Miss School Quotes

Hang on . . .” Harry muttered to Ron. “There’s an empty chair at the staff table. . . . Where’s Snape?” "Maybe he's ill!" said Ron hopefully. “Maybe he’s left,” said Harry, “because he missed out on the Defense Against the Dark Arts job again!” “Or he might have been sacked!” said Ron enthusiastically. “I mean, everyone hates him —” “Or maybe,” said a very cold voice right behind them, “he’s waiting to hear why you two didn’t arrive on the school train.” Harry spun around. There, his black robes rippling in a cold breeze, stood Severus Snape.

Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?

I suppose he's making a real fashion statement, but this is high school. You're not supposed to be real. You're supposed to be enough like everyone else to get through and out into the waiting world.

Hugging my pillow to my chest, I told myself, At least soon you won't have so much time to miss him. Soon school will start again, and then you'll be busier. Wait. Am I reduced to HOPING for school to start? Somehow, I have discovered a whole new level of pathetic.

However,' said Dumbledore, speaking very slowly and clearly so that none of them could miss a word, 'you will find that I will only truly have left this school when none here are loyal to me. You will also find that help will be given at Hogwarts to those who ask for it.

I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.

I miss school. What’s wrong with me?

My parents didn't raise me to be religious. The closest we come to worship is the Trinity of Visa, Mastercard, and American Express. I think the Merryweather cheerleaders confuse me because I missed out on Sunday School. It has to be a miracle. There is no other explanation. How else could they sleep with the football team on Saturday night and be reincarnated as virginal goddesses on Monday?

What we are trying to do may be just a drop in the ocean, but the ocean would be less because of that missing drop.

I don’t know who I am, and who I’m not, I don’t know who I’m supposed to be, and I miss who I was; I miss it every day, Kate, but there’s no place for that August anymore. No place for the version of me who wanted to go to school, and have a life, and feel human, because this world doesn’t need that August. It needs someone else.

A lot of people seem nice when you first meet them. Then later you find out that they are evil villains who plan to take over the world.

We are no longer worried that children are missing school because of video games, though. We are worried that they are murdering their classmates because of video games.

Playing the part of a charitable soul was only for those who were afraid of taking a stand in life. It is always far easier to have faith in your own goodness than to confront others and fight for your rights. It is always easier to hear an insult and not retaliate than have the courage to fight back against someone stronger than yourself; we can always say we're not hurt by the stones others throw at us, and it's only at night - when we're alone and our wife or our husband or our school friend is asleep - that we can silently grieve over our own cowardice.

If you make me lunch," he said, "will you put it in a brown paper bag?...Because when I see kids come to school with their lunch in a paper bag, that means that someone cares about them. Miss Laura, can I please have my lunch in a paper bag?

What do you want?" Sophronia was moved to exasperation. "Me? Stockings and breeches to come back in fashion. I do miss seeing a man's calves.

Oh, now, Ria, you malign me. I'm as honest as a rose garden is beautiful." "And as full of dung," replied Sophronia without missing a beat.

So, did you hold back during that test?" "Maybe a little," Sophronia admitted. Soap grinned. "That's my girl." Sophronia glared at him. He was getting familiar. "You are, miss." He continued to grin. "I'm my own girl, thank you very much.

I always wanted to be grown up. When I was little I couldn’t wait to be a teenager and go to high school. When I got there I wanted to be done with it, wanted to get out into the world, the real one, and live in it. The thing is, that world doesn’t exist. All growing up means is that you realize no one will come along to fix things. No one will come along to save you.

I'm not exactly Miss Confidence. I busy myself with all kinds of activities and I do well in school and I try to look pretty but I still need someone to tell me I'm worthwhile. To show me attention. I don't like it. I don't like it at all...

At school I was careful not to look like I watched everything, but I did.

You mean you live down here?' Matilda asked. 'I do', Miss Honey replied, but she said no more. Matilda had never once stopped to think about where Miss Honey might be living. She had always regarded her purely as a teacher, a person who turned up out of nowhere and taught at school and then went away again.

Heard you missed me", he said, half turning and looking down at me. The smile on his lips broadened. "And that you're beating up the boys at school in protest to get me to come back. Couldn't let that happen.

Rain, in your glorious presence, Miss Temminnick? I hardly think it should dare.

Roger stooped, picked up a stone, aimed and threw it at Henry-threw it to miss. The stone, that token of preposterous time, bounced five yards to Henry's right and fell in the water. Roger gathered a handful of stones and began to throw them. Yet there was a space round Henry, perhaps six yards in diameter, into which he dare not throw. Here, invisible yet strong, was the taboo of the old life. Round the squatting child was the protection of parents and school and policemen and the law. Roger was conditioned by a civilization that knew nothing of him and was in ruins.

We were supposed to be an English literature class, but Miss Nesbitt used literature to teach real life. She said she didn't have time to teach us like a regular English teacher--we were too far behind. Instead, she taught us the world through literature.

It's all very well to be an intellectual, but one shouldn't let other see. That's embarrassing.

I’ve watched congregations devote years and years to heated arguments about whether a female missionary should be allowed to share about her ministry on a Sunday morning, whether students older than ten should have female Sunday school teachers, whether girls should be encouraged to attend seminary, whether women should be permitted to collect the offering or write the church newsletter or make an announcement . . . all while thirty thousand children die every day from preventable disease. If that’s not an adventure in missing the point, I don’t know what is.

I missed her so much I wanted to die: a hard, physical longing, like a craving for air underwater. Lying awake, I tried to recall all my best memories of her—to freeze her in my mind so I wouldn’t forget her—but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she’d stopped me halfway out the door to pick a thread off my school jacket. For some reason, it was one of the clearest memories I had of her: her knitted eyebrows, the precise gesture of her reaching out to me, everything. Several times too—drifting uneasily between dreaming and sleep—I sat up suddenly in bed at the sound of her voice speaking clearly in my head, remarks she might conceivably have made at some point but that I didn’t actually remember, things like Throw me an apple, would you? and I wonder if this buttons up the front or the back? and This sofa is in a terrible state of disreputableness.

