Mist Weather Quotes

Who can fail to mist at Fergie's anthem, 'My humps, my humps, my lovely lady lumps.' Hmmm. 'My lunch, my lunch, I swear it's coming up.

And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly. I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent. Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her! I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing. One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I! Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.

That year, when the trees burned the fire of late summer into their leaves and the ground mist was a ghost of the river, long and wet and cold, the aunt looked from her windows to the walls around her and imagined another winter inside them. She began to see the world as a bird sees bars, and she scratched her arms beneath her sleeves.

Happiness Makes Up in Height For What It Lacks in Length Oh, stormy stormy world, The days you were not swirled Around with mist and cloud, Or wrapped as in a shroud, And the sun’s brilliant ball Was not in part or all Obscured from mortal view— Were days so very few I can but wonder whence I get the lasting sense Of so much warmth and light. If my mistrust is right It may be altogether From one day’s perfect weather, When starting clear at dawn, The day swept clearly on To finish clear at eve. I verily believe My fair impression may Be all from that one day No shadow crossed but ours As through its blazing flowers We went from house to wood For change of solitude.

Shapes began to appear in the mist as it thickened. Clary saw herself and Simon as children, holding hands, crossing a street in Brooklyn,; she had barrettes in her hair and Simon was adorably rumpled, his glasses sliding off his nose. There they were again, throwing snowballs in Prospect Park; and at Luke's farmhouse, tanned from summer, hanging upside down from tree branches. She saw them in Java Jones, listening to Eric's terrible poetry, and on the back of a flying motorcycle as it crashed into a parking lot, with Jace there, looking at them, his eyes squinted against the sun. And there was Simon with Isabelle, his hands curved around her face, kissing her, and she could see Isabelle as Simon saw her: fragile and strong, and so, so beautiful. And there was Valentine's ship, Simon kneeling on Jace, blood on his mouth and shirt, and blood at Jace's throat, and there was the cell in Idris, and Hodge's weathered face, and Simon and Clary again, Clary etching the Mark of Cain onto his forehead. Maureen, and her blood on the floor, and her little pink hat, and the rooftop in Manhattan where Lilith had raised Sebastian, and Clary was passing him a gold ring across a table, and an Angel was rising out of a lake before him and he was kissing Isabelle...

That particular April day was strange and foggy, blurring spaces between the trees and blanketing all of Ellingham in a milky mist. Dottie decided that the weather lent itself to a mystery. Sherlock Holmes would be perfect.

IT wanted little more than a fortnight to Christmas; but the weather showed no signs yet of the frost and snow, conventionally associated with the coming season. The atmosphere was unnaturally warm, and the old year was dying feebly in sapping rain and enervating mist.

Winter crept over Nin stealthily, like a great white cat made of chill mists and sharp-edged winds.

February Soup by Stewart Stafford The February fog, Turns all into blobs, Orange street lights, To Valentine's Night. When the wind strays, Fog's mantle is grey, Laying misty bouquets, On barren, muddied days. The daffodils of March, Can cheer up Plutarch, Adorned in Kelly green, No sign of foggy screens. © Stewart Stafford, 2023. All rights reserved.

It’s a dark night, sang the kettle, and the rotten leaves are lying by the way; and, above, all is mist and darkness, and, below, all is mire and clay; and there’s only one relief in all the sad and murky air; and I don’t know that it is one, for it’s nothing but a glare; of deep and angry crimson, where the sun and wind together; set a brand upon the clouds for being guilty of such weather; and the widest open country is a long dull streak of black; and there’s hoar–frost on the finger–post, and thaw upon the track; and the ice it isn’t water, and the water isn’t free; and you couldn’t say that anything is what it ought to be; but he’s coming, coming, coming!—

Mindful of you the sodden earth in spring, And all the flowers that in the springtime grow, And dusty roads, and thistles, and the slow Rising of the round moon, all throats that sing The summer through, and each departing wing, And all the nests that the bared branches show, And all winds that in any weather blow, And all the storms that the four seasons bring. You go no more on your exultant feet Up paths that only mist and morning knew, Or watch the wind, or listen to the beat Of a bird’s wings too high in air to view,— But you were something more than young and sweet And fair,—and the long year remembers you.

