Mirage Best Quotes

Share your weaknesses. Share your hard moments. Share your real side. It'll either scare away every fake person in your life or it will inspire them to finally let go of that mirage called "perfection," which will open the doors to the most important relationships you'll ever be a part of.

In every age, people are certain that only the things they have deemed valuable have true value. The search for love and the search for wealth are always the two best stories. But while a love story is timeless, the story of a quest for wealth, given enough time, will always seem like the vain pursuit of a mirage.

A moment well spent is the best accomplishment. Yesterday is a phantom and tomorrow a mirage. The only day worth living is this one. If we can do that wekl, the yesterdays and tomorrows take care of themselves

The best place for discovering what a man is is the heart of the desert. Your plane has broken down, and you walk for hours, heading for the little fort at Nutchott. You wait for the mirages of thirst to gape before you. But you arrive and you find an old sergeant who has been isolated for months among the dunes, and he is so happy to be found that he weeps. And you weep, too. In the arching immensity of the night, each tells the story of his life, each offers the other the burden of memories in which the human bond is discovered. Here two men can meet, and they bestow gifts upon each other with the dignity of ambassadors.

When night falls, come and visit me, For I have seen night keeps secrets best.

…Even the idea of a city never entered his mind. It was as if he had walked under the millimeter of haze just above the inked fibers of a map, that pure zone between land and chart, between distances and legends, between nature and storyteller. The place they had chosen to come to, to be their best selves, to be unconscious of ancestry. Here, apart from the sun compass and the odometer mileage, and the book, he was alone, his own invention. He knew during these times how the mirage worked, the fata morgana, for he was within it.

It so happens that this is particular love was precisely the sort best suited to the state of her soul. It was a sort of remote worship, a mute contemplation, a deification by an unknown votary. It was the apprehension of adolescence by adolescence, her dreams becoming romance ad remain in dream, the wished-for phantom realized at last and made flash, but still without name or wrong or fault, or need, or defect; in a word, a lover distant and ideal, a chimera having form. Any closer and more palpable encounter at this first stage would have terrified Cosette, still half buried in the magnifying mirage of the cloister. She had all the terrors of children and all the terrors of nuns mingled. The spirit of the convent, in which she had been steeped for five years, was still evaporating from her whole person, and made everything tremulous around her. In this condition, it was not a lover she needed, it was not even an admirer, it was a vision. She began to adore Marius as something charming, luminous, and impossible.

There are these rare moments when musicians together touch something sweeter than they've ever found before in rehearsals or performance, beyond the merely collaborative or technically proficient, when their expression becomes as easy and graceful as friendship or love. This is when they give us a glimpse of what we might be, of our best selves, and of an impossible world in which you give everything you have to others, but lose nothing of yourself. Out in the real world there exist detailed plans, visionary projects for peaceable realms, all conflicts resolved, happiness for everyone, for ever – mirages for which people are prepared to die and kill. Christ's kingdom on earth, the workers' paradise, the ideal Islamic state. But only in music, and only on rare occasions, does the curtain actually lift on this dream of community, and it's tantalisingly conjured, before fading away with the last notes.

And the Saved?" "Ah, the Saved...what happens to them is best described as the opposite of a mirage. What seemed, when they entered it, to be the vale of misery, turns out, when they look back, to have been a well; and where present experience saw only salt deserts memory truthfully records that the pools were full of water.

Here am bound, the scorn of fate; 'Twas a dream that once a state I enjoyed of light and gladness. What is life? 'Tis but a madness. What is life? A thing that seems, A mirage that falsely gleams, Phantom joy, delusive rest, Since is life a dream at best, And even dreams themselves are dreams.

I have always been a plodder, a person who anguishes and struggles over each sentence, and even on my best days I do no more than inch along, crawling on my belly like a man lost in the desert. The smallest word is surrounded by acres of silence for me, and even after I manage to get that word down on the page, it seems to sit there like a mirage, a speck of doubt glimmering in the sand.

