Money Lover Quotes

We've searched our database for all the quotes and captions related to Money Lover. Here they are! All 200 of them:

Libraries will get you through times of no money better than money will get you through times of no libraries.
Anne Herbert
livid, adj. Fuck You for cheating on me. Fuck you for reducing it to the word cheating. As if this were a card game, and you sneaked a look at my hand. Who came up with the term cheating, anyway? A cheater, I imagine. Someone who thought liar was too harsh. Someone who thought devastator was too emotional. The same person who thought, oops, he’d gotten caught with his hand in the cookie jar. Fuck you. This isn’t about slipping yourself an extra twenty dollars of Monopoly money. These are our lives. You went and broke our lives. You are so much worse than a cheater. You killed something. And you killed it when its back was turned.
David Levithan (The Lover's Dictionary)
A WOMAN SHOULD HAVE .... enough money within her control to move out and rent a place of her own even if she never wants to or needs to... A WOMAN SHOULD HAVE .... something perfect to wear if the employer or date of her dreams wants to see her in an hour... A WOMAN SHOULD HAVE ... a youth she's content to leave behind.... A WOMAN SHOULD HAVE .... a past juicy enough that she's looking forward to retelling it in her old age.... A WOMAN SHOULD HAVE ..... a set of screwdrivers, a cordless drill, and a black lace bra... A WOMAN SHOULD HAVE .... one friend who always makes her laugh... and one who lets her cry... A WOMAN SHOULD HAVE .... a good piece of furniture not previously owned by anyone else in her family... A WOMAN SHOULD HAVE .... eight matching plates, wine glasses with stems, and a recipe for a meal that will make her guests feel honored... A WOMAN SHOULD HAVE .... a feeling of control over her destiny... EVERY WOMAN SHOULD KNOW... how to fall in love without losing herself.. EVERY WOMAN SHOULD KNOW... HOW TO QUIT A JOB, BREAK UP WITH A LOVER, AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP... EVERY WOMAN SHOULD KNOW... when to try harder... and WHEN TO WALK AWAY... EVERY WOMAN SHOULD KNOW... that she can't change the length of her calves, the width of her hips, or the nature of her parents.. EVERY WOMAN SHOULD KNOW... that her childhood may not have been perfect...but it's over... EVERY WOMAN SHOULD KNOW... what she would and wouldn't do for love or more... EVERY WOMAN SHOULD KNOW... how to live alone... even if she doesn't like it... EVERY WOMAN SHOULD KNOW... whom she can trust, whom she can't, and why she shouldn't take it personally... EVERY WOMAN SHOULD KNOW... where to go... be it to her best friend's kitchen table... or a charming inn in the woods... when her soul needs soothing... EVERY WOMAN SHOULD KNOW... what she can and can't accomplish in a day... a month...and a year...
Pamela Redmond Satran
Bear in mind, people with eating disorders tend to be both competitive and intelligent. We are incredibly perfectionistic. We often excel in school,athletics,artistic pursuits. We also tend to quit without warning. Refuse to go to school,drop out,quit jobs,leave lovers,move,lose all our money. We get sick of being impressive. Rather,we tire of having to seem impressive. As a rule,most of us never really believed we were any good in the first place.
Marya Hornbacher
And if that bastard’s innocent,” Rhage spoke up, “I’m the fucking Easter bunny.” “Oh, good,” someone quipped. “I’m calling you Hop-along Hollywood from now on.” “Beasty Bo Peep,” somebody else threw out. “We could put you in a Cadbury ad and finally make some money—” “People,” Rhage barked, “the point is that he is not innocent and I’m not the Easter bunny—” “Where’s your basket?” “Can I play with your eggs?” “Hop it out, big guy—” “Will you guys fuck off ? Seriously!
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Money can't buy happiness but it can buy chocolate, which is kind of the same thing.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
If you make plenty of money but don't have any kids, you might get called successful. But unless you have kids, no one will ever call you a great woman.
Mieko Kawakami (All the Lovers in the Night)
In case you haven't noticed, as the result of a shamelessly rigged election in Florida, in which thousands of African Americans were arbitrarily disenfranchised, we now present ourselves to the rest of the world as proud, grinning, jut-jawed, pitiless war-lovers with appalling powerful weaponry - who stand unopposed. In case you haven't noticed, we are now as feared and hated all over the world as the Nazi's once were. And with good reason. In case you haven't noticed, our unelected leaders have dehumanized millions and millions of human beings simply because of their religion and race. We wound 'em and kill 'em and torture 'em and imprison 'em all we want. Piece of cake. In case you haven't noticed, we also dehumanize our own soldiers, not because of their religion or race, but because of their low social class. Send 'em anywhere. Make 'em do anything. Piece of cake. The O'Reilly Factor. So I am a man without a country, except for the librarians and a Chicago paper called "In These Times." Before we attacked Iraq, the majestic "New York Times" guaranteed there were weapons of destruction there. Albert Einstein and Mark Twain gave up on the human race at the end of their lives, even though Twain hadn't even seen the First World War. War is now a form of TV entertainment, and what made the First World War so particularly entertaining were two American inventions, barbed wire and the machine gun. Shrapnel was invented by an Englishman of the same name. Don't you wish you could have something named after you? Like my distinct betters Einstein and Twain, I now give up on people too. I am a veteran of the Second World War and I have to say this is the not the first time I surrendered to a pitiless war machine. My last words? "Life is no way to treat an animal, not even a mouse." Napalm came from Harvard. Veritas! Our president is a Christian? So was Adolf Hitler. What can be said to our young people, now that psychopathic personalities, which is to say persons without consciences, without senses of pity or shame, have taken all the money in the treasuries of our government and corporations and made it all their own?
Kurt Vonnegut Jr. (A Man Without a Country)
He offered her power, money, status... a giant prison, all in exchange for only...her soul.
Coco J. Ginger
THAT’S HOW MY STORY ENDS. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Their whole life depends on spending money, and now they’ve got none to spend. That’s our civilization and our education: bring up the masses to depend entirely on spending money, and then the money gives out.
D.H. Lawrence (Lady Chatterley's Lover)
Give me a cat over a kid any day.   You can open up a bag of Meow Mix, plop it down on the floor next to a bucket of water, go on vacation for a week, and come home to an animal that is so busy licking it’s own ass that it has no idea you were even gone.   You can’t do that with a kid.   Well, I guess you could, but I’m sure it’s frowned upon in most circles.   And if my kid could lick his own ass, I’d have saved a shit load of money on diapers, I can tell you that.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Butch didn't live in his own place. He didn't spend his own money. He had no job, no future. He was a well-kept pet, not a man.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Mom’s theory was that youthful skin would make a woman more money (true in both acting and waitressing), good underwear would make her more confident (so far, so true), and good books would make her happy (universal truth), and we’ve clearly both packed with this theory in mind.
Emily Henry (Book Lovers)
But, especially in love, only counterfeit emotions exist nowadays. We have all been taught to mistrust everybody emotionally, from parents downwards, or upwards. Don’t trust anybody with your real emotions: if you’ve got any: that is the slogan of today. Trust them with your money, even, but never with your feelings. They are bound to trample on them.
D.H. Lawrence (Lady Chatterley's Lover)
A broke man’s lover doesn’t feel ‘loved’ on her Birthday, Christmas, and, on Valentine’s Day.
Mokokoma Mokhonoana
We live and work in a world that carries preoccupations about money, but what does the soul care about such things?
Llewellyn Vaughan-Lee (The Bond with the Beloved: The Mystical Relationship of the Lover & the Beloved)
We do not have to spend money and go hungry and struggle and study to become sensual; we always were. We need not believe we must somehow earn good erotic care; we always deserved it. Femaleness and its sexuality are beautiful. Women have long secretly suspected as much. In that sexuality, women are physically beautiful already; superb; breathtaking. Many, many men see this way too. A man who wants to define himself as a real lover of women admires what shows of her past on a woman's face, before she ever saw him, and the adventures and stresses that her body has undergone, the scars of trauma, the changes of childbirth, her distinguishing characteristics, the light is her expression. The number of men who already see in this way is far greater than the arbiters of mass culture would lead us to believe, since the story they need to tell ends with the opposite moral.
Naomi Wolf (The Beauty Myth)
Some women would not cheat, and some would not have cheated, had they each married a man whom they love … or at least like.
Mokokoma Mokhonoana
Fuck you. This isn’t about slipping yourself an extra twenty dollars of Monopoly money. These are our lives. You went and broke our lives. You are so much worse than a cheater. You killed something. And you killed it when its back was turned.
David Levithan (The Lover's Dictionary)
The truth now. He was disappointed in human beings. He had seen too many betrayals, too many pitiful weaknesses, too much greed for money and fame. The falseness between lovers, husbands and wifes, fathers, sons, mothers, daughters
Mario Puzo (The Last Don)
Garraty wondered how it would be, to lie in the biggest, dustiest library silence of all, dreaming endless, thoughtless dreams behind your gummed-down eyelids, dressed forever in your Sunday suit. No worries about money, success, fear, joy, pain, sorrow, sex, or love. Absolute zero. No father, mother, girlfriend, lover. The dead are orphans. No company but the silence like a moth's wing. An end to the agony of movement, to the long nightmare of going down the road. The body in peace, stillness, and order. The perfect darkness of death. How would that be? Just how would that be?
Stephen King (The Long Walk)
If only you could tell them that living and spending isn't the same thing.
D.H. Lawrence (Lady Chatterley's Lover)
Money is like acid. It burns through everything. Friendships, family, lovers, husbands and wives. Whatever bond you think you have, money will make that shit dissolve.
S.A. Cosby (King of Ashes)
Our estrangement is not drama-laden- we have not betrayed one another's trust, we have not stolen lovers or fought over money or property or any of the things that irreparably break families apart. The answer, for us, is much simpler. See, we love one another. We just don't happen to like one another very much.
Eleanor Brown (The Weird Sisters)
Such a tough life. This is not the easy way." "No," Penn agreed, "but I'm not sure easy is what I want for the kids anyway." She looked up at him. "Why the hell not?" "I mean, if we could have everything, sure. If we can have it all, yeah. I wish them easy, successful, fun-filled lives, crowned with good friends, attentive lovers, heaps of money, intellectual stimulation, and good views out the window. I wish them eternal beauty, international travel, and smart things to watch on tv. But if I can't have everything, if I only get a few, I'm not sure easy makes my wish list." "Really?" "Easy is nice. But its not as good as getting to be who you are or stand up for what you believe in," said Penn. "Easy is nice. But I wonder how often it leads to fulfilling work or partnership or being." "Easy probably rules out having children," Rosie admitted. "Having children, helping people, making art, inventing anything, leading the way, tackling the world's problems, overcoming your own. I don't know. Not much of what I value in our lives is easy. But there's not much of it I'd trade for easy either, I don't think.
Laurie Frankel (This Is How It Always Is)
A boy and a girl were insanely in love with each other,” my mother’s voice was saying. “They decided to become engaged. And that’s when presents are always exchanged. The boy was poor–his only worthwhile possession was a watch he’d inherited from his grandfather. Thinking about his sweetheart’s lovely hair, he decided to sell the watch in order to buy her a silver barrette. The girl had no money herself to buy him a present. She went to the shop of the most successful merchant in the town and sold him her hair. With the money, she bought a gold watchband for her lover. When they met on the day of the engagement party, she gave him the wristband for a watch he had sold, and he gave her the barrette for the hair she no longer had
Paulo Coelho (By the River Piedra I Sat Down and Wept)
To a man who was required to marry before he was allowed to have sex with his lover, marriage is a ‘righteous’ form of prostitution.
Mokokoma Mokhonoana
If I cannot fix your broken heart can I put mine in its place, because these stars are not enough, and all the money in the world does not equal your worth.
Delano Johnson (Love Quotes)
No worries about money, success, fear, joy, pain, sorrow, sex, or love. Absolute zero. No father, mother, girlfriend, lover. The dead are orphans. No company but the silence like a moth's wings. - Garraty's thoughts on death and dying, The Long walk
Richard Bachman
Livid: F* You for cheating on me. F* you for reducing it to the word cheating. As if this were a card game, and you sneaked a look at my hand. Who came up with the term cheating, anyway? A cheater, I imagine. Someone who thought liar was too harsh. Someone who thought devastator was too emotional. The same person who thought, oops, he’d gotten caught with his hand in the cookie jar. F* you. This isn’t about slipping yourself an extra twenty dollars of Monopoly money. These are our lives. You went and broke our lives. You are so much worse than a cheater. You killed something. And you killed it when its back was turned.
David Levithan (The Lover's Dictionary)
How many people ruin themselves by laying out money on trinkets of frivolous utility? What pleases these lovers of toys is not so much the utility, as the aptness of the machines which are fitted to promote it. All their pockets are stuffed with little conveniences. They contrive new pockets, unknown in the clothes of other people, in order to carry a greater number. They walk about loaded with a multitude of baubles, in weight and sometimes in value not inferior to an ordinary Jew's-box, some of which may sometimes be of some little use, but all of which might at all times be very well spared, and of which the whole utility is certainly not worth the fatigue of bearing the burden.
Adam Smith (The Theory of Moral Sentiments)
You know, there’s no pleasure like the joy of being a sexual woman. You can take your careers, your money, your houses and possessions, and you go and throw them in a lake. Because life is really all about sex. That’s what I keep learning, again and again. It’s the most important thing, woven into the very centre of life. And I just know I was put on this earth to be a sexual woman, and to explore as much about sex as I can.
Fiona Thrust (Naked and Sexual (Fiona Thrust, #1))
For the first time in history, middle-class women do not need men in the traditional ways - for safety, for money, for a life. So they’re demanding instead what they always wanted but couldn’t ask for: emotional connection, presence, intimacy. Sex with enough foreplay, enough seduction, enough closeness to please them. Men are baffled not only because the needs they are being asked to fill differ so from what their fathers and grandfathers understood to be their jobs but also because full-fledged intimacy requires strengths and skills they’ve never learned. Moreover… they’re strengths and skills that were once left solely to women: Men didn’t have to develop them. This maturational mismatch may be contributing to distrust among lovers of all ages.
