Mood Spoiled Quotes

I didn't want to spoil the mood. This was probably the longest Daemon and I had ever spoken without some statement earning him the finger.

I want you cool and regal, earthy and impertinent, spoiling for a fight and abashed at your own temper. I want you flushed with exertion and rosy with sleep. I want you teasing and provocative, somber and thoughtful. I want every emotion, every mood, every year in a lifetime to come. I want you beside me, to encourage and argue with me, to help me and let me help you. I want to be your champion and lover, your mentor and student.

She sat in her chair, eyes closed. She liked to be the last one to leave. She despised crowds, and their opinions as they left a performance, or worse, discussed the wait for the bathroom or where do you want to eat. It spoiled her mood. She was still in that other world, she would stay there as long as she possibly could, the parallel channels twining and tunneling through her cortex like coral.

The more I disliked myself the more wretched I grew. The difference now was that this mood did not manifest itself in sullen silence; I merely made use of my barbed tongue to wound them and spoil their pleasure.

My moods were a slingshot; after being locked-down and anesthetized for years my heart was zinging and slamming itself around like a bee under a glass, everything bright, sharp, confusing, wrong-but it was a clean pain as opposed to the dull misery that had plagued me for years under the drugs like a rotten tooth, the sick dirty ache of something spoiled.

They couldn’t do much against unbound revenants, granted, aside from tickle us a little—but I can’t emphasize enough how distracting it is to have someone tickling you in the middle of a battle. It completely spoils the mood.

We are not to work on the Sabbath because it takes us out of the play of joy. It is as bizarre as making love to your spouse, but getting out of bed during the process to cut your lawn or wash dishes. Such an offense would do far more than spoil the mood; it would be a direct assault on the integrity of joy, announcing that a mundane chore is more pleasurable than sexual joy with your spouse.

There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort...You will find society asking you for the happy ending, saying come back when you're better, when what you say can make us feel good, when you have something more uplifting, affirming. ...I've found that victims identify more with pain than platitudes. When I write about weakness, about how I am barely getting through this, my hope is that they feel better, because it aligns with the truth they are living...I write because the most healing words I have been given are It's okay not to be okay...

he loathed his own beauty, and flinging the mirror on the floor, crushed it into silver splinters beneath his heel. It was his beauty that had ruined him, his beauty and the youth that he had prayed for. But for those two things, his life might have been free from stain. His beauty had been to him but a mask, his youth but a mockery. What was youth at best? A green, an unripe time, a time of shallow moods, and sickly thoughts. Why had he worn its livery? Youth had spoiled him.

When it was time to make breakfast, I moved into my Martha mode. I got irritated that I was the only one working while everyone else stumbled slowly into the kitchen. Before I knew it, I’d had a small explosion. I threw a wet blanket over the moods of everyone, and my good intentions were spoiled by my failure to control my spirit.

For the next fortnight Anne writhed or reveled, according to the mood, in her literary pursuits. Now she would be jubilant over a brilliant idea, now despairing because some contrary character would not behave properly. Diana could not understand this. 'Make them do as you want them to,' she said. 'I can't,' mourned Anne. 'Averil is such an unmanageable heroine. She will do and say things I never meant her to. Then that spoils everything that went before and I have to write it all over again.

It was his beauty that had ruined him, his beauty and the youth that he had prayed for. But for those two things, his life might have been free from stain. His beauty had been to him but a mask, his youth but a mockery. What was youth at best? A green, an unripe time, a time of shallow moods, and sickly thoughts. Why had he worn its livery? Youth had spoiled him.

I struggle with how I am supposed to live as a survivor, how to present my story and myself to the world, how much or how little to disclose. There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort. Because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering, let's tone it down. You will find society asking you for the happy ending, saying come back when you're better, when what you say can make us feel good, when you have something more uplifting, affirming. This ugliness was something I never asked for, it was dropped on me, and for a long time I worried it made me ugly too. It made me into a sad, unwelcome story that nobody wanted to hear.

struggle with how I am supposed to live as a survivor, how to present my story and myself to the world, how much or how little to disclose. There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort. Because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering, let’s tone it down. You will find society asking you for the happy ending,

While it may be possible to spoil kids with too many things, it isn't possible to spoil them with too much (unconditional) love. As one writer put it, the problem with children whom we would describe as spoiled is that they 'get too much of what they want and too little of what they need.' Therefore, give them affection (which they need) without limit, without reservations, and without excuse. Pay as much attention to them as you can, regardless of mood or circumstance. Let them know you're delighted to be with them, that you care about them no matter what happens.

