Minutes Of Fame Quotes

In Brazil, every road, bridge and viaduct has been given a name, usually that of some long-forgotten personage who was once famous for doing something worthy. Honestly, every one of them; deeper into the country, I’ve even found unsurfaced dirt tracks given names. I’m never likely to have even five minutes of fame, but if I did, I don’t think I’d want to be remembered by a dirt track going from Nowhere Town to Obscure Village.

You ask a lot of little kids today what they want to be when they grow up and they say "I want to be famous." You ask them for what reason and they don't know or care. I think Andy Warhol got it wrong: in the future so many people are going to become famous that one day everybody will end up being anonymous for fifteen minutes.

I'm bored with that line. I never use it anymore. My new line is "In 15 minutes everybody will be famous.

Many people are trying hard to be invincible, and most of the time they fail invisible, while few find their spotlight. But the remarkable person is one, who can be both invincible and invisible at the same time.

L'essere umano può sopportare una settimana di sete, quattordici giorni di fame, alcuni anni senza un tetto, ma non riesce a tollerare la solitudine.

Events stream past us like these crowds and the face of each is seen only for a minute. What is urgent is not urgent for ever but only ephemerally. All work and all love, the search for wealth and fame, the search for truth, like itself, are made up of moments which pass and become nothing. Yet through this shaft of nothings we drive onward with that miraculous vitality that creates our precarious habitations in the past and the future. So we live; a spirit that broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop that ends all our moments and plunges that spirit back into the void from which it came.

€7,500, first-class, everything—and all that for 40 minutes selling them some old stuff.

If I were Satan and wanted to destroy a society, I think I would stage a full blown blitz on its women. I would keep them so distraught and distracted that they would never find the calming strength and serenity for which their sex has always been known. He has effectively done that, catching us in the crunch of trying to be superhuman instead of realistically striving to reach our indiviual purpose and unique God-given potential within such diversity. He tauntingly teases us that if we don't have it all- fame, fortune, families, and fun- and have it every minute all the time, we have been short changed; we are second class citizens in the race of life. You'd have to be deaf, dumb and blind not to get these messages in today's world, and as a sex we are struggling, and our society struggles. Drugs, teenage pregnancies, divorce, family violence, and suicide are some of the every-increasing side effecs of our collective life in the express lane.

God doesn’t measure big the way people measure big. Jesus had just twelve followers.” He blinked a few times. “Fame is a demanding mistress.

The fame of an actor is won in minutes and seconds, not in years. The latter are only helpful in the recurrence of opportunities; in the possibilities of repetition.

There is no sentimentality here. We need dirt under our nails and smoke stiffening our hair. We need salt drying on our chests, and bramble snagged calves. We must dedicate ourselves to forty days in the wilderness rather than our five minutes of fame. Magic must become more savage if it is to have any meaning in the world, any power. Myths are not to be draped about poetry, they come from the very substance of the earth, this is the mask we must wear. Be fierce from this understanding taking root.

I’d be damned if I listened to the same money-grubbing whores who'd sell their ideals and principles for their fifteen minutes of fame; the ignorant buffoons that live in a one-dimensional 140-character world. Tweet tweet, roar roar, caw caw, more like baa baa.

Everything fades so quickly, turns into legend, and soon oblivion covers it. And those are the ones who shone. The rest—“unknown, unasked-for” a minute after death. What is “eternal” fame? Emptiness. Then what should we work for? Only this: proper understanding; unselfish action; truthful speech. A resolve to accept whatever happens as necessary and familiar, flowing like water from that same source and spring.

the fickleness of fame? One minute you’re a rooster, the next you’re a feather duster.

A lot of people are on the internet searching for fifteen minutes of fame I've been on it so long and so often I'm looking for fifteen minutes of Freedom

With a modest amount of looks and talent and more than a modicum of serendipity, I've managed to stretch my 15 minutes of fame into more than half a century of good fortune.

If you see my fifteen minutes of fame let me know I've been searching for it for years

The vast wasteland of television programming had finally reached its zenith, and the average person was no longer limited to fifteen minutes of fame.

How can I have my 15 minutes of fame when open mics only allow you to perform for 10 minutes.

