Miriam Quotes

We've searched our database for all the quotes and captions related to Miriam. Here they are! All 100 of them:

Miriam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Miriam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate belongings.
Khaled Hosseini (A Thousand Splendid Suns)
You will never be completely at home again, because part of your heart always will be elsewhere. That is the price you pay for the richness of loving and knowing people in more than one place.
Miriam Adeney
Perhaps depression is caused by asking oneself too many unanswerable questions.
Miriam Toews (Swing Low)
Science fiction deals with improbable possibilities, fantasy with plausible impossibilities.
Miriam Allen deFord
Is it wrong to trust in a beautiful lie if it helps you get through life?
Miriam Toews (A Complicated Kindness)
She was becoming sad. There is no joy involved in following others' expectations of yourself.
Miriam Toews
Can’t you just be like the rest of us, normal and sad and fucked up and alive and remorseful?
Miriam Toews (All My Puny Sorrows)
It was the first time that we had sort of articulated our major problem. She wanted to die and I wanted her to live and we were enemies who loved each other.
Miriam Toews (All My Puny Sorrows)
…just because someone is eating the ashes of your protagonist doesn't mean you stop telling the story.
Miriam Toews (All My Puny Sorrows)
The door swooshed open. A tiny woman in a purple miniskirt, red boots, and a black T-shirt that read STAND BACK—I’M GOING TO TRY SCIENCE walked through. Miriam Shephard had arrived.
Deborah Harkness (The Book of Life (All Souls Trilogy, #3))
She suddenly began to jump up and down, screaming at the top of her lungs. "The arks are after me! The arks are after me! Help me, the arks are after me!" .... "The arks! You don't understand, I have the ring and the arks are after me!" .... (and so the police officer is puzzled long enough for Miriam and Seth to escape)
Ted Dekker (Blink)
Certainly, travel is more than the seeing of sights; it is a change that goes on, deep and permanent, in the ideas of living.
Miriam Beard
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
Sadness is what holds our bones in place.
Miriam Toews (All My Puny Sorrows)
But whatever, we descendants of the Girl Line may not have wealth and proper windows in our drafty homes but at least we have rage and we will build empires with that, gentlemen.
Miriam Toews (All My Puny Sorrows)
Forget perfect on the first try. In the face of frustration, your best tool is a few deep breaths, and remembering that you can do anything once you've practed two hundred times.
Miriam Peskowitz (The Daring Book for Girls)
Freedom is good... [i]t's better than slavery. And forgiveness is good, better than revenge. And hope for the unknown is good, better than hatred of the familiar.
Miriam Toews (Women Talking)
Things shouldn't hinge on so very little. Sneeze and you're highway carnage. Remove one tiny stone and you're an avalanche statistic. But I guess if you can die without ever understanding how it happened then you can also live without a complete understanding of how. And in a way that's kind of relaxing.
Miriam Toews (A Complicated Kindness)
That’s it. Let’s go.” “Yep,” whispered Suley. He turned to leave. “This is crazy.” He had his phone in his hand. “Look, we’re still in Rowland Forest. What’s this fence doing here? How come it’s not marked?” “We’ll tell your father about it.” Saskia pulled at his arm, looking anxiously around and up. To her horror, she saw a surveillance camera mounted on an overhead tree branch. It pointed straight at them. “Merde! Suley, we’ve got to go!” she hissed, pointing to the camera. His eyes widened. Distant shouts and an engine roaring to life exploded the forest calm. Suley and Saskia bolted back the way they’d come.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
Life being what it is, one dreams not of revenge. One just dreams.
Miriam Toews (A Complicated Kindness)
Another mound of boulders reared up before her. She scrabbled along the base of the mound, slipping and sliding, barely catching herself from tumbling down the slope. She caught sight of the person coming after her. It was a man, brown hair in a halo around his white face. He glared up at her, lips drawn back over stained teeth in a snarl, long, bare arms eating the ground in leaps against her ineffectual progress.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
Dan wanted me to stay. I wanted Elf to stay. Everyone in the whole world was fighting with somebody to stay. When Richard Bach wrote "If you love someone, set them free" he can't have been directing his advice at human beings.