What's the trouble?" I said, knowing well what that trouble was. "I've a notion in my head that would make the most splendid story that was ever written. Do let me write it out here. It's such a notion!" There was no resisting the appeal. I set him a table; he hardly thanked me, but plunged into the work at once. For half an hour the pen scratched without stopping. Then Charlie sighed and tugged his hair. The scratching grew slower, there were more erasures, and at last ceased. The finest story in the world would not come forth. "It looks such awful rot now," he said, mournfully. "And yet it seemed so good when I was thinking about it. What's wrong?" I could not dishearten him by saying the truth. So I answered: "Perhaps you don't feel in the mood for writing." "Yes I do--except when I look at this stuff. Ugh!" "Read me what you've done," I said. "He read, and it was wondrous bad, and he paused at all the specially turgid sentences, expecting a little approval; for he was proud of those sentences, as I knew he would be. "It needs compression," I suggested, cautiously. "I hate cutting my things down. I don't think you could alter a word here without spoiling the sense. It reads better aloud than when I was writing it." "Charlie, you're suffering from an alarming disease afflicting a numerous class. Put the thing by, and tackle it again in a week." "I want to do it at once. What do you think of it?" "How can I judge from a half-written tale? Tell me the story as it lies in your head." Charlie told, and in the telling there was everything that his ignorance had so carefully prevented from escaping into the written word. I looked at him, and wondering whether it were possible that he did not know the originality, the power of the notion that had come in his way? It was distinctly a Notion among notions. Men had been puffed up with pride by notions not a tithe as excellent and practicable. But Charlie babbled on serenely, interrupting the current of pure fancy with samples of horrible sentences that he purposed to use. I heard him out to the end. It would be folly to allow his idea to remain in his own inept hands, when I could do so much with it. Not all that could be done indeed; but, oh so much!

Who knew it was in my power to make anyone so happy? Or that I could ever be so happy myself? My moods were a slingshot; after being locked-down and anesthetized for years my heart was zinging and slamming itself around like a bee under a glass, everything bright, sharp, confusing, wrong - but it was a clean pain as opposed to the dull misery that had plagued me for years under the drugs like a rotten tooth, the sick dirty ache of something spoiled. The clarity was exhilarating; it was as if I'd removed a pair of smudged-up glasses that fuzzed everything I saw. All summer long I had been practically delirious: tingling, daffy, energized, running on gin and shrimp cocktail and the invigorating whock of tennis balls. And all I could think was Kitsey, Kitsey, Kitsey!