Everyone thinks they're entitled to their 15 minutes of fame. And it's that narcissism that makes people, who have no business writing a book, think they can write a book.

Voices in the Poet's Head I have a repertory company in my head ~ each voice a vain actor vying for his moment upon the stage, for his 15 minutes of faux-fame in the fading limelight.

He devoured morning shows, daytime shows, late-night talk shows, soaps, situation comedies, Lifetime Movies, hospital dramas, police series, vampire and zombie serials, the dramas of housewives from Atlanta, New Jersey, Beverly Hills and New York, the romances and quarrels of hotel-fortune princesses and self-styled shahs, the cavortings of individuals made famous by happy nudities, the fifteen minutes of fame accorded to young persons with large social media followings on account of their plastic-surgery acquisition of a third breast or their post-rib-removal figures that mimicked the impossible shape of the Mattel company’s Barbie doll, or even, more simply, their ability to catch giant carp in picturesque settings while wearing only the tiniest of string bikinis; as well as singing competitions, cooking competitions, competitions for business propositions, competitions for business apprenticeships, competitions between remote-controlled monster vehicles, fashion competitions, competitions for the affections of both bachelors and bachelorettes, baseball games, basketball games, football games, wrestling bouts, kickboxing bouts, extreme sports programming and, of course, beauty contests.

Keep before your eyes the swift onset of oblivion, and the abysses of eternity before us and behind; mark how hollow are the echoes of applause, how fickle and undiscerning the judgments of professed admirers, and how puny the arena of human fame. For the entire earth is but a point, and the place of our own habitation but a minute corner in it; and how many are therein who will praise you, and what sort of men are they?

It is the story of two men whose sitcom—full of minute observations and despicable characters—snuck through the network system to become a hit that changed TV’s most cherished rules; from then on, antiheroes would rise to prominence, unique voices would invade the airwaves, and the creative forces behind shows would often gain as much power and fame as the faces in front of the cameras. Seinfeld

I nodded, unsure if Ted sounded admiring or angry. 'I waded in but I couldn't find him. I mean, is it possible - the water wasn't deep enough for him to drown. It doesn't make any sense.' 'My band made four brilliant albums and never had a single goddamn hit. We were supposed to be the American Rolling Stones, and we couldn't get more than five minutes of airplay. Does that make sense?' Ted stubbed out his cigarette.

People get preoccupied with the fiction of truth. The lives we lead need to be gold-plated nowadays. A series of varnished truths for the sake of how we appear on the outside. Strangers who view us through a screen, whether on TV or social media, think they know who we are. Nobody is interested in reality anymore. That's something they don't want to like or share or follow. I can understand that, but living a make-believe life can be dangerous. What we won't see can hurt us. In the future, I expect people will long for 15 minutes of privacy, rather than 15 minutes of fame.

that what most people desire more than anything, more than money or fame or stuff, is someone to complain to for thirty minutes a day.*

The words she’d felt God impress upon her heart a few minutes ago came back: Daughter . . . hear My voice . . . know Me.

September 17, 2019 0 Minutes How many after being celebrated by fame have been given up to oblivion; and how many who have celebrated the fame of others have long been dead.

Fame turns out to be a powerful instrument of grace because it humbles its chosen victims in a hurry. You sail into it, your canvas swelled with grandiosity, and when your fifteen minutes are over and you are becalmed, you realize that grandiosity cannot take you where you need to go. Only then do you learn to row like hell, asking God for the strength to stay afloat.

What then, will a little fame distract you? Look at the speed of universal oblivion, the gulf of immeasurable time both before and after, the vacuity of applause, the indiscriminate fickleness of your apparent supporters, the tiny room in which all this is confined. The whole earth is a mere point in space: what a minute cranny within this is your own habitation, and how many and what sort will sing your praises here!

We Close In Fifteen Minutes by Stewart Stafford Found myself the only taker, Of a minefield guided tour, Through no man's land life, Every exit is now invisible. Stardom magnified my flaws, A broken man lost in a maze, A deadly structure's hostage, A hermit in denial's labyrinth. Glimpse dwindling fragments, In the looking glass of hubris, Flounder in glossy quicksand, The solutions devoured whole. © Stewart Stafford, 2023. All rights reserved.

