Moat Quotes

We've searched our database for all the quotes and captions related to Moat. Here they are! All 100 of them:

So I sent Halt to straighten matters out. Thought it might be a good idea to give him something to keep him busy." So what's Digby got to complain about?" Rodney asked. It was obvious from his tone that he felt no sympathy for the recalcitrant commander of Barga Hold. The Baron gestured for Lady Pauline to explain. Apparently," she said,"Halt threw him into the moat.
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
I wonder," she said. "Does this castle have a moat?" A group of servants were busy emptying the privy buckets into the moat when they were startled by a sudden drawn-out cry. They looked up in time see a scarlet-and-gold clad figure sail out of a first-story window, turn over once and then land with an enormus splash in the dark, rancid waters. They shrugged and went back to work.
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
Do you understand the plan?” They all stared for a few silent moments. Then Simon pointed. “What’s that wobbly thing?” he said. “Is it a tree?” “Those are the gates,” Jace said. “Ohh,” said Isabelle, pleased. “So what are the swirly bits? Is there a moat? “Those are trajectory lines - Honestly, am I the only person who’s ever seen a strategy map?”, Jace demanded, throwing his stele down and raking his hand through his blond hair. “Do you understand anything I just said.” “No,” Clary said. “Your strategy is probably awesome, but your drawing skills are terrible; all the Endarkened look like trees, and the fortress looks like a frog.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
You dwell in whitened castles with deep and poisoned moats and cannot hear the curses which fill your children's throats.
Maya Angelou
This royal throne of kings, this scepter’d isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear’d by their breed and famous by their birth, Renowned for their deeds as far from home, For Christian service and true chivalry, As is the sepulchre in stubborn Jewry Of the world’s ransom, blessed Mary’s Son, This land of such dear souls, this dear dear land, Dear for her reputation through the world, Is now leased out, I die pronouncing it, Like to a tenement or pelting farm: England, bound in with the triumphant sea, Whose rocky shore beats back the envious siege Of watery Neptune, is now bound in with shame, With inky blots and rotten parchment bonds: That England, that was wont to conquer others, Hath made a shameful conquest of itself. Ah, would the scandal vanish with my life, How happy then were my ensuing death!
William Shakespeare (Richard II)
It seems to me that you need a lot of courage, or a lot of something, to enter into others, into other people. We all think that everyone else lives in fortresses, in fastnesses: behind moats, behind sheer walls studded with spikes and broken glass. But in fact we inhabit much punier structures. We are, as it turns out, all jerry-built. Or not even. You can just stick your head under the flap of the tent and crawl right in. If you get the okay.
Martin Amis (Time's Arrow)
I laughed. " So, let me get this straight. You slayed the dragon, jumped over the moat, climbed the tower of the evil King's castle, saved the princes, and rode off with her into sunset aka Shadow land. Why, you're my knight in shining armour.
Jayde Scott (A Job From Hell (Ancient Legends, #1))
As they roared past the streetlamps, people emerged from their houses to see what was happening. Nina tried to imagine what their wild crew must look like to these Fjerdans. What did they see as they poked their heads out of windows and doorways? A group of hooting kids clinging to a tank painted with the Fjerdan flag and charging along like some deranged float gone astray from its parade: a girl in purple silk and a boy with red-gold curls poking out from behind the guns; four soaked people holding tight to the sides for dear life—a Shu boy in prison clothes, two bedraggled drüskelle, and Nina, a half-naked girl in shreds of teal chiffon shouting, "We have a moat!
Leigh Bardugo (Six of Crows (Six of Crows, #1))
If you want to get to the castle, Groceries, you've got to swim the moat.
Elizabeth Gilbert (Eat, Pray, Love)
I want to build a tower around you, and then build a castle around that tower, and then dig a moat around that castle, and then I want to guard you like a dragon. Burn anyone who tries to hurt you into ash and then scorch those ashes a second time.
Sierra Simone (Sinner (Priest, #2))
She looked around. "Oh, I've just got to hug somebody! You!" And she hugged Puck, the little ghost horse. "And you." She hugged Pook, and Peek, and even the nose of the moat monster. "But not you," she decided, encountering the zombie.
Piers Anthony (Crewel Lye: A Caustic Yarn (Xanth #8))
Love is the castle, doubt is the moat, desire is the paddle and hope is the boat.
Kellie Elmore
Outside, across the putrid moat and under the dark mute trees, I would often lie and dream for hours about what I read in the books; and would longingly picture myself amidst gay crowds in the sunny world beyond the endless forests.
H.P. Lovecraft
They said no man was an island, and Anita figured that was probably true. But women were; they had to be. And even if someone bothered to sail over and disembark, he'd soon discover that there was always a castle at the center of the island, surrounded by a deep moat, with a rickety drawbridge and archers manning the battlements and a big pot of oil posed above the gate, ready to boil alive anyone who dared to cross the threshold.
Tommy Wallach (We All Looked Up)
come on mama, let's rent us a boat sail down that gibraltar moat shed a tear every time we pass tangier
Townes Van Zandt
She crossed the cave, which was trapped, and passed the central moat of black water—which was deep, and trapped—and then climbed the island (trapped) to the frozen mausoleum (ridiculously trapped),
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
Politics is the moat, the walls, beyond which lie the barbarians. Fail to keep them at bay, and everything burns.
Charles Krauthammer (Things That Matter: Three Decades of Passions, Pastimes, and Politics)
How's your foot?” Hadrian asked. “It hurts.” “He had a good hold.” “Bit right through my boot.” “Yeah, that looked painful.” “So why exactly didn't you help?” Hadrian shrugged. “It was a dog, Royce. A cute, little dog. What did you want me to do, kill an innocent little animal?” Royce tilted his head, squinting into the light of the late evening sun to focus on his friend. “Is that a joke?” “It was a puppy.” “It was not a puppy, and it was eating my foot.” “Yeah, but you were invading his home.” .... “You know, you didn't have to throw it out the window,” Hadrian said as they walked. Royce, who was still preoccupied with his foot, looked up. “What did you want me to do with it? Scratch behind the little monster’s ears as it gnawed my toes off? What if it started barking? That would have been a fine mess.” “It's a good thing there was a moat right under the window.” Royce stopped. “There was?
