Mix Business With Pleasure Quotes

I said never mix business with pleasure. They said it was a pleasure doing business with me.

Sweet mother of God. I was kidding about you crushing on her, but I’m right. Oh my God, you are totally jealous of her bodyguard! Oh this is priceless!” Gwen starts laughing. “This is a job, nothing else. Just like Mrs. Henderson last week was a job. I don’t mix business with pleasure. Ever,” I tell her firmly. “Mrs. Henderson is ninety-two years old and thought her dog was stealing food out of her fridge. I would hope to God you would never mix that kind of business with pleasure. That’s just gross,” Gwen says with a grimace.

You never mix business with pleasure," she supplied. "Got it." The way she purred that sentence in between sips of her drink, focusing on the "pleasure"...Oh goddamn, he wanted to mix it. He wanted to mix it hard.

Pleasure and business, unlike oil and water, can sometimes be mixed.

All you need remember is one simple rule. Never mix business...with pleasure.

Two things consistently bring me pleasure: hot sweet tea and writing. Which is not to say that either are particularly good for me…I use entirely too much sugar and so far don’t find sucralose to be a good alternative. Also, writing is not a practice that engenders confidence. Quite the opposite. It’s about making yourself deliberately insecure so that you can write the next thing and have it be worth reading. And that’s not even taking into consideration the business end of things, which can make you bitter if you’re not careful… But I’ve spent my the bulk of my life to date figuring out the right mix of fat and sugar in my tea and also, how to get incrementally better (I hope…) at the writing, so I’m not giving it/them up!

...I don’t know why you’re sulking, I wasn’t going to give up my holiday to sit and nurse you from a break-up with a guy I told you not to deal with…He was your Gynaecologist for crying out loud. You don’t mix business with pleasure, and not with a man who knows more about your insides than you.

Contrary to popular belief, people always say "It was a pleasure doing business with you". It is the only thing that has stayed with me after an assignment. Always mix business with pleasure. That is a secret they don't want you to know. BUT never mix pleasure with business. Then you might just end up in a divorce.

Do you always mix business and pleasure?” She flashed her most alluring smile. "Miss Stockton, when you own an inn, your business is pleasure.

But if we look a little deeper we shall find there is a pathetic, one might almost say a tragic, side to the picture. A shy man means a lonely man—a man cut off from all companionship, all sociability. He moves about the world, but does not mix with it. Between him and his fellow-men there runs ever an impassable barrier—a strong, invisible wall that, trying in vain to scale, he but bruises himself against. He sees the pleasant faces and hears the pleasant voices on the other side, but he cannot stretch his hand across to grasp another hand. He stands watching the merry groups, and he longs to speak and to claim kindred with them. But they pass him by, chatting gayly to one another, and he cannot stay them. He tries to reach them, but his prison walls move with him and hem him in on every side. In the busy street, in the crowded room, in the grind of work, in the whirl of pleasure, amid the many or amid the few—wherever men congregate together, wherever the music of human speech is heard and human thought is flashed from human eyes, there, shunned and solitary, the shy man, like a leper, stands apart. His soul is full of love and longing, but the world knows it not. The iron mask of shyness is riveted before his face, and the man beneath is never seen. Genial words and hearty greetings are ever rising to his lips, but they die away in unheard whispers behind the steel clamps. His heart aches for the weary brother, but his sympathy is dumb. Contempt and indignation against wrong choke up his throat, and finding no safety-valve whence in passionate utterance they may burst forth, they only turn in again and harm him. All the hate and scorn and love of a deep nature such as the shy man is ever cursed by fester and corrupt within, instead of spending themselves abroad, and sour him into a misanthrope and cynic.

There are people in Europe who, confounding together the different characteristics of the sexes, would make of man and woman beings not only equal but alike. They would give to both the same functions, impose on both the same duties, and grant to both the same rights; they would mix them in all things—their occupations, their pleasures, their business.

Let me speak first of the matters I observed as a critic. Your world has several pleasures. There is eating.” He reached out and pulled off from its bunch a muscat grape, fat and sugar-sweet, and ate it appreciatively. “An odd one, that. And very remarkable. No one ever before thought of making an art of the simple business of obtaining the necessary energy. Your Artist has very real talent. “And there is sleeping. A strange reflexive business in which the Artist’s own creations are allowed to create more worlds of their own. You see now, don’t you,” he said, smiling, “why the critic must be a man in truth—else he could not dream as a man does? “There is drinking—which mixes both eating and dreaming. “There is the exquisite pleasure of conversing together, friend with friend, as we are doing. That is not new, but it goes to the credit of the Artist that He included it. “And there is sex. Sex is ridiculous. As a critic I would have disregarded it entirely had not you, my friends, let me see something which had not come to the attention of Jonathan Hoag, something which, in my own artistic creations, I had never had the wit to invent. As I said, your Artist has talent.” He looked at them almost tenderly. “Tell me, Cynthia, what do you love in this world and what is it that you hate and fear?