Miriam Toews (All My Puny Sorrows)
A smart wife is one who makes sure she spends so much that her husband can't afford another woman.
Miriam Defensor Santiago
Butterflies add another dimension to the garden, for they are like dream flowers - childhood dreams - which have broken loose from their stalks and escaped into the sunshine.
Miriam Rothschild (The Butterfly Gardener)
There must be satisfaction gained in accurately naming the thing that torments you.
Miriam Toews (Women Talking)
Saskia lay back again, closing her eyes and continued eating mandarin wedges. After a pause, she added, “I think that the biggest danger for people like you and me is that we start blaming people for things that happen to us. Bullies smell that kind of thing from miles away. People like you and me have to stop thinking about our limitations and start thinking about our talents and not let other people define us.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
Mary Jane. Listen. Please," Eloise said, sobbing. "You remember our freshman year, and I had that brown-and-yellow dress I bought in Boise, and Miriam Ball told me nobody wore those kind of dresses in New York, and I cried all night?" Eloise shook Mary Jane's arm. "I was a nice girl," she pleaded, "wasn't I?
J.D. Salinger (Nine Stories)
You should know something, Miriam.... God changed our futures yesterday. There's no other explanation for what happened. And it wasn't the first God. If you ever need hlep, you might want to try the second God.
Ted Dekker (Blink)
Did you just say shrug instead of actually shrugging?
Chuck Wendig (Blackbirds (Miriam Black, #1))
But there is a kindness here, a complicated kindness. You can see it sometimes in the eyes of people when they look at you and don't know what to say.
Miriam Toews (A Complicated Kindness)
No, Ernie, says Agata, there’s no plot, we’re only women talking.
Miriam Toews (Women Talking)
I wondered if it was possible to donate my body to science before I was actually dead. I wondered if a disease were to be named after me what the symptoms would be.
Miriam Toews (A Complicated Kindness)
...and I put on "All My Love" and watched the sun rise yet again and thought thank you Robert Plant for all your love but do you have anymore?
Miriam Toews (A Complicated Kindness)
What is the meaning of life? This meaning is not for you to find, but for you to define. The meaning of life is found in the purposes that we pursue as we grow older.
Miriam Defensor Santiago (Stupid is Forevermore)
keep bees and grow asparagus. listen to the wind instead of the politicians, make up your own stories and believe them if you want to live the good life
Miriam Waddington
All we women have are our dreams – so of course we are dreamers.
Miriam Toews (Women Talking)
Can you never like things without clutching them as if you wanted to pull the heart out of them?
D.H. Lawrence (Sons and Lovers)
There are no windows within the dark house of depression through which to see others, only mirrors.
Miriam Toews (Swing Low: A Life)
Go into hard things quickly, eagerly, then retreat.
Miriam Toews (All My Puny Sorrows)
Did you tell people that songs weren’t the same as a warm body or a soft mouth? Miriam, I’ve heard people using your songs as prayer, begging god in falsetto. You were a city exiled from skin, your mouth a burning church.
Warsan Shire (Teaching My Mother How to Give Birth)
... the twin pillars that guard the entrance to the shrine of religion are storytelling and cruelty.
Miriam Toews (Women Talking)
The truth is, I don't have a catchy method of conversing and yet unfortunately suffer of a minute to minute basis the agony of the unexpressed thought.
Miriam Toews (Women Talking)
I had a thought, on the way home from the rock field, that the things we don't know about a person are the things that make them human, and it made me feel sad to think that, but sad in that reassuring way that some sadness has, a sadness that says welcome home in twelve different languages.
