Perhaps it is only by a kink in my nature, strong in me even in those days, that I felt in such an existence, the share of the great majority, something amiss. I recognized its social value. I saw its ordered happiness, but a fever in my blood asked for a wilder course. There seemed to me something alarming in such easy delights. In my heart was a desire to live more dangerously. I was not unprepared for jagged rocks and treacherous shoals if I could only have change—change and the excitement of the unforeseen.
William Somerset Maugham (The Moon and Sixpence)
And she loved you with all her heart." He sprang to his feet and walked up and down the small room. "I don't want love. I haven't time for it. It's weakness. I am a man, and sometimes I want a woman. When I’ve satisfied my passion I'm ready for other things.I can't overcome my desire, but I hate it; it imprisons my spirit; I look forward to the time when I shall be free from all desire and can give myself without hindrance to my work. Because women can do nothing except love, they've given it a ridiculous importance. They want to persuade us that it's the whole of life. It's an insignificant part. I know lust. That's normal and healthy. Love is a disease. Women are the instruments of my pleasure; I have no patience with their claim to be helpmates, partners, companions. “ I had never heard Strickland speak so much at one time. He spoke with a passion of indignation. But neither here nor elsewhere do I pretend to give his exact words; his vocabulary was small, and he had no gift for framing sentences, so that one had to piece his meaning together out of interjections, the expression of his face, gestures and hackneyed phrases. "You should have lived at a time when women were chattels and men the masters of slaves, “ I said. "It just happens that I am a completely normal man." I could not help laughing at this remark, made in all seriousness; but he went on, walking up and down the room like a caged beast, intent on expressing what he felt, but found such difficulty in putting coherently. "When a woman loves you she's not satisfied until she possesses your soul. Because she's weak, she has a rage for domination, and nothing less will satisfy her.She has a small mind and she resents the abstract which she is unable to grasp. She is occupied with material things, and she is jealous of the ideal. The soul of man wanders through the uttermost regions of the universe, and she seeks to imprison it in the circle of her account-book. Do you remember my wife? I saw Blanche little by little trying all her tricks. With infinite patience she prepared to snare me and bind me. She wanted to bring me down to her level; she cared nothing for me, she only wanted me to be hers. She was willing to do everything in the world for me except the one thing I wanted: to leave me alone.
W. Somerset Maugham