Michael J. Sullivan (The Viscount and the Witch (The Riyria Chronicles, #1.5))
What do you see when you look at me?” My eyes narrowed and I pressed my lips together, weighing my thoughts. All of his bimbo admirers aside, what did I see? What did my gut tell me about this man? What did it say that allowed me to wind up here with him, under such impulsive circumstances? “You’re a sad man,” I swallowed. “You’re arrogant and set in your ways, but that creates a fortress for you. It’s your safe haven. Behind the moat is someone who has lost something he loved, only I’m not sure what, or who. You’re afraid of something and your loyalty is hidden away in a cell, wounded by betrayal.” I rested my head on the pillow. “That’s what I see.” “On second thought,” he exhaled, letting his head drop next to mine. “You’re psychic.
Rachael Wade (Preservation (Preservation, #1))
Nina tried to imagine what their wild crew must look like to these Fjerdans. What did they see as they poked their heads out of windows and doorways? A group of hooting kids clinging to a tank painted with the Fjerdan flag and charging along like some deranged float gone astray from its parade; a girl in purple silk and a boy with red-gold curls poking out from behind the guns; four soaked people holding tight to the sides for dear life – a Shu boy in prison clothes, two bedraggled drüskelle, and Nina, a half-naked girl in shreds of teal chiffon shouting, “We have a moat!
Leigh Bardugo (Six of Crows (Six of Crows, #1))
He stared at me for a long time with that look he had – I know you know the one – where you can see him receding even as he looks at you, where you can see the gates within him closing and locking themselves, the bridges being cranked above the moat.
Hanya Yanagihara (A Little Life)
It is remarkable, when you consider it, all the complicated worlds we construct to avoid anything that might disturb us or cause us pain. The bulwarks and baffles we build up, the moats and the mazes.
Ben H. Winters (Underground Airlines)
The minute you had kids you closed ranks. You didn't plan this in advance, but it happened. Families were like individual, discrete, moated island nations. The little group of citizens on the slab of rock gathered together instinctively, almost defensively, and everyone who was outside the walls—even if you'd once been best friends—was now just that, outsiders.
Meg Wolitzer (The Interestings)
Except for the hydra in her swamp and the baby dragon, the exotics—the unicorn, the herd of centaurs, and the gryphon family—lived on an island meadow surrounded by an extension of the castle moat.
Gail Carson Levine (Ella Enchanted)
Mother yelled, 'Christ, this is the craziest snatch'n'grab I've ever seen!' 'It's desperation over style, Mother.' He hurried over to the tail end of the suspended tanker truck, to the two cables that rose up from it to the rim of the massive moat. 'But did you have to destroy everything?' she shouted. 'I haven't destroyed everything yet. Hurry up, this isn't over! This way!
Matthew Reilly (Scarecrow Returns (Shane Schofield, #5))
He’s the safety net of my heart, the one protecting my moats and breathing fire. We’re impassioned and dazed and spellbound and he helped me find myself. He helped me accept the person I am. When I’m not so nice and when I’m my best version I can be.
V. Theia (Manhattan Sugar (From Manhattan #1))
Shame is a virus that creates paralysis in its hosts. When you're busy telling yourself what a bad person you are, you expend most of your energy obsessing over your self- not what you may have done wrong, not what you can do to fix it. For this reason, shame creates a moat around girls' potential. It limits their ability or willingness to face challenges. It makes them want to be alone, isolating them from friends, their most important buffer against stress. Shame is therefore a major threat to girls' resilience.
Rachel Simmons (The Curse of the Good Girl: Raising Authentic Girls with Courage and Confidence)
The Bodleian’s a highly secure building.” “That was built when the cutting edge of security was a moat and a man with a pointy stick,” Monty said with a laugh.
James Ponti (Golden Gate (City Spies, #2))
Your mere presence makes me wish for a fifty-story window to jump out of and a cement sidewalk below. Or a moat. A moat with a dozen hungry alligators in it.” He smirked. “You always paint such lovely pictures with your words, little bird.” “I’m going to paint lovely pictures with your intestines,” I shot back. Drake laughed. I hated him. Seriously.
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
The leopard in the zoo wanders to the edge of his pen and, through the bars or across an unjumpable moat, he stares at you with contempt for your inferiority, for needing that barrier between you. There is a shared understanding in that moment, nonverbal but no less real: the leopard is predator and you are prey, and it is only the barrier that permits us humans to feel superior and secure. That feeling, standing at the leopard’s cage, is edged with shame, at the animal’s superior strength, at his hauteur, his low estimation of you.
William Landay (Defending Jacob)
He’d imprisoned himself in this castle to rot. He’d cut off all contact with the outside world. And just when he thought he’d burned all his bridges, this woman—this impossible, sweet, foolish woman—arrived, determined to swim the moat. Breach his defenses. Make a home. Stay.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
Despite his awkwardness Alec couldn’t deny it felt good to be in receipt of spoiling. “I’m buying our house, no arguments. Something understated, like a castle with a moat and a speedboat so you can get to the front door quickly!
Zathyn Priest (The Curtis Reincarnation)
The sun in its slow descent filtered great cathedral-moats of gold through latticed boughs of pine and birch and maple. It was that time of day- or afternoon- when the forest's breath, sun-stunned, yearning for night, impalpably swoons to the slow pulsations of blood and time and silence.
Dalton Trumbo (Night of the Aurochs)
What god do you serve? Inej had asked him. Whichever will grant me good fortune. Fortunate people didn’t end up racing ass over teakettle beneath an ice moat in hostile territory.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I built my ex wife a Castle of Love, and she dug a moat and filled it with sharks and lawyers. Oh well, at least I got to keep the unicorn.
Jarod Kintz (This Book is Not for Sale)
Anytime I talk about my work informally, I inevitably encounter someone who wants to know why addicts become addicts. They use words like “will” and “choice,” and they end by saying, “Don’t you think there’s more to it than the brain?” They are skeptical of the rhetoric of addiction as disease, something akin to high blood pressure or diabetes, and I get that. What they’re really saying is that they may have partied in high school and college but look at them now. Look how strong-willed they are, how many good choices they’ve made. They want reassurances. They want to believe that they have been loved enough and have raised their children well enough that the things that I research will never, ever touch their own lives. I understand this impulse. I, too, have spent years creating my little moat of good deeds in an attempt to protect the castle of myself. I don’t want to be dismissed the way that Nana was once dismissed. I know that it’s easier to say Their kind does seem to have a taste for drugs, easier to write all addicts off as bad and weak-willed people, than it is to look closely at the nature of their suffering. I do it too, sometimes. I judge. I walk around with my chest puffed out, making sure hat everyone knows about my Harvard and Stanford degrees, as if those things encapsulate me, and when I do so, I give in to the same facile, lazy thinking that characterizes those who think of addicts as horrible people. It’s just that I’m standing on the other side of the moat. What I can say for certain is that there is no case study in the world that could capture the whole animal of my brother, that could show how smart and kind and generous he was, how much he wanted to get better, how much he wanted to live. Forget for a moment what he looked like on paper, and instead see him as he was in all of his glory, in all of his beauty. It’s true that for years before he died, I would look at his face and think, What a pity, what a waste. But the waste was my own, the waste was what I missed out on whenever I looked at him and saw just his addiction.
