Modular Home Quotes

The idea of living there, of not having to go back ever again to asphalt and shopping malls and modular furniture; of living there with Charles and Camilla and Henry and Francis and maybe even Bunny; of no one marrying or going home or getting a job in a town a thousand miles away or doing any of the traitorous things friends do after college; of everything remaining exactly as it was, that instant - the idea was so truly heavenly that I'm not sure I thought, even then, it could ever really happen, but I like to believe I did.

It was getting dark; soon it would be time for dinner. I finished my drink in a swallow. The idea of living there, of not having to go back ever again to asphalt and shopping malls and modular furniture; of living there with Charles and Camilla and Henry and Francis and maybe even Bunny; of no one marrying or going home or getting a job in a town a thousand miles away or doing any of the traitorous things friends do after college; of everything remaining exactly as it was, that instant—the idea was so truly heavenly that I’m not sure I thought, even then, it could ever really happen, but I like to believe I did.

The idea of living there, of not having to go back ever again to asphalt and shopping malls and modular furniture; of living there with Charles and Camilla and Henry and Francis and maybe even Bunny; of no one marrying or going home or getting a job in a town a thousand miles away or doing any of the traitorous things friends do after college; of everything remaining exactly as it was, that instant—the idea was so truly heavenly that I’m not sure I thought, even then, it could ever really happen, but I like to believe I did. Francis

Modularity is a clunky word for the elegant idea of big things made from small things. A block of Lego is a small thing, but by assembling more than nine thousand of them, you can build one of the biggest sets Lego makes, a scale model of the Colosseum in Rome. That’s modularity.

The idea of living there, of not having to go back ever again to asphalt and shopping malls and modular furniture; of no one marrying or going home or getting a job in a town a thousand miles away or doing any of the traitorous things friends do after college... the idea was so truly heavenly that I'm not sure I thought, even then, it could ever really happen, but I like to believe I did.

The idea of living there, of not having to go back ever again to asphalt and shopping malls and modular furniture; of living there with Charles and Camilla and Henry and Francis and maybe even Bunny; of no one marrying or going home or getting a job in a town a thousand miles away or doing any of the traitorous things friends do after college; of everything remaining exactly as it was, that instant—the idea was so truly heavenly that I’m not sure I thought, even then, it could ever really happen, but I like to believe I did.

If I had grown up in that house I couldn’t have loved it more, couldn’t have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon, and the strip of highway visible—just barely—in the hills, beyond the trees. The very colors of the place had seeped into my blood: just as Hampden, in subsequent years, would always present itself immediately to my imagination in a confused whirl of white and green and red, so the country house first appeared as a glorious blur of watercolors, of ivory and lapis blue, chestnut and burnt orange and gold, separating only gradually into the boundaries of remembered objects: the house, the sky, the maple trees. But even that day, there on the porch, with Charles beside me and the smell of wood smoke in the air, it had the quality of a memory; there it was, before my eyes, and yet too beautiful to believe. It was getting dark; soon it would be time for dinner. I finished my drink in a swallow. The idea of living there, of not having to go back ever again to asphalt and shopping malls and modular furniture; of living there with Charles and Camilla and Henry and Francis and maybe even Bunny; of no one marrying or going home or getting a job in a town a thousand miles away or doing any of the traitorous things friends do after college; of everything remaining exactly as it was, that instant—the idea was so truly heavenly that I’m not sure I thought, even then, it could ever really happen, but I like to believe I did.