It’s hard when you’re missing your family. You wake up every morning like someone took one of your legs.

Matt looked up kids from his high school class. Only three were listed as dead, but a bunch were listed as missing/presumed dead. As a test, he looked us up, but none of our names were on any of the lists. And that's how we know we're alive this Memorial Day.

I reached down and picked up a baseball bat at my feet and I flung it as hard as it could. It circled and arced high in the air until it slammed against the side of the dining hall with a crack and fell. I sat down in the dirt. Then I lay down in the dirt. Because not only was there no trail to follow, there was no evidence he’d ever been here. There was no evidence any of them had been here.

Life is something we have to experience, really feel, not just study for with books in a library. Learning is about so much more than school. If we’re too busy studying, we miss out on the experience.

Miss Temminnick, you are in receipt of the highest marks we have ever given in a six-month review. Your mind seems designed for espionage. Nevertheless, you veer away from perfect in matters of etiquette. Do not let these marks go to your head; there are many girls at this school who are better than you. Our biggest concern is what you get up to when we are not watching. Because, if nothing else, this test has told us you are probably spying on us, as well as everyone around you.

Well, I think home spat me out, the blackouts and curfews like tongue against loose tooth. God, do you know how difficult it is, to talk about the day your own city dragged you by the hair, past the old prison, past the school gates, past the burning torsos erected on poles like flags? When I meet others like me I recognise the longing, the missing, the memory of ash on their faces. No one leaves home unless home is the mouth of a shark. I’ve been carrying the old anthem in my mouth for so long that there’s no space for another song, another tongue or another language. I know a shame that shrouds, totally engulfs. I tore up and ate my own passport in an airport hotel. I’m bloated with language I can’t afford to forget.

I've had it with both of you." He pulled his own bag higher on one shoulder and turned to me. "You let me know when you decide what the hell you want from me. I love you, and I miss you, and I'll be waiting, whenever you're ready. But don't spy on me again. Ever." I nodded miserably as he twisted to face Sabine. "And you! You come find me when you're ready to be my friend, because that's all I have to offer right now. But as badly as I need someone to talk to, I don't need another complication in my life. And as for the two of you!" He stepped away from us, already walking backward toward the school entrance. "Work it out. Or don't work it out. But leave me the hell out of it.

Unless Sophronia missed her guess, the poor lad was already developing romantic feelings toward her friend. Many of the sooties probably were. Dimity was so pretty and chattery, she quite overpowered the average male. Many gentlemen were unable to cope with abundant chatter, which is why they so often married it.

Last night," the long-nosed man replied, looking surprised by her question. "You drank a barrel of wine and told me you miss cleaning for your stepsisters because at least you felt useful and stayed fit and now you're old and bored and big as a house--" "WHO ASKED YOU?" thundered the woman. "YOU SPENT HALF YOUR LIFE AS A PUPPET!

Poor Christopher-John had fallen into the hands of Miss. Daisy Crocker. I greatly sympathized him, but as in everything else, Christopher John tried to see the bright side in having to face such a shrew every morning. "Maybe she done changed," he said hopefully on the first day of school. However, when classes were over he was noticeably quiet. Well?" I asked him. He shrugged dejectedly and admitted, "She still the same.

Thoughts by a graveside are too dark and deep to be sustained for any length of time. Sooner or later the hurt mind turns to the sun for healing, and this is as it should be, for otherwise, what future could any of us hope for, but madness?

I looked where he was tapping. "Local Girl Missing, Feared Dead" Beneath it was a photo or me-my most recent school photo. "Oh no." My heart filling with dread, i took the paper from Mr. Smith's hands. "Couldn't they have found a better picture?

Your first job in every confrontation is to establish your opponent’s weakness. Strategy starts with weak spots.

The halls were empty. Charlotte had missed the first bell and would be late, again. Her homeroom teacher would ask her for an excuse and she would say, 'Overwhelming feeling of dread.' That was going to go over nicely.

Quietly Sophronia added, "And the soot on my dress, sir?" "I didn't see anything." Professor Braithwope smiled down at her, showing a small hint of fang. Sophronia grinned back. "I'm glad we understand each other, sir." The vampire looked out into the night. "This is the right finishing school for you, isn't it, whot?" "Yes sir, I think it might very well be." "A piece of advice, Miss Temminnick?" "Sir?" "It is a great skill to have friends in low places. They, too, have things to teach you." "Now, sir, I thought you didn't see any soot.

We are an institution of high learning and higher manners. We simply cannot shoot first; it isn’t done. Now, remember that, Miss Temminnick, do—a lady never shoots first. She asks questions, then she shoots.

The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell. I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her. Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.

Come on, where did you learn to fight? Miss Manners’ School for Girls? My baby sister could hit harder than you when she was three years old. Damn, if you’re going to turn Daimon, the least you could do is take a few fighting lessons so you can make my boring job more interesting. (Wulf)

A high school teacher once told me that identity is half what we tell ourselves and half what we tell other people about ourselves. But the missing piece he didn’t mention—the piece that holds so much weight, especially in the minds of young women and girls—is the stories that other people tell us about ourselves. Those narratives become the ones we shape ourselves into. They’re who we are, even if so much of it is a performance. This

You’re a wonderful dancer, Ria.” “Mademoiselle Geraldine’s takes such things seriously.” “Ah. And how many ways do you know to kill me, while we dance?” “Only two, but give me time.” “You have lovely eyes. Has anyone ever told you that?” “What rot. They are a muddy green. What are you about, Lord Mersey?” Felix sighed, looking genuinely perturbed. His air of ennui was shaken. “I am trying to court you. Truth be told, Miss Temminnick, you make it ruddy difficult!” “Language, Lord Mersey.” Sophronia felt her heart flutter strangely. Am I ready to be courted? “See!

Nothing in this place is sexy," I told him, and he[Dex] laughed. "Oh, come on, Izzy. Even you, Miss Anti-Romance, can admit there's something just a little bit appealing about making out in a candlelit cave." "Bats live in caves," I reminded him. "And where there are bats, There's bat poop. Lot's of it. Did you know there's a cave in Mexico where they have a whole mountain made out guano?