Dalma Heyn (Drama Kings: The Men Who Drive Strong Women Crazy)
In ten years I will be a beautiful charming lovely lady writer without any husband or children but lots of lovers and everyone will read the books I write and want to marry me but I will never marry any of them. I will have lots of money and jewels too.
Shirley Jackson (The Road Through the Wall)
For you will find, as women have found through the ages, that changing the world requires a lot of free time. Requires a lot of mobility. Requires money, and, as Virginia Woolf put it so well, “a room of one’s own,” preferably one with a key and a lock. Which means that women must be prepared to think for themselves, which means, undoubtedly, trouble with boyfriends, lovers, and husbands, which means all kinds of heartache and misery, and times when you will wonder if independence, freedom of thought, or your own work is worth it all. We must believe that it is. For the world is not good enough; we must make it better.
Alice Walker (In Search of Our Mothers' Gardens: Womanist Prose)
Childhood is a naturally unhappy period of our existence, Lillian. It was Walt Disney who invented the notion that it has to be happy, simply to make money.
Isabel Allende (The Japanese Lover)
People desperately want to spend their money. Maybe they think that's the most effective way to feel alive.
Xiaolu Guo (Lovers in the Age of Indifference)
I am happy to pay you," she announced. "For your services." A harsh, strangled sound cut through the room. It came from him. "Pay me." She nodded. "Would say, twenty-five pounds do?" "No." Her brows knit together. "Of course, a person of your--prowess--is worth more. I apologize for the offense. Fifty? I'm afraid I can't go much higher. It's quite a bit of money.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
Sissy had two great failings. She was a great lover and a great mother. She had so much of tenderness in her, so much of wanting to give of herself to whoever needed what she had, whether it was her money, her time, the clothes off her back, her pity, her understanding, her friendship or her companionship and love. She was mother to everything that came her way. She loved men, yes. She loved women too, and old people and especially children. How she loved children! She loved loved the down-and-outers. She wanted to make everybody happy. She had tried to seduce the good priest who heard her infrequent confessions because she felt sorry for him. She thought he was missing the greatest joy on earth by being committed to a life of celibacy. She loved all the scratching curs on the street and wept for the gaunt scavenging cats who slunk around Brooklyn corners with their sides swollen looking for a hole in which they might bring forth their young. She loved the sooty sparrows and thought that the very grass that grew in the lots was beautiful. She picked bouquets of white clover in the lots believing they were the most beautiful flowers God ever made...Yes, she listened to everybody's troubles but no one listened to hers. But that was right because Sissy was a giver and never a taker.
Betty Smith (A Tree Grows in Brooklyn)
When some people talk about money They speak as if it were a mysterious lover Who went out to buy milk and never Came back, and it makes me nostalgic For the years I lived on coffee and bread, Hungry all the time, walking to work on payday Like a woman journeying for water From a village without a well, then living One or two nights like everyone else On roast chicken and red wine.
Tracy K. Smith (Life on Mars: Poems)
How could we love books more than money? This is the state of book lovers.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
The least little bit o' money 'll really do... What have yer done ter yerselves, wi' the blasted work? Spoilt yerselves. No need to work that much. Take yer clothes off an' look at yourselves. Yer ought ter be alive an' beautiful, an' yer ugly an' half dead.
D.H. Lawrence (Lady Chatterley’s Lover)
For if in careless summer days In groves of Ashtaroth we whored, Repentant now, when winds blow cold, We kneel before our rightful lord; The lord of all, the money-god, Who rules us blood and hand and brain, Who gives the roof that stops the wind, And, giving, takes away again; Who spies with jealous, watchful care, Our thoughts, our dreams, our secret ways, Who picks our words and cuts our clothes, And maps the pattern of our days; Who chills our anger, curbs our hope, And buys our lives and pays with toys, Who claims as tribute broken faith, Accepted insults, muted joys; Who binds with chains the poet’s wit, The navvy’s strength, the soldier’s pride, And lays the sleek, estranging shield Between the lover and his bride.
George Orwell (Keep the Aspidistra Flying)
Money poisons you when you’ve got it, and starves you when you haven’t.
D.H. Lawrence (Lady Chatterley's Lover)
I spent all the money I had, to get the sacred books of my life.
Lailah Gifty Akita
She didn't want to think about how wrong this was or how foolish it was to give herself to a known seducer. Because tonight Oliver wasn't that man. Not to her. He was the boy who'd cried over his dead mother, the young man who'd lost himself in drink and women to forget the past, the marquess who'd vowed not to marry for money. He was the man to be her lover.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
What we can now conjecture about the way in which sexual relations will be ordered after the impending overthrow of capitalist production is mainly of a negative character, limited for the most part to what will disappear. But what will there be new? That will be answered when a new generation has grown up: a generation of men who never in their lives have known what it is to buy a woman’s surrender with money or any other social instrument of power; a generation of women who have never known what it is to give themselves to a man from any other considerations than real love, or to refuse to give themselves to their lover from fear of the economic consequences. When these people are in the world, they will care precious little what anybody today thinks they ought to do; they will make their own practice and their corresponding public opinion about the practice of each individual –and that will be the end of it.
Friedrich Engels (The Origin of the Family, Private Property and the State)
After all, tragedy didn’t discriminate, so everyone was subject to the same whims of fate. No matter what your skin color was or how much money you had, whether you were gay or straight, or an atheist or a true believer, from where she stood, everyone was equal. And loved by someone, somewhere.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
You, and rule!” she said. “You don’t rule, don’t flatter yourself. You have only got more than your share of the money, and make people work for you for two pounds a week, or threaten them with starvation.
D.H. Lawrence (Lady Chatterley's Lover)
Nor when love is of this disinterested sort is there any disgrace in being deceived, but in every other case there is equal disgrace in being or not being deceived. For he who is gracious to his lover under the impression that he is rich, and is disappointed of his gains because he turns out to be poor, is disgraced all the same: for he has done his best to show that he would give himself up to any one's "uses base" for the sake of money; but this is not honourable. And on the same principle he who gives himself to a lover because he is a good man, and in the hope that he will be improved by his company, shows himself to be virtuous, even though the object of his affection turn out to be a villain, and to have no virtue; and if he is deceived he has committed a noble error. For he has proved that for his part he will do anything for anybody with a view to virtue and improvement, than which there can be nothing nobler.
Plato (The Symposium)
He says, You only came because I’m rich. I say that’s how I desire him, with his money, that when I first saw him he was already in his car, in his money, so I can’t say what I’d have done if he’d been different.
Marguerite Duras (The Lover)
In the morning when thou risest unwillingly, let this thought be present,—I am rising to the work of a human being. Why then am I dissatisfied if I am going to do the things for which I exist and for which I was brought into the world? Or have I been made for this, to lie in the bed-clothes and keep myself warm?—But this is more pleasant.—Dost thou exist then to take thy pleasure, and not at all for action or exertion? Dost thou not see the little plants, the little birds, the ants, the spiders, the bees working together to put in order their several parts of the universe? And art thou unwilling to do the work of a human being, and dost thou not make haste to do that which, is according to thy nature? But it is necessary to take rest also.—It is necessary. However, Nature has fixed bounds to this too: she has fixed bounds to eating and drinking, and yet thou goest beyond these bounds, beyond what is sufficient; yet in thy acts it is not so, but thou stoppest short of what thou canst do. So thou lovest not thyself, for if thou didst, thou wouldst love thy nature and her will. But those who love their several arts exhaust themselves in working at them unwashed and without food; but thou valuest thy own nature less than the turner values the turning art, or the dancer the dancing art, or the lover of money values his money, or the vain-glorious man his little glory. And such men, when they have a violent affection to a thing, choose neither to eat nor to sleep rather than to perfect the things which they care for. But are the acts which concern society more vile in thy eyes and less worthy of thy labor?
Marcus Aurelius (Meditations)
The smocked chick fingered my hair and said in her stupid voice, 'You're receding.' 'We all are,' I said. We all are. We are all receding — waving or beckoning or just kissing our fingertips, we are all fading, shrinking, paling. Life is all losing, we are all losing, losing mother, father, youth, hair, looks, teeth, friends, lovers, shape, reason, life. We are losing, losing, losing. Take life away. It's too hard, too difficult. We aren't any good at it. Try us out on something else. But shelve life. Take life off the stands. It's too fucking difficult and we aren't any good at it.
Martin Amis (Money)
there was only one aristocracy, that of decency, and that this was not inherited or bought with money or titles, but was only gained through good deeds.
Isabel Allende (The Japanese Lover)
False love can be bought; true love is priceless.
Matshona Dhliwayo
the country had become too uncongenial. The gentry were departing to pleasanter places, where they could spend their money without having to see how it was made.
D.H. Lawrence (Lady Chatterley's Lover)
The shrewd marry for money, the scheming marry for status, the calculating marry for power, but the wise marry for love.
Matshona Dhliwayo
Sissy had two great failings. She was a great lover and a great mother. She had so much of tenderness in her, so much of wanting to give of herself to whoever needed what she had, whether it was her money, her time, the clothes off her back, her pity, her understanding, her friendship or her companionship and love. She was mother to everything that came her way. She loved men, yes. She loved women too, and old people, and especially children. How she loved children! She loved the down-and-outers. She wanted to make everybody happy. She had tried to seduce the good priest who heard her infrequent confessions because she felt sorry for him. She thought he was missing the greatest joy on earth by being committed to a life of celibacy.
Betty Smith (A Tree Grows in Brooklyn)
Libby was wrong when she told Sally I am just like Mom. Mom worked nonstop to chase something she wanted. For me, it’s running endlessly trying to escape the past. Fear of the money running out again. Of hunger. Of failure. Of wanting anything badly enough that it will destroy me when I can’t have it. Of loving someone I can’t hold on to, of watching my sister slip through my fingers like sand. Of watching something break that I don’t know how to fix.
Emily Henry (Book Lovers)
Admittedly, there's a certain coarseness about [businessmen]; for there's no point in even trying to be [one] unless your love for money is so absolute that you're ready to accompany it on the walk to a double suicide. For money, believe you me, is a hard mistress, and none of her lovers are let off lightly. As a matter of fact, I've just been visiting a businessman and, according to him, the only way to succeed is to practice the "triangled" technique: try to escape your obligations, annihilate your kindly feelings, and geld yourself of the sense of shame.
Natsume Sōseki
Yes there were two great groups of dogs wrangling for the bitching-goddess: the group of the flatterers, those who offered her amusement, stories, films, plays: and the other, much less showy, much more savage breed, those who gave her meat, the real substance of money. The well-groomed showy dogs of amusement wrangled and snarled among themselves for the favors of the bitch-goddess. But it was nothing to the silent fight-to-the-death that went on among the indispensables, the bone-bringers.
D.H. Lawrence (Lady Chatterley's Lover)
Victor smiled politely in return, the way someone smiles when they're thanked for having done a minor favor in times past. Held open a door in the rain, lent someone a small amount of money, butchered an ex-lover, that sort of thing.
David Weber (Torch of Freedom (Crown of Slaves, - Honor Harrington universe Book 2))
The word philanthropy was taken from the two Greek words, philo –lover of; and anthro – mankind. So, philanthropists are lovers of humanity. They build imposing edifices for people to work in and to play in. They give huge sums of money to support organizations which offer better health and education to the society. They are the principal patrons of the arts. The mention of philanthropy elicits smiles, followed by the sensation of receiving unexpected good fortune from a generous but faceless source.
Maya Angelou (Letter To My Daughter)
Having lived among the owning classes, he knew the utter futility of expecting any solution of the wage-squabble. There was no solution, short of death. The only thing was not to care, not to care about the wages. Yet, if you were poor and wretched, you had to care. Anyhow, it was becoming the only thing they did care about. The care about money was like a great cancer, eating away the individuals of all classes. He refused to care about money. And what then? What did life offer apart from the care of money? Nothing.
D.H. Lawrence (Lady Chatterley's Lover)
Keep a sharp eye on the game, and not the money. Money will pass away, but the game will play on.
Michael Bassey Johnson (Song of a Nature Lover)
The big alone," he said. "That's all any of us has in the end. Nothing can protect us from it, not careers or children or spouses or money or lovers.
Laura van den Berg (I Hold a Wolf by the Ears: Stories)
When I meet kids who suffer, I want to teach them everything I know about the world, which isn’t a lot, and basically amounts to: Go to Harvard. Make hella money. Read contracts before you sign them. Bring two tiny bottles of Kahlúa and a tiny bottle of mouthwash when you have to go with your parents to their biopsy results. I follow my own advice while trying to hold off on the suicidal ideation while trying to be as socially fucking mobile as socially fucking possible and then these kids fucking find me, and what do I do, but invite them into my heart and tell them, babes, go to school, climb the ranks, kill the salutatorian, make it look like an accident, and in your valedictory address, remind your school that cops are pigs, and ICE are Nazis, and you are John at the foot of the cross, Jesus’s most loved apostle, maybe his lover, and you’re in the holy word, escape to my home for some chamomile tea and RuPaul, there will always be room for you, I love you and forever will.
Karla Cornejo Villavicencio (The Undocumented Americans)
He was a romantic, a poet, a lover, a friend, and a freak. Someone to be turned on by and disgusted with in the same breath. He filled her with emotion. Whether it was the sensation of an orgasm or the comfort of someone who listen to her, this experience indulged all her pleasurable senses with little to no conflict. It was heaven, it was ecstasy, but it wasn't real.
