Model Kits Quotes

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Qué decirnos que no fueran superficies e ilusiones, de qué hablar si no pasaríamos nunca al otro lado para cerrar el dibujo, si seguíamos buscándonos desde muertos y muñecas.
Julio Cortázar (62: A Model Kit)
Here is my room, in the yellow lamplight and the space heater rumbling: Indian rug red as Cochise's blood, a desk with seven mystic drawers, a chair covered in material as velvety blue-black as Batman's cape, an aquarium holding tiny fish so pale you could see their hearts beat, the aforementioned dresser covered with decals from Revell model airplane kits, a bed with a quilt sewn by a relative of Jefferson Davis's, a closet, and the shelves, oh, yes, the shelves. The troves of treasure. On those shelves are stacks of me: hundreds of comic books- Justice League, Flash, Green Lantern, Batman, the Spirit, Blackhawk, Sgt. Rock and Easy Company, Aquaman, and the Fantastic Four... The shelves go on for miles and miles. My collection of marbles gleams in a mason jar. My dried cicada waits to sing again in the summer. My Duncan yo-yo that whistles except the string is broken and Dad's got to fix it.
Robert McCammon (Boy's Life)
And the plunder was not just of Prince alone. Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of all the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth.
Ta-Nehisi Coates (Between the World and Me)
Why don’t we go out instead of talking about people? We seem to be ghosts talking about other ghosts. It’s unhealthy.” “Yes,
Julio Cortázar (62: A Model Kit (New Directions Classic))
Y no había palabras, porque no había pensamiento posible para esa fuerza capaz de convertir jirones de recuerdo, imágenes aisladas y anodinas, en un repentino bloque vertiginoso, en una viviente constelación aniquilada en el acto mismo de mostrarse, una contradicción que parecía ofrecer y negar a la vez lo que Juan, bebiendo la segunda copa de Sylvaner, contaría más tarde a Calac, a Tell, a Hélène, cuando los encontrara en la mesa del Cluny, y que ahora le hubiera sido necesario poseer de alguna manera como si la tentativa de fijar ese recuerdo no mostrara ya que era inútil, que estaba echando paladas de sombra contra la oscuridad.
Julio Cortázar (62: A Model Kit)
Entro de noche a mi ciudad, yo bajo a mi ciudad donde me esperan o me duelen, donde tengo que huir de alguna abominable cita, de lo que ya no tiene nombre, una cita con dedos, con pedazos de carne en un armario, con una ducha que no encuentro, en mi ciudad hay duchas, hay un canal que corta por el medio mi ciudad y navíos enormes sin mástiles pasan en un silencio intolerable hacia un destino que conozco pero que olvido al regresar, hacia un destino que niega mi ciudad donde nadie se embarca, donde se está para quedarse aunque los barcos pasen y desde el liso puente alguno esté mirando mi ciudad. Entro sin saber cómo en mi ciudad, a veces otras noches salgo a calles o casas y sé que no es mi ciudad (...).
Julio Cortázar (62: A Model Kit)
Porque en ese vacio vertiginoso las metaforas saltaban hacia el como arañas
Julio Cortázar (62: A Model Kit)
I couldn’t do it,” I said. “I couldn’t get along on the outside. I’m what they call an institutional man now. In here I’m the man who can get it for you, yeah. But out there, anyone can get it for you. Out there, if you want posters or rock-hammers or one particular record or a boat-in-a-bottle model kit, you can use the fucking Yellow Pages. In here, I’m the fucking Yellow Pages. I wouldn’t know how to begin. Or where.” “You underestimate yourself,” he said. “You’re a self-educated man, a self-made man. A rather remarkable man, I think.” “Hell, I don’t even have a high school diploma.
Stephen King (Different Seasons: Four Novellas)
Good drawing is not copying the surface. It has to do with understanding and expression. We don't want to learn to draw just to end up being imprisoned in showing off our knowledge of joints and muscles. We want to get the kind of reality that a camera can't get. We want to accentuate and suppress aspects of the model's character to make it more vivid.