Not only was Miss Cribbe bearded, and always trying to get chummy with us like we we're her real children or something, but she had a disgusting incontinent springer spaniel called Misty, who was constantly sneaking in to the dorms and weeing on our duvets

Once, I ordered two thousand lady bugs from the local garden center and set them loose in the atrium. I sprinkled marigold seeds in the ficus planters and put gold fish in the lobby fountain. These are things I did with no consequences, no repercussions. My nineteen detentions were for smart answers and missed homework. There is no equivalent punishment for making the world a stranger place.

She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one. On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.

There are a few people who are able to know of their death and use the time wisely. But when you start planning for the end, most people instinctually stop living for tomorrow. Living for the day is beautiful-too many of us don't do it enough-but to live fully, we must live for today and tomorrow. Think about it, if you knew you were going to die in six months, would you start a project you knew that you couldn't finish? Would you go to school to learn to be a doctor? Would you have a child, knowing you would leave it alone too soon? People miss out on so muchif they stop living for tomorrow." - Holiday Brandon

And what would you like, Sharie?" asked Miss Mush. "What do you have?" asked Sharie. "Potato salad". "What else is there?" asked Sharie. "Nothing" said Miss Mush. "Okay" said Sharie. "I'll have that." "Potato salad?" asked Miss Mush. "No,nothing." said Sharie.

You know what he said? He said that being away from me is less like being away from a person than being away from other people is. I don't know anyone else who would say something like that. And he was right. When we were apart, I missed him all the time, but he didn't feel faraway. He felt closer than the kids at school."... Certain people are like that, I guess. They're together no matter where they are. They just belong to each other.

The Brodie set did not for a moment doubt that she would prevail. As soon expect Julius Caesar to apply for a job at a crank school as Miss Brodie. She would never resign. If the authorities wanted to get rid of her she would have to be assassinated.

The fireworks continued to burn and spread all over the school that afternoon. Though they caused plenty of disruption, the other teachers did not seem to mind them very much. "Dear, dear," said Professor McGonagall sardonically, as one of the dragons soared around her classroom, emitting loud bangs and exhaling flame. "Miss Brown, would you mind running along to the headmistress and informing her that we have an escaped firework in our classroom?" "Thank you so much, Professor!" said Professor Flitwick in his squeaky little voice. "I could have got rid of the sparklers myself, of course, but I wasn't sure whether I had the authority..." Beaming, he closed the classroom door in Umbridge's snarling face.

I wonder if childhood is ever really happy. Just as well, perhaps. To be blissfully happy so young would leave one always seeking to recapture the unobtainable. Like those people who were always happiest at school or university. Always going back. No reunion ever missed. It always seemed to me rather pathetic.

I like Daniel. He takes care of you." I blinked. "Oh my God. Did you really just say that? He takes care of me?" Dad flushed. "I didn't mean it like-" "Takes care of me? Did I go to sleep and wake up in the nineteenth century?" I looked down at my jeans and T-shirt. "Ack! I can't go to school like this. Where's my corset? My bonnet?" Dad sighed as Mom walked in with her empty teacup. "What did I miss?" She said. "Dad's trying to marry me off to Daniel." I looked at him. "You know, if you offer him a new truck for a dowry, he might go for it.

Someday, the Cloud of Doom will be gone, and the world will be a much better place, even better than before the Cloud. Colors will be more colorful. Music will be more musical. Even Miss Mush's food will taste good. The bigger the storm, the brighter the rainbow.

I wish Mara knew that I’m jealous of her.” I whipped around to face him. “You can’t be serious.” Brooke shook her finger. “No interruptions, Mara.” My brother cleared his throat. “I wish she knew that I think she’s the most hilarious person on Earth. And that whenever she’s not home, I feel like I’m missing my partner in crime.” My throat tightened. Do not cry. Do not cry. “I wish she knew that she’s really Mom’s favorite—” I shook my head here. “—the princess she always wanted. That Mom used to dress her up like a little doll and parade her around like Mara was her greatest achievement. I wish Mara knew that I never minded, because she’s my favorite too.” A chin quiver. Damn. “I wish she knew that I’ve always had acquaintances instead of friends because I’ve spent every second I’m not in school studying or practicing piano. I wish she knew that she is literally as smart as I am—her IQ is ONE POINT lower,” he said, raising his eyes to meet mine. “Mom had us tested. And that she could get the same grades if she weren’t so lazy.” I slouched in my seat, and may or may not have crossed my arms over my chest defensively. “I wish she knew that I am really proud of her, and that I always will be, no matter what.

Ouch," he said. "Move your foot." "No." "Go away." "Glad to see you, too." "What are you doing here?" I asked. "You missed the bus," he said. "I'm sick." "Need chicken soup?" "Actually, it's my period," I lied. "Killer cramps." "Chocolate and a heating pad?" "How do you know that?" "I have an older sister and my mom is a kick-ass feminist," he said. "I'm probably the only guy in school who can buy tampons without having a seizure. Look, at that, I can even say the word. 'Tampon, tampon, tampon.' If you say it enough, it stops sounding like a word, know what I mean?

Arlene was one of a kind, a true friend when I needed one, a grande dame from the old school. She was the sweetest of old ladies, and I will miss her dearly. All of those things are true, but the words I choose are far more profound. "She smelled like cookies," I whisper through tears.

You can do better than that." He loops his arms around my waist and pulls me to him. "Where are your gloves?" "Better than that too." He drops a kiss on my collarbone. "Good to see you, Cass. I dreamed about you, Cass...Feel free to improvise." "Aren't you supposed to be wearing those work gloves? When you're working? Because otherwise your poor hands won't..." Gah. I sound like Mom, or the school nurse. I'm no good at this. Luckily, Cass is good enough for both of us. "I missed you, Gwen. It's good to see you, Gwen. I dreamed about you, Gwen. Yeah, haven't gotten around to the gloves. More important things to focus on. Want me to tell you what they are?

