Mock Me Quotes

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Mock me all you like. Whatever I imagined then, now it is I who would beg and grovel for a kind word from your lips." His eyes are black with desire. "By you, I am forever undone.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Time and I have quarrelled. All hours are midnight now. I had a clock and a watch, but I destroyed them both. I could not bear the way they mocked me.
Susanna Clarke (Jonathan Strange & Mr Norrell)
If you want some advice—which I'm sure you don't—you guys should lay off on the magic. Christian still thinks you're moving in on Lissa." "What?" he asked in mock astonishment. "Doesn't he know my heart belongs to you?" "It does not. And no, he's still worried about it, despite what I've told him." "You know, I bet if we started making out right now, it would make him feel better." "If you touch me," I said pleasantly, "I'll provide you with the opportunity to see if you can heal yourself. Then we'd see how badass you really are.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
Love is blind, they say; sex is impervious to reason and mocks the power of all philosophers. But, in fact, a person's sexual choice is the result and sum of their fundamental convictions. Tell me what a person finds sexually attractive and I will tell you their entire philosophy of life. Show me the person they sleep with and I will tell you their valuation of themselves. No matter what corruption they're taught about the virtue of selflessness, sex is the most profoundly selfish of all acts, an act which they cannot perform for any motive but their own enjoyment - just try to think of performing it in a spirit of selfless charity! - an act which is not possible in self-abasement, only in self-exultation, only on the confidence of being desired and being worthy of desire. It is an act that forces them to stand naked in spirit, as well as in body, and accept their real ego as their standard of value. They will always be attracted to the person who reflects their deepest vision of themselves, the person whose surrender permits them to experience - or to fake - a sense of self-esteem .. Love is our response to our highest values - and can be nothing else.
Ayn Rand
Wrong way, Bones. The men's showers are in the opposite direction." I'll file that away with all the other information that doesn't pertain to me" was Bones' mocking reply.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
You shall address me as ‘My Dearest’,’ he repeated in a mocking voice, trying to copy her tone. ‘You will forget all about this conversation when you leave this room.’ It was interesting that tone; it had a sort of hypnotising ring to it.
Max Nowaz (The Three Witches and the Master)
Clearing his throat, Kai murmured, "You have no idea how to dance, do you?" Cinder fixed her gaze on him, mind still reeling. "I'm a mechanic." His eyebrows raised mockingly. "Believe me, I noticed. Are those grease stains on the gloves I gave you?
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
Call me a sinner, Mock me maliciously: I was your insomnia, I was your grief.
Anna Akhmatova
Must be weird for you, having your mom here." "Weird for me, weird for her, probably weird for you since you had to give up your swinging bachelor pad." "Mrs. Casnoff let me install my heart-shaped Jacuzzi in my new dorm room." "Cal," I said with mock astonishment, "did you just make a joke?" "Maybe.
Rachel Hawkins (Demonglass (Hex Hall, #2))
I do not mourn the loss of my sister because she will always be with me, in my heart," she says. "I am, however, rather annoyed that my Tara has left me to suffer you lot alone. I do not see as well without her. I do not hear as well without her. I do not feel as well without her. I would be better off without a hand or a leg than without my sister. Then at least she would be here to mock my appearance and claim to be the pretty one for a change. We have all lost our Tara, but I have lost a part of myself as well.
Erin Morgenstern (The Night Circus)
I survived because I remained soft, because I listened, because I wrote. Because I huddled close to my truth, protected it like a tiny flame in a terrible storm. Hold up your head when the tears come, when you are mocked, insulted, questioned, threatened, when they tell you you are nothing, when your body is reduced to openings. The journey will be longer than you imagined, trauma will find you again and again. Do not become the ones who hurt you. Stay tender with your power. Never fight to injure, fight to uplift. Fight because you know that in this life, you deserve safety, joy, and freedom. Fight because it is your life. Not anyone else’s. I did it, I am here. Looking back, all the ones who doubted or hurt or nearly conquered me faded away, and I am the only one standing. So now, the time has come. I dust myself off, and go on.
Chanel Miller (Know My Name: A Memoir)
but it's not safe and I can feel him slipping away, so I just get out one more sentence. "Stay with me." As the tendrils of sleep syrup pull me down, I hear him whisper a word back but I don't catch it.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
What are you gonna do, angel face? Stab me with your eyebrow pencil?
Susan Elizabeth Phillips (Kiss an Angel)
I love you like in the storybooks. I love you like in the ballads. I love you like a lightning bolt. I've loved you since the third month you came and spoke with me. I loved that you made me want to laugh. I loved the way you were kind and the way you would pause when you spoke, as though you were waiting for me to answer you. I love you and I am mocking no one when I kiss you, no one at all.
Holly Black (The Darkest Part of the Forest)
What are you?" she asked. "A monster," said Kell hoarsely. "You'd better let me go." The girl gave a small, mocking laugh. "Monsters don't faint in the presence of ladies." "Ladies don't dress like men and pick pockets," retorted Kell. Her smile only sharpened. "What are you really?" "Tied to your bed," said Kell matter-of-factly. "And?" His brow furrowed. "And in trouble.
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
And now - Plato's words mock me in the shadows on the ledge behind the flames: '...the men of the cave would say of him that up he went and down he came without his eyes.
Daniel Keyes (Flowers for Algernon)
I’m not an idiot, Kenji. I have reasons for the things I say.” “Yeah, and maybe I’m just saying that you have no idea what you’re saying.” “Whatever.” “Don’t whatever me—” “Whatever,” I say again. “Oh my God,” Kenji says to no one in particular. “I think this girl wants to get her ass kicked.” “You couldn’t kick my ass if I had ten of them.” Kenji laughs out loud. “Is that a challenge?” "It’s a warning,” I say to him. “Ohhhhhh, so you’re threatening me now? Little crybaby knows how to make threats now?” “Shut up, Kenji.” “Shut up, Kenji,” he repeats in a whiny voice, mocking me.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rims at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen?
William Shakespeare (Hamlet)
In the heat of her hands I thought, This is the campfire that mocks the sun. This place will warm me, feed me and care for me. I will hold on to this pulse against other rhythms. The world will come and go in the tide of a day but here is her hand with my future in its palm.
Jeanette Winterson (Written on the Body)
In the first place, his startling likeness to Catherine, connected him fearfully with her. That, however, which you may suppose the most potent to arrest my imagination, is actually the least – for what is not connected with her to me? and what does not recall her? I cannot look down to this floor, but her features are shaped on the flags! In every cloud, in every tree – filling the air at night, and caught by glimpses in every object, by day I am surrounded with her image! The most ordinary faces of men, and women – my own features mock me with a resemblance. The entire world is a dreadful collection of memoranda that she did exist, and that I have lost her!
Emily Brontë (Wuthering Heights)
If you went twenty-four hours without cigarettes, I'd drink a can of pop. Regular pop. The whole can." Isaw the glimmer of Adrian's earlier smile returning. "You would not." "I totally would." "Half a can would put you into a coma." Sonya frowned. "Are you diabetic?" she asked me. "No," said Adrian, "but Sage is convinced one extraneous calorie will make her go from super skinny to just regular skinny. Tragedy." "Hey," I said. "You think it’d be a tragedy to go an hour without a cigarette." "Don’t question my steel resolve, Sage. I went without one for two hours today." "Show me twenty-four, and then I’ll be impressed." He gave me a look of mock surprise. "You mean you aren’t already? And here I thought you were dazzled from the moment you met me.
Richelle Mead (The Golden Lily (Bloodlines, #2))
I'm not going anywhere until you're safe," Christian says to me, real quiet. "Isn't that quaint. The chivalrous Unseelie prince with the dick of death," Ryodan mocks.
Karen Marie Moning (Iced (Fever, #6))
Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time." An hour later, he had his answer. "Not practicing, huh?" "Ow,” I groaned, momentarily incapable of normal speech. He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times. "I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow. "You’d hate me more if I held back." "Yeah, that’s true," I agreed, staggering along as the class put the equipment back. "You actually did okay." "What? I just had my ass handed to me." "Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly. "Did I mention I hate you?” He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—" "They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue. "Extra sessions with who?" "That tall guy. Dimitri." Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?" "Yeah, so what?" "So the man is a god." "Exaggerate much?" I asked. "No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you." Great. Something else to improve my day.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
He presses his mouth to the pulse point of my wrist, racing in time with my heart. “Mock me all you like. Whatever I imagined then, now it is I who would beg and grovel for a kind word from your lips.” His eyes are black with desire. “By you, I am forever undone.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I adore Wilkie Collins,” Tessa cried. “Oh—Armadale! And The Woman in White … Are you laughing at me?” “Not at you,” said Will, grinning, “more because of you. I’ve never seen anyone get so excited over books before. You’d think they were diamonds.” “Well, they are, aren’t they? Isn’t there anything you love like that? And don’t say ‘spats’ or ‘lawn tennis’ or something silly.” “Good Lord,” he said with mock horror, “it’s like she knows me already.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Taylor Markham," said Raffaela, "I'm going to say a prayer for you." And although I wanted to mock her and explain I didn't believe in anything or anyone, I realised that no one had ever prayed for me before. So I let her.
Melina Marchetta (On the Jellicoe Road)
Remember particularly that you cannot be a judge of anyone. For no one can judge a criminal until he recognizes that he is just such a criminal as the man standing before him, and that he perhaps is more than all men to blame for that crime. When he understands that, he will be able to be a judge. Though that sounds absurd, it is true. If I had been righteous myself, perhaps there would have been no criminal standing before me. If you can take upon yourself the crime of the criminal your heart is judging, take it at once, suffer for him yourself, and let him go without reproach. And even if the law itself makes you his judge, act in the same spirit so far as possible, for he will go away and condemn himself more bitterly than you have done. If, after your kiss, he goes away untouched, mocking at you, do not let that be a stumbling-block to you. It shows his time has not yet come, but it will come in due course. And if it come not, no matter; if not he, then another in his place will understand and suffer, and judge and condemn himself, and the truth will be fulfilled. Believe that, believe it without doubt; for in that lies all the hope and faith of the saints.
Fyodor Dostoevsky (The Brothers Karamazov)
I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me. Why should it keep what I must lose? Every moment that passes takes something from me and gives something to it. Oh, if it were only the other way! If the picture could change, and I could be always what I am now! Why did you paint it? It will mock me some day—mock me horribly!
Oscar Wilde (The Picture of Dorian Gray)
Peeta smiles at me, sad and mocking. "Okay. Thanks for the tip, sweetheart.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
That’s what people never understand: They see us hard little pretty things, brightly lacquered and sequin-studded, and they laugh, they mock, they arouse themselves. They miss everything. You see, these glitters and sparkle dusts and magicks? It’s war paint, it’s feather and claws, it’s blood sacrifice.
Megan Abbott (Dare Me)
So what does Tod look like? Whitewashed skeleton skulking around in a black cape and hood? Carrying a scythe? 'Cause I'm thinking that would cause mass panic in the hospital." ..... "Do you chase after a funeral processions in a long, dirty dress, hair trailing behind you in the wind? I shot him a mock frown. "Have you been following me again?
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
I remember when my daddy gave me that gun. He told me that I should never point it at anything in the house; and that he'd rather I'd shoot at tin cans in the backyard. But he said that sooner or later he supposed the temptation to go after birds would be too much, and that I could shoot all the blue jays I wanted - if I could hit 'em; but to remember it was a sin to kill a mockingbird.
Harper Lee (To Kill a Mockingbird)
I’m warning you, stay back! This sword has magic.' 'Magic!' the dragon gasped in mock fright. It put a claw to its breast. 'Oh, please, brave man, don’t slay me with your magic sword!
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
So let me get this straight.”... “He threw the note at Tommy and then told him to fuck off? Or do I have it backwards?” “I’m detecting some sarcasm.” “And then got himself sent the principal’s office because he was ready to defend your honor?” “Quinn.” “Her friend waved a hand. “No, I think you might be on to something. This is clearly an elaborate plot to screw with you. He asks you out, he defends you from that meathead—what next?” Quinn’s eyes flashed wide in mock surprise. “Crap, Bex, do you think he will do something truly horrible like buy you flowers?
Brigid Kemmerer (Storm (Elemental, #1))
Oh! Stars and clouds and winds, ye are all about to mock me; if ye really pity me, crush sensation and memory; let me become as nought; but if not, depart, depart, and leave me in darkness.
Mary Wollstonecraft Shelley
You told me i was your world. It wasn't me. I was an animal." My heart pounded. My cheeks burned. You never wanted it to end. "Why are you being such a jackass, slamming me in the face with my own humiliation?" Humilation? That's what you call this? He forced a more detailed reminder on me. I swallowed. Yes, I certainly remembered that. "I was out of my mind. I‘d never have done it otherwise." Really, his dark eyes mocked, and in them I was demanding more, telling him I wanted it to always be this way. I remembered what he'd replied: that one day I would wonder if it was possible to hate him more.
Karen Marie Moning (Dreamfever (Fever, #4))
Guilt is a hunter. My conscience mocked me, picking fights like a petulant child. It’s all your fault, the voice whispered.