500,000 halos outshined the mud and history. We washed and drank in God's tears of joy, And for once…and for everyone…the truth was not a mystery. Love called to all…music is magic. As we passed over and beyond the walls of Nay, Hand in hand as we lived and made real the dreams of peaceful men— We came together…danced with the pearls of rainy weather, Riding the waves of music and space…music is magic…magic is life… Love as never loved before… Harmony to son and daughter…man and wife…

The depressed man longs for heavy clouds, fog, mist, chilly weather, downpours, hail.

In a weathered closet, I saw a universe of irredeemable beauty. My eyes misted over in joy; hardly could I hold the rivers back. A galactic invitation stood in my room.

just want to take some photographs. I don’t think the weather is on my side, though.” “You’ll get to see it properly within the hour. This mist won’t last long.

It was raw, damp, dark, and dismal; the clouds were as muddy as the ground; and the short perspective of every street and avenue was closed up by the mist as by a filthy curtain. 'Fine weather indeed,' Martin bitterly

Some people think it's just the weather, but my granddaddy always said it was her: Eleanor Starling, whittled down to nothing but malice and mist, still thirsty for Gravely blood, haunting the town that still hates her.

Poem in October" It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.

It was as if the curtains came down on all this, if not entirely obliterated it, when the monsoon rose up in the thunderous clouds from the parched valley below to engulf the hills, invade them with the opaque mist in which a pine tree or a mountain top appeared only intermittently, and then unleashed a downpour that brought Ravi's rambling to a halt and confined him to the house for days at a time, deafened by the rain drumming on the rooftop and cascading down the gutters and through the spouts to rush downhill in torrents.

Then there was the bad weather. It would come in one day when the fall was over. You would have to shut the windows in the night against the rain and the cold wind would strip the leaves from the trees in the Place Contrescarpe. The leaves lay sodden in the rain and the wind drove the rain against the big green autobus at the terminal and the Café des Amateurs was crowded and the windows misted over from the heat and the smoke inside. It was a sad, evilly run café where the drunkards of the quarter crowded together and I kept away from it because of the smell of dirty bodies and the sour smell of drunkenness.

The undulant road winds across hills, down into hollows where mist slithers through the darkness like a procession of spirits proceeding toward their fate. The mountains, worn low by millennia of weather, offer no steep palisades, only rolling slopes that suggest that the landscape was inspired by the female form.

When I describe for my far-away friends the Northwest’s subtle shades of weather — from gloaming skies of ‘high-gray’ to ‘low-gray’ with violet streaks like the water’s delicate aura — they wonder if my brain and body have, indeed, become water-logged. Yet still, I find myself praising the solace and privacy of fine, silver drizzle, the comforting cloaks of salt, mold, moss, and fog, the secretive shelter of cedar and clouds. Whether it’s in the Florida Keys, along the rocky Maine coast, within the Gulf of Mexico’s warm curves, on the brave Outer Banks; or, for those who nestle near inland seas, such as the brine-steeped Great Salk Lake or the Midwest’s Great Lakes — water is alive and in relationship with those of us who are blessed with such a world-shaping, yet abiding, intimate ally. Every day I am moved by the double life of water — her power and her humility. But most of all, I am grateful for the partnership of this great body of inland sea. Living by water, I am never alone. Just as water has sculpted soil and canyon, it also molds my own living space, and every story I tell. …Living by water restores my sense of balance and natural rhythm — the ebb and flow of high tides and low tides, so like the rise and fall of everyday life. Wind, water, waves are not simply a backdrop to my life, they are steady companions. And that is the grace, the gift of inviting nature to live inside my home. Like a Chambered Nautilus I spin out my days, drifting and dreaming, nurtured by marine mists, like another bright shell on the beach, balancing on the back of a greater body.

