Miss You Brother Quotes

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I miss my brother, and if you won’t fight for the thing that makes you happy, then I’m going to fight for you.
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
Only two years dead, and it was getting harder for me to feel…anything. I was starting to slip into the darkness. The numbness. And the worst part is that it wasn’t even scary. I was losing myself, and I didn’t even care. Then I met you, and at first I didn’t understand what had happened. What had changed. All I knew was that I wanted to be near you. Then you helped me with Addison, even though it nearly got you killed—I nearly got you killed—and I started to understand how special you are. But by then, you were getting serious with Nash. With my brother—one of few people in the whole world I still gave a damn about. So I tried to stay away. I tried so hard.” His voice cracked on the last word, and my heart cracked with it. Tears stood in my eyes, but I was afraid to let them fall. I was afraid to even breathe for fear of missing a single word. "But you kept pulling me back. You’re the brightest thing I’ve ever seen, Kaylee. You’re this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out—if I tried to touch you—I’d get burned. Because you’re not mine. I’m not supposed to feel the fire. I’m not supposed to want it. But I do. I want you, Kaylee, like I’ve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
Rachel Vincent (If I Die (Soul Screamers, #5))
Brother dear,” I said, “did your soul leave your body while Amos was talking, or did you actually hear him? Egyptian gods real. Red Lord bad. Red Lord’s birthday: very soon, very bad. House of Life: fussy magicians who hate our family because dad was a bit of a rebel, whom you could take a lesson from. Which leaves us—just us—with Dad missing, an evil god about to destroy the world, and an uncle who just jumped off the building—and I can’t actually blame him.” I took a breath. [Yes, Carter, I do have to breathe occasionally.]
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
The man might have died in a fit; but then the jewels are missing," mused the Inspector, "Ha! I have a theory. These flashes come upon me at times... What do you think of this, Holmes? Sholto was, on his own confession, with his brother last night. The brother died in a fit, on which Sholto walked off the treasure! How's that?" "On which the dead man very considerately got up and locked the door on the inside," said Holmes.
Arthur Conan Doyle (The Sign of Four (Sherlock Holmes, #2))
Your brother Trent. And Travis. And you’re Thomas. Who am I missing? Tiger and Toadstool?
Jamie McGuire (Beautiful Redemption (The Maddox Brothers, #2))
Listen, kid. This is what happens: Somebody-girl usually-got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just fly away. And maybe you never see the balloon again. It lands in Canada or somethin', gets work at a restaurant, and before the balloon even notices, it's been pouring coffee in that same dinner to the same sad bastards for thirty years. Or maybe three or four years from now or three or four days from now, the prevailing winds take the balloon back home, because it needs money, or it sobered up, or it misses its kid brother. But listen, kid, that string gets cut all the time." "Yeah, bu-" "I'm not finished, kid. The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk, one way or another, and after awhile a man can get discouraged. Everywhere the balloons, and each of them with a mother and father, or God forbid both, and after a while, you can't even see'em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.
John Green (Paper Towns)
I am not in love with you," she said. "It is an infatuation. I have heard of such derangements happening to elderly spinsters.
Loretta Chase (Miss Wonderful (Carsington Brothers, #1))
If I were a cinnamon peeler I would ride your bed and leave the yellow bark dust on your pillow. Your breasts and shoulders would reek you could never walk through markets without the profession of my fingers floating over you. The blind would stumble certain of whom they approached though you might bathe under rain gutters, monsoon. Here on the upper thigh at this smooth pasture neighbor to your hair or the crease that cuts your back. This ankle. You will be known among strangers as the cinnamon peeler's wife. I could hardly glance at you before marriage never touch you -- your keen nosed mother, your rough brothers. I buried my hands in saffron, disguised them over smoking tar, helped the honey gatherers... When we swam once I touched you in water and our bodies remained free, you could hold me and be blind of smell. You climbed the bank and said this is how you touch other women the grasscutter's wife, the lime burner's daughter. And you searched your arms for the missing perfume. and knew what good is it to be the lime burner's daughter left with no trace as if not spoken to in an act of love as if wounded without the pleasure of scar. You touched your belly to my hands in the dry air and said I am the cinnamon peeler's wife. Smell me.
Michael Ondaatje (The Cinnamon Peeler: Selected Poems)
I stand there for a while, then sit cross-legged before it and bow my head. "Hi, Metias," I say in a soft voice. "Today's my birthday. Do you know how old I am now?" I close me eyes, and through the silence surrounding me I think I can sense a ghostly hand on my shoulder, my brother's gentle presence that I'm able to feel every now and then, in these quiet moments. I imagine him smiling down at me, his expression relaxed and free. "I'm twenty-seven today," I continue in a whisper. My voice catches for a moment. "We're the same age now." For the first tine in my life, I am no longer his little sister. Next year I will step across the line and he will still be in the same place. From now on, I will be older than he ever was. I try to move on to other thoughts, so I tell my brother's ghost about my year, my struggles and successes in commanding my own patrols, my hectic workweeks. I tell him, as I always do, that I miss him. And as always, I can hear the whisper of his ghost against my ear, his gentle reply that he misses me too. That he's looking out for me, from wherever he is.
Marie Lu (Champion (Legend, #3))
Chad stared at his publicist/babysitter/daughter of Satan. “Jesus, woman, I do not envy the man you end up with.” Miss Gore’s smile was pure evil. “Neither do I.
Jennifer L. Armentrout (Tempting the Player (Gamble Brothers, #2))
You know, you remind me of my younger brother. I miss that kid, so much that I sometimes regret killing him.
Jack Kilborn (Serial Uncut: Extended Edition)
Once, not too long ago, you were the good brother. You were careful with everyone's feelings. It was fucking ridiculous how polite and thoughtful you were. You've changed man. Cant believe I'm saying this, but I miss that guy. He was someone I always admired. I couldn't be proud of my choices, but I was always so damn proud of yours.
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
I've learned over the past years what it really means to be able to miss someone. In order to miss someone, that means you were privileged enough to have them in your life to begin with. And while seventeen years doesn't seem like near enough time to have spent with you over the course of a lifetime, it's still seventeen more years than the people that never knew you at all. So if I look at it that way ... I'm pretty damn lucky. I'm the luckiest brother ever in the whole wide world.
Colleen Hoover (Losing Hope (Hopeless, #2))
Sometimes good-bye is a second chance. Clears your head. Anyway... missing someone makes you remember why you loved that person in the first place.
Jamie McGuire (Something Beautiful (The Maddox Brothers, #4.5))
Miss you,” he said. It was the barest murmur, scarcely a sound.
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
You know, you remind me of my younger brother. I miss that kid, so much that I sometimes regret killing him.
Blake Crouch (Serial Uncut: Extended Edition)
Good morning, Mr. Mitchell.” “It is a good morning, isn’t it, Sherry? Could you possibly give him the memo?” He pointed to his brother. “I think he missed it.
Ella Frank (Take (Temptation, #2))
I could have done even better, miss, and I'd know a lot more, if it wasn't for my destiny ever since childhood. I'd have killed a man in a duel with a pistol for calling me low-born, because I came from Stinking Lizaveta without a father, and they were shoving that in my face in Moscow. It spread there thanks to Grigory Vasilievich. Grigory Vasilievich reproaches me for rebelling against my nativity: 'You opened her matrix,' he says. I don't know about her matrix, but I'd have let them kill me in the womb, so as not to come out into the world at all, miss.
Fyodor Dostoevsky (The Brothers Karamazov)
I don’t think you can even begin to understand what your words mean to me. Even if they were addressed to Forest in the beginning. You were a sister writing to her missing older brother. And I felt that pain as a brother who had lost the only sibling he ever had.
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
Your twin brother is, as you said, an abandoned house. If no one is home, then someone is missing. So you grieve.
Wally Lamb (I Know This Much Is True)
George leaned to the right so that he could see her from behind his brother. “Shall I strangle him or will you?” She rewarded him with a devious smile. “Oh, it must be a joint endeavor, don’t you think?” “So that you may share the blame?” Andrew quipped. “So that we may share the joy,” Billie corrected. “You wound me.” “Happily, I assure you.
Julia Quinn (Because of Miss Bridgerton (Rokesbys, #1))
That was sort of our family portrait. It's not the kind of thing you think you would miss. Maybe you don't even notice it at all those thousands of times, sitting between your mum and dad on the big green couch with your brother on the carpet getting in the way of the telly. Maybe you don't even notice that. But you notice it when he isn't there anymore. You notice so many places where he isn't, and you hear so many of the things he doesn't say. I do. I hear them all the time.