Norian Love (Seduction: A Money, Power & Sex Story)
When I was young, I wanted power. Now that I'm old, I want peace. When I was young, I wanted titles. Now that I'm old, I want contentment. When I was young, I wanted money. Now that I'm old, I want happiness. When I was young, I wanted excitement. Now that I'm old, I want calm. When I was young, I wanted praise. Now that I'm old, I want respect. When I was young, I wanted houses. Now that I'm old, I want fulfillment. When I was young, I wanted cars. Now that I'm old, I want satisfaction. When I was young, I wanted possessions. Now that I'm old, I want experiences. When I was young, I wanted medals. Now that I'm old, I want mastery. When I was young, I wanted lackeys. Now that I'm old, I want companions. When I was young, I wanted amusement. Now that I'm old, I want rest. When I was young, I wanted beauty. Now that I'm old, I want substance. When I was young, I wanted fame. Now that I'm old, I want legacy. When I was young, I wanted command. Now that I'm old, I want freedom. When I was young, I wanted authority. Now that I'm old, I want influence. When I was young, I wanted reputation. Now that I'm old, I want character. When I was young, I wanted treasure. Now that I'm old, I want truth. When I was young, I wanted confidence. Now that I'm old, I want conviction. When I was young, I wanted lovers. Now that I'm old, I want friends. When I was young, I wanted excess. Now that I'm old, I want joy. When I was young, I wanted degrees. Now that I'm old, I want wisdom. When I was young, I wanted university. Now that I'm old, I want nature. When I was young, I wanted prominence. Now that I'm old, I want humanity. When I was young, I wanted accomplishment. Now that I'm old, I want laughter. When I was young, I wanted greatness. Now that I'm old, I want health. When I was young, I wanted resources. Now that I'm old, I want strategies. When I was young, I wanted contacts. Now that I'm old, I want competence. When I was young, I wanted followers. Now that I'm old, I want students. When I was young, I wanted crowds. Now that I'm old, I want intimacy. When I was young, I wanted empires. Now that I'm old, I want dignity. When I was young, I wanted honor. Now that I'm old, I want integrity. When I was young, I wanted popularity. Now that I'm old, I want loyalty. When I was young, I wanted lovers. Now that I'm old, I want children. When I was young, I wanted strength. Now that I'm old, I want youth. When I was young, I wanted life. Now that I'm old, I want Heaven.
Matshona Dhliwayo
And so at last, instead of loving contention and glory, men become lovers of trade and money; they honour and look up to the rich man, and make a ruler of him, and dishonour the poor man. They
Plato (The Republic)
If you have debts, you are poor; if you have assets, you are fortunate; if you have money, you are privileged; if you have peace, you are rich; and if you have contentment, you are wealthy. If you have greed, you are poor; if you have faith, you are fortunate; if you have joy, you are privileged; if you have charity, you are rich; and if you have love, you are wealthy. If you have ignorance, you are poor; if you have education, you are fortunate; if you have understanding, you are privileged; if you have knowledge, you are rich; and if you have wisdom, you are wealthy. If you have no one, you are poor; if you have an acquaintance, you are fortunate; if you have a friend, you are privileged; if you have a lover, you are rich; and if you have a soulmate, you are wealthy.
Matshona Dhliwayo
And if we took away Brian's salary at Schwab and your dad's little allowance, how much money would you have working part-time at that non-profit? Would you be able to afford Bermuda or your two-bedroom in SoHo? Are you more of an adult because two men are giving you the illusion of self-sufficiency?
Lily King (Writers & Lovers)
As change is a constant – as our houses, our money, our friends, our things and even our lovers can always disappear - the one thing that we will always remain the closest to, will be our minds and our bodies.
lauren klarfeld
Early one morning, we lay wrapped under the blankets and I smoothed my sister’s strawberry hair, and she whispered, I just don’t want to be here anymore. I want it to stop. And that same cold panic grew too big for my body, swelling, throbbing angrily. Without thinking about money or work or school or any of the millions of practicalities for which I’d become responsible, I said, Then let’s go somewhere. And we did.
Emily Henry (Book Lovers)
All knowledge that takes special training to acquire is the province of the Magician energy. Whether you are an apprentice training to become a master electrician and unraveling the mysteries of high voltage; or a medical student, grinding away night and day, studying the secrets of the human body and using available technologies to help your patients; or a would-be stockbroker or a student of high finance; or a trainee in one of the psychoanalytic schools, you are in exactly the same position as the apprentice shaman or witch doctor in tribal societies. You are spending large amounts of time, energy, and money in order to be initiated into rarefied realms of secret power. You are undergoing an ordeal testing your capacities to become a master of this power. And, as is true in all initiations, there is no guarantee of success. [Magician energy]
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering Masculinity Through the Lens of Archetypal Psychology - A Journey into the Male Psyche and Its Four Essential Aspects)
Appropriate. The absurdity of the word struck me and I almost scoffed aloud. What, if anything, in our life was appropriate? We killed to live, we lied and cheated and took lovers, we slipped from town to town like ghosts, draining the populace of their money and blood before moving on. Not a month ago we had brought two young men home with us from the streets and taken our pleasure with them before draining them dry in our wedding bed. I had given up appropriate when I had given up my ability to eat mortal food, to walk abroad in the sun.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
Older men were better companions, they were seasoned lovers, they knew the world, they knew themselves. Unlike younger men, they held their emotions in balance. They had read more, seen more, they were warmer, kinder, less boastful, more tolerant, less violent. They were more interesting, they could choose the wine. They had more money.
Ian McEwan (Solar)
Lovers of luxury have always been among us. They usually self-collate into a confederacy of upper-crust who are lured by exciting distractions that borrow their time, rarely giving it back. Instead of loving people and using money, Gogs love money and use people. (1Joh 2:16) Michael Ben Zehabe, Ruth: a woman’s guide to husband material, pg 6
Michael Ben Zehabe (Ruth: A Woman's Guide to Husband Material)
To make themselves feel better, my patrons would make presents of money or jewellery, but I found a much more valuable form of payment.” Secrets, I think. That’s what Finnick told me his lovers paid him in, only I thought the whole arrangement was by his choice. “Secrets,” he says, echoing my thoughts. “And this is where you’re going to want to stay tuned, President Snow, because so very many of them were about you. But let’s begin with some of the others.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Where's my life gone? Where's it going? Looking across the grassy marshland to Flint and up the coast to Point Of Air, I start to wonder what all those poor fuckers in Wales are doing with their lives. Screwing? Sleeping in? Debating whether to take breakfast in bed to their broken fathers? Unlikely. They're probably doing what the gilded folk of Hollywood are doing, or Kowloon or Port Elizabeth. Worrying. Worrying about getting old, or about work, or about money, or about their boyfriend, mistress, lover, house, health, future. Life is shit. There is no fucking point to any of it. Not now that we've evolved past the survival stage. Maybe we used to live to hunt to kill to eat to live another day. Now we just kill time in as many sophisticated ways as possible. Pointless jobs. Pointless lives. Work. Television. Football.
Kevin Sampson (Awaydays)
Rather than throw the white arsenic away, it was realised that money could be made by selling the substance as a poison to get rid of all kinds of vermin, including cockroaches, rats, stray animals - as well as relatives and secret lovers.
Neil Bradbury (A Taste for Poison: Eleven Deadly Molecules and the Killers Who Used Them)
The sea is not a whore, for she is free and joyous, but she is a woman. She obeys the moon, as women do, and her depths contain both treasures and horrors, and men try to bend her to their will and rarely succeed, no matter how much money they spend in the attempt. The sea does as she wishes, and anyone who would be her lover must be her partner, not her master.
Susan Palwick (Homecoming)
You might have noticed that I have been sending you used books. I have done this not to save money, but to make a point which is that a used book, unlike a used car, hasn't lost any of its initial value. A good story rolls of the lot into the hands of its new reader as smoothly as the day it was written. And there's another reason for these used paperbacks that never cost much even when new; I like the idea of holding a book that someone else has held, of eyes running over lines that have already seen the light of other eyes. That, in one image, is the community of readers, is the communion of literature.
Yann Martel (What is Stephen Harper Reading?: Yann Martel's Recommended Reading for a Prime Minister and Book Lovers of All Stripes)
Let your mistress’s birthday be one of great terror to you: that’s a black day when anything has to be given. However much you avoid it, she’ll still win: it’s a woman’s skill, to strip wealth from an ardent lover. A loose-robed pedlar comes to your lady: she likes to buy: and explains his prices while you’re sitting there. She’ll ask you to look, because you know what to look for: then kiss you: then ask you to buy her something there. She swears that she’ll be happy with it, for years, but she needs it now, now the price is right. If you say you haven’t the money in the house, she’ll ask for a note of hand – and you’re sorry you learnt to write. Why - she asks doesn’t she for money as if it’s her birthday, just for the cake, and how often it is her birthday, if she’s in need? Why - she weeps doesn’t she, mournfully, for a sham loss, that imaginary gem that fell from her pierced ear? They many times ask for gifts, they never give in return: you lose, and you’ll get no thanks for your loss. And ten mouths with as many tongues wouldn’t be enough for me to describe the wicked tricks of whores.
Ovid (The Art of Love)
I think of it as saying Yes to Nothing. If your choice is either the wrong thing or nothing, however frightened you are, you’ve got to take nothing. Haven’t you? Hasn’t everyone? No husband, no lover, no band, no money, no confidence. Here goes nothing.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys.: A Memoir)
Playing Cupid, I should have you know, isn’t just a matter of flying around Arcadia and feeling your tiny winkle throb when the lovers finally kiss. It’s to do with timetables and street maps, cinema times and menus, money and organisation. You have to be both jaunty cheerleader and lithe psychiatrist. You require the binary skill of being absent when present, and present when absent.
Julian Barnes (Talking It Over)
Addiction has ruined so much of my life it’s not funny. It’s ruined relationships. It’s ruined the day-to-day process of being me. I have a friend who doesn’t have any money, lives in a rent-controlled apartment. Never made it as an actor, has diabetes, is constantly worried about money, doesn’t work. And I would trade places with him in a second. In fact, I would give up all the money, all the fame, all the stuff, to live in a rent-controlled apartment—I’d trade being worried about money all the time to not have this disease, this addiction. And not only do I have the disease, but I also have it bad. I have it as bad as you can have it, in fact. It’s backs-to-the-wall time all the time. It’s going to kill me (I guess something has to). Robert Downey Jr., talking about his own addiction, once said, “It’s like I have a gun in my mouth with my finger on the trigger, and I like the taste of the metal.” I got it; I understand that.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
In Floral Heights and the other prosperous sections of Zenith, especially in the “young married set,” there were many women who had nothing to do. Though they had few servants, yet with gas stoves, electric ranges and dish-washers and vacuum cleaners, and tiled kitchen walls, their houses were so convenient that they had little housework, and much of their food came from bakeries and delicatessens. They had but two, one, or no children; and despite the myth that the Great War had made work respectable, their husbands objected to their “wasting time and getting a lot of crank ideas” in unpaid social work, and still more to their causing a rumor, by earning money, that they were not adequately supported. They worked perhaps two hours a day, and the rest of the time they ate chocolates, went to the motion-pictures, went window-shopping, went in gossiping twos and threes to card-parties, read magazines, thought timorously of the lovers who never appeared, and accumulated a splendid restlessness which they got rid of by nagging their husbands. The husbands nagged back.
Sinclair Lewis (Babbitt)
If you don’t drink coffee, you should think about two to four cups a day. It can make you more alert, happier, and more productive. It might even make you live longer. Coffee can also make you more likely to exercise, and it contains beneficial antioxidants and other substances associated with decreased risk of stroke (especially in women), Parkinson’s disease, and dementia. Coffee is also associated with decreased risk of abnormal heart rhythms, type 2 diabetes, and certain cancers.12, 13 Any one of those benefits of coffee would be persuasive, but cumulatively they’re a no-brainer. An hour ago I considered doing some writing for this book, but I didn’t have the necessary energy or focus to sit down and start working. I did, however, have enough energy to fix myself a cup of coffee. A few sips into it, I was happier to be working than I would have been doing whatever lazy thing was my alternative. Coffee literally makes me enjoy work. No willpower needed. Coffee also allows you to manage your energy levels so you have the most when you need it. My experience is that coffee drinkers have higher highs and lower lows, energywise, than non–coffee drinkers, but that trade-off works. I can guarantee that my best thinking goes into my job, while saving my dull-brain hours for household chores and other simple tasks. The biggest downside of coffee is that once you get addicted to caffeine, you can get a “coffee headache” if you go too long without a cup. Luckily, coffee is one of the most abundant beverages on earth, so you rarely have to worry about being without it. Coffee costs money, takes time, gives you coffee breath, and makes you pee too often. It can also make you jittery and nervous if you have too much. But if success is your dream and operating at peak mental performance is something you want, coffee is a good bet. I highly recommend it. In fact, I recommend it so strongly that I literally feel sorry for anyone who hasn’t developed the habit.
Scott Adams (How to Fail at Almost Everything and Still Win Big: Kind of the Story of My Life)
You, and rule!” she said. “You don’t rule, don’t flatter yourself. You have only got more than your share of the money, and make people work for you for two pounds a week, or threaten them with starvation. Rule! What do you give forth of rule? Why, you’re dried up! You only bully with your money,
D.H. Lawrence (Lady Chatterley's Lover)
Mom used to say New York was a great place to have no money. There’s so much free art and beauty, so much incredible, cheap food. But having money in New York, I remember her saying one winter as we window-shopped on the Upper East Side, Libby and I hanging on to her gloved hands, now that would be magical.
Emily Henry (Book Lovers)
There was always time to hold someone's hand or listen to their worries or offer a shoulder to cry on because in the blink of an eye you could be on the other side of that conversation. After all tragedy didn't discriminate, so everyone was subject to the same whims of fate. No matter what your skin color was or how much money you had, whether you were gay or straight or an Atheist or a true believer, from where she stood everyone was equal. And loved by someone somewhere.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
Nadine shouldn’t have given up on acting,” Charlie says. The words float there for a minute, an obvious trap. “She makes a lot of money agenting,” I reply. “She doesn’t enjoy her money,” he reminds me. I keep typing. “She likes agenting.” “She loved acting.” “I thought you were her biggest fan.” “I am,” he says. “That’s why I want her to get her happy ending.” “I don’t think it’s that kind of book, Charlie.” His shoulder shrugs in tandem with a flick of his full lips. “We’ll see.
