Mood Poisoning Quotes

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I have mood poisoning. Must be something I hate.
Marilyn Manson
A woman carries her inner life - lugs it around or holds it in fumes that both poison and bless her - while nourishing another's inner life, many others actually, while never revealing too much madness, or, possibly, never revealing where she stores it: her island of lost mind.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
We are as clouds that veil the midnight moon; How restlessly they speed, and gleam, and quiver, Streaking the darkness radiantly!--yet soon Night closes round, and they are lost for ever; Or like forgotten lyres, whose dissonant strings Give various response to each varying blast, To whose frail frame no second motion brings One mood or modulation like the last. We rest. -- A dream has power to poison sleep; We rise. -- One wandering thought pollutes the day; We feel, conceive or reason, laugh or weep; Embrace fond woe, or cast our cares away: It is the same!--For, be it joy or sorrow, The path of its departure still is free: Man's yesterday may ne'er be like his morrow; Nought may endure but Mutability.
Percy Bysshe Shelley
In my carpet bag are the mushrooms that I gathered in the woods. With two fingers I pick up a piece and look at it. Then I take a bite and wait for my body to react. Now I'm in a better mood. In a short time I'll be dead. Or alive. I'm not always sure that there's any difference.
Peter H. Fogtdal (The Tsar's Dwarf)
A woman carries her inner life—lugs it around or holds it in like fumes that both poison and bless her—while nourishing another’s inner life, many others actually, while never revealing too much madness, or, possibly, never revealing where she stores it: her island of lost mind.
Durga Chew-Bose (Too Much and Not the Mood: Essays)
As the lotus does not touch the water so do not let the world enter your heart.. Being busy in the world is no trouble, unless you are troubled being busy, then the only trouble is the trouble.. Ocean does not complain about the dance of ten million waves! so don't be concerned with the rise and fall of thoughts.. Keeping an old troublesome habit is like keeping poisonous snakes in your arms. Now is the time to hold this snake and throw it out.. Bad moods are either past or imaginary future, in the Present there are no moods at all.. Moods belong to the circumstance, to the past; face the Sun and there will be no shadow of the moods.. The world is like a tail of dog, it's nature is to curl. The best you can do is stay Quiet and not let anything bother you.. Visitors will come and go, don't interfere with these waves.. Just be silent..
H.W.L. Poonja (The Truth Is)
No matter what she was doing-baking cookies, walking around the lake on a beautiful day, making love to her husband-she felt rushed and jittery, as if the last few grains of sand were at that very moment sliding through the narrow waist of an hourglass. Any unforeseen occurrence-road construction, an inexperienced cashier, a missing set of keys-could plunge her into a mood of frantic despair that could poison an entire day.
Tom Perrotta (The Leftovers)
If I were making up a story, I would have it gray and miserable outside, but it was sunny and miserable instead, glaringly bright and bitterly cold, as if the sky could not decide if it was in a good mood or would spend all day growling. I didn’t mind this kind of weather, weather that cannot make up its mind, because I am often the same way, or at least I think I am. I don’t know.
Lemony Snicket (Poison for Breakfast)
I wish your moods were as easy to predict.. but there is no app to help me navigate.. your unhinged emotions.
Megan Fox (Pretty Boys Are Poisonous: Poems)
Depression can ruthlessly and relentlessly sap people’s strength, foil attempts at success, corrupt mood, poison concentration, arrest movement toward stated goals, obstruct opportunity, endanger careers, challenge friendships, and sabotage relationships.