Nathan Filer (The Shock of the Fall)
You failed me. His brother’s voice, louder than ever in his head. You let him dupe you all over again. Kaz had called Jesper by his brother’s name. A bad slip. But maybe he’d wanted to punish them both. Kaz was older now than Jordie had been when he’d succumbed to the Queen’s Lady Plague. Now he could look back and see his brother’s pride, his hunger for fast success. You failed me, Jordie. You were older. You were supposed to be the smart one. He thought of Inej asking, Was there no one to protect you? He remembered Jordie seated beside him on a bridge, smiling and alive, the reflection of their feet in the water beneath them, the warmth of a cup of hot chocolate cradled in his mittened hands. We were supposed to look out for each other. They’d been two farm boys, missing their father, lost in this city. That was how Pekka got them. It wasn’t just the enticement of money. He’d given them a new home. A fake wife who made them hutspot, a fake daughter for Kaz to play with. Pekka Rollins had lured them with a warm fire and the promise of the life they’d lost. And that was what destroyed you in the end: the longing for something you could never have.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Ooh, you’re Sophie?” the girl—who Sophie assumed was Bex—asked. “My brother talks about you all the time.” “No I don’t—and get back here, Lex!” Dex grabbed one of the boys by his furry collar and jerked him back to his side. “Yes he does,” the other boy—who had to be Rex—corrected, flashing a huge grin with a big black space where one of his front teeth was missing. “He liiiiiiiiiiiiikes you.” “I do not!” “Yes you do!” Sophie stared at her furry feet as all three kids made kissing noises and Dex threatened to destroy everything they owned and dragged them away.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
I never know what to tell them. I mean, there's nothing you can say to make a person stop hurting. Half the time, I just feel like telling them the truth. I'd say that for 3 months, you're going to feel worse than you've ever felt and you cope as best you can. And that after 6 months, the pain isn't so bad, but it still hurts more than you think it will. And even after years, you still find yourself thinking about the person you lost and get sad about it. And you still miss them all the time.
Nicholas Sparks (Three Weeks with My Brother)
Great way to impress your future brother-in-law, by the way," Kieran continued. "You look like you took a blood bath. The only thing missing is the axe. Would Dallas really let his little sister date a crazed murderer who hacks bodies in the basement? You need to change that shirt pronto. And oh, you're welcome. I just saved you from making a complete and utter fool of yourself, but don't mention it." I curled my lips into a fake smile. "Thanks. It's so nice to know you've got my back." Kieran regarded me coolly. "A hobby might help ease all that hunger. Have you ever considered fixing cars, or woodworking, or maybe a DIY project around the house?" "You're getting a big laugh out of this, aren't you?" Kieran shrugged. "There's nothing on TV.
Jayde Scott (A Job From Hell (Ancient Legends, #1))
I missed you so much, he replied in a more serious tone
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
He snorted. “Are you lying to me, Miss Marshall?” “Of course I am.” She smiled at him. “I thought it would put you at ease.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
To miss something, it has to belong to you, become a part of you. I never missed you, because you can’t miss what you never had.
Jamie Begley (Keeping What's His: Tate (Porter Brothers Trilogy, #1))
Colin's chuckles grew more heartfelt. "You really ought to have more faith in your favorite brother, dear sis." "He’s your favorite brother?" Simon asked, one dark brow raised in disbelief. "Only because Gregory put a toad in my bed last night," Daphne bit off, "and Benedict's standing has never recovered from the time he beheaded my favorite doll." "Makes me wonder what Anthony's done to deny him even an honorable mention," Colin murmured. "Don't you have somewhere else to be?" Daphne asked pointedly. Colin shrugged. "Not really." "Didn't," she asked through clenched teeth, "you just tell me you promised a dance to Prudence Featherington?" "Gads, no. You must have misheard." "Perhaps Mother is looking for you, then. In fact, I'm certain I hear her calling your name." Colin grinned at her discomfort. "You're not supposed to be so obvious," he said in a stage whisper, purposely loud enough for Simon to hear. "He'll figure out that you like him." Simon's entire body jerked with barely contained mirth. "It's not his company I'm trying to secure," Daphne said acidly. "It's yours I'm trying to avoid." Colin clapped a hand over his heart. "You wound me, Daff." He turned to Simon. "Oh, how she wounds me." "You missed your calling, Bridgerton," Simon said genially. "You should have been on the stage." "An interesting idea," Colin replied, "but one that would surely give my mother the vapors." His eyes lit up. "Now that's an idea. And just when the party was growing tedious. Good eve to you both." He executed a smart bow and walked off.
Julia Quinn (The Duke and I (Bridgertons, #1))
I launch myself at Tomás. I want to pound his chest and tell him he was a fool for risking himself. He shouldn’t have done it for me. Never for me. But my arms wrap around his shoulders. He smells of horses and home. He startles—then he returns the hug. My brother. No matter how far I push him away, he will pick me up again and piece me together. “Te extrañé.” I whisper the words into his chest. “I missed you too,” he replies. His voice brims with feelings.
Marieke Nijkamp (This Is Where It Ends)
We do this thing. We open our hearts to the world around us. And the more we do that, the more we allow ourselves to love, the more we are bound to find ourselves one day - like Dave, and Morley, and Sam, and Stephanie - standing in the kitchen of our live, surrounded by the ones we love, and feeling empty, and alone, and sad, and lost for words, because one of our loved ones, who should be there, is missing. Mother or father, brother or sister, wife or husband, or a dog or cat. It doesn't really matter. After a while, each death feels like all the deaths, and you stand there like eveyone else has stood there before you, while the big wind of sadness blows around and through you. "He was a great dog," said Dave. "Yes," said Morley. "He was a great dog.
Stuart McLean
I wish Mara knew that I’m jealous of her.” I whipped around to face him. “You can’t be serious.” Brooke shook her finger. “No interruptions, Mara.” My brother cleared his throat. “I wish she knew that I think she’s the most hilarious person on Earth. And that whenever she’s not home, I feel like I’m missing my partner in crime.” My throat tightened. Do not cry. Do not cry. “I wish she knew that she’s really Mom’s favorite—” I shook my head here. “—the princess she always wanted. That Mom used to dress her up like a little doll and parade her around like Mara was her greatest achievement. I wish Mara knew that I never minded, because she’s my favorite too.” A chin quiver. Damn. “I wish she knew that I’ve always had acquaintances instead of friends because I’ve spent every second I’m not in school studying or practicing piano. I wish she knew that she is literally as smart as I am—her IQ is ONE POINT lower,” he said, raising his eyes to meet mine. “Mom had us tested. And that she could get the same grades if she weren’t so lazy.” I slouched in my seat, and may or may not have crossed my arms over my chest defensively. “I wish she knew that I am really proud of her, and that I always will be, no matter what.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Enough. You're going to make yourself sick." He clasped her hand to help her up. She reluctantly let him. "But I haven't eaten more than a regular meal." "Lass, there's more where that came from. You doona have to behave like it's your last meal." She laughed without humor. "Spoken like a man who's never missed one." -Maddy
Kresley Cole (If You Deceive (MacCarrick Brothers, #3))
Are you missing the library again?" Seth asked, startling her as he walked into the room. Kendra turned to face her brother. "You caught me," she congratulated him. "I'm reading." "I bet the librarians back home are panicking. Summer vacation, and no Kendra Sorenson to keep them in business. Have they been sending you letters?" "Might not hurt you to pick up a book, just as an experiment." Whatever. I looked up the definition for 'nerd' in the dictionary. Know what it said?" "I bet you'll tell me." " 'If you're reading this, you are one.' " You're a riot." Kendra turned back to the journal, flipping to a random page. Seth took a seat on his bed across from her. "Kendra, seriously, I can sort of see reading a cool book for fun, but dusty old journals? Really? Has anybody told you there are magical creatures out there?" He pointed out the window. "Has anybody told you some of those creatures can eat you?" Kendra responded. "I'm not reading these just for fun. They have good info." "like what? Patton and Lena smooching?" Kendra rolled her eyes. "I'm not telling. You'll end up in a tar pit." "There's a tar pit?" he said, perking up. "Where?
Brandon Mull (Grip of the Shadow Plague (Fablehaven, #3))
If there's a feeling to home, it's this. A place where there are no secrets, where nothing stays buried; not the past and not yourself. Where you can be all the versions of you, see it all reflected back at you as you walk the same stairs, the same halls, the same rooms. Feel the ghost of your mother as you sit at the kitchen table, hear the words of your father circling round and round after dinner, and your brother stopping by, wishing you'd be a little better, a little stronger.... It's four walls echoing back everything you've ever been and everything you've ever done, and it's the people who stay despite it all. Through it all. For it all.
Megan Miranda (All the Missing Girls)
So, everything that’s happened, that’s just the way life is, and it’s never going to be the way you think you want it. I’m not embarrassed about my brother, but I just don’t want to relive it, because people ask, “Oh, where’s your brother, what’s he doing?” and I have to say I don’t know, I haven’t seen him in over 30 years.
Nicole Morris (Vanished: True Stories from Families of Australian Missing Persons)
Maybe espresso is one of those universal words because it's a little like life. You have to enjoy life slowly, savoring every single moment so you don't miss anything important. Like your brother's despair and your own self-destruction. Like surprise honeymoons and your kids growing up before your very eyes. Slow down, pay attention, and drink it in. And don't forget to share it with the ones you love.