Emily Henry (Book Lovers)
I can’t help but think, does money determine if I am good enough? If I was in your shoes, would life pity me or accept me because of what I have? Why can’t people look at others for who they are instead of putting a price tag on a person because of the type of car they drive or the kind of house they live in? I guess that’s life.
Charlena E. Jackson (The Stars Choose Our Lovers)
If you try to buy love, you will go bankrupt trying to possess it.
Matshona Dhliwayo
Kad biste im mogli samo dokazati da živjeti i trošiti nije jedno te isto!
D.H. Lawrence (Lady Chatterley's Lover)
We spend great sum of money to buy good books, so that we can satisfy our pleasure of reading.
Lailah Gifty Akita
If I had time, money and knowledge I could write about everything; but no problem, Google is already doing it
Bangambiki Habyarimana (Pearls Of Eternity)
everywhere for it. And, as she sought, the conviction came into her heart that her husband had taken it. What she had in her purse was all the money
D.H. Lawrence (Sons and Lovers)
Money one always wanted.
D.H. Lawrence (Lady Chatterley's Lover)
Make money! Make it! Out of nowhere. Wring it out of the thin air! The last feat to be humanly proud of!
D.H. Lawrence (Lady Chatterley's Lover)
And what then? What did life offer apart from the care of money? Nothing.
D.H. Lawrence (Lady Chatterley's Lover)
I don't believe in the world, not in money, nor in advancement, nor in the future of our civilization.
D.H. Lawrence (Lady Chatterley's Lover)
The gentry were departing to pleasanter places, where they could spend their money without having to see how it was made.
D.H. Lawrence
Once again she had spent all her monthly savings on books! She was a true bookworm, not a promising feature at all given that it had zero value in the eyes of a boy.
Elif Shafak (The Bastard of Istanbul)
Begin your career as a copywriting lover, not a fighter, and you will always be doubly blessed — with good money and goodwill.
Michael Masterson (The Architecture of Persuasion: How to Write Well-Constructed Sales Letters)
Clifford had never been primarily out for money, though he made it where he could, for money is the seal and stamp of success.
D.H. Lawrence (Lady Chatterley's Lover)
Times of difficulty arise because people are lovers of themselves and lovers of money and lovers of pleasure rather than lovers of good and lovers of God.
Lydia Brownback (Flourish: How the Love of Christ Frees Us from Self-Focus)
If you set up your business like you don’t need the money, people are happier to pay you. When someone’s doing something for the money, people can sense it, like they sense a desperate lover. It’s a turnoff. When someone’s doing something for love, being generous instead of stingy, trusting instead of fearful, it triggers this law: We want to give to those who give.
Derek Sivers (Anything You Want: 40 Lessons for a New Kind of Entrepreneur)
And so at last, instead of loving contention and glory, men become lovers of trade and money; they honour and look up to the rich man, and make a ruler of him, and dishonour the poor man.
Plato (The Republic)
The accumulation of gold in the treasury of private individuals is the ruin of timocracy; they invent illegal modes of expenditure; for what do they or their wives care about the law? Yes, indeed. And then one, seeing another grow rich, seeks to rival him, and thus the great mass of the citizens become lovers of money. Likely enough. And so they grow richer and richer, and the more they think of making a fortune the less they think of virtue; for when riches and virtue are placed together in the scales of the balance, the one always rises as the other falls. True. And in proportion as riches and rich men are honoured in the State, virtue and the virtuous are dishonoured. Clearly. And what is honoured is cultivated, and that which has no honour is neglected.
Plato (The Republic)
I mean, if we could have everything, sure. If we can have it all, yeah, I wish them easy, successful, fun-filled lives, crowned with good friends, attentive lovers, heaps of money, intellectual stimulation, and good views out the window. I wish them eternal beauty, international travel, and smart things to watch on TV. But if I can’t have everything, if I only get a few, I’m not sure easy makes my wish list.
Laurie Frankel (This Is How It Always Is)
I confess that I enjoy this vocation, in spite of my sex. I feel a certain thrill, as if I were visiting a lover. But it is money I court, money that woos me, and the intoxicating power to earn a very great deal.
Sandra Gulland (Tales of Passion, Tales of Woe (Josephine Bonaparte, #2))
All the lot. Their spunk is gone dead. Motor-cars and cinemas and aeroplanes suck that last bit out of them. I tell you, every generation breeds a more rabbity generation, with India rubber tubing for guts and tin legs and tin faces. Tin people! It’s all a steady sort of bolshevism just killing off the human thing, and worshipping the mechanical thing. Money, money, money! All the modern lot get their real kick out of killing the old human feeling out of man, making mincemeat of the old Adam and the old Eve. They’re all alike. The world is all alike: kill off the human reality, a quid for every foreskin, two quid for each pair of balls. What is cunt but machine-fucking! — It’s all alike. Pay ’em money to cut off the world’s cock. Pay money, money, money to them that will take spunk out of mankind, and leave ’em all little twiddling machines.
D.H. Lawrence (Lady Chatterley's Lover)
We get this all the time as women, right? Like, if you make plenty of money but don’t have any kids, you might get called successful. But unless you have kids, no one will ever call you a great woman. You know what I mean?
Mieko Kawakami (All The Lovers In The Night)
It’s the person who would sell his soul for a nickel, who is loudest in proclaiming his hatred of money—and he has good reason to hate it. The lovers of money are willing to work for it. They know they are able to deserve it.
Ayn Rand (Atlas Shrugged)
We are a generation of lovers who long to be loved. We spend exorbitant amounts of money to compel others to delight in us. We construct our ideal life on Facebook because we are unsatisfied with our real life, which is tainted with boredom, loneliness, insecurity, and a lack of friends and followers . We do not enjoy the person God created us to be or the life God has gifted us with. We think we are overweight, underweight, too pale, too dark, too plain, or just plain boring. Yet we crave to be delighted in by a significant other. So we pursue misguided avenues to make ourselves delightful, to satisfy our craving to be loved. Charis: God's Scandalous Grace for Us (pp. 118-119).
Preston Sprinkle
The fact that so many young men and women enter the teaching profession shows that there are still some people willing to scrape along on comparatively little money for the pleasure of following an occupation in which they delight.
Harold Rabinowitz (A Passion for Books: A Book Lover's Treasury of Stories, Essays, Humor, Love and Lists on Collecting, Reading, Borrowing, Lending, Caring for, and Appreciating Books)
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
I had the most beautiful, famous woman in the world as my girlfriend; I was on the number one TV show in America; I was making a lot of money shooting a movie that could only be a number one box-office smash. I revved that Jet Ski hard,
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
And when you see a man who is repining at the approach of death, is not his reluctance a sufficient proof that he is not a lover of wisdom, but a lover of the body, and probably at the same time a lover of either money or power, or both?
Plato (Phaedo)
My energies knew no bounds and I became more and more interested in civic causes, the first of which was The Tailwaggers. It was an organization that cared for abandoned and lost dogs. Its English progenitor had been started by the Duke of Windsor—now married to the lady at King’s Bench. A lifelong dog lover, I became president of the group and during my tenure of office we trained dogs for the blind. The work became infinitely satisfying and accomplished a twofold purpose. In order to raise money,
Bette Davis (The Lonely Life: An Autobiography)
As she told her staff, there was always time to hold someone's hand or listen to their worries or offer a shoulder to cry on, because in the blink of an eye you could be on the other side of that conversation. After all, tragedy didn't discriminate, so everyone was subject to the same whims of fate. No matter what your skin color was or how much money you had, whether you were gay or straight, or an atheist or a true believer, from where she stood, everyone was equal. And loved by someone, somewhere.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
But I wouldn't preach to the men: only strip 'em an' say: Look at yourselves! That's workin' for money!--Hark at yourselves! That's working for money. You've been working for money! Look at Tevershall! It's horrible. That's because it was built while you was working for money. Look at your girls! They don't care about you, you don't care about them. It's because you've spent your time working an' caring for money. You can't talk nor move nor live, you can't properly be with a woman. You're not alive. Look at yourselves!
D.H. Lawrence (Lady Chatterley’s Lover)
The cherry trees are disconsolate lovers; they can't hold their pink smiles after the unkindness of that night. The wind here is straight from Chicago - it will snap you unless you bend. The news from far-off money towns is the clamor of falling towers. Yet my woolly dog is happy chasing a well-chewed stick and a wet spaniel, a green-headed duck is talking quarks with a brown-headed duck on the lake shore, and my friend is reading poems of spring in a language she knows only in dreams. The wild cherries will bloom again.
Robert Moss (Here, Everything Is Dreaming: Poems and Stories (Excelsior Editions))
Portia we can admire because, having seen her leave her Earthly Paradise to do a good deed in this world (one notices, incidentally, that in this world she appears in disguise), we know that she is aware of her wealth as a moral responsibility, but the other inhabitants of Belmont, Bassanio, Gratiano, Lorenzo and Jessica, for all their beauty and charm, appear as frivolous members of a leisure class, whose carefree life is parasitic upon the labors of others, including usurers. When we learn that Jessica has spent fourscore ducats of her father’s money in an evening and bought a monkey with her mother’s ring, we cannot take this as a comic punishment for Shylock’s sin of avarice; her behavior seems rather an example of the opposite sin of conspicuous waste. Then, with the example in our minds of self-sacrificing love as displayed by Antonio, while we can enjoy the verbal felicity of the love duet between Lorenzo and Jessica, we cannot help noticing that the pairs of lovers they recall, Troilus and Cressida, Aeneas and Dido, Jason and Medea, are none of them examples of self-sacrifice or fidelity. […] Belmont would like to believe that men and women are either good or bad by nature, but Antonio and Shylock remind us that this is an illusion; in the real world, no hatred is totally without justification, no love totally innocent.
W.H. Auden (The Dyer's Hand and Other Essays)
Tu, tu che non vuoi ch'io mi renda conto della tua posizione, e hai la vanità di mantenere a me la mia; tu che, conservandomi il lusso nel quale vivevo, conservi la distanza morale che ci separa; tu, infine, che non giudichi il mio affetto abbastanza disinteressato per dividere con me quello che possiedi, e basterebbe a vivere insieme felici, mentre preferisci rovinarti, schiavo di un pregiudizio ridicolo. E credi tu davvero ch'io possa paragonare una carrozza e alcuni gioielli col tuo amore? E che il mio bene consista in vanità che accontentano quando non si ha amore per nulla, ma diventano subito meschine quando si ama? Tu pagherai i miei debiti, impegnerai il tuo patrimonio e insomma mi manterrai! Quanto potrà durare tutto ciò? Due o tre mesi, e sarà troppo tardi allora vivere come ti propongo, perché allora tu dovrai accettare tutto da me, ciò che un gentiluomo non può fare. Oggi invece, con i tuoi otto o diecimila franchi di rendita, possiamo vivere. Io venderò il mio superfluo, e da questa sola vendita ricaverò duemila franchi di reddito. Affitteremo un bell'appartamento per tutti e due. L'estate andremo in campagna, non in una casa con questa, ma in una casetta che basti a due persone. Tu sei indipendente, io libera, e siamo giovani: in nome di Dio, Armando, non ricacciarmi nella vita che fui costretta a condurre un giorno.
Alexandre Dumas fils (La dame aux camélias)
Why wouldn’t he? Because y’all are friends? I work with money every day. Money is like acid. It burns through everything. Friendships, family, lovers, husbands and wives. Whatever bond you think you have, money will make that shit dissolve. It’s acid. Don’t ever lie to yourself and think it ain’t,” Roman said.
S.A. Cosby (King of Ashes)
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure. The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil! But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt. Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
Alexandre Dumas (La dame aux camélias)
To Lovers out there … Being romantic it doesn't mean spending money or buying expensive gifts or doing expensive things, but it means doing what you partner wants, needs, loves and appreciates. Doing what you think it will make them happy. Doing something that will make them feel special. That is being romantic.
D.J. Kyos
Whereas traditionally the family was the main matchmaker, today it’s the market that tailors our romantic and sexual preferences, and then lends a hand in providing for them – for a fat fee. Previously bride and groom met in the family living room, and money passed from the hands of one father to another. Today courting is done at bars and cafés, and money passes from the hands of lovers to waitresses. Even more money is transferred to the bank accounts of fashion designers, gym managers, dieticians, cosmeticians and plastic surgeons, who help us arrive at the café looking as similar as possible to the market’s ideal of beauty.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Dear lady,' says a faerie, coming toward us from a shop that sells jewels. He has the eyes of a snake and forked tongue that darts out when he speaks. 'This hairpin looks as though it were made for you.' It's beautiful, woven gold and silver in the shape of a bird, a single green bead in its mouth. Had it been in a display, my eyes would have passed over it as one of a dozen unobtainable things. But as he holds it out, I can't help imaging it as as mine. 'I have no money and little to trade,' I tell him regretfully, shaking my head. The shopkeeper's gaze goes to Oak. I think he believes the prince is my lover. Oak plays the part, reaching out his hand for the pin. 'How much is it? And will you take silver, or must it be the last wish of my heart?' 'Silver is excellent.' The shopkeeper smiles as Oak fishes through his bag for some coins. Part of me wants to demur, but I let him buy it, and then I let him use it to pin back my hair. His fingers on my neck are warm. It's only when he lets go that I shiver. He gives me a steady look. 'I hope you're not about to tell me that you hate it and you were just being polite.' 'I don't hate it,' I say softly. 'And I am not polite.' He laughs at that. A delightful quality. I admire the hairpin in every reflective surface we pass.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Today courting is done at bars and cafés, and money passes from the hands of lovers to waitresses. Even more money is transferred to the bank accounts of fashion designers, gym managers, dieticians, cosmeticians and plastic surgeons, who help us arrive at the café looking as similar as possible to the market’s ideal of beauty.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
To lovers out there ... Some people in a relationship, lose their partners by substituting Instead of adding to what they have. Once they have fame, money, car, house, beauty, job, friends . They substitute respect , treatment, love and care in relationship with those things. That is why ? The relationship becomes sour and dies.
