“
It was a mistake," you said. But the cruel thing was, it felt like the mistake was mine, for trusting you.
”
”
David Levithan (The Lover's Dictionary)
“
Never love a wild thing, Mr. Bell,' Holly advised him. 'That was Doc's mistake. He was always lugging home wild things. A hawk with a hurt wing. One time it was a full-grown bobcat with a broken leg. But you can't give your heart to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a taller tree. Then the sky. That's how you'll end up, Mr. Bell. If you let yourself love a wild thing. You'll end up looking at the sky."
"She's drunk," Joe Bell informed me.
"Moderately," Holly confessed....Holly lifted her martini. "Let's wish the Doc luck, too," she said, touching her glass against mine. "Good luck: and believe me, dearest Doc -- it's better to look at the sky than live there. Such an empty place; so vague. Just a country where the thunder goes and things disappear.
”
”
Truman Capote (Breakfast at Tiffany’s and Three Stories)
“
You may be trying to claim the woman, his eyes said, but make no mistake, she and the fucking fireplace are mine.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
Then I made a stupid mistake and looked up at him. His eyes met mine, and for a moment, his face was open and vulnerable in the moonlight. I caught a hint of wonder there as we stared at each other. Slowly, he leaned forward. I caught my breath, a tiny gasp escaping. He stiffened, and his expression shuttered closed, eyes going hard and frosty.
[...]
'This is getting old,' he said in a voice that matched his eyes.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
You're not ready to hear this yet," he concluded. "But I do need you to know that I'm going to fight for you. I'm not making the mistake of walking away from you again. The only man in you future is me, Liv. The only kids in your future are mine.
”
”
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
“
I sheathed my blade and glared at him. "And here I almost thought you weren't a complete bastard."
"Well, that's your mistake, not mine.
”
”
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
“
I'm glad I've been wrong enough to keep in practice. . . You can't avoid it, you've got to learn to handle it. If you only come face to face with your own mistakes once or twice in your life it's bound to be extra painful. I face mine every day--that way they ain't usually much worse than a dry shave.
”
”
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
“
You know when I said I knew little about love? That wasn't true. I know a lot about love. I've seen it, centuries and centuries of it, and it was the only thing that made watching your world bearable. All those wars. Pain, lies, hate... It made me want to turn away and never look down again. But when I see the way that mankind loves... You could search to the furthest reaches of the universe and never find anything more beautiful. So yes, I know that love is unconditional. But I also know that it can be unpredictable, unexpected, uncontrollable, unbearable and strangely easy to mistake for loathing, and... What I'm trying to say, Tristan is... I think I love you. Is this love, Tristan? I never imagined I'd know it for myself. My heart... It feels like my chest can barely contain it. Like it's trying to escape because it doesn't belong to me any more. It belongs to you. And if you wanted it, I'd wish for nothing in exchange - no gifts. No goods. No demonstrations of devotion. Nothing but knowing you loved me too. Just your heart, in exchange for mine.
”
”
Neil Gaiman (Stardust)
“
Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. My eyes widened, realizing my mistake. This is what had freaked Ashley out. What had come over me? I never pulled up my sleeves. I spent all my time pulling them down. When had I become...comfortable?
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I may own every breath in your body, but make no mistake, Adeline, you own mine, too. I am yours to command. To bend and break. To mold and manipulate. Do you think that makes me weak? Or do you think I'm strong enough to admit that even though my body can physically live on without you, I would never get my fucking soul back?
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
I felt overwhelmed. I didn’t expect a first kiss to be so…life altering. In a few brief moments, the rule book of my universe had been rewritten. Suddenly I was a brand new person. I was as fragile as a newborn, but instead of the doctor placing me in my mother’s arms, he’d put me in Ren’s. What would Ren do with me? Would he draw me near, soothe me, and teach me about this new world or would he reject me and tell the doctor there must be some mistake. There was no way to know. What a breakable and delicate thing a heart was, no wonder I’d kept mine locked away.
”
”
Colleen Houck
“
arrears, n.
My faithfulness was as unthinking as your lapse. Of all the things I though would go wrong, I never thought it would be that.
"It was a mistake," you said. But the cruel thing was, it felt like the mistake was mine, for trusting you.
”
”
David Levithan (The Lover's Dictionary)
“
Only the mistakes were mine.
”
”
Malcolm X
“
I am Me. In all the world, there is no one else exactly like me. Everything that comes out of me is authentically mine, because I alone chose it -- I own everything about me: my body, my feelings, my mouth, my voice, all my actions, whether they be to others or myself. I own my fantasies, my dreams, my hopes, my fears. I own my triumphs and successes, all my failures and mistakes. Because I own all of me, I can become intimately acquainted with me. By so doing, I can love me and be friendly with all my parts. I know there are aspects about myself that puzzle me, and other aspects that I do not know -- but as long as I am friendly and loving to myself, I can courageously and hopefully look for solutions to the puzzles and ways to find out more about me. However I look and sound, whatever I say and do, and whatever I think and feel at a given moment in time is authentically me. If later some parts of how I looked, sounded, thought, and felt turn out to be unfitting, I can discard that which is unfitting, keep the rest, and invent something new for that which I discarded. I can see, hear, feel, think, say, and do. I have the tools to survive, to be close to others, to be productive, and to make sense and order out of the world of people and things outside of me. I own me, and therefore, I can engineer me. I am me, and I am Okay.
”
”
Virginia Satir
“
Mine is a complicated story, and people do not want to hear complicated stories. They want simple stories, in which people are either good or evil, and no one good ever makes a mistake, and no one evil ever repents.
”
”
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
“
There is no ongoing spiritual life without this process of letting go. At the precise point where we refuse, growth stops. If we hold tightly to anything given to us, unwilling to let it go when the time comes to let it go or unwilling to allow it to be used as the Giver means it to be used, we stunt the growth of the soul. It is easy to make a mistake here, “If God gave it to me,” we say, “its mine. I can do what I want with it.” No. The truth is that it is ours to thank Him for and ours to offer back to Him, ours to relinquish, ours to lose, ours to let go of – if we want to find our true selves, if we want real life, if our hearts are set on glory.
”
”
Elisabeth Elliot
“
You mistake my intent on our non-existent boyfriend/girlfriend relationship." He steps closer. "We might not be using the titles, but I still claim you as mine.
”
”
Skyla Madi (Consumed (Consumed, #1))
“
Make no mistake, little human. You are under my protection now, and I protect what is mine.
”
”
Danielle Monsch (Stone Guardian (Entwined Realms, #1))
“
He grasped her by the wrist , running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two"
She grinned but someone was suddenly between them, a tall, powerfully built person. Sam. He ripped the stranger's hand off of her wrist. "She's spoken for," he growled, all too close to the young man's maked face. The stranger's friend was behind him in an instant, his bronze eyes fixed on Sam.
Celaena grabbed Sam's elbow. "Enough," she warned him.
The masked stranger looked Sam up and down, then held up his hands. "My mistake," he said, but winked at Celaena before disappeared into the crowd, his armed friend close behind.
Celaena whirled to face Sam. "What in hell was that for?"