When a woman withdraws to give birth the sun may be shining but the shutters of her room are closed so she can make her own weather. She is kept in the dark so she can dream. Her dreams drift her far away, from terra firma to a marshy tract of land, to a landing stage, to a river where a mist closes over the further bank, and earth and sky are inseparate; there she must embark towards life and death, a muffled figure in the stern directing the oars. In this vessel prayers are said that men never hear. Bargains are struck between a woman and her God. The river is tidal, and between one feather-stroke and the next, her tide may turn.

And he married the Echo one fortunate morn, And Woman, their beautiful daughter, was born! The daughter of Sunshine and Echo she came With a voice like a song, with a face like a flame; With a face like a flame, and a voice like a song, And happy was Man, but it was not for long! For weather's a painfully changeable thing, Not always the child of the Echo would sing; And the face of the Sun may be hidden with mist, And his child can be terribly cross if she list. And unfortunate man had to learn with surprise That a frown's not peculiar to masculine eyes; That the sweetest of voices can scold and sneer, And cannot be answered - like men - with a spear

Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year

Funny weather today,’ said the ferryman, bending slowly to his oars. ‘In the morning you wake up to such a mist that you can’t see two fathoms distance. And then about ten o’clock out comes the sun. One says to oneself “Here’s spring on the way”. And no sooner said than hailstorms set in for the afternoon. And now the wind’s getting up, and there’s going to be quite a blow, that’s certain. Funny weather.

After the library closes in the evening he walks back to her apartment, maybe picking up some food or a four-euro bottle of wine on the way. When the weather is good, the sky feels miles away, and birds wheel through limitless air and light overhead. When it rains, the city closes in, gathers around with mists; cars move slower, their headlights glowing darkly, and the faces that pass are pink with cold.

THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.

We may achieve climate, but weather is thrust upon us. Santone, then, cannot be blamed for this cold gray fog that came and kissed the lips of the three thousand, and then delivered them to the cross. That night the tubercles, whose ravages hope holds in check, multiplied. The writhing fingers of the pale mist did not go thence bloodless. Many of the wooers of ozone capitulated with the enemy that night, turning their faces to the wall in that dumb, isolated apathy that so terrifies their watchers. On the red stream of Hemorrhagia a few souls drifted away, leaving behind pathetic heaps, white and chill as the fog itself. Two or three came to view this atmospheric wraith as the ghost of impossible joys, sent to whisper to them of the egregious folly it is to inhale breath into the lungs, only to exhale it again, and these used whatever came handy to their relief, pistols, gas or the beneficent muriate. - A Fog in Santone (1898-1901)

... and I knew what I wanted: I would settle in a hill station and write my novel. I had visions of myself at a table on a large veranda, my notes spread out in front of me next to a steaming cup of tea. Green hills heavy with mists would lie at my feet and the shrill cries of monkeys would fill my ears. The weather would be just tight, requiring a light sweater mornings and evenings, and something short-sleeved midday. Thus set up, pen in hand, for the sake of greater truth, I would turn Portugal into a fiction. That's what fiction is about, isn't it, the selective transforming the reality? The twisting of it to bring out its essence? What need did I have to go to Portugal?

I recently lost my partner." "Your business partner?" "No. My dog. But not just a dog." "Of course," he said instantly "Some dogs are not just dogs." To my astonishment he clapped his hand over mine and held it there. His face was red and contorted and tears spilled into his beard. I admire those who wear their emotions openly, for I have always concealed mine, and the years of scar tissue and isolation have only served to bury them deeper. "You know this pain," I said. " Oh yes. My beloved Czolgosz. Faithful through all weathers. Except very bad weather. Or any kind of precipitation at all. A light mist and he would become traitorous and seek shelter with whomever. Bu my shadow. A better, kinder shadow.