Yaa Gyasi (Transcendent Kingdom)
The quality of education given to the lower class must be of the poorest sort, so that the moat of ignorance isolating the inferior class from the superior class is and remains incomprehensible to the inferior class. With such an initial handicap, even bright lower class individuals have little if any hope of extricating themselves from their assigned lot in life. This form of slavery is essential to maintaining some measure of social order, peace, and tranquility for the ruling upper class.
Milton William Cooper (Behold a Pale Horse)
His arms come around me, holding me in. They feel unbreakable. They are castle walls, his arms. They are a drawbridge rolled up and a moat. They keep everyone out. Only with him do I feel completely safe. Maybe I’d always known how much he’d do for me. He’d fight for me. He’d die for me
Skye Warren (Tough Love (Stripped, #0.5))
Selah wished for a moat to protect their home from February. Selah wished for the end of February and endless sadness and the end to the missing children. Selah wished for the rebirth of town and flight. Selah wished for a scrap of something beautiful.
Shane Jones (Light Boxes)
He remembered that, after digging for a little, the water oozes round your finger-tips; the hole then becomes a moat; a well; a spring; a secret channel to the sea.
Virginia Woolf (Solid Objects)
I give up," Baz whined. "I'm going to go drown myself in the moat. Tell my mother I always knew she loved me best.
Rainbow Rowell (Fangirl)
I adore a moat,’ said Isabel. ‘Good-bye.
Henry James (The Portrait of a Lady)
My love life couldn't be more nonexistent if Julius was all all-girls' boarding school with a moat full of alligators around it.
Flynn Meaney (The Boy Recession)
But Harry knew now that love was a soldier. It can invade the human heart. Build canopies through jungles. Scale castle walls. Cross moats. Love can probably walk on water.
Cathie Pelletier (The One-Way Bridge (Mattagash, #4))
contempt for himself that a small piece of land should seem so important. Why, when he had poured out his silver proudly before the agent the man had scraped it up carelessly in his hands and said, “Here is enough for a few days of opium for the old lady, at any rate.” And the wide difference that still lay between him and the great house seemed suddenly impassable as the moat full of
Pearl S. Buck (The Good Earth (House of Earth, #1))
All I want to shout is 'Moaty, it's Gazza!', and I guarantee me and him could sit and chat. I would say, 'Why don't you just put the gun away, throw it in the river? The police are not going to kill you.
Paul Gascoigne
And the knowledge Inside the hill on which you are sitting, A moated fort hill, bigger than your house, Failed to reach the picture. While your next moment, Coming towards you like an infantryman Returning slowly out of no-man's-land, Bowed under something, never reached you-- Simply melted into the perfect light.
Ted Hughes (Birthday Letters)
A group of hooting kids clinging to a tank painted with the Fjerdan flag and charging along like some deranged float gone astray from its parade: a girl in purple silk and a boy with red-gold curls poking out from behind the guns; four soaked people holding tight to the sides for dear life—a Shu boy in prison clothes, two bedraggled drüskelle, and Nina, a half-naked girl in shreds of teal chiffon shouting, “We have a moat!
Leigh Bardugo (Six of Crows (Six of Crows, #1))
We did visit, eight months ago. Which was why Paul had had to work extra hard to convince Curran that there was absolutely no way to put a moat around our new residence. He still wanted it and swore he’d find a way somehow.
Ilona Andrews (Magic Tides (Kate Daniels: Wilmington Years, #1; Kate Daniels, #10.5))
Every act of memory is an act of forgetting. The tree of memory set its roots in blood. To secure an ideal, surround it with a moat of forgetfulness. To study the self is to forget the self. In forgetting lies the liquefaction of time. The Furies bloat the present with the undigested past. “Memory and oblivion, we call that imagination.” We dream in order to forget.
Lewis Hyde (A Primer for Forgetting: Getting Past the Past)
Lexington, Kentucky looks like paradise. Acres of grass as green and tender as a golf course putting green surround hilltop mansions. New Circle Road--a beltway enveloping the city's heartland like a moat--attempts to separate the wealthy landowners from the encroaching strip centers and fast-food joins that are symbolic of the rest of the state .... Combining the traditional feelings of Southerners with the uniquely gorgeous landscape of the bluegrass, Lexingtonians consider themselves and their region the cream of the crop--not only of Kentucky, but also of the nation.
Sally Denton (The Bluegrass Conspiracy: An Inside Story of Power, Greed, Drugs and Murder)
You can have the most advanced and efflorescent cultures. Get your politics wrong, however, and everything stands to be swept away. This is not ancient history. This is Germany 1933...Politics is the moat, the walls, beyond which lie the barbarians. Fail to keep them at bay, and everything burns.
Charles Krauthammer (Things That Matter: Three Decades of Passions, Pastimes and Politics)
Max: Okay. One day a little boy is sitting on the floor of his living room, playing with some toy trucks. Voom!He shoots one across the carpet, but it goes too far, to the other side of the sofa. And then miraculously, it shoots right back. Surprised, the little boy peers around the sofa to find a girl around his age with a very attractive bowl cut, building a giant Lego castle. She asks him if he wants to play, before popping one of the Legos in her mouth, informing him that if he's hungry, they are made out of chocolate. And the boy had never felt happy in his whole life. They build the most incredible chocolate castle, with dragons and soldiers and moat made of milk. And then they fell asleep side by side. The boy wakes up in his living room, and even though there is no castle or no little girl, he still feels just as happy. And he knows he will see her again. Alice: Was that me? Max: That was you. The first time we met.
Lucy Keating (Dreamology)
Just when I despaired -- she was there, filling me as a melody fills a cottage. I was with her, running beside the Acis when we were a child. I knew the ancient villa moated by a dark lake, the view through the dusty windows of the belvedere, and the secret space in the odd angle between two rooms where we sat at noon to read by candlelight. I knew the life of the Autarch's court, where poison waited in a diamond cup. I learned what it was for one who had never seen a cell or felt a whip to be a prisoner of the torturers, what dying meant, and death. I learned that I had been more to her than I had ever guessed, and at last fell into a sleep in which my dreams were all of her. Not memories merely -- memories I had possessed in plenty before. I held her poor, cold hands in mine, and I no longer wore the rags of an apprentice, nor the fuligin of a journeyman. We were one, naked and happy and clean, and we knew that she was no more and that I still lived, and we struggled against neither of those things, but with woven hair read from a single book and talked and sang of other matters.