"You're drunk," he told her, so close her chest brushed his, "And he knew it, too."
"So?" Even as she said it, someone dancing wildly crashed into her and set her reeling. Sam caught her around the waist, his hands firm on her as he kept her from falling to the ground.
"You'll thank me in the morning."
"Just because we're working together doesn't mean I'm suddenly incapable of handling myself." His hands were still on her waist.
"Let me take you home.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
Just be careful, Mary Jo. Be very careful. You've made mistakes. Everyone makes mistakes. One you should not make is to imagine that Christy will ever be Adam's mate. He is mine, and unlike her, I don't throw away people who are mine.
”
”
Patricia Briggs (Night Broken (Mercy Thompson, #8))
“
If you’re gonna be somebody’s heartbreak
If you’re gonna be somebody’s mistake
If you’re gonna be somebody’s first time, somebody’s last, baby be mine – Hunter Hayes
”
”
Adriana Law (Chasing Memories)
“
I still don’t see why we were fighting when you could have just kicked their asses without us. (Fury)
Because I believe in giving everyone a fighting chance…until they piss me off. Bringing in reinforcements was Stryker’s mistake. (Acheron)
And be glad it wasn’t yours. I know I’m thrilled it wasn’t mine. Acheron. When it absolutely, positively must be destroyed overnight. (Fury)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
I know that societies often have killed people who have helped to change those societies. And if I can die having brought any light, having exposed any meaningful truth that will help destroy the racist cancer that is malignant in the body of America then, all of the credit is due to Allah. Only the mistakes have been mine.
”
”
Malcom X Alex Haley
“
You’re not ready to hear this yet,” he concluded. “But I do need you to know that I’m going to fight for you. I’m not making the mistake of walking away from you again. The only man in your future is me, Liv. The only kids in your future are mine.
”
”
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
“
If you only come face-to-face with your own mistakes once or twice in your life it’s bound to be extra painful. I face mine every day—that way they ain’t usually much worse than a dry shave.
”
”
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
“
You've turned my wounds into wisdom. Teaching me to learn from my mistakes. Which ones were mine and which were out of my control.
”
”
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
“
Hello, sexy. I knew that you couldn't get through the night without me," Finn's smug, slightly sleepy voice filled my ear. "So why don't you tell me what you're wearing?"
I rolled my eyes. Apparently, my foster brother hadn't bothered to check his caller ID before he picked up the phone. I wondered if this was how he answered all his late night calls, or if he was actually expecting to hear from Bria. I really hoped it was the second one.
"What am I wearing? Well, right now it would be the blood of two giants, among other naughty unmentionables," I purred. "What does that do for you, sexy?"
Silence.
Then Finn cleared his throat. "Uh Gin? Did you dial my number by mistake? Shouldn't you be cooing these sweet, sweet nothings into Owen's ear instead of mine?
”
”
Jennifer Estep (By a Thread (Elemental Assassin, #6))
“
We all make mistakes.
Mine was falling madly in love and forgetting to pack a parachute.
”
”
Michael Faudet (Bitter Sweet Love)
“
You’re mine,
Isabeau. You’ll always be mine. Make no mistake about it. Whether you choose to forgive me and give
us a second chance, or you don’t, you’ll be my only.
”
”
Christine Feehan (Wild Fire (Leopard People, #3))
“
We carry on. We have ourselves and we carry on- in spite of our losses and mistakes and women, I think, have more than most. We are good secret-keepers. We can tie weights to out guilt and passions, and hatred and deceitfulness, and let them sink down, so that you'd never know they existed at all. But we know. I can count all mine.
”
”
Susan Fletcher
“
We ate the lunch with painful politeness and avoided discussing its taste. I made sure not to apologize for it. This was a rule of mine.
I don't believe in twisting yourself into knots of excuses and explanations over the food you make...
Usually one's cooking is better than one thinks it is. And if the food is vile,...then the cook must simply grit her teeth and bear it with a smile- and learn from her mistakes.
”
”
Julia Child (My Life in France)
“
I’ve made a thousand mistakes in my life, and I might make a thousand more, but walking away from you won’t be one of them. I don’t deserve you, but if you were mine, I’d spend every last damn day of my life trying.
”
”
Melanie Harlow (If You Were Mine (After We Fall, #3))
“
Chris may be imperfect, and he makes mistakes, but I can feel his heart, and I know that he is mine.
”
”
Jessica Park (Left Drowning (Left Drowning, #1))
“
I know,” Aren says. “But I wanted to apologize. I don’t want Taltrayn to convince you I’m the bad guy.”
At that, I give a short laugh. “You are the bad guy, Aren.”
He frowns, and I realize he’s taking my words the wrong way.
“What I mean is you’re the . . . well, the rebel. Kyol’s the good guy. He’s made mistakes, yes, but he loves me.”
He cocks his head to the side. His gaze makes my skin tingle. The step he takes toward me is hesitant, careful, and when his silver eyes peer down at me, I stop breathing. His lips are so close. I remember the way they felt pressed against mine. I remember his taste, the heat of his edarratae.
The smallest distance separates us when he whispers, “You don’t think I’m in love with you?”
“I . . .
”
”
Sandy Williams (The Shadow Reader (Shadow Reader, #1))
“
Your life is mine as mine is yours,” she said, very seriously. “We are bound in duty if not in matrimony. I won’t make the same mistake twice.
”
”
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
“
arrears,n.: "It was a mistake," you said. But the cruel thing was, it felt like the mistake was mine, for trusting you.
”
”
David Levithan (The Lover's Dictionary)
“
The temperature jumped another ninety degrees. Why couldn't anyone see in my life how awesome Noah was? I shoved up my sleeves, welcoming the cold air on my skin.
"Echo, stop!" Ashley propelled her self out of the gliter.
I froze and then remembered Ashley was damaged. I was going on a date, not to Vegas to elope.
Noah's strong hand slipped over my wrist before he entwined his fingers with mine. The sensation of warm flesh against an area I allowed no one to see, much less touch, caused me to shiver. My eyes widened, realizing my mistake. This is what had freaked Ashley out. What had come over me? I never pulled up my sleeves. I spent all my time pulling them down. When had I become...comfortable?
He rubbed his thumb over my hand. "I planned on taking her to my house to meet some of my friends."
Noah could have told them he was getting me to the ghetto to buy us crack and they wouldn't have heard him. Ashley stood in place, staring at my exposed scars as my father stared at our combined hands. I reached over to pull down my sleeve, but Noah casually placed his hand over my forearm, preventing me fron doing it. My lungs squeezed out all the oxygen in my body. Noah Hutchins, in fact, a human being, was overtly, on purpose, touching my scars.
I'd stopped breathing moments ago, as had Ashley. Noah continued as nothing earth-shattering had happened. "What time does Echo need to be home?"
Blinking my self back to life, i answered for them, "My curfew is eleven."
"Twelve." My father stood and extended his hand. "I didn't have a chance to properly introduce myself earlier. I'm Owen Emerson.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
And now, for something completely the same:
Wasted time and wasted breath,
's what I'll make, until my death.
Helping people 'd be as good,
but I wouldn't, if I could.