You hang on because you realize that everything fades away; everything passes. You can survive anything if you choose to do so. Beauty fades, so don't take it seriously. It's the bowl of candy someone left behind. You pounce on it too often and you pay the price, but it was heaven for a minute or two. Fame is a bit of perfume coasting on the air. Sniff deeply and walk on. What lasts is friendship, partnerships of the soul that keep you focused and strong and in your place. I now long for times with friends--evenings that don't require denial, a pill, or a girdle. Just my heart, my time, and a rich history." Elizabeth Taylor/Interview with James Grissom/1991 #FolliesOfGod

An hour and a half later, Dallas stood beside me in Jackie's enormous walk-in closet. ... "So what should I wear tonight?" "That's why you lured me in here? I thought you wanted seven minutes in heaven." He gave me a lopsided grin.

The first time I visited the famed Tavistock Clinic in London I noticed a collection of black-and-white photographs of these great twentieth-century psychiatrists hanging on the wall going up the main staircase: John Bowlby, Wilfred Bion, Harry Guntrip, Ronald Fairbairn, and Donald Winnicott. Each of them, in his own way, had explored how our early experiences become prototypes for all our later connections with others, and how our most intimate sense of self is created in our minute-to-minute exchanges with our caregivers.

The Kids at the ranch weren’t hip to exactly how much Charlie wanted to be a rock star. How much he wanted fame, money, and recognition. Because to them, Charlie preached against those base desires. They thought Charlie was on a spiritual path to enlightenment. They thought Charlie’s true desire was to pass on that enlightenment. They thought Charlie’s goal was to create a new world order guided by that enlightenment and love for all Mankind. They believed Charlie had a higher purpose, because he told them he did, and they believed him. It never would occur to them that he’d ditch all that horseshit in a minute to put on revolutionary war outfit and trade places with Mark Lindsay.

Modern culture is an inverse panopticon. Not a drunk father, but a vigilant mother. The masses elect a single person to the hot seat for their five minutes of fame. We, the periphery, are the judges and jury. Because we’re separated (like prisoners, we can’t connect to each other through these impossible walls), we’ve no option but to connect via the sacrificial lamb we’ve placed dead center. Even when we privately dispute the censure or praise we heap upon them, publicly, we echo popular sentiment. To avoid loneliness, we become a single, unthinking mass. And yet, the mother and father both reveal their very limited ability to connect. The proverbial child cannot attach. We participate in this mass identity, but it does not serve us. Our language is reduced to a series of agreed-upon signs reflecting not nuance, but binaries: like/dislike; good/bad; yes/no. We are even more lonely for the failure of it…

In an old academic joke, a dean is presiding over a faculty meeting when a genie appears and offers him one of three wishes—money, fame, or wisdom. The dean replies, “That’s easy. I’m a scholar. I’ve devoted my life to understanding. Of course I’ll take wisdom.” The genie waves his hand and vanishes in a puff of smoke. The smoke clears to reveal the dean with his head in his hands, lost in thought. A minute elapses. Ten minutes. Fifteen. Finally a professor calls out, “Well? Well?” The dean mutters, “I should have taken the money.

We celebrate the dedication of Olympic athletes who diet and train and exercise daily for years in order to prepare for the games. They give up not only physical comfort but also any hope of a normal social and family life. When police officers or firefighters die, often thousands turn out for their funerals. We honor our children who die in military service in much the same way—often arranging public ceremonies and holidays. We expect television celebrities such as actors, news correspondents and musicians to sacrifice any kind of normal life in order to entertain us around the clock—and they are paid millions of dollars to do so. The names of astronauts become household words because they risk their lives in order to forward the conquest of space. But the minute a Christian young person starts to fast and pray, consider the mission field or give up career or romance for Christ—concerned counselors, family and friends will spend hours trying to keep him or her from “going off the deep end on this religious stuff.” Even devout Christian parents will oppose Christian service when their own son or daughter is about to give up all for Christ. Discipline, pain, sacrifice and suffering are rewarded with fame and fortune in the world. Why then do we refuse to accept it as a normal part of giving spiritual birth in the kingdom of our Lord?