Ruta Sepetys (Salt to the Sea)
I want pancakes.” “What? Right now?” “No. For breakfast.” “Oh.” He yawned. “You’d better get up early then.” “Me? I’m not going to make them.” “Yeah?” His sleepy voice carried mock sympathy. “Who’s going to make them for you then?” “You are.” “Am I? You think I’m going to make you pancakes? Is that how you think it’s going to be?" "You’re so good at,” I whined. “Besides, if you do, I’ll sit on the counter in a short robe while you cook.” His soft laughter segued into another yawn. “Oh. Well then.” He kissed my ear again. “Maybe I’ll make you pancakes.
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
They are going to laugh at you and mock you and then they are going to—” “Eat me. Yes. I understand.” “You don’t seem to be grasping the meaning behind the words. This isn’t a metaphor. I’m talking about huge teeth and digestive systems.” “Fat and bones and marrow and meat,” Winter sang. “We only wanted a snack to eat.” Scarlet grunted. “You can be so disturbing.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
pg. 231-232: They'd given me a minivan. They could have picked any car and they picked a minivan. A minivan. O God of the Vehicular Justice, why dost thou mock me? Minivan, you albatross around my neck! You mark of Cain! You wretched beast high ceilings and few horsepower!
John Green (Paper Towns)
I grabbed Liam's arm as he passed me on his way to the tunnel door, kissing his cheek. "See you later tonight." He stepped down into the tunnel, shouldering a backpack Cole had left for him there. When I turned to say good-bye to the other Stewart, he'd stooped, turned his cheek toward me, and was waiting. I flicked it with my finger, making him laugh again. "You're impossible," I informed him. "It's all part of my charm," he said, shifting the heavy bag on his shoulder. "Take care of things, Boss." "Take care of him." I said, pointedly. He gave one last mock salute before shutting the door to the tunnel. I waited until the sound of his and the others' steps faded completely before locking the door after him.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Puck threw Ash a mocking smile. “You look like crap, Prince. Did you miss me?” Ash frowned, stabbing a faery that was clawing at his feet. “What are you doing here, Goodfellow?” he asked coldly, which only caused Puck’s grin to widen. “Rescuing the princess from the Winter Court, of course.” Puck looked down as the wire-fey piled on the squealing boar, ripping and slicing. It exploded into a pile of leaves, and they skittered back in confusion. “Though it appears I’m saving your sorry ass, as well.” “I could’ve handled it.” “Oh, I’m sure.” Puck brandished a pair of curved daggers, the blades clear as glass. His grin turned predatory. “Well, then, shall we get on with it? Try to keep up, Your Highness.” “Just stay out of my way.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
But Harry . . . even if we had met and married three years ago, you’d still say it wasn’t enough time.” “You’re right. I can’t think of a single day of my life that wouldn’t have been improved with you in it.” “Darling,” she whispered, her fingertips coming up to stroke his jaw, “that’s lovely. Even more romantic than comparing me to watch parts.” Harry nipped at her finger. “Are you mocking me?” “Not at all,” Poppy said, smiling. “I know how you feel about gears and mechanisms.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
A voice within me is sobbing, "You see that's what's become of you. You're surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don't listen to the advice of your own better half." Believe me, I'd like to listen, but it doesn't work, because if I'm quiet and serious, everyone thinks I'm putting on a new act and I have to save myself with a joke, and then I'm not even talking about my own family, who assume I must be sick, stuff me with aspirins and setatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can't keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, an finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I'd like to be and what I could be if . . . if only there were no other people in the world. Yours, Anne M. Frank.
Anne Frank
I wanted to be in love like in the storybooks and songs and ballads. Love that hits you like a lightning bolt. And I'm sorry, because yeah, I get that you think I'm ridiculous. I get that you think I'm hilarious. I know, I get that you're mocking me. I get how stupid I am, but at least I know.
Holly Black (The Darkest Part of the Forest)
I had an uneventful few days," it told her. "The most exciting thing was an hour-long lecture from the headmaster on taking our studies seriously. He said next year's exam will arrive sooner than we think." "No, they won't," Valkyrie said, frowning. "They'll arrive next year, exactly when we expect them." "That's what I told him," the reflection nodded. "I don't think he's comfortable with logic, because he didn't look happy. He sent me to the Career Guidance counsellor, who asked me what I wanted to do after college." Valkyrie stowed her black clothes. "What did you say?" "I told her I wanted to be a Career Guidance counsellor. She started crying, then accused me of mocking her. I told her if she wasn't happy in her job then she should look at other options, then pointed out that I was already doing her job better than she was. She gave me detention.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
Callistanas aren’t so bad either,” I said, looking down at my satchel. “That ‘pain in the ass’ screeching saved me from a face full of acid.” Adrian put his hand to his heart in mock horror. “Sage, did you just swear?
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Give me my robe, put on my crown; I have Immortal longings in me: now no more The juice of Egypt's grape shall moist this lip: Yare, yare, good Iras; quick. Methinks I hear Antony call; I see him rouse himself To praise my noble act; I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath: husband, I come: Now to that name my courage prove my title! I am fire and air; my other elements I give to baser life. So; have you done? Come then, and take the last warmth of my lips. Farewell, kind Charmian; Iras, long farewell. Kisses them. IRAS falls and dies Have I the aspic in my lips? Dost fall? If thou and nature can so gently part, The stroke of death is as a lover's pinch, Which hurts, and is desired. Dost thou lie still? If thus thou vanishest, thou tell'st the world It is not worth leave-taking.
William Shakespeare (Antony and Cleopatra)
I have no desire to sleep with you. I want to fuck you. And there is no such thing as perfectly good sex.  If it’s “perfectly good,” I mock in falsetto, “he should be shot in the head and put out of everyone’s misery. Sex either blows your fucking mind, or it’s not good enough. You want me to blow your fucking mind, Ms. Lane? Come on.  Do it.  Be a big girl.
Karen Marie Moning (Burned (Fever, #7))
I don’t hear peeing,” Jamie said mockingly. “Eat me,” I muttered. “What’s that?” “Leave me,” I said louder.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of 'parties' with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter — they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship — but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
I am not a machine. For what can a machine know of the smell of wet grass in the morning, or the sound of a crying baby? I am the feeling of the warm sun against my skin; I am the sensation of a cool wave breaking over me. I am the places I have never seen, yet imagine when my eyes are closed. I am the taste of another's breath, the color of her hair. You mock me for the shortness of my life span, but it is this very fear of dying which breathes life into me. I am the thinker who thinks of thought. I am curiosity, I am reason, I am love, and I am hatred. I am indifference. I am the son of a father, who in turn was a father’s son. I am the reason my mother laughed and the reason my mother cried. I am wonder and I am wondrous. Yes, the world may push your buttons as it passes through your circuitry. But the world does not pass through me. It lingers. I am in it and it is in me. I am the means by which the universe has come to know itself. I am the thing no machine can ever make. I am meaning.
Bernard Beckett (Genesis)
My friends call me Wrath," says Raffe. "My enemies call me Please Have Mercy. What's your name, soldier boy?" Raffe's mocking tone brings a flush to my cheeks for no reason.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
To bait fish withal: if it will feed nothing else, it will feed my revenge. He hath disgraced me, and hindered me half a million; laughed at my losses, mocked at my gains, scorned my nation, thwarted my bargains, cooled my friends, heated mine enemies; and what's his reason? I am a Jew. Hath not a Jew eyes? hath not a Jew hands, organs,dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge. The villany you teach me, I will execute, and it shall go hard but I will better the instruction.
William Shakespeare (The Merchant of Venice)
One for sorrow, two for joy, three for a girl . . . Three for a girl. I’m stuck on three, I just can’t get any further. My head is thick with sounds, my mouth thick with blood. Three for a girl. I can hear the magpies—they’re laughing, mocking me, a raucous cackling. A tiding. Bad tidings. I can see them now, black against the sun. Not the birds, something else. Someone’s coming. Someone is speaking to me. Now look. Now look what you made me do.
Paula Hawkins (The Girl on the Train)
And your will shall decide your destiny," he said: "I offer you my hand, my heart, and a share of all my possessions." You play a farce, which I merely laugh at." I ask you to pass through life at my side--to be my second self, and best earthly companion." For that fate you have already made your choice, and must abide by it." Jane, be still a few moments: you are over-excited: I will be still too." A waft of wind came sweeping down the laurel-walk, and trembled through the boughs of the chestnut: it wandered away--away--to an indefinite distance--it died. The nightingale's song was then the only voice of the hour: in listening to it, I again wept. Mr. Rochester sat quiet, looking at me gently and seriously. Some time passed before he spoke; he at last said - Come to my side, Jane, and let us explain and understand one another." I will never again come to your side: I am torn away now, and cannot return." But, Jane, I summon you as my wife: it is you only I intend to marry." I was silent: I thought he mocked me. Come, Jane--come hither." Your bride stands between us." He rose, and with a stride reached me. My bride is here," he said, again drawing me to him, "because my equal is here, and my likeness. Jane, will you marry me?
Charlotte Brontë (Jane Eyre)
Names are illusions,” he growled. “Nonsensical labels seized upon by people to make them feel better about the intangibility of their puny existences. I am this. I am that,” he mocked. “I came from so and so. Ergo I am … whatever the blah-blah you want to claim. Bloody hell, spare me.
Karen Marie Moning (Dreamfever (Fever, #4))
Elder mocked me for praying once, and i spent an hour berating him for that. He ended up throwing up his hands, laughing, and telling me i could believe whatever i wanted if i was going to hold onto my beliefs so hard.
Beth Revis (A Million Suns (Across the Universe, #2))
What are you?” she asked. “A monster,” said Kell hoarsely. “You’d better let me go.” The girl gave a small, mocking laugh. “Monsters don’t faint in the presence of ladies.” “Ladies don’t dress like men and pick pockets,” retorted Kell. Her smile only sharpened. “What are you really?” “Tied to your bed,” said Kell matter-of-factly.” “And?” His brow furrowed. “And in trouble.
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
Oh, God, Francesca,Now there’s a good one.Why?Why? Why?” He gave each one a different tenor, as if he were testing out the word, asking it to different people. “Why?” he asked again, this time with increased volume as he turned around to face her. “Why? It’s because I love you, damn me to hell. Because I’ve always loved you. Because I loved you when you were with John, and I loved you when I was in India, and God only knows I don’t deserve you, but I love you, anyway.” Francesca sagged against the door. “How’s that for a witty little joke?” he mocked. “I loveyou. I loveyou, my cousin’s wife. I loveyou, the one woman I can never have. I loveyou, Francesca Bridger-ton Stirling.
Julia Quinn (When He Was Wicked (Bridgertons, #6))
It would be nice to think that as I've got older times have changed, relationships have become more sophisticated, females less cruel, skins thicker, reactions sharper, instincts more developed. But there still seems to be an element of that evening in everything that happened to me since; all my other romantic stories seem to be a scrambled version of that first one. Of course, I have never had to take that long walk again, and my ears have not burned with quite the same fury, and I have never had to count the packs of cheap cigarettes in order to avoid mocking eyes and floods of tears... not really, not actually, not as such. It just feels that way, sometimes.
Nick Hornby (High Fidelity)
ROXANE: Live, for I love you! CYRANO: No, In fairy tales When to the ill-starred Prince the lady says 'I love you!' all his ugliness fades fast-- But I remain the same, up to the last! ROXANE: I have marred your life--I, I! CYRANO: You blessed my life! Never on me had rested woman's love. My mother even could not find me fair: I had no sister; and, when grown a man, I feared the mistress who would mock at me. But I have had your friendship--grace to you A woman's charm has passed across my path.
Edmond Rostand (Cyrano de Bergerac)
In every cloud, in every tree – filling the air at night, and caught by glimpses in every object, by day I am surrounded with her image! The most ordinary faces of men, and women – my own features mock me with a resemblance. The entire world is a dreadful collection of memoranda that she did exist, and that I have lost her!
Emily Brontë (Wuthering Heights)
I felt mocked. "That's what I get for trusting you." He took a step back. "Excuse me! Trust doesn't mean you get the response you want from someone, but that you'll get an honest response, and that the other person will stick by you even when you can't agree." Stick by you for how long, through how much? I wondered. What is the expiration date on trust?
Elizabeth Chandler (The Deep End of Fear (Dark Secrets, #4))
Chade, I know the Fool is strange. But I like it when he comes to talk to me. He speaks in riddles, and he insults me, and makes fun of me, and gives himself leave to tell me things he thinks I should do, like wash my hair, or not wear yellow. But (...) I like him. He mocks me, but from him, it seems a kindness. He makes me feel, well, important. That he could choose me to talk to.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
For once in my life, I'd love to be myself around everyone else and be accepted for who I am instead of staying silent for fear of people mocking me.
Katie McGarry (Walk the Edge (Thunder Road, #2))
Don’t you dare mock me. I’ve seen more pain than you can even imagine. (Kiara) Yeah, your mother was shot dead in front of you. Boo-hoo. So what? You think you’re the only one who ever lived through that? My father was publicly executed for the entire Ichidian Universe to watch. The saddest part of that is I just wish I’d been the one who’d gassed the bastard. (Syn)
Sherrilyn Kenyon (Born of the Night (The League, #1))
He hath disgrac'd me and hind'red me half a million; laugh'd at my losses, mock'd at my gains, scorned my nation, thwarted my bargains, cooled my friends, heated my enemies. And what's his reason? I am a Jew.