Gene Wolfe (Shadow & Claw (The Book of the New Sun, #1-2))
An oracle must cross the moat of logic and reach the inner poet that resides, perhaps repressed but nonetheless alive, within all of us. The I Ching helps us tune into our feeling consciousness through imagery and metaphor, and this, we find, is the path of clarity, of both strength and tolerance, of gentle humor, and of love.
Carol K. Anthony (I Ching, The Oracle of the Cosmic Way)
When I wish to give battle, my enemy, even though protected by high walls and deep moats, cannot help but engage me, for I attack a position he must succor. When I wish to avoid battle I may defend myself simply by drawing a line on the ground; the enemy will be unable to attack me because I divert him from going where he wishes.
Sun Tzu (The Art of War)
Katherine and the children have made paper boats and are floating them on the moat to see which one stays up the longest, contriving always that Edward’s should be the winner. He is learning from an early age that the world conspires magically to favor him. After all, he will be King one day and that is the way of things for kings.
Elizabeth Fremantle (Queen's Gambit (The Tudor Trilogy, #1))
The Atlantic is a stormy moat, and the Mediterranean, The blue pool in the old garden, More than five thousand years has drunk sacrifice Of ships and blood and shines in the sun; but here the Pacific: The ships, planes, wars are perfectly irrelevant. Neither our present blood-feud with the brave dwarfs Nor any future world-quarrel of westering And eastering man, the bloody migrations, greed of power, battle-falcons, Are a mote of dust in the great scale-pan. Here from this mountain shore, headland beyond stormy headland plunging like dolphins through the grey sea-smoke Into pale sea, look west at the hill of water: it is half the planet: this dome, this half-globe, this bulging Eyeball of water, arched over to Asia, Australia and white Antarctica: those are the eyelids that never close; this is the staring unsleeping Eye of the earth, and what it watches is not our wars.
Robinson Jeffers (The Selected Poetry)
The moat represents a barrier to competition and could be low production costs, a trademark, or an advantage of scale or technology.
Daniel Pecaut (University of Berkshire Hathaway: 30 Years of Lessons Learned from Warren Buffett & Charlie Munger at the Annual Shareholders Meeting)
The next century would be like this, he told her. The rich moving away from cities, locked behind giant gates like medieval lords building moats.
Brit Bennett (The Vanishing Half)
If Hillary was a candidate often isolated from her formal campaign—and she was—Abedin was the croc-filled moat encircling her. The
Jonathan Allen (Shattered: Inside Hillary Clinton's Doomed Campaign)
Aunt Beulah could hear the dust moats collide in a sunbeam.
Wendell Berry (Jayber Crow)
Catelyn could only watch him go. Her son and now her king. How queer that felt. Command, she had told him back in Moat Cailin. And so he did.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
He was terrified (his word) of us becoming “isolated.” What alarmed me is that his idea of isolated was much closer to my concept of ideal. If we lived on a great expanse of land, Dennis would want a grand swimming pool so that we could invite all our friends over for long, leisurely weekends. Whereas I would want a moat filled with saltwater crocodiles to keep the riffraff out. *
Augusten Burroughs (Lust & Wonder: A Memoir)
For while they'd stayed close during the absurd years of his sharp rise, having children had knocked it all into a different arrangement. The minute you had children you closed ranks. You didn't plan this in advance, but it happened. Families were like individual, discrete, moated island nations. The little group of citizens on the slab of rock gathered together instinctively, almost defensively, and everyone who was outside the walls--even if you'd once been best friends--was now just that, outsiders. Families had their ways. You took note of how other people raised their kids, even other people you loved, and it seemed all wrong. The culture and practices of one's own family were the only way, for better or worse. Who could say why a family decided to have a certain style, to tell the jokes it did, to put up its particular refrigerator magnets?
Meg Wolitzer (The Interestings)
There are people out there who have x-ray vision. They can see through my walls, armor and scrims and filters right down to the real me. And the saddest thing in the world? I haven't forgotten who that person is. She's on there and waiting. Like sleeping beauty locked high in a tower, she's been patient and aware of the coma I've been in all these years. I realise the one hitch in having x-ray glasses is that I'm utterly exposed to him. It's one thing to want someone to keep looking, to swim over moats and dodge flaming arrows to find you. It's quite another when you ask yourself, really ask yourself, if you're finally ready to come out into the open. No matter what.
Liza Palmer (More Like Her)
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
Being informed that it was not garrisoned, he tried to storm it directly he arrived, but the width of the moat and the height of the wall enabled the few defenders to repel his assault. After constructing a camp, therefore, he formed a line of mantlets and set about the usual preparations for a siege. But the next night, before his preparations were completed, the whole fugitive army of the Suessiones came crowding into the place. When they saw the mantlets rushed up to the wall, earth shovelled into the moat, and siege towers erected, they were alarmed by the impressive size of this apparatus, which had never before been seen or heard of in Gaul, and by the speed with which the Romans worked.
Gaius Julius Caesar (The Conquest of Gaul)
It was Christmas night in the Castle of the Forest Sauvage, and all around length. It hung on the boughs of the forest trees in rounded lumps, even better than apple-blossom, and occasionally slid off the roofs of the village when it saw the chance of falling on some amusing character and giving pleasure to all. The boys made snowballs with it, but never put stones in them to hurt each other, and the dogs, when they were taken out to scombre, bit it and rolled in it, and looked surprised but delighted when they vanished into the bigger drifts. There was skating on the moat, which roared with the gliding bones which they used for skates, while hot chestnuts and spiced mead were served on the bank to all and sundry. The owls hooted. The cooks put out plenty of crumbs for the small birds. The villagers brought out their red mufflers. Sir Ector’s face shone redder even than these. And reddest of all shone the cottage fires down the main street of an evening,
T.H. White (The Once and Future King (The Once and Future King, #1-4))
In the view of conservationists, there is something special about dams, something—as conservation problems go—that is disproportionately and metaphysically sinister. The outermost circle of the Devil’s world seems to be a moat filled mainly with DDT. Next to it is a moat of burning gasoline. Within that is a ring of pinheads each covered with a million people—and so on past phalanxed bulldozers and bicuspid chain saws into the absolute epicenter of Hell on earth, where stands a dam.