D.J. Kyos
Then you'll see that debauchery is liberating because it creates no obligations. In it you possess only yourself; hence it remains the favorite pastime of the great lovers of their own person. It is a jungle without past or future, without any promise of above all, nor any immediate penalty. The places where it is practiced are separated from the world. On entering, one leaves behind fear and hope. Conversation is not obligatory there; what one comes for can be had without words, and often indeed without money. Ah, I beg you, let me pay honor to the unknown and forgotten women who helped me then! Even today, my recollection of them contains something resembling respect.
Albert Camus (The Fall (Vintage International))
It is difficult to know what to make of the Good Goddess affair. AS far as one can tell, there were no political overtones. But a house crowded with visitors was hardly a convenient rendezvous point for clandestine lovers. Probably all that Clodius had in mind was a dare. It was exactly the kind of practical joke that would amuse Rome’s fashionable younger generation. These young men and women had plenty of money and were socially and sexually liberated. They turned their backs on the severe tradition of public duty. No longer defining themselves exclusively in terms of community—family, gens, patrician or noble status—and rebelling against authority, they lived for the moment.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
The saying is  v trustworthy: If anyone aspires to  w the office of overseer, he desires a noble task. 2Therefore  x an overseer [1] must be above reproach,  y the husband of one wife, [2]  z sober-minded, self-controlled, respectable,  a hospitable,  b able to teach, 3not a drunkard, not violent but  c gentle, not quarrelsome,  d not a lover of money.
Anonymous (Holy Bible: English Standard Version (ESV))
True leaders pursue knowledge, not recognition; understanding, not titles; wisdom, not power; purpose, not riches; excellence, not success; opportunities, not obstacles; character, not fame; diligence, not entertainment; happiness, not money; dignity, not position; a career, not a job; influence, not popularity; performance, not acclaim; and pursue dreams, not tradition. True leaders are givers, not takers; builders, not destroyers; doers, not talkers; encouragers, not flatterers; lovers, not haters; warriors, not worriers; forgivers, not shamers; performers, not complainers; givers, not takers; achievers, not quitters; doers, not doubters; winners, not losers; performers, not manipulators; and are masters, not amatuers.
Matshona Dhliwayo
Then we may begin by assuming that there are three classes of men—lovers of wisdom, lovers of honour, lovers of gain? Exactly. And there are three kinds of pleasure, which are their several objects? Very true. Now, if you examine the three classes of men, and ask of them in turn which of their lives is pleasantest, each will be found praising his own and depreciating that of others: the money-maker will contrast the vanity of honour or of learning if they bring no money with the solid advantages of gold and silver? True, he said. And the lover of honour—what will be his opinion? Will he not think that the pleasure of riches is vulgar, while the pleasure of learning, if it brings no distinction, is all smoke and nonsense to him? Very true. And are we to suppose, I said, that the philosopher sets any value on other pleasures in comparison with the pleasure of knowing the truth, and in that pursuit abiding, ever learning, not so far indeed from the heaven of pleasure? Does he not call the other pleasures necessary, under the idea that if there were no necessity for them, he would rather not have them? There
Plato (The Republic)
Cat lovers take cover. Believe it or not, in the 15th century, there was a ‘sport’ involving the swinging of cats (by the tail) into the air where they would become moving targets for archers at fetes, fayres and country festivals. Crowded festivals would be described as having no room to ‘swing the cat’ as revellers would be in danger of being hit by stray arrows.   When
Albert Jack (Money for Old Rope: The Origins of Some Things You Thought You Already Knew (The Big Book of Everything - Part 1))
2For people will be  zlovers of self,  alovers of money,  bproud,  barrogant, abusive,  bdisobedient to their parents, ungrateful, unholy, 3 cheartless, unappeasable, slanderous, without self-control, brutal,  dnot loving good, 4treacherous, reckless,  eswollen with conceit,  flovers of pleasure rather than lovers of God, 5having the appearance of godliness, but  gdenying its power.
Anonymous (Holy Bible: English Standard Version (ESV))
Just to keep the business mechanically going, you needed money. You had to have it. Money you have to have. You needn’t really have anything else. So that’s that! Since, of course, it’s not your own fault you are alive. Once you are alive, money is a necessity, and the only absolute necessity. All the rest you can get along without, at a pinch. But not money. Emphatically, that’s that!
D.H. Lawrence (Lady Chatterley's Lover)
Lovers of God possess intense concentration. In prayer their attention rivets itself so completely onto God that nothing can tear it away. Even a suggestion of the divine may draw them into a higher state of consciousness. Occasionally this can be somewhat inconvenient. Sri Ramakrishna once went to see a religious drama produced by his disciple. The curtain went up and a character started singing the praises of the Lord. Sri Ramakrishna immediately began to enter the supreme state of consciousness. The stage faded; the actors and actresses faded. As only a great mystic can, he uttered a protest: "I come here, Lord, to see a play staged by my disciple, and you send me into ecstasy. I won't let it happen!" And he started saying over and over, "Money... money...money," so as to keep some awareness of the temporal world.
Eknath Easwaran (Passage Meditation: Bringing the Deep Wisdom of the Heart into Daily Life (Essential Easwaran Library))
Emilia turned to him, narrowing her eyes. "Why do you own a monstrous Cheshire Cat statue?" "Why does anyone own anything?" Sebastian shrugged. "It spoke to me." She scoffed. "What did it say? 'Buy me, I'm hideous'?" He grinned. "I'll have you know, it was an auction find. One-of-a-kind. Just like me." Emilia gave him a long, skeptical look. "You have entirely too much money." Sebastian grinned. "Yes, and somehow I still remain devastatingly charming.
Hailee Carmel (Throne Off Course: A Royal RomCom Enemies to Lovers Romance (Royals of Caledonia Book 1))
No. Jackie would never fold, never work the system, never whore herself out to the president’s men in exchange for money or a voice or a month of liberty. Patrick would, of course. Lorenzo wouldn’t. That was the difference between my husband and my lover. But Lorenzo did, the second he signed the contract and agreed to work on the aphasia project. As I pull into my driveway, the reason dawns on me: Lorenzo has another agenda, and I think it bears my name.
Christina Dalcher (Vox)
She had made up her mind she wanted nothing. That seemed the simplest solution of the otherwise insoluble. She wanted nothing more than what she'd got; only she wanted to get ahead with what she'd got: Clifford, the stories, Wragby, the Lady-Chatterley business, money and fame, such as it was. . .she wanted to go ahead with it all. Love, sex, all that sort of stuff, just water-ices! Lick it up and forget it. If you don't hang on to it in your mind, it's nothing.
D.H. Lawrence (Lady Chatterley’s Lover)
if that bastard’s innocent,” Rhage spoke up, “I’m the fucking Easter bunny.” “Oh, good,” someone quipped. “I’m calling you Hop-along Hollywood from now on.” “Beasty Bo Peep,” somebody else threw out. “We could put you in a Cadbury ad and finally make some money—” “People,” Rhage barked, “the point is that he is not innocent and I’m not the Easter bunny—” “Where’s your basket?” “Can I play with your eggs?” “Hop it out, big guy—” “Will you guys fuck off? Seriously!” As
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
So what are you scared of?' he asks me at our last appointment. 'I mean really scared of.' I try to think about it. 'I'm scared that if I can't even handle this right now, how will I be able to handle bigger things in the future?' He nods. He scrapes his moustache against his thumbs. 'Bigger things in the future. What's bigger than this? Your mother dies suddenly. It echoes her previous abandonment of you thus making her death a double whammy. Your father proved to be incapable of being your father. You owe money to several large corporations who will squeeze you indefinitely. You spent six years writing a novel that may or may not get published. You got fired from your job. You say you want a family of your own but there doesn't seem to be a man in your life, and you may have fertility problems. I don't know, my friend. This is not nothing.' Of all his strange responses, this is the one that helps me the most. This is not nothing.
Lily King (Writers & Lovers)
1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
The Pretender" I'm going to rent myself a house In the shade of the freeway I'm going to pack my lunch in the morning And go to work each day And when the evening rolls around I'll go on home and lay my body down And when the morning light comes streaming in I'll get up and do it again Amen Say it again Amen I want to know what became of the changes We waited for love to bring Were they only the fitful dreams Of some greater awakening I've been aware of the time going by They say in the end it's the wink of an eye And when the morning light comes streaming in You'll get up and do it again Amen Caught between the longing for love And the struggle for the legal tender Where the sirens sing and the church bells ring And the junk man pounds his fender Where the veterans dream of the fight Fast asleep at the traffic light And the children solemnly wait For the ice cream vendor Out into the cool of the evening Strolls the Pretender He knows that all his hopes and dreams Begin and end there Ah the laughter of the lovers As they run through the night Leaving nothing for the others But to choose off and fight And tear at the world with all their might While the ships bearing their dreams Sail out of sight I'm going to find myself a girl Who can show me what laughter means And we'll fill in the missing colors In each other's paint-by-number dreams And then we'll put our dark glasses on And we'll make love until our strength is gone And when the morning light comes streaming in We'll get up and do it again Get it up again I'm going to be a happy idiot And struggle for the legal tender Where the ads take aim and lay their claim To the heart and the soul of the spender And believe in whatever may lie In those things that money can buy Though true love could have been a contender Are you there? Say a prayer for the Pretender Who started out so young and strong Only to surrender Jackson Browne, The Pretender (1976)
Jackson Browne (Jackson Browne -- The Pretender: Piano/Vocal/Chords)
the two of them all GQ’d up for Last Meal. Both wore slacks, not jeans, and sweaters, not sweatshirts, and loafers, not shitkickers. They were clean-shaven, cologned, and coiffed, but they were not she-males in the slightest. Frankly, that would have made things a lot easier. For fuck’s sake, he wished one of the SOBs would RuPaul their shit and go all feather boa and fingernail polish. But no. They just kept looking like two too-hot males who knew how to spend their money at Saks
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
And again, there was the wage-squabble. Having lived among the owning classes, he knew the utter futility of expecting any solution of the wage-squabble. There was no solution, short of death. The only thing was not to care, not to care about the wages. Yet, if you were poor and wretched you had to care. Anyhow, it was becoming the only thing they did care about. The care about money was like a great cancer, eating away the individuals of all classes. He refused to care about money.
D.H. Lawrence (Lady Chatterley's Lover)
Loneliness was an alchemist that turned me into gold. Men flock around me to claim a piece of my soul and place their ears on my chest to hear my heart beating slower than the hands of time. Yes, I let them but I so badly wish it was you. I am not easy to love, but then who really is? Treasures and gold I am, I am love and Petra and California too. I am a lottery ticket with the winning numbers, but this money is cursed When I stand in the sun, the reflection is you, you and all you.
Sakshi Narula (Lover ( The Art Of Staying Lost, #1))
Her mother won't stop her when she tries to make money. The child will say, I asked him for five hundred piastres so that we can go back to France. Her mother will say, Good, that's what we'll need to set ourselves up in Paris, we'll be able to manage, she'll say, with five hundred piastres. The child knows what she's doing is what the mother would have chosen for her to do, if she'd dared, if she'd had the strength, if the pain of her thoughts hadn't been there every day, wearing her out.
Marguerite Duras (The Lover)
Money, money, money! All the modern lot get their real kick out of killing the old human feeling out of man, making mincemeat of the old Adam and the old Eve. They’re all alike. The world is all alike: kill off the human reality, a quid for every foreskin, two quid for each pair of balls. What is cunt but machine-fucking!—It’s all alike. Pay ’em money to cut off the world’s cock. Pay money, money, money to them that will take spunk out of mankind, and leave ’em all little twiddling machines.
D.H. Lawrence (Lady Chatterley’s Lover)
Yessir, they’s big money involved in this park fight, that’s the story. Dyer’s the mouthpiece for them east coast developers that has fought that park idea for years; them boys are workin day and night to grab that real estate before all them nature-lovers and such get the Glades nailed down by the federl gov’mint. You ain’t seen all that stuff in the papers? Gettin the public fired up against the feds for wastin half of Florida on this big green nothin? Stead of sellin off that land and cuttin taxes?
Peter Matthiessen (Shadow Country)
I think that soon enough- not right away, but soon- if software keeps getting better and giving us more room, I think that we'll be able to make ourselves into anything we want. "That...sounds a little out there." "Yes. Maybe it is." "Games aren't... People will still want money. They'll still want prestige and social status. Politics. That's forever." "Yes. Forever? Maybe." Neelay stares into his screen, a world coming on hard, where social status will accrue entirely by votes in a space that is at once instant, global, anonymous, virtual, and merciless. "People still have bodies. They want real power. Friends and lovers. Rewards. Accomplishments." "Sure. But soon we'll carry all of that around in our pockets. We'll live and trade and make deals and have love affairs, all in symbol space. The world will be a game, with on-screen scores. And all this?" He waves, as people do on phones, even knowing Chris can't see him. "All the things you say people really want? Real life? Soon we won't even remember how it used to go."p229-30
Richard Powers (The Overstory)
I do not suppose that the youth was one whom ordinary people would call a lover of money; I do not believe he was covetous, or desired even the large increase of his possessions; I imagine he was just like most good men of property: he valued his possesions--looked on them as a good. From this false way of thinking, and all the folly and unreality that accompany it, the Lord would deliver the young man. As the thing was, he was a slave; for a man is in bondage to what ever he cannot part with that is less than himself.