POLLARD had known better, but instead of pulling rank and insisting that his officers carry out his proposal to sail for the Society Islands, he embraced a more democratic style of command. Modern survival psychologists have determined that this “social”—as opposed to “authoritarian”—form of leadership is ill suited to the early stages of a disaster, when decisions must be made quickly and firmly. Only later, as the ordeal drags on and it is necessary to maintain morale, do social leadership skills become important. Whalemen in the nineteenth century had a clear understanding of these two approaches. The captain was expected to be the authoritarian, what Nantucketers called a fishy man. A fishy man loved to kill whales and lacked the tendency toward self-doubt and self-examination that could get in the way of making a quick decision. To be called “fishy to the backbone” was the ultimate compliment a Nantucketer could receive and meant that he was destined to become, if he wasn’t already, a captain. Mates, however, were expected to temper their fishiness with a more personal, even outgoing, approach. After breaking in the green hands at the onset of the voyage—when they gained their well-deserved reputations as “spit-fires”—mates worked to instill a sense of cooperation among the men. This required them to remain sensitive to the crew’s changeable moods and to keep the lines of communication open. Nantucketers recognized that the positions of captain and first mate required contrasting personalities. Not all mates had the necessary edge to become captains, and there were many future captains who did not have the patience to be successful mates. There was a saying on the island: “[I]t is a pity to spoil a good mate by making him a master.” Pollard’s behavior, after both the knockdown and the whale attack, indicates that he lacked the resolve to overrule his two younger and less experienced officers. In his deference to others, Pollard was conducting himself less like a captain and more like the veteran mate described by the Nantucketer William H. Macy: “[H]e had no lungs to blow his own trumpet, and sometimes distrusted his own powers, though generally found equal to any emergency after it arose. This want of confidence sometimes led him to hesitate, where a more impulsive or less thoughtful man would act at once. In the course of his career he had seen many ‘fishy’ young men lifted over his head.” Shipowners hoped to combine a fishy, hard-driving captain with an approachable and steady mate. But in the labor-starved frenzy of Nantucket in 1819, the Essex had ended up with a captain who had the instincts and soul of a mate, and a mate who had the ambition and fire of a captain. Instead of giving an order and sticking with it, Pollard indulged his matelike tendency to listen to others. This provided Chase—who had no qualms about speaking up—with the opportunity to impose his own will. For better or worse, the men of the Essex were sailing toward a destiny that would be determined, in large part, not by their unassertive captain but by their forceful and fishy mate.

Spoiling Argument is a kind of argument that begins when one partner deliberately –and for no immediately obvious reason – attempts to spoil the good mood and high spirits of the other. On the surface it looks as if we’re simply monsters. But if we dig a little deeper a more understandable (though no less regrettable) picture may emerge. We are acting in this way because our partner’s buoyant and breezy mood can come across as a forbidding barrier to communication. We fear that their current happiness could prevent them from knowing the shame or melancholy, worry or loneliness that presently possesses us. A dark instinct in our minds experiences our partner’s upbeat mood as a warning that our uncheery parts must now be unwelcome and are, through their remorseless negativity, in a garbled and maddening way begging us for reassurance.

Why did you cry off?” She stiffened in surprise; then, trying to match his light, mocking tone, she said, “Viscount Mondevale proved to be a trifle high in the instep about things like his fiancé cavorting about in cottages and greenhouses with you.” She fired and missed. “How many contenders are there this Season?” he asked conversationally as he turned to the target, pausing to wipe the gun. She knew he meant contenders for her hand, and pride absolutely would not allow her to say there were none, nor had there been for a long time. “Well…” she said, suppressing a grimace as she thought of her stout suitor with a houseful of cherubs. Counting on the fact that he didn’t move in the inner circles of the ton, she assumed he wouldn’t know much about either suitor. He raised the gun as she said, “There’s Sir Francis Belhaven, for one.” Instead of firing immediately as he had before, he seemed to require a long moment to adjust his aim. “Belhaven’s an old man,” he said. The gun exploded, and the twig snapped off. When he looked at her his eyes had chilled, almost as if he thought less of her. Elizabeth told herself she was imagining that and determined to maintain their mood of light conviviality. Since it was her turn, she picked up a gun and lifted it. “Who’s the other one?” Relieved that he couldn’t possibly find fault with the age of her reclusive sportsman, she gave him a mildly haughty smile. “Lord John Marchman,” she said, and she fired. Ian’s shout of laughter almost drowned out the report from the gun. “Marchman!” he said when she scowled at him and thrust the butt of the gun in his stomach. “You must be joking!” “You spoiled my shot,” she countered. “Take it again,” he said, looking at her with a mixture of derision, disbelief, and amusement. “No, I can’t shoot with you laughing. And I’ll thank you to wipe that smirk off your face. Lord Marchman is a very nice man.” “He is indeed,” said Ian with an irritating grin. “And it’s a damned good thing you like to shoot, because he sleeps with his guns and fishing poles. You’ll spend the rest of your life slogging through streams and trudging through the woods.” “I happen to like to fish,” she informed him, striving unsuccessfully not to lose her composure. “And Sir Francis may be a trifle older than I, but an elderly husband might be more kind and tolerant than a younger one.” “He’ll have to be tolerant,” Ian said a little shortly, turning his attention back to the guns, “or else a damned good shot.” It angered Elizabeth that he was suddenly attacking her when she had just worked it out in her mind that they were supposed to be dealing with what had happened in a light, sophisticated fashion. “I must say, you aren’t being very mature or very consistent!

