Monroe Relationship Quotes

Husbands are chiefly good as lovers when they are betraying their wives.

I know I'm not a perfect person but I can make a good relationship last forever.....

Most people never know more than a surface layer of each other’s personalities. They take the bolder characteristics of a first impression at face value because they’re lazy, and they carry those expectations and prejudices throughout the entire relationship.

If you can make a woman laugh, you can make her do anything for you." --Manilyn Monroe "If you make a woman cry for a lot of times, you are giving her permission not to diminish her love for you.

For as much as Hillary Clinton might hate admitting this about Monica Lewinisky, Eleanor Roosevelt about Missy Le Hand, Queen Alexandra about Lillie Langtry, Lady Nelson about Emma Hamilton, or Jackie about Marilyn, the reality is that despite their intrinsic animosity toward each other, on a a deep level, the wife and the mistress generally have far more in common than they might care to admit and could, had fate dealt them different cards, even been true friends.

A relationship built on lies is like a bra with no underwire. Fucking useless to me.

When you're dating someone, you need to have intercourse at least ten times before you start talking about The Future.

Me arrodillé ante un póster de Marilyn Monroe y le pedí su intervención. Le rogué que borrara mi nombre de su agenda y de su mente desquiciada.

Everything’s a struggle, especially relationships that are worth fighting for. ~Will Monroe

Reed This:Sometimes people can be at two ends of a line and end up next to one another.Because intimacy and love-they're powerful enough to curve that line into a circle.

If a relationship has to be a secret, you shouldn't be in it. Is it really worth it to risk your health—mental and physical—for someone who runs through any Tosha, Diane, and Harriet? You need to look him up or put him on blast at Don'tdatehimgirl.com.

The decades that she devoted to conserving her husband’s legacy made Eliza only more militantly loyal to his memory, and there was one injury she could never forget: the exposure of the Maria Reynolds affair, for which she squarely blamed James Monroe. In the 1820s, after Monroe had completed two terms as president, he called upon Eliza in Washington, D.C., hoping to thaw the frost between them. Eliza was then about seventy and staying at her daughter’s home. She was sitting in the backyard with her fifteen-year-old nephew when a maid emerged and presented the ex-president’s card. Far from being flattered by this distinguished visitor, Eliza was taken aback. “She read the name and stood holding the card, much perturbed,” said her nephew. “Her voice sank and she spoke very low, as she always did when she was angry. ‘What has that man come to see me for?’” The nephew said that Monroe must have stopped by to pay his respects. She wavered. “I will see him,” she finally agreed. So the small woman with the upright carriage and the sturdy, determined step marched stiffly into the house. When she entered the parlor, Monroe rose to greet her. Eliza then did something out of character and socially unthinkable: she stood facing the ex-president but did not invite him to sit down. With a bow, Monroe began what sounded like a well-rehearsed speech, stating “that it was many years since they had met, that the lapse of time brought its softening influences, that they both were nearing the grave, when past differences could be forgiven and forgotten.” Eliza saw that Monroe was trying to draw a moral equation between them and apportion blame equally for the long rupture in their relationship. Even at this late date, thirty years after the fact, she was not in a forgiving mood. “Mr. Monroe,” she told him, “if you have come to tell me that you repent, that you are sorry, very sorry, for the misrepresentations and the slanders and the stories you circulated against my dear husband, if you have come to say this, I understand it. But otherwise, no lapse of time, no nearness to the grave, makes any difference.” Monroe took in this rebuke without comment. Stunned by the fiery words delivered by the elderly little woman in widow’s weeds, the ex-president picked up his hat, bid Eliza good day, and left the house, never to return.

Mark Twain, Albert Einstein, Marilyn Monroe, Winston Churchill, Dorothy Parker, and Yogi Berra are quotation superstars. Personas of this type are so vibrant and attractive that they become hosts for quotations they never uttered. A remark formulated by a lesser-known figure is attached to a famous host. The relationship is symbiotic and often enhances the popularity of both the host and the quotation.

This anger I felt wasn’t about the child at all. It’s inside me and it’s poisoning so many of my relationships. It leaves so little room for compassion.” She reached up to wipe a tear from her face. “That’s no way to live. I have to get over it. I may need some help, I don’t know. But I realized something today dredging up all those murky memories. I can’t change the past. I can’t take the hurt back. But I can soften it if I can just learn how to accept it.

