“
Mma Ramotswe sighed. 'We are all tempted, Mma. We are all tempted when it comes to cake.'
That is true,' said Mma Potokwane sadly. 'There are many temptations in this life, but cake is probably one of the biggest of them.
”
”
Alexander McCall Smith (In the Company of Cheerful Ladies (No. 1 Ladies' Detective Agency, #6))
“
There was a teapot, in which Mma Ramotswe -- the only lady private detective in Botwana -- brewed tea. And three mugs -- one for herself, one for her secretary, and one for the client. What else does a detective agency really need?
”
”
Alexander McCall Smith (The No. 1 Ladies' Detective Agency (No. 1 Ladies' Detective Agency, #1))
“
Mma Ramotswe reflected on how easy it was to find oneself committed to a course of action simply because one lacked the courage to say no.
”
”
Alexander McCall Smith (Tears of the Giraffe (No. 1 Ladies' Detective Agency, #2))
“
We are born to talk to other people, ... we are born to be sociable and to sit together with others in the shade of the acacia tree and talk about things that happened the day before. We were not born to sit in kitchens by ourselves, with nobody to chat to." Mma Ramotswe
”
”
Alexander McCall Smith (Tea Time for the Traditionally Built (No. 1 Ladies' Detective Agency, #10))
“
Lightning always strikes in the same place twice," said Mma Ramotswe. "Whatever people say to the contrary.
”
”
Alexander McCall Smith (The No. 1 Ladies' Detective Agency (No. 1 Ladies' Detective Agency, #1))
“
(Mma Ramotswe thinking about what her father taught her…)
“Having the right approach to life was a great gift in this life….Do not complain about your life. Do not blame others for things that you have brought upon yourself. Be content with who you are and where you are, and do whatever you can do to bring to others such contentment, and joy, and understanding that you have managed to find yourself…You can do that in the company of an old friend—you can close your eyes and think of the land that gave you life and breath, and of all the reasons why you are glad that you are there, with the people you know, with the people you love.
”
”
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
“
Do not be ashamed to cry, Rra,” said Mma Ramotswe. “It is the way that things begin to get better. It is the first step.
”
”
Alexander McCall Smith (Morality for Beautiful Girls (No. 1 Ladies' Detective Agency, #3))
“
Inside every one of us, thought Mma Ramotswe, there is the child we once were, the child that was unsure about the world and our place in it.
”
”
Alexander McCall Smith (The House of Unexpected Sisters (No. 1 Ladies' Detective Agency, #18))
“
...this woman, moved by some private sorrow as much as the words being spoken, cried almost silently, unobserved by others, apart from Mma Ramotswe, who stretched out her hand and laid it on her shoulder. Do not cry, Mma, she began to whisper, but changed her words even as she uttered them, and said quietly, Yes, you can cry, Mma. We should not tell people not to weep - we do it because of our sympathy for them - but we should really tell them that their tears are justified and entirely right.
”
”
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
“
Dieting was cruel; it was an abuse of human rights. Yes, that's what it was, and she should not allow herself to be manipulated in this way. She stopped herself. Thinking like that was nothing more than coming up with excuses for breaking the diet. Mma Ramotswe was made of sterner stuff than that, and so she persisted.
”
”
Alexander McCall Smith (Blue Shoes and Happiness (No. 1 Ladies' Detective Agency, #7))
“
Men are very sensitive, Mma Makutsi. You would not always think it to look at them, but they are. They do not like you to point out that they are wrong, even when they are. That is the way things are, Mma--it just is.
”
”
Alexander McCall Smith (The Limpopo Academy of Private Detection (No. 1 Ladies' Detective Agency, #13))
“
Mma Ramotswe did not like lying, but sometimes it was necessary, particularly when faced with people who were promoted beyond their talents.
”
”
Alexander McCall Smith (The No. 1 Ladies' Detective Agency)
“
Mma Ramotswe was right: evil repaid with retribution, with punishment, had achieved half its goal; evil repaid with kindness was shown to be what it really was, a small, petty thing, not something frightening at all, but something pitiable, a paltry affair.
”
”
Alexander McCall Smith (The Miracle at Speedy Motors (No. 1 Ladies' Detective Agency, #9))
“
There were times when an apology was best, she thought, even when one really had nothing to apologise for. If only people would say sorry sooner rather than later, Mma Ramotswe believed, much discord and unhappiness could be avoided. But that was not the way people were. So often pride stood in the way of apology, and then, when somebody was ready to say sorry, it was already too late.
”
”
Alexander McCall Smith (The Miracle at Speedy Motors (No. 1 Ladies' Detective Agency, #9))
“
She shook her head. What was the point of anger? There were occasions when Mma Ramotswe, like all of us, could feel angry, but they were few - and they never lasted long. Anger, Obed Ramotswe had explained to her once, is no more than a salt that we rub into our wounds. She had never forgotten that - along with the things he said about cattle, and Botswana, and the behaviour of the rains.
”
”
Alexander McCall Smith (The Handsome Man's Deluxe Café (No. 1 Ladies' Detective Agency, #15))
“
Everything, it seemed to Mma Ramotswe, had a waiting list—except the government taxman and the call, when it came, to leave this world. You could not argue with the agents of either of these: you paid, and you went. But I am just on the waiting list…No, there is no waiting list for these things…
”
”
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
“
Forgiveness was never easy, but Mma Ramotswe believed in it because she knew that without forgiveness we cluttered our lives with old business.
”
”
Alexander McCall Smith (The House of Unexpected Sisters (No. 1 Ladies' Detective Agency, #18))
“
If you did not keep your yard in reasonable order, then your whole life would be similarly untidy. A messy yard told Mma Ramotswe everything she needed to know about its owner.
”
”
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
“
Simple questions--and simple answers--were what we needed in life. That was what Mma Ramotswe believed. Yes.