The doors led to Prince Rhy’s private chambers, and Gen and Parrish, as part of Prince Rhy’s private guard, had been stationed outside of them. Parrish was fond of the prince. He was spoiled, of course, but so was every royal—or so Parrish assumed, having served only the one—but he was also good-natured and exceedingly lenient when it came to his guard (hell, he’d given Parrish the deck of cards himself, beautiful, gilded-edge things) and sometimes, after a night of drinking, would shed his Royal and its pretentions and converse with them in the common tongue (his Arnesian was flawless). If anything, Rhy seemed to feel guilty for the persistent presence of the guards, as if surely they had something better to do with their time than stand outside his door and be vigilant (and in truth, most nights it was more a matter of discretion than vigilance). The best nights were the ones when Prince Rhy and Master Kell set out into the city, and he and Gen were allowed to follow at a distance or relieved of their duties entirely and allowed to stay for company rather than protection (everyone knew that Kell could keep the prince safer than any of his guard). But Kell was still away—a fact that had put the ever-restless Rhy in a mood—and so the prince had withdrawn early to his chambers, and Parrish and Gen had taken up their watch, and Gen had robbed Parrish of most of his pocket money

Heart of Darkness also received a certain amount of notice from the first; and of its origins this much may be said: it is well known that curious men go prying into all sorts of places (where they have no business) and come out of them with all kinds of spoil. This story, and one other, not in this volume, are all the spoil I brought out from the centre of Africa, where, really, I had no sort of business. More ambitious in its scope and longer in the telling, Heart of Darkness is quite as authentic in fundamentals as Youth. It is, obviously, written in another mood. I won’t characterize the mood precisely, but anybody can see that it is anything but the mood of wistful regret, of reminiscent tenderness. One more remark may be added. Youth is a feat of memory. It is a record of experience; but that experience, in its facts, in its inwardness and in its outward colouring, begins and ends in myself. Heart of Darkness is experience, too; but it is experience pushed a little (and only very little) beyond the actual facts of the case for the perfectly legitimate, I believe, purpose of bringing it home to the minds and bosoms of the readers. There it was no longer a matter of sincere colouring. It was like another art altogether. That sombre theme had to be given a sinister resonance, a tonality of its own, a continued vibration that, I hoped, would hang in the air and dwell on the ear after the last note had been struck.

I dispelled my invisibility for a few seconds in his full view, a finger resting provocatively on my lower lip, giving him a come-hither look under a streetlight. His jaw and the bottle of Żubrówka dropped at the same time. It shattered, drawing his eyes to the sidewalk, and I took the opportunity afforded by his distraction to disappear again. "That was mean," Oberon said, watching the man look wildly around for me and pawing at his eyes as if to clear them. Why? I asked. I’ve done him no harm. "Yes, you have. You will haunt him for the rest of his life. I know from experience." You’re haunted by someone flashing you on a street corner? "No. It was a dog park. Atticus and I were just arriving and she was leaving." Oh, here we go. "She was so fit and her coat was tightly curled and she had a perfect pouf on the end of her tail like a tennis ball. I saw her for maybe five seconds, until she hopped into a Honda and her human drove her away. And now I can’t see a Honda without seeing her." But that’s a good thing, isn’t it? Kind of romantic? A vision of perfection you can treasure forever, unspoiled by reality. "Well, I don’t know. In reality I’d like to try spoiling her, if she was in the mood." Look, Oberon, that man is lonely. He’s too skinny and sweaty, and I’m willing to bet you five cows that he’s socially awkward or he wouldn’t be staggering drunk at this hour. But now, for the rest of his life, he will remember the na**d woman on the street who looked at him with desire. When people treat him like something untouchable, he will have that memory to comfort him. "Or obsess over. What if he starts wandering the streets every night looking for you?" Then he’s misunderstood the nature of beauty. It doesn’t stay, except in our minds. "Oh! I think I see. That’s true, Clever Girl! Sausage never stays, because I eat it, but it’s always beautiful in my mind.