Dylan, this is my friend, Sadie, I told you about.” He looked at me and gave me a slow smile. “Amanda said you were at school last year. How did I miss you?” he asked, his smile turning into a cocky grin. Before I could think of anything to say, Amanda cleared her throat, again and said, “And this is her date tonight, Jax Stone.

Petunia Temminnick’s coming-out ball was pronounced a resounding success by all in attendance. There had been highly intoxicating punch, a variety of dances, good music, and intermission entertainment. No one knew why the beautiful Miss Pelouse had stripped, rolled about in the garden, and then chucked a cheese pie at the youngest Temminnick girl before being taken away in floods of tears, but it was surely the highlight of a most enjoyable evening.

How lucky country children are in these natural delights that lie ready to their hand! Every season and every plant offers changing joys. As they meander along the lane that leads to our school all kinds of natural toys present themselves for their diversion. The seedpods of stitchwort hang ready for delightful popping between thumb and finger, and later the bladder campion offers a larger, if less crisp, globe to burst. In the autumn, acorns, beechnuts, and conkers bedizen their path, with all their manifold possibilities of fun. In the summer, there is an assortment of honeys to be sucked from bindweed flowers, held fragile and fragrant to hungry lips, and the tiny funnels of honeysuckle and clover blossoms to taste.

He's been in love with Miss Gina since high school, but he doesn't really know how to talk to girls, so he's just been...staying around her since then. He just tends to go where she goes." "Isn't that stalking?" Jazza said. "Legally, no," I replied. "I asked my parents this when I was little. What he does is creepy and socially awkward, but it's not actually stalking.

WAKE Dealing with an alcoholic single mother and endless hours of working at Heather Nursing Home to raise money for college, high-school senior Janie Hannagan doesn’t need more problems. But inexplicably, since she was eight years old, she has been pulled in to people’s dreams, witnessing their recurring fears, fantasies and secrets. Through Miss Stubin at Heather Home, Janie discovers that she is a dream catcher with the ability to help others resolve their haunting dreams. After taking an interest in former bad boy Cabel, she must distinguish between the monster she sees in his nightmares and her romantic feelings for him. And when she learns more about Cabel’s covert identity, Janie just may be able to use her special dream powers to help solve crimes in a suspense-building ending with potential for a sequel. McMann lures teens in by piquing their interest in the mysteries of the unknown, and keeps them with quick-paced, gripping narration and supportive characters.

Sometimes I'm jealous of people with regular problems. At school I see the self-conscious girls worrying about their hair or if their legs look fat, and I just want to scream. Someone should tell them their problems are stupid. I get that I'm not supposed to say that. Everyone you meet is fighting a harder battle, right? But what if they're not? What if the biggest thing they have to worry about is homework and whether they get into a good college? Even if they've lost a family member or their parents are getting a divorce or they're missing someone far away. That is not worse than having to take medication to be in control of your own mind. It's just not.

Very well, Miss Temminnick. Tell me a little about yourself. Are you well-educated?” Sophronia considered this question seriously. “I don’t believe so.” “Excellent. Ignorance is most undervalued in a student. And have you killed anyone recently?” Sophronia blinked. “Pardon?” “Oh, you know, a knife to the neck, or perhaps a cleverly noosed cravat?” Sophronia said only, “Not my preferred diversion.” “Oh, dear, how disappointing. Well, don’t you fret. We shall soon find you some useful hobby.

Fallon continued. “We learned in school that bullies abuse others because they feel bad about themselves. They’re hurting.” She brought up her knees and locked her arms around them, her tone light and taunting. “We shouldn’t be mad. We should pity them." Madoc has never had to make a real decision in his entire life, which means he’s never had anything real. This house, the cars, the money. It’s all an illusion. It’s like parading a victory when you missed the war.” She took a breath and whispered slowly. “Madoc has no idea who he is.

I have been so careless with the words I already have. I don’t remember how to say home in my first language, or lonely, or light. I remember only delam barat tang shodeh, I miss you, and shab bekheir, goodnight. How is school going, Kaveh-joon? Delam barat tang shodeh. Are you still drinking? Shab bekheir. For so long every step I’ve taken has been from one tongue to another.

Last night I missed two free throws which would have won the game against the best team in the state. The farm town high school I play for is nicknamed the "Indians," and I'm probably the only actual Indian ever to play for a team with such a mascot. This morning I pick up the sports page and read the headline: INDIANS LOSE AGAIN. Go ahead and tell me none of this is supposed to hurt me very much.

You know one day, you're going to look back on these days. And everyone you went to high school with will either be getting married to each other, shitting out kids, or dropping dead like flies," when she spoke, Miss Jenson sighed at the end of every few words; she must have been narrating her own thoughts she might have otherwise kept to herself, "and everything you never did, you'll never be able to even try.

Still have your passport?" I feel my coat once more. "Got it." "Good." And then his hand is inside my pocket.My heart spazzes,but he doesn't notice.He pulls out my passport and flicks it open. WAIT.WHY DOES HE HAVE MY PASSPORT? His eyebrows shoot up.I try to snatch it back,but he holds it out of my reach. "Why are your eyes crossed?" He laughs. "Have you had some kind of ocular surgery I don't know about?" "Give it back?" Another grab and miss, and I change tactics and lunge for his coat instead. I snag his passport. "NO!" I open it up,and it's...baby St. Clair. "Dude.How old is this picture?" He slings my passport at me and snatches his back. "I was in middle school.

You, my child, will marry well. More than once." (...) The lady retrieved the cards and shuffled them back together into one stack in an attitude of dismissal. Taking this as a sign her fortune was complete, Preshea stood. Looking particularly pleased with life, she passed over a few coins and gave Madame Spetuna a nice curtsy. Mademoiselle Geraldine was fanning herself. "Oh, dear, oh, dear, Miss Buss. Let us hope it is widowhood and not" - she whispered the next word - "divorce that leads to your multiple marriages." Preshea sat and sipped from a china cup. "I shouldn't worry, Headmistress. I am tolerably certain it will be widowhood.