”
”
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
“
We’ve all had that sort of experience,” said Mma Ramotswe. “Every one of us, Mma. We’ve all had a first day at school, or a first day in a new job. We’ve all been unsure what to do.
”
”
Alexander McCall Smith (The House of Unexpected Sisters (No. 1 Ladies' Detective Agency, #18))
“
Mma Ramotswe had a detective agency in Africa, at the foot of Kgale Hill. These were its assets: a tiny white van, two desks, two chairs, a telephone, and an old typewriter. Then there was a teapot, in which Mma Ramotswe – the only lady private detective in Botswana – brewed redbush tea. And three mugs – one for herself, one for her secretary, and one for the client. What else does a detective agency really need? Detective agencies rely on human intuition and intelligence, both of which Mma Ramotswe had in abundance. No inventory would ever include those, of course.
”
”
Alexander McCall Smith (The No. 1 Ladies' Detective Agency (No. 1 Ladies' Detective Agency, #1))
“
Tea, thought Mma Ramotswe – no matter what was happening, no matter how difficult things became, there was always the tea break – that still moment, that unchangeable ritual, that survived everything, made normal the abnormal, renewed one’s ability to cope with whatever the world laid before one. Tea.
”
”
Alexander McCall Smith (The Colours of all the Cattle (No. 1 Ladies' Detective Agency, #19))
“
Well,” said Mma Ramotswe, “I have felt that anger. I felt it when I saw that the van had gone. I felt it a bit in the truck on the way back. But what is the point of anger now, Mma? I don’t think that anger will help us.” Mma Makutsi sighed. “You are right about anger,” she said. “There is no point in it.
”
”
Alexander McCall Smith (In the Company of Cheerful Ladies (No. 1 Ladies' Detective Agency, #6))
“
We don’t hate people, Puso. We don’t hate anybody.” He looked at her sullenly. “Why?” he asked. “Because hate makes you very tired,” said Mma Ramotswe. She wondered whether there was more to say, but suddenly she felt tired herself.
”
”
Alexander McCall Smith (The Colors of All the Cattle (No. 1 Ladies' Detective Agency Series 19))
“
Mma Ramotswe decided to go back into her office. There was a curious thing about male conversation that she had noticed - men often ended up poking fun at one another. Women did this only rarely, but men seemed to love insulting one another. It was very strange.
”
”
Alexander McCall Smith (The No. 1 Ladies' Detective Agency (No. 1 Ladies' Detective Agency, #1))
“
Morality is for everybody, and this means that the views of more than one person are needed to create it. That was what made the modern morality, with its emphasis on individuals and the working out of an individual position, so weak. If you gave people the chance to work out their morality, then they would work out the version which was easiest for them and which allowed them to do what suited them for as much of the time as possible. That, in Mma Ramotswe's view, was simple selfishness, whatever grand name one gave to it.
”
”
Alexander McCall Smith (Morality for Beautiful Girls (No. 1 Ladies' Detective Agency, #3))
“
So it was perfectly possible that there were men who liked shopping, men who understood exactly what it was all about, but Mma Ramotwe had yet to meet such a man. Maybe they existed elsewhere - in France, perhaps - but they did not seem to be much in evidence in Botswana.
”
”
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
“
You cannot divide a child's heart in two" she had observed to Mma Makutsi, "and yet that is what some people wish to do. A child has only one heart."
"And the rest of us?" Mma Makutsi had asked. "Do we not have one heart too?"
Mma Ramotswe nodded. "Yes, we have only one heart, but as you grow older you heart grows bigger. A child loves only one or two things; we love so many things."
"Such as?"
Mma Ramotswe smiled. "Botswana. Rain. Cattle. Friends. Our children. Our late relatives. The smell of woodsmoke in the morning. Red bush tea...
”
”
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
“
Most morality, thought Mma Ramotswe, was about doing the right thing because it had been identified as such by a long process of acceptance and observance. You simply could not create your own morality because your experience would never be enough to do so. What gives you the right to say that you know better than your ancestors? Morality is for everybody and this means that the views of more than one person are needed to create it. That was what made modern morality, with its emphasis on individuals and the working out of an individual person, so weak. If you gave people the chance to work out their morality, then they would work out the version which was easiest for them and which allowed them to do what suited them for as much of the time as possible. That, in Mma Ramotswe's view, was simple selfishness, whatever grand name one gave it.
”
”
Alexander McCall Smith (Morality for Beautiful Girls (No. 1 Ladies' Detective Agency, #3))
“
Mma Ramotswe found it difficult to imagine what it would be like to have no people. There were, she knew, those who had no others in this life, who had no uncles, or aunts, or distant cousins of any degree; people who were just themselves. Many white people were like that, for some unfathomable reason; they did not seem to want to have people and were happy to be just themselves. How lonely they must be -- like spacemen deep in space, floating in darkness, but without even that silver, unfurling cord that linked the astronauts to their little metal womb of oxygen and warmth. For a moment, she indulged the metaphor, and imagined the tiny white van in space, slowly spinning against a background of stars and she, Mma Ramotswe, of the No. 1 Ladies' Space Agency, floating weightless, head over heels, tied to the tiny white van with a thin washing line.
”
”
Alexander McCall Smith (Tears of the Giraffe (No. 1 Ladies' Detective Agency, #2))
“
But remember, that for every cheating wife in Botswana, there are five hundred and fifty cheating husbands."
Mma Makutsi whistled. "That is an amazing figure," she said. "Where did you read that?"
"Nowhere," chuckled Mma Ramotswe. "I made it up. But that doesn't stop it from being true.
”
”
Alexander McCall Smith (Tears of the Giraffe (No. 1 Ladies' Detective Agency, #2))
“
Mma Ramotswe had a gift for the American woman, a basket which on her return journey from Bulawayo she had bought, on impulse, from a woman sitting by the side of the road in Francistown. The woman was desperate, and Mma Ramotswe, who did not need a basket, had bought it to help her. It was a traditional Botswana basket, with a design worked into the weaving.