John McPhee (Encounters with the Archdruid)
in this you have failed you have invalidated your dysfunctional efforts of innocence of perverted virginity with a mangy face before the eye of God not even summations of crawling not even rust cutters or combustion as if to test your blue vaginal mirrors inside a Protestant Crimea listening to your fallacious absorption neurosis you've forfeited your flames you've cast into the moat salacious bonfire bathing you've given up the power of deepened torturing rums of magnetic chromosomal nerves for a weakly neutered clairaudience of failure
Will Alexander
The Saracens surrendered to Richard. And he had every last one of them beheaded. There was a hill of heads, a hill that grew gradually out of the moat and spilled on to the plain.’ Liam looked down at a potato bobbing in his soup and all of a sudden felt a little less hungry.
Alex Scarrow (TimeRiders: The Doomsday Code (Book 3))
We should build a moat!” Jack said, excited to be helping. “What’s a moat?” Ethan asked.  Jack waved his hands around in a circle. “It’s like a river that goes around a castle!”  “What’s a castle?” Ethan asked.  Jack paused, surprised for a moment. “Oh yeah, I guess they don't have those in this world. A castle is an enormous stone building, big enough for an entire village to live in. It has cool, towering doors, and a moat with a drawbridge-”  “What’s a drawbridge?” Ethan asked.  Jack sighed. “You know what, never mind. If I keep explaining everything we will never get done.
Pixel Ate (The Accidental Minecraft Family: MegaBlock 2 Edition (Books 5-8) (The Accidental Minecraft Family Megablock))
The Mennonites have Dirk Willems, who was arrested for his religious beliefs in the sixteenth century and held in a prison tower. With the aid of a rope made of knotted rags, he let himself down from the window and escaped across the castle’s ice-covered moat. A guard gave chase. Willems made it safely to the other side. The guard did not, falling through the ice into the freezing water, and Willems stopped, went back, and pulled his pursuer to safety. For his act of compassion, he was taken back to prison, tortured, and then burned slowly at the stake as he repeated “Oh, my Lord, my God” seventy times over.8
Malcolm Gladwell (David and Goliath: Underdogs, Misfits, and the Art of Battling Giants)
What, then, is Berkshire’s moat? The answer: Berkshire’s distinctive corporate culture. Berkshire spent the last five decades acquiring a group of wholly owned subsidiaries of bewildering variety but united by a set of distinctive core values. The result is a corporate culture unlike any other. And this is Berkshire’s moat.
Lawrence A. Cunningham (Berkshire Beyond Buffett: The Enduring Value of Values)
The older Kit gets, the less confident he feels judging other people as spouses or parents. These days, driving past the home of the Naked Hemp Society, he finds himself more curious than contemptuous about their easily ridiculed New Age ways. Why shouldn't they nurse their babies till age four? Why shouldn't they want to keep their children away from factory-farmed meats, from clothing soaked in fire-retardant chemicals, from dull-witted burned-out public school teachers whose tenure is all too easily approved? Why not frolic naked in the sprinkler---under the full moon, perhaps? Why not turn one's family into a small nurturing country protected by a virtual moat?
Julia Glass (And the Dark Sacred Night)
When they took him out and led him toward the moat, he passed in front of the portraits of Fidel and Raúl Castro. He paused a moment and then exclaimed, “And to think that because of those two wretches there are about to be five orphans!” Angrily, he turned toward Lieutenant Manolito, head of the prison, and said to him, “Come on. Let’s get this over with.
Armando Valladares (Against All Hope: A Memoir of Life in Castro's Gulag)
Remember me. I will be with you in the grave on the night you leave behind your shop and your family. When you hear my soft voice echoing in your tomb, you will realize that you were never hidden from my eyes. I am the pure awareness within your heart, with you during joy and celebration, suffering and despair. On that strange and fateful night you will hear a familar voice -- you'll be rescued from the fangs of snakes and the searing sting of scorpions. The euphoria of love will sweep over your grave; it will bring wine and friends, candles and food. When the light of realization dawns, shouting and upheaval will rise up from the graves! The dust of ages will be stirred by the cities of ecstasy, by the banging of drums, by the clamor of revolt! Dead bodies will tear off their shrouds and stuff their ears in fright-- What use are the senses and the ears before the blast of that Trumpet? Look and you will see my form whether you are looking at yourself or toward that noise and confusion. Don't be blurry-eyed, See me clearly- See my beauty without the old eyes of delusion. Beware! Beware! Don't mistake me for this human form. The soul is not obscured by forms. Even if it were wrapped in a hundred folds of felt the rays of the soul's light would still shine through. Beat the drum, Follow the minstrels of the city. It's a day of renewal when every young man walks boldly on the path of love. Had everyone sought God Instead of crumbs and copper coins T'hey would not be sitting on the edge of the moat in darkness and regret. What kind of gossip-house have you opened in our city? Close your lips and shine on the world like loving sunlight. Shine like the Sun of Tabriz rising in the East. Shine like the star of victory. Shine like the whole universe is yours!
Rumi (Jalal ad-Din Muhammad ar-Rumi) (Rumi: In the Arms of the Beloved)
No, the truth about love is this: if they’d missed the bus they would now be saying the same things about a person they met five minutes later on the Prom; their love was an accident; their lover just a nobody, gift-wrapped by their own imagination. There was nothing uncanny about it. They should have kept the drawbridge to their hearts closed; kept the moat free from weed.
Malcolm Pryce (The Unbearable Lightness Of Being In Aberystwyth (Aberystwyth Noir, #3))
Methinks I am a prophet new inspired And thus expiring do foretell of him: His rash fierce blaze of riot cannot last, For violent fires soon burn out themselves; Small showers last long, but sudden storms are short; He tires betimes that spurs too fast betimes; With eager feeding food doth choke the feeder: Light vanity, insatiate cormorant, Consuming means, soon preys upon itself. This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall, Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear'd by their breed and famous by their birth, Renowned for their deeds as far from home, For Christian service and true chivalry, As is the sepulchre in stubborn Jewry, Of the world's ransom, blessed Mary's Son, This land of such dear souls, this dear dear land, Dear for her reputation through the world, Is now leased out, I die pronouncing it, Like to a tenement or pelting farm: England, bound in with the triumphant sea Whose rocky shore beats back the envious siege Of watery Neptune, is now bound in with shame, With inky blots and rotten parchment bonds: That England, that was wont to conquer others, Hath made a shameful conquest of itself. Ah, would the scandal vanish with my life, How happy then were my ensuing death!