For the few that help deserve,
have no need, or not the nerve,
help from strangers to accept,
plus from mine a few have wept.
Wept from joy, or from despair,
or just from my vengeful stare.
Ways I have, to look at stupid,
make them see I am not Cupid.
Make them see they are in error,
for of truth I am a bearer.
Most decide I'm just a bear,
mauling at them, - like I care.
”
”
Will Advise (Nothing is here...)
“
Wanting everything that's mine to actually be mine and not at the mercy of others and their mistakes.
”
”
Cecelia Ahern (The Year I Met You)
“
He’s stronger than you are.” My voice was barely above a whisper. Bones snorted. “I know that, luv, but he won’t be the first bloke I’ve shriveled who exceeded me in power. All I need is one mistake from Gregor, and he’s mine.
”
”
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
“
I know that societies often have killed people who have helped to change those societies. And if I can die having brought any light, having exposed any meaningful truth that will help destroy the racist cancer that is malignant in the body of America, then, all credit is due to Allah. Only the mistakes have been mine. - el-Hajj Malik el-Shabazz
”
”
Alex Haley
“
His thumbs stroke over the soft skin under my ears, and his gaze drops before he suddenly lets go and retreats a full step. 'Damn it. Touching you was a bad idea.'
'The worst.' I agree, but my tongue skims my lower lip.
He groans and my core melts at the sound. 'Kissing you would be a cataclysmic mistake.'
'Calamitous.' What would it take to hear that groan again?
The inches between us feel like kindling, ready to burn at the first suggestion of hear, and I'm a living, breathing flame. This is everything I should run from, and yet denying the primal attraction I feel is completely, utterly impossible.
'We'll both regret it.' He shakes his head, but there's more than hunger in his eyes as he stares at my lips.
'Naturally,' I whisper. But knowing I'll regret it doesn't stop me from wanting it- wanting him. Regretting is a problem for future Violet.
'Fuck it.'
One second he's out of reach and the next his mouth is on mine, hot and insistent.
Gods, yes. This is exactly what I need.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Tomorrow, I'll see his face in the mirror, and, somehow, I"ll have to make it mine. To do that, I need to start again, free of the past, free of him and the mistakes he made.
Instead of the impossible, I'll need only to concern myself with the ordinary. The luxury of waking up in the same bed.... The luxury of sunshine. The luxury of honesty. The luxury of living a life...
Tomorrow can be whatever I want it to be, which means for the first time in decades, I can look forward to it. Instead of being something to fear, it can be a promise I make myself. A chance to be braver or kinder, to make what was wrong right. To be better than I am today.
Every day after this one is a gift.
I just have to keep walking until I get there.
”
”
Stuart Turton (The 7 1/2 Deaths of Evelyn Hardcastle)
“
I’m falling in love with you, Dahlia. I don’t expect you to say it back after everything you’ve been through this year, but I didn’t want to go another night without you knowing how I feel. Just like I can’t go another day with you thinking I’m okay with us keeping things casual.” Por Dios. His eyes shimmer from the moon peeking through the clouds. “I missed out on a chance to make you mine before, but I don’t plan on making the same mistake again. We’re the real deal, sweetheart, and I’m done letting you believe anything else.
”
”
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
“
I want you, Delilah Anne. Never doubt that. I want a life with you. With your voice and your touch and your thoughts and your arguments. I want your grace and your mistakes and your promises and your everything, all twisted up with mine. I want it so bad that I feel like I can’t breathe whenever I think about being without you.
”
”
Dee Tenorio (10 Ways To Steal Your Lover (Love by Numbers, #1))
“
Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she didn't make…. Oh, he feels a raving fit coming on—how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn that they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskin to the armpits, all that is too easy, for his impoverishment and more worthy love.
You go from dream to dream inside me. You have passage to my last shabby corner, and there, among the debris, you've found life. I'm no longer sure which of all the words, images, dreams or ghosts are 'yours' and which are 'mine.' It's past sorting out. We're both being someone new now, someone incredible….
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
That wreck, and everything on it, is mine. You made a big mistake, and not a healthy one for either you or your pretty companion.”
Pia heaved a sigh. He did not just say that, did he? To Dragos, of all people.
”
”
Thea Harrison (Dragos Takes a Holiday (Elder Races, #6.5))
“
My heart races and I look away. “Well I care. So, write it down. For nine weekends and eight thousand dollars, what's yours is mine including your friends.” I throw in a little sarcastic eye flutter. “We're going to be so head-over-heels-in-love. I can't wait to see how romantic you are!”
“Oh no. I refuse to be your kind of bumper-sticker-romantic. Don't mistake me for Mr. Darcy.”
I gasp. “You don't know Hunger Games or Forks, Washington, but you know Mr. Darcy? Start talking.”
“Crap! My grandmother's a fan. She's tortured me since birth with Mr. Darcy. Thanks to her DVD collection, I can quote Jane Austen faster than the Elmo song.”
I laugh, surprised again. “Prove it.”
“Elizabeth, daaarling!” He's launched into a breathless English accent. “I love, love, love you, and I never want to be parted from you from this day forward. Pardon me, whilst I puke…”
“No way!” I beam. “Let the contract state that I want the Mr. Darcy accent once a week!” I can't help but laugh again because he's shaking his head and laughing back.
”
”
Anne Eliot (Almost)
“
Dreams were the worst. Of course I dreamed of food
and love, but they were pleasant rather
than otherwise. But then I'd dream of things
like slitting a baby's throat, mistaking it
for a baby goat. I'd have
nightmares of other islands
stretching away from mine, infinities
of islands, islands spawning islands,
like frogs' eggs turning into polliwogs
of islands, knowing that I had to live
on each and every one, eventually,
for ages, registering their flora,
their fauna, their geography.
”
”
Elizabeth Bishop (Geography III)
“
EDMUND
*Then with alcoholic talkativeness
You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason!
*He grins wryly.
It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!
TYRONE
*Stares at him -- impressed.
Yes, there's the makings of a poet in you all right.
*Then protesting uneasily.
But that's morbid craziness about not being wanted and loving death.
EDMUND
*Sardonically
The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
Like all big mistakes, mine started with a goat.
”
”
Wendy Mass (13 Gifts (11 Birthdays, #3))
“
Owen swallowed. “She was mine first.” “And you should have held tight to her. You didn’t. You let her go. That was your mistake.
”
”
Suzanne Wright (The Favor)
“
Mine was mistake, yours was revenge -absolutely not even.
”
”
Shreya Gupta
“
Am I making a mistake? Maybe. But it's mine to make.
”
”
Nicola Yoon (The Sun Is Also a Star)
“
He loved her with a pursuing love that she could scarcely comprehend. Her mistakes had been paid for. Miracle of miracles, they’d been paid for. And now she needed only to have faith in Him and accept the waterfall of His grace.