"These little marks here are tears," she said. "The giraffe gives its tears to the women and they weave them into the basket."
The American woman took the basket politely, in the proper Botswana way of receiving a gift with both hands. How rude were people who took a gift with one hand, as if snatching it from the donor; she knew better.
You are very kind, Mma," she said. "But why did the giraffe give its tears?"
Mma Ramotswe shrugged; she had never thought about it. "I suppose that it means that we can all give something," she said. "A giraffe has nothing else to give--only tears." Did it mean that? she wondered. And for a moment she imagined that she saw a giraffe peering down through the trees, its strange stilt-borne body among the leaves; and its moist velvet cheeks and liquid eyes; and she thought of all the beauty that there was in Africa, and of the laughter, and the love.
The boy looked at the basket. "Is that true, Mma?"
Mma Ramotswe smiled. "I hope so," she said.
”
”
Alexander McCall Smith (Tears of the Giraffe (No. 1 Ladies' Detective Agency, #2))
“
it was difficult to think what to do, and, as she often did in such circumstances, Mma Ramotswe decided that the best thing to do would be to go shopping.
”
”
Alexander McCall Smith (Blue Shoes and Happiness (No. 1 Ladies' Detective Agency, #7))
“
There are many more kind people than not-so-kind people,” said Mma Ramotswe.
”
”
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
“
But we cannot always choose whose lives will become entangled with our own; these things happen to us, come to us uninvited, and Mma Ramotswe understood that well.
”
”
Alexander McCall Smith (The Good Husband of Zebra Drive (No. 1 Ladies' Detective Agency, #8))
“
Rich people are just people,” said Mma Ramotswe. “I have not met a rich person yet who isn’t just the same as us. Being happy or unhappy has nothing to do with being rich.
”
”
Alexander McCall Smith (The Kalahari Typing School for Men (No. 1 Ladies' Detective Agency, #4))
“
It was a good place to sit, and listen, under a sky that had seen so much and heard so much that one more wicked deed would surely make no difference. Sins, thought Mma Ramotswe, are darker and more powerful when contemplated within confining walls. Out in the open, under such a sky as this, misdeeds were reduced to their natural proportions — small, mean things that could be faced quite openly, sorted, and folded away.
”
”
Alexander McCall Smith (The Kalahari Typing School for Men (No. 1 Ladies' Detective Agency, #4))
“
Mma Ramotswe tucked the cheque safely away in her bodice. Modern business methods were all very well, she thought, but when it came to the safeguarding of money there were some places which had yet to be bettered.
”
”
Alexander McCall Smith (Morality for Beautiful Girls (No. 1 Ladies' Detective Agency, #3))
“
Everything, all those great things, had happened so far away--or so it seemed to [Mma Ramotswe] at the time. The world was made to sound as if it belonged to other people--to those who lived in distant countries that were so different from Botswana; that was before people had learned to assert that the world was theirs too, that what happened in Botswana was every bit as important, and valuable, as what happened anywhere else.
”
”
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
“
If only people could keep that in their minds—if they could remember that the people they met during the day had all the same hopes and fears that they had, then there would be so much less conflict and disagreement in this world. If only people remembered that, then they would be kinder to others—and kindness, Mma Ramotswe believed, was the most important thing there was. She knew that in the depths of her being; she knew it.
”
”
Alexander McCall Smith (The Colors of All the Cattle (No. 1 Ladies' Detective Agency Series 19))
“
Mma Makutsi pondered this. "Why are there fewer and fewer gentlemen, Mma Ramotswe?"
"It is our fault, Mma. It is the fault of ladies."
"Why is that?"
"Because we have allowed men to stop behaving as gentlemen, and when you allow people to do what they wish, then that is what they do. They stop doing the things they need to do." She looked at Mma Makutsi across the steering wheel. "That is well known, I think, Mma. That is well known.
”
”
Alexander McCall Smith (The Limpopo Academy of Private Detection (No. 1 Ladies' Detective Agency, #13))
“
I am glad you are pleased," said Mma Ramotswe. "You have broken the glass ceiling that stops secretaries from reaching their full potential."
Mma Makutsi looked up, as if to search for the ceiling that she had broken. There were only the familiar ceiling boards, fly-tracked and buckling from the heat. But the ceiling of the Sistine Chapel itself could not at that moment have been more glorious in her eyes, more filled with hope and joy.
”
”
Alexander McCall Smith (Tears of the Giraffe (No. 1 Ladies' Detective Agency, #2))
“
We must not eat dripping any more,’ warned Mma Makutsi from behind a healthy living magazine. ‘We must give up such things, Mma.’ This advice had been accompanied by a stern look in Mma Ramotswe’s direction. Mma Ramotswe had not taken that lying down. ‘Soon they will be telling us not to eat anything,’ she countered. ‘They will say that only air is good for you. Air and water.’ Mma Makutsi had not approved. ‘You cannot fight science, Mma. Science is telling us that many of the things we like to eat in this country are not good for us. They say that these things are making us too large.’ ‘I am not fighting science, Mma,’ replied Mma Ramotswe. ‘I am just saying that we have to have some things that we like, otherwise we shall be very unhappy. And if you are very unhappy you can die – we all know that.’ She allowed that to sink in before she continued. ‘There are many people who have been thinking a lot about science who are now late. It would have been better for them to spend more time being happy while they had the chance. That is well known, Mma – it is very well known.’ Mma Makutsi had become silent.
”
”
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
“
Yes, thought Mma Ramotswe, the world can be very discouraging. But we cannot sit and think about all the things that have gone wrong, or could go wrong. There was no point in doing that...There was much for which we could be grateful, whatever the sorrows of this world.