William Shakespeare (Richard II)
The other thing to remember, of course, is that most people get no help at all. I sure didn't, oh, no: it was just me and Castle, charging, desperate, through the country darkness, and that's how it is for most people who dare to run - no help from no Airlines, no help from no one. They just go, man, after years of planning or in the heat of a sudden moment they go, hurl their skinny bodies over a cyclone fence or purge themselves into a moat, break free of a chain line or a guard's hard grip and run, brother, run, sister, run along back roads and through forests. No planes and no cars or trucks, either. Just brave souls darting across open fields and wading in and out of rivers and stumbling along deer paths through dark woods. Find the star and follow it, as runners have done all the way back to the days of Old Slavery.
Ben H. Winters (Underground Airlines)
Neofeudalism: Much as warlords seized land in the Norman Conquest and levied rent on subject populations (starting with the Domesday Book, the great land census of England and Wales ordered by William the Conqueror), so today’s financialized mode of warfare uses debt leverage and foreclosure to pry away land, natural resources and economic infrastructure. The commons are privatized by bondholders and bankers, gaining control of government and shifting taxes onto labor and small-scale industry. Household accounts, corporate balance sheets and public budgets are earmarked increasingly to pay real estate rent, monopoly rent, interest and financial fees, and to bear the taxes shifted off rentier wealth. The rentier oligarchy makes itself into a hereditary aristocracy lording it over the population at large from gated communities that are the modern counterpart to medieval castles with their moats and parapets.
Michael Hudson (J IS FOR JUNK ECONOMICS: A Guide To Reality In An Age Of Deception)
Even for Joan, there was a familiarity, by now, to the workings of the military machine. The noise was deafening. The roar of the Armagnac cannon was answered by artillery blasts from the walls above; whenever a Parisian gunner struck his target, the screams of mutilated horses and men added a nerve-shredding counterpoint to the shouts of the soldiers who toiled in the moat, hurling bundles of wood into the standing water at the bottom in an attempt to build a makeshift pathway to the foot of the walls.
Helen Castor (Joan of Arc)
You want to leave the moat, to go back to the room; you’re already turning and trying to find the door, covered with fake leather, in the steep wall of the moat, but the master succeeds in grabbing your hand and, looking straight in your eyes, says: Your assignment: describe the jaw of a crocodile, the tongue of a hummingbird, the steeple of the New Maiden Convent, a shoot of bird cherry, the bend of the Lethe, the tail of any village dog, a night of love, mirages over hot asphalt, the bright midday in Berezov, the face of a flibbertigibbet, the garden of hell, compare the termite colony to the forest anthill, the sad fate of leaves to the serenade of a Venetian gondolier, and transform a cicada into a butterfly, turn rain into hail, day into night, give us today our daily bread, make a sibilant out of a vowel, prevent the crash of the train whose engineer is asleep, repeat the thirteenth labor of Hercules, give a smoke to a passerby, explain youth and old age, sing a song about a bluebird bringing water in the morn, turn your face to the north, to the Novgorodian barbicans, and then describe how the doorman knows it is snowing outside, if he sits in the foyer all day, talks to the elevator operator, and does not look out the window because there is no window; yes, tell how exactly, and in addition, plant in your orchard a white rose of the winds, show it to the teacher Pavel and, if he likes it, give the white rose to the teacher Pavel, pin the flower to his cowboy shirt or to his dacha hat, bring joy to the man who departed to nowhere, make your old pedagogue—a joker, a clown, and a wind-chaser—happy.
Sasha Sokolov (A School for Fools)
For the next hour, the subject of Pandora's board game business was discarded as the group worked on the sandcastle. They paused at intervals to drink thirstily from jugs of cold water and lemonade that had been sent down from the house. Pandora threw herself into the project with enthusiasm, consulting with Justin, who had decided the castle must have a moat, square corner towers, a front gatehouse with a drawbridge, and battlement walls from which the occupants could drop scalding water or molten tar onto the advancing enemy. Gabriel, who'd been instructed to dig the moat, stole frequent glances at Pandora, who had enough energy for ten people. Her face glowed beneath her battered straw hat, which she had managed to pry away from Ajax. She was sweaty and covered in sand, a few escaped locks of hair trailing over her neck and back. She played with the unselfconscious ease of a child, this woman of radical thoughts and ambitions. She was beautiful. Complex. Frustrating. He'd never met a woman who was so wholly and resolutely herself. What the devil was he going to do about her?
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
The attack was designed as a show of overwhelming strength for which the audience was not the already conquered people of Bukhara, but the still distant army and people of Samarkand, the next city on his march. The Mongol invaders rolled up their newly constructed siege engines—catapults, trebuchets, and mangonels that hurled not only stones and fire, as besieging armies had done for centuries, but also pots of burning liquids, exploding devices, and incendiary materials. They maneuvered immense crossbows mounted on wheels, and great teams of men pushed in portable towers with retractable ladders from which they could shoot down at the defenders of the walls. At the same time that they attacked through the air, miners went to work digging into the earth to undermine the walls by sapping. During this awesome display of technological prowess in the air, on the land, and beneath the earth, Genghis Khan heightened the psychological tension by forcing prisoners, in some cases the captured comrades of the men still in the citadel, to rush forward until their bodies filled the moat and made live ramparts over which other prisoners pushed the engines of war.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
I won’t dwell on other glamorous businesses that dramatically changed our lives but concurrently failed to deliver rewards to U.S. investors: the manufacture of radios and televisions, for example. But I will draw a lesson from these businesses: The key to investing is not assessing how much an industry is going to affect society, or how much it will grow, but rather determining the competitive advantage of any given company and, above all, the durability of that advantage. The products or services that have wide, sustainable moats around them are the ones that deliver rewards to investors.
Anonymous
But that wasn't the chief thing that bothered me: I couldn't reconcile myself with that preoccupation with sin that, so far as I could tell, was never entirely absent from the monks' thoughts. I'd known a lot of fellows in the air corps. Of course they got drunk when they got a chance, and had a girl whenever they could and used foul language; we had one or two had hats: one fellow was arrested for passing rubber cheques and was sent to prison for six months; it wasn't altogether his fault; he'd never had any money before, and when he got more than he'd ever dreamt of having, it went to his head. I'd known had men in Paris and when I got back to Chicago I knew more, but for the most part their badness was due to heredity, which they couldn't help, or to their environment, which they didn't choose: I'm not sure that society wasn't more responsible for their crimes than they were. If I'd been God I couldn't have brought myself to condemn one of them, not even the worst, to eternal damnation. Father Esheim was broad-minded; he thought that hell was the deprivation of God's presence, but if that is such an intolerable punishment that it can justly be called hell, can one conceive that a good God can inflict it? After all, he created men, if he so created them that ti was possible for them to sin, it was because he willed it. If I trained a dog to fly at the throat of any stranger who came into by back yard, it wouldn't be fair to beat him when he did so. If an all-good and all-powerful God created the world, why did he create evil? The monks said, so that man by conquering the wickedness in him, by resisting temptation, by accepting pain and sorrow and misfortune as the trials sent by God to purify him, might at long last be made worthy to receive his grace. It seem to me like sending a fellow with a message to some place and just to make it harder for him you constructed a maze that he had to get through, then dug a moat that he had to swim and finally built a wall that he had to scale. I wasn't prepared to believe in an all-wise God who hadn't common sense. I didn't see why you shouldn't believe in a God who hadn't created the world, buyt had to make the best of the bad job he'd found, a being enormously better, wiser and greater than man, who strove with the evil he hadn't made and who might be hoped in the end to overcome it. But on the other hand I didn't see why you should.