Miriam Toews (A Complicated Kindness)
My dad loved the shit out of her and hardly ever knew what to say to her and she loved the shit out right back out of him and filled the silent part of their lives with books and coffee and other things.
Miriam Toews (A Complicated Kindness)
Hindi lahat ng sweet ay loyal sa'yo. Tandaan, sweet nga ang candy, pero nakabalot naman sa plastic.
Miriam Defensor Santiago
It’s hard to grieve in a town where everything that happens is God’s will. It’s hard to know what to do with your emptiness when you’re not supposed to have emptiness.
Miriam Toews (A Complicated Kindness)
Dearie, I’m not going to speak for other people.” Megan manoeuvred her lips into a smile, but her eyes stayed cold. “Now. What else would you like to see me about?” “Do you think things will go backwards if the Rowlands push for change?” “It’s not my place to judge that, but I’ll tell you this for nothing. The Rowlands aren’t the only ones with a vested interest in everything around here. They might own it on paper, but folks make their living here, and if the Rowlands threaten that, they’ll get more than they bargained for.” Something in Megan’s tone caused Saskia to tense. The smile that Megan continued to hold on her lips seemed now an image of threat.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
Miriam - I'll give you any flowers you want!' Rhapsodising over the thousand scents of her body, I exclaimed: 'I'll grow orchids from your hands, roses from your breasts. You can have magnolias in your hair...!' 'And in my heart?' 'In your womb I'll set a fly-trap!
J.G. Ballard (The Unlimited Dream Company)
As Miriam released my hand I felt that she and Midwife Bell had returned to a more primitive world, where men never intruded and even their role in conception was unknown. Here the chain of life was mother to daughter, daughter to mother. Fathers and sons belonged in the shadows with the dogs and livestock, like the retriever growling at Midwife Bell's unfamiliar car from the window of my neighbours' living room.
J.G. Ballard (The Kindness of Women)
Nothing happens in my life. Nothing has to happen, she said, for it to be life.
Miriam Toews (All My Puny Sorrows)
Where does violence go, if not directly back into our blood and bones?
Miriam Toews (All My Puny Sorrows)
Dare beyond your strength, hazard beyond your judgment, and in extremities, proceed in excellent hope. Bare the accidents of life with dignity and grace, making the best of circumstances.
Miriam Defensor Santiago (Stupid is Forevermore)
A teaspoonful of semen contains the same amount of protein as the white of one egg. However, the consumption of semen can be much more fun.
Miriam Stoppard
But love, like a mushroom high compared with the buzz from cheap weed, outlasts grief.
Miriam Toews (A Complicated Kindness)
The only clarity – if oppressive fog could ever be clarity – was the violent, throbbing, boiling agony pressing her against the ground. There were sounds, too: shouting, screaming, banging, thudding, squawking, chittering. It hurt to breathe. “No snake! No snake!” A woman’s voice shrilled. “Christ sake! Let the bloody thing out. That one, too.” A man’s voice, shouting – bellowing – commands. A hand lifted her wrist, and through the torment of pain, she realised that fingers were releasing her watch strap.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
We are wasting time, pleads Greta, by passing this burden, this sack of stones, from one to the next, by pushing our pain away. We mustn’t do this. We mustn’t play Hot Potato with our pain. Let’s absorb it ourselves, each of us, she says. Let’s inhale it, let’s digest it, let’s process it into fuel.
Miriam Toews (Women Talking)
- Estás enamorada - dijo Santiago. - No es verdad. - Claro que sí. Y sufres porque él piensa en otra persona. Créeme; sé de qué estoy hablando. - ¿De verdad? - replicó ella, irritada -. Lo dudo. No te tomas nada en serio. ¿Cómo vas a saber lo que es el amor? Se volvió para marcharse, pero Santiago la retuvo por el brazo y la miró a los ojos. - Sé de qué estoy hablando - repitió. Y Miriam lo comprendió.