Roger Di Pietro (Mysteries and Mindsets (Decoding Persistent Depression, #1))
Remember those cocaine addicts whose dopamine receptors (the tiny hands that grab neurochemicals) decreased after repeated drug use? Cocaine blasts the reward circuitry so that it pumps out massive amounts of exciting dopamine. This accounts for the high. Then two things happen simultaneously. First, the high begins to fade as the brain disposes of the extra dopamine. Second, because so much excess dopamine can damage or kill nerve cells, the cells protect themselves by reducing the number of dopamine receptors (little “hands”) on their surfaces. If a thunderstorm rolls in, you close all the windows and wait for it to pass. That’s what the cells do, except they assume that another storm is on the way, and stay closed up for a while. The addict has lowered her sensitivity to dopamine—a substance that helped give her the high. Now our addict feels rotten. She has two choices: Take more cocaine to jack up her mood artificially by saturating the remaining dopamine receptors, or suffer withdrawal symptoms. Withdrawal symptoms arise when the reward circuitry is starving for dopamine. Whether you have too few receptors for dopamine, or too little dopamine circulating around the nerve cells, you get the same result. Your reward circuitry batteries are low, leaving you with an acute desire to feel normal again.
Marnia Robinson (Cupid's Poisoned Arrow: From Habit to Harmony in Sexual Relationships)
We began before words, and we will end beyond them. It sometimes seems to me that our days are poisoned with too many words. Words said and not meant. Words said ‘and’ meant. Words divorced from feeling. Wounding words. Words that conceal. Words that reduce. Dead words. If only words were a kind of fluid that collects in the ears, if only they turned into the visible chemical equivalent of their true value, an acid, or something curative – then we might be more careful. Words do collect in us anyway. They collect in the blood, in the soul, and either transform or poison people’s lives. Bitter or thoughtless words poured into the ears of the young have blighted many lives in advance. We all know people whose unhappy lives twist on a set of words uttered to them on a certain unforgotten day at school, in childhood, or at university. We seem to think that words aren’t things. A bump on the head may pass away, but a cutting remark grows with the mind. But then it is possible that we know all too well the awesome power of words – which is why we use them with such deadly and accurate cruelty. We are all wounded inside one way or other. We all carry unhappiness within us for some reason or other. Which is why we need a little gentleness and healing from one another. Healing in words, and healing beyond words. Like gestures. Warm gestures. Like friendship, which will always be a mystery. Like a smile, which someone described as the shortest distance between two people. Yes, the highest things are beyond words. That is probably why all art aspires to the condition of wordlessness. When literature works on you, it does so in silence, in your dreams, in your wordless moments. Good words enter you and become moods, become the quiet fabric of your being. Like music, like painting, literature too wants to transcend its primary condition and become something higher. Art wants to move into silence, into the emotional and spiritual conditions of the world. Statues become melodies, melodies become yearnings, yearnings become actions. When things fall into words they usually descend. Words have an earthly gravity. But the best things in us are those that escape the gravity of our deaths. Art wants to pass into life, to lift it; art wants to enchant, to transform, to make life more meaningful or bearable in its own small and mysterious way. The greatest art was probably born from a profound and terrible silence – a silence out of which the greatest enigmas of our life cry: Why are we here? What is the point of it all? How can we know peace and live in joy? Why be born in order to die? Why this difficult one-way journey between the two mysteries? Out of the wonder and agony of being come these cries and questions and the endless stream of words with which to order human life and quieten the human heart in the midst of our living and our distress. The ages have been inundated with vast oceans of words. We have been virtually drowned in them. Words pour at us from every angle and corner. They have not brought understanding, or peace, or healing, or a sense of self-mastery, nor has the ocean of words given us the feeling that, at least in terms of tranquility, the human spirit is getting better. At best our cry for meaning, for serenity, is answered by a greater silence, the silence that makes us seek higher reconciliation. I think we need more of the wordless in our lives. We need more stillness, more of a sense of wonder, a feeling for the mystery of life. We need more love, more silence, more deep listening, more deep giving.