”
”
Becky Wade (Meant to Be Mine (Porter Family #2))
“
On any mechanical repair job ego comes in for rough treatment. You're always being fooled, you're always making mistakes, and a mechanic who has a big ego to defend is at a terrific disadvantage. If you know enough mechanics to think of them as a group, and your observations coincide with mine, I think you'll agree that mechanics tend to be rather modest and quiet. There are exceptions, but generally if they're not quiet and modest at first, the works seems to make them that way. And skeptical. Attentive, but skeptical. But not egotistic. There's no way to bullshit your way into looking good on a mechanical repair job, except with someone who doesn't know what you're doing.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
“
I looked at her. Sheila was my girl--the girl I wanted--and wanted for keeps. But it wasn't any use having illusions about her. Sheila was a liar and probably always would be a liar. It was her way of fighting for survival--the quick easy glib denial. It was a child's weapon--and she'd probably never got out of using it. If I wanted Sheila, I must accept her as she was--be at hand to prop up the weak places. We've all got our weak places. Mine were different from Sheila's, but they were there.
”
”
Agatha Christie (The Clocks (Hercule Poirot, #39))
“
Still, past assholes could make a person feel skittish. You had to be careful. It could all suddenly be different than you thought it was. A big possible mistake could be hidden anywhere, ready to blow up everything, same as stepping on a land mine.
”
”
Deb Caletti (The Story of Us)
“
Yes, I have cherished my “demagogue” role. I know that societies often have killed the people who have helped to change those societies. And if I can die having brought any light, having exposed any meaningful truth that will help to destroy the racist cancer that is malignant in the body of America—then, all of the credit is due to Allah. Only the mistakes have been mine.
”
”
Malcolm X (The Autobiography of Malcolm X)
“
Other Lives And Dimensions And Finally A Love Poem
My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think
praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what's happening,
it's what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.
I like the idea of different
theres and elsewheres, an Idaho known for bluegrass,
a Bronx where people talk
like violets smell. Perhaps I am somewhere patient, somehow
kind, perhaps in the nook
of a cousin universe I've never defiled or betrayed
anyone. Here I have
two hands and they are vanishing, the hollow of your back
to rest my cheek against,
your voice and little else but my assiduous fear to cherish.
My hands are webbed
like the wind-torn work of a spider, like they squeezed
something in the womb
but couldn't hang on. One of those other worlds
or a life I felt
passing through mine, or the ocean inside my mother's belly
she had to scream out.
Here, when I say I never want to be without you,
somewhere else I am saying
I never want to be without you again. And when I touch you
in each of the places we meet,
in all of the lives we are, it's with hands that are dying
and resurrected.
When I don't touch you it's a mistake in any life,
in each place and forever.
”
”
Bob Hicok
“
There's no paradise in love! It's--you're thinking in the wrong way. Love--the sort you're asking me for--is of the earth, earthy. Beautiful, maybe--sometimes it be like a gold mine that one digs into. But of the earth--earthy. Tis all wrong to speak of paradise. Love may be the nearest human beings can get--but it is still outside the gates--for it is human--easily lost--animal in the way it work, though more, much more than animal. Oftentimes it--uplifts, transports...but--but it should not be mistaken. It is a--a terrible mistake to pretend it is something quite different.
”
”
Winston Graham (The Four Swans (Poldark, #6))
“
Whatever was bound to happen
in my story did not happen.
But I know there are rules that cannot be broken.
Perhaps a name was changed.
A small mistake. Perhaps
a woman I do not know
is facing the day with the heavy heart
that, by all rights, should have been mine.
”
”
Lisel Mueller (Alive Together)
“
ROSE: I married your daddy and settled down to cooking his super and keeping clean sheets on the bed. When your daddy walked through the house he was so big he filled it up. That was my first mistake. Not to make him leave some room for me. For my part in the matter. But at that time I wanted that. I wanted a house that I could sing in. And that's what your daddy gave me. I didn't know to keep up his strength I had to give up little pieces of mine. I did that. I took on his life as mine and mixed up the pieces so that you couldn't hardly tell which was which anymore. It was my choice. It was my life and I didn't have to live it like that.But that's what life offered me in the way of being a woman and I took it. I grabbed hold of it with both hands.
”
”
August Wilson (Fences (The Century Cycle, #6))
“
How could I ever tell her how sorry I was? Sorry for all the stupid mistakes I'd made. Sorry for my never-ending selfishness. Sorry that she was so unfortunate as to have inspired this first, and last, tragic love of mine. Sorry also for the things beyond my control — that I'd been the executioner chosen by fate to end her life in the first place.
”
”
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
“
I don't ever want to make the mistake of needing him as much as or more than he needs me. But there's no denying that sometimes, when we sleep together in the dark cavern of the bottom bunk, his big brother thrashing around on top, the white noise machine grinding out its fake rain, the green digital clock announcing every hour, Iggy's small body holds mine.
”
”
Maggie Nelson (The Argonauts)
“
Hester glowered at her. “The biggest mistake a villain can make is to get caught up in revenge. Hansel and Gretel were two hungry kids trying to survive in the Woods. Mother thought she’d captured another pair of greedy, gluttonous brats, only to grossly underestimate them. Hansel and Gretel killed her because they had to. It wasn’t personal.” She glanced back at the old siblings. “Doesn’t mean I can stand the sight of ’em, of course. But it also doesn’t mean their story has anything to do with mine anymore.
”
”
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
“
Comedy is hard. In many ways, it's like singing: If you have perfect pitch, it's much easier. But you can still go a long way toward mastering the rudiments if you must trust your voice. Most of the mistakes I've seen people make in trying to write funny is that they don't trust their own senses of humor. They don't think they're funny, and they set out to write funny the way they've read other people being funny with a grim determination that pretty much precludes any chance that anybody is going to have fun. Relax, listen to your characters, exploit their fears and flaws, and mine their situations for places in which they can use their own brands of humor.
”
”
Jennifer Crusie
“
13. Someone despises me. That’s their problem. Mine: not to do or say anything despicable. Someone hates me. Their problem. Mine: to be patient and cheerful with everyone, including them. Ready to show them their mistake. Not spitefully, or to show off my own self-control, but in an honest, upright way.
”
”
Marcus Aurelius (Meditations)
“
If you’re a manager, remember that one third to one half of your workforce is probably introverted, whether they appear that way or not. Think twice about how you design your organization’s office space. Don’t expect introverts to get jazzed up about open office plans or, for that matter, lunchtime birthday parties or team-building retreats. Make the most of introverts’ strengths—these are the people who can help you think deeply, strategize, solve complex problems, and spot canaries in your coal mine. Also, remember the dangers of the New Groupthink. If it’s creativity you’re after, ask your employees to solve problems alone before sharing their ideas. If you want the wisdom of the crowd, gather it electronically, or in writing, and make sure people can’t see each other’s ideas until everyone’s had a chance to contribute. Face-to-face contact is important because it builds trust, but group dynamics contain unavoidable impediments to creative thinking. Arrange for people to interact one-on-one and in small, casual groups. Don’t mistake assertiveness or eloquence for good ideas. If you have a proactive work force (and I hope you do), remember that they may perform better under an introverted leader than under an extroverted or charismatic one.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Donia looked away. "I pushed her toward you.I just made a mistake when I let myself think that you'd be mine for a few years... She's your match. I'm not."