I don't know what I was hoping for. Some small praise, I guess. A bit of encouragement. I didn't get it. Miss Parrish took me aside one day after school let out. She said she'd read my stories and found them morbid and dispiriting. She said literature was meant to uplift the heart and that a young woman such as myself ought to turn her mind to topics more cheerful and inspiring than lonely hermits and dead children. "Look around yourself, Mathilda," she said. "At the magnificence of nature. It should inspire joy and awe. Reverence. Respect. Beautiful thoughts and fine words." I had looked around. I'd seen all the things she'd spoken of and more besides. I'd seen a bear cub lift it's face to the drenching spring rains. And the sliver moon of winter, so high and blinding. I'd seen the crimson glory of a stand of sugar maples in autumn and the unspeakable stillness of a mountain lake at dawn. I'd seen them and loved them. But I'd also seen the dark of things. The starved carcasses of winter deer. The driving fury of a blizzard wind. And the gloom that broods under the pines always. Even on the brightest days.

P.S. Nothing personal, but I think this journal assignment is a waste of time. I know I have to do something to make up for all the work I'm missing at school, but I HATE busywork. And that's what this journal thing is. Half the teachers at school assign work they never read. When we get stupid assignments like that, I always write somewhere on my paper "blah blah blah" or "I bet you're not even reading this," are you? or "Give me a sign if you're reading this." They never are.

I don't get as much fan mail as an actor or singer would, but when I get a letter 99% of the time it's pointing out something that really had an impact. Like after 'My Own Private Rodeo' all these people wrote to me and said Dale's dad inspired them to come out. And this was when it was still illegal to be gay in Texas and a few other states. Another one that really stuck with me was this girl who survived Columbine. See, "Wings of the Dope," the episode where Luanne's boyfriend comes back as an angel, aired two weeks after the shooting. About a month after that, I got a letter from a girl who was there and hid somewhere in the school when it was all going on. She said the first thing she was gonna do if she survived was tell a friend of hers she was in love with him. She never did. He ended up being one of the kids responsible for it. So you can imagine how - you know, to her, it felt wrong to grieve almost, and she bottled it up. But she saw that episode and Buckley walking away at the end and something just let her finally break down and greive and miss the guy. I remember she quoted Luanne - 'I wonder if he's guardianing some other girl,' or something along that line, because she never had the guts to tell the kid. That really gets to people at Comic Con.

You taught me how to survive that day,” he said. “You taught me how to be strong and how to get to the next minute. And the next and the next. I could never forget, and when you came back in high school, and I had changed into this, because I’d seen so much shit,” he went on, “and my desires had morphed into something ugly and twisted, but I’d fucking survived, nonetheless, and didn’t swallow the bad for anyone anymore, because you had taught me how to get rid of the shit. I finally craved one more thing I realized had been missing when I laid eyes on you again.

Autumn was her happiest season. There was an expectancy about its sounds and shapes: the distant thunk pomp of leather and young bodies on the practice field near her house made her think of bands and cold Coca-Colas, parched peanuts and the sight of people's breath in the air. There was even something to look forward to when school started - renewals of old feuds and friendships, weeks of learning again what one half forgot in the long summer. Fall was hot-supper time with everything to eat one missed in the morning when too sleepy to enjoy it.

…Or he could choose life. At that pivotal moment, it occurred to him that with all his schooling in theology he had, perhaps, missed the entire point of his studies, the very crux of the gospel he had professed to believe. That the measure of a person’s heart, the barometer of good or evil, was nothing more than the extent of their willingness to choose life over death. That the path of God was, simply, the path of life, abundant and eternal. And this is where he failed, for to choose life is to choose sorrow as well as joy, pain as well as pleasure. When Hunter had buried Rachel, he buried along with her his heart, lest it might heal and feel and grow again. And in so doing he had chosen more than death, he had chosen damnation itself, for damnation is nothing more than to stop a thing in its eternal progression. In that first flight from West Chester he had run not only from the horror and pain of death but from life itself.

You will go through your life thinking there was a day in second grade that you must have missed, when the grown-ups came in and explained, everything important to other kids. they said, 'Look, you're human, you're going to feel isolated and afraid a lot of the time, nad have bad self-esteem, and feel uniquely ruined, but here is the magic phrase that will take this feeling away. It will be like a feather that will lift you out of that fear and self-consciousness every single time, all through your life.' And then they told the cildren who were there that day the magic phrase that everyone else in the world knows about and uses when feeling blue, which only you don't know, because you were home sick the day the grown-ups told the children the way the whole world works. But there was not such a day in school. No one got the instructions. That is the secret of life. Everyone is flailing around, winging it most of the time, trying to find the way out, or through, or up, without a map. This lack of instruction manual is how most people develop compassion, and how they figure out to show up, care, help and serve, as the only way of filling up and being free. Otherwise you gorw up to be someone who needs to dominate and shame others so no one will know that you weren't there the day the instructions were passed out.

It is so much more threatening to have something out of hand than to believe that at any moment I can stop (I started to say "This foolishness") any time I need to. When I wrote the previous letter, I had made up my mind I would show you how I could be very composed and cool and not need to ask you to listen to me nor to explain anything to me nor need any help. By telling you that all this about the multiple personalities was not really true but just put on, I could show, or so I thought, that I did not need you. Well, it would have been easier if it were put on. But the only ruse of which I'm guilty is to have pretended for so long before coming to you that nothing was wrong. Pretending that the personalities did not exist has now caused me to lose about two days. Three weeks later Sybil reaffirmed her belief in the existence of her other selves in a letter to Miss Updyke, the school nurse of undergraduate days.

The next visit I paid to Nancy Brown was in the second week in March: for, though I had many spare minutes during the day, I seldom could look upon an hour as entirely my own; since, when everything was left to the caprices of Miss Matilda and her sister, there could be no order or regularity. Whatever occupation I chose, when not actually busied about them or their concerns, I had, as it were, to keep my loins girded, my shoes on my feet, and my staff in my hand; for not to be immediately forthcoming when called for, was regarded as a grave and inexcusable offence: not only by my pupils and their mother, but by the very servant, who came in breathless haste to call me, exclaiming 'You're to go to the school-room directly, mum- the young ladies is WAITING!!' Climax of horror! actually waiting for their governess!!!