Life before birth is a dream, life after death is another dream. What comes between is only a mirage of the dreams.

The interstate seems to stretch for miles in a straight line as the fields and farms give way to a more barren landscape. "Loneliness has been good to me' is playing on my personal radio where I hear songs before I write them, and I wonder if this is just another mirage I will forget or if this will become a real song. It has been a long time since I've written a song, and the visits from the muse seem to be lessened by something. I still keep my faith that the muse knows best and whn I am ready the inspiration will be there. I am trying not to look too ready. I know that just invites false promise.

The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.

To give a truthful account of London society at that or indeed at any other time, is beyond the powers of the biographer or the historian. Only those who have little need of the truth, and no respect for it — the poets and the novelists — can be trusted to do it, for this is one of the cases where the truth does not exist. Nothing exists. The whole thing is a miasma — a mirage. To make our meaning plain — Orlando could come home from one of these routs at three or four in the morning with cheeks like a Christmas tree and eyes like stars. She would untie a lace, pace the room a score of times, untie another lace, stop, and pace the room again. Often the sun would be blazing over Southwark chimneys before she could persuade herself to get into bed, and there she would lie, pitching and tossing, laughing and sighing for an hour or longer before she slept at last. And what was all this stir about? Society. And what had society said or done to throw a reasonable lady into such an excitement? In plain language, nothing. Rack her memory as she would, next day Orlando could never remember a single word to magnify into the name something. Lord O. had been gallant. Lord A. polite. The Marquis of C. charming. Mr M. amusing. But when she tried to recollect in what their gallantry, politeness, charm, or wit had consisted, she was bound to suppose her memory at fault, for she could not name a thing. It was the same always. Nothing remained over the next day, yet the excitement of the moment was intense. Thus we are forced to conclude that society is one of those brews such as skilled housekeepers serve hot about Christmas time, whose flavour depends upon the proper mixing and stirring of a dozen different ingredients. Take one out, and it is in itself insipid. Take away Lord O., Lord A., Lord C., or Mr M. and separately each is nothing. Stir them all together and they combine to give off the most intoxicating of flavours, the most seductive of scents. Yet this intoxication, this seductiveness, entirely evade our analysis. At one and the same time, therefore, society is everything and society is nothing. Society is the most powerful concoction in the world and society has no existence whatsoever. Such monsters the poets and the novelists alone can deal with; with such something-nothings their works are stuffed out to prodigious size; and to them with the best will in the world we are content to leave it.

Speaking of the happy new year, I wonder if any year ever had less chance of being happy. It’s as though the whole race were indulging in a kind of species introversion — as though we looked inward on our neuroses. And the thing we see isn’t very pretty. Before the year is over, I think I will be looking back longingly on the Gulf of Lower California — that sea of mirages and timelessness. It is a very magical place. It is cold and clear here now - the leaves all fallen from the trees and only the frogs are very happy. Great cheering sections of frogs singing all the time. The earth is moist and water is seeping out of the ground everywhere. So we go into this happy new year, knowing that our species has learned nothing, can, as a race, learn nothing — that the experience of ten thousand years has made no impression on the instincts of the million years that preceded. Maybe you can find some vague theology that will give you hope. Not that I have lost any hope. All the goodness and the heroisms will rise up again, then be cut down again and rise up. It isn’t that the evil thing wins — it never will — but that it doesn’t die. I don’t know why we should expect it to. It seems fairly obvious that two sides of a mirror are required before one has a mirror, that two forces are necessary in man before he is man. I asked Paul de Kruif once if he would like to cure all disease and he said yes. Then I suggested that the man he loved and wanted to cure was a product of all his filth and disease and meanness, his hunger and cruelty. Cure those and you would have not man but an entirely new species you wouldn’t recognize and probably wouldn’t like. There it is — It is interesting to watch the German efficiency, which, from the logic of the machine is efficient but which (I suspect) from the mechanics of the human species is suicidal. Certainly man thrives best (or has at least) in a state of semi-anarchy. Then he has been strong, inventive, reliant, moving. But cage him with rules, feed him and make him healthy and I think he will die as surely as a caged wolf dies. I should not be surprised to see a cared for, thought for, planned for nation disintegrate, while a ragged, hungry, lustful nation survived. Surely no great all-encompassing plan has ever succeeded. And so I'll look to see this German plan collapse because they do not know enough to plan for everything.