”
”
Alexander McCall Smith (The Kalahari Typing School for Men (No. 1 Ladies' Detective Agency, #4))
“
Mr. J.L.B. Matekoni had been uncertain what to say. He wondered whether he should ask Mma Ramotswe why she had not consulted him, but decided against it. If husbands started to question their wives’ decisions, then where would it end, and what purpose would it serve? You could not undo what your wife had done.
”
”
Alexander McCall Smith (To the Land of Long Lost Friends (No. 1 Ladies' Detective Agency #20))
“
Teachers were not allowed to beat children as they did in the past, although, Mma Ramotswe reflected, there were some boys-and indeed some young men-who might have been greatly improved by moderate physical correction. The apprentices, for example: would it help if Mr. J.L.B. Matekoni resorted to physical chastisement-nothing severe, of course-but just an occasional kick in the seat of the pants while they were bending over to change a tyre or something like that? The thought made her smile. She would even offer to administer the kick herself, which she imagined might be oddly satisfying, as one of the apprentices, the one who still kept on about girls, had a largeish bottom which she thought would be quite comfortable to kick. How enjoyable it would be to creep up behind him and kick him when he was least expecting it, and then to say: Let that be a lesson! That was all one would have to say, but it would be a blow for women everywhere.
”
”
Alexander McCall Smith (The Kalahari Typing School for Men (No. 1 Ladies' Detective Agency, #4))
“
The signals confused Mma Ramotswe; she knew the Indian habit of moving the head from side to side meant the opposite of what it meant elsewhere and signified approval rather than disagreement, but she was not sure what a combination of movements meant. Perhaps there was something wrong with Mr. Sengupta; perhaps his head was loose.
”
”
Alexander McCall Smith (The Handsome Man's Deluxe Café (No. 1 Ladies' Detective Agency, #15))
“
but then where would one end if one started to compose a list of the wrongs that this world had seen? Better perhaps, thought Mma Ramotswe, to make a list of those things that were right with the world, of people who had made life better for other people, or who had done what they had been called to do with honour and without complaint. Her
”
”
Alexander McCall Smith (Precious and Grace (No. 1 Ladies' Detective Agency #17))
“
Such men knew their worth, but did not flaunt it. Such men could look anybody in the eye without flinching; even a poor man, a man with nothing, could stand upright in the presence of those who had wealth or power. People did not know, Mma Ramotswe felt, just how much we had in those days—those days when we seemed to have so little, we had so much. She
”
”
Alexander McCall Smith (Blue Shoes and Happiness (No. 1 Ladies' Detective Agency, #7))
“
And the same goes for other things,” went on Mma Makutsi. “Hooks are the answer.” Mma Ramotswe had a momentary vision of Mma Makutsi’s house covered in hooks. Even her baby, Itumelang, would be suspended in a basket from a hook; and Phuti would have a hook too, a large, solid one, from which he would dangle by his collar, awaiting instructions from his wife.
”
”
Alexander McCall Smith (To the Land of Long Lost Friends (No. 1 Ladies' Detective Agency #20))
“
Mma Ramotswe had listened to a World Service broadcast on her radio one day which had simply taken her breath away. It was about philosophers who called themselves existentialists and who, as far as Mma Ramotswe could ascertain, lived in France. These French people said that you should just live in a way which made you feel real, and that the real thing to do was the right thing too. Mma Ramotswe had listened in astonishment. You did not have to go to France to meet existentialists, she reflected; there were many existentialists right here in Botswana. Note Mokoti, for example. She had been married to an existentialist herself, without even knowing it. Note, that selfish man who never once put himself out for another--not even for his wife--would have approved of existentialists, and they of him. It was very existentialist, perhaps, to go out to bars every night while your pregnant wife stayed at home, and even more existentialist to go off with girls--young existentialist girls--you met in bars. It was a good life being an existentialist, although not too good for all the other, nonexistentialist people around one.
”
”
Alexander McCall Smith (Morality for Beautiful Girls (No. 1 Ladies' Detective Agency, #3))
“
The world, Mma Ramotswe believed, was composed of big things and small things. The big things were written large, and one could not but be aware of them—wars, oppression, the familiar theft by the rich and the strong of those simple things that the poor needed, those scraps which would make their life more bearable; this happened, and could make even the reading of a newspaper an exercise in sorrow. There were all those unkindnesses, palpable, daily, so easily avoidable; but one could not think just of those, thought Mma Ramotswe, or one would spend one's time in tears—and the unkindnesses would continue. So the small things came into their own: small acts of helping others, if one could; small ways of making one's own life better: acts of love, acts of tea, acts of laughter.
”
”
Alexander McCall Smith (The Good Husband of Zebra Drive (No. 1 Ladies' Detective Agency, #8))
“
You’re not angry, Mma?” She shook her head. What was the point of anger? There were occasions when Mma Ramotswe, like all of us, could feel angry, but they were few—and they never lasted long. Anger, Obed Ramotswe had explained to her once, is no more than a salt that we rub into our wounds. She had never forgotten that—along with the things he said about cattle, and Botswana, and the behaviour of the rains.
”
”
Alexander McCall Smith (The Handsome Man's Deluxe Café (No. 1 Ladies' Detective Agency, #15))
“
It was a good place to sit and listen, under a sky that had seen so much and heard so much that one more wicked deed would surely make no difference. Sins, thought Mma Ramotswe, are darker and more powerful when contemplated within confining walls. Out in the open, under such a sky as this, misdeeds were reduced to their natural proportions—small, mean things that could be faced quite openly, sorted, and folded away.
”
”
Alexander McCall Smith (The Kalahari Typing School for Men (No. 1 Ladies' Detective Agency, #4))
“
She was of traditional build herself, but her figure was largely concealed by the folds of a generously cut shift dress made out of a flecked green fabric. It was like a tent, thought Mma Ramotswe--a camouflage tent of the sort that the Botswana Defence Force might use. But I do not sit in judgement on the dresses of others, she told herself, and a tent was a practical enough garment, if that is what one felt comfortable in.