It's ridiculous. Here I sit in my little room, I, Brigge, who have got to be twenty-eight years old and about whom no one knows. I sit here and am nothing. And yet this nothing begins to think and thinks, up five flights of stairs, these thoughts on a gray Paris afternoon: Is it possible, this nothing thinks, that one has not yet seen, recognized, and said anything real and important? Is it possible that one has had thousands of years of time to look, reflect, and write down, and that one has let the millennia pass away like a school recess in which one eats one's sandwich and an apple? Yes, it is possible. ...Is it possible that in spite of inventions and progress, in spite of culture, religion, and worldly wisdom, that one has remained on the surface of life? Is it possible that one has even covered this surface, which would at least have been something, with an incredibly dull slipcover, so that it looks like living-room furniture during the summer vacation? Yes, it is possible. Is it possible that the whole history of the world has been misunderstood? Is it possible that the past is false because one has always spoken of its masses, as if one was telling about a coming together of many people, instead of telling about the one person they were standing around, because he was alien and died? Yes, it is possible. Is it possible that one believed one has to make up for everything that happened before one was born? Is it possible one would have to remind every single person that he arose from all earlier people so that he would know it, and not let himself be talked out of it by the others, who see it differently? Yes, it is possible. Is it possible that all these people know very precisely a past that never was? Is it possible that everything real is nothing to them; that their life takes its course, connected to nothing, like a clock in an empty room? Yes, it is possible. Is it possible that one knows nothing about girls, who are nevertheless alive? Is it possible that one says "the women", "the children", "the boys", and doesn't suspect (in spite of all one's education doesn't suspect) that for the longest time these words have no longer had a plural, but only innumerable singulars? Yes, it is possible. Is it possible that there are people who say "God" and think it is something they have in common? Just look at two schoolboys: one buys himself a knife, and the same day his neighbor buys one just like it. And after a week they show each other their knives and it turns out that they bear only the remotest resemblance to each other-so differently have they developed in different hands (Well, the mother of one of them says, if you boys always have to wear everything out right away). Ah, so: is it possible to believe that one could have a God without using him? Yes, it is possible. But, if all this is possible, has even an appearance of possibility-then for heaven's sake something has to happen. The first person who comes along, the one who has had this disquieting thought, must begin to accomplish some of what has been missed; even if he is just anyone, not the most suitable person: there is simply no one else there. This young, irrelevant foreigner, Brigge, will have to sit himself down five flights up and write, day and night, he will just have to write, and that will be that.

engaged," he said bitterly. "Everybody's engaged. Everybody in a small town is engaged or married or in trouble. There's nothing else to do in a small town. You go to school. You start walking home with a girl-- maybe for no other reason than that she lives out your way. You grow up. She invites you to parties at her home. You go to other parties-- eople ask you to bring her along; you're expected to take her home. Soon no one else takes her out. Everybody thinks she's your girl and then...well, if you don't take her around, you feel like a heel. And then, because there's nothing else to do, you marry. And it works out all right if she's a decent girl (and most of the time she is) and you're a halfway decent fellow. No great passion but a kind of affectionate contentment. And then children come along and you give them the great love you kind of miss in each other. And the children gain in the long run.

Anytime I talk about my work informally, I inevitably encounter someone who wants to know why addicts become addicts. They use words like “will” and “choice,” and they end by saying, “Don’t you think there’s more to it than the brain?” They are skeptical of the rhetoric of addiction as disease, something akin to high blood pressure or diabetes, and I get that. What they’re really saying is that they may have partied in high school and college but look at them now. Look how strong-willed they are, how many good choices they’ve made. They want reassurances. They want to believe that they have been loved enough and have raised their children well enough that the things that I research will never, ever touch their own lives. I understand this impulse. I, too, have spent years creating my little moat of good deeds in an attempt to protect the castle of myself. I don’t want to be dismissed the way that Nana was once dismissed. I know that it’s easier to say Their kind does seem to have a taste for drugs, easier to write all addicts off as bad and weak-willed people, than it is to look closely at the nature of their suffering. I do it too, sometimes. I judge. I walk around with my chest puffed out, making sure hat everyone knows about my Harvard and Stanford degrees, as if those things encapsulate me, and when I do so, I give in to the same facile, lazy thinking that characterizes those who think of addicts as horrible people. It’s just that I’m standing on the other side of the moat. What I can say for certain is that there is no case study in the world that could capture the whole animal of my brother, that could show how smart and kind and generous he was, how much he wanted to get better, how much he wanted to live. Forget for a moment what he looked like on paper, and instead see him as he was in all of his glory, in all of his beauty. It’s true that for years before he died, I would look at his face and think, What a pity, what a waste. But the waste was my own, the waste was what I missed out on whenever I looked at him and saw just his addiction.

Some escaped the trap, most didn't. Those who got out always left something of themselves behind, as some animals amputate a leg and leave it in the trap. It might be said, perhaps, that I had escaped, after all, I was a school teacher; or that Sonny had, he hadn't lived in Harlem for years. Yet, as the cab moved uptown through streets which seemed, with a rush, to darken with dark people, and as I covertly studied Sonny's face, it came to me that what we both were seeking through our separate cab windows was that part of ourselves which had been left behind. It's always at the hour of trouble and confrontation that the missing member aches.

On the first day of school, my teacher, Miss Mdingane, gave each of us an English name and said that from thenceforth that was the name we would answer to in school. This was the custom among Africans in those days and was undoubtedly due to the British bias of our education. The education I received was a British education, in which British ideas, British culture, British institutions, were automatically assumed to be superior. There was no such thing as African culture. Africans of my generation—and even today—generally have both an English and an African name. Whites were either unable or unwilling to pronounce an African name, and considered it uncivilized to have one. That day, Miss Mdingane told me that my new name was Nelson. Why she bestowed this particular name upon me I have no idea. Perhaps it had something to do with the great British sea captain Lord Nelson, but that would be only a guess.