The ordinary reality, as I perceive it, is but a huge and intricate virtual screen which operates on multiple levels. Its origins and developments extend far beyond the understanding and scope of the established functioning of the mind. Trapped in the pen of the binary system and the identification with their physical bodies, human beings eat up a fodder made up of sin, guilt and fear, as they watch the soap opera of life being repeated over and over. Yet such a mirage is so insane and unreal that attentive eyes cannot help discovering gaps all over the place. Although the operators at the projector do their best to botch it up, the absurd illusion of this misperception may reveal itself at any moment. It is like a boasting block of ice showing off its solidity as long as the temperature is below zero and yet inevitably starting to thaw and melt away in warmer weather.

There are these rare moments when musicians together touch something sweeter than they’ve ever found before in rehearsals or performance, beyond the merely collaborative or technically proficient, when their expression becomes as easy and graceful as friendship or love. This is when they give us a glimpse of what we might be, of our best selves, and of an impossible world in which you give everything you have to others, but lose nothing of yourself. Out in the real world there exist detailed plans, visionary projects for peaceable realms, all conflicts resolved, happiness for everyone, for ever—mirages for which people are prepared to die and kill. Christ’s kingdom on earth, the workers’ paradise, the ideal Islamic state. But only in music, and only on rare occasions, does the curtain actually lift on this dream of community, and it’s tantalisingly conjured, before fading away with the last notes. Naturally,

He muses on the terrorists who brought down the World Trade Center (he muses on them often). Those clowns actually thought they were going to paradise, where they'd live in a kind of eternal luxury hotel being services by gorgeous young virgins. Pretty funny, and the best part? They joke was on them...not that they knew it. What they got was a momentary view of all those windows and a final flash of light. After that, they and their thousands of victims were just gone. Poof. Seeya later, alligator. Off you go, killers and killed alike, off you go into the universe null set that surrounds one lonely blue planet and all its mindlessly bustling denizens. Every religion lies. Every moral precept is a delusion. Even the stars are a mirage. The truth is darkness, and the only thing that matters is making a statement before one enters it. Cutting the skin of the world and leaving a scar. That's all history is, after all: scar tissue.

Deary me, boys, why? Why would someone with so much going for him have... have... ended it all in the way he appears to have done? 'Oh father, you see, it could be for any number of reasons ,' Andy said, serious and fluent, as if he was an expert on the subject. 'Personally I think it's a miracle that any of us survives.' What do you mean? said the Priest. 'I mean' continued Andy, 'there's this one moment as you're growing up when the world suddenly feels more or less pointless- when the terribleness of reality lands on you, like something falling from the sky.' 'Something falling? Like what? asked Father Frank, trying his best. 'Something big, like a piano, say, or a fridge. And when that happens, there's no going back to the time when it hadn't landed on you.' ‘But what about the pleasures and the joy and the purpose, like sport, music, girls and the like?’ Father Frank was nearly pleading now. ‘Fiction,’ sighed Andy. ‘Mirages in the desert of life, to make people feel like it might be worth it.’ ‘Oh,’ said Father Frank. ‘Oh I see, and do all you youngsters get this feeling?’ ‘Yes, I think so,’ said Andy, not even asking anyone else for their opinion, but most of us learn to live with it.’ ‘Well that’s a relief, I suppose.