Laura Gallego (Mandrágora)
A few weeks ago my uncle came over to borrow my dad's socket set and when he asked my dad how he was my dad said oh unexceptional. Living quietly with my disappointments. And how are you
Miriam Toews (A Complicated Kindness)
Why does the mention of love, the memory of love, the memory of love lost, the promise of love, the end of love, the absence of love, the burning, burning need for love, need to love, result in so much violence?
Miriam Toews (Women Talking)
We are not members, . . . we are commodities. . . . When our men have used us up so that we look sixty when we’re thirty and our wombs have literally dropped out of our bodies onto our spotless kitchen floors, finished, they turn to our daughters.
Miriam Toews (Women Talking)
she had everything she wanted; all she had to do was convince herself that she wanted very little.
Miriam Toews (Women Talking)
Conversing with children is a fine art.... An art form that demands large amounts of both honesty and misdirection. Or maybe discretion is a better word.
Miriam Toews (The Flying Troutmans)
If, along the way, something is gained, then something will also be lost.
Miriam Toews (The Flying Troutmans)
«Mi sono chiesta se i Cyborg avessero un cuore.» «Io tra tutti i Cyborg non ho più un cuore.» «Tu puoi provare sentimenti?» «Non credo.»
Miriam Ciraolo (Beauty and the Cyborg (Beauty and the Cyborg, #1))
We increase our suffering through our attempts to avoid it
Miriam Greenspan
She pulled open the reception area door, bright sunshine causing her to pause, momentarily blinding her. Her eyes adjusted and she saw Josh, Peta and Daryl in deep conversation at an outdoor table. Saskia retreated, holding the door open. She saw Daryl lunge out of his bench, reach across the table, grab the front of Josh’s shirt and haul him close. Daryl’s mouth worked in angry lines and Josh’s head bowed, shaking back and forth slowly. Peta glanced nervously over her shoulder and towards the door of the administration building. She laid a hand on Daryl’s arm, leaning towards him. Daryl let Josh loose, sinking back into his seat. Josh also sat back, tugging his shirt into place.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
By leaving, we are not necessarily disobeying the men according to the Bible, because we, the women, do not know exactly what is in the Bible, being unable to read it. Furthermore, the only reason why we feel we need to submit to our husbands is because our husbands have told us that the Bible decrees it.
Miriam Toews (Women Talking)
Perhaps we need to know more specifically what we are fighting to achieve (not only what we are fighting to destroy), and what actions would be required for such an achievement, even after the fight has been won, if it is won.
Miriam Toews (Women Talking)
After that we tried thirty-nine times to stand together on the tube until we finally did. It was fun. I liked the falling part, and holding hangs. Relationships were so easy when all you had to work on was standing up together.
Miriam Toews (A Complicated Kindness)
Tina nods sagely and says yes and then something in Plautdietsch, probably something like heck yeah do we ever know what sad is. Sadness is what holds our bones in place.
Miriam Toews (All My Puny Sorrows)
One night I heard my dad say to my mom: I can't help but think of the good times we're having now as being painful memories later on. And my mom saying, c'mon now honey.
Miriam Toews (A Complicated Kindness)
If you have to end up in the hospital, try to focus all your pain in your heart rather than your head.
Miriam Toews (All My Puny Sorrows)
I have no illusions about myself, about my life, about leaving a legacy, or making a mark in people's lives. We are so insignificant. We are only here for a blink.
Miriam Defensor Santiago (Stupid is Forevermore)
Most of us, she said, absolve ourselves of responsibility for change by sentimentalizing our pasts.
Miriam Toews (Women Talking)
He looked sad and happy at the same time. That's a popular adult look. Because adults are busy and have to do everything at once, even feel things.