Ben Okri (Birds of Heaven)
Christian reformism arose originally from the ability of its advocates to contrast the Old Testament with the New. The cobbled-together ancient Jewish books had an ill-tempered and implacable and bloody and provincial god, who was probably more frightening when he was in a good mood (the classic attribute of the dictator). Whereas the cobbled-together books of the last two thousand years contained handholds for the hopeful, and references to meekness, forgiveness, lambs and sheep, and so forth. This distinction is more apparent than real, since it is only in the reported observations of Jesus that we find any mention of hell and eternal punishment. The god of Moses would brusquely call for other tribes, including his favorite one, to suffer massacre and plague and even extirpation, but when the grave closed over his victims he was essentially finished with them unless he remembered to curse their succeeding progeny. Not until the advent of the Prince of Peace do we hear of the ghastly idea of further punishing and torturing the dead. First presaged by the rantings of John the Baptist, the son of god is revealed as one who, if his milder words are not accepted straightaway, will condemn the inattentive to everlasting fire. This has provided texts for clerical sadists ever since, and features very lip-smackingly in the tirades of Islam.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
Then Jack turned to her. Safari? That was the best excuse you could come up with for me not being at a meeting?" She winced apologetically. "I'm sorry. I'm a terrible liar." What was wrong with simple sickness? A nice, normal bout of food poisoning?" He was in a bad mood. I kind of got carried away," she admitted. Boy, are you lucky I watched Tarzan so much as a kid.
Sarah Mayberry (Can't Get Enough)
them. In earlier years, I liked my father in some ways. He was social, chatty, witty; people enjoyed being with him and he paid special attention to me. He indulged me. He sometimes gave me rarities I longed for, or some version of them, like a garter snake, instead of a poisonous one. In later years, he seemed to be as aware of me as the stray cat that wandered in one day and never left. Mother had two moods. She was either temperamental, meaning short-tempered and unhappy, or she was melancholy, meaning listless and unhappy.
Amy Tan (The Valley of Amazement)
It seemed to him that he could never be himself again till he had got even with that artful Swede. He was ready to swear that Heyst had ruined his life. The girl so unfairly, craftily, basely decoyed away would have inspired him to success in a new start. Obviously Mrs. Schomberg, whom he terrified by savagely silent moods combined with underhand, poisoned glances, could give him no inspiration. He had grown generally neglectful, but with a partiality for reckless expedients, as if he did not care when and how his career as a hotel-keeper was to be brought to an end.
Joseph Conrad (Joseph Conrad: The Complete Novels)
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
Sally Rooney (Conversations with Friends)
We should think, as we gather riches, as we sit in positions of great honor, as we indulge in luxurious pleasures. All this only a dream, and moreover a short and frivolous dream. When we wake from it, there will be no riches in our hands. What, then is life? To be brief, the period for which human life lasts is only a point on a line, its very nature changeable, during which we see through a glass darkly. Our bodies are unreliable, our moods variable. Riches are a thorn, lust is a poison. Everything bodily is a running river that passes on. Life is a war; the stay of a guest in a foreign city; an existence full of suffering and effort. Great buildings and strong fortifications collapse; their strength does not help them. The hardest of stones erode. The greatest fame is forgotten after a man's death; the greatest worldly titles disappear like smoke. The most beautiful and praiseworthy thing a man can do before he dies is to devote his life to the untiring performance of virtuous acts, constantly seeking to practice prudence, justice, moderation, endurance; faith, hope, and unselfish love.
Eric Flint (1634: The Bavarian Crisis (Ring of Fire Series Book 6))
It was a familiar feeling, to be hurrying someplace without really knowing what is going on. When I was a child, this happened all the time, because when you are a child, nothing is your business, and you are constantly being yanked one place or another with no satisfying explanation provided by the adults doing the yanking, and so you soon get used to being in a constant state of bewilderment. You are yanked awake in the morning, often before you want to get out of bed, and you are yanked toward breakfast and away from the table before you are done. You are probably yanked toward school, whether or not you are in the mood, and it might be a school in which you are yanked from one room to another to learn about different things, or one in which you stay in one room and your brain is yanked from subject to subject no matter what you might be thinking about. Sometimes you have a good time and sometimes you do not, but never is there a satisfying answer if you ask Why can’t I stay in bed a little longer and read the poem about the sea being “all a case of knives”? or Couldn’t I please instead just eat a little more toast and finish this chapter? or What reason could there possibly be that I must face the blackboard instead of looking out the window at the rain making quick tiny circles everywhere on the ground? and even now, when I am an adult and sometimes find myself being asked questions like these, as my hand reaches out to yank someone someplace, I have no good answer.