William Shakespeare (The Merchant of Venice)
Please just admit it," said Valkyrie. "You're going to miss me, aren't you?" "Obviously," said Skulduggery. "Thank you." "Like a drowning man misses the land." "A w w w..." "Like a hesitant man misses the chance." "Yeah..." "Like an oblivious man misses the point." "I have a feeling you're mocking me somehow, but I can't put my finger on how.
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
Let me look at you.” I pull away and put my hands on his cheeks, examining his face. Blue eyes, of course. And how could I forget that mouth? Thin pink lips with one crooked corner always suggesting a mocking smile. My God, how had I never noticed before how handsome he is? “You need a haircut.” He rubs the side of his thumb over my cheekbone. “You’re beautiful.
Cristin Terrill (All Our Yesterdays)
What use is a god with boundless mercy, sir? You mock me as a pagan, yet the gods of my ancestors pronounce clearly their ways and punish severely when we break their laws. Your Christian god of mercy gives men licence to pursue their greed, their lust for land and blood, knowing a few prayers and a little penance will bring forgiveness and blessing.
Kazuo Ishiguro (The Buried Giant)
We pass more women with swollen bellies hurrying towards the godshouse and Arjuro presses a kiss to Tariq's outstretched fingers. 'She's mocking me, runt of our litter,' Arjuro tells him. 'The Oracle is mocking me for choosing a man to share my bed. And her punishment is that I spend the rest of eternity staring between the legs of women.
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
I think I fell in love with you,” Rhys murmured, stroking a finger down my arm, “the moment I realized you were cleaving those bones to make a trap for the Middengard Wyrm. Or maybe the moment you flipped me off for mocking you. It reminded me so much of Cassian. For the first time in decades, I wanted to laugh.” “You fell in love with me,” I said flatly, “because I reminded you of your friend?” He flicked my nose. “I fell in love with you, smartass, because you were one of us—because you weren’t afraid of me, and you decided to end your spectacular victory by throwing that piece of bone at Amarantha like a javelin. I felt Cassian’s spirit beside me in that moment, and could have sworn I heard him say, ‘If you don’t marry her, you stupid prick, I will.’ ” I huffed a laugh, sliding my paint-covered hand over his tattooed chest. Paint—right. We were both covered in it. So was the bed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Because fate would not slight me so unspeakably. I'd seek a noon-day sun if I were paired with one such as you." "Such as me," she repeated blandly. She'd been mocked too often over her lifetime to take offense. Her skin was as thick as armor. "Yes, you. An ignorant, mortal Kmart checkout girl." He took the sharpest knife from his place setting, absently turning it between his left thumb and forefinger. "Kmart? I should have been so lucky. Those jobs were hard to come by. I worked at my uncle's outfitter shop." "Then you're even worse. You're an outfitter checkout girl with aspirations for Kmart." "Still better than a demon.
Kresley Cole (Lothaire (Immortals After Dark, #11))
Love is blind, they say; sex is impervious to reason and mocks the power of all philosophers. But, in fact, a man’s sexual choice is the result and the sum of his fundamental convictions. Tell me what a man finds sexually attractive and I will tell you his entire philosophy on life. Show me the woman he sleeps with and I will tell you his valuation of himself. No matter what corruption he’s taught about the virtue of selflessness, sex is the most profoundly selfish of all acts, an act which he cannot perform for any motive but his own enjoyment–just try to think of performing it in a spirit of selfless charity!–an act which is not possible in self-abasement, only in self-exaltation, only in confidence of being desired and being worthy of desire.
Ayn Rand (Atlas Shrugged)
No longer mourn for me when I am dead than you shall hear the surly sullen bell give warning to the world that I am fled from this vile world with vilest worms to dwell: nay, if you read this line, remember not the hand that writ it, for I love you so, that I in your sweet thoughts would be forgot, if thinking on me then should make you woe. O! if, I say, you look upon this verse when I perhaps compounded am with clay, do not so much as my poor name rehearse; but let your love even with my life decay; lest the wise world should look into your moan, and mock you with me after I am gone.
William Shakespeare (Shakespeare's Sonnets)
Can you- Phil, can you name something that teenage girls can be interested in without being made fun of? This really bothers me. You know when we're talking about things that really annoy us in modern media this is the one for me. Teenage girls have nothing they can be interested in without being mocked... and I think that's hella unfair.
Wilbur Soot
Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.
David Mitchell (The Bone Clocks)
You marry the person you love—and none other,” he said, and she laughed. “You’re mocking me! You’re laughing in my face!” “You deserve to be laughed at for such foolish thoughts! I spoke from my soul; you speak only from selfishness.” “You’re remarkably judgmental.” “What’s the point in having a mind if you don’t use it to make judgments?” “What’s the point in having a heart if you don’t use it to spare others from the harsh judgments of your mind?
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Violet Eden!" Steph said sternly, sucking me out of my trance. "We have your dad's Amex, a green light and no specified limit." Her mock rebuke morphed into a devious grin. "What more could a girl want as a birthday present?
Jessica Shirvington (Embrace (The Violet Eden Chapters, #1))
The feel of arms around me, in comfort rather than as restraint or in harmful intent, undoes me. I cry for all the years of mocking and teasing received at the hands of my peers, for having been born to hateful, careless parents. I cry for the fact that this one good, kind boy has joined the game. And That makes me think it’s hopeless to find any goon in anyone, which only makes me cry harder.
Cindy C. Bennett (Heart on a Chain)
How did you know I would get to Van Daal in time?” she asked. “Because you always do.” “You should have given me more warning.” “I thought your Saints would appreciate the challenge.” For a while she said nothing, then from somewhere behind him he heard her. “Men mock the gods until they need them, Kaz.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I say it instead. "You told so," I admit. "You told me my image of Brody wasn't real, and you were right. I was just too blind to see it." He laughs a little. "You were to blind to see a lot of things Princess." It's reassuring when he calls me Princess-as opposed to princess or, worse, Lily. One seems too mocking, the other too intimate. His ironic nickname feels safe.
Tera Lynn Childs (Forgive My Fins (Fins, #1))
Love is blind, they say; sex is impervious to reason and mocks the power of all philosophers. But, in fact, a man's sexual choice is the result and the sum of his fundamental convictions. Tell me what a man finds sexually attractive and I will tell you his entire philosophy of life. Show me the woman he sleeps with and I will tell you his valuation of himself.
Ayn Rand
Nate, your commitment phobia is showing again." He turned to me in mock horror. "Where?" He patted his cheeks anxiously. "Get it off me.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
If I didn’t know any better, I’d think you were obsessed with me, Aibek.” But she doesn’t walk away. “I don’t think you should speak to a prince in that way,” I mock. “Perhaps titles are in order.” I take a step away from her and smile to myself when she follows. “Yeah? Well, my apologies. Which one should I use? Prince? Or pathetic?” I shrug. “You could have called me yours.
Caroline Cusanelli (A Liar's Twisted Tongue (The Fated Blood Trilogy #1))
Democritus and Heraclitus were two philosophers, of whom the first, finding the condition of man vain and ridiculous, never went out in public but with a mocking and laughing face; whereas Heraclitus, having pity and compassion on this same condition of ours, wore a face perpetually sad, and eyes filled with tears. I prefer the first humor; not because it is pleasanter to laugh than to weep, but because it is more disdainful, and condemns us more than the other; and it seems to me that we can never be despised as much as we deserve. Pity and commiseration are mingled with some esteem for the thing we pity; the things we laugh at we consider worthless. I do not think there is as much unhappiness in us as vanity, nor as much malice as stupidity. We are not so full of evil as of inanity; we are not as wretched as we are worthless.
Michel de Montaigne
Is this your way of telling me to shut my face?” Jace inquired. “Remember when you mocked me for sneaking around with Magnus and asked me if I’d fallen on my neck?” Alec asked, placing the tip of the stele against his forearm and starting to draw an iratze. “This is payback.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
When we entered the first chamber of the dungeon, the stench made me recoil. It smelled like someone had mixed together kerosene, rotten fruit, stale blood, urine, and dog shit, then blown it up. How had I not noticed this before? I wasn't even breathing, but the rancid odor found its way into my nose anyway. "This place stink." "Did the guards forget to spray Febreze?" Vlad asked in mock indignation. Then he gave me a jaded look. "It s a dungeon, Leila. They re supposed to smell." Mission accomplished. The stench might have actually killed my new appetite. If Hell could fart, it would smell like this.
Jeaniene Frost (Twice Tempted (Night Prince, #2))
A little present from my run-in with a sword. Or should I say from when the sword had a run-in with me?” His eyes lit up. “Want to see the scar? It’s cool.” He started pulling his shirt out of his pants. “Janco,” Ari warned. “We’re not supposed to be fraternizing with the Sitians.” “But she’s not Sitian. Right, Yelena? You haven’t gone south on us, have you?” Janco’s voice held mock horror. “Because if you have I can’t give you your present.” I took my switchblade out, showing the inscription to Janco. “What about ‘Sieges weathered, fight together, friends forever’? Does that change if I become an official southerner?” Janco rubbed the hair on his chin, considering. “No,” Ari said. “You could change into a goat and it would still apply.
Maria V. Snyder (Magic Study (Study, #2))
I asked Anne to make me a dress that looked innocent, which made her eyebrows pucker. “You make it sound like we’ve been sending you out in lingerie,” she said mockingly.
Kiera Cass (The Selection (The Selection, #1))
Where are you going?" she called after me, her voice mocking. "What's waiting for you out there?" "Nothing!" I shouted at her. "No one!
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
For me, as for all the world, the War was a tragedy and a vast stupidity, a waste of youth and of time; it betrayed my faith, mocked my love, and irremediably spoilt my career.
Vera Brittain (Testament of Youth)
…so many ticks steadily around the clock. My heart beats ferociously, as if to say it will not digest this leaving. But you are gone. I could never look into your tormenting eyes again. You mock me with each word you choose…. of the millions of words in the English tongue you could have chosen…you select the one’s that break me down.
Coco J. Ginger
I didn't say what kind of book. You have a foul mind Bingley." "Don't mock me on my sister's wedding day!" "I mocked you on yours; I hardly see how this is as bad," was Darcy's reply.
Marsha Altman (The Darcys & the Bingleys: A Tale of Two Gentlemen's Marriages to Two Most Devoted Sisters)
Kale turned away from me and stepped to Alex. "I know exactly what that means, and if you say it again, I'll touch you." "Sorry, dude," Alex said, waving his hands. He flashed Kale a mock frown. "I don't swing that-
Jus Accardo (Toxic (Denazen, #2))
She lifted one arm up, covering her forehead in a mock swoon. “You’re sweeping me off my feet.” He laughed, shocked by the sound after the shitty day they’d had. He bent his knees and cradled her in his arms, spinning her around while he drank in the magic of her giggles. Finally, he lowered her onto the bed and lay down beside her. “Now you’ve been swept.
Lisa Kessler (Dance of the Heart (Muse Chronicles, #6))
Trust me, never mock a romance book,” said Mal with all the zest of a manic street preacher. “You have no idea the amount of good they can do for you between the sheets and on the streets. If you love you girl? Buy her books.
Kylie Scott (Dirty (Dive Bar, #1))
When I am come to mine own again, I will always honor little children, remembering how that these trusted me and believed me in my time of trouble; whilst they that were older, and thought themselves wiser, mocked at me and held me for a liar.
Mark Twain (The Prince and the Pauper)
Do something?” He shot me a narrow-eyed glare, and said mockingly, “Oh Leon, do something! Save me, please, oh please! What happened to Be gone, demon? What happened to trying to bash my head in with a crucifix?
Harley Laroux (Her Soul to Take (Souls Trilogy, #1))
Fennik growled. "You mock me." Korbyn's face was innocent, like Jidali's after he sneaked a cookie from Aunt Sabisa. "I would never mock such an illustrious personage," Korbyn said.
Sarah Beth Durst (Vessel)
It's our first Elysium together, Ash. They'll be expecting us. Both of us." He moaned and grabbed another pillow, covering his eyes. "No playing hooky and insulting the Winter Queen. I'm not doing this by myself." I took the second pillow, tossing it on the floor, and mock-glared at him. "Up." He regarded me with a wry smile. "You're awfully perky for someone who kept me up all night." "Hey, you started it remember?
Julie Kagawa (The Iron Legends (The Iron Fey, #1.5, 3.5, 4.5))
He reaches up and presses my hand to his face. ¨Its funny, isnt it, how i mocked you for your mortality when you´re certain to outlive me.¨ ¨You´re not going to die,¨ I insist. Page 289
Holly Black (The Wicked King (The Folk of the Air, #2))
I think,” Sophia said as Max mock-scowled, “I’m going to like having a younger brother.” Reaching out, she slipped her arm into the crook of River’s elbow. “So, tell me all of Max’s secrets.
Nalini Singh (Bonds of Justice (Psy-Changeling, #8))
I'll do my bit tonight, but forgive me if it's a little harder to keep going than normal. Forgive me if I'm not superwoman after all." "Not superwoman?" he exclaimed, putting a hand on his chest in mock surprise. "You've lied to me all these years!