I miss you more than Michael Bay missed the mark When he made Pearl Harbor. I miss you more than that movie missed the point And that's an awful lot, girl. And now, now you've gone away And all I'm trying to say, is: Pearl Harbor sucked and I miss you. I need you like Ben Affleck needs acting school He was terrible in that film. I need you like Cuba Gooding needed a bigger part He's way better than Ben Affleck. And now, all I can think about is your smile and that shitty movie, too. Pearl Harbor sucked and I miss you. Why does Michael Bay get to keep on making movies? I guess Pearl Harbor sucked just a little bit more than I miss you.

I'm happy you're saying that, because... I mean, I always feel like a freak, because I'm never able to move on like... this! You know. People just have an affair, or even entire relationships... they break up and they forget! They move on like they would have changed brand of cereals! I feel I was never able to forget anyone I've been with. Because each person have... their own, specific qualities. You can never replace anyone. What is lost is lost. Each relationship, when it ends, really damages me. I never fully recover. That's why I'm very careful with getting involved, because... It hurts too much! Even getting laid! I actually don't do that... I will miss on the other person the most mundane things. Like I'm obsessed with little things. Maybe I'm crazy, but... when I was a little girl, my mom told me that I was always late to school. One day she followed me to see why. I was looking at chestnuts falling from the trees, rolling on the sidewalk, or... ants crossing the road, the way a leaf casts a shadow on a tree trunk... Little things. I think it's the same with people. I see in them little details, so specific to each of them, that move me, and that I miss, and... will always miss. You can never replace anyone, because everyone is made of such beautiful specific details. Like I remember the way, your beard has a bit of red in it. And how the sun was making it glow, that... that morning, right before you left. I remember that, and... I missed it! I'm really crazy, right?

Most peasants did not miss the school. "What's the point?" they would say. "You pay fees and read for years, and in the end you are still a peasant, earning your food with your sweat. You don't get a grain of rice more for being able to read books. Why waste time and money? Might as well start earning your work points right away." The virtual absence of any chance of a better future and the near total immobility for anyone born a peasant took the incentive out of the pursuit of knowledge. Children of school age would stay at home to help their families with their work or look after younger brothers and sisters. They would be out in the fields when they were barely in their teens. As for girls, the peasants considered it a complete waste of time for them to go to school. "They get married and belong to other people. It's like pouring water on the ground." The Cultural Revolution was trumpeted as having brought education to the peasants through 'evening classes." One day my production team announced it was starting evening classes and asked Nana and me to be the teachers. I was delighted. However, as soon as the first 'class' began, I realized that this was no education. The classes invariably started with Nana and me being asked by the production team leader to read out articles by Mao or other items from the People's Daily. Then he would make an hour-long speech consisting of all the latest political jargon strung together in undigested and largely unintelligible hunks. Now and then he would give special orders, all solemnly delivered in the name of Mao.

As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower. "Mmm," I say.He's kissing my neck. "That's it," Rashmi says. "I'm outta here.Enjoy your hormones." Josh and Mer follow her exit,and we're alone.Just the way I like it. "Ha!" Ettiene says. "Just the way I like it." He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say. "I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want." I lace my fingers through his. "I want to stay right here,in this moment." "Isn't that the name of the latest James Ashley bestseller? In This Moment?" "Careful.Someday you'll meet him, and he won't be nearly as amusing in person." Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing." "I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run." "I'm not most people." I smile. "I know.But you still have to promise." His eyes lock on mine. "Anna,I promise that I will never leave you." My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says. I'm still dazed. "My what?" He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him." I pause. "Do you think he'll object to me?" "Oh,I'm sure he will." Okay.Not the answer I was looking for. Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you." "So....that's a good thing?" "I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails." "You've worn your pinkies to nubs," I say cheerfully. "Or if I need to start ironing my bedspread." "I DO NOT IRON MY BEDSPREAD." "You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you." "She goes?" "You're the only thing I've talked about all year.She's ecstatic we're together." I'm smiling inside and out. "I can't wait to meet her.

He is all my art to me now," said the painter gravely. "I sometimes think, Harry, that there are only two eras of any importance in the world's history. The first is the appearance of a new medium for art, and the second is the appearance of a new personality for art also. What the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me. It is not merely that I paint from him, draw from him, sketch from him. Of course, I have done all that. But he is much more to me than a model or a sitter. I won't tell you that I am dissatisfied with what I have done of him, or that his beauty is such that art cannot express it. There is nothing that art cannot express, and I know that the work I have done, since I met Dorian Gray, is good work, is the best work of my life. But in some curious way—I wonder will you understand me?—his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. 'A dream of form in days of thought'—who is it who says that? I forget; but it is what Dorian Gray has been to me. The merely visible presence of this lad—for he seems to me little more than a lad, though he is really over twenty— his merely visible presence—ah! I wonder can you realize all that that means? Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. The harmony of soul and body— how much that is! We in our madness have separated the two, and have invented a realism that is vulgar, an ideality that is void. Harry! if you only knew what Dorian Gray is to me! You remember that landscape of mine, for which Agnew offered me such a huge price but which I would not part with? It is one of the best things I have ever done. And why is it so? Because, while I was painting it, Dorian Gray sat beside me. Some subtle influence passed from him to me, and for the first time in my life I saw in the plain woodland the wonder I had always looked for and always missed.