Lemony Snicket (Poison for Breakfast)
That’s got to be right,” she heard Roo mumble. “Once they discovered she was a spy, she’d have been executed.” “And think of her career.” Ashley sighed. “The scandal.” Etienne’s tone was humorless. “Hell, in this town, the locals mighta strung her up. Me, I’d have taken that poison, too.” The mood around the table had gone somber, as though none of them really wanted to admit Miss Ellena’s guilt. Even Parker seemed to be considering Miranda’s theory. Leaning back in his chair, Etienne stroked his fingers along his chin. “She coulda gotten secrets from anybody. Or passed secrets to anybody. Especially if she was somebody’s mistress.” “Or many somebody’s mistress.” Parker chuckled. “It would have been so easy for her--men would have told her anything. They’d have given up secret information just like that.” Snapping her fingers, Ashley coolly confronted Parker’s indignation. “Come on, give us guys a little credit. Why would any high-ranking officer share classified information with his little groupie, huh?” “Because those high-ranking officers were men.” Roo’s stare was as condescending as her tone. “And men only think with their--” “Downstairs brain,” Ashley finished. While the guys conceded with slight embarrassment, Roo and Miranda laughed. “Good one, Ash.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
I mean, it’s not as though Radio 4 can put a person in a good mood; all it does is make me feel depressed about the economy and calcify my belief that everything I’m feeding my family is poisoning them. Still, I stick with it because it helps me have something to talk about at dinner parties. Katherine
Adele Parks (The Stranger In My Home)
4. The Third Step in the Mental Training. To be the lord of mind is more essential to Enlightenment, which, in a sense, is the clearing away of illusions, the putting out of mean desires and passions, and the awakening of the innermost wisdom. He alone can attain to real happiness who has perfect control over his passions tending to disturb the equilibrium of his mind. Such passions as anger, hatred, jealousy, sorrow, worry, grudge, and fear always untune one's mood and break the harmony of one's mind. They poison one's body, not in a figurative, but in a literal sense of the word. Obnoxious passions once aroused never fail to bring about the physiological change in the nerves, in the organs, and eventually in the whole constitution, and leave those injurious impressions that make one more liable to passions of similar nature. We do not mean, however, that we ought to be cold and passionless, as the most ancient Hinayanists were used to be. Such an attitude has been blamed by Zen masters. "What is the best way of living for us monks?" asked a monk to Yun Ku (Un-go), who replied: "You had better live among mountains." Then the monk bowed politely to the teacher, who questioned: "How did you understand me?" "Monks, as I understood," answered the man, "ought to keep their hearts as immovable as mountains, not being moved either by good or by evil, either by birth or by death, either by prosperity or by adversity." Hereupon Yun Ku struck the monk with his stick and said: "You forsake the Way of the old sages, and will bring my followers to perdition!" Then, turning to another monk, inquired: "How did you understand me?" "Monks, as I understand," replied the man, "ought to shut their eyes to attractive sights and close their ears to musical notes." "You, too," exclaimed Yun Ka, "forsake the Way of the old sages, and will bring my followers to perdition!" An old woman, to quote another example repeatedly told by Zen masters, used to give food and clothing to a monk for a score of years. One day she instructed a young girl to embrace and ask him: "How do you feel now?" "A lifeless tree," replied the monk coolly, "stands on cold rock. There is no warmth, as if in the coldest season of the year." The matron, being told of this, observed: "Oh that I have made offerings to such a vulgar fellow for twenty years!" She forced the monk to leave the temple and reduced it to ashes.[FN#238]
Kaiten Nukariya (The Religion of the Samurai A Study of Zen Philosophy and Discipline in China and Japan)
The name Erdosain gave to this mood of dreams and disquiet that led him to roam like a sleepwalker through the days was “the anguish zone”. He imagined this zone floating above cities, about two metres in the air, and pictured it graphically like an area of salt flats or deserts that are shown on maps by tiny dots, as dense as herring roe. This anguish zone was the product of mankind’s suffering. It slid from one place to the next like a cloud of poison gas, seeping through walls, passing straight through buildings, without ever losing its flat horizontal shape; a two-dimensional anguish that left an after-taste of tears in throats it sliced like a guillotine.