He looks through the windscreen at nothing. They are returning to Cuba. The announcement came after the droids withdrew. An auto-animated voice. It did not proclaim their furlough a success or failure. Ibn al Mohammed does not know if the others will accept implantation. He believes they will not, as he will not. Temptation is legion, yet what does it mean? He is not of Satan’s world. What would implantation bring except ceaseless surveillance within a greater isolation? That, and the loss of his soul. Sun-struck and empty, so immense it frightens, the desert is awesome in its indifference. Even as he stares at it, Ibn al Mohammed wonders why he does so. The life that clings to it is sparse, invisible, death-threatened. Perhaps they will cast him out just here, he and all others who do not cooperate. No matter: he has lived in such a place. Sonora is not the same as Arabia, or North Africa, or The Levant, yet its climate and scant life pose challenges that to him are not unfamiliar. Ibn al Mohammed believes he would survive, given a tent, a knife, a vessel in which to keep water, a piece of flint. Perhaps they will grant these necessities. A knife, they might yet withhold. As if, wandering in so complete a desolation, he might meet someone he would want to hurt. As he watches, images cohere. Human figures made small by distance, yet he knows them. His mother, in a dark, loose-fitting, simple abaya. How does he recognize her, in the anonymous dress? Ibn al Mohammed has not seen his mother in a dozen years. He knows her postures, movements she was wont to make. He sees his sisters, also wearing abayas and khimars. What are they doing? Bending from the waist, they scrounge in the sand. Asna, the eldest, gentle Halima, Nasirah, who cared for him when he was young. They are gathering scraps and remants, camel chips for a fire. Where is their house? Why are they alone? It seems they have remained unmarried—yet what is he seeing? Is it a moment remembered, a vision of the past? Or are these ghosts, apparitions summoned by prophetic sight? Perhaps it is a mirage only. His sisters seem no older than when he left. Is it possible? His mother only appears to have aged. She is shrunken, her back crooked. Anah Kifah, who is patient and struggles. He wonders how they do not see the ship, this great craft that flies across the sky. The ship is in the sky, their eyes are on the ground. That is why they do not see it. Or his windscreen view is magnified, and Halima and Nasirah and Asna and Anah Kifah are much farther away than they seem, and the ship is a vanishing dot on an unremarked horizon. If he called, they would not hear. Also, there is the glass. Still, he wishes to call to them. What is best to say? “Mother … Mother.” Anah Kifah does not lift her head. His words strike the windscreen and fall at his feet, are carried away by wind, melt into air. “Nasirah? It is Ibn. Do you hear me? Halima? Halima, I can see you. I see all my sisters. I see my mother. Asna? How has it been with you? Do you hear me? It is Ibn. I am here—far away, yet here, and I shall come back. They cannot lock me always in a cage, God willing. In a month, in a year, I shall be free. Keep faith. Always know God is with you. God is great. God protects me. God gives me strength to endure their tortures. One day, God will speed my return.” The women do not lift their heads. They prod the sand, seemingly indifferent to what they find. Straining toward them, Ibn al Mohammed cries out, “Mother! Nasirah! I am alive! I am alive!” [pp. 160-162]

Maybe the mind’s best trick of all was to lead its owner to a feeling of certainty about inherently uncertain things. Over and again in the draft you saw these crystal-clear pictures form in the minds of basketball experts which later proved a mirage.

In Fyodor Dostoyevsky's novel The Brothers Karamazov, the following words shone brighter than my best attempts to sum up my thoughts: I believe like a child that suffering will be healed and made up for, that all the humiliating absurdity of human contradictions will vanish like a pitiful mirage...in the world's finale, at the moment of eternal harmony, something so precious will come up to pass that it will suffice for all hearts, for the comforting of all resentments, for the atonement of all the crimes of humanity, for all the blood that they've shed; that it will make it not only possible to forgive but justify all that has happened.