W. Somerset Maugham (The Razor’s Edge)
About ten o’clock tonight I got caught in a mob of ten thousand hysterics who jammed the moat in front of Hitler’s hotel, shouting: “We want our Führer.” I was a little shocked at the faces, especially those of the women, when Hitler finally appeared on the balcony for a moment. They reminded me of the crazed expressions I saw once in the back country of Louisiana on the faces of some Holy Rollers who were about to hit the trail. They looked up at him as if he were a Messiah, their faces transformed into something positively inhuman. If he had remained in sight for more than a few moments, I think many of the women would have swooned from excitement. Later
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
Those cries of the executed patriots — “Long live Christ the King! Down with Communism!” — awakened me to a new life as they echoed through the two-hundred-year-old moats of the fortress. The cries became such a potent and stirring symbol that by 1963 the men condemned to death were gagged before being carried down to be shot. The jailers feared those shouts. They could not afford to allow even that last courageous cry from those about to die. That rebellious, defiant gesture at the supreme moment, that show of bravery and integrity by those who were about to die, could easily become a bad example for the soldiers. It might even make them think about what they were doing.
Armando Valladares (Against All Hope: A Memoir of Life in Castro's Gulag)
Lady Mary was young, and Lady Mary was fair. She had two brothers, and more lovers than she could count. But of them all, the bravest and most gallant, was a Mr. Fox, whom she met when she was down at her father's country-house. No one knew who Mr. Fox was; but he was certainly brave, and surely rich, and of all her lovers, Lady Mary cared for him alone. At last it was agreed upon between them that they should be married. Lady Mary asked Mr. Fox where they should live, and he described to her his castle, and where it was; but, strange to say, did not ask her, or her brothers to come and see it. So one day, near the wedding-day, when her brothers were out, and Mr. Fox was away for a day or two on business, as he said, Lady Mary set out for Mr. Fox's castle. And after many searchings, she came at last to it, and a fine strong house it was, with high walls and a deep moat. And when she came up to the gateway she saw written on it: BE BOLD, BE BOLD. But as the gate was open, she went through it, and found no one there. So she went up to the doorway, and over it she found written: BE BOLD, BE BOLD, BUT NOT TOO BOLD. Still she went on, till she came into the hall, and went up the broad stairs till she came to a door in the gallery, over which was written: BE BOLD, BE BOLD, BUT NOT TOO BOLD, LEST THAT YOUR HEART'S BLOOD SHOULD RUN COLD. But Lady Mary was a brave one, she was, and she opened the door, and what do you think she saw? Why, bodies and skeletons of beautiful young ladies all stained with blood.
Joseph Jacobs (English Fairy Tales)
Banana by Maisie Aletha Smikle Ripe banana green banana Boil banana bake banana Roast banana fried banana Shred banana mash banana Banana porridge Banana bread Banana cake Banana flake Banana pudding Banana dumpling Banana muffin Banana punch Banana at breakfast Banana at lunch Banana for snack Banana at supper Chocolate joined banana Peanut butter pineapple papaya Peach strawberry blueberry cherry Ice cream and whip cream too They got on a banana boat Manned by a bearded goat And made a banana float While sailing around the moat Banana got festive And turned into a balloon Then made a banana cartoon Where banana got whipped into a dip Banana fritter banana batter Banana is whipped And beaten into batter Banana split finding solitude with nuts on a sundae
Maisie Aletha Smikle
Such is the lot of the knight that even though my patrimony were ample and adequate for my support, nevertheless here are the disturbances which give me no quiet. We live in fields, forests, and fortresses. Those by whose labors we exist are poverty-stricken peasants, to whom we lease our fields, vineyards, pastures, and woods. The return is exceedingly sparse in proportion to the labor expended. Nevertheless the utmost effort is put forth that it may be bountiful and plentiful, for we must be diligent stewards. I must attach myself to some prince in the hope of protection. Otherwise every one will look upon me as fair plunder. But even if I do make such an attachment hope is beclouded by danger and daily anxiety. If I go away from home I am in peril lest I fall in with those who are at war or feud with my overlord, no matter who he is, and for that reason fall upon me and carry me away. If fortune is adverse, the half of my estates will be forfeit as ransom. Where I looked for protection I was ensnared. We cannot go unarmed beyond to yokes of land. On that account, we must have a large equipage of horses, arms, and followers, and all at great expense. We cannot visit a neighboring village or go hunting or fishing save in iron. Then there are frequently quarrels between our retainers and others, and scarcely a day passes but some squabble is referred to us which we must compose as discreetly as possible, for if I push my claim to uncompromisingly war arises, but if I am too yielding I am immediately the subject of extortion. One concession unlooses a clamor of demands. And among whom does all this take place? Not among strangers, my friend, but among neighbors, relatives, and those of the same household, even brothers. These are our rural delights, our peace and tranquility. The castle, whether on plain or mountain, must be not fair but firm, surrounded by moat and wall, narrow within, crowded with stalls for the cattle, and arsenals for guns, pitch, and powder. Then there are dogs and their dung, a sweet savor I assure you. The horsemen come and go, among them robbers, thieves, and bandits. Our doors are open to practically all comers, either because we do not know who they are or do not make too diligent inquiry. One hears the bleating of sheep, the lowing of cattle, the barking of dogs, the shouts of men working in the fields, the squeaks or barrows and wagons, yes, and even the howling of wolves from nearby woods. The day is full of thought for the morrow, constant disturbance, continual storms. The fields must be ploughed and spaded, the vines tended, trees planted, meadows irrigated. There is harrowing, sowing, fertilizing, reaping, threshing: harvest and vintage. If the harvest fails in any year, then follow dire poverty, unrest, and turbulence.