Roberto Arlt (The Seven Madmen (New York Review Books Classics))
And for the really bad memories, the ones that can’t be turned into an anecdote or funny story, the ones we carry around like poison, well, those are the ones that connect us most deeply with others. Those, when we have the courage to share them, are what make us human. In the words of Grace Paley, “Sometimes you find that what is most personal is also what connects you most strongly with others.
Lauren Martin (The Book of Moods: How I Turned My Worst Emotions Into My Best Life)
Be yourself; everyone else is already taken.” ― Oscar Wilde 내가 드러워서 사왔다! 사먹다 깜빵가지말고 안전하게 키워먹자! 간단하다! 24시간 인증가능 수도권만! 텔레 @seedpanda 종류는 하나다! 검색하면 나온다! Durban Poison Feminized 100% sativa landrace descendant THC levels up to 20% Best indoors and in sunny climates Excellent mood- and focus booster Feminized seeds for guaranteed results 비트코인으로 거래 하고 드랍 방식으로 거래한다! Telegram ID: seedpanda 로 언제든 메시지 주면 확인하는 즉시 친절하게 상담 한다! 서울은 2개부터! 수도권(경기도)은 4개부터! 그 이외의 지역은 8개부터 거래한다! 가격은 개당 10! 현재 4+1 행사 중이다! 대량구매는 따로 상담한다!
Oscar Wilde (163 Frases Célebres de Oscar Wilde (Spanish Edition))
I doubt I need to say it, but I was in no mood for a fight just then; while the poison might have left my body, I still felt its aftereffects, a bone-deep weariness, and desired only a cup of coffee and a good hearty breakfast, not another swordfight with some bloody bogles. And why is it that my enemies always come at me when I am tired and hungry? Why cannot I deal with my stepmother’s hirelings on a full stomach, having had a good night’s rest in some comfortable bed? (Present lodgings excepted—the lumps in these mattresses, my God!) Assassins are a monstrous breed. Either they attack when you are at your worst, or they are having a go at you on your birthday. I have never known a more dishonourable profession.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
i wish your moods were as easy to predict as the weather but there is no app to help me navigate the treacherous landscape of your unhinged emotions • boys without mothers
Megan Fox (Pretty Boys Are Poisonous: Poems)
Death hit people differently. She was getting by. He had all but given up. There was no middle ground as woman. She was used to it, but it still pissed her off. Frigid, or a slag. Girly, or one of the boys. Hrad, or emotionally unstable. When USA sneezed , the UK caught the cold. Her face was often difficult to read, but at that moment it told him whatever McEvoy found Margie Knight o not, she'd tear every dodgy sauna, massage parlour and tin-pot knocking shop in the city apart trying. It might have been a few minutes, it might have been an hour, when he heard Holland's voice... The mood she is in right now, Holland, if you're so much as suggest that it might be her time of the month, I'm guessing she'll kill you on the spot. I think the poison inside me has eaten away every ounce of courage there might ever have been. I need to find just a little more. "Look, I'm getting tired of saying sorry" "Well I'm not tired of hearing you say it, OK?" Maybe they bred them somewhere, taught then how to put their hair in a bun and look down their pointed noses, before sending them out into the world with a pair of bug glasses, a fondness for tweed and something uncomfortable up their backside. "I'm going to kill Holland. No, I'm going to make him listen to some proper country music and then I'm going to kill him." "Actually, fuck that, the music would be wasted on him anyway. I'll just kill him." "fuckfuckbullocksfuck..." "What? I make you sick? I make you want to hurt me?" "You knock, you wait, you get asked to come in, you come in. It's pretty bloody straightforward." ...sat at home like Tom Throne, trying to keep the rest of the world well away. Police officer and prison staff are old enemies. The finders and the keepers resenting each other. 'Everybody says it switches around when you get old and they have to look after you. The parent becomes the child...It's non sense though., it really is. Even when they're cooking for you and getting your shopping in, you know? Even when they're doing up the buttons on your pyjamas and pretending to listen to your stupid stories, even when they're wiping your arse, you're still the father--It never stops, never. You're still the father and he's still the son. Still the son...' A thin layer across the top of the cistern in the ladies, invisible unless used in some of the more drugs-conscious clubs. ...Depending on how it looks, thy either do nothing, or break it again, re-set it.' 'Do they need volunteers?' "Don't talk to me. Not like that, do you understand? Not 'are you all right?' Not 'sorry'..." "I don't..." "Talk to me like a murdered." Holland couldn't believe what he was hearing. Palmer? 'Sorry?' Throne shouted. 'Fucking sorry...?' 'Shut your fucking stupid cunt's mouth. I will kill you, is that clear? I'm not afraid, certainly not of you. I don't care what happens. He can shoot the pair of us, I don't give a fuck. But if I hear so much as a breath coming out of you before this is finished, a single poisonous whisper, I'll rip your face off with my bare hands. I'll take it clean off, Nicklin, I'll make you another nice, new identity...