Laurell K. Hamilton (Blue Moon (Anita Blake, Vampire Hunter, #8))
I was reading an old text on the exploits of Belgarath the Sorcerer, and I –“ Senji stopped, going very pale, turned, and gaped at Garion’s grandfather. “It’s a terrible letdown, isn’t it?” Beldin said. “We always told him he ought to try to look more impressive.” “You’re in no position to talk,” the old man said. “You’re the one with the earthshaking reputation.” Beldin shrugged. “I’m just a flunky. I’m along for comic relief.” “You’re really enjoying this, aren’t you, Beldin?” “I haven’t had so much fun in years. Wait until I tell Pol.” “You keep your mouth shut, you hear me?” “Yes, O mighty Belgarath,” Beldin said mockingly.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
I raised an eyebrow. "You know, you're really good at compliments. Actually, it's surprising that a person with charm like yours has any enemies." The words came out before I could stop them. At this rate I would never be able to ask him about Benjamin Gallow, and it didn't help that every time he looked at me I wanted to melt. "So, you think I'm charming?" Dante countered, mocking me. "Is that why you keep staring at me?" "Alarming, not charming. And no, I'm just curious.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
No, she thought, you are not going to catch me so cheaply; I do not understand words and will not accept them in trade for my feelings; this man is a parrot. I will tell him that I can never understand such a thing, that maudlin self-pity does not move directly at my heart; I will not make a fool of myself by encouraging him to mock me. “I understand, yes,” she said.
Shirley Jackson (The Haunting of Hill House)
Your green eye is a reducing chamber. If I look into it long enough, I wil become as small as my own reflection, I will diminish to a point and vanish. I will be drawn down into that black whirlpool and be consumed by you. I shall become so small you can keep me in one of your osier cages and mock my loss of liberty.
Angela Carter (The Erl-King)
Out of the cradle endlessly rocking, Out of the mocking-bird’s throat, the musical shuttle, Out of the Ninth-month midnight, Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d alone, bare-headed, barefoot, Down from the shower’d halo, Up from the mystic play of shadows, twining and twisting as if they were alive, Out from the patches of briers and blackberries, From the memories of the bird that chanted to me, From your memories, sad brother—from the fitful risings and fallings I heard, From under that yellow half-moon, late-risen, and swollen as if with tears, From those beginning notes of sickness and love, there in the transparent mist, From the thousand responses of my heart, never to cease, From the myriad thence-arous’d words, From the word stronger and more delicious than any, From such, as now they start, the scene revisiting, As a flock, twittering, rising, or overhead passing, Borne hither—ere all eludes me, hurriedly, A man—yet by these tears a little boy again, Throwing myself on the sand, confronting the waves, I, chanter of pains and joys, uniter of here and hereafter, Taking all hints to use them—but swiftly leaping beyond them, A reminiscence sing.
Walt Whitman (Song of Myself)
Jacob's little smirk became a full-blown grin, and I knew he was picturing Charlie showing up to arrest him. This grin was too bitter, too full of mocking to satisfy me. This wasn't the smile I'd been waiting to see.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
DAISIES It is possible, I suppose that sometime we will learn everything there is to learn: what the world is, for example, and what it means. I think this as I am crossing from one field to another, in summer, and the mockingbird is mocking me, as one who either knows enough already or knows enough to be perfectly content not knowing. Song being born of quest he knows this: he must turn silent were he suddenly assaulted with answers. Instead oh hear his wild, caustic, tender warbling ceaselessly unanswered. At my feet the white-petalled daisies display the small suns of their center piece, their -- if you don't mind my saying so -- their hearts. Of course I could be wrong, perhaps their hearts are pale and narrow and hidden in the roots. What do I know? But this: it is heaven itself to take what is given, to see what is plain; what the sun lights up willingly; for example -- I think this as I reach down, not to pick but merely to touch -- the suitability of the field for the daisies, and the daisies for the field.
Mary Oliver (Why I Wake Early)
Cold men destroy women,” my mother wrote me years later. “They woo them with something personable that they bring out for show, something annexed to their souls like a fake greenhouse, lead you in, and you think you see life and vitality and sun and greenness, and then when you love them, they lead you out into their real soul, a drafty, cavernous, empty ballroom, inexorably arched and vaulted and mocking you with its echoes—you hear all you have sacrificed, all you have given, landing with a loud clunk. They lock the greenhouse and you are as tiny as a figure in an architect’s drawing, a faceless splotch, a blur of stick limbs abandoned in some voluminous desert of stone.
Lorrie Moore
It is extremely beautiful to belong to a woman, to give yourself. Don’t laugh if I sound foolish. But to love a woman, you see, to abandon yourself to her, to absorb her completely and feel absorbed by her, that is not what you call ‘being in love,’ which you mock a little. For me it is the road to life, the way toward the meaning of life.
Hermann Hesse (Narcissus and Goldmund)
Now they stumbled in the shackles of humanity, lived in a fear that never died, fretted by a law they could not understand; their mock-human existence began in an agony, was one long internal struggle, one long dread of Moreau - and for what? It was the wantonness that stirred me.
H.G. Wells
I'm not going to roll the window down," I told him. "This car doesn't have automatic windows. I'd have to pull over and go around and lower it manually. Besides, it's cold outside, and unlike you, I don't have a fur coat." He lifted his lip in a mock snarl and put his nose on the dashboard with a thump. "You're smearing the windshield," I told him. He looked at me and deliberately ran his nose across his side of the glass. I rolled my eyes. "Oh, that was mature. The last time I saw someone do something that grown-up was when my little sister was twelve.
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
You should make her call you ‘Miss Georgina,’” added Hugh with a mocking southern drawl. “Or at least ‘ma’am.’” Niphon’s presence and Jerome’s lecture had put me in a grouchy mood. “I’m not doing any mentoring. She’s so gungho to take on the world’s male population, she doesn’t even need me.” The three men exchanged more smirks. Cody made some hissing and meowing sounds, scratching at the air. "This isn’t funny,” I said. "Sure it is,” said Cody.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
This isn’t about karma. I’m not trying to rack up I’m-a-Good-Person points.” You shouldn’t donate to charity, help the elderly cross the street, or rescue puppies in the hopes you’ll be repaid later. I may not be able to cure cancer or end world hunger, but small kindnesses go a long way. Not that I’m saying any of this to Rufus, since all my classmates used to mock me for saying things like that, and no one should feel bad for trying to be good. “I think we made his day by not pretending he’s invisible. Thanks for seeing him with me.
Adam Silvera (They Both Die at the End)
He was mocking me. I could see his mouth beginning to lift in a maddening smirk, a smile that was half sardonic and half secretive, as if the fate of the world depended on the answer to a riddle only he knew and would never share.
Melika Dannese Hick (Corcitura)
His voice gentled and his touch became more like a caress. "I love you," he whispered. "Romeo..." "I love your glasses, your clumsiness, your wild hair, even the way you snort when you laugh." He smiled. "I love you in spite of yourself, Rim. Can't you love me in spite of myself?" I couldn't help it, I smiled. "You do come with a lot of baggage." I sighed. "You're impossibly good-looking, terrible at math, and you like to drink that swill you call beer." I mock shuddered. He smiled, but I saw the relief in his eyes. "Me being good-looking is a bad thing?" he teased. "You have a lot of options," I said seriously. "I'm not the best one." "No." He agreed. "You're not." Geez, he could have said it a little nicer. "You're the only one." Oh, well, that was much better. - Romeo & Rimmel
Cambria Hebert (#Nerd (Hashtag, #1))
Am I making it hard for you?” he asked mockingly. “Yes, Gavin you are,” she quietly spat, her fingertips white-knuckled around her glass. With his need for her trapped inside – blistering hot, sweltering, ready to explode – he leaned in closer, dropping his voice. “Good, because whenever you’re near me, I fucking lose every bit of self-control I have left.
Gail McHugh (Collide (Collide, #1))
You will not mock me—and you will let me finish. I have owned and lost a kingdom, and I have battled death. I have been through all that, and I will not chase after you like some lovesick poet spouting verse. If you wish to call me yours, then you will have to act as if you are mine. On the front of surrender, there is no middle ground.
Nenia Campbell (Star Crossed (Shadow Thane, #4))
Who do you want to turn into?" I mean the question to be mocking, but that's not how it comes out. I sound interested. I reach down and scratch my leg, trying to hid my embarrassment. Bishop looks at me. "Someone honest. Someone who tries to do the right thing. Someone who follows his own heart, even if it disappoints people." He pauses. "Someone brave enough to be all those things." A boy who doesn't want to lie, married to a girl who can't tell the truth. If there is a God, he has a sick sense of humor.
Amy Engel (The Book of Ivy (The Book of Ivy, #1))
VIEW FROM A HILL I am not yet quite over it. I am lying down on top of it. Surveying behind me a wasteland Of dried-up promise. While the lights below twinkle With dull mocking uncertainty. There isn't much left to look forward to, And the looking forward of the past has been belied.
John Tottenham (The Inertia Variations)
She was given to me to put things right And I stacked all my accomplishments beside her Still I seemed so obselete and small I found God and all His devils inside her In my bed she cast the blizzard out A mock sun blazed upon her head So completely filled with light she was Her shadow fanged and hairy and mad Our love-lines grew hopelessly tangled And the bells from the chapel went jingle-jangle
Nick Cave
There's something I have to say," I said seriously, looking her in the eye. She smiled. "Oookay." She was mocking me-mocking my tone-but I didn't care. "Okay. Here it is. I love you," I said. "And I never, ever wanted to hurt you. It's like, the number one thing I never want to do, but somehow, I keep doing it. And I'm sorry, I just...that's all I wanted to say all this time. All I was trying to do...with that thing with your dad, not telling you...was not to hurt you. And I'm sorry that I did. Alley stared at me. "And I'm sorry that I did it again. With the Chloe thing. Which was stupid. Like, really, really, stupid. And I-" "Can you just stop, for a second?" Ally said, holding up a hand. "What?" I said. "Can you say the first part again?" she asked, rolling her fingers around for a rewind. I racked my brain. "Um...I love you?" I said. "That's the part, Cuz I love you, too.
Kieran Scott (He's So Not Worth It (He's So/She's So, #2))
This is the time of tension between dying and birth The place of solitude where three dreams cross Between blue rocks But when the voices shaken from the yew-tree drift away Let the other yew be shaken and reply. Blessèd sister, holy mother, spirit of the fountain, spirit of the garden, Suffer us not to mock ourselves with falsehood Teach us to care and not to care Teach us to sit still Even among these rocks, Our peace in His will And even among these rocks Sister, mother And spirit of the river, spirit of the sea, Suffer me not to be separated And let my cry come unto Thee.
T.S. Eliot (Selected Poems)
Now if you gentlemen,” she looked at Briec, “and whatever you are, will excuse me.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
You aristocratic ladies and your gold-plated twats. You always think it's such a honor for me to touch you." He surveyed her with mocking green eyes. "You think you're the first high-kick wench I've ever had? I used to have blue-blooded bitches like you pay me to do this. You've gotten it for free.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
I worship you like night's pavilion, O vase of sadness, o great silent one, And love you more since you escape from me, And since you seem, my night's sublimity, To mock me and increase the leagues that lie Between my arms and blue immensity. I move to the attack, besiege, assail, Like eager worms after a funeral. I even love, o beast implacable, The coldness which makes you more beautiful.
Charles Baudelaire
Do not mock my baby." He pulls away and strokes his palm over he seat. "She was my first love." "Well your current ... er ... girl, is getting jealous with all the attention you're paying your first love, and she has orifices you can stick things in without having your boy bits burnt off." He pulls me into him again and his mouth goes to work on my neck. “Fuck I love it when you talk dirty.
Carmen Jenner (Welcome to Sugartown (Sugartown, #1))
No matter where; of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper and with rainy eyes Write sorrow on the bosom of the earth, Let's choose executors and talk of wills: And yet not so, for what can we bequeath Save our deposed bodies to the ground? Our lands, our lives and all are Bolingbroke's, And nothing can we call our own but death And that small model of the barren earth Which serves as paste and cover to our bones. For God's sake, let us sit upon the ground And tell sad stories of the death of kings; How some have been deposed; some slain in war, Some haunted by the ghosts they have deposed; Some poison'd by their wives: some sleeping kill'd; All murder'd: for within the hollow crown That rounds the mortal temples of a king Keeps Death his court and there the antic sits, Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life, Were brass impregnable, and humour'd thus Comes at the last and with a little pin Bores through his castle wall, and farewell king! Cover your heads and mock not flesh and blood With solemn reverence: throw away respect, Tradition, form and ceremonious duty, For you have but mistook me all this while: I live with bread like you, feel want, Taste grief, need friends: subjected thus, How can you say to me, I am a king?