This is an art I can enjoy. There is a kind of sorcery in all cooking; in the choosing of ingredients, the process of mixing, grating, melting, infusing, and flavoring, the recipes taken from ancient books, the traditional utensils- the pestle and mortar with which my mother made her incense turned to a more homely purpose, her spices and aromatics giving up their subtleties to a baser, more sensual magic. And it is partly the transience of it delights me; so much loving preparation, so much art and experience, put into a pleasure that can last only a moment, and which only a few will ever fully appreciate. My mother always viewed my interest with indulgent contempt. To her, food was no pleasure but a tiresome necessity to be worried over, a tax on the price of our freedom. I stole menus from restaurants and looked longingly into patisserie windows. I must have been ten years old- maybe older- before I first tasted real chocolate. But still the fascination endured. I carried recipes in my head like maps. All kinds of recipes: torn from abandoned magazines in busy railway stations, wheedled from people on the road, strange marriages of my own confection. Mother with her cards, her divinations, directed our mad course across Europe. Cookery cards anchored us, placed landmarks on the bleak borders. Paris smells of baking bread and croissants; Marseille of bouillabaisse and grilled garlic. Berlin was Eisbrei with sauerkraut and Kartoffelsalat, Rome was the ice cream I ate without paying in a tiny restaurant beside the river.

A slave, Marcus Cato said, should be working when he is not sleeping. It does not matter whether his work in itself is good in itself—for slaves, at least. This sentiment still survives, and it has piled up mountains of useless drudgery. I believe that this instinct to perpetuate useless work is, at bottom, simply fear of the mob. The mob (the thought runs) are such low animals that they would be dangerous if they had leisure; it is safer to keep them too busy to think. A rich man who happens to be intellectually honest, if he is questioned about the improvement of working conditions, usually says something like this: "We know that poverty is unpleasant; in fact, since it is so remote, we rather enjoy harrowing ourselves with the thought of its unpleasantness. But don’t expect us to do anything about it. We are sorry fort you lower classes, just as we are sorry for a cat with the mange, of your condition. We feel that you are much safer as you are. The present state of affairs suits us, and we are not going to take the risk of setting you free, even by an extra hour a day. So, dear brothers, since evidently you must sweat to pay for our trips to Italy, sweat and be damned to you.” This is particularly the attitude of intelligent, cultivated people; one can read the substance if it in a hundred essays. Very few cultivated people have less than (say) four hundred pounds a year, and naturally they side with the rich, because they imagine that any liberty conceded to the poor is a threat to their own liberty. foreseeing some dismal Marxian Utopia as the alternative, the educated man prefers to keep things as they are. Possibly he does not like his fellow-rich very much, but he supposes that even the vulgarest of them are less inimical to his pleasures, more his kind of people, than the poor, and that he had better stand by them. It is this fear of a supposedly dangerous mob that makes nearly all intelligent people conservative in their opinions. Fear of the mob is a superstitious fear. It is based on the idea that there is some mysterious, fundamental difference between rich and poor, as though they were two different races, like negroes and white men. But in reality there is no such difference. The mass of the rich and the poor are differentiated by their incomes and nothings else, and the average millionaire is only the average dishwasher dressed in a new suit. Change places, and handy dandy, which is the justice, which is the thief? Everyone who has mixed on equal terms with the poor knows this quite well. But the trouble is that intelligent, cultivated people, the very people who might be expected to have liberal opinions, never do mix with the poor. For what do the majority of educated people know about poverty? In my copy of Villon’s poems the editor has actually thought it necessary to explain the line “Ne pain ne voyent qu'aux fenestres” by a footnote; so remote is even hunger from the educated man’s experience. From this ignorance a superstitious fear of the mob results quite naturally. The educated man pictures a horde of submen, wanting only a day’s liberty to loot his house, burn his books, and set him to work minding a machine or sweeping out a lavatory. “Anything,” he thinks, “any injustice, sooner than let that mob loose.

To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.