And by God, what a day! You know the kind of day that generally comes some time in March when winter suddenly seems to give up fighting. For days past we’d been having the kind of beastly weather that people call “bright” weather, when the sky’s a cold hard blue and the wind scrapes you like a blunt razor-blade. Then suddenly the wind had dropped and the sun got a chance. You know the kind of day. Pale yellow sunshine, not a leaf stirring, a touch of mist in the far distances where you could see the sheep scattered over the hillsides like lumps of chalk. And down in the valleys fires were burning, and the smoke twisted slowly upwards and melted into the mist. I’d got the road to myself. It was so warm you could almost have taken your clothes off.

raids. “The secret transmitters, in particular, should marshal witnesses who must give horrifying accounts of the destruction they have seen with their own eyes.” This effort, he instructed, should also include transmissions warning listeners that fog and mist would not protect them from aerial attack; bad weather merely confused the aim of German bombers and made it more likely that bombs would fall on unintended targets. Goebbels warned the heads of his foreign and domestic press departments to prepare for a drive by the British to use atrocity stories about the bombing deaths of old men and pregnant women to arouse the world’s conscience. His press chiefs were to be ready to counter these claims at once, using pictures of children killed in a May 10, 1940, air raid on Freiburg, Germany. What he did not

IN BERLIN ON SATURDAY MORNING, Joseph Goebbels focused his regular propaganda meeting on how best to take advantage of what he believed must certainly be a rising sense of dread among England’s civilian population. “The important thing now,” he told the gathering, “is to intensify as far as possible the mood of panic which is undoubtedly slowly gaining ground in Britain.” Germany’s secret transmitters and foreign-language service were to continue describing the “frightful effects” of air raids. “The secret transmitters, in particular, should marshal witnesses who must give horrifying accounts of the destruction they have seen with their own eyes.” This effort, he instructed, should also include transmissions warning listeners that fog and mist would not protect them from aerial attack; bad weather merely confused the aim of German bombers and made it more likely that bombs would fall on unintended targets.

A tree can lift and transpire vast amounts of water. A single tree in the Amazon rain forest lifts hundreds of liters of water every day. The rain forest behaves like a green ocean, transpiring water that rains upward, as though gravity were reversed. These transpired mists then flow across the continent in great rivers of vapor. The water condenses, falls as rain, and is pulled back up again through the trees. It rises and falls on its westward migration an average of six times before finally hitting the physical barrier of the Andes mountains and flowing back across the continent as the mightiest river on Earth. Similarly, Indonesia, with 114 million hectares (280 million acres) of tropical forest (it is the second most forested country in the world after Brazil) is a vital part of the Asian hydrologic cycle. Around the world, forests constantly replenish Earth’s supply of fresh water and play a key role in weather and climate.

Yet each time, after consulting her watch, she sat down again at my request, so that in the end she had spent several hours with me without my having demanded anything of her; the things I said to her were related to those I had said during the preceding hours, were totally unconnected with what I was thinking about, what I desired, and remained doggedly parallel to all this. There is nothing like desire for obstructing any resemblance between what one says and what one has on one’s mind. Time presses, and yet it seems as though we were trying to gain time by speaking about things that are utterly alien to the one thing that preoccupies us. We chatter away, whereas the words we should like to utter would have by now been accompanied by a gesture, if indeed we have not – to give ourselves the pleasure of immediate action and to slake the curiosity we feel about the ensuing reactions to it – without a word, without so much as a by-your-leave, already made this gesture. It is true that I was not in the least in love with Albertine: born from the mist outside, she could do no more than satisfy the fanciful desire awakened in me by the change in the weather, poised midway between the desires that are satisfied by culinary arts and by monumental sculpture respectively, because it made me dream both of mingling my flesh with a substance that was different and warm, and of attaching to some point of my recumbent body a divergent body, as Eve’s body is barely attached by the feet to the side of Adam, to whose body hers is almost perpendicular in the Romanesque bas-reliefs in the Balbec cathedral, representing in so noble and so placid a fashion, still almost like a classical frieze, the creation of woman; in them God is followed everywhere, as by two ministers, by two little angels recalling – like the winged, swirling creatures of the summer that winter has caught by surprise and spared – cupids from Herculaneum still surviving well into the thirteenth century, flagging now in their last flight, weary, but never relinquishing the grace we might expect of them, over the whole front of the porch.