Cassia Leo (Decode (Luke, #7))
Logically, I understand that it wasn't Edward's fault my family fell apart after he left. But when you're eleven years old, you don't give a flip about logic. You just really miss holding your big brother's hand.
Jodi Picoult (Lone Wolf)
My brothers taught me a hard lesson. No one can hurt you as badly as the people you love.
Ransom Riggs (Library of Souls (Miss Peregrine's Peculiar Children, #3))
You know, you remind me of my younger brother. I miss that kid, so much that I sometimes regret killing him.
J.A. Konrath
You're my brother, I miss you when you're away, I hate you when you hurt me, I love you when you're just yourself, I'm your sister when you do stupid things...
C.M.
As you walk and eat and travel, be where you are. Otherwise you will miss most of your life.” ― Gautama Buddha   ~Duane~
Penny Reid (Truth or Beard (Winston Brothers, #1))
I miss you, Logan." I touched my fingers to my lips, then to the forehead of the Keeley Brothers skull. "I miss you so much." Missing Logan was an emptiness, an ache so dull and deep, it was a permanent part of me. I would never truly get over his death, but someday I would find peace. Missing Zachary, on the other hand, was a searing knife in the gut. I burned to save him from the horrible fates I imagined, and the need to be in his arms again set my skin ablaze. One boy was gone forever. The other was gone now.
Jeri Smith-Ready (Shine (Shade, #3))
I’m in love with you, Clay,” I tell her. The car falls silent, like my brothers are afraid to breathe because they might miss something. Her lips open a little, and God, the softness that hits her eyes makes her look like she’d blow over in a light breeze. I swear I see a smile desperate to get out, and I want to say it again. “Just kidding.” I force a scoff. “Just wanted you to see how fucking gay you are.
Penelope Douglas (Tryst Six Venom)
 ‘Having a missing brother has made me far more compassionate. It’s really sad that we haven’t had an answer, that we don’t know, but there’s still that vestige of hope, if you haven’t heard anything. But it’s a painful bit of luggage to carry around with you.’.
Nicole Morris (Vanished: True Stories from Families of Australian Missing Persons)
Anabel shrugs. “Then take an earlier flight today so you get to see her at the airport, stupid.” Tom shakes his head. “I came to see both of you. To spend time with my womenfolk because I miss you like hell.” They’re both smiling and he knows he has said and done the right thing and that’s enough for him. Anabel reaches over and hugs him. “You’re the best brother in the world, Tom.” When she pulls away from the hug, she slaps him on the cheek. “Are you over it now?” she snaps. “Let’s go!” she says, grabbing their mother’s keys out of her hands. “I’m sick and tired of you people living interstate and overseas from people you want to be with. You’re ruining my life! All of you!
Melina Marchetta (The Piper's Son)
I’ve had a lot of sucks in life A lot My parents died almost four years ago, right after I turned seven With every day that goes by I remember them less and less Like my mom…I remember that she used to sing. She was always happy, always dancing. Other than what I’ve seen of her in pictures, I don’t really remember what she looks like. Or what she smells like Or what she sounds like And my Dad I remember more things about him, but only because I thought he was the most amazing man in the world. He was smart. He knew the answer to everything. And he was strong. And he played the guitar. I used to love lying in bed at night, listening to the music coming from the living room. I miss that the most. His music. After they died, I went to live with my grandma and grandpaul. Don’t get me wrong…I love my grandparents. But I loved my home even more. It reminded me of them. Of my mom and dad. My brother had just started college the year they died. He knew how much I wanted to be home. He knew how much it meant to me, so he made it happen. I was only seven at the time, so I let him do it. I let him give up his entire life just so I could be home. Just so I wouldn’t be so sad. If I could do it all over again, I would have never let him take me. He deserved a shot, too. A shot at being young. But sometimes when you’re seven, the world isn’t in 3-D. So, I owe a lot to my brother. A lot of ‘thank you’d’ A lot of ‘I’m sorry’s’ A lot of ‘I love you’s’ I owe a lot to you, Will For making the sucks in my life a little less suckier And my sweet? My sweet is right now.
Colleen Hoover (Point of Retreat (Slammed, #2))
A moment later, Noah's flying through the air, arms outstretched like he's on the cross. I feel a surge of adrenaline. And then what always happens: He slows down. I can't explain it, but it takes my brother forever to hit the surface of the water. I blink a few times at him suspended there midair as if on a tight rope. I've come to think either he has a way with gravity or I'm seriously missing more than a few buttons. I did read once that anxiety can significantly alter space-time perception.
Jandy Nelson (I'll Give You the Sun)
And her brother John set her on her horse.'Now you are high and I am low,Give me a kiss before ye go.’She leaned down to give him a kiss,He gave her a deep wound and did not miss.And with a knife as sharp as a dart,Her brother stabbed her to the heart. 
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
I've never had a friend before you," Evan croaks. "So, you know, thanks for that, I suppose. It—it was nice while it lasted." "You—" Regulus fumbles for Evan's hand, and their fingers clasp around each other, slipping from the blood. "I'm—Evan—" Evan hums, and he's slurring when he says, "Your turn, lover boy." "I miss my brother," Regulus confesses in a whisper
Zeppazariel (Crimson Rivers)
Bathsheba looked at Benedict. "You never told me they were matchmaking." "He didn't notice!" said his father before Benedict could answer. "He didn't notice handsome young misses of unexceptionable family. He didn't notice beautiful heiresses. We tried bluestockings. We tried country girls. We tried everything. He didn't notice! But Bathsheba Winngate, the most notorious woman in all of England, he noticed." "We notorious women tend to stand out," she said.
Loretta Chase (Lord Perfect (Carsington Brothers, #3))
Holy crap, Caleb! You're my uncle." Nick "No!" Caleb "It's worse. He's the half-brother of your great-grandfather." Kody "You're not helping." Caleb "No, but I'm entertaining myself at your adorable expense." Kody "Yeah, y'all are missing the important fact. To a Cajun, that makes him my uncle." Nick "Great. I always wanted to be a monkey's uncle. Nice to know I finally succeeded." Caleb
Sherrilyn Kenyon (Invision (Chronicles of Nick, #7))
POCKET-SIZED FEMINISM The only other girl at the party is ranting about feminism. The audience: a sea of rape jokes and snapbacks and styrofoam cups and me. They gawk at her mouth like it is a drain clogged with too many opinions. I shoot her an empathetic glance and say nothing. This house is for wallpaper women. What good is wallpaper that speaks? I want to stand up, but if I do, whose coffee table silence will these boys rest their feet on? I want to stand up, but if I do, what if someone takes my spot? I want to stand up, but if I do, what if everyone notices I’ve been sitting this whole time? I am guilty of keeping my feminism in my pocket until it is convenient not to, like at poetry slams or my women’s studies class. There are days I want people to like me more than I want to change the world. There are days I forget we had to invent nail polish to change color in drugged drinks and apps to virtually walk us home at night and mace disguised as lipstick. Once, I told a boy I was powerful and he told me to mind my own business. Once, a boy accused me of practicing misandry. You think you can take over the world? And I said No, I just want to see it. I just need to know it is there for someone. Once, my dad informed me sexism is dead and reminded me to always carry pepper spray in the same breath. We accept this state of constant fear as just another part of being a girl. We text each other when we get home safe and it does not occur to us that our guy friends do not have to do the same. You could saw a woman in half and it would be called a magic trick. That’s why you invited us here, isn’t it? Because there is no show without a beautiful assistant? We are surrounded by boys who hang up our naked posters and fantasize about choking us and watch movies we get murdered in. We are the daughters of men who warned us about the news and the missing girls on the milk carton and the sharp edge of the world. They begged us to be careful. To be safe. Then told our brothers to go out and play.
Blythe Baird
Jared called me. You missed your appointment today. He was worried," Raelynn said." Ah, shiiit," Sebastian groaned. " Alright, I'll call him in a few minutes. In the meantime why don't you get naked and come ride me," Sebastian smiled and glanced up at her with his glassy green eyes.Raelynn barked out a laugh at the out of no where comment. " You're crazy," Raelynn chuckled. " You already knew that, sweet cheeks," he said with a devilish smirk.
Andria Large (Sebastian (The Beck Brothers, #2))
That's right. Watch closely, so there's no fucking way you can miss how indisputably beautiful you are, because I don't intend to argue about this again. The next time I tell you you're gorgeous, you're going to say, 'Damn right I am.