Miriam Toews (Fight Night)
Satisfied, Sundae trotted to a bush near the lake, dug vigorously for some seconds and pulled out a bone deliciously covered in mud and bits of vegetation. She took her prize to a still-sunny patch of grass and began to gnaw at it. Two magpies, their greyish necks identifying them as juveniles, landed on a nearby branch. Sundae paused, eyes flicking up to stare at the birds, then returned to attend to the bone. One of the magpies swooped down and landed on the lawn a couple of metres away from the dog. Sunny’s top lip trembled up in the prelude of a snarl. The magpie approached the dog. Sundae’s body tensed, lip furling up further, eyes focused on the agitator. The magpie inched closer. When it was half a metre away, Sundae launched. The bird flew back to the branch next to its companion. Then both birds threw their heads back and let out a rollicking call; it sounded like laughter. Rumbling a growl, Sundae returned to her bone, casting baleful glares at the birds as she gnawed. Saskia and Tania chuckled. “For all of my life, I have watched the magpies and dogs of Woodgrove play this game,” Tania said. “And every time I see it, I have to laugh.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
None of us have ever asked the men for anything, Agata states. Not a single thing, not even for the salt to be passed, not even for a penny or a moment alone or to take the washing in or to open a curtain or to go easy on the small yearlings or to put your hand on the small of my back as I try, again, for the twelfth or thirteenth time, to push a baby out of my body.
Miriam Toews (Women Talking)
The joey, large-eyed and gangly in the way of almost all young animals, frisked about. He – she – it (Saskia couldn’t tell what sex) batted its front paws at its mother – who straightened from her feeding with a look of resigned patience to fend off the tiny fists before reaching out and enfolding the youngster in her arms. The joey melted into her embrace, touching its nose against her mouth. Saskia took several photos, letting out a small “oooh!” at the cuteness of the interaction. The youngster hopped away and leapt into the air with twists that could be for no other reason than the joy of doing them. Suddenly, it returned to the doe and, once again, interrupted her grazing by thrusting its head into her pouch.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
Saskia.” A hand covered hers. Saskia frowned. It was irritating enough that she only had one hand to work with. She didn’t need to have the movement of that one impeded as well. “I’m in the middle of – Oh! Tania! What – I thought you were in Canberra.” “I was yesterday. I returned this morning.” “Yesterday?” Saskia turned from staring at Tania to staring at her computer and the table. A half-empty mug of something sat next to a partly eaten sandwich and a mostly empty glass of water. “Oh,” she sat back in her chair. “I do this sometimes. I get caught up in things.” Her gaze fell on the lines and boxes on the monitor’s screen. She sat forward, her surroundings disappearing from her awareness again. “Tania, I think I’m close to figuring it out.” Tania’s hand, still on Saskia’s, squeezed gently. “Good. But now you need to take a rest.” “No. I can finish this. I’m on a roll.” “Yes. You can roll again later.” “Look! I think I’ve almost worked it out.” She tugged her hand from under Tania’s and pointed to her computer screen, which showed a bank statement. “Look at these transactions. I can match them to –” Tania peered at the screen. “Whose statement is that?
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
It may have been the light at 5:36 on a June evening or it may have been the smell of dust combined with sprinkler water or the sound of the neighbour kid screaming I'll kill you but suddenly it was like I was dying, the way I missed her. Like I was swooning, like I was going to fall over and pass out. It was like being shot in the back. It was such a surprise, but not a very good one. And then it went away. The way it does. But it exhausted me, like a seizure.
Miriam Toews (A Complicated Kindness)
We are women without a voice, Ona states calmly. We are women out of time and place, without even the language of the country we reside in. We are Mennonites without a homeland. We have nothing to return to, and even the animals of Molotschna are safer in their homes than we women are. All we women have are our dreams—so of course we are dreamers.