I don’t know if I’ve mentioned this to you before, but a few years ago, I started keeping a diary, which I called ‘the life book’. I began with the idea of writing one short entry each day, just a line or two, describing something good. I suppose by ‘good’ I must have meant something that made me happy or brought me pleasure. I went back to look at it the other day, and the early entries are all from that autumn, almost six years ago now. Dry upturned sycamore leaves scuttling like claws along the South Circular Road. The artificial buttered taste of popcorn in the cinema. Pale-yellow sky in the evening, Thomas Street draped in mist. Things like that. I didn’t miss a day through all of September, October, November that year. I could always think of something nice, and sometimes I would even do things for the purpose of putting them in the book, like taking a bath or going for a walk. At the time I felt like I was just absorbing life, and at the end of the day I never had to strain to think of anything good I had seen or heard. It just came to me, and even the words came, because my only aim was to get the image down clearly and simply so that I would later remember how it felt. And reading those entries now, I do remember what I felt, or at least what I saw and heard and noticed. Walking around, even on a bad day, I would see things—I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that—like I was an instrument and the world touched me and reverberated inside me.

We were on a family holiday to Cyprus to visit my aunt and uncle. My uncle Andrew was then the brigadier to all the British forces on the island, and as such a senior military figure I am sure he must have dreaded us coming to town. After a few days holed up in the garrison my uncle innocently suggested that maybe we would enjoy a trip to the mountains. He already knew the answer that my father and I would give. We were in. The Troodos Mountains are a small range of snowy peaks in the center of the island, and the soldiers posted to Cyprus use them to ski and train in. There are a couple of ski runs, but the majority of the peaks in winter are wild and unspoiled. In other words, they are ripe for an adventure. Dad and I borrowed two sets of army skis and boots from the garrison up in the hills and spent a great afternoon together skiing down the couple of designated runs. But designated runs can also be quite boring. We both looked at each other and suggested a quick off-piste detour. It was all game…age eleven. It wasn’t very far into this between-the-trees deep-powder detour that the weather, dramatically, and very suddenly, took a turn for the worse. A mountain mist rolled in, reducing visibility to almost zero. We stopped to try and get, or guess, our directions back to the piste, but our guess was wrong, and very soon we both realized we were lost. (Or temporarily geographically challenged, as I have learned to call it.) Dad and I made the mistake that so many do in that situation, and plowed on blind, in the vain hope that the miraculous would occur. We had no map, no compass, no food, no water, no mobile telephone (they hadn’t even been invented yet), and in truth, no likelihood of finding our way. We were perfect candidates for a disaster.

Spring was a long time unfolding. During the last weeks of Lent the weather was clear and frosty. In the daytime it thawed in the sun, but at night it went down to seven below; there was such a crust that carts could go over it where there was no road. There was still snow at Easter. Then suddenly, on Easter Monday, a warm wind began to blow, dark clouds gathered, and for three days and nights warm, heavy rain poured down. On Thursday the wind dropped, and a thick grey mist gathered, as if concealing the mysteries of the changes taking place in nature. Under the mist waters flowed, ice blocks cracked and moved off, the muddy, foaming streams ran quicker, and on the eve of Krasnaya Gorka the mist scattered, the dark clouds broke up into fleecy white ones, the sky cleared, and real spring unfolded. In the morning the bright sun rose and quickly ate up the thin ice covering the water, and the warm air was all atremble, filled with the vapours of the reviving earth. The old grass and the sprouting needles of new grass greened, the buds on the guelder-rose, the currants and the sticky, spiritous birches swelled, and on the willow, all sprinkled with golden catkins, the flitting, newly hatched bee buzzed. Invisible larks poured trills over the velvety green fields and the ice-covered stubble, the peewit wept over the hollows and marshes still filled with brown water; high up the cranes and geese flew with their spring honking. Cattle, patchy, moulted in all but a few places, lowed in the meadows, bow-legged lambs played around their bleating, shedding mothers, fleet-footed children ran over the drying paths covered with the prints of bare feet, the merry voices of women with their linen chattered by the pond, and from the yards came the knock of the peasants’ axes, repairing ploughs and harrows. The real spring had come.