William Shakespeare (Richard II)
It was at a church service in Munich that I saw him, a former S.S. man who had stood guard at the shower room door in the processing center at Ravensbruck. He was the first of our actual jailers that I had seen since that time. And suddenly it was all there – the roomful of mocking men, the heaps of clothing, Betsie's pain-blanched face. He came up to me as the church was emptying, beaming and bowing. “How grateful I am for your message, Fraulein.” He said. “To think that, as you say, He has washed my sins away!” His hand was thrust out to shake mine. And I, who had preached so often to the people in Bloemendaal the need to forgive, kept my hand at my side. Even as the angry, vengeful thoughts boiled through me, I saw the sin of them. Jesus Christ had died for this man; was I going to ask for more? Lord Jesus, I prayed, forgive me and help me to forgive him. I tried to smile, I struggles to raise my hand. I could not. I felt nothing, not the slightest spark of warmth or charity. And so again I breathed a silent prayer. Jesus, I prayed, I cannot forgive him. Give me Your forgiveness. As I took his hand the most incredible thing happened. From my shoulder along my arm and through my hand a current seemed to pass from me to him, while into my heart sprang a love for this stranger that almost overwhelmed me. And so I discovered that it is not on our forgiveness any more than on our goodness that the world's healing hinges, but on His. When He tells us to love our enemies, He gives, along with the command, the love itself.
Corrie ten Boom
The invariable question, asked only half-mockingly of reporters by editors at the Post (and then up the hierarchical line of editors) was 'What have you done for me today?' Yesterday was for the history books, not newspapers. -- Carl Bernstein, Bob Woodward
Carl Bernstein (All the President’s Men)
Who else is there to lead the masses? The smart kids? Please. They have no interests in politics. They're hoping simply to attract as little attention as possible until high school is over. Then they can escape to some college where no one will mock them for knowing how an adverb works.
Jesse Andrews (Me and Earl and the Dying Girl)
You like doing that, don't you?' 'Yes, I like kissing you.' 'No,' she said, 'lifting me off my feet. Carrying me around. Pulling me down to kiss you whenever you get the urge.' She turned to him with a mock glare. 'I think it goes hand in hand with the telling me what to do stuff.' He didn't let go of her hand as he lifted his to run the back of one knuckle down her cheek. 'You like it, too.
Bella Andre (From This Moment On (San Francisco Sullivans, #2; The Sullivans, #2))
Oh, he’s joining the team,” Dean declares. “I don’t care if I have to suck his dick to get him to agree to it.” Laughter breaks out all around him. “Sucking dick now, are we?” I ask pleasantly. An evil gleam lights his eyes. “You know what? I won’t just suck it,” he says slowly. “I’ll suck him off. You know, give him an orgasm.” The other guys exchange mystified looks, but Dean’s mocking look tells me exactly where he’s going with this. Jackass. “I’m not sure if you all know this, but an orgasm is the point of completion in the pleasure process.” Dean gives me an innocent smile. “Men and women achieve it in different ways. For example, when a woman reaches completion, she might moan or gasp or—
Elle Kennedy (The Mistake (Off-Campus, #2))
Well, I'm glad you're so amused," I said, running my fingers across the railing. Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it." Hmm. He was almost being funny. "So...about what you said...," he started tentatively. "Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes. He laughed once. "The part about me being good..." "Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress. "I appreciate you making things look authentic, but you didn't need to go that far." My head snapped up. How could he think that? "Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more." He was quiet, but there was a small smile on his face. "Thank you," he finally said. "Anytime." Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony. "Huh?" "Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly. I had to laugh. No such thing would happen in y world. "he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice. "Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times. "Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you." I hit his arm. "Shut up, Maxon." "I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity. "I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting. "No, I don't suppose you can help it.
Kiera Cass (The Selection (The Selection, #1))
We fought over the bill when it came. By fought I mean: I insisted loudly on paying half and he responded with beleaguered silence. Instead of discussing it or attempting to engage in my one-sided conversation, he wordlessly put his credit card in the holder; he kept it carefully out of my reach as I continued to list all the reasons we should split the check, not the least of which was that we’d agreed earlier that this was not a date, then handed it stealthily to the waiter as he passed. I was still oblivious, making my case, when Quinn signed the receipt.“Wait- what are you doing?” I looked from him to the paper slip.Silence. Scribble. Silence. “Did you just sign that? Was that the check?” My voiced hitched, my eyes wide with pseudo outrage. He glanced up at me, something like mock innocence lighting his features, and said, “I’m sorry. Did you want to split that?
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Is it thy will, thy image should keep open My heavy eyelids to the weary night? Dost thou desire my slumbers should be broken, While shadows like to thee do mock my sight? Is it thy spirit that thou send'st from thee So far from home into my deeds to pry, To find out shames and idle hours in me, The scope and tenor of thy jealousy? O, no! thy love, though much, is not so great: It is my love that keeps mine eye awake: Mine own true love that doth my rest defeat, To play the watchman ever for thy sake: For thee watch I, whilst thou dost wake elsewhere, From me far off, with others all too near.
William Shakespeare
PS, I want a stripper for my birthday,” GQ announces. “Just decided now. Get on it.” “I’ll make a couple calls,” Garrett promises, but the second his friend wanders off, he confides, “He’s not getting a stripper. We all chipped in to get him a new iPod. He dropped his in the koi pond behind Hartford House.” When I snicker, Garrett pounces like a mountain lion. “Holy shit. Was that a laugh? I didn’t think you were capable of showing amusement. Can you do it again and let me film it?” “I laugh all the time.” I pause. “Mostly at you, though.” He grabs his chest in mock pain as if I’ve shot him. “You’re terrible for a guy’s ego, y’know that?
Elle Kennedy (The Deal (Off-Campus, #1))
The Rangers were founded over one hundred and fifty years ago, in King Herbert's reign. Do you know anything about him?" Halt looked sideways at the boy sitting beside him, tossing the question out quickly to see his response. Will hesitated. He vaugely remembered the name from history lessons in the Ward, but he couldn't remember any details. Still, he decided he'd try to bluff his way through it... "Oh ... yes," he said, "King Herbert. We learned about him." "Really?" said the Ranger expansively. "Perhaps you could tell me a little about him?" He leaned back and crossed his legs, getting himself comfortable... "He was ..." he hesitated, pretending to gather his thoughts. "The king." That much he was sure of. Halt merely smiled and made a rolling gesture with his hand that meant go on. "He was the king ... a hundred and fifty years ago," Will said, trying to sound certain of his facts. The Ranger smiled at him, gesturing for him to continue yet again. "Ummm ... well, I seem to recall that he was the one who founded the Ranger Corps," he said hopefully, and Halt raised his eyebrows in mock surprise. "Really? You recall that, do you?
John Flanagan (The Ruins of Gorlan (Ranger's Apprentice, #1))
I found a secret place,” he whispers. His hand finds mine under the water, tugging on my wrist. “Come with me.” I’m unable to suppress a laugh. “Where are you taking me?” I say in a mock scolding voice. “I’ll beg your forgiveness later, Your Majesty,” he teases back, flashing me a grin as he pulls us toward the far end of the pool.
Marie Lu (The Midnight Star (The Young Elites, #3))
You promised to be on your best behavior,” I reminded him, breathless. “You kissed me,” he growled. His voice had gone very deep. “Well, but you started it by kissing my neck.” “True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same. “Why did you stop?” he asked. “Because you were moving on to other things.” He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.” I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again. “But I can see you still want me.” I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him. “Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—” “Stop it!” “Sorry, was I saying that out loud?” “I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!” “Yes, how very decent of you.” He hadn't moved from his languid position on my bed. I leaned forward, grabbing a pillow and throwing it at him. “Pillow fight?” He raised an eyebrow. “Get off my bed. Please. I'm ready to go to sleep.
Wendy Higgins (Sweet Evil (Sweet, #1))
There, there, sweetin’,” he murmured into her hair. “He loved me, he truly did,” she gasped. “I know he did,” Michael said. “And I loved him.” “Mm-hmm.” She raised her head, glaring angrily. “You don’t even believe in love. Why are you agreeing with me?” He laughed. “Because”—he leaned down and licked at the tears on her cheeks, his lips brushing softly against her sensitive skin as he spoke, “ye’ve bewitched and bespelled me, my sweet Silence, didn’t ye know? I’ll agree that the sky is pink, that the moon is made o’ marzipan and sugared raisins, and that mermaids swim the muddy waters o’ the Thames, if ye’ll only stop weepin’. Me chest breaks apart and gapes wide open when I see tears in yer pretty eyes. Me lungs, me liver, and me heart cannot stand to be thus exposed.” She stopped breathing. She simply inhaled and stopped, looking at him in wonder. His lips were quirked in a mocking smile, but his eyes—his fathomless black eyes—seemed to hold a great pain as if his strong chest really had been split open.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
Well, this is a nice surprise," he said. He looked us over. Jill had changed into her normal clothes during her isolation today, but I still had on the Amberwood blouse and skirt. "Sage, aren't you guys supposed to have uniforms? This looks like what you usually wear." "Cute," I said, suppressing an eye roll. Adrian gave me a mock bow. "Careful. You almost smiled.
Richelle Mead (Bloodlines (Bloodlines, #1))
How could I have been so blind as to want a soul? It was laughable now, to think that a soul could live inside me without being tainted by the centuries of blood and evil and death. The voices agreed, laughing at me, mocking my quest. I didn’t deserve a soul; I didn’t deserve happiness, or peace. Why should I get my happy ending, when I’d left a swath of horror and destruction behind me wherever I went?
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Now we are going to have a new noise, Eleanor thought, listening to the inside of her head; it is changing. The pounding had stopped, as though it had proved ineffectual, and there was now a swift movement up and down the hall, as of an animal pacing back and forth with unbelievable impatience, watching first one door and then another, alert for a movement inside, and there was again the little babbling murmur which Eleanor remembered; Am I doing it? She wondered quickly, is that me? And heard the tiny laughter beyond the door, mocking her.
Shirley Jackson (The Haunting of Hill House)
If I had to wish for something, just one thing, it would be that Hannah would never see Tate the way I did. Never see Tate's beautiful, lush hair turn brittle, her skin sallow, her teeth ruined by anything she could get her hands on that would make her forget. That Hannah would never count how many men there were, or how vile humans can be to one another. That she would never see the moments in my life that were full of neglect, and fear, and revulsion, moments I can never go back to because I know they will slow me down for the rest of my life if I let myself remember them for one moment. Tate, who had kept Hannah alive that night, reading her the story of Jem Finch and Mrs. Dubose. And suddenly I know I have to go. But this time without being chased by the Brigadier, without experiencing the kindness of a postman from Yass, and without taking along a Cadet who will change the way I breath for the rest of my life.
Melina Marchetta (On the Jellicoe Road)
You don’t mock my mother. You don’t speak of her in anything but the most reverent of tones. I don’t care if you are Death, I will open a can of Cajun whup-ass all over you, boy.” – Nick “Normally, I’d be hanging you the can opener and daring you to go for it. Be glad I owe a debt that precludes me from killing you right now. But don’t push it. While you have a predetermined death, your own free will decisions can override that. Put that in the bank and think about it before you try to make a withdrawal.” – Death
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
I love you,” Severin said, looking up, looking at nothing at all. “I love you like in the storybooks. I love you like in the ballads. I love you like a lightning bolt. I’ve loved you since the third month you came and spoke with me. I loved that you made me want to laugh. I loved the way you were kind and the way you would pause when you spoke, as though you were waiting for me to answer you. I love you and I am mocking no one when I kiss you, no one at all.
Holly Black (The Darkest Part of the Forest)
Postmodernism has turned into this devil's vortex where no matter what you do, your neck will be turned and your face shoved into a foreign example, and worse, no matter what you say, despite the context, it will be considered a postmodern device. That's the danger of postmodernism: it poses itself as something that can't be trumped, something you can’t escape. It continually mocks your efforts for the sake of its name. I know even this will be seen as another postmodern bullet, and no matter what I say, critics and readers will be locked into how to lock me in.
Brian Celio (Catapult Soul)
In Norwegian that would be 'hun ma dra. Kanskje er hun gravid.'" Astley sttempts to smile. i can't help teasing him. "Which? Asking to go to the bathroom or dissing me because I'm pregnant." "you are with child?" his eyes open wid, all mock terrified. "No! Shut up. You know I'm not." I punch him in the arm and then lead him into the stairwell, shutting the door behind us. "Okay. Seriously, Astley, what happened to you? Why is your head bleeding?
Carrie Jones (Entice (Need, #3))
Come out, come out, little Harry!" she called in her mock-baby voice, which echoed off the polished wooden floors. "What did you come after me for, then? I thought you were here to avenge my dear cousin!" "I am!" shouted Harry, and a score of ghostly Harrys seemed to chorus I am! I am! I am! all around the room. "Aaaaaah... did you love him, little baby Potter?" Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed "Crucio!" Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with the pain as Neville had -- she was already on her feet again, breathless, no longer laughing. Harry dodged behind the garden fountain again -- her counterspell hit the head of the handsome wizard, which was blown off and landed twenty feet away, gouging long scratches into the wooden floor. "Never used an Unforgivable Curse before, have you, boy?" she yelled. She had abandoned her baby voice now. "You need to mean them, Potter! You need to really want to cause pain -- to enjoy it -- righteous anger won't hurt me for long -- I'll show you how it is done, shall I? I'll give you a lesson--!
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Trippers and askers surround me, People I meet, the effect upon me of my early life or the ward and city I live in, or the nation, The latest dates, discoveries, inventions, societies, authors old and new, My dinner, dress, associates, looks, compliments, dues, The real or fancied indifference of some man or woman I love, The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations, Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events; These come to me days and nights and go from me again, But they are not the Me myself. Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with linguists and contenders, I have no mockings or arguments, I witness and wait.