The most senior clerics are the grand mufti and other members of the Committee of Senior Scholars. They are appointed by the king. There are approximately twenty of them, and they operate through three sub-organizations whose convoluted names are perhaps best translated as the Presidency for Proselytization, the Commission for Religious Rulings and the Council of Senior Scholars.

Memory is a mirage that fools the heart . . .

If it rains, winter provides the best grazing. This is when the Bedu disperse into small family groups, taking their herds deep into the desert. In spring the grass begins to wither, and by summer it is dead. Then the Bedu must congregate at deep, permanent wells where their camels will live off the fat that they have stored in their humps during the winter. If you are a tax collector or other government official, summer is when you know where to find the Bedu. Spring is the time of sandstorms and the harbinger of hot, dry, hard times to come. Whoever coined the term “Arab Spring” was clearly not a Saudi, for to the Bedu, autumn, not spring, is the season of hope, rain, and renewal.

Invoking the name of Al Gaddafi cured my blue screen of death

We will suggest he is led to these conclusions by a distorted view of the social and legal landscape. Where exemptions give believers an equal shot at living with integrity, Corvino sees favoritism. Where statutes give the occasional religious liberty claimant her day in court, he sees a teeming mass of claims about to choke the workings of government. Where a sprawling body of regulations sits, rife with exemptions for everyday secular purposes, Corvino sees a system of laws so necessary in its details that religious exemptions might be ruinous. In conservative professionals facing steep fines on conscience, Corvino sees new Puritans; and in their bureaucratic harassers, he sees freedom fighters. Down the path to exemptions he sees a slippery slope; when society doesn’t tumble, he imagines it stopped by legal barriers that aren’t there, because they aren’t needed. And at the horizon—where others search for harmony with the transcendent, their path cleared by freedoms of conscience and religion—he sees at best a socially useful mirage.

The more you run from your fears, the bigger they get, but the more you go into them, the more they tend to vanish like a mirage.

Naturally and understandably we tend to find ourselves doing the opposite, deluded by the mirage of hindsight and wishful thinking. It seems as though there are options to have done differently for things to go differently to be better, we regret and yearn for otherness. In a theoretical sense this may be true, there were potential different options to choose from in the past and different potential ways for things to go in the future but in this reality, the one we must live, there was no option to have done differently and there is no other way for things to go. Every decision you’ve made is the best and only decision you could have made at the time with the information you had and the state of mind you were in. And every condition of life that either these decisions led to or that are fundamental to life in general, you have no control over and cannot change.

I love this quote because it is all about defeating fear. Every great and extraordinary accomplishment in this world was done through courage. Hell, you don’t even get to be born unless your mother has the courage to have you. I repeat this phrase when I’m anxious or nervous about something. I ask myself, what’s the worst that can happen. Usually, the answer is, “You can die.” Then I answer back, “I’d rather die doing something I feel is great and amazing rather than be safe and comfortable living a life I hate.” I talk to myself a lot, and this quote helps me sort out my fears and deal with them. The more you run from your fears, the bigger they get, but the more you go into them, the more they tend to vanish like a mirage.

Tis a dream that I in sadness Here am bound, the scorn of fate; 'Twas a dream that once a state I enjoyed of light and gladness. What is life? 'Tis but a madness. What is life? A thing that seems, A mirage that falsely gleams, Phantom joy, delusive rest, Since is life a dream at best, And even dreams themselves are dreams.

Desert rose! Like the traveler who wants to go everywhere, Like the sunshine that falls on everything, I want to travel too, but in one direction, that can be anywhere, As long as it leads to you, because without you, the world means nothing, Like the desert I want to spread endlessly, Like the wind I desire to be free, And chase your mirages over sand dunes tirelessly, And then wherever you are, there I shall be, Like the desert let your love be clear and unobstructed, Like the calm of the desert let us spread everywhere, Then in this desert let everything else be restricted, Because I want it to be your representation everywhere, Like an oasis oozing from the bosom of the desert, Like the mirage of water to a thirsty desert wanderer on a hot day, Let your love just one feeling assert, That like an oasis you will flow through me everyday, Like the beautiful desert rose, Like the endless desert, Let your feelings of love within me repose, As I slowly, but surely into your devout disciple convert, Like it first my love, before you begin to love it, Like the desert rose then let me love you, And finally as I, my soul to you shall submit, Let me see the desert, the oasis and the desert rose, and eternity in you!