I have missed it my little Chinese book. Forty-four. What is more important, fame or integrity. What is more valuable, money or happiness. What is more dangerous, success or failure. If you look to others for fulfillment, you will never be fulfilled. If your happiness depends on money, you will never be happy. Be content with what you have and take joy in the way things are. When you realize you have all you need, the World belongs to you. Thirty-six. If you want to shrink something, you must first expand it. If you want to get rid of something, you must first allow it to flourish. If you want to take something, you must allow it to be given. The soft will overcome the hard. The slow will beat the fast. Don’t tell people the way, just show them the results. Seventy-four. If you understand that all things change constantly, there is nothing you will hold on to, all things change. If you aren’t afraid of dying, there is nothing you can’t do. Trying to control the future is like trying to take the place of the Master Carpenter. When you handle the Master Carpenter’s tools, chances are that you’ll cut your hand. Thirty-three. Knowing other people is intelligence, knowing yourself is wisdom. Mastering other people is strength, mastering yourself is power. If you realize that what you have is enough, you are rich truly rich. Stay in the center and embrace peace, simplicity, patience and compassion. Embrace the possibility of death and you will endure. Embrace the possibility of life and you will endure. This little book feeds me. It feeds me food I didn’t know existed, feeds me food I wanted to taste, and have never tasted before, food that will nourish me and keep me full and keep me alive. I read it and it feeds me. It lets me see what my life is in simple terms, it simply is what it is, and I can deal with my life on those terms. It is not complicated unless I make it so. It is not difficult unless I allow it to be. A second is no more than a second, a minute no more than a minute, a day no more than a day. They pass. All things and all time will pass. Don’t force or fear, don’t control or lose control. Don’t fight and don’t stop fighting. Embrace and endure. If you embrace, you will endure.

Seconds turn into minutes and minutes into hours. It is all still the same. Or it no longer is. If I were to ask what has changed, perhaps nothing, but conceivably everything would be the befitting reply. I no longer feel the same. Loss preceded me, alienating my soul from the body. I feel I am gliding through an alley making a journey from the known towards the unknown. There is a deep abyss inside where sometime back, my heart used to beat and a noisy, rusty old machine has replaced my mind; solitarily creating useless noise. I don’t remember what day it is and since when have I been lying here. It must have been yesterday… or was it day before. I cannot recollect anything except the dull throbbing pain inside my brain. I can see the time, almost 9: 45, difficult to say which time of the day it is. The bigger hand is soon going to overshadow the smaller hand. It looks like a game of cat and mouse; the bigger hand chasing the smaller one. Anyone stronger in terms of physical appearance, money, power, fame or name tramples upon the weak ones - that is the rule of the world. There are only two possible reasons behind it, love or hate. When you love someone you want to control everything that person does and hence, sometimes, knowingly or unknowingly you squash them like melons. While on the other hand in the case of hate, there is no need to specify the reason for walking over someone like that. Hate is a strong reason in itself. I am confused as to what crushed me, was it love or hate? I somehow don’t like the sound of it – love, it in itself smells of treachery, for love is not a pure emotion. Lust and hatred are the only pure emotions. Love is camouflaged, for needs and desires. Desires – they are magical in their own way. They can be innocent. They can be monstrous. But they exist, no matter what, and many such needs and desires make us helpless slaves of the same. We hide these desires either in the realms of our mind or in the dusty corners of our hearts for we are scared…what if someone finds out what we desire. We give them identities so as to not let the real thing show. The only thing visible on the front is a mask we wear to deceive people or that’s what I thought. For I was deceived while I believed I am the deceiver. Or was I not? I debated as my mind once again tried to enter a sleep-induced trance.

The revolutionary idea of contemporary art was that any object, any detail or fragment of the material world, could exert the same strange attraction and pose the same insoluble questions as were reserved in the past for a few rare aristocratic forms known as works of art. That is where true democracy lay: not in the accession of everyone to aesthetic enjoyment, but in the transaesthetic advent of a world in which every object would, without distinction, have its fifteen minutes of fame (particularly objects without distinction). All objects are equivalent, everything is a work of genius. With, as a corollary, the transformation of art and of the work itself into an object, without illusion or transcendence, a purely conceptual acting-out, generative of deconstructed objects which deconstruct us in their turn. No longer any face, any gaze, any human countenance or body in all this - organs without bodies, flows, molecules, the fractal. The relation to the 'artwork' is of the order of contamination, of contagion: you hook up to it, absorb or immerse yourself in it, exactly as in flows and networks. Metonymic sequence, chain reaction. No longer any real object in all this: in the ready-made it is no longer the object that's there, but the idea of the object, and we no longer find pleasure here in art, but in the idea of art. We are wholly in ideology. And, ultimately, the twofold curse of modem and contemporary art is summed up in the 'ready-made': the curse of an immersion in the real and banality, and that of a conceptual absorption in the idea of art.