Mark Billingham (Scaredy Cat (Tom Thorne, #2))
CHAPTER ONE A negative empath can detect, feel, and sometimes even feed on others’ negative moods, emotions, and temperaments. However, this ability can be unpredictable: both strong and subtle emotions might occasionally go undetected. Despite its inconsistencies, the negativity from others can cause the negative empath either pain or pleasure, and for magical adepts, it can even amplify their power temporarily. —Witcherpedia, an online witchery encyclopedia
Bethany Baptiste (The Poisons We Drink)
The next world, of what shall consist its poisons and delights? Love in this world avoided me. And love's issue, beyond all measure. Immersed in the saltless broth of my existence, I tried on moods.
Louise Erdrich
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TerrySchrader
He asked her, 'Why do you feel sorry for me, Old Woman?' The Old Woman stood beside him and looked out the window at the Garden, so beautiful, flowering and everywhere illuminated by the rays of the setting sun, and said, 'I feel sorry for you, dear Youth, because I know where you are gazing and what you are waiting for. I feel sorry for you and your mother.' Perhaps because of these words, or perhaps because of something else, there was a change in the Youth's mood. The Garden, flowering behind the high fence below his window, and exuding a wonderful fragrance, suddenly seemed somehow strange to him; and an ominous sensation, a sudden fear, gripped his heart with a violent palpitation, like heady and languid fragrances rising from brilliant flowers. 'What is happening?' he wondered in confusion. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
In the middle of April the Germans took a sombre decision. Ludendorff refers to it with bated breath. Full allowance must be made for the desperate stakes to which the German war leaders were already committed. They were in the mood which had opened unlimited submarine warfare with the certainty of bringing the United States into the war against them. Upon the Western front they had from the beginning used the most terrible means of offence at their disposal. They had employed poison gas on the largest scale and had invented the ‘Flammenwerfer.’ Nevertheless it was with a sense of awe that they turned upon Russia the most grisly of all weapons. They transported Lenin in a sealed truck like a plague bacillus from Switzerland into Russia. Lenin arrived at Petrograd on April 16. Who was this being in whom there resided these dire potentialities? Lenin was to Karl Marx what Omar was to Mahomet. He translated faith into acts. He devised the practical methods by which the Marxian theories could be applied in his own time. He invented the Communist plan of campaign. He issued the orders, he prescribed the watchwords, he gave the signal and he led the attack.
Winston S. Churchill (The World Crisis, Volume IV: The Aftermath)
The dominant mood of Jerusalem had been the strange side-by-side of conflicting national currents, like a painful, complicated cramp; next to a world of contemplation and deep religious emotion there had brooded, like a cloud of poison, an almost mystical hatred over people and things.
Muhammad Asad (The Road To Mecca)
João will be back soon, but let’s try to make them before he gets back because he’s in a bad mood.” Ana giggled and grabbed my hand. “He’s always in a bad mood.” “Girl, tell me about it.