George MacDonald (Unspoken Sermons: Series I, II, III)
First morning, I steal white coffee cup from table. Second morning, I steal glass. So now in my room I can having tea or water. After breakfast I steal breads and boiled eggs for lunch, so I don’t spending extra money on food. I even saving bacons for supper. So I saving bit money from my parents and using for cinema or buying books. Ill–legal. I know. Only in this country three days and I already become thief. I never steal piece of paper in own country. Now I studying hard on English, soon I stealing their language too.
Xiaolu Guo (A Concise Chinese-English Dictionary for Lovers)
It's all a conundrum, isn't it— forgetting the mixed tape in the car... feeling forgotten when... so many people are thinking of us? Drinking when we should be eating... sleeping when we should be making love... thanking God above when we don't have enough? Each day is a mad rush to something irrelevant. We measure our pricelessness by our successes, which... still equals money. Life goes by so quick when each day is a mad rush to slow motion. We eat fast food so that we can go to bed on time, but, trust me, everyone wakes up too late.
Heather Angelika Dooley (Ink Blot in a Poet's Bloodstream)
...the best thing an individual movie lover can do is have fun. No great movement can happen in popular art without pure pleasure being the motive. (...) There should be nothing dutiful about exploring these actresses, and no one needs to consider himself or herself virtuous for knowing their films. All they offer is the exhilaration of experiencing a grand movement and the satisfaction that great art grants to those who pay attention. If we enjoy their work and love their work and spend our money accordingly, all will turn out right in the end.
Mick LaSalle (The Beauty of the Real: What Hollywood Can Learn from Contemporary French Actresses)
The soldiers were already laying pikes along the wall by torch-light, with the points bristling upwards; they had draped cloaks over the poles to make small tents to sleep under. A few of them were sitting around small campfires, soaking dried meat in boiling water, stirring kasha into the broth to cook up. They cleared hastily out of our way without our even having to say a word, afraid. Sarkan seemed not to notice, but I couldn’t help feeling sorry and strange and wrong. One of the soldiers was a boy my own age, industriously sharpening pike-heads one by one with a stone, skillfully: six strokes for each one and done as quick as the two men putting them along the wall could come back for them. He must have put himself to it, to learn how to do it so well. He didn’t look sullen or unhappy. He’d chosen to go for a soldier. Maybe he had a story that began that way: a poor widowed mother at home and three young sisters to feed, and a girl from down the lane who smiled at him over the fence as she drove her father’s herd out into the meadows every morning. So he’d given his mother his signing-money and gone to make his fortune. He worked hard; he meant to be a corporal soon, and after that a sergeant: he’d go home then in his fine uniform, and put silver in his mother’s hands, and ask the smiling girl to marry him. Or maybe he’d lose a leg, and go home sorrowful and bitter to find her married to a man who could farm; or maybe he’d take to drink to forget that he’d killed men in trying to make himself rich. That was a story, too; they all had stories. They had mothers or fathers, sisters or lovers. They weren’t alone in the world, mattering to no one but themselves.
Naomi Novik (Uprooted)
-? `Is there much Socialism, Bolshevism, among the people?' he asked. `Oh!' said Mrs Bolton, `you hear a few loud-mouthed ones. But they're mostly women who've got into debt. The men take no notice. I don't believe you'll ever turn our Tevershall men into reds. They're too decent for that. But the young ones blether sometimes. Not that they care for it really. They only want a bit of money in their pocket, to spend at the Welfare, or go gadding to Sheffield. That's all they care. When they've got no money, they'll listen to the reds spouting. But nobody believes in it, really.
D.H. Lawrence (Lady Chatterley's Lover)
This disease … the big horrible thing. Addiction has ruined so much of my life it’s not funny. It’s ruined relationships. It’s ruined the day-to-day process of being me. I have a friend who doesn’t have any money, lives in a rent-controlled apartment. Never made it as an actor, has diabetes, is constantly worried about money, doesn’t work. And I would trade places with him in a second. In fact, I would give up all the money, all the fame, all the stuff, to live in a rent-controlled apartment—I’d trade being worried about money all the time to not have this disease, this addiction.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
In Paris at any rate she felt a bit of sensuality still. But what a weary, tired, worn-out sensuality. Worn-out for lack of tenderness. Oh! Paris was sad. One of the saddest towns: weary of its now-mechanical sensuality, weary of the tension of money, money, money, weary even of resentment and conceit, just weary to death, and still not sufficiently Americanized or Londonized to hide the weariness under a mechanical jig-jig-jig! Ah, these manly he-men, these flâneurs, the oglers, these eaters of good dinners! How weary they were! weary, worn-out for lack of a little tenderness, given and taken.
D.H. Lawrence (Lady Chatterley's Lover)
we know a good thing has become a counterfeit god when its demands on you exceed proper boundaries. Making an idol out of work may mean that you work until you ruin your health, or you break the laws in order to get ahead. Making an idol out of love may mean allowing the lover to exploit and abuse you, or it may cause terrible blindness to the pathologies in the relationship. An idolatrous attachment can lead you to break any promise, rationalize any indiscretion, or betray any other allegiance, in order to hold on to it. It may drive you to violate all good and proper boundaries. To practice idolatry is to be a slave.
Timothy J. Keller (Counterfeit Gods: The Empty Promises of Money, Sex, and Power, and the Only Hope that Matters)
Nobody is ever made happy by winning the lottery, buying a house, getting a promotion or even finding true love. People are made happy by one thing and one thing only – pleasant sensations in their bodies. A person who just won the lottery or found new love and jumps from joy is not really reacting to the money or the lover. She is reacting to various hormones coursing through her bloodstream and to the storm of electric signals flashing between different parts of her brain. Unfortunately for all hopes of creating heaven on earth, our internal biochemical system seems to be programmed to keep happiness levels relatively constant. There's no natural selection for happiness as such - a happy hermit's genetic line will go extinct as the genes of a pair of anxious parents get carried on to the next generation. Happiness and misery play a role in evolution only to the extent that they encourage or discourage survival and reproduction. Perhaps it's not surprising, then, that evolution has moulded us to be neither too miserable nor too happy. It enables us to enjoy a momentary rush of pleasant sensations, but these never last for ever. Sooner of later they subside and give place to unpleasant sensations. (...) Some scholars compare human biochemistry to an air-conditioning system that keeps the temperature constant, come heatwave or snowstorm. Events might momentarily change the temperature, but the air-conditioning system always returns the temperature to the same set point. Some air-conditioning systems are set at twenty-five degrees Celsius. Others are set at twenty degrees. Human happiness conditioning systems also differ from person to person. On a scale from one to ten, some people are born with a cheerful biochemical system that allows their mood to swing between levels six and ten, stabilising with time at eight. Such a person is quite happy even if she lives in an alienating big city, loses all her money in a stock-exchange crash and is diagnosed with diabetes. Other people are cursed with a gloomy biochemistry that swings between three and seven and stabilises at five. Such an unhappy person remains depressed even if she enjoys the support of a tight-knit community, wins millions in the lottery and is as healthy as an Olympic athlete (...) incapable of experiencing anything beyond level seven happiness. Her brain is simply not built for exhilaration, come what may. (...) Buying cars and writing novels do not change our biochemistry. They can startle it for a fleeting moment, but it is soon back to the set point.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
But realize this, that in the last days difficult times will come. 2For men will be lovers of self, lovers of money, boastful, arrogant, revilers, disobedient to parents, ungrateful, unholy, 3unloving, irreconcilable, malicious gossips, without self-control, brutal, haters of good, 4treacherous, reckless, conceited, lovers of pleasure rather than lovers of God, 5holding to a form of godliness, although they have denied its power; Avoid such men as these. 6For among them are those who enter into households and captivate weak women weighed down with sins, led on by various impulses, 7always learning and never able to come to the knowledge of the truth.
Anonymous (New American Standard Bible - NASB 1995 (Without Translators' Notes))
Intimacy The woman in the cafe making my cappuccino — dark eyes, dyed red hair, sleeveless black turtleneck — used to be lovers with the man I’m seeing now. She doesn’t know me; we’re strangers, but still I can’t glance at her casually, as I used to, before I knew. She stands at the machine, sinking the nozzle into a froth of milk, staring at nothing — I don’t know what she’s thinking. For all I know she might be remembering my lover, remembering whatever happened between them — he’s never told me, except to say that it wasn’t important, and then he changed the subject quickly, too quickly now that I think about it; might he, after all, have been lying, didn’t an expression of pain cross his face for just and instant? I can’t be sure. And really it was nothing, I tell myself; there’s no reason for me to feel awkward standing here, or complicitous, as though there’s something significant between us. She could be thinking of anything; why, now, do I have the sudden suspicion that she knows, that she feels me studying her, trying to imagine them together?— her lipstick’s dark red, darker than her hair — trying to see him kissing her, turning her over in bed the way he likes to have me. I wonder if maybe there were things about her he preferred, things he misses now that we’re together; sometimes, when he and I are making love, there are moments I’m overwhelmed by sadness, and though I’m there with him I can’t help thinking of my ex-husband’s hands, which I especially loved, and I want to go back to that old intimacy, which often felt like the purest happiness I’d ever known, or would. But all that’s over; and besides, weren’t there other lovers who left no trace? When I see them now, I can barely remember what they looked like undressed, or how it felt to have them inside me. So what is it I feel as she pours the black espresso into the milk, and pushes the cup toward me, and I give her the money, and our eyes meet for just a second, and our fingers touch?
Kim Addonizio (Tell Me)
That's how my story ends. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
But understand this, that  y in the last days there will come times of difficulty. 2For people will be  z lovers of self,  a lovers of money,  b proud,  b arrogant, abusive,  b disobedient to their parents, ungrateful, unholy, 3 c heartless, unappeasable, slanderous, without self-control, brutal,  d not loving good, 4treacherous, reckless,  e swollen with conceit,  f lovers of pleasure rather than lovers of God, 5having the appearance of godliness, but  g denying its power.  h Avoid such people. 6For among them are  i those who creep into households and capture weak women, burdened with sins and led astray by various passions, 7always learning and never able to  j arrive at a knowledge of the truth.
Anonymous (Holy Bible: English Standard Version (ESV))
I’ll let you help.” When he smiled broadly, because he was getting his way, she cut through his robin-breasted satisfaction. “But there are conditions.” He laughed. “You’re putting restrictions on a gift given to you?” “It’s not a gift.” She stared at him with dead seriousness. “It’s only until I find some kind of work, not my dream job. And I want to pay you back.” He lost a little of his satisfaction. “I don’t want your money.” “And I feel the same way about yours.” She folded her napkin. “I know you’re not hurting for cash, but that’s the only way I’ll be okay with this.” He frowned. “No interest, though. I won’t accept even one penny in interest.” “Deal.” She put her palm out and waited. He cursed. And cursed again. “I don’t want you to pay it back.” “Tough.” After his mouth performed some intricate f-bomb acrobatics, he put his hand in hers and they shook. “You drive a hard bargain, you know that,” he said. “But you respect me for it, right?” “Well, yeah. And it makes me want to get you naked.” “Oh…” Ehlena flushed from head to toe as he slid off his stool and towered over her, cupping her face in his hands. “You going to let me take you to my bed?” Given the way those purple eyes of his were shining, she was willing to let him take her down on the damn kitchen floor if he asked. “Yes.” A growl rolled up out of his chest as he kissed her. “Guess what?” “What?” she breathed. “That was the right answer.” -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
For whom are you preserving your secret? For your grandsons? They are rich enough without it; they do not know the worth of money. Your cards would be of no use to a spendthrift. He who cannot preserve his paternal inheritance, will die in want, even though he had a demon at his service. I am not a man of that sort; I know the value of money. Your three cards will not be thrown away upon me. Come!” ... He paused and tremblingly awaited her reply. The Countess remained silent; Hermann fell upon his knees. “If your heart has ever known the feeling of love,” said he, “if you remember its rapture, if you have ever smiled at the cry of your newborn child, if any human feeling has ever entered into your breast, I entreat you by the feelings of a wife, a lover, a mother, by all that is most sacred in life, not to reject my prayer. Reveal to me your secret. Of what use is it to you? . . . May be it is connected with some terrible sin, with the loss of eternal salvation, with some bargain with the devil.... Reflect,—you are old; you have not long to live—I am ready to take your sins upon my soul. Only reveal to me your secret. Remember that the happiness of a man is in your hands, that not only I, but my children, and grandchildren will bless your memory and reverence you as a saint. . . .” The old Countess answered not a word. Hermann rose to his feet. “You old hag!” he exclaimed, grinding his teeth, “then I will make you answer!” With these words he drew a pistol from his pocket. At
Alexander Pushkin (The Queen of Spades and Other Stories)
You're no different than the rest of us, Victor. We all see ourselves as this dissatisfied thing, this ego, looking outside ourselves for just that one other thing that will make us complete. That job, that lover, that pot of money. Even enlightenment, as if that too is a thing we can grab hold of to complete what needs completing. There is always something, we believe, that will make us whole. But if you take a finite thing, like body and mind, and look for something outside it to make it complete, something like money or love or faith, what you are seeking is also just a finite thing. So you have a finite thing reaching for the infinite by grabbing for some other finite thing and you end up with nothing more than a deeper sense of dissatisfaction.
William Lashner (Bitter Truth (Victor Carl #2))
In the morning, when you rise unwillingly, let this thought be present: I am rising to the work of a human being. Why then am I dissatisfied if I am going to do the things for which I exist and for which I was brought into the world? Or have I been made for this, to lie under the blankets and keep myself warm? But this is more pleasant. Do you exist then to take your pleasure, and not and not at all for action and exertion? Do you not see the little plants, the little birds, the ants, the spiders, the bees working together to put in order their separate parts of the universe? And are you unwilling to do the work of a human being, and do you not make haste to do that which is according to your nature? But it is necessary to take rest also. It is necessary: nature, however has fixed bounds to this, too: she has fixed bounds both to eating and drinking, and yet in your you go beyond these bounds, beyond what is sufficient; yet in your acts it is not so, but you stop short of what you can do. So you do not love yourself, for if you did, you would love your nature and her will. but those who love their several arts exhaust themselves in working at them unwashed and without food; but you value your own nature less than the engraver values the engraving art, or the dancer the dancing art, or the lover of money values his money, or the vainglorious man his little glory. And such men, when they have ardent passion for a thing, choose neither to eat nor to sleep rather than to perfect things that they care for.