He muses on the terrorists who brought down the World Trade Center (he muses on them often). Those clowns actually thought they were going to paradise, where they’d live in a kind of eternal luxury hotel being serviced by gorgeous young virgins. Pretty funny, and the best part? The joke was on them… not that they knew it. What they got was a momentary view of all those windows and a final flash of light. After that, they and their thousands of victims were just gone. Poof. Seeya later, alligator. Off you go, killers and killed alike, off you go into the universal null set that surrounds one lonely blue planet and all its mindlessly bustling denizens. Every religion lies. Every moral precept is a delusion. Even the stars are a mirage. The truth is darkness, and the only thing that matters is making a statement before one enters it. Cutting the skin of the world and leaving a scar. That’s all history is, after all: scar tissue.

You and patterns Patterns, shapes and visions, all assume one form, That of her smiles, her deep eyes and her beauty warm, Moments, all moments passing by, and the very ability to experience time, Without her seems to be a profane act of mind, that becomes its inadvertent crime, Days, months, years and decades, chase a century still unrealised, But in all these variants of time, in every moment you reside disguised, As a feeling that leaps from every moment of time and imprisons me, So I lie stranded in a moment, and I cannot do anything, though I know it is not where it is meant to be, Hopes arise from somewhere in my mind, and become feelings felt a long time ago, And my heart follows the mind into emotional territories, where it should not go, And then all patterns, all shapes, and every vision assumes one shape, That of you, your beauty, and then this visual mirage covers me like a drape, Like a never ending veil of mist flowing over the surface of water, Concealing everything that lies between them, and the gently flowing waves in romantic splashes utter, Feelings they feel, and it is then feelings speak in a language that one can hear, And like these waves, my love Irma, my heart beats too; similar echoes of my passions bear, Then shapes fade away, patterns disappear, and only the vision remains, Now my heart does not control my mind, and my mind no longer my heart restrains, So I live inside a vision and you live all around me, And the mind doesn't care what the heart feels, because my heart has grown into a tree, That branches out everywhere, it has transformed into the tree of everything, But it still remains the tree that only bears one fruit and thrives on one thing, That of your memories and your visions, in all colours, It is then, my wandering heart ends its wayward tours, And I grow as a feeling over this vision of yours, Because now the vision is completely and exclusively ours!

His resentment toward me has gone, at least, although I'm not sure what he's replaced it with. His jaw is tight as he looks across at me with those strange eyes. "She was just scaring him, right? She wouldn't actually have cut it off?" I almost laugh. That he could have married her married her! and be so oblivious. Are all marriages like this? Is it in fact a neces sary attribute in order for a marriage to survive: some kind of willing suspension of critical thought, so that the person you see before you is the person you WANT to see?

In the distance, over the cusp of the planets, a primordial paused, its mammoth body shimmering itself into perception. As I watched it, a dreadful certainty gripped me: this was how Gramps was trapped. If I didn’t look away immediately, I would be punished too, for when have human eyes glimpsed divinity without forsaking every sight they hold dear? But I was rooted, stilled by the primordial’s composition. Strange minerals gleamed in its haunches. From head to tail, it was decorated with black-and-white orbs like eyes. They twitched like muscles and revolved around its flesh until their center, a gush of flame riding bony gears, was visible to me. Mirages and reveries danced in it, constellations of knowledge ripe for the taking. Twisted ropes of fire shot outward, probing for surface, oscillating up and down. My gaze went to a peculiar vision bubbling inside the fiery center. I watched it churn inside the primordial, and in the briefest of instants I knew what I knew.