”
”
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
“
There were plenty of people who did not really believe in God, but who wanted to believe in him, and said that they did. Some people said that these people were foolish, that they were hypocritical, but Mma Ramotswe was not so sure about that. If something, or somebody, could help you to get through life, to lead a life that was good and purposeful, did it matter all that much if that thing or that person did not exist? She thought it did not—not in the slightest bit. BY
”
”
Alexander McCall Smith (The Limpopo Academy of Private Detection (No. 1 Ladies' Detective Agency, #13))
“
That woman,” he mused. “She’s like a …” He searched his mind for a way of describing their formidable friend. A railway engine? A bolt of lightning? A determined cow? No, that was uncomplimentary, and he did not mean to be disrespectful. A stately hippopotamus, then? No, that was worse. “She is like a matron,” said Mma Ramotswe. “Don’t you think?” “Of course. Yes.” That was it. She was like a matron and she was a matron. And we needed matrons, he thought—we needed them. He had read that hospitals were getting rid of matrons and appointing all sorts of people who were not matrons to run them—people who did not wear matrons’ blue and white uniforms and did not have watches pinned onto their fronts. How would such people know how to run a hospital—or a children’s home, for that matter? Who were these people to imagine that they could do the things that matrons had always done? No wonder hospitals were full of infections and people lying in unmade beds; matrons would never have tolerated that—not for one moment. “So what did Matron say?” he asked.
”
”
Alexander McCall Smith (The Handsome Man's Deluxe Café (No. 1 Ladies' Detective Agency, #15))
“
Morality is for everybody, and this means that the views of more than one person are needed to create it. That was what made the modern morality, with its emphasis on individuals and the working out of an individual position, so weak. If you gave people the chance to work out their morality, then they would work out the version which was easiest for them and which allowed them to do what suited them for as much of the time as possible. That, in Mma Ramotswe’s view, was simple selfishness, whatever grand name one gave to it. Mma
”
”
Alexander McCall Smith (Morality for Beautiful Girls (No. 1 Ladies' Detective Agency, #3))
“
It was inconsiderate not to have a gardener if, like Dr Ranta, you were in a well-paid white-collar job. It was a social duty to employ domestic staff, who were readily available and desperate for work. Wages were low – unconscionably so, thought Mma Ramotswe – but at least the system created jobs. If everybody with a job had a maid, then that was food going into the mouths of the maids and their children. If everybody did their own housework and tended their own gardens, then what were the people who were maids and gardeners to do?
”
”
Alexander McCall Smith (Tears of the Giraffe)
“
They are a bit small for me, Mma,” she confessed. “I think you were right. But I felt great happiness when I wore them, and I shall always remember that. They are such beautiful shoes." Mma Ramotswe laughed. “Well, that's the important thing, isn't it, Mma? To feel happiness, and then to remember it." “I think that you're right,“ said Mma Makutsi. Happiness was an elusive thing. It had something to do with having beautiful shoes, sometimes; but it was about so much else. About a country. About a people. About having friends like this.
”
”
Alexander McCall Smith (Blue Shoes and Happiness (No. 1 Ladies' Detective Agency, #7))
“
Mma Ramoswe shaded her eyes with a hand.
"All that work," she mused. "And now this."
Mma Potsane shrugged her shoulders. "But that is always true, Mma," she said. "Even Gaborone. Look at all those buildings. How do we know that Gaborone will still be there in fifty years' time? Have the ants not got their plans for Gaborone as well?"
Mma Ramotswe smiled. It was a good way of putting it. All our human endeavors are like that, she reflected, and it is only because we are too ignorant to realize it, or are too forgetful to remember it, that we have the confidence to build something that is meant to last.
”
”
Alexander McCall Smith (Tears of the Giraffe (No. 1 Ladies' Detective Agency, #2))
“
And Mr. J.L.B. Matekoni was at that moment on the verge of an exceptionally important thought, even though its final shape had yet to reveal itself. How much easier it was for Mma Ramotswe—she put things so well, so succinctly, so profoundly, and appeared to do this with such little effort. It was very different if one was a mechanic, and therefore not used to telling people—in the nicest possible way, of course—how to run their lives. Then one had to think quite hard to find just the right words that would make people sit up and say, “But that is very true, Rra!” Or, especially if you were Mma Ramotswe, “But surely that is well known!
”
”
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
“
[Spoiler Alert (!)] There were times when you simply had to speak, or you would have your lifetime ahead to regret not speaking. But every time [Mr J.L.B. Matekoni] had tried to speak to [Mma Ramotswe] of what was in his heart, he had failed. He had already asked her to marry him and that had not been a great success. He did not have a great deal of confidence, at least with people; cars were different, of course [as he was a mechanic].
‘I am very happy sitting here with you…’
She turned to him. ‘What did you say?’
‘I said, please marry me, Mma Ramotswe. I am just Mr J.L.B. Matekoni, that’s all, but please marry me and make me happy.’
‘Of course I will,’ said Mma Ramotswe.
”
”
Alexander McCall Smith (The No. 1 Ladies' Detective Agency (No. 1 Ladies' Detective Agency, #1))
“
There were always such dwellings--the abode of the cook or the man who tended the yard, or the woman who did the washing and ironing; so normal and unexceptionable as to attract no attention, the places where lives were led in the shadow of the employer in the larger house. And the cause, Mma Ramotswe knew from long experience, of deep resentments and, on occasion, murderous hatreds. Those flowed from exploitation and bad treatment--the things that people would do to one another with utter predictability and inevitability unless those in authority made it impossible and laid down conditions of employment. She had seen shocking things in the course of her work, even here in Botswana, a good country where things were well run and people had rights; human nature, of course, would find its way round the best of rules and regulations.