Emilia Rose (Poison (Bad Boys of Redwood Academy, #2))
So… Jace’s dick…” I said, whistling and trying to lighten the mood. Allie glanced up through watery eyes and curled her lips into a smile, a very small giggle escaping her throat. “Stop it.” “All I’m saying is that Landon is bigger.” She let out another giggle and straightened her back a bit. “No, he’s not.” Holding my hands about two feet apart from each other, I smirked. “This big.” She burst out into a fit of laughter. “Landon is not carrying a two-foot-long dick in his pants. If he was, you would be wrecked and not be able to walk for weeks.” “That’s what you think.
Emilia Rose (Poison (Bad Boys of Redwood Academy, #2))
Your liver acts as your first line of defense. It breaks down the alcohol so that your body can rid itself of the poison as quickly as possible. When breaking down alcohol, your liver releases toxins and damaged liver cells into the bloodstream. These toxins are more dangerous to the brain than the alcohol itself.75 The toxins released into your brain are responsible for bad sleep, mood imbalance, personality changes (like violence or weeping), anxiety, depression, and shortened attention span, and they can result in coma and death.
Annie Grace (This Naked Mind: Control Alcohol, Find Freedom, Discover Happiness & Change Your Life)
I wish your moods were as easy to predict as the weather but there is no app to help me navigate the treacherous landscape of your unhinged emotions
Megan Fox (Pretty Boys Are Poisonous: Poems)
Solar eclipses are associated with changed health. After watching the cloudy ring of fire eclipse on 14th October 2023 I had changed health. I noticed a change in mental state and had a lowered mood in the hours afterwards. It was followed by a mild afternoon headache. The next day I had unusual digestive disturbances that felt like mild food poisoning.
Steven Magee
It’s funny how a person’s mood can consume everything around them, even poison your own state of mind, as though the darkness is somehow contagious; you don’t need to be in the same room – sometimes not even the same house – when you know the very worst of someone has surfaced, you get sucked into the gloom. A black hole.
N.A. Cooper (Ripple Effect)
See, squirrel cats, with their tubby feline bodies, big bushy tails, coats that change colour depending on their mood and furry flaps that stretch between their front and back limbs enabling them to glide from the treetops (or ‘fly as well as any gods-damned falcon’ as Reichis would insist), can – if you stare at them, squinty-eyed, from a distance and preferably through a drunken haze – look almost cute. They’re not. Puppy dogs are cute. Bunny rabbits are cute. Poisonous Berabesq sand rattlers are cute to somebody. Squirrel cats, though? Not cute. Evil.
Sebastien de Castell (Crownbreaker (Spellslinger, #6))
I’m tired of everything,” he said. “I’m tired all the time.” He sighed again, heavily. “Mostly,” he said, “I’m tired of not being near you.” I found myself relaxing, shifting back so I was pressed against him, a wall of heat all the way down my spine. He rested his hands on my hips, his fingers creeping under the hem of my shirt just enough to dull my pain. Let the damn poison beetles come, I thought, as I felt a kiss on my neck, right behind my ear. This was inviting further pain, and I knew it. His fate wouldn’t let him choose me, and even if that wasn’t the case, I suspected the deep well of his grief wouldn’t let him choose anything at all. But I was sick of doing what was good for me. He kissed where my neck met my shoulder, lingering, his tongue tasting my skin, which was likely salty from sweat. I reached up and buried my fingers in his hair, holding him against me for a moment, and then twisting my neck so our mouths collided. Our teeth clacked together, and normally we would have drawn back and laughed, but neither of us was in a laughing mood. I pulled at his hair, and his hands tightened around my hips so hard it was just on the good side of painful. I had buried myself in rage since the destruction of the sojourn ship, and since the illusions between him and me fell away. Now I buried myself in wanting him instead, twisting into him, grabbing his body wherever my hands found purchase. Want me, I told him, with each clutch of my fingers. Choose me. Want me.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