A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed? “You have a present.” “What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.” Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.” After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud. “‘To Mom and Zach. Have fun tonight. Bre.’” Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.” “My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.” “Would you like me to? It’s addressed to both of us.” “I’m even more afraid for you to open it.” “Go ahead. It can’t be that bad.” “You don’t know my daughter.” Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped. “Oh, my God. I can’t believe she did this!” She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.” “I am going to kill her, after I beat her.” Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.” Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.” She huffed out a breath. “Can we close the box now?” “Not yet. I like it when you blush.” Zach grinned when Jade scowled at him. “This is completely spoiling the mood.” “I won’t have any problem getting hard again.” “Zach!” Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.” Jade covered her eyes with one hand. “I don’t believe this,” she muttered. “Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.” “Okay, that’s enough.” Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.” “I don’t care what they are.” “You might care about one of them.” Zach held up a large box of condoms. “Oh.” He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.” “One hundred?” “All different types, sizes, and colors.” Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?” “Cherry-flavored lubricant. It looks like she thought of everything.” “You must think my daughter is crazy.” “I think your daughter loves you very much and wants you to be happy.” “That’s true. But we won’t use all this…stuff.” “Who says we won’t?

There have been numerous times I have not brought up my case because I do not want to upset anybody or spoil the mood. Because I want to preserve your comfort. Because I have been told that what I have to say is too dark, too upsetting, too targeting, too triggering, let’s tone it down. You will find society asking you for the happy ending, saying come back when you’re better, when what you say can make us feel good, when you have something more uplifting, affirming. This ugliness was something I never asked for, it was dropped on me, and for a long time I worried it made me ugly too. It made me into a sad, unwelcome story that nobody wanted to hear.

The germ of a story is something seen or heard, or heard about, or suddenly remembered; it may be a remark casually dropped at the dinner table (as in the case of Henry James's story, The Spoils of Poynton ) , or again it may be the look on a stranger's face. Almost always it is a new and simple element introduced into an existing situation or mood; something that expresses the mood in one sharp detail; something that serves as a focal point for a hitherto disorganized mass of remembered material in the author's mind. James describes it as "the precious particle ... the stray suggestion, the wandering word, the vague echo, at a touch of which the novelist's imagination winces as at the prick of some sharp point," and he adds that "its virtue is all in its needle-like quality, the power to penetrate as finely as possible.

Imagine this scenario: Suppose you are out with your friends, catching up over drinks and good food. However, despite the good company, fantastic food, and fun conversations, you find yourself preoccupied with something your boss or manager may have said to you at work during the day. This can spoil your mood and ruin the time you are meant to be enjoying with your friends! Perhaps your boss called you into her office to talk to you about your report, and now you’re left wondering if it will lead to a warning. So instead of having a good time now, and focusing on ways you can

GODMAN QUOTES 7 ***Offence*** Whom you treat worse than you treat yourself will be offended with you. When an equal is not shared equal without prejudice, offence may come to stay. It’s an offence to be offended without offence…mood desires control. To make amend of the spoil, make a spoil of what is bad, and make the wrong right. In disappointment, face what you count as the worse of your dismay. No matter the fear of losing never accept the worse you could have made better. It will bite hard to accept, your mistake is your shortfall. If you treat your weakest point you have improved for the better. What causes trouble is what separates the bond. Without the unity to be one you are separate in your ways.