"Maybe someday, but right now... I was carried away by the first summer. It's a heady thing, but I can redirect that energy. Let me have the dream of us for as long as we can. That's what the court needs--a happy king, a king who can't stop dreaming of being lost in someone who wants to be just as lost. Tell me you'll let me get lost in you.
”
”
Melissa Marr (Fragile Eternity (Wicked Lovely, #3))
“
Why would you want to keep in practice being wrong?” Call asked. “I’d think it would be something you’d try to avoid.” “You can’t avoid it, you’ve got to learn to handle it,” Augustus said. “If you only come face to face with your own mistakes once or twice in your life it’s bound to be extra painful. I face mine every day—that way they ain’t usually much worse than a dry shave.
”
”
Larry McMurtry (Lonesome Dove)
“
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too.
Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
Now having Brynhildic fantasies about her was nothing--I have all sorts of extraordinary fantasies which I don't take seriously--but bringing my fantasies into the real world frightened me very much. It's not that they were bad in themselves, but they were Unreal and therefore culpable; to try to make Real what was Unreal was to mistake the very nature of things; it was a sin not against conscience (which remained genuinely indifferent during the whole affair) but against Reality, and of the two the latter is far more blasphemous. It's the crime of creating one's own Reality, of "preferring oneself" as a good friend of mine says.
”
”
Joanna Russ (The Female Man)
“
He nodded, picking my hand up in his, bringing it to his mouth. His eyes locked on mine in the dark, and he put his lips to the back of my hand. He kissed the spot just behind my knuckles. He smoothed his thumb over the spot. He singled out a finger and pulled it in his mouth again and chewed. The rattling of my spine, shaking of my fingers and crazy spinning of my heart returned. Nathan kissed my hand. That meant something. Tingling radiated the area he kissed. A surge of worry swept over me as I realized I may have made a terrible mistake. Victor might be okay with us sleeping in the same bed, but what would he think if Nathan started kissing me? And why did I have the crazy urge to let him if he tried?
”
”
C.L. Stone (Forgiveness and Permission (The Ghost Bird, #4))
“
If I were to start a file on things nobody tells you about until you’re right in the thick of them, I might begin with miscarriages. A miscarriage is lonely, painful, and demoralizing almost on a cellular level. When you have one, you will likely mistake it for a personal failure, which it is not. Or a tragedy, which, regardless of how utterly devastating it feels in the moment, it also is not. What nobody tells you is that miscarriage happens all the time, to more women than you’d ever guess, given the relative silence around it. I learned this only after I mentioned that I’d miscarried to a couple of friends, who responded by heaping me with love and support and also their own miscarriage stories. It didn’t take away the pain, but in unburying their own struggles, they steadied me during mine, helping me see that what I’d been through was no more than a normal biological hiccup, a fertilized egg that, for what was probably a very good reason, had needed to bail out.
”
”
Michelle Obama (Becoming)
“
When you come to understand that play you take part in, you will realize what a hypocrite you sound. You cannot see in your own world the real truths that exist on both sides; only when you join in on mine will you. There, I can reveal the awesome mysteries behind the tragedies. There, I can ease your pains because the ones you bear now will be trivial in comparison; my kind has suffered much more than you can imagine. But I can also show you the real boundaries of existence where pain from neither side can exist. Tonight I sense that you seek that place. But after tomorrow,” he grabbed his hat and mask from the bench, “you may only know death. Perhaps I had made a mistake on placing you in a situation such as this. You still have time; no human has survived as long as you.
”
”
Marie Montine (Mourning Grey: Part One: The Guardians Of The Temple Saga)
“
Her sweet smell drove my body higher as I nibbled on the edge of her earlobe. “I’m not stopping you. You plan. I’ll kiss.”
Echo turned her head to look at me over her shoulder. My siren became a temptress with that seductive smile on her lips. A mistake on her part. I caressed her cheek and kissed those soft lips.
I expected her to shy away. We’d been playing this game for over an hour: she plotted while I teased.Leaving for the summer was important to her and she was important to me. But instead of the quick peck I’d anticipated, she moved her lips against mine. A burning heat warmed my blood.
It was a slow kiss at first—all I meant it to be, but then Echo touched me. Her hands on my face, in my hair. And then she angled her body to mine. Warmth, enticing pressure on all the right parts, and Echo’s lips on mine—fireworks.
She became my world. Filling my senses so that all I felt and saw and tasted was her. Kisses and touches and whispered words of love and when my hand skimmed down the curve of her waist and paused on the hem of her jeans my body screamed to continue, but my mind knew it was time to stop.
With a sigh, I moved my lips once more against hers before shifting and pulling her body to my side. “I’m in love with you.”
Echo settled her head in the crook of my arm as her fingertips lazily touched my face. “I know. I love you, too.”
“I’m sorry I didn’t say it sooner.” If I had, then maybe we never would have been apart.
“It’s okay,” she murmured. “We’re together now and that’s all that matters.”
I kissed her forehead and she snuggled closer to me. The world felt strange. For the first time in my life, I wasn’t fighting someone or something. My brothers were safe. Echo knew the truth. Soon, I’d be free from high school and foster care. Hopefully, I’d be admitted on late acceptance to college. Contentment and happiness were unfamiliar emotions, but ones I could learn to live with.
“Do you mind?” she asked in a small voice that indicated nerves. “That we’re taking it slow?”
“No.” And it was the truth.
Everything in her life was in flux and she needed strong, steady and stable. Oddly, she found those three things in me. Who would ever have guessed I’d be the reliable sort? “Besides, taking it slow creates buildup. I like anticipation.”
Her body rocked with silent giggles and my lips turned up. I loved making her happy.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Just because some of what led Earth to this crisis is our fault, yours mine, doesn't mean we can't still do real good. We're still here. Alive. We have the ability to act, and choose, and achieve. That's real. Even if it seems dwarfed by past mistakes, those mistakes aren't a negative number, they don't cancel out the good things we do now, don't make an insurmountable pit we have to climb back out of to start at zero. We can do good, and our pasts don't take that possibility away, not while we still live and breathe. And try.
”
”
Ada Palmer (Perhaps the Stars (Terra Ignota, #4))
“
I can’t apologize for falling in love with her.
I can’t call what happened a mistake. Gun to my head, I’d repeat every moment so I’d have the boldest, smartest girl next to me—a girl I shouldn’t have.
But she’s mine, and I might not deserve her but I swear to God, I’ll never harm her, and I’d give my life to protect her. I know I’m not a prince.
I’m not a king.
But I’d treat Jane like she should be treated. She’s my princess, my angel, and my queen. Every morning and every night. I’d kneel at her feet and stand by her side.
”
”
Krista Ritchie (Sinful Like Us (Like Us, #5))
“
Has anyone ever owned your body? Because that's how it would be between us." He bit her earlobe and sucked it into his mouth, savoring her taste, her scent, before continuing, "If you were mine, it would appear to the world as if you had a normal life, you might even feel as if your days were your own. But that would be an illusion; it wouldn't be just fucking with you and me. If you ever made the mistake of sleeping with me, it wouldn't be just sex. So, I'm warning you now. I'd own you. I'd own your body; I'd own your orgasms. I'd strip you naked, spread you wide and play with your body to my satisfaction before I'd ever let you experience release. Don't get me wrong, you wouldn't ever want to get away from me, but sweetheart, your life as you know it would be over. So before you ever let me sweet talk you into bed, understand that I'm just a little bit insane when it comes to you. It's the reason I've never put a move on you before, and it's the reason I'm going to let you slip away untouched tonight. I'm going to try my fucking best to stay away from you, but I don't know how long I'll be able to manage it. So if I come at you sometime in the future lying through my teeth and telling you it'll only be for fun, don't you fucking believe me.