Richard Williams (The Animator's Survival Kit)
Developing a cost-modeling tool kit becomes critical for alliance deal negotiations because understanding the underlying costs can help to identify opportunities for outcome improvements. This concept is sometimes confusing to our clients because they think the sole objective of cost modeling is to reduce costs, and they do not understand the linkage between cost and the improvement of outcome or service.
Suman Sarkar (The Supply Chain Revolution: Innovative Sourcing and Logistics for a Fiercely Competitive World)
Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince's daughter was now drafted into those solemn ranks and deprived of her birthright — that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.
Ta-Nehisi Coates
And it occurred to me then that you would not escape, that there were awful men who’d laid plans for you, and I could not stop them. Prince Jones was the superlative of all my fears.And if he, good Christian, scion of a striving class, patron saint of the twice as good, could be forever bound, who then could not? And the plunder was not just of Prince alone. Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth.
Ta-Nehisi Coates
a compact key impression kit, a plastic folding model with casting material that left no trace on keys. Maguire quickly made an imprint of the house key and badged back into the building through a side entrance. He made his way to a basement black area, where he dropped off the impression kit with a brush-pass.
Bryan Denson (The Spy's Son: The True Story of the Highest-Ranking CIA Officer Ever Convicted of Espionage and the Son He Trained to Spy for Russia)
Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth.
Ta-Nehisi Coates (Between the World and Me)
And if he, good Christian, scion of a striving class, patron saint of the twice as good, could be forever bound, who then could not? And the plunder was not just of Prince alone. Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League. Think of the time spent regulating sleepovers. Think of the surprise birthday parties, the daycare, and the reference checks on babysitters. Think of World Book and Childcraft. Think of checks written for family photos. Think of credit cards charged for vacations. Think of soccer balls, science kits, chemistry sets, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth. Think of your mother, who had no father. And your grandmother, who was abandoned by her father. And your grandfather, who was left behind by his father. And think of how Prince’s daughter was now drafted into those solemn ranks and deprived of her birthright—that vessel which was her father, which brimmed with twenty-five years of love and was the investment of her grandparents and was to be her legacy.
Ta-Nehisi Coates (Between the World and Me)
Copyright
Robert J. Kit (Origami For Kids: Incredibly Easy Step-by-Step Instructions to create 30 Amazing Paper-Folding Models in Less Than 60 Seconds. With Fantastic Fairy Tales About the Origami Characters)
Step 1
Robert J. Kit (Origami For Kids: Incredibly Easy Step-by-Step Instructions to create 30 Amazing Paper-Folding Models in Less Than 60 Seconds. With Fantastic Fairy Tales About the Origami Characters)
and took the next. Eight ships with old-style stealth composites and internal heat sinks. They’d have been the kings of space a couple generations back, but they weren’t bad even now. The next group had a Donnager-class battleship they were pulling out of mothballs. A quarter million tons of pieces smuggled to an empty moon and welded back together like a child’s model kit with a one-to-one scale. If she was lucky, there would be three or four more like it. Building them had been a pet project of Saba’s.
James S.A. Corey (Tiamat's Wrath (The Expanse, #8))
No era difícil imaginar el diálogo, pero si hubiese estado solo con Hélène ella no me hubiera dicho eso, probablemente no me hubiera dicho nada, atenta y ajena; una vez más la incluía sin derecho, imaginariamente, como un consuelo por tanta distancia y tanto silencio. Ya nada teníamos que decirnos Hélène y yo, que nos habíamos dicho tan poco.
Julio Cortázar (62: A Model Kit)
Y tú ahí de espaldas, de pronto más sabio y más triste que ellos, de qué te habrá servido tanta previsión si al final estás danzando esta misma música insensata.