Marcus Aurelius
Consider what intemperate lovers undergo for the sake of evil desires, and how much exertion others expend for the sake of making profit, and how much suffering those who are pursuing fame endure, and bear in mind that all of these people submit to all kinds of toil and hardship voluntarily. Is it then not monstrous that they for no honorable reward endure such things, while we for the sake of the ideal good - that is not only the avoidance of evil such as wrecks our lives, but also the acquisition of virtue, which we may call the provider of all goods -- are not ready to bear every hardship? And yet would not anyone admit how much better it is, in place of exerting oneself to win someone else's wife, to exert oneself the discipline of one's desires; in place of enduring hardships for the sake of money, the train oneself to want little; instead of giving oneself trouble about getting notoriety; instead of trying to find a way to injure an envied person, to enquire how not to envy anyone; and instead of slaving, as sycophants do, to win false friends, to undergo suffering in order to possess true friends? Since toil and hardship are a necessity for all, both for those who seek better and worse, it is preposterous that those pursuing the better are not much more eager in their efforts than those for whom there is small hope of reward for all their pains. ... It remains for me to say that who is unwilling to exert himself almost always convicts himself as unworthy of good, since all good is gained by toil.
Musonius Rufus (Lectures and Fragments)
If you buy a secondhand Fiat for $2,000, you are likely to complain about it to anyone willing to listen to you. But if you buy a brand-new Ferrari for $200,000, you will sing its praises far and wide, not because it is such a good car but because you have paid so much money for it that you have to believe it is the most wonderful thing in the world. Even in romance, any aspiring Romeo or Werther knows that without sacrifice, there is no true love. The sacrifice is not just a way to convince your lover that you are serious; it is also a way to convince yourself that you are really in love. Why do you think women ask their lovers for diamond rings? Once the lover makes such a huge financial sacrifice, he must convince himself that it was for a worthy cause.
Yuval Noah Harari (21 Lessons for the 21st Century)
There are enough women prepared to boast of having got a man in a million to persuade other women that their failure to find a man rich enough, handsome enough, skilled enough as a lover, considerate enough, is a reflection of their inferior deserts or powers of attraction. More than half the housewives in this country work outside the home as well as inside it because their husbands do not earn enough money to support them and their children at a decent living standard. Still more know that their husbands are paunchy, short, unathletic, and snore or smell or leave their clothes lying around. A very high proportion do not find bliss in the conjugal embrace and most complain that their husbands forget the little things that count. And yet the myth is not invalidated as a myth
Germaine Greer (The Female Eunuch)
I’ve a dread of puttin’ children i’ th’ world,” he said. “I’ve such a dread o’ th’ future for ’em.” “But you’ve put it into me. Be tender to it, and that will be its future already. Kiss it!” He quivered, because it was true. “Be tender to it, and that will be its future.”—At that moment he felt a sheer love for the woman. He kissed her belly and her mound of Venus, to kiss close to the womb and the fetus within the womb. “Oh, you love me! You love me!” she said, in a little cry like one of her blind, inarticulate love cries. And he went in to her softly, feeling the stream of tenderness flowing in release from his bowels to hers, the bowels of compassion kindled between them. And he realized as he went into her that this was the thing he had to do, to come into tender touch, without losing his pride or his dignity or his integrity as a man. After all, if she had money and means, and he had none, he should be too proud and honorable to hold back his tenderness from her on that account. “I stand for the touch of bodily awareness between human beings,” he said to himself, “and the touch of tenderness. And she is my mate. And it is a battle against the money, and the machine, and the insentient ideal monkeyishness of the world. And she will stand behind me there. Thank God I’ve got a woman! Thank God I’ve got a woman who is with me, and tender and aware of me. Thank God she’s not a bully, nor a fool. Thank God she’s a tender, aware woman.” And as his seed sprang in her, his soul sprang towards her too, in the creative act that is far more than procreative.
D.H. Lawrence
I was fatherless. And that seemingly small part of my identity, in many ways, molded an orphan heart in me. When I encountered love my orphan heart rejected it because it felt like the smartest thing to do. My philosophy was They will reject me, so I will reject them first. They don’t get to hurt me. I did this often. I intended never to owe anyone a kindness I couldn’t pay back. I stayed ’out of the way.’ I did my best not to cost anyone anything. I was suspicious of gifts. What do they want? What are they trying to pull? How are they trying to trap me? I thought. I couldn’t imagine I was worth anyone’s time, money, pain, or inconvenience. I didn’t see myself as a blessing, so how could I trust in unconditional love? When you see yourself as a burden, nothing is free—especially love.
Lacey Sturm (The Mystery: Finding True Love in a World of Broken Lovers)
The Seven Deadly Cardinal Sins in Christianity and how they effect love 1. GREED- Avarice For Love, Love shall not want more… 2.Gluttony : Hunger for anything whether Money, power or sex is the gluttony that ll bring you down 3. SLOTH-Laziness In Love, If you are lucky, you can glimpse a falling star; if you are lazy, you miss catching it... put work into your relationships 4. WRATH- “Anger makes you hurt the people you love most”. love unconditionally 5. ENVY- Jealousy An obsessive lover is a masochist.. love without strings 6.PRIDE – Egotism In Love, “A love that has no gain, a love that knows no shame that is the greatest love of all” 7.LUST- Cheating Is Not Love, All that is forbidden is your ticket to hell and that is why in Christianity Lust is the last sin because it hurts the most.
Jenney Clark
I was always bad at reading scripts. Back then, I’d be offered millions of dollars to do movies and barely crack the first few pages. I’m embarrassed to admit that now, given that these days I’m writing scripts myself and it’s like pulling teeth to get actors to respond. Maybe they feel how I used to feel: that in a life of fun and fame and money, reading a script, no matter the size of the number attached, feels all too much like school. The universe will teach you, though. All those years I was too this, too that, to read a script, but last year I wrote a screenplay for myself and was trying get it made until I realized that I was too old to play the part. Most fifty-three-year-olds have worked their shit out already, so I needed to hire a thirty-year-old. The one I chose took weeks and weeks to respond, and I couldn’t believe how rude his behavior was.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
Ever since my school days I've always taken a scunner to businessmen. They'll do anything for money. They are, after all, what they used to be called in the good old days; the very dregs of society." My master, with a businessman right there in front of him, indulges in tactlessness. "Oh, have a heart. They arent always like that. Admittedly there's a certain coarseness about them; for there's no point in even trying to be a businessman unless your love for money is so absolute that you're ready to accompany it on the walk to a double suicide. For money, believe you me, is a hard mistress and none of her lovers are let off lightly. As a matter of fact, I've just been visiting a businessman and according to him, the only way to succeed is to practice the 'triangle technique': try to escape your obligations, annihilate your kindly feelings, and geld yourself of the sense of shame. Try-an-geld. You get it? Jolly clever, don't you think?" "What awful fathead told you that?
Natsume Sōseki
1. Lover (Remix) [feat. Shawn Mendes] | Taylor Swift, Shawn Mendes 2. Let’s Fall in Love for the Night | FINNEAS 3. coney island (feat. The National) | Taylor Swift, The National 4. New Romantics | Taylor Swift 5. betty | Taylor Swift 6. Play with Fire (feat. Yacht Money) | Sam Tinnesz, Yacht Money 7. …Ready For It? | Taylor Swift 8. The Passenger | Volbeat 9. Street Lightning | The Summer Set 10. Sabotage | Beastie Boys 11. Nervous | Shawn Mendes 12. the last great american dynasty | Taylor Swift 13. Ghost Of You | 5 Seconds of Summer 14. fuck, I’m lonely (with Anne-Marie) | Lauv, Anne-Marie 15. Lose Yourself | Eminem 16. Amnesia | 5 Seconds of Summer 17. fOol fOr YoU | ZAYN 18. So Damn Into You | Vlad Holiday 19. I Don’t Miss You at All | FINNEAS 20. Forgot About Dre | Dr. Dre, Eminem 21. gold rush | Taylor Swift 22. Everything Has Changed (feat. Ed Sheeran) (Taylor’s Version) | Taylor Swift, Ed Sheeran 23. Driving in the City | Brandon Mig 24. The Joker And The Queen (feat. Taylor Swift) | Ed Sheeran, Taylor Swift
Lynn Painter (The Do-Over)
1595, Richard Field, fellow-alumnus of the King Edward grammar school in Stratford-upon-Avon, printed The lives of the noble Grecians and Romanes, compared together by that grave learned philosopher and historiographer, Plutarke of Chaeronea: translated out of Greeke into French by James Amiot, abbot of Bellozane, Bishop of Auxerre, one of the Kings privie counsell, and great Amner of France, and out of French into English, by Thomas North. This was the book that got Shakespeare thinking seriously about politics: monarchy versus republicanism versus empire; the choices we make and their tragic consequences; the conflict between public duty and private desire. He absorbed classical thought, but was not enslaved to it. Shakespeare was a thinker who always made it new, adapted his source materials, and put his own spin on them. In the case of Plutarch, he feminized the very masculine Roman world. Brutus and Caesar are seen through the prism of their wives, Portia and Calpurnia; Coriolanus through his mother, Volumnia; Mark Antony through his lover, Cleopatra. Roman women were traditionally silent, confined to the domestic sphere. Cleopatra is the very antithesis of such a woman, while Volumnia is given the full force of that supreme Ciceronian skill, a persuasive rhetorical voice.40 Timon of Athens is alone and unhappy precisely because his obsession with money has cut him off from the love of, and for, women (the only females in Timon’s strange play are two prostitutes). Paradoxically, the very masculinity of Plutarch’s version of ancient history stimulated Shakespeare into demonstrating that women are more than the equal of men. Where most thinkers among his contemporaries took the traditional view of female inferiority, he again and again wrote comedies in which the girls are smarter than the boys—Beatrice in Much Ado about Nothing, Rosalind in As You Like It, Portia in The Merchant of Venice—and tragedies in which women exercise forceful authority for good or ill (Tamora, Cleopatra, Volumnia, and Cymbeline’s Queen in his imagined antiquity, but also Queen Margaret in his rendition of the Wars of the Roses).41
Jonathan Bate (How the Classics Made Shakespeare (E. H. Gombrich Lecture Series Book 2))
I was sitting there by the fire, Looking at the coldness of New York, She came out and sat beside me, We both were anxious and in pain, As we had no job, no money, Just this apartment, empty with no single food grain, But the most of all we have no rent to pay, And thus were obliged to live in the streets tomorrow, We didn’t mind, but the fear, Was only that we were full of character and esteem, Which can’t survive the city of apple? The door knocked as the owner came for payment, The door burst out and in the meantime, My wife fell on the ground crying, With her hands on her chest, The owner stunned as I also fell down the same way, He yelled for the ambulance as we faint, She and I opened our eyes in a hospital, Sharing the same bed, We took each other hands smiling, The owner said we had a heart attack, The owner started leaving as per the doctor’s suggestion, Of course the problem of rent was solved, He turned back saying he didn’t understand, How two people can get attack together? The fool still didn’t understand that, We were two bodies but one heart!
Mahiraj Jadeja (A Lover's Will)
When I was a babe I fell down in the holler. When I was a girl I fell into your arms. We fell on hard times and we lost our bright color. You went to the dogs and I lived by my charms. I danced for my dinner, spread kisses like honey. You stole and you gambled and I said you should. We sang for our suppers, we drank up our money. Then one day you left, saying I was no good. Well, all right, I’m bad, but then, you’re no prize either. All right, I’m bad, but then, that’s nothing new. You say you won’t love me, I won’t love you neither. Just let me remind you who I am to you. ’Cause I am the one who looks out when you’re leaping. I am the one who knows how you were brave. And I am the one who heard what you said sleeping. I’ll take that and more when I go to my grave. It’s sooner than later that I’m six feet under. It’s sooner than later that you’ll be alone. So who will you turn to tomorrow, I wonder? For when the bell rings, lover, you’re on your own. And I am the one who you let see you weeping. I know the soul that you struggle to save. Too bad I’m the bet that you lost in the reaping. Now what will you do when I go to my grave?
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
It just seems like such a hard road"-she took deep breaths until she felt herself inflated to the brink of bursting-"such a tough life. This is not the easy way." "no," Penn agreed, "but I'm not sure easy is what I want for the kids anyway." She looked up at him. "why the hell not?" "I mean, if we could have everything, sure. If we can have it all, yeah, I wish them easy, successful, fun-filled lives, crowned with good friends, attentive lovers, heaps of money, intellectual stimulation, and good views out the window. I wish them eternal beauty, international travel, and smart things to watch on TV. But if I can't have everything, if I only get a few, I'm not sure easy makes my wish list." "Really?" "Easy is nice, but it's not as good as getting to be who you are or stand up for what you believe in," said Penn. "Easy is nice, but I wonder how often it leads to fulfilling work or partnership or being." "Easy probably rules out having children," Rosie admitted. "Having children, helping people, making art, inventing anything, leading the way, tackling the world's problems, overcoming your own. I don't know. Not much of what I value in our lives is easy. But there's not much of it I'd trade for easy either, I don't think.