”
”
Lynda Chance (Rule's Obsession (The House of Rule, #1))
“
We’re together. You’re mine. Which means, I give a shit. I’m always going to give a shit. We’re going to fight, we’re going to make mistakes, we’re probably going to drive each other fucking crazy because, like I said earlier, you’re a loon.” I open my mouth to protest, but he keeps on talking. “Don’t tell me I don’t care about you, because it’s bullshit. Don’t tell me I’m not in this with you, because I am. I’m in it, sunshine. And I care — a hell of a lot more than I ever thought I would.” He drops his forehead to rest against mine, and his voice loses a tiny bit of its edge. “This relationship — it’s happening. You and me — we’re partners. Equal partners, with equal feelings, and equal fucking chances of getting hurt. You got me?
”
”
Julie Johnson (Not You It's Me (Boston Love, #1))
“
The problem with me is that I cannot focus when she is on my mind. I can’t. I probably will make a mistake when writing that paper and will start writing everything I feel about her—the professor will be very happy with that, I am sure. Oh well, such is my life. I guess I’ve been attempting my best to forget her for several weeks now. But even in that act of forgetting her, I am remembering her. I am recollecting her and recreating her in my mind. And that’s where everything falls apart. In remembering her, I remember her goodness. In remembering her, I remember her weaknesses and my own. In remembering her, I am remembering myself. Out of that dark cave of mine, I call myself out. And then all of the remembering starts again. I doodle, I twitch, I aim restlessly for some unseen goal. And then my thoughts drift to you.
I’ll let them stay there for now. Just for a minute.
Or two.
”
”
Moses Y. Mikheyev
“
I made one mistake. Who doesn’t? But I despised men who accepted their fate. I shaped mine twenty times and had it broken twenty times in my hands. Of course it left me deformed and unserviceable, defective and dangerous to associate with.… But what in God’s name has happened to charity? … Self-interest guides me like the next man but not invariably; not all the time. I use compassion more than you do; I have loyalties and I keep by them; I serve honesty in a crooked way, but as best I can; and I don’t plague my debtors or even make them aware of their debt.… Why is it so impossible to trust me?
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Oh, how awful is truth on earth! That exquisite creature, that gentle spirit, that heaven - she was a tyrant, she was the insufferable tyrant and torture of my soul! I should be unfair to myself if I didn't say so! You imagine I didn't love her? Who can say that I did not love her! Do you see, it was a case of irony, the malignant irony of fate and nature! We were under a curse, the life of men in general is under a curse! (mine in particular). Of course, I understand now that I made some mistake! Something went wrong. Everything was clear, my plan was clear as daylight: "Austere and proud, asking for no moral comfort, but suffering in silence." And that was how it was. I was not lying, I was not lying! "She will see for herself, later on, that it was heroic, only that she had not known how to see it, and when, some day, she divines, it she will prize me ten times more and will abase herself in the dust and fold her hands in homage" - that was my plan. But I forgot something or lost sight of it. There was something I failed to manage. But, enough, enough! And whose forgiveness am I to ask now? What is done is done. By bolder, man, and have some pride! It is not your fault!...
Well, I will tell the truth, I am not afraid to face the truth; it was her fault, her fault!
”
”
Fyodor Dostoevsky (The Gentle Spirit)
“
You have something else of mine, Miss Wakefield,” he amended. “I believe you meant to borrow it and return it directly, but you never did return . . . my heart. It’s been in your possession since our first meeting.”
She drew in a staggered breath, daring to hope.
“Though without a heart, one might wonder how I came to be here, standing before you right now,” he went on, making her heard spin again. “Do you wonder, Miss Wakefield?”
When she nodded, he grinned and placed her hand over his chest.
“There is a heart in here, but it is not mine. You see, I believe you made a dire mistake our first meeting. When you meant to return mine, instead you gave me yours. Doesn’t it beat strangely beneath my breast?
”
”
Vivienne Lorret (Winning Miss Wakefield (Wallflower Weddings, #2))
“
His eyes remained locked on mine and I fought back the tears that were stinging my eyes. “Cooper,” I said, swallowing the lump that was forming in the back of my throat, “you know that game where you fold your arms in front of you and fall backward and trust that the person behind you catches you?”
“Yes,” he said in a raspy voice.
“You know that feeling you get when you close your eyes and fall back, but right before someone catches you – that split second when you aren’t standing up and you aren’t lying down – you’re in between and all you can do is hope that you didn’t make a mistake and trust the wrong person to catch you, but you know it’s too late because you’ve already fallen?” Cooper nodded. “That’s how you make me feel. Like I’ve already fallen and I’m in the in between. My heart is constantly in my throat and I’m suspended in time, waiting for you to catch me. That’s what you do to me. Every time you walk in the room. Any room. This is what you do to me.
”
”
Pamela Sparkman (Stolen Breaths (Stolen Breaths #1))
“
That means real love understands, acknowledges and accepts all flaws. It endures all changes. It puts its feelings aside for the wellbeing of something or someone else. That's love. Love is kind means that no matter how many times you mess up, how many times you fall down, it’ll always be right there to lift you up and to pick you up. That's love. It's not going to curse you nor beat you for your mistakes or because it doesn't agree, no it will always, and I mean always, lift you up because that is what it was made to do. Loving somebody is more than just a feeling, or an action or even a thought. It’s a lifestyle, a decision; an emotion that has made up its mine to give and keep on giving. To feel and keep on feeling. To love and keep on loving. You see, the thought, the feeling, the action of love, real love, and true love always operates as one. Real love can’t be shaken, it can’t be broken. It will always stand firm, solid. And it will never, ever waiver. Real love will take a bullet for you with no questions. It will trade places with you on your death bed, with no reasoning’s. Real love will walk through a fire, flesh burning, just to get the hose on the other side so that you don't get burned too. And you know why...because love has always been something that’s bigger than you and I. It has a mind of its own and when it loves, it loves and it wants nothing more than to see the person that it loves safe, happy.