Julio Cortázar (62: A Model Kit)
Los ojos son las únicas manos que nos van quedando a unos cuantos, bonita
Julio Cortázar (62: A Model Kit)
No bloody option. You any good with a rifle?’ ‘Not as good as you are. But I can drive.’ ‘You might have to, then,’ Dekker said tightly. ‘Let’s put some distance between us and them. While I do that, get that rifle assembled, just in case we have to shoot our way out of this.’ Richter unsnapped the catches on the case Dekker had laid on the floor in front of the rear seats, and took out the weapons’ component parts. He’d never seen this particular model before, but he was familiar with rifles from his military career. Within a couple of minutes he’d assembled the rifle, attached the telescopic sight, and loaded a full magazine of subsonic 7.62-millimetre ammunition. ‘Mean piece of kit,’ he remarked. ‘Ideal tool for the job,’ Dekker said, ‘and that’s the point.
James Barrington (Manhunt (Paul Richter, #6))
LOLLIPOP DOLLS IS like some weird little girl's hunting lodge. The heads and faces of every Japanese cartoon character and monster are hung on the walls like trophies. Their plastic guts are in model kits on the shelves and their skins are draped on padded hangers in long rows of animal prints and Little Bo Peep frills. When I turn around, there's a platoon of twelve-year-old Cutie Honey types staring up at me, letting me know that I'm extremely not welcome. It's Village of the Damned with ankle socks.
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
It's important that we, as historians or as queer people, don't treat gender and sexuality as two things that use to be entangled but have now been teased apart. There can be a tendency in white queer circles to frame this as a narrative of 'progress' in which we've moved from and outdated past where all queer relationships had to have 'a man and a woman', to a liberated present in which sexuality has been unhooked from gender and queer relationships are characterized by sameness and mutuality. But that narrative doesn't represent everybody's experience. If we frame the entanglement of gender and sexuality as a relic of an unenlightened past, we erase the experiences of many people - often, disproportionately, working-class people and people of colour. There are plenty of examples of individuals, groups and cultures for whom it's no accurate to talk about 'gender' and 'sexuality' as separate concepts or experiences. ... Where do non-binary peole fit into our existing categories of sexuality? Is gender really the most helpful way to [categorize] the people we're attracted to, or is it time for a new model: one that reflects the fact that knowing someone's gender doesn't always tell you much at all about who they are?
Kit Heyam (Before We Were Trans: A New History of Gender)
Pensar era quizá destruir la tela todavía suspendida en algo como el reverso de la sensación, su latencia acaso repetible.
Julio Cortázar (62: A Model Kit)
So this conscious search for a ‘solid’ irrefutably defined basic (and therefore ‘limited’) kit of words drew me inevitably towards the solid irrefutably defined basic kit of my experiences – drew me towards animals, basically: my childhood and adolescent pantheon of wild creatures, which were saturated by first hand intense feeling that went back to my infancy. Those particular subjects, in a sense, were the models on which I fashioned my workable language.
Ted Hughes (A Ted Hughes Bestiary: Selected Poems (Faber Poetry))
Ch 7: Read Blogs, Periodicals, and Other Web Content for Free on the Kindle Amazon might prefer that you get all your Kindle blogs and periodicals for a price in the Kindle Store, and those Kindle editions are tough to match when it comes to elegant formatting and the convenience of having new issues and posts pushed wirelessly to your Kindle in real time. However, there are a number of increasingly user-friendly ways to enjoy newspapers, magazines, and blogs free of charge on a Kindle, and we'll break them down and show you how in this chapter and the next. Here are the basic approaches: •     You can use your Kindle's web browser to read any of millions of blogs and online periodical editions directly from the web. •     You can use any of several RSS feed services such as Google Reader to read content summaries on your Kindle and then click through to content that interests you. •     You can use Instapaper to flag, sort, and organize interesting articles as you surf the web and send them individually or in digest form to your Kindle. •     You can set up Calibre