Walt Whitman (Song of Myself)
It was an evening of torment, and I remember only one other thing about it. At some point after everyone was asleep, I wandered away from the inn in a daze and ended up on the sea cliffs, staring out into the darkness with sound of the roaring water below me. The thundering of the ocean was like a bitter lament. I seemed to see beneath everything a layering of cruelty I have never known was there. The howling of the wind and shaking of the trees seemed to mock me. Could it really be that the stream of my life had divided forever.
Arthur Golden (Memoirs of a Geisha)
I tell you, you Heaven's Holy Baal, you don't exist; but that, if you did, I would curse you so that your Heaven would quiver with the fire of hell! I tell you, I have offered you my service, and you repulsed me; and I turn my back on you for all eternity, because you did not know your time of visitation! I tell you that I am about to die, and yet I mock you! You Heaven God and Apis! with death staring me in the face - I tell you, I would rather be a bondsman in hell than a freedman in your mansions! I tell you, I am filled with a blissful contempt for your divine paltriness; and I choose the abyss of destruction for a perpetual resort, where the devils Judas and Pharaoh are cast down!
Knut Hamsun (Hunger)
Mmm. You strike me as a jam-maker.” “Really? Why?” He grins down at me. Up close, his eyes look almost black, especially shadowed as they are by long eyelashes. Right now, they shine with barely restrained mirth. “Because you’re so sweet,” he says in a mock-saccharine voice. The mischief in his eyes makes me forget, for a too-brief second, that I am a slave and that my brother is in prison and that everyone else I love is dead. Laughter explodes out of me like a song, and my eyes blur and tear. A snort escapes, which sets my dance partner to laughing, which makes me laugh harder. Only Darin ever made me laugh like this. The release is foreign and familiar, like crying, but without the pain. “What’s
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
The stars could have burned out around us, the moon could have fallen from the sky, and I wouldn't have known it. Not when he leaned indecently close and pressed his cheek against mine to murmur, "Tell me a secret." I wanted him to tell me how he stopped time like that. How he read my mind. I wanted to admit I wondered if thoughts of me troubled him when he lay awake at night. But I could make none of that come to my lips.... Instead... I whispered back, "I've seen the future." He didn't laugh. He didn't mock, not like he had done at Privalovna's performance. In the middle of our waltz, he stopped, nose to nose with me. He uncovered me with a look that somehow bared him, too. And his question told me everything - that he stopped time because he needed me, that he read my mind because we were one. That I troubled his nights, indeed, because what he asked revealed it all. "Am I with you there?
Saundra Mitchell (The Vespertine (The Vespertine, #1))
Now, Miss Bentley,” he said with mock seriousness.   “I’ll have you know that yes, you are correct, I will always be the master in a relationship.   I will always be the master when it comes to sex.   I am the man.” Harly was having a hard time trying to maintain her own contrite, meek expression; her quivering lips gave that away.   “Yes, Sir.” “See, when I say strip, you strip.   When I say come here, you come.   When I say kiss me, you kiss me.   When I say you’re walking around in my presence in nothing but silk stockings and a garter belt and a red satin bra, you will do so.” “Not happening.” “Insubordination will not be tolerated.” “I’ll tell my mother.” “I’m not scared of her.” “All right.   I’ll tell your mother.” “Okay, some insubordination will be tolerated.” “I thought so.” “And when I say get the bondage gear-” She guffawed right in his face.
Angela Verdenius (Alex (The Lawson Boys #1))
Andrew put a thumb to the corner of his mouth and dragged it along his lips to erase his smile. "That sounds like an accusation, but I didn't lie to you." "Omission is the easiest way to lie," Neil said. "You could have corrected me." "Could have, didn't," Andrew said. "Figure it out for yourself." "I did," Neil said. He tapped two fingers to his temple, copying Andrew's mocking salute from their first meeting. "Better luck next time." "Oh," Andrew said. "Oh, you might actually turn out to be interesting. For a little while, at least. I don't think the amusement will last. It never does.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
When I was fourteen, I had a massive poster on my wall of a giant pop-art mouth advertising a Swiss exhibition of abstract art. My friends and family mocked my pretention, but I loved that poster and the hope it offered of an exciting world of thought beyond the boundaries of stifling Solihull. But one day the poster fell off the wall and the dog pissed all over it, ruining it for ever, while my mother laughed. That poster is what the Alternative Comedy dream meant to me - the possibility of a better world. And now it is covered in dog's piss.
Stewart Lee (How I Escaped My Certain Fate)
Did it fall out?" Leo asked. "Is she bald?" "No, not at all. It's just that her hair is...green." To look at Leo's face, one would think it was Christmas morning. "What shade of green?" "Leo, hush," Win said urgently. "You are not to torment her. It's been a very trying experience. We mixed a peroxide paste to take the green out, and I don't know if it worked or not. Amelia was helping her to wash it a little while ago. And no matter what the result is, you are to say nothing." "You're telling me that tonight, Marks will be sitting at the supper table with hair that matches the asparagus, and I'm not supposed to remark on it?" He snorted. "I'm not that strong." "Please, Leo," Poppy murmured, touching his arm. "If it were one of your sisters, you wouldn't mock." "Do you think that little shrew would have any mercy on me, were the situations reversed?" He rolled his eyes as he saw their expressions. "Very well, I'll try no to jeer. But I make no promises." Leo sauntered toward the house in no apparent hurry. He didn't deceive either of his sisters. "How long do you think it will take him to find her?" Poppy asked Win. "Two, perhaps three minutes," Win replied, and they both sighed.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
You entered, Abrupt like “Take it!”, Mauling suede gloves, you tarried, And said: “You know,- I’m soon getting married.” Get married then. It’s all right, I can handle it. You see - I’m calm, of course! Like the pulse Of a corpse. Remember? You used to say: “Jack London, Money, Love and ardour,”-- I saw one thing only: You were La Gioconda, Which had to be stolen! And someone stole you. Again in love, I shall start gambling, With fire illuminating the arch of my eyebrows. And why not? Sometimes, the homeless ramblers Will seek to find shelter in a burnt down house! You’re mocking me? “You’ve fewer emeralds of madness than a beggar kopecks, there’s no disproving this!” But remember Pompeii came to end thus When somebody teased Vesuvius! Hey! Gentlemen! You care for Sacrilege, Crime And war. But have you seen The frightening terror Of my face When It’s Perfectly calm? And I feel- “I” Is too small to fit me. Someone inside me is getting smothered.
Vladimir Mayakovsky
I dare say you are planning on a late repentance. You do not know what you are doing. You are planning without God. Repentance and faith are the gifts of God, and they are gifts that He often withholds, when they have been long offered in vain. I grant you true repentance is never too late, but I warn you at the same time, late repentance is seldom true. I grant you, one penitent thief was converted in his last hours, that no man might despair; But I warn you, only one was converted, that no man might presume. I grant you it is written, Jesus is ‘Able to save completely those who come to God through him’ (Hebrews 7:25). But I warn you, it is also written by the same Spirit, ‘Since you rejected me when I called and no one gave heed when I stretched out my hand, I in turn will laugh at your disaster; I will mock when calamity overtakes you’ (Proverbs 1:24-26). Believe me, you will find it no easy matter to turn to God whenever you please.
J.C. Ryle
A: Absorbed in our discussion of immortality, we had let night fall without lighting the lamp, and we couldn't see each other's faces. With an offhandedness or gentleness more convincing than passion would have been, Macedonio Fernandez' voice said once more that the soul is immortal. He assured me that the death of the body is altogether insignificant, and that dying has to be the most unimportant thing that can happen to a man. I was playing with Macedonio's pocketknife, opening and closing it. A nearby accordion was infinitely dispatching La Comparsita, that dismaying trifle that so many people like because it's been misrepresented to them as being old... I suggested to Macedonio that we kill ourselves, so we might have our discussion without all that racket. Z: (mockingly) But I suspect that at the last moment you reconsidered. A: (now deep in mysticism) Quite frankly, I don't remember whether we committed suicide that night or not.
Jorge Luis Borges (Collected Fictions)
Above them, one of the blackened television screens brightens, and there's an announcement about the in-flight movie. It's an animated film about a family of ducks, one that Hadley's actually see, and when Oliver groans, shes about to deny the whole thing. But then she twists around in her seat and eyes him critically. "There's nothing wrong with ducks," she tells him, and he rolls his eyes. "Talking ducks?" Hadley grins. "They sing, too." "Don't tell me," he says. "You've already seen it." She holds up two fingers. "Twice." "You do know it's meant for five-year-olds, right?" "Five- to eight-year-olds, thank you very much." "And how old are you again?" "Old enough to appreciate our web-footed friends." "You," he says, laughing in spite of himself, "are a mad as a hatter." "Wait a second," Hadley says in mock horror. "Is that a reference to a...cartoon?" No, genius. It's a reference to a famous work of literature by Lewis Carroll. But once again, I can see how well that American education is working for you.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Rhett, do you really--is it to protect me that you--" "Yes, my dear, it is my much advertised chivalry that makes me protect you." The mocking light began to dance in his black eyes and all signs of earnestness fled from his face. "And why? Because of my deep love for you, Mrs. Kennedy. Yes, I have silently hungered and thirsted for you and worshipped you from afar; but being an honorable man, like Mr. Ashley Wilkes, I have concealed it from you. You are, alas, Frank's wife and honor has forbidden my telling this to you. But even as Mr. Wilkes' honor cracks occasionally, so mine is cracking now and I reveal my secret passion and my--" "Oh, for God's sake, hush!" interrupted Scarlett, annoyed as usual when he made her look like a conceited fool, and not caring to have Ashley and his honor become the subject of further conversation. "What was the other thing you wanted to tell me?" "What! You change the subject when I am baring a loving but lacerated heart?
Margaret Mitchell (Gone with the Wind)
I still smart a little at the slight. When you've suffered a great deal in life, each additional pain is both unbearable and trifling. My life is like a memento mori painting from European art: there is always a grinning skull at my side to remind me of the folly of human ambition. I mock this skull. I look at it and I say, "You've got the wrong fellow. You may not believe in life, but I don't believe in death. Move on!" The skull snickers and moves ever closer, but that doesn't surprise me. The reason death sticks so closely to life isn't biological necessity -- it's envy. Life is so beautiful that death has fallen in love with it, a jealous, possessive love that grabs at what it can.
Yann Martel
As long as it’s BYOB, I’m cool,” Tuck answers. “And if Danny is coming then you better lock up the liquor cabinet.” “We can move the hooch to G’s room,” Logan says with a snort. “God knows he won’t drink a drop of it.” Tuck glances over at me with a grin. “Poor baby. When are you gonna learn to handle your liquor like a man?” “Hey, I handle the drinking part just fine. It’s the morning after that does me in.” I smirk at my teammates. “Besides, I’m your captain. Somebody has to stay sober to keep your crazy asses in line.” “Thanks, Mom.” Logan pauses, then shakes his head. “Actually, no, you’re the mom,” he tells Tucker, grinning at Tuck’s apron before turning back at me. “Guess that makes you the dad. You two are positively domestic.” We both flip him the finger. “Aw, are Mommy and Daddy mad at me?” He gives a mock gasp. “Are you guys gonna get a divorce?” “Fuck off,” Tuck says, but he’s laughing. The microwave beeps, and Tucker pulls out the defrosted chicken, then proceeds to cook our dinner while I do my homework at the counter. And damned if the whole thing isn’t domestic as hell.
Elle Kennedy (The Deal (Off-Campus, #1))
Would you prefer to wait?” In answer, he kissed me—much more slowly than the kiss I had given him, and more skillfully too, I’m afraid. Afterwards he didn’t lean back as I expected, but trailed his lips down my neck, sending a shiver skittering through me. “You can begin by removing your clothes,” I said. “If you would like to. To clarify, this is a suggestion, not a demand.” “Oh, Em,” he said, laughing softly against my neck. I had my hands in his hair, which was now quite mussed, something that made me absurdly happy. “I’m sorry,” I said, self-conscious now. “Perhaps I shouldn’t talk.” “Whyever not?” He drew back, examining me with a perplexed smile. “I like the way you talk. And everything else about you, in fact. Is that not clear by now?” I felt laughter bubble up inside me, but I hid it behind a mock-serious expression. “I’m not sure.” His smile changed, and he trailed his hand down the side of my neck. “Let me show you.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
Gilan,” she said, “you’re looking well.” And apart from those wrinkles, he was. He smiled at her. “And you grow more beautiful every day, Pauline,” he replied. “What about me?” Halt said, with mock severity. “Do I grow more handsome every day? More impressive, perhaps?” Gilan eyed him critically, his head to one side. Then he announced his verdict. “Scruffier,” he said. Halt raised his eyebrows. “’Scruffier’?” he demanded. Gilan nodded. I’m not sure if you’re aware of recent advances in technology, Halt,” he said. “But there a wonderful new invention called scissors. People use them for trimming beards and hair.” “Why?” Gilan appealed to Pauline. “Still using his saxe knife to do his barbering, is he?” Pauline nodded, slipping her hand inside her husband’s arm. “Unless I can catch him at it,” she admitted. Halt regarded them both with a withering look. They both refused to wither, so he abandoned the expression. “You show a fine lack of respect for your former mentor,” he told Gilan. The younger man shrugged. “It goes with my exalted position as your commander.” “Not mine,” Halt said. “I’ve retired.” “So I can expect little in the way of deference from you?” Gilan grinned. “No. I’ll show proper deference….the day you train your horse to fly back around the castle’s turrets.