The first step matters a lot. It breaks the jinks. It is courage in action. It is not an absence of fear. It is despising the fear. It is understanding that God has put everything good on the other side of fear. Long planning can sometimes paralyze your needed efforts. A lot of it is fear induced. So, don’t overanalyze. STEP! Procrastination can steal your defining moments. Don’t do in the next minute what you can and should do NOW. So, just STEP! The moment you do, even if falteringly, God opens to you a universe of opportunities. His light shines upon your path and His strength overwhelms your weakness. You see a new you. You are transformed from inside out. You believe you can and you go ahead to do. The world is at your feet now. But before you revel in your newfound fame, you recall that you are here because God is and that it all started when you took the very first STEP. So, STEP!

urely, Epictetus isn’t saying that peace, leisure, travel, and learning are bad, is he? Thankfully, no. But ceaseless, ardent desire—if not bad in and of itself—is fraught with potential complications. What we desire makes us vulnerable. Whether it’s an opportunity to travel the world or to be the president or for five minutes of peace and quiet, when we pine for something, when we hope against hope, we set ourselves up for disappointment. Because fate can always intervene and then we’ll likely lose our self-control in response. As Diogenes, the famous Cynic, once said, “It is the privilege of the gods to want nothing, and of godlike men to want little.” To want nothing makes one invincible—because nothing lies outside your control. This doesn’t just go for not wanting the easy-to-criticize things like wealth or fame—the kinds of folly that we see illustrated in some of our most classic plays and fables. That green light that Gatsby strove for can represent seemingly good things too, like love or a noble cause. But it can wreck someone all the same.

And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124

freeze, so she opted for pants with a thick, nubbly sweater that added substance to her frame. As always, her necklace was in place, and she donned a lovely bright cashmere scarf to keep her neck warm. When she stepped back to appraise herself in the mirror, she felt she looked almost as good as she had before chemotherapy started. Collecting her purse, she took a couple more pills—the pain wasn’t as bad as yesterday, but no reason to risk it—and called an Uber. Pulling up to the gallery a few minutes after closing time, she saw Mark through the window, discussing one of her photographs with a couple in their fifties. Mark offered the slightest of waves when Maggie stepped inside and hurried to her office. On her desk was a small stack of mail; she was quickly sorting through it when Mark suddenly tapped on her open door. “Hey, sorry. I thought they’d make a decision before you arrived, but they had a lot of questions.” “And?” “They bought two of your prints.” Amazing, she thought. Early in the life of the gallery, weeks could go by without the sale of even a single print of hers. And while the sales did increase with the growth of her career, the real renown came with her Cancer Videos. Fame did indeed change everything, even if the fame was for a reason she wouldn’t wish upon anyone. Mark walked into the office before suddenly pulling up short. “Wow,” he said. “You look fantastic.” “I’m trying.” “How do you feel?” “I’ve been more tired than usual, so I’ve been sleeping a lot.” “Are you sure you’re still up for this?” She could see the worry in his expression. “It’s Luanne’s gift, so I have to go. And besides, it’ll help me get into the Christmas spirit.

The older generation scratched their heads, long comfortable in misery or ignorance now, they’d lost their need to rock the boat. Rocking the boat got you drowned, plain and simple. Unionists out and out accused the emergent civil rights movement of merely being Republican foot soldiers in camouflage. The government dismissed them as rabble-rousers, agitators seeking their fifteen minutes of fame. The students with the wisdom of youth ignored all imprecations and sallied forth under ban, under the blow of rock and baton, coming up repeatedly against the hard, ugly face of hatred. They were the flame that would be put to the tinder of sectarianism and old hatreds, caught in the headiness of that year, of that dying, burning decade, they did not see that regardless of who sets the fire all who touch it will be burned and bear the scars for it.