Traditionally, both Lent and Advent are penitential seasons—not times of overflowing celebrations. This is not something we have sought to cultivate at all, even though we do observe a basic church calendar, made up of what the Reformers called the five evangelical feast days. Our reluctance to adopt this kind of penitential approach to these seasons of the year is not caused by ignorance of the practice. It is a deliberate attempt to lean in the other direction. I want to present three arguments for a rejection of this practice of extended penitential observance. First, if we were to adopt this practice, we would be in worse shape than our Old Covenant brethren, who had to afflict their souls only one day out of the year. Why would the time of anticipation of salvation be so liturgically celebratory, while the times of fulfilled salvation be so liturgically glum? Instead of establishing a sense of longing, it will tend to do the reverse. Second, each penitential season keeps getting interrupted with our weekly Easters. Many who relate exciting movies they have seen to others are careful to avoid “spoilers.” Well, these feasts we have, according to God’s ordinance every seven days, spoil the penitential mood. And last, what gospel is implicitly preached by the practice of drawing out the process of repentance and forgiveness? It is a false gospel. Now I am not saying that fellow Christians who observe their church year in this way are preaching a false gospel, but I am saying that lex orandi lex credendi—the law of prayer is the law of faith, and over time, this liturgical practice will speak very loudly to our descendants. If we have the opportunity to speak to our descendants, and we do, then I want to tell them that the joy of the Lord is our strength.

It’s as though he is a spoiled girl planning a party and she wants to use invitations to exert her power,” Jaafar says. “Who to include, exclude? Each moment her mood shifts and so does the invitation list. It’s ludicrous.

Date Night was going pretty well, until the clock struck midnight and everything went to shit. Joel did his best to make it a night to remember. There’d be no kids to spoil the romantic mood, he told her. ‘I’m going to treat you like a queen.’ Which didn’t sound too bad to Elsa’s ears. He took her to a posh restaurant off

I’ll never forget this night,” he said quietly. Lily held the cup in both hands and took an unladylike gulp before remembering her manners. She dropped one hand and sipped. “Neither will I,” she confessed when her thirst had been satisfied. A certain sadness possessed her. “I wish it never had to end.” Caleb tilted his head back to look at the starry sky for a moment before meeting her gaze directly. “It doesn’t have to end, Lily. We could be together.” She nearly dropped the small glass cup. Lily knew what he meant, and, for her, the magical mood of the evening had been spoiled. “We hardly know each other,” she said in a chilly voice. He moved a step nearer—they were almost as close as they had been when they were dancing—and took the cup from her hand. After setting it on the porch railing he curved a finger under Lily’s chin and lifted. “As naive as you are, Lily-flower,” he said gruffly, “you must know that something is happening between us.” She trembled at his touch. “Yes,” she admitted as his mouth drew nearer to her own. The kiss was inevitable, and it was powerful. It left Lily sagging against Caleb’s chest, her hands gripping the front of his uniform coat. “Come with me,” he said quietly, and Lily could no more have defied him than she could have reached out and snatched a star from the sky. He

I had nothing to do, nowhere specific to be and no pressing crowds to spoil my mood.

Alcoholic drinks, as we’ve said, can be drunk simply for their nutritional or health benefits. But if they’re really going to be recreational, if they’re going to be vehicles for beauty, then they can’t become habitual or excessive. Habit will nullify the power of beer or wine or whiskey to surprise us. We’ll get used to them, and when we do, they won’t bring us any significant enjoyment. We won’t be startled at the goodness of what we’re drinking; we’ll take our drinking for granted, and then what will be the point? Whereas drinking to excess, drinking ourselves into inanity and degradation, will potentially spoil everything. We might escape our normal, everyday lives, but the new normal of sodden imbecility will be hideous.

Even scholars who specialize in the quest for fascism’s intellectual and cultural origins, such as George Mosse, declare that the establishment of a “mood" is more important than “the search for some individual precursors."59 In that sense too, fascism is more plausibly linked to a set of “mobilizing passions" that shape fascist action than to a consistent and fully articulated philosophy. At bottom is a passionate nationalism. Allied to it is a conspiratorial and Manichean view of history as a battle between the good and evil camps, between the pure and the corrupt, in which one’s own community or nation has been the victim. In this Darwinian narrative, the chosen people have been weakened by political parties, social classes, unassimilable minorities, spoiled rentiers, and rationalist thinkers who lack the necessary sense of community

As if etiquette weren’t magnificently capable of being used to make others feel uncomfortable. All right. Miss Manners will give you an example, although you are spoiling her Queen Victoria mood: If you are rude to your ex-husband’s new wife at your daughter’s wedding, you will make her feel smug. Comfortable. If you are charming and polite, you will make her feel uncomfortable. Which do you want to do? On