Miriam Toews (Women Talking)
Saskia groaned again. She threw back her bed covers, the last vestiges of sleep leaving her. It would be evening in Lyon. Clarissa would be expecting to hear from her. A call-in at least once every 24 hours was part of several protocols Clarissa had established. The instruction at the end of the conversation, “Give the dogs a pat for me”, reassured Clarissa that all was well. Leave the words out, replace any one of the words in the sentence with another or not place a call in a 24-hour period, and Clarissa would alert authorities. In her younger years, Clarissa had served in the British army. Her experiences in those years had caused the trauma she now lived with, though she used her expertise by teaching her three partners basic self-defence, how to operate firearms and how to wield weapons. She also programmed their watches and phones to enable her to constantly track their whereabouts, explaining, “I want to know that my three charges are safe”. Another protocol was to always check accommodation venues for listening devices. Saskia did this before calling Clarissa. “Clarissa. Ça va?” “What have you to report?
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
In my view, leadership is the courage to take risks in defense of a position that is both legal and moral. The politician who tries to become a wise guy by becoming friends to everybody - corrupt or not - is not a leader.
Miriam Defensor Santiago (Stupid Is Forever)
And Miriam also refused to be approached. She was afraid of being set at nought, as by her own brothers. The girl was romantic in her soul. Everywhere was a Walter Scott heroine being loved by men with helmets or with plumes in their caps. She herself was something of a princess turned into a swine-girl in her own imagination. And she was afraid lest this boy, who, nevertheless, looked something like a Walter Scott hero, who could paint and speak French, and knew what algebra meant, and who went by train to Nottingham every day, might consider her simply as the swine-girl, unable to perceive the princess beneath; so she held aloof.
D.H. Lawrence (Sons and lovers)
Whoo-eeee!” From the corner of her eye, she caught a glimpse of Peter. He was on the road to the side, probably waiting to ensure she’d managed to negotiate the first part of the track. She didn’t stop, her adrenaline pumping. He’d catch up. “Come get me!” she yelled, making a slight counter-direction turn in the air to help her blow into the berm on the other side of the road. The trail crossed a short flat, a marked rock garden, a beam over a bog, another rock drop and berm, a zigzag around massive trees, roots and rocks that kicked the bike’s tyres this way and that and tested her balance, more air over another drop – this one caused by a massive log – enough air for her to do a back flip from a kicker over another part of the forestry trail, steep to the left. The first wall appeared. She took it fast, skidded around to slam into the side of a berm and round off on to another gully crossing. “Whoo-eeee!
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
When my mother went to university to become a therapist she learned that suffering, even though it may have happened a long time ago, is something that is passed from one generation to the next to the next, like flexibility or grace or dyslexia.
Miriam Toews (All My Puny Sorrows)
Our freedom and safety are the ultimate goals, and it is men who prevent us from achieving those goals. But not all men, says Mejal. Ona clarifies: Perhaps not men, per se, but a pernicious ideology that has been allowed to take hold of the men's hearts and minds.
Miriam Toews (Women Talking)
Mornings, out in the garden, she would, at times, read aloud from one of her many overdue library books. Dew as radiant as angel spit glittered on the petals of Jack's roses. Jack was quite the gardener. Miriam thought she knew why her particularly favored roses. The inside of a rose does not at all correspond with its exterior beauty. If one tears off all the petals of the corolla, all that remains is a sordid-looking tuft. Roses would be right up Jack's alley, all right. "Here's something for you, Jack," Miriam said. You'll appreciate this. Beckett describes tears as 'liquified brain.' "God, Miriam," Jack said. "Why are you sharing that with me? Look at this day, it's a beautiful day! Stop pumping out the cesspit! Leave the cesspit alone!