”
”
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
“
IT WAS three days after the satisfactory resolution of the Patel case. Mma Ramotswe had put in her bill for two thousand pula, plus expenses, and had been paid by return of post. This astonished her. She could not believe that she would be paid such a sum without protest, and the readiness, and apparent cheerfulness with which Mr Patel had settled the bill induced pangs of guilt over the sheer size of the fee. It was curious how some people had a highly developed sense of guilt, she thought, while others had none. Some people would agonise over minor slips or mistakes on their part, while others would feel quite unmoved by their own gross acts of betrayal or dishonesty. Mma Pekwane fell into the former category, thought Mma Ramotswe. Note Mokoti fell into the latter. Mma Pekwane had seemed anxious when she had come into the office of the No. 1 Ladies’ Detective Agency. Mma Ramotswe had given her a strong cup of bush tea, as she always did with nervous clients, and had waited for her to be ready to speak. She was anxious about a man, she thought; there were all the signs. What would it be? Some piece of masculine bad behaviour, of course, but what? “I’m worried that my husband
”
”
Alexander McCall Smith (The No. 1 Ladies' Detective Agency)
“
Blocks of flats could change everything, thought Mma Ramotswe. They were designed for people, but people were not necessarily designed for them. These flats at the edges of the Village, though, were made more human by the washing that was hung out to dry from their balconies; by the children who congregated in their doorways, or played with skipping ropes and dogs on their pathways; by the music that the residents listened to, melodies that drifted out of the open windows and throbbed with life. All of this made it harder for large new buildings to deaden the human spirit. It was like the bush: you could clear it and build something where once there had been nothing but trees and grass and termite mounds, but if you turned your back for a moment, Africa would begin to reclaim what had always been hers. The grass would encroach, its seeds carried by the wind; birds would drop the seeds of saplings that would then send tiny shoots up out of the ground; the termites would marshal their exploratory troops to begin rebuilding their own intricate cities of mud in the very places they had claimed once before. And sooner or later the bush would have covered all your efforts and it would be as it was before, the wound on nature completely healed.
”
”
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
“
Chapter Eleven
She did not spend long in the supermarket at Riverwalk, confining her purchases to supplies she would need for the next few days. There was beef for stew, a large pumpkin, a packet of beans, a dozen eggs, and two loaves of bread. The pumpkin looked delicious—almost perfectly round and deep yellow in colour, it sat on the passenger seat beside her so comfortably as she drove out of the car park, so pleased to be what it was, that she imagined conducting a conversation with it, telling it about the Orphan Farm and Mma Potokwane and her concerns over Mma Makutsi. And the pumpkin would remain silent, of course, but would somehow indicate that it knew what she was talking about, that there were similar issues in the world of pumpkins.
She smiled. There was no harm, she thought, in allowing your imagination to run away with you, as a child’s will do, because the thoughts that came in that way could be a comfort, a relief in a world that could be both sad and serious. Why not imagine a talk with a pumpkin? Why not imagine going off for a drive with a friendly pumpkin, a companion who would not, after all, answer back; who would agree with everything you said, and would at the end of the day appear on your plate as a final gesture of friendship? Why not allow yourself a few minutes of imaginative silliness so that you could remember what it was like when you believed such things, when you were a child at the feet of your grandmother, listening to the old Setswana tales of talking trees and clever baboons and all the things that made up that world that lay just on the other side of the world we knew, the world of the real Botswana.
Mma Ramotswe
”
”
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
“
Mma Makutsi had overheard this remark and had been so cross that her glasses misted over; that was always a bad sign, Mma Ramotswe knew.
”
”
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
“
Cake,” said Mma Ramotswe quickly. “That is Mr J.L.B. Matekoni’s great weakness. He cannot help himself when it comes to cake. He can be manipulated very easily if he has a plate of cake in his hand.
”
”
Alexander McCall Smith (Blue Shoes and Happiness (No. 1 Ladies' Detective Agency, #7))
“
MMA RAMOTSWE observed speed limits for two reasons. One of these was that she believed that laws were there to be obeyed, and that if everybody drove as fast as they liked there would be mayhem on the roads.
”
”
Alexander McCall Smith (The House of Unexpected Sisters (No. 1 Ladies' Detective Agency, #18))
“
Mma Ramotswe being sad was like a day with no sun, a day with no birdsong at dawn, a day without tea…One could go on, but the essential thing was that Mma Ramotswe should not look sad.
”
”
Alexander McCall Smith (The House of Unexpected Sisters (No. 1 Ladies' Detective Agency, #18))
“
I think this bandage is not needed,” said Mma Ramotswe, bending down to remove it. “Hospitals feel they have to put a bandage on anybody who goes there—just in case. Sometimes you get a bandage even if you are just visiting somebody.
”
”
Alexander McCall Smith (Precious and Grace (No. 1 Ladies' Detective Agency #17))
“
Mr. Polopetsi is such a…such a modest man, even perhaps a bit mousy.” She transferred her gaze to Mma Ramotswe. “Not that I want to be rude, Mma.
”
”
Alexander McCall Smith (Precious and Grace (No. 1 Ladies' Detective Agency #17))
“
and Mma Potokwane remained uncertain whether Mma Ramotswe was testate or intestate.
”
”
Alexander McCall Smith (Precious and Grace (No. 1 Ladies' Detective Agency #17))
“
He is a good man, but even a good man can fall for a glamorous woman. That is well known.” “That is very well known,” agreed Mma Ramotswe. “Look at Adam. Look how he fell for Eve.” “Just because she had no clothes on, he fell for her,” said Mma Makutsi. “That sometimes helps,” said Mma Ramotswe.