Samanthe Beck (Best Man with Benefits (McCade Brothers #3; Wedding Dare #4))
Anytime I talk about my work informally, I inevitably encounter someone who wants to know why addicts become addicts. They use words like “will” and “choice,” and they end by saying, “Don’t you think there’s more to it than the brain?” They are skeptical of the rhetoric of addiction as disease, something akin to high blood pressure or diabetes, and I get that. What they’re really saying is that they may have partied in high school and college but look at them now. Look how strong-willed they are, how many good choices they’ve made. They want reassurances. They want to believe that they have been loved enough and have raised their children well enough that the things that I research will never, ever touch their own lives. I understand this impulse. I, too, have spent years creating my little moat of good deeds in an attempt to protect the castle of myself. I don’t want to be dismissed the way that Nana was once dismissed. I know that it’s easier to say Their kind does seem to have a taste for drugs, easier to write all addicts off as bad and weak-willed people, than it is to look closely at the nature of their suffering. I do it too, sometimes. I judge. I walk around with my chest puffed out, making sure hat everyone knows about my Harvard and Stanford degrees, as if those things encapsulate me, and when I do so, I give in to the same facile, lazy thinking that characterizes those who think of addicts as horrible people. It’s just that I’m standing on the other side of the moat. What I can say for certain is that there is no case study in the world that could capture the whole animal of my brother, that could show how smart and kind and generous he was, how much he wanted to get better, how much he wanted to live. Forget for a moment what he looked like on paper, and instead see him as he was in all of his glory, in all of his beauty. It’s true that for years before he died, I would look at his face and think, What a pity, what a waste. But the waste was my own, the waste was what I missed out on whenever I looked at him and saw just his addiction.
Yaa Gyasi (Transcendent Kingdom)
I sure do wish you the best of luck, Miss Connolly. and I hope you won't wait for Sean Kendrick to realize that he's lonely." I want to ask him, Wait for what? but Finn's come up then and it's not a question I want to ask in front of one of my brothers.
Maggie Stiefvater
Miss Charingford.” The words seemed unwillingly wrested from his chest. “Yes?” “You are only the eleventh prettiest woman in all of Leicester until you open your mouth.” Her mouth dropped open. To insult her, atop all the other horrible, awful, impolite, unacceptable things that he’d said? “Thank you so much for those kind words, Grantham,” she snapped out. “I’m glad to know that my mannerisms so sink me.” But this time, he didn’t smile at her; his eyes didn’t sparkle with that familiar mischief. “Once you speak,” he said, “you have no equal.
Courtney Milan (A Kiss for Midwinter (Brothers Sinister, #1.5))
She had been wrong in thinking Christ had been called up against his will to fight in a war. He didn't look - in spite of the crown of thorns - like someone making a sacrifice. Or even like someone determined to "do his bit". He looked instead like Marjorie had looked telling Polly she'd joined the Nursing Service, like Mr Humphreys had looked filling buckets with water and sand to save Saint Paul's, like Miss Laburnum had looked that day she came to Townsend Brothers with the coats. He looked like Captain Faulknor must have looked, lashing the ships together. Like Ernest Shackleton, setting out in that tiny boat across icy seas. Like Colin helping Mr Dunworthy across the wreckage. He looked ... contented. As if he was where he wanted to be, doing what he wanted to do. Like Eileen had looked, telling Polly she'd decided to stay. Like Mike must have looked in Kent, composing engagement announcements and letters to the editor. Like I must have looked there in the rubble with Sir Godfrey, my hand pressed against his heart. Exalted. Happy. To do something for someone or something you loved - England or Shakespeare or a dog or the Hodbins or history - wasn't a sacrifice at all. Even if it cost you your freedom, your life, your youth.
Connie Willis (All Clear (All Clear, #2))
Now he was gone. She said a silent prayer. Sent it up to heaven. Sam, if you can hear me, I hope you’ve got nice food where you are. Some vegetables like these. They’re meant to be good for you. So eat them all up, like I’m doing. When I die I’ll come and see you, and we’ll be together again. But for now I’m going to think of you safe and happy and playing knights with a friend. Love from Ella. Your sister. P.S. I got a good long turn with Godzilla today after we got here. Godzilla is very happy. P.P.S. I forgot, you never met Godzilla. He is a puppy and is very cute. He belonged to a boy called Joel who got killed by monkeys. I think the monkeys were sick. Monkeys are usually nice. At least in stories. P.P.P.S. Maybe you’ll meet Joel where you are. Say hello. He is nice. P.P.P.P.S. Good night, Sam. The others call you Small Sam. To me you’re just Sam—my brother. I miss you. I wish I was with you.
Charlie Higson
Your brother’s going to tell you that I’m not good for you.” Taken aback by the comment, she blinked him. He discreetly nodded toward Nick. If that scowl was anything to go by…”Yep.” “He thinks I’m a slut.” “Yep.” “He’s going to confront me about it at some point, order me to stay away from you.” “Yep.” “But I won’t.” Marcus held her gaze, not wanting her to miss the determination in his eyes. “Just thought you should know.
Suzanne Wright (Dark Instincts (The Phoenix Pack, #4))
Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.
Rebecca Solnit (The Faraway Nearby)
Miss Marshall, are you trying to tell me that you didn’t dream of marrying a lord when you were young? That you didn’t play at being a lady, imagining what it would be like to be waited on hand and foot? I thought every little girl with any inclination at all to marry dreamed of catching the eye of a lord.” “God, no.” She looked horrified. “Farm girls who catch the eye of a lord don’t end up married. If we’re lucky, we don’t end up pregnant.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
Diana, would you marry someone for money?" I asked her out of the blue one afternoon during her lunch break. Without missing a beat, she made a contemplative noise. "It depends.How much money?" It was right then I knew I'd called the wrong person. I should have dialed Oscar, my slightly younger brother, instead. He'd always been wise beyond his years. Diana...not so much. I only told her the partial truth. "What if someone bought you a house?" She "hmmed" and then "hmmed" a little more. "A nice house?" "It wouldn't be a mansion, you greedy whore, but I'm not talking about a dump or anything either." I figured at least.
Mariana Zapata (The Wall of Winnipeg and Me)
I thought for a moment about the dog. Miffy. I guess no matter how much Rube and I complained about him, we knew we'd sort of miss him if something happened to him. It's funny how there are things in this world that do nothing but annoy you, but you know you'd miss them when they're gone. Miffy, the Pomeranian wonderdog, was one such thing.
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
Mr Bott sits down and gestures gracefully to the board. "As you are clearly both fascinated by this text, would you like to explain the significance of Laertes in Hamlet?" He looks at Alexa. "Please go first, Miss Roberts." "Well..." Alexa says hesitantly. "He's Ophelia's brother, right?" "I didn't ask for his family tree, Alexa. I want to know his literary significance as a fictional character." Alexa looks uncomfortable. "Well then, his literary significance is in being Ophelia's brother, isn't it? So she has someone to hang out with." "How very kind of Shakespeare to give fictional Ophelia a fictional playmate so that she doesn't get fictionally bored. Your analytical skills astound me, Alexa. Perhaps I should send you to Set Seven with Mrs White and you can spend the rest of the lesson studying Thomas the Tank Engine. I believe he has lots of buddies too.
Holly Smale (Geek Girl (Geek Girl, #1))
Most peasants did not miss the school. "What's the point?" they would say. "You pay fees and read for years, and in the end you are still a peasant, earning your food with your sweat. You don't get a grain of rice more for being able to read books. Why waste time and money? Might as well start earning your work points right away." The virtual absence of any chance of a better future and the near total immobility for anyone born a peasant took the incentive out of the pursuit of knowledge. Children of school age would stay at home to help their families with their work or look after younger brothers and sisters. They would be out in the fields when they were barely in their teens. As for girls, the peasants considered it a complete waste of time for them to go to school. "They get married and belong to other people. It's like pouring water on the ground." The Cultural Revolution was trumpeted as having brought education to the peasants through 'evening classes." One day my production team announced it was starting evening classes and asked Nana and me to be the teachers. I was delighted. However, as soon as the first 'class' began, I realized that this was no education. The classes invariably started with Nana and me being asked by the production team leader to read out articles by Mao or other items from the People's Daily. Then he would make an hour-long speech consisting of all the latest political jargon strung together in undigested and largely unintelligible hunks. Now and then he would give special orders, all solemnly delivered in the name of Mao.
Jung Chang (Wild Swans: Three Daughters of China)
Beginning to feel that her brother was being rather too harsh on Lillian Bowman, Livia frowned. “She’s a very pretty girl, Marcus.” “A pretty facade isn’t enough to make up for the flaws in her character.” “Which are?” Marcus made a faint scoffing sound, as if Miss Bowman’s faults were too obvious to require enumeration. “She’s manipulative.” “So are you, dear,” Livia murmured. He ignored that. “She’s domineering.” “As are you.” “She’s arrogant.” “Also you,” Livia said brightly. Marcus glowered at her. “I thought we were discussing Miss Bowman’s faults, not mine.” “But you seem to have so much in common,” Livia protested, rather too innocently.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
You don't?' Horst was so astounded he almost leapt to his feet. His smile returned in full power. 'Then you have treat waiting for you! It's wonderful! I mean, I remember it as being wonderful. I do not eat cake. Not now. Being a vampire and everything. You did know I'm a vampire, didn't you?' He suddenly seemed to remember that they were doing introductions and held up his hand. 'Horst Cabal, vampire. Didn't especially want to be, but there you go. I miss Battenberg. Hello, everyone!