My bedroom is separated from the main body of my house so that I have to go outside and cross some pseudo-Japanese stepping stones in order to go to sleep at night. Often I get rained on a little bit on my way to bed. It’s a benediction. A good night kiss. Romantic? Absolutely. And nothing to be ashamed of. If reality is a matter of perspective, then the romantic view of the world is as valid as any other - and a great deal more rewarding. It makes of life and unpredictable adventure rather that a problematic equation. Rain is the natural element for romanticism. A dripping fir is a hundred times more sexy than a sunburnt palm tree, and more primal and contemplative, too. A steady, wind-driven rain composed music for the psyche. It not only nurtures and renews, it consecrates and sanctifies. It whispers in secret languages about the primordial essence of things. Obviously, then, the Pacific Northwest's customary climate is perfect for a writer. It's cozy and intimate. Reducing temptation (how can you possibly play on the beach or work in the yard?), it turns a person inward, connecting them with what Jung called "the bottom below the bottom," those areas of the deep unconscious into which every serious writer must spelunk. Directly above my writing desk there is a skylight. This is the window, rain-drummed and bough-brushed, through which my Muse arrives, bringing with her the rhythms and cadences of cloud and water, not to mention the latest catalog from Victoria's Secret and the twenty-three auxiliary verbs. Oddly enough, not every local author shares my proclivity for precipitation. Unaware of the poetry they're missing, many malign the mist as malevolently as they non-literary heliotropes do. They wring their damp mitts and fret about rot, cursing the prolonged spillage, claiming they're too dejected to write, that their feet itch (athlete's foot), the roof leaks, they can't stop coughing, and they feel as if they're slowly being digested by an oyster. Yet the next sunny day, though it may be weeks away, will trot out such a mountainous array of pagodas, vanilla sundaes, hero chins and god fingers; such a sunset palette of Jell-O, carrot oil, Vegas strip, and Kool-Aid; such a sea-vista display of broad waters, firred islands, whale spouts, and boat sails thicker than triangles in a geometry book, that any and all memories of dankness will fizz and implode in a blaze of bedazzled amnesia. "Paradise!" you'll hear them proclaim as they call United Van Lines to cancel their move to Arizona.

It rained for four days and four nights, hard. Aniline wasn’t used to it. At first in the neighborhoods, ditches adjacent to the streets handled the flood. The water finished filling the ditches and hid the potholes in the roads. Rain then brimmed the streets over, making Aniline into Venice. It eventually spread out in the low spots in the driveways, invaded lawns, and crept up towards the house foundations. People wandered into the café with squelching boots and comments ranging from philosophical to querulous. Then the weather broke. They had two intensely hot days. Banks of mist rose off the saturated yards and fields. The roads drained, and a blanket of mud covered the pavements. As if all this wasn’t enough, a super-cell thunderstorm rolled towards them to give them another taste of violent Texas weather.

NOT ONLY WAS THE weather miserable, with frequent rains and mists, Britain was also not worth having. The phenomenal expansion of the Roman Empire was driven by what Tacitus called the pretium victoriae, the ‘wages of victory’ or how much wealth could be extracted from the defeated by the conquerors. A sodden landscape, half-hidden by cloud, producing nothing more exciting than cattle, corn and a few substandard pearls, the place was thought simply incapable of delivering a decent return on all that outlay of men, materials and money. Roman commentators dismissed a conquest of Britain as making no sort of economic sense.

A grim mood has gripped the country,” the opponent had concluded, barely concealing his own broad grin. And unfortunately, this was perfectly true. The Prime Minister felt it himself; people really did seem more miserable than usual. Even the weather was dismal; all this chilly mist in the middle of July. . . . It wasn’t right, it wasn’t normal. . . .