Ulrich von Hutten (Ulrich von Hutten and the German Reformation)
The Duke stood in thought for a moment, with a look of intense surprise on his face. Then he opened a door and showed us into a large room furnished as a museum. He led the way to a glass case in a corner, and pointed to the inscription. “These shoes,” it ran, “were dug up in the moat of Holdernesse Hall. They are for the use of horses, but they are shaped below with a cloven foot of iron, so as to throw pursuers off the track. They are supposed to have belonged to some of the marauding Barons of Holdernesse in the Middle Ages.” Holmes opened the case, and moistening his finger he passed it along the shoe. A thin film of recent mud was left upon his skin. “Thank you,” said he, as he replaced the glass. “It is the second most interesting object that I have seen in the North.” “And the first?” Holmes folded up his check and placed it carefully in his notebook. “I am a poor man,” said he, as he patted it affectionately, and thrust it into the depths of his inner pocket.
Arthur Conan Doyle (The Complete Sherlock Holmes)
IN THE fifteenth century, a swampy parcel of land in the sestieri of Cannaregio was set aside for the construction of a new brass foundry, known in the Venetian dialect as a geto. The foundry was never built, and a century later, when the rulers of Venice were looking for a suitable spot to confine the city’s swelling population of unwanted Jews, the remote parcel known as Ghetto Nuovo was deemed the ideal place. The campo was large and had no parish church. The surrounding canals formed a natural moat, which cut off the island from the neighboring communities, and the single bridge could be guarded by Christian watchmen. In 1516, the Christians of Ghetto Nuovo were evicted and the Jews of Venice were forced to take their place. They could leave the ghetto only after sunrise, when the bell tolled in the campanile, and only if they wore a yellow tunic and hat. At nightfall they were required to return to the island, and the gates were chained. Only Jewish doctors could leave the ghetto at night. At its height, the population of the ghetto was more than five thousand. Now, it was home to only twenty Jews.
Daniel Silva
I know that it’s easier to say Their kind does seem to have a taste for drugs, easier to write all addicts off as bad and weak-willed people, than it is to look closely at the nature of their suffering. I do it too, sometimes. I judge. I walk around with my chest puffed out, making sure that everyone knows about my Harvard and Stanford degrees, as if those things encapsulate me, and when I do so, I give in to the same facile, lazy thinking that characterizes those who think of addicts as horrible people. It’s just that I’m standing on the other side of the moat. What I can say for certain is that there is no case study in the world that could capture the whole animal of my brother, that could show how smart and kind and generous he was, how much he wanted to get better, how much he wanted to live. Forget for a moment what he looked like on paper, and instead see him as he was in all of his glory, in all of his beauty. It’s true that for years before he died, I would look at his face and think, What a pity, what a waste. But the waste was my own, the waste was what I missed out on whenever I looked at him and saw just his addiction.
Yaa Gyasi (Transcendent Kingdom)
Before them were soups and stews filled with various tubers, roasted venison, long hot loaves of sourdough bread, and rows of honeycakes dripped with raspberry preserve. In a bed of greens lay filleted trout garnished with parsley, and on the side, pickled eel stared forlornly at an urn of cheese, as if hoping to somehow escape back into a river. A swan sat on each table, surrounded by a flock of stuffed partridges, geese, and ducks. Mushrooms were everywhere: broiled in juicy strips, placed atop a bird’s head like a bonnet, or carved in the shape of castles amid moats of gravy. An incredible variety was on display, from puffy white mushrooms the size of Eragon’s fist, to ones he could have mistaken for gnarled bark, to delicate toadstools sliced neatly in half to showcase their blue flesh. Then the centerpiece of the feast was revealed: a gigantic roasted boar, glistening with sauce. At least Eragon thought it was a boar, for the carcass was as large as Snowfire and took six dwarves to carry. The tusks were longer than his forearms, the snout as wide as his head. And the smell, it overwhelmed all others in pungent waves that made his eyes water from their strength.
Christopher Paolini (Eldest (Inheritance, #2))
Torminster in A City of Bells is Wells. If the houses in the Close, hidden behind their high walls, could be seen with the eyes of imagination as fortresses, the Palace was one in actual fact. Grey, battlemented walls, with loopholes for arrows, surrounded it and its gardens, completely hiding them from sight, and a wide moat, brimful of water, surrounded the walls. The portcullis was still there, and the drawbridge that linked this warlike island to the peace of Torminster. As they stood watching, the swans obligingly rounded the curve of the moat and sailed royally towards the drawbridge… The foremost swan…pulled with his beak the bell-rope that hung from the Palace wall. He rang it once, imperiously…and instantly a human menial showered bread from a window. This ringing of the bell was the superb accomplishment of the swans of Torminster, an accomplishment that had made them world-famous.36 Small wonder that Elizabeth said, linking her own childhood experience with that of Robert Louis Stevenson: Looking back from such a different world, through such a length of time, it seems that the sheltered happy childhoods of Victorian and Edwardian days had a very special magic.37
Christine Rawlins (Beyond the Snow: The Life and Faith of Elizabeth Goudge)
I want to decorate the castle with shells and seaweed,” Seraphina said. “You’ll make it look like a girl’s castle,” Justin protested. “Your hermit crab might be a girl,” Seraphina pointed out. Justin was clearly appalled by the suggestion. “He’s not! He’s not a girl!” Seeing his little cousin’s gathering outrage, Ivo intervened quickly. “That crab is definitely male, sis.” “How do you know?” Seraphina asked. “Because . . . well, he . . .” Ivo paused, fumbling for an explanation. “Because,” Pandora intervened, lowering her voice confidentially, “as we were planning the layout of the castle, the hermit crab discreetly asked me if we would include a smoking room. I was a bit shocked, as I thought he was rather young for such a vice, but it certainly leaves no doubt as to his masculinity.” Justin stared at her raptly. “What else did he say?” he demanded. “What is his name? Does he like his castle? And the moat?” Pandora launched into a detailed account of her conversation with the hermit crab, reporting that his name was Shelley, after the poet, whose works he admired. He was a well-traveled crustacean, having flown to distant lands while clinging to the pink leg of a herring gull who had no taste for shellfish, preferring hazelnuts and bread crumbs. One day, the herring gull, who possessed the transmigrated soul of an Elizabethan stage actor, had taken Shelley to see Hamlet at the Drury Lane theater. During the performance, they had alighted on the scenery and played the part of a castle gargoyle for the entire second act. Shelley had enjoyed the experience but had no wish to pursue a theatrical career, as the hot stage lights had nearly fricasseed him.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.
Walter Scott