Mixed Race Relationship Quotes

I knew, deep down, that I was different from my family. I knew just by looking in the mirror.

Lynching was driven partly by the fear of interracial relationships between white women and black men and the impact mixed-race offspring would have on white supremacy.

of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!

Given that the historically most violent regions of the UK had virtually no black population at all and given that working-class youth gangs stabbing and shooting people had existed in Britain for well over a century - who do you think the gangs attacking our grandparents when they arrived were? - you can imagine my shock when I discovered that there was, in the UK, such a thing as ‘black-on-black’ violence. None of what occurred in Northern Ireland had ever been referred to as ‘white-on-white’ crime, nor Glasgow, nor either world war, the Seven Years War, the Napoleonic Wars, nor any conflict or incident of murder, however gruesome, between humans racialised as white. Despite hundreds of millions of ‘white’ people killing each other throughout European history, witch hunts, mass rapes, hangings, torture and sexual abuse, and despite the fact that the two most violent regions of Britain in the 1990s were almost entirely white, there was no such thing as white-on-white violence. Yet apparently working-class black Londoners had imported from America a rap-induced mystery nigger gene (similar to the slave sprint one?) that caused black people to kill not for all of the complex reasons that other humans kill, but simply because they are ‘black’, and sometimes because they listened to too much rap, grime or dancehall. This is, after all, what the phrase ‘black-on-black crime’ is designed to suggest, is it not? That black people are not like the rest of humanity, and that they do not kill as a complex result of political, historical, economic, cultural, religious and psychological factors, they kill simply because of their skin: their excessive melanin syndrome. The fact that yellow-on-yellow crime, mixed race-on-mixed race crime or white-on-white violence just sound like joke terms but black on black violence has ‘credibility’ speaks very loudly about the perceived relationship between blackness and depravity in this culture.

Fears of interracial sex and marriage have deep roots in the United States. The confluence of race and sex was a powerful force in dismantling Reconstruction after the Civil War, sustaining Jim Crow laws for a century and fueling divisive racial politics throughout the twentieth century. In the aftermath of slavery, the creation of a system of racial hierarchy and segregation was largely designed to prevent intimate relationships like Walter and Karen’s—relationships that were, in fact, legally prohibited by “anti-miscegenation statutes” (the word miscegenation came into use in the 1860s, when supporters of slavery coined the term to promote the fear of interracial sex and marriage and the race mixing that would result if slavery were abolished). For over a century, law enforcement officials in many Southern communities absolutely saw it as part of their duty to investigate and punish black men who had been intimate with white women.

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Jessica and her mother’s relationship is nuanced, at once deeply loving and deeply painful. It speaks to a number of complexities about racism – showing a truth that is often left out in clunky media coverage – that it is not enacted by malicious monsters driven by ill will, but that it happens by way of whiteness. Rather than mixed-race relationships proving that society is over race, they prove that people’s actions often move faster than social progress

The presence and voices of mixed-race people are often deeply feared. We are feared because interracial relationships are still taboo in our culture. We are feared because our mere existence calls into question the status quo and the way that race is constructed in our society. We are feared even by people on the "left" who propose to be working to challenge these deeply rooted beliefs and constructs. We live in a white supremacist culture that banks on dichotomous thinking to keep people divided and fragmented within themselves. Those of us who do not fit into either/or boxes therefore experience an enormous amount of pressure to choose one "side" of ourselves over another. We are not considered whole just as we are. We are taught that these are dualisms: Jewish/Arab, public/private, visible/invisible, Black/white, privilege/oppression, pride/shame. But these are false separations that don't exist. They are imposed. My struggle and that of other mixed-race people is to not internalize these dualisms and become paralyzed by a society that rejects our complexity in the name of keeping things simple and easy to categorize.

Susan Clarke, who either was a daughter from the mixed-race marriage of James F. Clarke and Mary Dulcet, or a child of the biracial couple John D. Clarke and Elizabeth Fish, entered into a permanent relationship with a white lumber merchant from Georgia, L. H. Rossignol, around 1847. In the 1850s, she acquired property in Palatka, as well as an eighty-seven-acre farm outside of town. Her neighbors included her young uncles Philip and Alex Clarke, her grandfather's sons by the slave Hannah Benet, and Amelia Anderson Clarke, her absent cousin's (or brother's) wife. In 1860, she shared a household with Rossignol, seven biracial children, and her young uncle Alex Clarke. Through her efforts, the latter acquired Palatka real estate. Thirty free blacks resided at the river port in 1860, including Amelia Anderson Clarke, Hannah Benet, and Ramona Fernández, another mixed-race woman linked to the Clarkes. Susan Clarke functioned as the matriarch of this small free black community, which had tripled in size since 1850.43 Her pedigree, ancestral ties to the Palatka locale, property ownership, and business skills helped to make her a leader.