”
”
B.M. Hardin (Every Woman has a Price)
“
It’s like this big maze, see. With fire-breathing dragons and land mines and decoys at every turn. And the maze goes on for hundreds of miles, and just when you think maybe you’ve gotten through—a dead end. Years of wrong turns and mistakes and battles with those dragons, years of bruises, cuts, and burns, but eventually? You make it. You come out the other end of the maze, and you’re a little banged up, but you’re okay. And maybe you meet someone else who was in the maze at the same time, only you didn’t know it. So you talk to this person, compare notes on the maze, and you hear all the ways they made it through that you never thought of, and you tell them all the ways you made it through that they never thought of, and from this shared understanding you grow to love one another. And that love deepens with time. And maybe you and this other person have a child.” Mom starts crying, and so do I. “A perfect, lovely little kid, and you swear you’ll do everything you can to spare your kid from the fire-breathing dragons and the land mines and the decoys. I’ll draw them a map, you think, a detailed map of the maze outlining the quickest routes, pitfalls to avoid, shortcuts that took you years to learn, and maybe this way they won’t end up with bruises and burns like yours.” I squeeze Mom’s hand tighter, let the tears come. “Mom.” She smiles and cries. “You think you have so much time to work on the map, to make it just right. And then one day you wake up to find your perfect, lovely child is already there, right in the thick of the maze. You were so diligent, kept watch every night, and you don’t know when or how it happened, but it did. Your kid is in the maze without a map, and there’s nothing you can do but watch.
”
”
David Arnold (The Strange Fascinations of Noah Hypnotik)
“
Summer days, and the flat water meadows and the blue hills in the distance, and the willows up the backwater and the pools underneath like a kind of deep green glass. Summer evenings, the fish breaking the water, the nightjars hawking round your head, the smell of nightstocks and latakia. Don’t mistake what I’m talking about. It’s not that I’m trying to put across any of that poetry of childhood stuff. I know that’s all baloney. Old Porteous (a friend of mine, a retired schoolmaster, I’ll tell you about him later) is great on the poetry of childhood. Sometimes he reads me stuff about it out of books. Wordsworth. Lucy Gray. There was a time when meadow, grove, and all that. Needless to say he’s got no kids of his own. The truth is that kids aren’t in any way poetic, they’re merely savage little animals, except that no animal is a quarter as selfish.
A boy isn’t interested in meadows, groves, and so forth. He never looks at a landscape, doesn’tgive a damn for flowers, and unless they affect him in some way, such as being good to eat, he doesn’t know one plant from another. Killing things - that’s about as near to poetry as a boy gets. And yet all the while there’s that peculiar intensity, the power of longing for things as you can’t long when you’re grown up, and the feeling that time stretches out and out in front of you and that whatever you’re doing you could go on for ever.
”
”
George Orwell (Coming up for Air)
“
The devil delights in reminding us daily of all our mistakes from the past. On Monday he reminds us of Saturday and Sunday’s failures; on Tuesday he reminds us of sins committed on Monday, and so on. One morning I was spending my time with the Lord, thinking about my problems and all the areas in which I had failed, when suddenly the Lord spoke to my heart: “Joyce, are you going to fellowship with Me or with your problems?” It is our fellowship with God that helps and strengthens us to overcome our problems. We are strengthened through our union with Him. If we spend our time with God fellowshipping with our mistakes from yesterday, we never receive strength to overcome them today. Meditating on all of our faults and failures weakens us, but meditating on God’s grace and willingness to forgive strengthens us: For by the death He died, He died to sin [ending His relation to it] once for all; and the life that He lives, He is living to God [in unbroken fellowship with Him]. Even so consider yourselves also dead to sin and your relation to it broken, but alive to God [living in unbroken fellowship with Him] in Christ Jesus. (Romans 6:10-11, emphasis mine) Our
”
”
Joyce Meyer (Approval Addiction: Overcoming Your Need to Please Everyone)
“
Everything okay, Vi?” I looked at him, eyes wide, mouth agape. What to say, what to say… But Lincoln spoke first, putting his hand up to stop me. “Jase, I’m sure I haven’t been clear with you on this issue. I apologize for that. Entirely my fault.” Oh shit. “Linc,” I butted in unsuccessfully. “Allow me to rectify,” Lincoln continued, stepping a little closer to Jase. “If you look at her again, that way you do—I’m going to be very upset. If you touch her in any way that you haven’t first been invited to and, well”—he glanced at me, still frozen, before turning his full attention back to Jase—“even then, I won’t be responsible for my actions. Violet and I may not be together, but make no mistake: she is mine just as much as I am hers.
”
”
Jessica Shirvington (Endless (The Embrace Series, #4))
“
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.”
“Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder.
“Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?”
As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?”
“Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes.
“You might have broken your neck. Why can’t you leave these things to the proper authorities?”
“I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!”
“How was I supposed to do that when you never left the house alone?”
“But you could have come at any time. I was waiting for you!”
Er Lang was incensed. “Is this the thanks I get?”
If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him.
I meant to break away at once, but he caught me, his hand behind my head.
“Are you going to complain about this?” he demanded.
Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look.
“Open your mouth then.”
“Why?”
“I’m going to put my tongue in.”
That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
”
”
Yangsze Choo (The Ghost Bride)
“
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business.
Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
”
”
Henry David Thoreau (Walden)
“
I ask him if he tried to rape Nyla.
“Laws are silent in times of war,” Tactus drawls.
“Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.”
“In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.”
“The measure of a man is what he does when he has power,” I say loudly.
“Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.”
“I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?”
He’s silent, realizing he’s fallen into a trap.
“You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.”
He smirks at that.
“Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.”
I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak.
“But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.”
Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too.
I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment.
Tactus barely manages to stagger to his feet, wrath burning in his eyes.
“A mistake,” he whispers to me. “Such a mistake.”
Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head.
“You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.”
Tactus stands there like a fool. He’s confused.
I shove him hard in the chest. He stumbles back. I follow him, shoving.
“What were you going to do?” I push his hand holding the leather switch back toward his chest.
“I don’t know what you mean …” he murmurs as I shove him.
“Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.”
I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
You've given me everything I need of you-thanks to you I have all my heart desires, all I thought I might never have. All I need for a wonderful, fulfilling future. And I nearly lost it all."
She held his gaze but was wise enough not to interrupt. If she had...
He drew breath and forged on, "Nearly dying clarified things. When you stand on the border between life and death, the truly important things are easy to discern. One of the things I saw and finally understood was that only fools and cowards leave the truth of love unsaid. Only the weak leave love unacknowledged."
Holding her gaze, all but lost in the shimmery blue of her eyes, he raised her hand to his lips, gently kissed. "So, my darling Heather, even though you already know it, let me put the truth-my truth-into words. I love you. With all my heart, to the depths of my soul. And I will love you forever, until the day I die."
Her smile lit his world. "Just as well." Happiness shone in her eyes. She pressed his fingers. "Because I plan to be with you, by your side, every day for the rest of your life, and in spirit far beyond. I'm yours for all eternity."
Smiling, he closed his hand about hers. "Mine to protect for our eternity."
Yes. Neither said the word, yet the sense of it vibrated in the air all around them.
A high-pitched giggle broke the spell, had them both looking along the path.
TO Lucilla and Marcus, who slipped out from behind a raised bed and raced toward them.
Reaching them, laughing with delight, the pair whooped and circled.
Heather glanced to left and right, trying to keep the twins in sight, uncertain of what had them so excited. So exhilarated.
Almost as if they were reacting to the emotions coursing through her, and presumably Breckenridge. Her husband-to-be.
"You're getting married!" Lucilla crowed.
Catching Lucilla's eyes as the pair slowed their circling dance, Heather nodded. "Yes, we are. And I rather think you two will have to come down in London to be flower girl and page boy."