In the future? People will realize the opposite of what Andy Warhol – yes, a Pole! – predicted. Instead of everyone getting fifteen minutes of fame, everyone will get fifteen minutes of privacy. Satellites, cameras, the internet, these are tracking us every second. The next generation of young people will crave solitude. The non-stop gaze of mass media ogling us, that’s the new monster.

In a world of pushing, shoving, striving to get ahead at all costs people; to those who knew him well, John Mann was a breath of fresh air.

That she cried over the loss of a dog whose big claim to fame was that he could eat the crotch out of a pair of clean underpants in less than a minute?

A lot of people us the internet searching for fifteen minutes of fame I've been on it so long and so often I need fifteen minutes of Freedom

The mojitos came. Kathy waved papers and yammered for another ten minutes, while Jackie nodded, interrupting a few times with blunt questions, signing a couple of papers and nodding wearily at the nearly endless flow of details. When Kathy finally gathered up the papers, and her coffee cup, Jackie looked tired and a little bit bleak. I wondered why. She had endured Kathy’s fusillade, which had been an exhausting tirade from a rather unpleasant person, but even so, I was surprised at how mortal Jackie looked all of a sudden. She picked up her mojito and sipped as I led Kathy out and chained the door behind her, pondering the heavy price of fame. It had all seemed so attractive, but now I found myself wondering.

Life is a theatrical folly, a play of the great players and big dreamers set out on the biggest stage. Where improvisation dictates the mood. The contest for the lead is unabating when the cast is made up of those aiming high. Fortunately we don't all want the lead, for the dream of some is not to be the hero and face the challenges that accompany it, to maintain their prowess every day, to be ready to see off every pretender to their throne. We don't all want to be revolutionaries, we don't all want to be alone in the spotlight and have the eyes of the critical audience on us for a single minute, not feeling owed their fifteen minutes of fame. Some don't want to take to that vast stage alone and perform a monologue of Shakespearean proportions. Some recognise maybe that within leading roles, the most memorable characters, there is vulnerability and often the part is a tragic one. It is a stronger mind that recognises their part in the play of life, someone who knows that the lead part is not for them. Someone who supports the lead, wishes to journey with them and knows they will need a supporting cast. Someone who aims for contentment and lives a humble yet happy existence. The risk is for those who sets their standards too high and will never reach them. The reality is, we won't all achieve the same greatness in our lives, because our view of greatness differs between us. So on a personal level you must decide what role you wish to have, make it your own. Be the best you can by your standards, not anyone else's.

John Wooden said, “Talent is God given. Be humble. Fame is man-given. Be grateful. Conceit is self-given. Be careful.

I mean, maybe I’d be a safe person for you, someone you could talk to without worrying that the press was going to capture every minute.

Helen Hunt says there is one sin which seems to be everywhere, and by everybody is underestimated and quite too much overlooked in valuations of character. It is the sin of fretting. It is as common as air, as speech; so common that unless it rises above its usual monotone we do not even observe it. Watch any ordinary coming together of people, and we see how many minutes it will be before somebody frets—that is, makes more or less complaint of something or other, which probably every one in the room, or car, or on the street corner knew before, and which most probably nobody can help. Why say anything about it? It is cold, it is hot, it is wet, it is dry, somebody has broken an appointment, ill-cooked a meal; stupidity or bad faith somewhere has resulted in discomfort. There are plenty of things to fret about. It is simply astonishing, how much annoyance and discomfort may be found in the course of every-day living, even of the simplest, if one only keeps a sharp eye out on that side of things. Some people seem to be always hunting for deformities, discords and shadows, instead of beauty, harmony and light. We are born to trouble, as sparks fly upward. But even to the sparks flying upward, in the blackest of smoke, there is a blue sky above, and the less time they waste on the road, the sooner they will reach it. Fretting is all time wasted on the road. About two things we should never fret, that which we cannot help, and that which we can help. Better find one of your own faults than ten of your neighbor's.