Jonathan L. Howard (The Brothers Cabal (Johannes Cabal, #4))
And you, Lord Bridgerton," she replied in a tone that could have frozen champagne, "are almost as handsome as your brother." Colin snorted again, only this time it sounded as if he were being strangled. "Are you all right?" Miss Sheffield asked. "He's fine," Anthony barked. She ignored him, keeping her attention on Colin. "Are you certain?" Colin nodded furiously. 'Tickle in my throat." "Or perhaps a guilty conscience?" Anthony suggested. Colin turned deliberately from his brother to Kate. "I think I might need another glass of lemonade," he gasped. "Or maybe," said Anthony, "something stronger. Hemlock, perhaps?
Julia Quinn
About Miss Debenham," he said rather awkwardly. "You can take it from me that she's all right. She's a pukka sahib. "What," asked Dr. Constantine with interest, "does a pukka sahib mean?" "It means," said Poirot, "that Miss Debenham's father and brothers were at the same kind of school as Colonel Arbuthnot was." "Oh!" said Dr. Constantine, disappointed. "Then it has nothing to do with the crime at all." "Exactly," said Poirot.
Agatha Christie (Murder on the Orient Express (Hercule Poirot, #10))
When no one understands you, then no one can call you to account. -------- ... if the right time gets missed, if one has refused or been refused something for too long, it's too late, even if it is finally tackled with energy and received with joy... ------ In every part of my life, too, I stood outside myself and watched; I saw myself functioning at the university, with my parents and brother and sister and my friends, but inwardly I felt no involvement.
Bernhard Schlink (The Reader)
You are precious to me. What is so wrong with wanting to take care of you?” “If I needed or wanted to be taken care of, I would be no better than the women in here! I am nothing like them.” “No, you are not! I love you, Lada.” He closed his eyes and lowered his voice, trying to regain control. “Please allow me to love you. You are the most important person in my life. You and your brother are the only people who truly know me.” Lada flinched, and Mehmed’s eyebrows raised as he noticed her reaction. He did not understand why, though. Lada had not told him about her last fight with Radu, nor that she had heard nothing from him since they parted. Mehmed remained blind to the true depths of Radu’s love—and to how much Lada missed her brother. “Please,” Mehmed said. “I have already lost Radu to my father. He rarely writes, and when he does it is as though he addresses a stranger. I cannot afford to lose you, too.” “You cannot lose something you do not own. Take me with you.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
These are lines from my asteroid-impact novel, Regolith: Just because there are no laws against stupidity doesn’t mean it shouldn’t be punished. I haven’t faced rejection this brutal since I was single. He smelled trouble like a fart in the shower. If this was a kiss of gratitude, then she must have been very grateful. Not since Bush and Cheney have so few spent so much so fast for so long for so little. As a nympho for mind-fucks, Lisa took to politics like a pig to mud. She began paying men compliments as if she expected a receipt. Like the Aerosmith song, his get-up-and-go just got-up-and-went. “You couldn’t beat the crap out of a dirty diaper!” He embraced his only daughter as if she was deploying to Iraq. She was hotter than a Class 4 solar flare! If sex was a weapon, then Monique possessed WMD I haven’t felt this alive since I lost my virginity. He once read that 95% of women fake organism, and the rest are gay. Beauty may be in the eyes of the beholder, but ugly is universal. Why do wives fart, but not girlfriends? Adultery is sex that is wrong, but not necessarily bad. The dinosaurs stayed drugged out, drooling like Jonas Brothers fans. Silence filled the room like tear gas. The told him a fraction of the truth and hoped it would take just a fraction of the time. Happiness is the best cosmetic, He was a whale of a catch, and there were a lot of fish in the sea eager to nibble on his bait. Cheap hookers are less buck for the bang, Men cannot fall in love with women they don’t find attractive, and women cannot fall in love with men they do not respect. During sex, men want feedback while women expect mind-reading. Cooper looked like a cow about to be tipped over. His father warned him to never do anything he couldn’t justify on Oprah. The poor are not free -- they’re just not enslaved. Only those with money are free. Sperm wasn’t something he would choose on a menu, but it still tasted better than asparagus. The crater looked alive, like Godzilla was about to leap out and mess up Tokyo. Bush follows the Bible until it gets to Jesus. When Bush talks to God, it’s prayer; when God talks to Bush, it’s policy. Cheney called the new Miss America a traitor – apparently she wished for world peace. Cheney was so unpopular that Bush almost replaced him when running for re-election, changing his campaign slogan to, ‘Ain’t Got Dick.’ Bush fought a war on poverty – and the poor lost. Bush thinks we should strengthen the dollar by making it two-ply. Hurricane Katrina got rid of so many Democratic voters that Republicans have started calling her Kathleen Harris. America and Iraq fought a war and Iran won. Bush hasn’t choked this much since his last pretzel. Some wars are unpopular; the rest are victorious. So many conservatives hate the GOP that they are thinking of changing their name to the Dixie Chicks. If Saddam had any WMD, he would have used them when we invaded. If Bush had any brains, he would have used them when we invaded. It’s hard for Bush to win hearts and minds since he has neither. In Iraq, you are a coward if you leave and a fool if you stay. Bush believes it’s not a sin to kill Muslims since they are going to Hell anyway. And, with Bush’s help, soon. In Iraq, those who make their constitution subservient to their religion are called Muslims. In America they’re called Republicans. With great power comes great responsibility – unless you’re Republican.
Brent Reilly
No. When I was a girl, I wanted to be a pirate.” That brought up an all-too-pleasant image—Miss Marshall, the rich, dark red of her hair unbound and flying defiantly in the wind aboard a ship’s deck. She’d wear a loose white shirt and pantaloons. He would definitely surrender. “I am less shocked than you might imagine,” Edward heard himself say. “Entirely unshocked.” She smiled in pleasure. “A bloodthirsty cutthroat profession? Good thing you gave that up. It would never have suited you.” Her expression of pleasure dimmed. “You’d have succeeded too easily,” Edward continued, “and now you’d be sitting, bored as sin, atop a heap of gold too large to spend in one lifetime. Still, though, wouldn’t it solve ever so many problems if you married a lord? James Delacey could never touch you again if you did.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
By the by,” Stephen said, “what is the difference between a viscount and a stallion?” Miss Marshall shook her head. “What is it?” Stephen gave her a broad smile. “The first is a horse’s arse. The second is an entire horse.” She buried her head in her hands. “No. You cannot distract me with terrible jokes. You are supposed to be looking up facts. Shoo!” But Stephen didn’t stop. “What’s the difference between a marquess and a paperweight?” “I’m sure you’ll tell me.” “One of them can’t do anything unless a servant helps it along. The other one holds down papers.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
Guilty?” George’s face betrayed his surprise. “Whatever for?” “That neither of your brothers ever offered for me.” Another thing she probably should not have said. But as it happened, Billie did think that Lady Manston felt this way. And when George’s expression slid from curiosity to something that might have been jealousy… well, Billie could not help but feel a little pleased. “So I think she’s trying to make it up to me,” she said gamely. “It’s not as if I was waiting for one of them to ask me, but I think she thinks I was, so now she wants to introduce me —” “Enough,” George practically barked. “I beg your pardon?” He cleared his throat. “Enough,” he said in a much more evenly tempered voice. “It’s ridiculous.” “That your mother feels this way?” “That she thinks introducing you to a pack of useless fops is a sensible idea.” Billie took a moment to enjoy this statement.
Julia Quinn (Because of Miss Bridgerton (Rokesbys, #1))
I keeled over sideways. The world turned fluffy, bleached of all color. Nothing hurt anymore. I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders. “He’s almost gone,” Diana said. Then I was gone. My mind slipped into a pool of cold, slimy darkness. “Oh, no, you don’t.” My sister’s voice woke me rudely. I’d been so comfortable, so nonexistent. Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her. As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades. “H-how long was I out?” I croaked. “Roughly three seconds,” she said. “Now, get up, drama queen.” She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth. I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion. She blinked, clearly unsure what to do with this information. “You really have changed.” “I missed you!” “Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.” “It worked, then!” I grinned at Hazel and Meg. “It worked!” “Yeah,” Meg said wearily. “Hi, Artemis.” “Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.” Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.” I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect. Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.” “Little brother?” She smirked.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
I miss talking to you, Fallen.” “That’s too bad. I don’t ever miss anything about you.” “You’re fun.” His eyes sparkled like sunlit gems. “You’re never afraid to go tit for tat with me.” “I don’t want anything to do with your tits or tats.” He laughed again, his eyes darkening back to brown. “Did we really just get beat up by that little Junior Guardian?” “If anyone asks we’ll say that there were fifty of them.” I touched my cheek and hissed. “Goddamn ninja punk.” “I feel terrible and I don’t mean my wounded ego. I feel really bad.” He groaned and rolled to his side, not moving from the floor. “I can’t believe we just got our asses handed to us by a goddamn Jonas-brother wannabe.” “He had the hilt piece. Did you see it?” “No, I was too busy crying like a girl.