The most important pillar behind innovation and opportunity—education—will see tremendous positive change in the coming decades as rising connectivity reshapes traditional routines and offers new paths for learning. Most students will be highly technologically literate, as schools continue to integrate technology into lesson plans and, in some cases, replace traditional lessons with more interactive workshops. Education will be a more flexible experience, adapting itself to children’s learning styles and pace instead of the other way around. Kids will still go to physical schools, to socialize and be guided by teachers, but as much, if not more, learning will take place employing carefully designed educational tools in the spirit of today’s Khan Academy, a nonprofit organization that produces thousands of short videos (the majority in science and math) and shares them online for free. With hundreds of millions of views on the Khan Academy’s YouTube channel already, educators in the United States are increasingly adopting its materials and integrating the approach of its founder, Salman Khan—modular learning tailored to a student’s needs. Some are even “flipping” their classrooms, replacing lectures with videos watched at home (as homework) and using school time for traditional homework, such as filling out a problem set for math class. Critical thinking and problem-solving skills will become the focus in many school systems as ubiquitous digital-knowledge tools, like the more accurate sections of Wikipedia, reduce the importance of rote memorization. For children in poor countries, future connectivity promises new access to educational tools, though clearly not at the level described above. Physical classrooms will remain dilapidated; teachers will continue to take paychecks and not show up for class; and books and supplies will still be scarce. But what’s new in this equation—connectivity—promises that kids with access to mobile devices and the Internet will be able to experience school physically and virtually, even if the latter is informal and on their own time.

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Look for it in the world, and you’ll see it everywhere. A brick wall is made of hundreds of bricks. A flock of starlings, which moves as if it were a unitary organism, may be composed of hundreds or thousands of birds. Even our bodies are modular, composed of trillions of cells that are themselves modular. There’s an evolutionary reason for this ubiquity: In survival of the fittest, the “fittest” is often a module that is particularly successful in reproducing itself.

Get a small thing, a basic building block. Combine it with another and another until you have what you need. That’s how a single solar cell becomes a solar panel, which becomes a solar array, which becomes a massive megawatt-churning solar farm. Modularity delivers faster, cheaper, and better, making it valuable for all project types and sizes. But for building at a truly huge scale—the scale that transforms cities, countries, even the world—modularity is not just valuable, it’s indispensable.

Solar power is the king of modularity. It is also the lowest-risk project type of any I’ve tested in terms of cost and schedule. That’s no coincidence. Wind power? Also extremely modular. Modern windmills consist of four basic factory-built elements assembled on-site: a base, a tower, the “head” (nacelle) that houses the generator, and the blades that spin. Snap them together, and you have one windmill. Repeat this process again and again, and you have a wind farm. Fossil thermal power? Look inside a coal-burning power plant, say, and you’ll find that they’re pretty simple, consisting of a few basic factory-built elements assembled to make a big pot of water boil and run a turbine. They’re modular, much as a modern truck is modular. The same goes for oil- and gas-fired plants. Electricity transmission? Parts made in a factory are assembled into a tower, and factory-made wires are strung along them. Repeat. Or manufactured cables are dug into the ground, section by section. Repeat again.

By now you know the solution to the puzzle I discussed at the end of the previous chapter: Only five project types—solar power, wind power, fossil thermal power, electricity transmission, and roads—are not fat-tailed, meaning that they, unlike all the rest, do not have a considerable risk of going disastrously wrong. So what sets the fortunate five apart? They are all modular to a considerable degree, some extremely so.

If you’re feeling down about the world, the book, “Resource Revolution: How to Capture the Biggest Business Opportunity in a Century,” is an antidote. Mr. Rogers and Mr. Heck outline how emerging advances — among them 3-D printing, autonomous vehicles, modular construction systems and home automation — might in time alter some of the world’s largest industries and bring prosperity to billions of people.

Yet over the last fifty years or so, asymmetry has crept into our homes and buildings. Architectural critic Kate Wagner traces this shift to the suburban building boom of the blingy 1980s. While the energy crisis of the seventies kept home sizes modest, the Reagan years brought large incentives for the construction industry and a culture of conspicuous consumption that turned houses into status symbols. These luxury homes, dubbed “McMansions,” swelled to include all kinds of new features: exercise rooms, home theaters, three-car garages, and grand oversize entryways. Eager to please, developers sacrificed symmetry for scale, producing massive homes that often felt surprisingly awkward. They sometimes looped architects out of the equation entirely, using a modular approach that allowed prospective homeowners to customize their design based on a kit of options. These options included architectural details like arches, moldings, and bay windows, which were then applied haphazardly to the surface rather than integrated into the structure.