Korie: Willie and I dated for about eight months, and then I was getting ready to leave for school at Harding University. Willie was still attending seminary school, and I wanted him to go to Harding University with me. But Willie said he wasn’t leaving West Monroe. He wanted me to stay in West Monroe with him. We broke up before I left for school in August, and I’m sure he thought I’d find someone else at college, because that’s what typically happens when you leave home. Willie called me one night in September 1991 after I had been gone a few weeks and said, “Let’s get back together.” I knew I loved him, but I told him I wasn’t sure about it. He was trying to change my life, and it was really his way or no way. I just didn’t know what to do. “Let me think about it,” I said. “I’ll call you back tomorrow.” I was convinced she’d found someone else. I was telling all my buddies that it was over between us, and I was gathering other girls’ phone numbers to prepare myself to move on. I just knew it was over, and I wasn’t waiting to hear it from her the next day. I was convinced she wanted to end our relationship but couldn’t muster the courage to tell me. Korie called me the next day, and I was ready to tell her that I didn’t want to get back together anymore and that our relationship was over. I was certainly going to end it before she ended it. I just knew she already had a new boyfriend at Harding. “I’ve got something I want to tell you,” Korie told me. “What do you want to say?” I asked her, deciding I’d better hear her out first. “Let’s get back together,” she said. My ears started buzzing. I threw all the girls’ phone numbers in the trash can. About a month later, Korie and I decided we were going to get married. Korie: I had turned eighteen in October 1991, so legally I was allowed to do whatever I wanted. But I knew I had to call my parents, Johnny and Chrys, to get their permission. We had had some discussions about my getting married that summer that had not gone so well, so I knew they were not going to be excited about it. I mustered up the courage to make the phone call. “Look, I’m legal, so I’m just going to say it,” I told them. “I’m getting married, and you’re going to have to be behind me or not.” Of course, my parents told me it was the worst idea ever, and they were naturally worried that I was going to leave school and come home. They asked me to at least wait until I’d finished college. I hung up the phone and called Willie immediately. “I just told them and it didn’t go so well,” I blurted out. “They’ve already called me and they’re on their way over here,” he said.

January 27: Marilyn and Kazan drive Miller to the airport. He is returning home to work on a screenplay for Kazan. Miller is obviously smitten with Monroe, but also determined to save his marriage. She is clearly taken with him and is hoping that at some time they can renew their relationship.

February 4: Marilyn attends her first session at the Actors Studio. Elia Kazan introduces her to Lee Strasberg, who agrees to give her private lessons. On Strasberg’s advice, she also sees a psychiatrist, Dr. Margaret Hohenberg, who has been analyzing Milton Greene for several years. They work on her childhood traumas, fear of abandonment, and inability to commit to long-term relationships.

What is truth? Truth is telling it like it really is. Truth is not a thing, but rather a relationship between our words or ideas and reality. Whether

This burger? Totally uncomplicated. Doesn’t want to change me. Needs nothing from me. Is never passive-aggressive. Doesn’t talk in code. It’s just here for me, no matter what. It’s just meat, cheese, and bread. The perfect relationship.

I know I’m able to stand on my own. I know I can navigate this world without anyone by my side…but do I have to? Do I have to make my own way when there’s someone who could be my strength when I feel weak? There’s power in being alone, but being with someone else doesn’t mean I have to give that up. I can be in a relationship without abandoning my sense of self.

Let me start by saying a true sensual woman is a tastemaker. What do I mean by that? I mean she sets the standard of what is pleasurable, desirable, sophisticated, refined, intoxicating, elegant, classy, sexy, healthy, delicious, saucy. Women naturally possess the power to create ANY taste. "There are not more than five cardinal tastes, yet combinations of them yield more flavours than can ever be tasted" (Sun Tzu). The sensually awakened ones are cognisant of this and use it to their advantage while those who are not awakened often see it as some form of "female oppression." They say, "You're putting women under pressure." But what about men, Lebo? Well, men are not tastemakers like women are. Why? Because, unlike women, MEN CAN'T AND ARE NOT ALLOWED TO PLAY WITH THEIR INNER CHARACTER TOO MUCH. For instance, a man is essentially restricted only to pants. A man can’t wear a dress, high heels, lipstick and the list goes on. This limits a man from becoming a significant contributor in the tastemaking process of life and love, except financially of course. But it doesn’t limit a woman in any way, shape or form. Women can wear dressess, even men's pants, etc.. They can put on ANYTHING actually and still be celebrated. Marilyn Monroe wore a potatoe sack. Lady Gaga wore an infamous dress made of raw beef. That's why I believe being a woman is the greatest privilege of all. Marilyn Monroe said, "One of the best things that ever happened to me is that I'm a woman." Marilyn understood that women are THE REAL TASTEMAKERS IN LIFE and relationships, not men. BEING A MAN DOESN'T REQUIRE AS MUCH AMBITION AS BEING A WOMAN. Women are relationship navigators because they are naturally more ambitious than men. That's why again, Marilyn said, "Women who seek to be equal with men lack ambition." Our ultimate quest as men, whether we realize it or not, is to live under a woman's spell. That makes us happy, and seem stupid at times. Sadly, most women are not sensually awakened enough to realize that. They don't know that the ultimate secret to keeping a man content with one woman lies in her sensuality.