In the early seventies a fog of grievance settled over the land. Never have Americans hated authorities like they did after the Vietnam War turned sour; after Watergate taught us the incorrigible venality of our elected leaders. Big government seemed omnipotent and yet incompetent; it possessed the world’s greatest military machine but it couldn’t do anything right. In the long list of groups it aimed to serve, We the People always seemed to come last. This snarling mood of disillusionment was the characteristic sensibility of the decade: the “wellsprings of trust” had been “poisoned,” two self-designated populist authors wrote back in 1972.1 They are still poisoned today. The whole country was mad as hell, to use a favorite catchphrase, and the discontent seemed to go in every direction at once. It was economic, it was political; it was racial, it was cultural; it was liberal, it was conservative. Americans despised the CIA and also the Soviet Union. We cheered for Clint Eastwood as a rule-breaking cop who blasted lowlifes even when the lawyers told him to stop … and then we cheered for Burt Reynolds as a “bandit” in a black Trans Am, the roads behind him littered with the smoking remains of the Arkansas, Mississippi, Alabama, and Georgia highway patrols. Responding to the new sensibility, our politicians tried to impress us with their humility. They courted us with soft southern accents, with tales of peanut farms and pork rinds. They posed as defenders of the people, the forgotten man, the silent majority, the great overtaxed middle, the “normal” Americans suffering the contempt of shadowy TV network elites.
Thomas Frank (The People, No: The War on Populism and the Fight for Democracy)
We all naturally possess the most remarkable tool for connecting to people and attaining social power—empathy. When cultivated and properly used, it can allow us to see into the moods and minds of others, giving us the power to anticipate people’s actions and gently lower their resistance. This instrument, however, is blunted by our habitual self-absorption. We are all narcissists, some deeper on the spectrum than others. Our mission in life is to come to terms with this self-love and learn how to turn our sensitivity outward, toward others, instead of inward. We must recognize at the same time the toxic narcissists among us before getting enmeshed in their dramas and poisoned by their envy.
Robert Greene (The Concise Laws of Human Nature)
A tyrant, in the future, is about to retire and turn over the 3 or so planets he controls to a younger aspirant. The young wife of the tyrant, however, wishes control to go to her, and to prove to her husband what a dreadful leader the aspirant would make. All time-travel experiments have failed, but there is a theoretical possibility that alternate presents could be reached. Instigated by the tyrant's wife, a research crew begins the job. MEANWHILE, the aspirant has let no grass grow beneath his feet; he responds to Project Alternate by hiring one of Earth's larges industrial corporations to build a fake alternate world, in which he rules, and all is wonderful. Now comes the tour de force. The tyrant's young wife learns about the construction of a fake alternate world. Her response: she engages a team of clever experts—along the lines of that in MISSION IMPOSSIBLE—to worm their way into the fake alternate world and plant fake fakes there, which will give it all away when the tyrant is brought to visit it. All seems clear at this point. The aspirant is having a fake alternate world being made; the tyrant's wife is busily subverting it. But—aha! Everyone's scheme is brought down in a great crash when a real alternate present is reached. The tyrant sets out to visit it—naturally. But it bears no relation at all to their own world. It is a 'board-game' world, with squares and the possibility of moving from one square to the next. Each square is a sort of alternate world on its own; the squares differ that much from one another in tone, structure, mood, color, with the characters themselves altering to fit into the Geist of each square. On one square, for example, all food tastes marvelous. On the next square, milk is a deadly poison. And so on. Ultimately, the characters discover the nature of this world: each square represents a particular mushroom, and that of a poisonous mushroom is a poisonous micro-world . . . the morel square, of course, being nearly on a level with heaven.
Dennis (introduction) Dick, Philip K.; Etchison (The Selected Letters, 1938-1971)
I slump back into my chair and look around the empty table. “Eat your food.” “I’m getting you a cook.” “Why?” “Because no wonder he’s in a bad mood. The poor bastard is being poisoned to death.” He stirs the food in his bowl. “And for the record, you cut the fucking onions up. Not throw them in whole.
T.L. Swan (The Bonus)