Though I had fallen in love with Narian a long time ago, I was continually learning more about him. I’d always been familiar with his principles and his personality, but it was the little things that made a human being. Little things like how he was not accustomed to sharing his space--had I not been forced to hide in his bedroom during his exchange with the High Priestess, I would not yet have seen it. There were other things, as well. He was nearly fluent in three languages in addition to our own; he absolutely could not sleep on his back; and he didn’t know how to handle being irritated with me. Had I lied for Shaselle? Yes. But he would have a difficult time confronting me about it. He never hesitated in handling issues with other people, but with me, he seemed to try his hardest to convince himself that there was nothing to handle. It was late afternoon before he finally raised the matter. After holding audiences in the Hearing Hall, I had entered my office and was about ready to retire when there was a knock on the door. I knew it would be Narian, and that his countenance would be inscrutable. Indeed, when I granted him permission to enter, he was closed off, exactly as I hated him to be. “I thought you would meet me in my quarters,” I said, attempting to keep things light. “I will. But I need to talk to you first.” It was plain from the tone of his voice that he wasn’t about to mix business with pleasure. “Of course.” I rose from my desk chair, straightening a few papers and avoiding eye contact with him, though I wasn’t sure of the reason. “The knife I took from Shaselle didn’t belong to Baelic.” “Oh?” I looked up to meet his disconcerting eyes. If he wouldn’t let me in, I wouldn’t let him in. “Alera, it was Sarteradan. You lied for her. Why?” “And what of Steldor’s dagger?” I asked, ignoring his inquiry. “Hytanican. No doubt he managed to keep one of his own from my troops.” “What were you and he arguing about?” “That’s of no importance. But you needn’t worry--I’m not going to arrest him.” He scrutinized me, and I squirmed like a bug under a magnifying glass. “What is important, Alera, is the question you’re trying to avoid--why did you lie for Shaselle?

Plus, she and Mario did business together and Farren didn’t believe in mixing business with pleasure; it always ended badly.

Primer of Love [Lesson 41] The essence of pleasure is spontaneity. ~ Germaine Greer Lesson 41) Play it mostly by ear mostly, but when time is at a premium, plan a bit. Life is not a busy appointment page on your smartphone, you anal retentive fucktard. Life is all about improvisation. The fickle mood for a sour pickle and a box of Entenmanns's mixed donuts, the sudden urge to watch the entire 5 seasons of Breaking Bad together on a lazy Sunday afternoon, or the instant decision to stay home and prepare a four cheese lasagna instead of going out to a nice Italian restaurant. These are the priceless events than even MasterCard cannot challenge. But if you only have a four day weekend, you two have to be grounded in reality. Don't just climb in the car and drive. Pick a fucking direction. Thank God for GPS.

It is as simple as saying that nature has made birds to fly - therefore we should not raise them in cages for release at the pleasure of "gentleman hunters" positioned for the shot. Nature has made elephants and giraffe and rhinoceros to inhabit the plains - therefore we should not shoot them, stuff them, and stick them in our ballrooms for display. Nature has made whales and dolphins to swim the seas away from man - therefore we should not track them down by helicopters and attack or electrocute them from factory ships until they are almost gone from the waters. Nature has made pigs and cows and lambs and fowl to nurse from their mothers and walk and graze and mix with their kind - therefore we have no business confining and torturing and treating them like machines of our own inventions.

I’m going to write a marriage guide, I think. I’ll call it The Startup Wife: How to Succeed in Business and Marriage at the Same Time. I’ll tell everyone how great it is to mix everything together—work, love, ambition, sex. Anyone who says business and pleasure don’t mix is an idiot. I can see it in Barnes & Noble, propped up on a table between How to Stay Married and Startups for Dummies.

It is as simple as saying that nature has made birds to fly - therefore we should not raise them in cages for release at the pleasure of "gentleman hunters" positioned for the shot. Nature has made elephants and giraffe and rhinoceros to inhabit the plains - therefore we should not shoot them, stuff them, and stick them in our ballrooms for display. Nature has made whales and dolphins to swim the seas away from man - therefore we should not track them down by helicopters and attack or electrocute them from factory ships until they are almost gone from the waters. Nature has made pigs and cows and lambs and fowl to nurse from their mothers and walk and graze and mix with their kind - therefore we have no business confining and torturing and treating them like machines of our own inventions.

Don’t mix business with pleasure or you won’t enjoy either one.

To mix business with pleasure, schedule your next staff retreat in an elementary school. Talking about strategic priorities takes on new meaning when you’re in a classroom whose bulletin boards admonish everyone to Play Fair, Don’t Hit, and Be Nice. And if this retro approach is really working for you, head to a children's museum for a day of discovery. You’ll benefit not only from tackling the hands-on museum exhibits, but also by soaking in the learning and laughter of the little people around you.