Laurie Frankel (This Is How It Always Is)
I heard of him first in rather a romantic manner, from a lady who owes to him the happiness of her life. This, briefly, is his story. Some years ago, he loved a young Russian lady, of moderate fortune; and having amassed a considerable sum in prize−money, the father of the girl consented to the match. He saw his mistress once before the destined ceremony; but she was bathed in tears, and, throwing herself at his feet, entreated him to spare her, confessing at the same time that she loved another, but that he was poor, and that her father would never consent to the union. My generous friend reassured the suppliant, and on being informed of the name of her lover, instantly abandoned his pursuit. He had already bought a farm with his money, on which he had designed to pass the remainder of his life; but he bestowed the whole on his rival, together with the remains of his prize−money to purchase stock, and then himself solicited the young woman's father to consent to her marriage with her lover. But the old man decidedly refused, thinking himself bound in honour to my friend; who, when he found the father inexorable, quitted his country, nor returned until he heard that his former mistress was married according to her inclinations. "What a noble fellow!" you will exclaim. He is so;
Mary Wollstonecraft Shelley (Frankenstein : The modern prometheus)
The body is the source of endless trouble to us by reason of the mere requirement of food; and is liable also to diseases which overtake and impede us in the search after true being: it fills us full of loves, and lusts, and fears, and fancies of all kinds, and endless foolery, and in fact, as men say, takes away from us all power of thinking at all. Whence come wars, and fightings and factions? Whence but from the body and the lusts of the body? Wars are occasioned by the love of money, and money has to be acquired for the sake and in the service of the body; and by reason of all these impediments we have no time to give to philosophy; and, last and worst of all, even if we are at leisure to betake ourselves to some speculation, the body is always breaking in upon us, causing turmoil and confusion in our inquiries, and so amazing us that we are prevented from seeing the truth. It has been proved to us by experience that if we would have true knowledge of anything we must be quit of the body—the soul in herself must behold things in themselves: and then we shall attain the wisdom which we desire, and of which we say we are lovers; not while we live, but after death: for if while in company with the body the soul cannot have pure knowledge, knowledge must be attained after death, if at all.
Bertrand Russell (A History of Western Philosophy: And Its Connection with Political and Social Circumstances from the Earliest Times to the Present Day)
Holding a precious book meant to Mendel what an assignment with a woman might to another man. These moments were his platonic nights of love. Books had power over him; money never did. Great collectors, including the founder of a collection in Princeton University Library, tried in vain to recruit him as an adviser and buyer for their libraries—Jakob Mendel declined; no one could imagine him anywhere but in the Café Gluck. Thirty-three years ago, when his beard was still soft and black and he had ringlets over his forehead, he had come from the east to Vienna, a crook-backed lad, to study for the rabbinate, but he had soon abandoned Jehovah the harsh One God to give himself up to idolatry in the form of the brilliant, thousand-fold polytheism of books. That was when he had first found his way to the Café Gluck, and gradually it became his workplace, his headquarters, his post office, his world. Like an astronomer alone in his observatory, studying myriads of stars every night through the tiny round lens of the telescope, observing their mysterious courses, their wandering multitude as they are extinguished and then appear again, so Jakob Mendel looked through his glasses out from that rectangular table into the other universe of books, also eternally circling and being reborn in that world above our own.
Stefan Zweig (The Collected Stories of Stefan Zweig)
Sharply the menacing wind sweeps over The bending poplars, newly bare, And the dark ribbons of the chimneys Veer downward; flicked by whips of air. Torn posters flutter; coldly sound The boom of trams and the rattle of hooves, And the clerks who hurry to the station Look, shuddering, over the eastern rooves, Thinking, each one, "Here comes the winter! "Please God I keep my job this year!" And bleakly, as the cold strikes through Their entrails like an icy spear, They think of rent, rates, season tickets, Insurance, coal, the skivvy's wages, Boots, school-bills and the next installment Upon the two twin beds from Drage's. For if in careless summer days In groves of Ashtaroth we whored, Repentant now, when winds blow cold, We kneel before our rightful lord; The lord of all, the money-god, Who rules us blood and hand and brain, Who gives the roof that stops the wind, And, giving, takes away again; Who spies with jealous, watchful care, Our thoughts, our dreams, our secret ways, Who picks our words and cuts our clothes, And maps the pattern of our days; Who chills our anger, curbs our hope. And buys our lives and pays with toys, Who claims as tribute broken faith, Accepted insults, muted joys; Who binds with chains the poet's wit, The navvy's strength, the soldier's pride, And lays the sleek, estranging shield Between the lover and his bride.
George Orwell
Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.
Thomas Pynchon (The Crying of Lot 49)
It was when they determined that I had been born dead That my life became easier to understand. For a long time, I wondered why rooms felt colder when I entered them, Why nothing I said seemed to stick in anyone’s ear, Frankly, why I never had any money. I wondered Why the cities I walked through drifted into cloud Even as I admired their architecture, as I pointed out The cornerstones marked “1820,” “1950.” The only songs I ever loved were filled with scratch, dispatches from A time when dead ones like me were a dime a dozen. I spent my life in hotels: some looked like mansions, Some more like trailer parks, or pathways toward A future I tried to point to, but how could I point, With nothing but a hand no hand ever matched, With fingers that melted into words that no one read. I rehearsed names that others taught me: Caravaggio, Robert Brandom, Judith, Amber, Emmanuelle Cat. I got hungry the way only the dead get hungry, The hunger that launches a thousand dirty wars, But I never took part in the wars, because no one lets A dead man into their covert discussions. So I drifted from loft to cellar, ageless like a ghost, And America became my compass, and Europe became The way that dead folks talk, in short, who cares, There’s nothing to say because nobody listens, There’s no radio for the dead and the pillows seem Like sand. Let me explain: when you’re alive, As I understand it, pillows cushion the head, the way A lover might soothe the heart. The way it works for me, In contrast, is everything is sand. Beds are sand, The women I profess to love are sand, the sound of music In the darkest night is sand, and whatever I have to say Is sand. This is not, for example, a political poem, Because the dead have no politics. They might have A hunger, but nothing you’ve ever known Could begin to assuage it.
John Beer (The Waste Land and Other Poems)
Marriages in the bourgeois sense of the word, and I mean in the most respectable sense of the word 'marriage', haven't the least to do with love no kind of institution can be made from love - and just as little with money; but rather with the social permission given to two people to satisfy their sexual desires with each other, of course under certain conditions, but such conditions as have the interests of society in view. It's clear that the prerequisites for such a contract must include some degree of liking between the parties concerned and very much goodwill - the will to be patient, conciliatory, to care for one another - but the word love should not be misused to describe it! For two lovers in the whole and strong sense of the word, sexual satisfaction is not the essential thing and really just a symbol: for one party, as has been said, a symbol of unconditional submission, for the other a symbol of assent to this, a sign of taking possession.- Marriage in the aristocratic sense, the old nobility's sense of the word, is about breeding a race (is there still a nobility today?) Quaeritur, in other words about maintaining a fixed, particular type of ruling men: man and woman were sacrificed to this viewpoint. Obviously, the primary requirement here was not love, on the contrary! - and not even that measure of mutual goodwill on which the good bourgeois marriage is based. The decisive thing was first the interest of the dynasty, and above that the class. Faced with the coldness, severity and calculating clarity of this noble concept of marriage, which has ruled in every healthy aristocracy, in ancient Athens as in eighteenth-century Europe, we would shiver a little, we warm-blooded animals with our ticklish hearts, we 'moderns'! And this is precisely why love as passion, in the grand understanding of the word, was invented for the aristocratic world and within it―where coercion and privation were greatest...
Friedrich Nietzsche (Writings from the Late Notebooks)
She had only to call and Mary would come, bringing all her faith, her youth and her ardour. Yes, she had only to call, and yet—would she ever be cruel enough to call Mary? Her mind recoiled at that word; why cruel? She and Mary loved and needed each other. She could give the girl luxury, make her secure so that she need never fight for her living; she should have every comfort that money could buy. Mary was not strong enough to fight for her living. And then she, Stephen, was no longer a child to be frightened and humbled by this situation. There was many another exactly like her in this very city, in every city; and they did not all live out crucified lives, denying their bodies, stultifying their brains, becoming the victims of their own frustrations. On the contrary, they lived natural lives—lives that to them were perfectly natural. They had their passions like everyone else, and why not? They were surely entitled to their passions? They attracted too, that was the irony of it, she herself had attracted Mary Llewellyn—the girl was quite simply and openly in love. 'All my life I've been waiting for something...' Mary had said that, she had said: 'All my' life I've been waiting for something...I've been waiting for you.' Men—they were selfish, arrogant, possessive. What could they do for Mary Llewellyn? What could a man give that she could not? A child? But she would give Mary such a love as would be complete in itself without children. Mary would have no room in her heart, in her life, for a child, if she came to Stephen. All things they would be the one to the other, should they stand in that limitless relationship; father, mother, friend, and lover, all things—the amazing completeness of it; and Mary, the child, the friend, the beloved. With the terrible bonds of her dual nature, she could bind Mary fast, and the pain would be sweetness, so that the girl would cry out for that sweetness, hugging her chains always closer to her. The world would condemn but they would rejoice; glorious outcasts, unashamed, triumphant!
Radclyffe Hall (The Well of Loneliness)
1) The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3) He resolves conflict with intimidation, bullying, and violence. 4) He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7) He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14) He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17) He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
Hi again ! My fav quote from "Kisses from Katie " By Katie J Davis frm page 174 As an 8 year old ,when I first started hearing Céline Dion’s songs, I did not realize that she was almost always singing about someone she is sooooo desperately in love with ! She has such longing and such agony as she is away from her lover .But now a I feel so much longing for my boyfriend whom Im losing .I see a lesson in this : I think the way Celine Dion feels about her lover is the way God must feel about the church ,which in some ways seems to have strayed so far from Him . I think God allowed me to REALLY MISS my boyfriend so I could catch a tiny glimpse of what God’s heart must feel as the church strays into religion and away from things that are so important to Him like helping the impoverished, unwanted people of the world . He longs and desires for my heart to come back to Him each and every minute of each and every day . God so deeply ,passionately , desperately loves us . He intensely longs for his lover to come back to his teachings of giving all we a have to Him ,our beloved , who lives in the hearts of the suffering poor people of this world and unite as a community in an effort to serve HIM in Them and I am so awed by his love for me .I feel so precious and dear to him that He is singing to me even more longingly and passionately than Celine Dion sings to her lover. That is pretty WONDERFUL !!! Satan is not a fan of God our love affair with God and so Satan is battling every day to keep us from giving our hearts to God. I am becoming more keenly aware than ever before of this battle between God and Satan to claim my heart . The devil tricks us into giving our hearts to materialistically selfish desires: wanting more and more for ourselves so we forget Love for God and our neighbor. So that we trade our noble inheritance : the precious treasure of LOVE God wants to shower on us which no money or processions can buy for more ME ME ME . No where in the bible does it say I deserve a reward (boy friend and material abundance ) here on this earth but it does say that I will have a joy so great that it is greater than all good things of this world combined . Colossians 3:23 says “Whatever work you do do it with all your heart (it does not say “and after this work you deserve a long hot bath and some me time “ it does say “Serve with all your heart since you KNOW that you will receive an in heritance in heaven from the Lord as a reward “ …And we KNOW in our hearts that God is ALL we need to overflow with joy …. (Matthew 19-21 says Do not lay up for your selves treasures in this world where moth and rust doth corrupt …..but lay up for yourselves treasure (Love for God )which will be yours for eternity “ Bless you , Dari
Katie Davis
I was getting my knife sharpened at the cutlery shop in the mall,” he said. It was where he originally bought the knife. The store had a policy of keeping your purchase razor sharp, so he occasionally brought it back in for a free sharpening. “Anyway, it was that day that I met this Asian male. He was alone and really nice looking, so I struck up a conversation with him. Well, I offered him fifty bucks to come home with me and let me take some photos. I told him that there was liquor at my place and indicated that I was sexually attracted to him. He was eager and cooperative so we took the bus to my apartment. Once there, I gave him some money and he posed for several photos. I offered him the rum and Coke Halcion-laced solution and he drank it down quickly. We continued to drink until he passed out, and then I made love to him for the rest of the afternoon and early evening. I must have fallen asleep, because when I woke up it was late. I checked on the guy. He was out cold, still breathing heavily from the Halcion. I was out of beer and walked around the corner for another six-pack but after I got to the tavern, I started drinking and before I knew it, it was closing time. I grabbed my six-pack and began walking home. As I neared my apartment, I noted a lot of commotion, people milling about, police officers, and a fire engine. I decided to see what was going on, so I came closer. I was surprised to see they were all standing around the Asian guy from my apartment. He was standing there naked, speaking in some kind of Asian dialect. At first, I panicked and kept walking, but I could see that he was so messed up on the Halcion and booze that he didn’t know who or where he was. “I don’t really know why, Pat, but I strode into the middle of everyone and announced he was my lover. I said that we lived together at Oxford and had been drinking heavily all day, and added that this was not the first time he left the apartment naked while intoxicated. I explained that I had gone out to buy some more beer and showed them the six-pack. I asked them to give him a break and let me take him back home. The firemen seemed to buy the story and drove off, but the police began to ask more questions and insisted that I take them to my apartment to discuss the matter further. I was nervous but felt confident; besides, I had no other choice. One cop took him by the arm and he followed, almost zombie-like. “I led them to my apartment and once inside, I showed them the photos I had taken, and his clothes neatly folded on the arm of my couch. The cops kept trying to question the guy but he was still talking gibberish and could not answer any of their questions, so I told them his name was Chuck Moung and gave them a phony date of birth. I handed them my identification and they wrote everything down in their little notebooks. They seemed perturbed and talked about writing us some tickets for disorderly conduct or something. One of them said they should take us both in for all the trouble we had given them. “As they were discussing what to do, another call came over their radio. It must have been important because they decided to give us a warning and advised me to keep my drunken partner inside. I was relieved. I had fooled the authorities and it gave me a tremendous feeling. I felt powerful, in control, almost invincible. After the officers left, I gave the guy another Halcion-filled drink and he soon passed out. I was still nervous about the narrow escape with the cops, so I strangled him and disposed of his body.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")