Then came the first hint of fog, all silver and gold, and then more and more, turning grey and blue. Fog like that was beautiful, and it was dangerous, for you could get lost in it easily.

of the tiny aircraft and helped the third passenger aboard, his girlfriend Sandra, 30. The plane taxied and sped down the runway. As it rose into the blue California sun, Norman felt a surge of excitement. But as they banked east over Venice Beach, it was clear there was a storm ahead. In front of them a thick blanket of grey cloud was smothering the San Bernardino Mountains. Only the very tips of their 3,000 m (10,000 ft) peaks showed above the gloom. Norman Senior asked the pilot if it was okay to fly in that weather. The pilot reassured them: it was just a thirty-minute hop. They’d stay low and pop through the mountains to Big Bear before they knew it. Norman wondered if he’d be able to see the slope he’d won the championship on when they wheeled round Mount Baldy. His dad nodded and sat back to read the paper and whistle a Willie Nelson tune. Up front, Norman was savouring every moment. He stretched up to see over the plane’s dashboard and listened to the air traffic chatter on his headphones. As the foothills rose below them, he heard Burbank control pass their plane on to Pomona Control. The pilot told Pomona he wanted to stay below 2,300 m (7,500 ft) because of low freezing levels. Then a private plane radioed a warning against flying into the Big Bear area without decent instruments. Suddenly, the sun went out. The greyness was all around them, as thick as soup. They had pierced the storm. The plane shook and lurched. A tree seemed to flit by in the mist, its spiky fingers lunging at the window. But that couldn’t be, not up here. Then there really was a branch outside and with a sickening yawn, time slowed down and the horror unfurled. Norman instinctively curled into a ball. A wing clipped into a tree, tumbling the plane round, up, down, over and round. The spinning only stopped when they slammed into the rugged north face of Ontario Peak. The plane was instantly smashed into debris and the passengers hurled across an icy gully. And there they lay, sprawled amid the wreckage, 75 m (250 ft) from the top of the 2,650 m (8,693 ft) high mountain and perched on a 45-degree ice slope in the heartless storm.

the huge box seemed to resist illumination; it stood in shadows that appeared to be unrelated to the fall of light, as if a darkness as soft as soot seeped from the thing, gathering under and around it in a miasmic mist.

Her momentum ran out, and she spun quietly, whiteness below, light above. She noticed that she’d trailed a line of mist up out of the main cloud. This hung like a tether ready to pull her back down. In fact, all the mists were spinning slightly in what looked like an enormous weather pattern. A whirlpool of white. The heart of the whirlpool was directly beneath her.

I am enamored of my new wife.” “I am in transports to hear it. Likely she is as well.” Deene turned and hooked his elbows over the mare’s half door. “I wasn’t aware a man bruited such sentiments about, or is this another aspect of domestic life about which I am too newly married to be knowledgeable?” Kesmore looked like he might be considering parting with a smile in a few weeks time, provided the weather held fair. “You’ll learn. They teach us, no matter we’re slow to absorb the lesson. Make the first time count, though.” “The first time?” “For God’s sake, man, the first time you tell her you love her. Make it count. Even His Grace knew that much.” “Of course I love her.” Who could not love such a courageous, generous, fierce, passionate… The words trailed off in Deene’s mind, disappearing into a mist of surprise, wonder, and joy. He was at risk for babbling and laughing out loud, for doing something outrageous, like kissing Kesmore on the cheeks. “Of course I love my wife.” The feeling settled around Deene’s heart, warm, substantial, and right. He loved his Evie; he would always love her. The certainty was his both to keep and his to share with her when the moment was right. “Of

She

As if the weather knew the calendar the last day of August broke with a hard killing frost. Where the sun fell the world spangled, autumn arriving in glacial brilliance, almost suggesting snow over the grass and low shrubbery. Where the sun has not yet struck it was ghostly, a pewter finish over the sagging grass and wilted goldenrod stems. The pods of milkweed were brittle and broke open to release their slight spherical webs of seed onto any straggle of breeze. Smoke streamed white straight up from chimney tops and mist obscured the lake, hanging in sheets of cold vapor that disintegrated slowly from the top down as the sun came over the hills. A third-quarter moon hung against the endless fathoms of a colbalt heaven, the moon a quartzite river stone.

All Hallows Eve has come. The timeless turning of the Sky has whirled and rushed, creaked and groaned, and finally aligned with a hallowed doorway of Sabbat embedded in the great whiteness and darkness behind it. The day begins to fade; a long Owl-light heralds the hidden season of mists, the ancient winter, the carnival of misrule. Shadows grow lengthy; the sun turns red and then black, and the air is dark. The screaming of insects, the sound of the bullbat, the barks and growls of creatures unseen all begin to permeate the nighted woodlands. The air is chilly, but that cold isn't only the weather; it is the cold of Elfhame seeping out into the human world.

