Molly's Game Movie Quotes

In the dark melodramas of the forties, woman came down from her pedestal and she didn’t stop when she reached the ground. She kept going – down, down, like Eurydice, to the depths of the criminal world, the enfer of the film noir – and then compelled her lover to glance back and betray himself…. But for all her guts and valor, and for all her unredeemable venality…she hadn’t a soul she could call her own. She was, in fact, a male fantasy. She was playing a man’s game in a man’s world of crime and carnal innuendo, where her long hair was the equivalent of a gun, where sex was the equivalent of evil. And where her power to destroy was projection of man’s feeling of impotence. Only this could never be spelled out; hence the subterfuge and melodrama. She is to her thirties’ counterpart as night – or dusk – is to day. And the difference between their worlds, between the drawing room of romantic comedy and the underground of melodrama, is the difference between flirtation and fornication … or rape” (Haskell 191).

I loved to read and write, and when I was young I lived half my life in books, movies, and my imagination. In elementary school I didn’t want to play with other kids; I was shy and sensitive and I found them intimidating. So my mom spoke to the school librarian. Tina Sekavic agreed to allow me to hang out in the library, so I spent the next few years reading biographies about women who had changed the world like Cleopatra, Joan of Arc, Queen Elizabeth, and others. (My mom had initially suggested this, but I quickly became fascinated.) I was moved by their bravery and determination, and I decided right then and there, I didn’t want to settle for an ordinary life. I craved adventure; I wanted to leave my mark.

I loved to read and write, and when I was young I lived half my life in books, movies, and my imagination. In elementary school I didn’t want to play with other kids; I was shy and sensitive and I found them intimidating. So my mom spoke to the school librarian. Tina Sekavic agreed to allow me to hang out in the library, so I spent the next few years reading biographies about women who had changed the world like Cleopatra, Joan of Arc, Queen Elizabeth, and others. (My mom had initially suggested this, but I quickly became fascinated.) I was moved by their bravery and determination, and I decided right then and there, I didn’t want to settle for an ordinary life. I craved adventure; I wanted to leave my mark.

For the most part, these were men who had risked it all to attain enormous success. Risked, past tense. Now they were coasting. They were safe. There was no jugular to their day-to day lives. They could get any woman they desired, buy anything they wanted, make movies, live in mansions, acquire and disembowel huge corporations. They craved the adrenaline of the gamble: that was what kept them coming back. It was much more than just a game—it was escapism, adventure, fantasy. It had become an escape for me as well. A way to avoid “growing up,” which meant, at least to my father, succumbing to a life of thankless obligations. I decided that this game was the next level of my education. Everything that passed in front of my eyes was another lesson in economics, in psychology, in entrepreneurship, in the American dream.

I loved to read and write, and when I was young I lived half my life in books, movies, and my imagination. In elementary school I didn’t want to play with other kids; I was shy and sensitive and I found them intimidating. So my mom spoke to the school librarian. Tina Sekavic agreed to allow me to hang out in the library, so I spent the next few years reading biographies about women who had changed the world like Cleopatra, Joan of Arc, Queen Elizabeth, and others.