You mix business with pleasure then you're sliding down to danger.

The camel is a kind of animal that takes pleasure in eating thorns. A person who wants to enjoy family life or the worldly life of so-called enjoyment is compared to the camel. Materialistic life is full of thorns, and so one should live only by the prescribed method of Vedic regulations just to make the best use of a bad bargain. Life in the material world is maintained by sucking one’s own blood. The central point of attraction for material enjoyment is sex life. To enjoy sex life is to suck one’s own blood, and there is not much more to be explained in this connection. The camel also sucks its own blood while chewing thorny twigs. The thorns the camel eats cut the tongue of the camel, and so blood begins to flow within the camel’s mouth. The thorns, mixed with fresh blood, create a taste for the foolish camel, and so he enjoys the thorn-eating business with false pleasure. Similarly, the great business magnates, industrialists who work very hard to earn money by different ways and questionable means, eat the thorny results of their actions mixed with their own blood. Therefore the Bhāgavatam has situated these diseased fellows along with the camels.

Although complete removal is not possible, neutralization (abhibhava) is possible. Just as watery liquidity can be neutralized by mixing [water] with earth, or fiery heat by means of mani, mantra, and so on, just so all the fluctations (vritti) of the mind can be neutralized by means of the practice of Yoga. In describing the condition of the jīvan-mukta, the embodied liberated being, Vidyāranya quotes profusely from the Yoga-Vāsishtha. This extensive Kashmiri work, which is presented as a dialogue between the Sage Vasishtha and Prince Rāma, states (5.90–98): He is a jīvan-mukta for whom, even though he is busy with ordinary life, all this ceases to exist and [only] the space [of ultimate Consciousness] remains. He is a true jivan-mukta whose face neither flushes nor pales in pleasure or pain and who subsists on whatever comes his way. He is a true jivan-mukta who is awake when sleeping, who knows no waking, and whose knowledge is entirely free from any vāsanā. He is a true jīvan-mukta who, though responsive to feelings such as attachment, hatred, fear, and other feelings, stands wholly pure within, like space. He is a true jīvan-mukta whose real nature is not influenced by egotism and whose mind is not subjected to attachment, whether he remains active or is inactive. He is a true jīvan-mukta whom the world does not fear and who does not fear the world, and who is free from joy, jealousy, and fear. He is a true jīvan-mukta who is at peace with the ways of the world; who, though full of all learning and arts, is yet without any; and who, though endowed with mind, is without it. He is a true jīvan-mukta who, though deeply immersed in all things, keeps his head cool, just as anyone would, when engaged in attending to other’s affairs; and whose Self is whole. After leaving the condition of living liberation, he enters into liberation after death, on the disintegration of the body by lapse of tenure, even as the wind comes to a standstill. Depending on their operative karma—the so-called prārabdha-karman—the sages look and behave differently. Some, like the famous King Janaka, are very active; others prefer silence and the solitude of forests or mountains. Some let the body drop as it will; others undertake the gargantuan discipline of transmuting the body into light, as is the objective in some Tantric teachings. These external distinctions tell us nothing about the spiritual realization of those sages. All of them, however, can be expected to emanate a palpable peace that, in the words of Saint Paul, “passeth all understanding.

Damn,' Kieran drew the word out. 'Should we intervene?' Delano asked, sounding concerned. 'No,' Elijah answered with a chuckle. 'This is the best thing I've seen in a while. Who would've thought the Maiden could throw down?' 'This is why you don't mix business with pleasure,' Kieran commented. 'Is that the case?' Elijah whistled. 'My money is on her then.' 'Traitors,' gasped Hawke...

Golden rule, ‘Mix and make an Absolut Cocktail; but never mix business with pleasure, it’ll turn out to be an absolute Mock tale

never mix business with pleasure.” “I don’t either, but there’s always a first for everything.” Resting my arms on the table, I lean forward. “Will you be my first, Blaire?

Mixed thoughts of business and pleasure, 100 million dollar meetings is a success of true measure. Privately bonded to the treasury of secrecy, it's secrets that give keys to open sesame, look to the Bible for it's a sweet recipe of Supremacy. Find the knowledge to it all and never sell it for loose lips sink ships.

I believe in our organisations, we can mix business with pleasure because as service extraordinaires it is always a pleasure to do business with our guests.

I don’t mix business with pleasure,” I state, watching her closely for her reaction. She smiles, her eyes traveling to my lips. “What a shame. I really wanted you to make my pleasure your business.