Cori Moore (Half Breed)
Silence is another element we find in classic fairy tales — girls muted by magic or sworn to silence in order to break enchantment. In "The Wild Swans," a princess is imprisoned by her stepmother, rolled in filth, then banished from home (as her older brothers had been before her). She goes in search of her missing brothers, discovers that they've been turned into swans, whereupon the young girl vows to find a way to break the spell. A mysterious woman comes to her in a dream and tells her what to do: 'Pick the nettles that grow in graveyards, crush and spin them into thread, then weave them into coats and throw them over your brothers' backs.' The nettles burn and blister, yet she never falters: picking, spinning, weaving, working with wounded, crippled hands, determined to save her brothers. All this time she's silent. 'You must not speak,' the dream woman has warned, 'for a single world will be like a knife plunged into your brothers' hearts.' You must not speak. That's what my stepfather said: don't speak, don't cry, don't tell. That's what my mother said as well, as we sat in hospital waiting rooms -- and I obeyed, as did my brothers. We sat as still and silent as stone while my mother spun false tales to explain each break and bruise and burn. Our family moved just often enough that her stories were fresh and plausible; each new doctor believed her, and chided us children to be more careful. I never contradicted those tales. I wouldn't have dared, or wanted to. They'd send me into foster care. They'd send my young brothers away. And so we sat, and the unspoken truth was as sharp as the point of a knife.
Terri Windling (Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales)
There was a click of high heels in the hall behind us, and a young woman appeared. She was pretty enough, I suspected, but in the tight black dress, black hose, and with her hair slicked back like that, it was sort of threatening. She gave me a slow, cold look and said, "So. I see that you’re keeping low company after all, Ravenius." Ever suave, I replied, "Uh. What?" "’Ah-ree," Thomas said. I glanced at him. He put his hand flat on the top of his head and said, "Do this." I peered at him. He gave me a look. I sighed and put my hand on the top of my head. The girl in the black dress promptly did the same thing and gave me a smile. "Oh, right, sorry. I didn’t realize." "I will be back in one moment," Thomas said, his accent back. "Personal business." "Right," she said, "sorry. I figured Ennui had stumbled onto a subplot." She smiled again, then took her hand off the top of her head, reassumed that cold, haughty expression, and stalked clickety-clack back to the bistro. I watched her go, turned to my brother while we both stood there with our hands flat on top of our heads, elbows sticking out like chicken wings, and said, "What does this mean?" "We’re out of character," Thomas said. "Oh," I said. "And not a subplot." "If we had our hands crossed over our chests," Thomas said, "we’d be invisible." "I missed dinner," I said. I put my other hand on my stomach. Then, just to prove that I could, I patted my head and rubbed my stomach. "Now I’m out of character—and hungry.
Jim Butcher (Side Jobs (The Dresden Files, #12.5))
Persuasion is not at command; but pardon me, if I cannot even endeavour to persuade him. I have myself told him that Miss Thorpe is engaged. He knows what he is about, and must be his own master.' 'No, he does not know what he is about,' cried Catherine; 'he does not know the pain he is giving my brother. Not that James has ever told me so, but I am sure he is very uncomfortable.' 'And are you sure it is my brother's doing?' 'Yes, very sure.' 'Is it my brother's attention to Miss Thorpe, or Miss Thorpe's admission of them, that gives the pain?' 'Is it not the same thing?' 'I think Mr. Morland would acknowledge a difference. No man is offended by another man's admiration of the woman he loves; it is the woman only who can make it a torment.
Jane Austen (Northanger Abbey)
My diary. Little Ginny’s been writing in it for months and months, telling me all her pitiful worries and woes — how her brothers tease her, how she had to come to school with secondhand robes and books, how” — Riddle’s eyes glinted — “how she didn’t think famous, good, great Harry Potter would ever like her. . . .” All the time he spoke, Riddle’s eyes never left Harry’s face. There was an almost hungry look in them. “It’s very boring, having to listen to the silly little troubles of an eleven-year-old girl,” he went on. “But I was patient. I wrote back. I was sympathetic, I was kind. Ginny simply loved me. No one’s ever understood me like you, Tom. . . . I’m so glad I’ve got this diary to confide in. . . . It’s like having a friend I can carry around in my pocket. . . .” Riddle laughed, a high, cold laugh that didn’t suit him. It made the hairs stand up on the back of Harry’s neck. “If I say it myself, Harry, I’ve always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted. . . . I grew stronger and stronger on a diet of her deepest fears, her darkest secrets. I grew powerful, far more powerful than little Miss Weasley. Powerful enough to start feeding Miss Weasley a few of my secrets, to start pouring a little of my soul back into her . . .
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
If you did, it would be in such a grave, quiet manner, I should mistake it for sense.  Do you never laugh, Miss Eyre?  Don’t trouble yourself to answer—I see you laugh rarely; but you can laugh very merrily: believe me, you are not naturally austere, any more than I am naturally vicious.  The Lowood constraint still clings to you somewhat; controlling your features, muffling your voice, and restricting your limbs; and you fear in the presence of a man and a brother—or father, or master, or what you will—to smile too gaily, speak too freely, or move too quickly: but, in time, I think you will learn to be natural with me, as I find it impossible to be conventional with you; and then your looks and movements will have more vivacity and variety than they dare offer now.  I see at intervals the glance of a curious sort of bird through the close-set bars of a cage: a vivid, restless, resolute captive is there; were it but free, it would soar cloud-high.  You are still bent on going?
Charlotte Brontë (Jane Eyre)
So tell me, Miss Fitt, do you know when your brother will return?" "No." I wet my lips. "Do you know Elijah?" He looked off to the right. "I know of your brother." "Oh?" "Of course." He folded his arms over his chest and returned his gaze to me. "Everyone knows of the Philadelphia Fitts.I even know of you." "You mean Allison told you about me." His lips twitched. "Certainly." I stroked my amethysts and made my expression passive. I didn't care one whit about her gossip-though I did wish she wouldn't talk about me to Clarence. I'd prefer if eligible young men learned my faults after meeting me. He flashed his eyebrows playfully, as if knowing where my thoughts had gone. "You needn't worry. She's said nothing unkind. She finds you amusing-she likes to talk, you know?" "I hadn't noticed," I said flatly. Saying Allison loved to gossip was like saying birds enjoyed flying. It was not so much a hobby as part of her physiology. Clarence's smile expanded, and his eyes crinkled. "Apparently there was an insult you gave her a few days ago, though...She had to ask me what it meant." My face warmed, and I looked away. "I believe I might have called her a spoiled Portia with no concept of mercy." He laughed and hit his knee. "That's right. Portia's speech on mercy in the final act of The Merchant of Venice. Allie had no idea what you meant." "In my defense, she was taunting me-" "With no mercy?" "Something like that," I mumbled, embarrassed he'd heard abou tit. "Oh,I have no doubt. One of Allie's charms is her childish teasing." He laughed again and shook his head. "Next time, though, I suggest you use less obscure insults. They might hit their mark better.
