Mom Look Alike Quotes

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There’s something else,” Grom blurts. He rakes his hand through his hair, something Galen does when he’s particularly frustrated. I find my immature self thinking, I don’t want Grom and Galen to be alike, and then my grown-up self says, Knock it off. And then Grom says: “I’m already mated to Paca.” The realization slaps us each in a different way. Me, with elation. Galen, with…I’m not sure. He hasn’t moved. Mom, with horror. Toraf, with open-mouth shock that makes him look a bit silly. Rayna, with “You idiot,” she spits. “We told you-“ Grom points at her in the universal watch-yo-self sign.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Adam,' I say, 'had good times and he had bad times.' I pause here and glance at Nana, see that she is crying silently, the way I cried at the duck pond in the park. I was going to say something more about the bad times- how Adam's bad times were different from most people's, and that I'll never really understand them. But now that I see Nana's tears, see her start to reach for Papa's hand, then pull back and fold her hands in her lap again- now that I see Nana, I change my mind. I think we should remember that Adam was one of those people who could lift the corners of our universe,' I say. I clear my throat. 'Thank you.' As I slide into our pew I realize I feel older. I think of Janet and Nancy and find that nonw I can brush them away. And I understand that Adam and I are not as alike as I had thought. I remembered the tortured look on Adam's face the night of the Ferris wheel and the look of happiness, happiness, and realize that Adam's decision to take his life was not made easily. It took a certain kind of courage. Just not the kind of courage I chose. I settle between Mom and Dad, and they take my hands and smmile at me. No tears. I squeeze their hands. ~pgs 177-178; Hattie on life
Ann M. Martin (A Corner of the Universe)
August is the Sun. Me and Mom and Dad are planets orbiting the Sun. The rest of our family and friends are asteroids and comets floating around the planets orbiting the Sun. The only celestial body that doesn’t orbit August the Sun is Daisy the dog, and that’s only because to her little doggy eyes, August’s face doesn’t look very different from any other human’s face. To Daisy, all our faces look alike, as flat and pale as the moon.
R.J. Palacio (Wonder)
The breakdown of the neighborhoods also meant the end of what was essentially an extended family....With the breakdown of the extended family, too much pressure was put on the single family. Mom had no one to stay with Granny, who couldn't be depended on to set the house on fire while Mom was off grocery shopping. The people in the neighborhood weren't there to keep an idle eye out for the fourteen-year-old kid who was the local idiot, and treated with affection as well as tormented....So we came up with the idea of putting everybody in separate places. We lock them up in prisons, mental hospitals, geriatric housing projects, old-age homes, nursery schools, cheap suburbs that keep women and the kids of f the streets, expensive suburbs where everybody has their own yard and a front lawn that is tended by a gardener so all the front lawns look alike and nobody uses them anyway....the faster we lock them up, the higher up goes the crime rate, the suicide rate, the rate of mental breakdown. The way it's going, there'll be more of them than us pretty soon. Then you'll have to start asking questions about the percentage of the population that's not locked up, those that claim that the other fifty-five per cent is crazy, criminal, or senile. WE have to find some other way....So I started imagining....Suppose we built houses in a circle, or a square, or whatever, connected houses of varying sizes, but beautiful, simple. And outside, behind the houses, all the space usually given over to front and back lawns, would be common too. And there could be vegetable gardens, and fields and woods for the kids to play in. There's be problems about somebody picking the tomatoes somebody else planted, or the roses, or the kids trampling through the pea patch, but the fifty groups or individuals who lived in the houses would have complete charge and complete responsibility for what went on in their little enclave. At the other side of the houses, facing the, would be a little community center. It would have a community laundry -- why does everybody have to own a washing machine?-- and some playrooms and a little cafe and a communal kitchen. The cafe would be an outdoor one, with sliding glass panels to close it in in winter, like the ones in Paris. This wouldn't be a full commune: everybody would have their own way of earning a living, everybody would retain their own income, and the dwellings would be priced according to size. Each would have a little kitchen, in case people wanted to eat alone, a good-sized living space, but not enormous, because the community center would be there. Maybe the community center would be beautiful, lush even. With playrooms for the kids and the adults, and sitting rooms with books. But everyone in the community, from the smallest walking child, would have a job in it.
Marilyn French (The Women's Room)
Your mom thinks this is her chance to make things right for you.” His long legs ate up the ground as he circled like a caged lion. “Bullshit. She wants to save him.” “She wants to save you.” He shook his head. “She’s always been a sucker for him. No matter what story she’s selling now.” Maddie shrugged. “I can’t say I blame her.” Mitch whipped around to face her. “Why do you say that?” “She says you’re a lot alike.” “I’m nothing like him.” Hands clenched into fists. “As I said, we’ve been talking a lot. She told me who he was before he got caught up in the power of politics, who he was when she first met him. I think you’re more alike than you think.” “I’d never screw over people like he does.” Anger emanated from Mitch, aggression in the set of his legs and arms. He was ready to attack. She raised one brow. “Are you sure about that?” He reared back as though she’d struck him. “How could you think that?” “You’ve said yourself you weren’t a very nice person. Have you ever thought about what would have happened if you hadn’t lost your career?” She straightened her shoulders and looked him straight in the eye. “You didn’t have the best track record. You walked a shady line. You were sleeping with another man’s wife. Destroying evidence. Who knows what you would have become if the whole house of cards had never fallen around you?” He stopped walking as though snapped by an invisible leash. With his expression transforming into a thundercloud, he crossed his arms over his chest. “So what are you trying to say, Maddie?” He needed some cold, hard truth. Tough love, as her dad used to say. “Have you ever thought that losing your career and reputation was the best thing that ever happened to you? Maybe the tragedy wasn’t that everything went to hell, but that you never picked up the pieces and put them back together again.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
So where were the pictures of me? I turned to the beginning of the album to see if I’d missed anything, like a picture of Mom and Dad bringing me home from the hospital. I hadn’t missed a thing. I began looking at the pictures of Janine and me again. I looked at them carefully. We don’t look a thing alike now, but maybe we’d looked alike when we were little, when our parents dressed us in matching clothes and gave us the same haircuts. Nope. We barely looked related. When I thought about it, not only do I not look like Janine, I don’t look like my parents, either, although Janine looks exactly like Dad.