John Flanagan (The Royal Ranger (Ranger's Apprentice #12 Ranger's Apprentice: The Royal Ranger #1))
Democritus and Heraclitus were two philosophers, of whom the first, finding the condition of man vain and ridiculous, never went out in public but with a mocking and laughing face; whereas Heraclitus, having pity and compassion on this same condition of ours, wore a face perpetually sad, and eyes filled with tears. I prefer the first humor; not because it is pleasanter to laugh than to weep, but because it is more disdainful, and condemns us more than the other; and it seems to me that we can never be despised as much as we deserve. Pity and commiseration are mingled with some esteem for the thing we pity; the things we laugh at we consider worthless. I do not think there is as much unhappiness in us as vanity, nor as much malice as stupidity. We are not so full of evil as of inanity; we are not as wretched as we are worthless. Thus Diogenes, who pottered about by himself, rolling his tub and turning up his nose at the great Alexander, considering us as flies or bags of wind, was really a sharper and more stinging judge, to my taste, than Timon, who was surnamed the hater of men. For what we hate we take seriously. Timon wished us ill, passionately desired our ruin, shunned association with us as dangerous, as with wicked men depraved by nature. Diogenes esteemed us so little that contact with us could neither disturb him nor affect him, and avoided our company, not through fear of association with us, but through disdain of it; he considered us incapable of doing either good or evil.... Our own peculiar condition is that we are as fit to be laughed at as able to laugh.
Michel de Montaigne (The Complete Works: Essays, Travel Journal, Letters)
Masks! I see them everywhere. That dreadful vision of the other night - the deserted town with its masked corpses in every doorway; that nightmare product of morphine and ether - has taken up residence within me. I see masks in the street, I see them on stage in the theatre, I find yet more of them in the boxes. They are on the balcony and in the orchestra-pit. Everywhere I go I am surrounded by masks. The attendants to whom I give my overcoat are masked; masks crowd around me in the foyer as everyone leaves, and the coachman who drives me home has the same cardboard grimace fixed upon his face! It is truly too much to bear: to feel that one is alone and at the mercy of all those enigmatic and deceptive faces, alone amid all the mocking laughs and the threats embodied in those masks. I have tried to persuade myself that I am dreaming, and that I am the victim of a hallucination, but all the powdered and painted faces of women, all the rouged lips and kohl-blackened eyelids... all of that has created around me an atmosphere of trance and mortal agony. Cosmetics: there is the root cause of my illness! But I am happy, now, when there are only masks! Sometimes, I detect the cadavers beneath, and remember that beneath the masks there is a host of spectres.
Jean Lorrain (Monsieur de Phocas)
You can’t take Philippians 4:13 and make it mean you can do anything you want. That’s not what Paul is saying. In context, he is saying, “I’ve learned to be content when I received everything I want; I learned to be content when I got nothing I wanted. I can do either one by the power of Christ.” When Paul says, “To live is Christ, and to die is gain,” he means it. If you want to kill me, I will be more than fine: I will get to be with Jesus. My death will be filled with Christ. And if you want to let me live, I will press on in mission. My life will be filled with Christ. If you want to torture me or imprison me or mock me, I will trust in God. My suffering will make me like Christ. I will see it as a sharing of His own suffering.
Matt Chandler (To Live Is Christ to Die Is Gain)
Everyone buckled in?" Sasha snorted, then gaped as he realized Jess wasn't joking about it. "Really?" Is there anyone here one hundred percent human? No. I think dying from an unbuckled belt is the least of our concerns right now." "And I don't put it in drive until everyone's secure. That means you, wolfboy." Sasha's exasperated expression was priceless. "Unfrakkin'-believable. I'm in hell. With a lunatic. Might as well have stayed with Zarek. Next thing you know, you'll be drowning pancakes in syrup, too." He made a grand showing of buckling himself in. "Hope you get fleas" he mumbled under his breath. "Thank you." Jess pulled out of the garage. She pressed her lips together to keep from laughing at them. No doubt they'd take turns beating on her if she did. Curling his lip, Sasha sarcastically mocked his words in silence. "By the way, cowboy, you do know that if we were to wreck, I can teleport out of this thing right?" "Is Scooby still bitching?" Jess asked Choo Co La Tah. "Remind me to check his vet record when we get back. I think he might have distemper or rabies or something.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
A thousand lips, a thousand eyes, a thousand hearts will read these words, as you read them, graze them, this moment. Thousands will utter them into the abyss, someday, perhaps for years to come; loudly, softly, repeatedly, again and again and again. Some will mock, some will laugh. Some will shed a tear. But it is written only for your lips, your eyes, your heart, beloved. Do as you please. It is written by an ideal heart, intense, yet free, when in thought of you. Written from a dehydrated pen, that shed the last drops of her blood, onto you. And still, you do not know me. No, you will never know of this desire. It is a shame, when love cannot love, who she loves, amidst these mortal games. And No. It is for me to know, and for you to close the last pages of my confessions, making nothing of it. As always, like always, I write for you and for the madness that stirs in every soul that has once burned, and for the tender parts of your soul, too. Nothing is hidden, nothing is revealed. The separation between the soul and mate, between lover and the beloved, is through spirit, is it not, my love? Or is it flesh? There, there is the clue. And this, this is the nature of our love. Forbidden,closed, then left ajar in oblivion. My eyes touch your lips, your eyes touch my lips, yet, no one makes a sound. No one moves on. What madness is this? And here you go, turning the pages now, there you go.
V.S. Atbay
Do you think,” she says, the words emerging thickly, “we might have used up all our conversation last night?” “Not possible,” says Oliver, and the way he says it, his mouth turned up in a smile, his voice full of warmth, unwinds the knot in Hadley’s stomach. “We haven’t even gotten to the really important stuff yet.” “Like what?” she asks, trying to arrange her face in a way that disguises the relief she feels. “Like what’s so great about Dickens?” “Not at all,” he says. “More like the plight of koalas. Or the fact that Venice is sinking.” He pauses, waiting for this to register, and when Hadley says nothing, he slaps his knee for emphasis. “Sinking! The whole city! Can you believe it?” She frowns in mock seriousness. “That does sound pretty important.” “It is,” Oliver insists. “And don’t even get me started on the size of our carbon footprint after this trip. Or the difference between crocodiles and alligators. Or the longest recorded flight of a chicken.” “Please tell me you don’t actually know that.” “Thirteen seconds,” he says, leaning forward to look past her and out the window. “This is a total disaster. We’re nearly to Heathrow and we haven’t even properly discussed flying chickens.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
After a moment, he shook his head. “Quickly and mercifully is best. Clay? Go out and ask her into the alley.” Clay looked at Jeremy as if he’d just been told to dance the rumba on a public thoroughfare. I bit back a laugh. “Just walk over to her and point at the alley. Maybe say…I don’t know…something like ‘fifty bucks.’ ” I looked at Jeremy. “Does that sound right? Fifty?” His brows shot up. “Why are you asking me?” “I wasn’t—I just meant, as a general…” I threw up my hands. “How am I supposed to know how much a hooker costs?” “Your guess is as good as mine.” I sighed. “Fine, fifty bucks sounds good. It’s not like she knows what the going rate is anyway. Just say that and nod at the alley. She’ll follow.” Clay continued to stare at us in silent horror. “Oh, for God’s sake, you’re ready to break her neck but you can’t—” “I’ll do it,” Jeremy said, then shot a look my way. “Not that I have any more experience soliciting prostitutes than Clay does.” “Never crossed my mind.” A mock glare, then he headed out.
Kelley Armstrong (Broken (Women of the Otherworld, #6))
I'm more dangerous than you think,' I flat-out bluster. 'So I see. I'm quaking in my boots.' The corner of his mouth rises in a mocking smile. Fucking. Asshole. I flip the daggers in my hand, pinching them at the tips, then flick my wrists and fire them past his head, one on each side. They land solidly in the trunk of the tree behind him. 'You missed.' He doesn't even flinch. 'Did I?' I reach for my last two blades. 'Why don't you back up a couple of steps and test that theory?' Curiosity flares in his eyes, but it's gone in the next second, masked by cold, mocking indifference. Every one of my senses is on high alert, but the shadows around me don't slide in as he moves backward, his eyes locked with mine. His back hits the tree, and the hilts of my daggers brush his ears. 'Tell me again that I missed,' I threaten, taking the dagger in my right hand by the tip. 'Fascinating. You look all frail and breakable, but you're really a violent little thing, aren't you?' An appreciative smile curves his perfect lips as shadows dance up the trunk of the oak, taking the form of fingers. They pluck the daggers from the tree and bring them to Xaden's waiting hands.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I just think of people," she continued, "whether they seem right where they are and fit into the picture. I don't mind if they don't do anything. I don't see why they should; in fact it always astonishes me when anybody does anything." "You don't want to do anything?" "I want to sleep." -Gloria Gilbert "Once upon a time all the men of mind and genius in the world became of one belief--that is to say, of no belief. But it wearied them to think that within a few years after their death many cults and systems and prognostications would be ascribed to them which they had never meditated nor intended. So they said to one another: "'Let's join together and make a great book that will last forever to mock the credulity of man. Let's persuade our more erotic poets to write about the delights of the flesh, and induce some of our robust journalists to contribute stories of famous amours. We'll include all the most preposterous old wives' tales now current. We'll choose the keenest satirist alive to compile a deity from all the deities worshipped by mankind, a deity who will be more magnificent than any of them, and yet so weakly human that he'll become a byword for laughter the world over--and we'll ascribe to him all sorts of jokes and vanities and rages, in which he'll be supposed to indulge for his own diversion, so that the people will read our book and ponder it, and there'll be no more nonsense in the world. "'Finally, let us take care that the book possesses all the virtues of style, so that it may last forever as a witness to our profound scepticism and our universal irony.' "So the men did, and they died. "But the book lived always, so beautifully had it been written, and so astounding the quality of imagination with which these men of mind and genius had endowed it. They had neglected to give it a name, but after they were dead it became known as the Bible." -Maury Noble
F. Scott Fitzgerald (The Beautiful and Damned)
Margaret looked up at him from where she sat by the window. "Oh, Brother Gregory, what's wrong with your hand" "I'm just scratching it; it itches." "Really, is it red?" "No, it's just a bite. You gave me a flea." "I don't have fleas, Brother Gregory," insisted Margaret. "Everyone has fleas, Margaret. It's part of God's plan." "I don't. I wash them off." "Margaret, you haven't any sense at all. They just hop back. You can't wash enough to keep them off." "I do." "Aren't you afraid your skin will come off? It could, you know. That's much worse than fleas." Brother Gregory spoke with an air of absolute certainty. "Everyone tells me that. It hasn't come off yet." "Margaret, you're too hardheaded for your own good. Now take for your next sentence, 'Fleas do not wash off.'" "Is this right?" She held up the tablet, and Brother Gregory shook his head in mock indignation. "I despair of you, Margaret. Flea is not spelled with one e--it's spelled with two.
Judith Merkle Riley (A Vision of Light (Margaret of Ashbury, #1))
Here I am, a bundle of past recollections and future dreams, knotted up in a reasonably attractive bundle of flesh. I remember what this flesh has gone through; I dream of what it may go through. I record here the actions of optical nerves, of taste buds, of sensory perception. And, I think: I am but one more drop in the great sea of matter, defined, with the ability to realize my existence. Of the millions, I, too, was potentially everything at birth. I, too, was stunted, narrowed, warped, by my environment, my outcroppings of heredity. I, too, will find a set of beliefs, of standards to live by, yet the very satisfaction of finding them will be marred by the fact that I have reached the ultimate in shallow, two-dimensional living - a set of values. This loneliness will blur and diminish, no doubt, when tomorrow I plunge again into classes, into the necessity of studying for exams. But now, that false purpose is lifted and I am spinning in a temporary vacuum. At home I rested and played, here, where I work, the routine is momentarily suspended and I am lost. There is no living being on earth at this moment except myself. I could walk down the halls, and empty rooms would yawn mockingly at me from every side. God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of "parties" with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in it's appalling self-consciousness, is horrible and overpowering.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
I can text in complete sentences. Oh, yeah, it’s a skill.” He smiled, proud of his accomplishments. “And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug.” I sat bolt upright, and Akinli rolled his eyes. “I swear, if you tell me you can jitterbug, I’m going to . . . I don’t even know. Set something on fire. No one can dance like that.” I pursed my lips and dusted off my shoulder, a thing I’d seen Elizabeth do when she was bragging. As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me. I took it and positioned myself in front of him as he shook his head, grinning. “All right, we’ll take this slow. Five, six, seven, eight.” In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much. People walked by, pointing and laughing, but it was one of those moments when I knew we weren’t being mocked; we were being envied. We stepped on each other’s toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up. “Unbelievable,” he said, almost as if he was complaining. “I can’t wait to tell my mom this. She’s gonna think I’m lying. All those years dancing in the kitchen thinking I was special, and then I run across a master.