”
”
Alexander McCall Smith (Tea Time for the Traditionally Built (No. 1 Ladies' Detective Agency #10))
“
Why do you ask that dog if he has a soul?” Mma Ramotswe sighed. “It’s very complicated, Rra. You see…Well, you see: Mma Makutsi said dogs were just meat inside. Those were her actual words.” “She’s wrong,” he said. “I think so. I
”
”
Alexander McCall Smith (Precious and Grace (No. 1 Ladies' Detective Agency #17))
“
It was not really like a person moving, thought Mma Ramotswe; it was more a geological movement,
”
”
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
“
Mma Ramotswe smiled, but only to herself.
”
”
Alexander McCall Smith (The Kalahari Typing School for Men)
“
…Mma Ramotswe stepped forward and put an arm around Patience’s shoulder.
“Mma, “ she said, “I see you.”
It was the oldest and simplest of African greetings: I see you. It implied so much more than it said, though, because it meant that Mma Ramotswe saw not only the person standing before her, but all that lay behind her – who she was, where she came from, how she felt.
”
”
Alexander McCall Smith
“
All of us, Mma Ramotswe thought, wanted something, even if we were unable to tell anybody exactly what it was that we wanted.
”
”
Alexander McCall Smith (The Joy and Light Bus Company (No. 1 Ladies' Detective Agency, #22))
“
It wasn’t a bad situation to be in, after all. Indeed, there was some argument to preferring an engagement to marriage. You often heard of difficult husbands, but did you ever hear of difficult fiancés? The answer to that, thought Mma Ramotswe, was never … If she was going to remain an engaged lady, then she would make the most of it, and one of the ways to do this would be to enjoy her free time. She would read a bit more and spend more time on her shopping. And she might join a club of some sort, if she could find one. Or perhaps even form one herself. Perhaps something like a ‘cheerful ladies club,’ a club for ladies in whose lives there was some sort of gap—in her case a gap of waiting—but who were determined to make the most of their time.
”
”
Alexander McCall Smith (The Full Cupboard of Life (No. 1 Ladies' Detective Agency, #5))
“
I should think that Mma Ramotswe makes you many cakes these days,” said Mma Potokwane as she slid a generous portion of cake onto her own plate. “She is a good cook, I think.” Mr J.L.B. Matekoni nodded. “She is best at cooking pumpkin and things like that,” he said. “But she can also make cakes. You ladies are very clever.” “Yes,” agreed Mma Potokwane, pouring the tea. “We are much cleverer than you men, but unfortunately you do not know that.” Mr J.L.B. Matekoni looked at his shoes. It was probably true, he thought. It was difficult being a man sometimes, particularly when women reminded one of the fact that one was a man. But there were clever men about, he thought, and these men would give ladies like Mma Potokwane a good run for their money. The problem was that he was not one of these clever men.
”
”
Alexander McCall Smith (The Full Cupboard of Life (No. 1 Ladies' Detective Agency, #5))
“
Mma Ramotswe had been thinking a great deal recently about how people might be fitted in. The world was a large place, and one might have thought that there was enough room for everybody. But it seemed that this was not so. There were many people who were unhappy, and wanted to move. Often they wished to come to the more fortunate countries—such as Botswana—in order to make more of their lives. That was understandable, and yet there were those who did not want them. This is our place, they said; you are not welcome. It was so easy to think like that. People wanted to protect themselves from those they did not know. Others were different; they talked different languages and wore different clothes. Many people did not want them living close to them, just because of these differences. And yet, they were people, were they not? They thought the same way, and had the same hopes as anybody else did. They were our brothers and sisters, whichever way you looked at it, and you could not turn a brother or sister away.
”
”
Alexander McCall Smith (The Full Cupboard of Life (No. 1 Ladies' Detective Agency, #5))
“
the turning of a collar, which Mma Ramotswe had learned from an aunt, was now a dying skill,
”
”
Alexander McCall Smith (The Great Hippopotamus Hotel (No. 1 Ladies' Detective Agency, #25))
“
Mma Ramotswe being sad was like a day with no sun, a day with no birdsong at dawn, a day without tea … .
”
”
Alexander McCall Smith (The House of Unexpected Sisters (No. 1 Ladies' Detective Agency, #18))
“
Her friend who treated her maid badly was not a wicked person. She behaved well towards her family...but when it came to her maid...she seemed to have little concern for her feelings. It occurred to Mma Ramotswe that such behaviour was no more than ignorance; an inability to understand the hopes and aspirations of others. Theat understanding...was the beginning of all morality. If you knew how a person was feeling, if you could imagine yourself in her position, then surely it would be impossible to inflict further pain. Inflicting pain in such circumstances would be like hurting oneself.
”
”
Alexander McCall Smith (Morality for Beautiful Girls (No. 1 Ladies' Detective Agency, #3))
“
go badly wrong. Sex, she thought. That is what is going to go wrong here. And she was right. “This woman,” Mma Gabane Gabane went on, “this foolish, foolish woman met a young man who worked in the same office. He wasn’t an accountant—nothing like that—he was a trainee, Mma Ramotswe, just a trainee. He was eighteen.” There was a sharp intake of breath from Mma Phumele, who looked at Mma Ramotswe to gauge her reaction. She would be every bit as shocked as the rest of them, she imagined. And Mma Ramotswe was shocked.
”
”
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
“
Mma Makutsi was unconvinced. “Where there is smoke there’s fire, Mma. I have always said that.” Mma Ramotswe could not let that pass. “But what does Clovis Andersen say in The Principles of Private Detection, Mma? Does he not say that you must be very careful to decide where the smoke is coming from? Smoke can drift, Mma. Those were his exact words, I think.
”
”
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
“
...and although she'd glibly remarked that you couldn't stand still, was this actually true or was it a hollow axiom as false and misleading as any other trite saying? Why should one not stand still? If the position in which one found oneself standing was a satisfactory and comfortable one? She felt no need, no need at all to move on from being Mma Ramotswe of The No. 1 Ladies' Detective Agency, wife that great mechanic, Mr. J.L.B. Matekoni.