Hi, I’m Adele Czerny. I don’t really have a long speech. I mean, I sat through these things when I was your age, and they’re boring. I’m just going to say a few things about Noah and Raven Day. Did any of you guys know him?” In unison, Gansey and Adam started to lift their hands and just as quickly dropped them. Yes, they knew him. No, they had not known him. Noah, alive, had been before their time here. Noah, dead, was a phenomenon, not an acquaintance. “Well, you were missing out,” she said. “My mom always said he was a firecracker, which just meant he was always getting speeding tickets and jumping on tables at family reunions and stuff. He always had so many ideas. He was so hyper.” Adam and Gansey looked at each other. They had always had the sense that the Noah they knew was not the true Noah. It was just disconcerting to hear how much Noahness death had stripped. It was impossible to not wonder what Noah would have done with himself if he had lived. “Anyway, I’m here because I was actually the first one he told about his idea for Raven Day. He called me one evening, I guess it would’ve been when he was fourteen, and he told me he’d had this dream about ravens fighting and battling. He said they were all different colours and sizes and shapes, and he was inside them, and they were, like, swirling around him.” She motioned around herself in a whirlwind; she had Noah’s hands, Noah’s elbows. “And he told me, ‘I think it would be a cool art project.’ And I told him, ‘I’ll bet if everybody at the school made one, I bet you’d have enough.’ ” Gansey was aware that his arm hairs were standing up. “So they’re swooping and careening and there’s nothing but ravens, nothing but dreams all around you,” Adele said, only Gansey wasn’t sure if she had actually said it, or if he’d heard her wrong and he was just half-remembering something she’d already said. “Anyway, I know he’d like what it is like nowadays. So, um, thanks for remembering one of his crazy dreams.

When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer. Rachel snorts. "If only you liked sweets." "I can't wait to see you tonight. Wear that pink shirt I like." Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?" "Eight-thirty? That's so far away. Can't I meet you sooner?" One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited. "Do you need to be checked out of school, son? Are you feeling ill?" Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you." A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago. "Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do." "Right now, nothing. But I might change my mind about skipping. I really miss you." Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?" Galen hangs up. Why is Emma laughing again? Mark can't be that funny. The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess." "Speaking of all these girls, how did they get my phone number?" She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.

Epicurus founded a school of philosophy which placed great emphasis on the importance of pleasure. "Pleasure is the beginning and the goal of a happy life," he asserted, confirming what many had long thought, but philosophers had rarely accepted. Vulgar opinion at once imagined that the pleasure Epicurus had in mind involved a lot of money, sex, drink and debauchery (associations that survive in our use of the word 'Epicurean'). But true Epicureanism was more subtle. Epicurus led a very simple life, because after rational analysis, he had come to some striking conclusions about what actually made life pleasurable - and fortunately for those lacking a large income, it seemed that the essential ingredients of pleasure, however elusive, were not very expensive. The first ingredient was friendship. 'Of all the things that wisdom provides to help one live one's entire life in happiness, the greatest by far is the possession of friendship,' he wrote. So he bought a house near Athens where he lived in the company of congenial souls. The desire for riches should perhaps not always be understood as a simple hunger for a luxurious life, a more important motive might be the wish to be appreciated and treated nicely. We may seek a fortune for no greater reason than to secure the respect and attention of people who would otherwise look straight through us. Epicurus, discerning our underlying need, recognised that a handful of true friends could deliver the love and respect that even a fortune may not. Epicurus and his friends located a second secret of happiness: freedom. In order not to have to work for people they didn't like and answer to potentially humiliating whims, they removed themselves from employment in the commercial world of Athens ('We must free ourselves from the prison of everyday affairs and politics'), and began what could best have been described as a commune, accepting a simpler way of life in exchange for independence. They would have less money, but would never again have to follow the commands of odious superiors. The third ingredient of happiness was, in Epicurus's view, to lead an examined life. Epicurus was concerned that he and his friends learn to analyse their anxieties about money, illness, death and the supernatural. There are few better remedies for anxiety than thought. In writing a problem down or airing it in conversation we let its essential aspects emerge. And by knowing its character, we remove, if not the problem itself, then its secondary, aggravating characteristics: confusion, displacement, surprise. Wealth is of course unlikely ever to make anyone miserable. But the crux of Epicurus's argument is that if we have money without friends, freedom and an analysed life, we will never be truly happy. And if we have them, but are missing the fortune, we will never be unhappy.

I believe this movement will prevail. I don’t mean it will defeat, conquer, or create harm to someone else. Quite the opposite. I don’t tender the claim in an oracular sense. I mean that the thinking that informs the movement’s goals will reign. It will soon suffuse most institutions, but before then, it will change a sufficient number of people so as to begin the reversal of centuries of frenzied self-destructive behavior. Some say it is too late, but people never change when they are comfortable. Helen Keller threw aside the gnawing fears of chronic bad news when she declared, “I rejoice to live in such a splendidly disturbing time!” In such a time, history is suspended and thus unfinished. It will be the stroke of midnight for the rest of our lives. My hopefulness about the resilience of human nature is matched by the gravity of our environmental and social condition. If we squander all our attention on what is wrong, we will miss the prize: In the chaos engulfing the world, a hopeful future resides because the past is disintegrating before us. If that is difficult to believe, take a winter off and calculate what it requires to create a single springtime. It’s not too late for the world’s largest institutions and corporations to join in saving the planet, but cooperation must be on the planet’s terms. The “Help Wanted” signs are everywhere. All people and institutions including commerce, governments, schools, churches and cities, need to learn from life and reimagine the world from the bottom up, based on the first principles if justice and ecology. Ecological restoration is extraordinarily simple: You remove whatever prevents the system from healing itself. Social restoration is no different. We have the heart, knowledge, money and sense to optimize out social and ecological fabric. It is time for all that is harmful to leave. One million escorts are here to transform the nightmares of empire and the disgrace of war on people and place. We are the transgressors and we are the forgivers. “We” means all of us, everyone. There can be no green movement unless there is also a black, brown and copper movement. What is more harmful resides within is, the accumulated wounds of the past, the sorrow, shame, deceit, and ignominy shared by every culture, passed down to every person, as surely as DNA, as history of violence and greed. There is not question that the environmental movement is most critical to our survival. Our house is literally burning, and it is only logical that environmentalists expect the social justice movement to get on the environmental bus. But is actually the other way around; the only way we are going to put out this fire is to get on the social justice bus and heal our wounds, because in the end, there is only one bus. Armed with that growing realization, we can address all that is harmful externally. What will guide us is a living intelligence that creates miracles every second, carried forth by a movement with no name.