Kiera Cass (The Siren)
We need an engineering friend.” She points a finger at Carin. “Go back to Briar and hook up with an engineering student.” “Okay, but I’ll need to actually have sex with him beforehand, so I won’t be back until,” she pretends to check the time, “ten or so.” “We’re all college graduates,” I proclaim. “We can put this together ourselves.” Clapping my hands, I motion for everyone to get on the floor with me. After three tries of trying to lower myself to the ground and making Hope and Carin nearly pee their pants laughing in the process, D’Andre takes pity on all of us and helps me onto my knees. Which is where Tucker finds us. “Is this some new fertility ritual?” he drawls from the doorway, one shoulder propped against the frame. “Because she’s already pregnant, you know.” “Get yo ass in here, white boy, and put this thing together,” D’Andre snaps. “This is ridiculous.” “What’s ridiculous?” Tucker stops next to me, and I take the opportunity to lean against his legs. Even kneeling is hard when you’re toting around an extra thirty pounds. “We took it apart. How can you not know how to put it back together?” D’Andre repeats his earlier excuse. “I’m an accounting major.” Tucker rolls his eyes. “You got an Allen wrench?” “Are you mocking us right now?” I grumble. “I don’t have any wrenches, let alone ones with names.” He grins. “Leave this to me, darlin’. I’ll get it fixed up.” “I want to help,” Hope volunteers. “This is like surgery, except with wood and not people.” “Lord help us,” D’Andre mutters.
Elle Kennedy (The Goal (Off-Campus, #4))
Mom frowned, and I wanted to give her a thumbs-up to let her know I was okay. All I could manage was raising my bound hands in her general direction, clocking Cal on the chin as I did so. "Sorry." "No problem. Must be weird for you, having your mom here." "Weird for me, weird for her, probably weird for you since you had to give up your swinging bachelor pad." "Mrs. Casnoff let me install my heart-shaped Jacuzzi in my new dorm room." "Cal," I said with mock astonishment, "did you just make a joke?" "Maybe," he replied. We'd reached the end of the pier. I looked down at the water and tried not to shudder. "I'll be pretending, of course, but do you have any advice on how I'm supposed to not drown?" I asked Cal. "Don't breathe in water." "Oh,thanks,that's super helpful." Cal shifted me in his arms, and I tensed. Just before he tossed me into the pond, he leaned in and whispered, "Good luck." And then I hit the water. I can't say what my first thought was as I sunk below the surface, because it was mostly a string of four-letter words. The water was way too cold for a pond in Georgia in May, and I could feel the chill sinking all the way into my bones. Plus my chest started burning almost immediately, and I sunk all the way to the bottom, landing in the slimy mud. Okay,Sophie,I thought. Don't panic. Then I glanced over to my right, and through the murky water, made out a skull grinning back at me. I panicked.
Rachel Hawkins (Demonglass (Hex Hall, #2))
And now an hour, maybe, has passed. And they are both drunk: Kenny fairly, George very. But George is drunk in a good way, and one that he seldom achieves. He tries to describe to himself what this kind of drunkenness is like. Well - to put it very crudely - it's like Plato; it's a dialogue. A dialogue between two people. Yes, but not a Platonic dialogue in the hair-splitting, word-twisting, one-up-to-me sense; not a mock-humble bitching match; not a debate on some dreary set theme. You can talk about anything and change the subject as often as you like. In fact, what really matters is not what you talk about, but the being together in this particular relationship. George can't imagine having a dialogue of this kind with a woman, because women can only talk in terms of the personal. A man of his own age would do, if there was some sort of polarity: for instance, if he was a Negro. You and your dialogue-partner have to be somehow opposites. Why? Because you have to be symbolic figures - like, in this case, Youth and Age. Why do you have to be symbolic? Because the dialogue is by its nature impersonal. It's a symbolic encounter. It doesn't involve either party personally. That's why, in a dialogue, you can say absolutely anything. Even the closest confidence, the deadliest secret, comes out objectively as a mere metaphor or illustration which could never be used against you.
Christopher Isherwood (A Single Man)
What is Destiny? Is it a doctrine formulated by aristocrats and philosophers arguing that there is some unseen driving force predicting the outcomes of every minuscule and life altering moment in one's life? Or is it the artistry illustrated by those under-qualifed and over-eager to give their future meaning and their ambitions hope? Is it a declaration by those who refuse to accept that we are alone in this universe, spinning randomly through a matrix of accidental coincidences? Or is it the assumptions made by those who concede that there is a divine plan or pre-ordained path for each human being,regardless of their current station? I think destiny is a bit of a tease.... It's syndical taunts and teases mock those naive enough to believe in its black jack dealing of inevitable futures. Its evolution from puppy dogs and ice cream to razor blades and broken mirrors characterizes the fickle nature of its sordid underbelly. Those relying on its decisive measures will fracture under its harsh rules. Those embracing the fact that life happens at a million miles a minute will flourish in its random grace. Destiny has afforded me the most magical memories and unbelievably tragic experiences that have molded and shaped my life into what it is today...beautiful. I fully accept the mirage that destiny promises and the reality it can produce. Without the invisible momentum carried with its sincere fabrication of coming attraction, destiny is the covenant we rely on to get ourselves through the day. To the destiny I know awaits me, I thank you in advance. Don't cry because it's over....smile because it happened.
Ivan Rusilko (Dessert (The Winemaker's Dinner, #3))
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
I am so glad Todd and I eloped,” she said sincerely. “There was no way to salvage the wreckage. But I think that you deserved this, and I'm very happy for you.” She leaned forward and kissed my cheek. Then she whispered, “He is really, really a hottie. How did you mange that?” “Brat,” I told her, and gave her a hug. “Todd’s not exactly chopped liver.” She smiled smugly and took another sip. “No he’s not.” “He could be,” said Ben from behind me, his British accent giving him a civilized air that he didn’t deserve. “Do you want him to be chopped liver, darling?” I turned, making sure I was between Ben and Nan, “My sisters are off-limits,” I reminded him. A flash of hurt came and went on his face. With Ben, it was even odds whether the emotion was genuine or not -but my instincts told me they had been. So I continued in a mock-chiding tone, “Ruthie is too young for you, and Nan is married to a very nice man. So be good.” Nan had caught the flash of hurt, too, I thought. She was softer than our mother, more like her father in temperament as well as looks. She couldn’t stand to have anyone hurting and not do anything about it. She sighed dramatically. “All the pretty men, and I’m tied to just one.” Ben smiled at her. “Anytime you want to change that…” I poked him in the side-he could have slipped out of the way, but he didn’t bother. “Okay,” he said, backing away with exaggerated fear. “Ill be good, I promise. Just don’t hurt me again.” He was loud enough that all the people around us looked at us. Adam pushed his way through the pack and ruffled Ben’s hair as he went by him. “Behave Ben.” The Ben I’d first met would have snarled and pulled away from the affectionate scold. This one grinned at me, and said, “Not if I can help it, I wont,” to Adam.
Patricia Briggs (River Marked (Mercy Thompson, #6))
In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")
Barry Pain (Ghostly By Gaslight)
Who is he?” Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.” I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?” Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.” I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.” I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it. “He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.” Eleanor still didn’t respond. “Shh . . .” she muttered under her breath. But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around. “Hi,” he said with a half grin that seemed to be mocking me. And that’s how I met Dante Berlin. So how do you describe someone who leaves you speechless? He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt. I wanted to say something witty or charming, but all I could muster up was a timid “Hi.” He studied me with what looked like a mix of disgust and curiosity. “You must be Eugene,” I said. “I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.” I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described. “And you are—” “Renee,” I interjected. “I was going to say, ‘in my seat,’ but Renee will do.” My face went red. “Oh, right. Sorry.” “Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.” I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move. I turned and walked to the last row, using all of my self-control to resist looking back.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
K.D. Enos
My mother delayed my enrollment in the Fascist scouts, the Balilla, as long as possible, firstly because she did not want me to learn how to handle weapons, but also because the meetings that were then held on Sunday mornings (before the Fascist Saturday was instituted) consisted mostly of a Mass in the scouts' chapel. When I had to be enrolled as part of my school duties, she asked that I be excused from the Mass; this was impossible for disciplinary reasons, but my mother saw to it that the chaplain and the commander were aware that I was not a Catholic and that I should not be asked to perform any external acts of devotion in church. In short, I often found myself in situations different from others, looked on as if I were some strange animal. I do not think this harmed me: one gets used to persisting in one's habits, to finding oneself isolated for good reasons, to putting up with the discomfort that this causes, to finding the right way to hold on to positions which are not shared by the majority. But above all I grew up tolerant of others' opinions, particularly in the field of religion, remembering how irksome it was to hear myself mocked because I did not follow the majority's beliefs. And at the same time I have remained totally devoid of that taste for anticlericalism which is so common in those who are educated surrounded by religion. I have insisted on setting down these memories because I see that many non-believing friends let their children have a religious education 'so as not to give them complexes', 'so that they don't feel different from the others.' I believe that this behavior displays a lack of courage which is totally damaging pedagogically. Why should a young child not begin to understand that you can face a small amount of discomfort in order to stay faithful to an idea? And in any case, who said that young people should not have complexes? Complexes arise through a natural attrition with the reality that surrounds us, and when you have complexes you try to overcome them. Life is in fact nothing but this triumphing over one's own complexes, without which the formation of a character and personality does not happen.
Italo Calvino (Hermit in Paris: Autobiographical Writings)
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
Anne Frank (The Diary of a Young Girl)
Leave all the ‘wise men to mock it or tolerate.’ Let them reach the moon or the stars, they are all dead. Nothing lives outside of man. Man is the living soul, turning slowly into a life-giving Spirit. But you cannot tell it except in a parable or metaphor to excite the mind of man to get him to go out and prove it. Leave the good and evil and eat of the Tree of Life. Nothing in the world is untrue if you want it to be true. You are the truth of everything that you perceive. ‘I am the truth, and the way, the life revealed.’ If I have physically nothing in my pocket, then in Imagination I have MUCH. But that is a lie based on fact, but truth is based on the intensity of my imagination and then I will create it in my world. Should I accept facts and use them as to what I should imagine? No. It is told us in the story of the fig tree. It did not bear for three years. One said, ‘Cut it down, and throw it away.’ But the keeper of the vineyard pleaded NO’! Who is the tree? I am the tree; you are the tree. We bear or we do not. But the Keeper said he would dig around the tree and feed it ‘or manure it, as we would say today’ and see if it will not bear. Well I do that here every week and try to get the tree ‘you’ me to bear. You should bear whatever you desire. If you want to be happily married, you should be. The world is only response. If you want money, get it. Everything is a dream anyway. When you awake and know what you are creating and that you are creating it that is a different thing. The greatest book is the Bible, but it has been taken from a moral basis and it is all weeping and tears. It seems almost ruthless as given to us in the Gospel, if taken literally. The New Testament interprets the Old Testament, and it has nothing to do with morals. You change your mind and stay in that changed state until it unfolds. Man thinks he has to work himself out of something, but it is God asleep in you as a living soul, and then we are reborn as a life-giving spirit. We do it here in this little classroom called Earth or beyond the grave, for you cannot die. You can be just as asleep beyond the grave. I meet them constantly, and they are just like this. Same loves and same hates. No change. They will go through it until they finally awake, until they cease to re-act and begin to act. Do not take this story lightly which I have told you tonight. Take it to heart. Tonight when you are driving home enact a scene. No matter what it is. Forget good and evil. Enact a scene that implies you have what you desire, and to the degree that you are faithful to that state, it will unfold in your world and no power can stop it, for there is no other power. Nothing is independent of your perception of it, and this goes for that great philosopher among us who is still claiming that everything is independent of the perceiver, but that the perceiver has certain powers. It is not so. Nothing is independent of the perceiver. Everything is ‘burned up’ when I cease to behold it. It may exist for another, but not for me. Let us make our dream a noble one, for the world is infinite response to you, the being you want to be. Now let us go into the silence.
Neville Goddard (The Law: And Other Essays on Manifestation)
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly. The blond Red Sox girl looked me up and down. “Hello,” she said. Conrad said, “With who?” I pointed at Cam. “Him.” “You’re not riding with someone you don’t even know,” he said flatly. “I do so know him. He’s Sextus.” He narrowed his eyes. “Sex what?” “Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow. “I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.” I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go. “I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before. I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!” He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!” “I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.” I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said. He looked me dead in the eyes and said, “And you’re a four-year-old.” As I walked away, I heard the girl ask, “Is she your girlfriend?” I whirled around, and we both said “No!” at the same time. Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in. “No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse. Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter? I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers. “Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it. Red Sox girl frowned. “What is she talking about, Conrad?” To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?” Her pretty face twisted. “You little skank,” she hissed. I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter. Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly. That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way. “Your brother is a jerk,” I said. “That’s what’s going on.” Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?” I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.” “Wait, are you guys brother and sister too?” the girl asked. Conrad said, “Don’t even think about leaving with that guy.
Jenny Han (The Summer I Turned Pretty (Summer, #1))