Susan Dennard (Something Strange and Deadly (Something Strange and Deadly, #1))
Ty and Livvy were the last to come say good-bye to Jules; Livvy embraced him fiercely, and Ty gave him a soft, shy smile. Julian wondered where Kit was. He'd been glued to Ty's and Livvy's sides the whole time they'd been in London, but he appeared to have vanished for the family farewell. "I've got something for you," Ty said. He held out a box, which Julian took with some surprise. Ty was absolutely punctual about Christmas and birthday presents, but he rarely gave gifs spontaneously. Curious, Julian popped open the top of the box to find a set of colored pencils. He didn't know the brand, but they looked pristine and unused. "Where did you get these?" "Fleet Street," said Ty. "I went out early this morning." An ache of love pressed against the back of Julian's throat. It reminded him of when Ty was a baby, serious and quiet. He hadn't been able to go to sleep for a long time without someone holding him, and though Julian had been very small himself, he remembered holding Ty while he fell asleep, all round wrists and straight black hair and long lashes. He'd felt so much love for his brother even then it had been like an explosion in his heart. "Thanks. I've missed drawing," Julian said, and tucked the box into his duffel bag. He didn't fuss; Ty didn't like fuss, but Julian made his tone as warm as he could, and Ty beamed. Jules thought of Livvy, the night before, the way she'd kissed his forehead. Her thank-you. This was Ty's.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
I've always been his favorite." "Is that so?" Lazily Shelby folded her arms behind her head. She could picture him as a boy,seeing beyond what other boys saw and storing it. "Why?" "If I weren't modest,I'd confess that I was always a well-mannered, even-tempered child who never gave my parents a moment's trouble." "Liar," she said easily. "How'd you get the broken nose?" The grin became rueful. "Rena punched me." "Your sister broke your nose?" Shelby burst out with delighted and unsympathetic laughter. "The blackjack dealer, right? Oh,I love it!" Alan caught Shelby's nose between two fingers and gave it a quick twist. "It was rather painful at the time." "I imagine." She kept right on laughing as he shifted to her side. "Did she make a habit of beating you up?" "She didn't beat me up," he corrected with some dignity. "She was trying to beat Caine up because he'd teased her about making calf's eyes at one of his friends." "Typical brotherly intimidation." "In any event," Alan put in mildly, "I went to drag her off him,she took another swing,missed him, and hit me. A full-power roundhouse,as I remember. That's when," he continued as Shelby gave another peal of laughter, "I decided against being a diplomat. It's always the neutral party that gets punched in the face." "I'm sure..." Shelby dropped her head on his shoulder. "I'm sure she was sorry." "Initially.But as I recall, after I'd stopped bleeding and threatening to kill both her and Caine, her reaction as a great deal like yours." "Insensitive." Shelby ran apologetic kisses over his face. "Poor baby. Tell you what, I'll do penance and see about fixing you breakfast.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I reached down and squeezed his hand. "You are a good brother." He nodded. I could see in the gray light that he was crying a little. "Thanks", he said. "i kind of just want to stay here in this particular instant for a really long time." "Yeah", I said. We settled into silence and I felt the sky's bigness above me, the unimaginable vastness of it all - looking at Polaris and realizing the light I was seeing was 425 years old, and then looking at Jupiter, less than a light-hour from us. In the moonless darkness, we were just witnesses to light, and I felt a sliver of what must have driven Davis to astronomy. There was a kind of relief in having your own smallness laid bare before you, and I realized something Davis must have already known: Spirals grow infinitely small the farther you follow them inward, but they also grow infinitely large the farther you follow them out. And I knew I would remember that feeling, underneath the split-up sky, back before the machinery of fate ground us into one thing or another, back when we could still be everything. I thought, lying there, that I might love him for the rest of my life. We did love each other - maybe we never said it, and maybe love was never something we were in, but it was something I felt. I loved him, and I thought, maybe I will never see him again and I will be stuck missing him, and isn't that so terrible.
John Green (Turtles All the Way Down)
December 25, 4:30 p.m. Dear America, It’s been seven hours since you left. Twice now I’ve started to go to your room to ask how you liked your presents and then remembered you weren’t here. I’ve gotten so used to you, it’s strange that you aren’t around, drifting down the halls. I’ve nearly called a few times, but I don’t want to seem possessive. I don’t want you to feel like I’m a cage to you. I remember how you said the palace was just that the first night you came here. I think, over time, you’ve felt freer, and I’d hate to ruin that freedom, I’m going to have to distract myself until you come back. I decided to sit and write to you, hoping maybe it would feel like I was talking to you. It sort of does, I can imagine you sitting here, smiling at my idea, maybe shaking your head at me as if to say I’m being silly. You do that sometimes, did you know? I like that expression on you. You’re the only person who wears it in a way that doesn’t come across like you think I’m completely hopeless. You smile at my idiosyncrasies, accept that they exist, and continue to be my friend. And, in seven short hours, I’ve started to miss that. I’ve wonder what you’ve done in that time. I’m betting by now you’ve flown across the country, made it to your home, and are safe. I hope you are safe. I can’t imagine what a comfort you must be to your family right now. The lovely daughter has finally returned! I keep trying to picture you home. I remember you telling me it was small, that you had a tree house, and that your garage was where you father and sister did all their work. Beyond that I’ve had to resort to my imagination. I imagine you curled up in a hug with you sister or kicking around a ball with your little brother. I remember that, you know? That you said he liked to play ball. I tried to imagine walking into your house with you. I would have liked that, to see you where you grew up. I would love to see you brother run around or be embraced by your mother. I think it would be comforting to sense the presence of people near you, floorboards creaking and doors shutting. I would have liked to sit in one part of the house and still probably be able to smell the kitchen. I’ve always imagined that real homes are full of the aromas of whatever’s being cooked. I wouldn’t do a scrap of work. Nothing having to do with armies or budgets or negotiations. I’d sit with you, maybe try to work on my photography while you played the piano. We’d be Fives together, like you said. I could join your family for dinner, talking over one another in a collection of conversations instead of whispering and waiting our turns. And maybe I’d sleep in a spare bed or on the couch. I’d sleep on the floor beside you if you’d let me. I think about that sometimes. Falling asleep next to you, I mean, like we did in the safe room. It was nice to hear your breaths as they came and went, something quiet and close keeping me from feeling so alone. This letter has gotten foolish, and I think you know how I detest looking like a fool. But still I do. For you. Maxon
Kiera Cass (The One (The Selection, #3))
She sometimes takes her little brother for a walk round this way," explained Bingo. "I thought we would meet her and bow, and you could see her, you know, and then we would walk on." "Of course," I said, "that's enough excitement for anyone, and undoubtedly a corking reward for tramping three miles out of one's way over ploughed fields with tight boots, but don't we do anything else? Don't we tack on to the girl and buzz along with her?" "Good Lord!" said Bingo, honestly amazed. "You don't suppose I've got nerve enough for that, do you? I just look at her from afar off and all that sort of thing. Quick! Here she comes! No, I'm wrong!" It was like that song of Harry Lauder's where he's waiting for the girl and says, "This is her-r-r. No, it's a rabbut." Young Bingo made me stand there in the teeth of a nor'-east half-gale for ten minutes, keeping me on my toes with a series of false alarms, and I was just thinking of suggesting that we should lay off and give the rest of the proceedings a miss, when round the corner there came a fox-terrier, and Bingo quivered like an aspen. Then there hove in sight a small boy, and he shook like a jelly. Finally, like a star whose entrance has been worked up by the personnel of the ensemble, a girl appeared, and his emotion was painful to witness. His face got so red that, what with his white collar and the fact that the wind had turned his nose blue, he looked more like a French flag than anything else. He sagged from the waist upwards, as if he had been filleted. He was just raising his fingers limply to his cap when he suddenly saw that the girl wasn't alone. A chappie in clerical costume was also among those present, and the sight of him didn't seem to do Bingo a bit of good. His face got redder and his nose bluer, and it wasn't till they had nearly passed that he managed to get hold of his cap. The girl bowed, the curate said, "Ah, Little. Rough weather," the dog barked, and then they toddled on and the entertainment was over.
P.G. Wodehouse
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I suppose the real reason Ginny Weasley's like this is because she opened her heart and spilled all her secrets to an invisible stranger." "What are you talking about?" said Harry. "The diary," said Riddle. "My diary. Little Ginny's been writing in it for months and months, telling me all her pitiful worries and woes- how her brothers tease her, how she had come to school with secondhand robes and books, how"- Riddle's eyes glinted- "how she didn't think famous, good, great Harry Potter would ever like her..." All the time he spoke, Riddle's eyes never left Harry's face. There was an almost hungry look in them. "It's very boring, having to listen to the silly little troubles of an eleven-year-old girl," he went on. "But I was patient. I wrote back. I was sympathetic, I was kind. Ginny simply loved me. No one's ever understood me like you, Tom... I'm so glad I've got this diary to confide in.... It's like having a friend I can carry around in my pocket...." Riddle laughed, a high, cold laugh that didn't suit him. It made the hairs stand up on the back of Harry's neck. "If I say it myself, Harry, I've always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted.... I grew stronger and stronger on a diet of her deepest fears, her darkest secrets. I grew powerful, more powerful than little Miss Weasley. Powerful enough to start feeding Miss Weasley a few of my secrets, to start pouring a little of my soul into her..." "What d'you mean?" said Harry, whose mouth had gone dry. "Haven't you guessed yet, Harry Potter?" said Riddle softly. "Ginny Weasley opened the Chamber of Secrets. She strangled the school roosters and daubed threatening messages on the walls. She set the Serpent of Slytherin on four Mudbloods, and the Squib's cat." "No," Harry whispered. "Yes," said Riddle, calmly. "Of course, she didn't know what she was doing at first. It was very amusing. I wish you could have seen her new diary entries... far more interesting, they became... Dear Tom," he recited, watching Harry's horrified face, "I think I'm losing my memory. There are rooster feathers all over my robes and I don't know how they got there. Dear Tom, I can't remember what I did on the night of Halloween, but a cat was attacked and I've got paint all down my front. Dear Tom, Percy keeps telling me I'm pale and I'm not myself. I think he suspects me.... There was another attack today and I don't know where I was. Tom, what am I going to do? I think I'm going mad.... I think I'm the one attacking everyone, Tom!