In March 1810 Louis Simond gave a vivid description of the more normal winter smog: It is difficult to form an idea of the kind of winter days in London; the smoke of fossil coals forms an atmosphere, perceivable for many miles, like a great round cloud attached to the earth. In the town itself, when the weather is cloudy and foggy, which is frequently the case in winter, this smoke increases the general dingy hue, and terminates the length of every street with a fixed grey mist, receding as you advance. But when some rays of sun happens to fall on this artificial atmosphere, its impure mass assumes immediately a pale orange tint…loaded with small flakes of soot…so light as to float without falling. This black snow sticks to your clothes and linen, or lights on your face. You just feel something on your nose, or your cheek,—the finger is applied mechanically, and fixes it into a black patch! 66

It’s the way the fog still rises, on chill and rotten nights. Some people think it’s just weather, but my granddaddy always said it was her: Eleanor Starling, whittled down to nothing but malice and mist, still thirsty for Gravely blood, haunting the town that still hates her.

Fall. Rain. Wind. Depressing! And it was only going to get worse. Chilly, overcast weather was forecast for the rest of November. Then again, October had been beautiful. The autumn leaves glowing red, yellow, and orange; glorious sunshine; blue skies; and a wonderful crispness in the air. But unfortunately those days were gone. It was the first week in November; dead leaves swirled around in the wind, rain clouds hung low over Gothenburg, and the contours of the city dissolved in the damp mist.

Now let the song begin! Let us sing together Of sun, stars, moon and mist, rain and cloudy weather, Light on the budding leaf, dew on the feather, Wind on the open hill, bells on the heather, Reeds by the shady pool, lilies on the water: Old Tom Bombadil and the River-daughter!

brief glimpses of sun between otherwise omnipresent dull gray cloud cover, a shapeless mist blanketing the sky. Weather’s

brief glimpses of sun between otherwise omnipresent dull gray cloud cover, a shapeless mist blanketing the sky. Weather’s equivalent of depression, I mused, replicating the mind’s perception in the atmosphere.

Five miles of irregular upland, during the long inimical seasons, with their sleets, snows, rains, and mists, afford withdrawing space enough to isolate a Timon or a Nebuchadnezzar; much less, in fair weather, to please that less repellent tribe, the poets, philosophers, artists, and others who “conceive and meditate of pleasant things.

Yes, that was it; it produced what seemed like a subtraction of noise, because one was used to sound accompanying weather; wind sighed or roared, rain drummed or hissed or—if it was mist and too light to produce noise directly—at least created drips and glugs. But snow falling with no wind to accompany it seemed to defy nature; it was like watching a screen with the sound off, it was like being deaf. That was it.

Nice weather, huh,” Roslyn said, looking around. Dell glanced toward the gray overcast sky. A cold mist was falling, and the road was a muddy mess. He looked at a grinning Roslyn. “If you like depressing weather, then yes, it’s a beautiful morning.” “So you’re a hot, humid, sunny-kind-of-day guy?” She skirted a muddy puddle before keeping in step with him. “Guess so.” Dell shrugged, a half grin on his face. “I guess you’re a gloomy, soggy, cold-kind-of-day girl.” “Guess so.” She repeated his answer, then laughed. “Hey, there’s nothing wrong with these kinds of days every once in a while. It’s good cuddling weather with a good book or a television show. Plus, it’s hoodie weather, and I love hoodies.

You know that mist isn't natural. It never leaves. What weather is unchanging with the seasons?

He was already tired of the rain. He never took long to grow weary of it in winter, though he liked it in the summertime when it fell hard, silver and green, and afterward steamed from the backs of horses, steamed up from the railroad ties and lay in a mist along Town Creek. In summer, the birds sang after a rain, but no such music rose from the cold drizzle of the dead time. Only silence, and only the dark.

Every morning I try to take in the skyscape, the upper and lower clouds, and the winds that are carrying them, as well as any dew, frost, mist, or other signs.