Sam?” “Yeah.” “I was on the school bus that day. Remember?” “Vaguely,” he said, and laughed. “My fifteen minutes of fame.” “You were the bravest, coolest person I’d ever known. Everyone thought so. You were the hero of the whole school. And then, I don’t know. It was like you kind of just…faded.” He resented that a little. He hadn’t faded. Had he? “Well, most days the bus driver doesn’t have a heart attack,” Sam said. Astrid laughed. “You’re one of those people, I think. You go along in your life just sort of living. And then something goes wrong and there you are. You step up and do what you have to do. Like today, the fire.” “Yeah, well, to tell you the truth, I kind of prefer the other part. The part where I just live my life.” Astrid nodded like she understood, but then she said, “That’s not going to happen this time.

Behind its generous appearance, the famous Warhol 'fifteen minutes of fame' is in fact contemptuous - an assignment to promotional mediocrity. And moreover, as the stock of 'fame' is limited, just like the stock of eggs in the uterus, it is supremely anti-democratic. If you are famous for a whole hour, you thwart three other people, who were entitled to their fifteen minutes. Everything is becoming functional. Irony is disappearing in the critical function, the word is disappearing in its phatic function. Worse: critique, ethics, aesthetics become functions of each other, as they wait to become useless functions.

There once lived, at a series of temporary addresses across the United States of America, a travelling man of Indian origin, advancing years and retreating mental powers, who, on account of his love for mindless television, had spent far too much of his life in the yellow light of tawdry motel rooms watching an excess of it, and had suffered a peculiar form of brain damage as a result. He devoured morning shows, daytime shows, late-night talk shows, soaps, situation comedies, Lifetime Movies, hospital dramas, police series, vampire and zombie serials, the dramas of housewives from Atlanta, New Jersey, Beverly Hills and New York, the romances and quarrels of hotel-fortune princesses and self-styled shahs, the cavortings of individuals made famous by happy nudities, the fifteen minutes of fame accorded to young persons with large social media followings on account of their plastic-surgery acquisition of a third breast or their post-rib-removal figures that mimicked the impossible shape of the Mattel company’s Barbie doll, or even, more simply, their ability to catch giant carp in picturesque settings while wearing only the tiniest of string bikinis; as well as singing competitions, cooking competitions, competitions for business propositions, competitions for business apprenticeships, competitions between remote-controlled monster vehicles, fashion competitions, competitions for the affections of both bachelors and bachelorettes, baseball games, basketball games, football games, wrestling bouts, kickboxing bouts, extreme sports programming and, of course, beauty contests.

Just let me know when my fifteen minutes are up

Just let me know when my fifteen minutes are up.

Some people are gone, but not forgotten. Some are still here, but already forgotten.

Television and the internet may offer anyone and everyone their fifteen minutes of fame; the passions and obsessions that drive human nature, however, remain the same same.

Babe got his five minutes of fame—he was an extra in the Holland episode, a scene in Eindhoven. He's sitting at a table with a hat on, watching the action. He thinks he's a big shot now. I want to get in one of those Al Capone movies. Or be in Godfather Ten.

Nincompoops. (Quincy,

You should probably go now, before you dig your hole any deeper.” And with a voice as smooth as silk, a half smile on his lips, he faced Brie down and said, “And just who do you think you are, ordering me out?” Jack’s hand came down on the bar hard, clamping over Arnold’s wrist, and he glared into the man’s eyes. Jack’s eyes glittered. Jack hated this kind of cheap, sissy maneuver—trashing the girl to the town behind her back. He might not know exactly what was going on, but he knew this guy was wrong and Ellie was an okay kid. All he was lacking were the facts. “That’s my little sister, asshole. And your fifteen minutes of fame are up. You’re leaving.” Arnold

Fame. Everyone dreams of fame. You long to live forever, to gain the power of light. But fame is fickle. One minute you're a young man alone in the universe; the next you're traveling beyond the stars and making grand discoveries; the next you're being ridiculed for proposing it might be possible to travel beyond the boundaries of time and causality and exist in other dimensions; the next you're being defrocked and imprisoned for cosmic heresy; the next you're being exonerated from execution and sent ironically, on a mission of certain death - all because some queen had a dream that a starfish spoke to her. It's all typical, really.