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Rachel came carefully downstairs one morning, in a dressing gown that wasn't quite clean, and stood at the brink of the living room as though preparing to make an announcement. She looked around at each member of the double household - at Evan, who was soberly opening the morning paper, at Phil, who'd been home from Costello's for hours but hadn't felt like sleeping yet, and at her mother, who was setting the table for breakfast - and then she came out with it. "I love everybody," she said, stepping into the room with an uncertain smile. And her declaration might have had the generally soothing effect she'd intended if her mother hadn't picked it up and exploited it for all the sentimental weight it would bear. "Oh Rachel," she cried, "What a sweet, lovely thing to say!" and she turned to address Evan and Phil as if both of them might be too crass or numbskulled to appreciate it by themselves. "Isn't that a wonderful thing for this girl to say, on a perfectly ordinary Friday morning? Rachel, I think you've put us all to shame for our petty bickering and our selfish little silences, and it's something I'll never forget. You really do have a marvelous wife, Evan, and I have a marvelous daughter. Oh, and Rachel, you can be sure that everybody in this house loves you, too, and we're all tremendously glad to have you feeling so well." Rachel's embarrassment was now so intense that it seemed almost to prevent her from taking her place at the table; she tried two quick, apologetic looks at her husband and her brother, but they both missed the message in her eyes. And Gloria wasn't yet quite finished. "I honestly believe that was a moment we'll remember all our lives," she said. "Little Rachel coming downstairs - or little big Rachel, rather - and saying 'I love everybody.' You know what I wish though Evan? I only wish your father could've been here this morning to share it with us." But by then even Gloria seemed to sense that the thing had been carried far enough. As soon as she'd stopped talking the four of them took their breakfast in a hunched and businesslike silence, until Phil mumbled "Excuse me" and shoved back his chair. "Where do you think you're going, young man?" Gloria inquired. "I don't think you'd better go anywhere until you finish up all of that egg.
Richard Yates (Cold Spring Harbor)
Even without world wars, revolutions and emigration, siblings growing up in the same home almost never share the same environment. More accurately, brothers and sisters share some environments — usually the less important ones — but they rarely share the one single environment that has the most powerful impact on personality formation. They may live in the same house, eat the same kinds of food, partake in many of the same activities. These are environments of secondary importance. Of all environments, the one that most profoundly shapes the human personality is the invisible one: the emotional atmosphere in which the child lives during the critical early years of brain development. The invisible environment has little to do with parenting philosophies or parenting style. It is a matter of intangibles, foremost among them being the parents’ relationship with each other and their emotional balance as individuals. These, too, can vary significantly from the birth of one child to the arrival of another. Psychological tension in the parents’ lives during the child’s infancy is, I am convinced, a major and universal influence on the subsequent emergence of ADD. A hidden factor of great importance is a parent’s unconscious attitude toward a child: what, or whom, on the deepest level, the child represents for the parents; the degree to which the parents see themselves in the child; the needs parents may have that they subliminally hope the child will meet. For the infant there exists no abstract, “out-there” reality. The emotional milieu with which we surround the child is the world as he experiences it. In the words of the child psychiatrist and researcher Margaret Mahler, for the newborn, the parent is “the principal representative of the world.” To the infant and toddler, the world reveals itself in the image of the parent: in eye contact, intensity of glance, body language, tone of voice and, above all, in the day-today joy or emotional fatigue exhibited in the presence of the child. Whatever a parent’s intention, these are the means by which the child receives his or her most formative communications. Although they will be of paramount importance for development of the child’s personality, these subtle and often unconscious influences will be missed on psychological questionnaires or observations of parents in clinical settings. There is no way to measure a softening or an edge of anxiety in the voice, the warmth of a smile or the depth of furrows on a brow. We have no instruments to gauge the tension in a father’s body as he holds his infant or to record whether a mother’s gaze is clouded by worry or clear with calm anticipation. It may be said that no two children have exactly the same parents, in that the parenting they each receive may vary in highly significant ways. Whatever the hopes, wishes or intentions of the parent, the child does not experience the parent directly: the child experiences the parenting. I have known two siblings to disagree vehemently about their father’s personality during their childhood. Neither has to be wrong if we understand that they did not receive the same fathering, which is what formed their experience of the father. I have even seen subtly but significantly different mothering given to a pair of identical twins.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Tony Williams: You’ve often mentioned that Tales of Hoffmann (1951) has been a major influence on you. George Romero: It was the first film I got completely involved with. An aunt and uncle took me to see it in downtown Manhattan when it first played. And that was an event for me since I was about eleven at the time. The imagery just blew me away completely. I wanted to go and see a Tarzan movie but my aunt and uncle said, “No! Come and see a bit of culture here.” So I thought I was missing out. But I really fell in love with the film. There used to be a television show in New York called Million Dollar Movie. They would show the same film twice a day on weekdays, three times on Saturday, and three-to-four times on Sunday. Tales of Hoffmann appeared on it one week. I missed the first couple of days because I wasn’t aware that it was on. But the moment I found it was on, I watched virtually every telecast. This was before the days of video so, naturally, I couldn’t tape it. Those were the days you had to rent 16mm prints of any film. Most cities of any size had rental services and you could rent a surprising number of films. So once I started to look at Tales of Hoffmann I realized how much stuff Michael Powell did in the camera. Powell was so innovative in his technique. But it was also transparent so I could see how he achieved certain effects such as his use of an overprint in the scene of the ballet dancer on the lily ponds. I was beginning to understand how adept a director can be. But, aside from that, the imagery was superb. Robert Helpmann is the greatest Dracula that ever was. Those eyes were compelling. I was impressed by the way Powell shot Helpmann sweeping around in his cape and craning down over the balcony in the tavern. I felt the film was so unique compared to most of the things we were seeing in American cinema such as the westerns and other dreadful stuff I used to watch. Tales of Hoffmann just took me into another world in terms of its innovative cinematic technique. So it really got me going. Tony Williams: A really beautiful print exists on laserdisc with commentary by Martin Scorsese and others. George Romero: I was invited to collaborate on the commentary by Marty. Pat Buba (Tony’s brother) knew Thelma Schoonmaker and I got to meet Powell in later years. We had a wonderful dinner with him one evening. What an amazing guy! Eventually I got to see more of his movies that I’d never seen before such as I Know Where I’m Going and A Canterbury Tale. Anyway, I couldn’t do the commentary on Tales of Hoffmann with Marty. But, back in the old days in New York, Marty and I were the only two people who would rent a 16mm copy of the film. Every time I found it was out I knew that he had it and each time he wanted it he knew who had it! So that made us buddies.
George A. Romero (George A. Romero: Interviews)
I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the
Scott O'Dell (Island of the Blue Dolphins)
Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room
Jennifer L. Armentrout (Deity (Covenant, #3))
Please,' she says, her head bent. 'Please. You must try to break the curse. I know that you are the queen by right and that you may not want him back, but-' If anything could have increased my astonishment, it was that. 'You think that I'd-' 'I didn't know you, before,' she says, the anguish clear in her voice. There is a hitch in her breath that comes with weeping. 'I thought you were just some mortal.' I have to bite my tongue at that, but I don't interrupt her. 'When you became his seneschal, I told myself that he wanted you for your lying tongue. Or because you'd become biddable, although you never were before. I should have believed you when you told him he didn't know the least of what you could do. 'While you were in exile, I got more of the story out of him. I know you don't believe this, but Cardan and I were friends before we were lovers, before Locke. He was my first friend when I came here from the Undersea. And we were friends, even after everything. I hate that he loves you.' 'He hated it, too,' I say with a laugh that sounds more brittle than I'd like. Nicasia fixes me with a long look. 'No, he didn't.' To that, I can only be silent. 'He frightens the Folk, but he's not what you think he is,' Nicasia says. 'Do you remember the servants that Balekin had? The human servants?' I nod mutely. Of course I remember. I will never forget Sophie and her pockets full of stones. 'They'd go missing sometimes, and there were rumours that Cardan hurt them, but it wasn't true. He'd return them to the mortal world.' I admit, I'm surprised. 'Why?' She throws up a hand. 'I don't know! Perhaps to annoy his brother. But you're human, so I thought you'd like that he did it. And he sent you a gown. For the coronation.' I remember it- the ball gown in the colours of the night, with the stark outlines of trees stitched on it and the crystals for stars. A thousand times more beautiful than the dress I commissioned. I had thought perhaps it came from Prince Dain, since it was his coronation and I'd sworn to be his creature when I'd joined the Court of Shadows. 'He never told you, did he?' Nicasia says. 'So see? Those are two nice things about him you didn't know. And I saw the way you used to look at him when you didn't think anyone was watching you.' I bite the inside of my cheek, embarrassed despite the fact that we were lovers, and wed, and it should hardly be a secret that we like each other. 'So promise me,' she says. 'Promise me you'll help him.' I think of the golden bridle, about the future the stars predicted. 'I don't know how to break the curse,' I say, all the tears I haven't shed welling up in my eyes. 'If I could, do you think i would be at this stupid banquet? Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.' My voice breaks. She gives me a steady look. Whatever else I might think of her, she really does care for Cardan. And as tears roll down my cheeks, to her astonishment, I think she realises I do, too. Much good it does him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)