Joy Williams
Death is before me today Like a sick man’s recovery, Like going outdoors after confinement. Death is before me today Like the fragrance of myrrh, Like sitting under sail on breeze day. Death is before me today Like the fragrance of lotus. Like sitting on the shore of drunkenness. Death is before me today Like a well-trodden way, Like a man’s coming home from warfare. Death is before me today Like the clearing of the sky. As when a man discovers what he ignored. Death is before me today Like a man’s longing to see his home When he has spent many years in captivity
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
The other day I found her passport in her drawer when I was putting away my dad's laundered handkerchiefs. I wish I hadn't. For the purpose of my story, she should have it with her. I sat on my dad's bed and flipped through page after empty page. No stamps. No exotic locales. No travel-worn smudges or creases. Just the ID information and my mother's black-and-white photo which if it were used in a psychology textbook on the meaning of facial expressions would be labelled: Obscenely, heartbreakingly hopeful.
Miriam Toews (A Complicated Kindness)
When I listened to her play I felt I should not be in the same room with her. There were hundreds of people but nobody left. It was a private pain. By private I mean to say unknowable. Only the music knew and it held secrets so that her playing was a puzzle, a whisper, and people afterward stood in the bar and drank and said nothing because they were complicit. There were no words.
Miriam Toews (All My Puny Sorrows)
She says isn’t it funny how every second, every minute, every day, month, year, is accounted for, capable of being named—when time, or life, is so unwieldy, so intangible and slippery? This makes her feel compassion toward the people who invented the concept of “telling time.” How hopeful, she says. How beautifully futile. How perfectly human.
Miriam Toews (All My Puny Sorrows)
And then I thought that people like to talk about their pain and loneliness but in disguised ways. Or in ways that are sort of organized but not really. I realized that when I try to start conversations with people, just strangers on the street or in the grocery store, they think I’m exposing my pain or loneliness in the wrong way and they get nervous. But then I saw the impromptu choir repeating the line about everyone having holes in their lives, and so beautifully, so gently and with such acceptance and even joy, just acknowledging it, and I realized that there are ways to do it, just not the ones that I’d been trying.
Miriam Toews (All My Puny Sorrows)
David turned on the TV and sat on the couch. He could grade the Calc I homework but that always depressed him. It would almost put him in mourning, sitting Shiva, but it had to be done. He would get up early in the morning and do it. He chuckled. The TV had a stupid dog commercial. Cocker Spaniel mix. Same kind of mutt Miriam brought into their marriage. She was a dog person. Named it Lucky. Lucky died of poisoning while David was at home one afternoon. Somehow the dog had gotten into Clorox. Not so lucky. That had been their only fight. David did not want to get another dog. Claimed it would remind him of Lucky. When David was little, about eight or nine years old, he had learned Clorox would kill a dog. Their neighbor had a German shepherd. Sol would throw rocks at it when they walked to school. One day the dog got out and bit Sol, and if the neighbors had not stopped it, the dog may have mauled Sol to death. The dog’s name was Roxx, short for Roxanne. It was found dead a couple of days later. Poisoned. David was not a dog person.
Michael Grigsby (Segment of One)
In my approaching old age, I am now supposed to share with you what life has taught me, and in the end to encapsulate for you what is the meaning of life. From where I am now, I find that these conundrums are easily answered. First, life teaches us that, whether we perceive it as predestined or as random, it is beyond any person's control. Second, there is no template for the meaning of life. Instead, the meaning of life is what you choose to make it mean. In making your choice, when you reach my age, your journey becomes an affirmation of the warning that life is a consequence of our moral choices.
Miriam Defensor Santiago
Psychotherapist Miriam Greenspan uses the term intervulnerability to describe the need for this mutually held space. When asked about this idea in an interview, she replied, When I say we are “intervulnerable,” I mean we suffer together, whether consciously or unconsciously. Albert Einstein called the idea of a separate self an “optical delusion of consciousness.” Martin Luther King Jr. said that we are all connected in an “inescapable web of mutuality.” There’s no way out, though we try to escape by armoring ourselves against pain and in the process diminishing our lives and our consciousness. But in our intervulnerability is our salvation, because awareness of the mutuality of suffering impels us to search for ways to heal the whole, rather than encase ourselves in a bubble of denial and impossible individualism. At this point in history, it seems that we will either destroy ourselves or find a way to build a sustainable life together.