Ann M. Martin (Claudia and the Great Search (The Baby-Sitters Club, #33))
That was it. My mom stood, brushing off her jeans. She was a tiny person, with ropey biceps and high, full cheekbones. People said we looked alike, but I couldn’t see it. She was prettier, thinner, and more elegant than I was. She was blond and never did anything to her eyebrows, but they somehow always managed to look perfect.
Anna Carey (This Is Not the Jess Show (This Is Not the Jess Show #1))
Before I can say anything, the door to my parents’ apartment bursts open. My little sister darts out, and she dashes down the concrete stairs. “Tina, Tina!” She cannons into me; I grab hold of her. We squeeze each other hard. She’s getting so big now—she’s just an inch shorter than I am—and she hugs my breath out. “Stop,” I croak. “Mayday, mayday!” “I’m so glad you’re here. Can you tell Mom that I am too old enough to go to a coed sleepover?” I give her a once over. “Sure,” I say, “as long as the parents kick it off by caponizing all the boys.” Beside me, Blake chokes. “What’s caponizing?” “Removing the testicles,” I say. “It improves the temperament of the male animal. Try it sometime.” Blake clears his throat. “Oh,” I say. “Mayday, this is Blake Rivers.” We’ve agreed—and by we’ve agreed I mean I’ve insisted—that we won’t give his real name. No point opening that door. Mom is bad enough when she thinks he doesn’t have any money. I can’t imagine what it would be like if she knew the truth. “Blake, this is my little sister. Her name is Mabel, but I call her anything that starts with an M. Mayday, Maple, and Muggle are my favorites.” She wrinkles her nose at Blake. “You can call me Mabel.” Mabel purses her lips and looks at Blake. Blake looks at her right back. Some people say that Mabel and I look alike, and I guess we do, in the most superficial sense. We’re both Chinese. But Mabel’s hair is short and dyed blue, and she wears it pulled over her eyes. Her eyes are set more narrowly than mine. And—this is really unfair, but I swear I am not bitter about this—she is thirteen and she’s already in B-cups. Which, ahem. Is more than I will ever manage. Mabel shrugs. “Hi Blake. You’re the guy who is definitely not Tina’s boyfriend.” Blake shifts the shoulder strap of his bag. “One of many, I presume.” “Nope.” Mabel twirls away. “You’re the only one. The rest of the boys aren’t dating her.” “Oh, well,” Blake says vaguely. “That is an important distinction.” I try to jab my elbow into his side, but he sidles away. “And you’re the only she talks about like this: ‘Mom, he’s not my boyfriend.’” Oh, that imitation. It’s just a little too spot on. I raise a finger at her, but she twirls away before I can get her back. “Come on. Mom is cooking. This is the first time you’ve brought a boyfriend home from college.” “He’s not my—” I stop, because my sister’s lips are twitching. “Fine.” I pick up my own bag. “Lay on, Macduff,” Blake says. Mabel stops and turns to him. “Hey. Only Tina can call me M-words other than Mabel.” “Sorry.” “Tina and her boyfriend,” she corrects. “So you’re okay.
Courtney Milan (Trade Me (Cyclone, #1))
Then she stopped, read silently, put her hand over her mouth, and burst into tears. “Mom! What is it?” Tig gently took the scrap of paper from Willa and read aloud. “I was something that lay under the sun and felt it, like the pumpkins, and I did not want to be anything more. I was entirely happy. Perhaps we feel like that when we die and become a part of something entire, whether it is sun and air, or goodness and knowledge. At any rate, that is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep.” Both kids stared at Willa. They looked so alike. “It’s from My Àntonia. By Willa Cather. Mama’s favorite book.” “It’s okay.” Tig handed it back. “You should keep this.
Barbara Kingsolver (Unsheltered)
My mom and I don't look much alike. She's wild, with red curly hair, freckles, and hazel eyes. I take after my father, she says. The few pictures I've seen of him prove her right. The pale skin, black hair, elfin features, and green eyes are nearly identical. I may have gotten my looks from my father, but I get my determination and stubbornness from my mother. She limps around the kitchen serving up our breakfast, and I resist the urge to help her, to insist she sits. I know she's in pain. I can see it eating away at her, in the pinched expressions on her face and weariness of her eyes. It's gotten worse over the years, and her pain pills are less and less effective. But despite it all, she won't let me help. My mother is nothing if not proud and fiercely independent. We sit at our two-person plastic kitchen table surrounded by peeling yellow walls with cheap flea market paintings of flowers and fruit decorating them. I love our kitchen, as tiny and old as it is. It's cheery and always smells of cinnamon and honey. I'm
Karpov Kinrade (Vampire Girl (Vampire Girl, #1))