to fetch the latest issues of newspapers, magazines and blogs and transfer them directly to your Kindle via an easy-to-use Calibre-to-Kindle USB connection. All of these feature are better than ever on the latest generation Kindle 3G and Kindle Wi-Fi models for the following reasons: •     Both models come with wi-fi, which is must faster than 3G for any activities other than reading an ebook or listening to an audio file. •     These latest generation Kindle 3G and Kindle Wi-Fi models both come with the Kindle's relatively new WebKit web browser based on the same platform that powers the Safari web browser. It's still a bit slow, but it is miles ahead of the previous Kindle web browser. •     These latest generation Kindle 3G and Kindle Wi-Fi models feature the new eInk Pearl display that renders 50 percent better contrast than previous Kindle displays, which is especially important when viewing web content formatted for a larger color screen. •     These latest generation Kindle 3G and Kindle Wi-Fi models provide other features to enhance web page viewing and reading, including Article Mode (a Menu selection while viewing any web page on these Kindles) and several different "zoom" options using the "Aa" font key or the Menu. Reading
Stephen Windwalker (Kindle free for all: how to get millions of free kindle books and other free content)
Paris,” a Seventh Army soldier wrote his wife. “It was wonderful, but I slept on the floor because the bed was just too much like sleeping in butter.” A woman working for the OSS described fleets of vélos, odd contraptions like “canvas-covered bathtubs and drawn or propelled by motorcycles or bicycles,” carting around GIs “who little count the cost in their exuberance at being alive.” The writer Simone de Beauvoir concluded that “the easygoing manner of the young Americans incarnated liberty itself.” Troops packed movie theaters along the Champs-Élysées, and two music halls featured vaudeville shows. Post Number One of the American Legion served hamburgers and bourbon, and bars opened with names intended to entice the homesick, like The Sunny Side of the Street and New York. Army special services organized activities ranging from piano recitals to jitterbug lessons, while distributing thousands of hobby kits for sketching, clay modeling, and leather craft. The Bayeux Tapestry, long tucked away for safekeeping, reemerged in an exhibit at the Louvre, with the segment depicting the Norman defeat of the Anglo-Saxons in 1066 tactfully
Rick Atkinson (The Guns at Last Light: The War in Western Europe 1944-1945 (The Liberation Trilogy))
And the plunder was not just of Prince alone. Think of all the love poured into him. Think of the tuitions for Montessori and music lessons. Think of the gasoline expended, the treads worn carting him to football games, basketball tournaments, and Little League... Think of soccer balls, science kits, chemistry set, racetracks, and model trains. Think of all the embraces, all the private jokes, customs, greetings, names, dreams, all the shared knowledge and capacity of a black family injected into that vessel of flesh and bone. And think of how that vessel was taken, shattered on the concrete, and all its holy contents, all that had gone into him, sent flowing back to the earth.
Ta-Nehisi Coates
Los ojos son las unicas manos que nos van quedanso a unos cuantos, bonita
Julio Cortázar (62: A Model Kit)
–Te obstinas en separar lo inseparable –dijo Tell–. ¿No sabías que son Némesis, no los has visto nunca? Son siempre el mismo tranvía, cualqueir diferencia se anula apenas se sube, no importa la línea, la ciudad, el continente, la cara del guarda. Por eso cada vez hay menos –dijo brillamentemente Tell–, los hombres se han dado cuenta y los están matando, son los últimos dragones, las últimas gorgonas.
Julio Cortázar (62: A Model Kit)
Estaba lugubre como cuando la sombra de Helene viene a habitarlo. A deshabitarlo
Julio Cortázar (62: A Model Kit)
hasta mucho despues hubiera queido creer, hubiera defendido desesperadamente que todo eso habia tenido el aire de un juego de infancia con los ojos cerrados, un gallo ciego golpeandose en los muebles y rechazando la idea de que fueran muebles, prolongando la ilusion del juego, pero era falso porque las cosas ocurrian por debajo o por encima de los parpados sin ejar de ser las mismas cosas
Julio Cortázar (62: A Model Kit)
Y le sonriera con la sonrisa de otros tiempos pero nada mas que eso, la sonrisa vacia, la costumbre de una sonrisa donde talves habitaba la lastima
Julio Cortázar (62: A Model Kit)