Absolute delight broke across Lucilla's face. She looked at her brother. "See? I told you-the Lady never makes a mistake, and if you do what shetells you, you get a reward."
"I suppose." Marcus looked up at Breckenridge. "London will be fun." He switched his gaze to Lucilla. "Come on! Let's go and tell Mama and Papa.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
Sonia Gandhi and her son play an important part in all of this. Their job is to run the Department of Compassion and Charisma and to win elections. They are allowed to make (and also to take credit for) decisions which appear progressive but are actually tactical and symbolic, meant to take the edge off popular anger and allow the big ship to keep on rolling. (The best example of this is the rally that was organised for Rahul Gandhi to claim victory for the cancellation of Vedanta’s permission to mine Niyamgiri for bauxite—a battle that the Dongria Kondh tribe and a coalition of activists, local as well as international, have been fighting for years. At the rally, Rahul Gandhi announced that he was “a soldier for the tribal people”. He didn’t mention that the economic policies of his party are predicated on the mass displacement of tribal people. Or that every other bauxite “giri”—hill—in the neighbourhood was having the hell mined out of it, while this “soldier for the tribal people” looked away. Rahul Gandhi may be a decent man. But for him to go around talking about the two Indias—the “Rich India” and the “Poor India”—as though the party he represents has nothing to do with it, is an insult to everybody’s intelligence, including his own.)
The division of labour between politicians who have a mass base and win elections, and those who actually run the country but either do not need to (judges and bureaucrats) or have been freed of the constraint of winning elections (like the prime minister) is a brilliant subversion of democratic practice. To imagine that Sonia and Rahul Gandhi are in charge of the government would be a mistake. The real power has passed into the hands of a coven of oligarchs—judges, bureaucrats and politicians. They in turn are run like prize race-horses by the few corporations who more or less own everything in the country. They may belong to different political parties and put up a great show of being political rivals, but that’s just subterfuge for public consumption. The only real rivalry is the business rivalry between corporations.
”
”
Arundhati Roy
“
I should know; perfectionism has always been a weakness of mine. Brene' Bown captures the motive in the mindset of the perfectionist in her book Daring Greatly: "If I look perfect and do everything perfectly, I can avoid or minimize the painful feelings of shame, judgment, and blame." This is the game, and I'm the player. Perfectionism for me comes from the feelings that I don't know enough. I'm not smart enough. Not hardworking enough. Perfectionism spikes for me if I'm going into a meeting with people who disagree with me, or if I'm giving a talk to experts to know more about the topic I do … when I start to feel inadequate and my perfectionism hits, one of the things I do is start gathering facts. I'm not talking about basic prep; I'm talking about obsessive fact-gathering driven by the vision that there shouldn't be anything I don't know. If I tell myself I shouldn't overprepare, then another voice tells me I'm being lazy. Boom. Ultimately, for me, perfectionism means hiding who I am. It's dressing myself up so the people I want to impress don't come away thinking I'm not as smart or interesting as I thought. It comes from a desperate need to not disappoint others. So I over-prepare. And one of the curious things I've discovered is that what I'm over-prepared, I don't listen as well; I go ahead and say whatever I prepared, whether it responds to the moment or not. I miss the opportunity to improvise or respond well to a surprise. I'm not really there. I'm not my authentic self…
If you know how much I am not perfect. I am messy and sloppy in so many places in my life. But I try to clean myself up and bring my best self to work so I can help others bring their best selves to work. I guess what I need to role model a little more is the ability to be open about the mess. Maybe I should just show that to other people. That's what I said in the moment. When I reflected later I realized that my best self is not my polished self. Maybe my best self is when I'm open enough to say more about my doubts or anxieties, admit my mistakes, confess when I'm feeling down. The people can feel more comfortable with their own mess and that's needs your culture to live in that. That was certainly the employees' point. I want to create a workplace where everyone can bring the most human, most authentic selves where we all expect and respect each other's quirks and flaws and all the energy wasted in the pursuit of perfection is saved and channeled into the creativity we need for the work that is a cultural release impossible burdens and lift everyone up.
”
”
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
“
Mr. Rohan,” she heard Beatrix ask, “are you going to marry my sister?”
Amelia choked on her tea and set the cup down. She sputtered and coughed into her napkin.
“Hush, Beatrix,” Win murmured.
“But she’s wearing his ring—”
Poppy clamped her hand over Beatrix’s mouth. “Hush!”
“I might,” Cam replied. His eyes sparkled with mischief as he continued. “I find your sister a bit lacking in humor. And she doesn’t seem particularly obedient. On the other hand—”
One set of French doors flew open, accompanied by the sound of breaking glass. Everyone on the back terrace looked up in startlement, the men rising from their chairs.
“No,” came Win’s soft cry.
Merripen stood there, having dragged himself from his sickbed. He was bandaged and disheveled, but he looked far from helpless. He looked like a maddened bull, his dark head lowered, his hands clenched into massive fists. And his stare, promising death, was firmly fixed on Cam.
There was no mistaking the bloodlust of a Roma whose kinswoman had been dishonored.
“Oh, God,” Amelia muttered.
Cam, who stood beside her chair, glanced down at her questioningly. “Did you say something to him?”
Amelia turned red as she recalled her blood-spotted nightgown and the maid’s expression. “It must have been servants’ talk.”
Cam stared at the enraged giant with resignation. “You may be in luck,” he said to Amelia. “It looks as if our betrothal is going to end prematurely.”
She made to stand beside him, but he pressed her back into the chair. “Stay out of this. I don’t want you hurt in the fray.”
“He won’t hurt me,” Amelia said curtly. “It’s you he wants to slaughter.”
Holding Merripen’s gaze, Cam moved slowly away from the table. “Is there something you’d like to discuss, chal?” he asked with admirable self-possession.
Merripen replied in Romany. Although no one save Cam understood what he said, it was clearly not encouraging.
“I’m going to marry her,” Cam said, as if to pacify him.
“That’s even worse!” Merripen moved forward, murder in his eyes.
Lord St. Vincent swiftly interceded, stepping between the pair. Like Cam, he’d had his share of putting down fights at the gambling club. He lifted his hands in a staying gesture and spoke smoothly. “Easy, large fellow. I’m sure you can find a way to resolve your differences in a reasonable fashion.”
“Get out of my way,” Merripen growled, putting an end to the notion of civilized discourse.
St. Vincent’s pleasant expression didn’t change. “You have a point. There’s nothing so tiresome as being reasonable. I myself avoid it whenever possible. Still, I’m afraid you can’t brawl when there are ladies present. It might give them ideas.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
I don't like to make mistakes. Which is why I haven't been with a man before now."
He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise."
He took one definite step back, like a chessman going from square to square.
"It's interesting that makes you nervous," she said, countering his move.
"I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side.
"Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met."
"I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-"
"And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked."
"I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley."
"No." With her eyes locked on his, she stepped in.Checkmate.
His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter."
"Have you?"
"I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest.
"You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me"
"No." He barely managed a croak this time. "And it's not going to happen again."
"Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?"
"I'm not going to take advantage of your-of the situation."
That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian."
The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside.
"I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering."
"Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area."
If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now."
She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))