”
”
Alexander McCall Smith (The Miracle at Speedy Motors (No. 1 Ladies' Detective Agency, #9))
“
It is so easy to thank people," said Mma Ramotswe, passing the letter over to Mma Makutsi, "and most people don't bother to do it. They don't thank the person who does something for them. They just take it for granted.
”
”
Alexander McCall Smith (The Good Husband of Zebra Drive (No. 1 Ladies' Detective Agency, #8))
“
Mma Ramotswe rose to her feet, allowing the woman beneath her to gasp for air and reinflate. She did not enjoy sitting on people, but every so often it was necessary, and in this case it was entirely justified by self-defence. If people came at you and started to scratch you, then of course you had the right to sit on them. Even Nelson Mandela, she told herself, who was a good and gentle man, would have agreed with that.
”
”
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
“
There is a tidal wave of ignorance, Mma Ramotswe. It is a great tidal wave and it will drown all of us if we are not careful.
”
”
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
“
She had brought all of this on herself, and so she had, in a sense, got what she deserved. But, even so, Mma Ramotswe reminded herself, she had a soul like everyone else, and one should not crow over the defeat even of those who richly deserve to be defeated. That was dangerous, because then you yourself might get what you deserve for reveling in the misfortunes of another.
”
”
Alexander McCall Smith (The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency, #14))
“
Mma Ramotswe had heard of the operation’s success. She too had been going over various possibilities; in particular she had been thinking of the threat posed by the aunt. Mma Ramotswe had gone out of her way to reassure her, but when the other woman had simply brushed her off she realised that this was one of those people with whom there simply could be no dealing. They were few and far between, thankfully, but when you encountered one of them it was best just to recognise what you were up against, rather than to hope for some miraculous change of mind, some Road to Damascus improvement.
”
”
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
“
Her friend who treated her maid badly was not a wicked person. She behaved well towards her family and she had always been kind to Mma Ramotswe, but when it came to her maid—and Mma Ramotswe had met this maid, who seemed an agreeable, hardworking woman from Molepolole—she seemed to have little concern for her feelings. It occurred to Mma Ramotswe that such behaviour was no more than ignorance; an inability to understand the hopes and aspirations of others. That understanding, thought Mma Ramotswe, was the beginning of all morality. If you knew how a person was feeling, if you could imagine yourself in her position, then surely it would be impossible to inflict further pain. Inflicting pain in such circumstances would be like hurting oneself. Mma Ramotswe knew that there was a great deal of debate about morality, but in her view it was quite simple. In the first place, there was the old Botswana morality, which was simply right. If a person stuck to this, then he would be doing the right thing and need not worry about it. There were other moralities, of course; there were the Ten Commandments, which she had learned by heart at Sunday School in Mochudi all those years ago; these were also right in the same, absolute way. These codes of morality were like the Botswana Penal Code; they had to be obeyed to the letter. It was no good pretending you were the High Court of Botswana and deciding which parts you were going to observe and which you were not. Moral codes were not designed to be selective, nor indeed were they designed to be questioned. You could not say that you would observe this prohibition but not that. I shall not commit theft—certainly not—but adultery is another matter: wrong for other people, but not for me.
”
”
Alexander McCall Smith (Morality for Beautiful Girls (No. 1 Ladies' Detective Agency, #3))
“
she found herself looking down on the top of Teenie's head; at a small woollen bobble, in fact, which topped a curious tea-cosy style knitted cap which she was wearing. She looked more closely at it, wondering if she could make out an opening through which a tea pot spout might project; she could not see an opening, but there was a very similar tea cosy in the office, she remembered, and perhaps she or Mma Ramotswe might wear it on really cold days. She imagined how Mma Ramotswe would look in a tea cosy and decided that she would probably look rather good: it might add to her authority, perhaps, in some indefinable way.
”
”
Alexander McCall Smith (The Good Husband of Zebra Drive (No. 1 Ladies' Detective Agency, #8))
“
...they are dazzled by all the money that they are being offered. That is what money does, Mma Ramotswe—you must have seen that. Sometime we need to look the other way when people put money in front of our noses. We have to look at the other things we can see so the money doesn't hide them.
”
”
Alexander McCall Smith (The Limpopo Academy of Private Detection (No. 1 Ladies' Detective Agency, #13))
“
The human heart, you see, Mma Ramotswe, is pretty much the same wherever one goes.
”
”
Alexander McCall Smith
“
Of course not,” said Mma Makutsi. “There is nothing to be ashamed of in drinking one hundred cups of tea a week, Mma. Which is …” She paused again. “More than five thousand cups of tea a year, Mma. That is very impressive.” “Well, there you are, Mma Makutsi. Those are the figures. You cannot argue with figures, can you?” Mma Makutsi looked thoughtful. “And ours is just a small business. We use all that red bush tea for you and all that ordinary tea for me, and we are just a tiny business. Imagine how much tea the Standard Bank drinks. Imagine all their tea, Mma. Just think of it. Or the Government. All those government people in their offices drinking tea.” “It is a miracle that there is any tea left for us, Mma,” said Mma Ramotswe. “After the Government and the banks and people like that have taken all the tea they need, it is a miracle that there is any tea left for people like you and me, Mma, the tea-drinking public.” “You’re right, Mma Ramotswe. It is a miracle. The miracle of the tea.” “A good miracle, Mma Makutsi.” “A very good miracle, Mma Ramotswe.
”
”
Alexander McCall Smith (The Limpopo Academy of Private Detection (No. 1 Ladies' Detective Agency, #13))
“
If you gave people the chance to work out their morality, then they would work out the version which was easiest for them and which allowed them to do what suited them for as much of the time as possible. That, in Mma Ramotswe’s view, was simple selfishness, whatever grand name one gave to it.
”
”
Anonymous