Francis Weller (The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief)
Why do you think I’m your wife?” I say. War’s eyes flick to just beneath my chin. “I don’t ‘think’ it,” he says. “I know it.” Chills. There it is, that certainty. You’d think that if I was supposed to make a husband out of War, I’d know it too. “If I’m your wife, why don’t I sleep in the same tent as you?” I say. “And why don’t—” I stop myself before I can say more. The horseman glances at me. Now I’ve caught his interest. “Go on,” he says. “Tell me, Miriam, all about the rest.” I don’t. “Why don’t I fuck you raw and feast on your pussy and keep you chained to my bed like a proper husband?” he finishes for me. Chained to the bed like a proper husband? I glance over at him. “Who the hell educated you on marriage?” Seriously, what the fuck? Forget God. This dude has to be a demon. War takes one look at my face and laughs. “Is that not what proper husbands do?
Laura Thalassa (War (The Four Horsemen, #2))
You have a place in my nature which no one else could fill. You have played a fundamental part in my development. And this grief, which has been like a clod between our two souls, does it not begin to dissipate? Ours is not an everyday affection. As yet, we are mortal, and to live side by side with one another would be dreadful, for somehow, with you I cannot long be trivial, and, you know, to be always beyond this mortal state would be to lose it. If people marry, they must live together as affectionate humans who may be commonplace with each other without feeling awkward- not as two souls. So I feel it. I might marry in the years to come. It would be a woman I could kiss and embrace, whom I could make the mother of my children, whom I could talk to playfully, trivially, earnestly, but never with this dreadful seriousness. See how fate has disposed things. You, you might marry, a man who would not pour himself out like fire before you. I wonder if you understand- I wonder if I understand myself.
D.H. Lawrence (Sons and Lovers)
Apparently she got stranded out at sea again this time. It happens to her every time she goes to an ocean. She just bobs along on her back enjoying the sun and the undulating waves and then gets too far out and can't get back and has to be rescued. She doesn't panic at all, just sort of slowly drifts away from shore and waits to be noticed or missed. Her big thing is going out beyond the wake where it's calm and she can bob in the moonlight far out at sea. That's her biggest pleasure. Our family is trying to escape everything all at once, even gravity, even the shoreline. We don't even know what we're running away from. Maybe we're just restless people. Maybe we're adventurers. Maybe we're terrified. Maybe we're crazy. Maybe Planet Earth is not our real home.
Miriam Toews (All My Puny Sorrows)
The sun is setting, Ona reminds us, and our light is fading. We should light the kerosene lamp. But what of your question? asks Greta. Should we consider asking the men to leave? None of us have ever asked the men for anything, Agatha states. Not a single thing, not even for the salt to be passed, not even for a penny or a moment alone or to take the washing in or to open a curtain or to go easy on the small yearlings or to put your hand on the small of my back as I try, again, for the twelfth or thirteenth time, to push a baby out of my body. Isn't it interesting, she says, that the one and only request the women would make of the men would be to leave? The women break out laughing again. They simply can't stop laughing, and if one of them stops for a moment she will quickly resume laughing with a loud burst, and off they'll all go again. It's not an option, says Agata, at last. No, the others (finally in complete accord!) agree. Asking the men to leave is not an option. Greta asks the women to imagine her team, Ruth and Cheryl (Agata yelps in exasperation at the mention of their names), requesting that Greta leave them alone for the day to graze in the field and do nothing. Imagine my hens, adds Agata, telling me to turn around and leave the premises when I show up to gather the eggs. Ona begs the women to stop making her laugh, she's afraid she'll go into premature labour. This makes them laugh harder! They even find it uproariously funny that I continue to write during all of this. Ona's laughter is the finest, the most exquisite sound in all of nature, filled with breath and promise, and the only sound she releases into the world that she doesn't also try to retrieve.
Miriam Toews (Women Talking)