The most famous child survivor of the Holocaust in the 1950s was not Anne Frank—after all, she didn’t survive—but a young woman named Hannah Bloch Kohner. NBC television’s This Is Your Life was one of television’s first reality shows, in which host Ralph Edwards surprised a guest, often a celebrity, by reuniting him or her with friends and family members the guest hadn’t heard from in years. The program didn’t shy away from either political controversy or questionable sentimentality, as when guest Reverend Kiyoshi Tanimoto, who had survived the atomic bombing of Hirsohima in 1945, was introduced to the copilot of the Enola Gay. On May 27, 1953, This Is Your Life ambushed a beautiful young woman in the audience, escorted her to the stage, and proceeded, in a matter of minutes, to package, sanitize, and trivialize the Holocaust for a national television audience. Hannah Bloch Kohner’s claim to fame was that she had survived Auschwitz before emigrating, marrying, and settling in Los Angeles. She was the first Holocaust survivor to appear on a national television entertainment program. “Looking at you, it’s hard to believe that during seven short years of a still short life, you lived a lifetime of fear, terror, and tragedy,” host Edwards said to Kohner in his singsong baritone. “You look like a young American girl just out of college, not at all like a survivor of Hitler’s cruel purge of German Jews.” He then reunited a stunned Kohner with Eva, a girl with whom she’d spent eight months in Auschwitz, intoning, “You were each given a cake of soap and a towel, weren’t you, Hannah? You were sent to the so-called showers, and even this was a doubtful procedure, because some of the showers had regular water and some had liquid gas, and you never knew which one you were being sent to. You and Eva were fortunate. Others were not so fortunate, including your father and mother, your husband Carl Benjamin. They all lost their lives in Auschwitz.” It was an extraordinary lapse of sympathy, good taste, and historical accuracy—history that, if not common knowledge, had at least been documented on film. It would be hard to explain how Kohner ever made it on This Is Your Life to be the Holocaust’s beautiful poster girl if you didn’t happen to know that her husband—a childhood sweetheart who had emigrated to the United States in 1938—was host Ralph Edwards’s agent. Hannah Bloch’s appearance was a small, if crass, oasis of public recognition for Holocaust survivors—and child survivors especially—in a vast desert of indifference. It would be decades before the media showed them this much interest again.

The dog account’s popularity spread beyond her family and friends to a few thousand people. But on a Monday night in December 2012, the account started gaining fans around the world. After Toffey posted three pictures of Tuna on the Instagram blog that night, the dog’s following grew from 8,500 to 15,000 within 30 minutes. Dasher pulled to refresh the page: 16,000. By the next morning, Tuna was at 32,000 followers. Dasher’s phone started ringing with media requests from around the world. Anderson Cooper’s talk show offered to fly her to DC; she appeared via webcast, thinking it wouldn’t be feasible to take a vacation day. But as requests for appearances continued to come in, her friends warned her about what was coming before she realized it: she would have to quit her job at the Pacific Design Center in Los Angeles and run her dog’s account full-time. It sounded ridiculous, so she took a month off to test the theory. Sure enough, BarkBox, which made a subscription box for pet items, was willing to sponsor Dasher and her friend on an eight-city tour with Tuna. People in various cities came up to her, crying, telling her they were struggling with depression or anxiety and that Tuna was bringing them joy. “That was the first time that I realized how much weight these posts had for people,” Dasher later recalled. “And that’s also when I realized I wanted to do this full-time.” Her life became about managing Tuna’s fame. Berkley, part of Penguin Random House, signed her up to write a book titled Tuna Melts My Heart: The Underdog with the Overbite. That led to more brand deals, plus merchandising to put Tuna’s likeness on stuffed animals and mugs. In her book’s acknowledgments, she thanks Tuna most of all, but also Toffey for sharing the post that changed her life. The tastes of one Instagram employee directly affected her financial success, but also the habits of the two million people who now follow that dog—including Ariana Grande.

Maybe appearing on CNN for two minutes will make your grandmother proud, but if the travel and the preparation and the logistics eat up 20 hours of your time so that your writing suffers [and] you will ultimately not be proud of the result, then maybe it’s not worth it. Often I think the paradox is that accepting the requests you receive is at the expense of the quality of the very work—the reason for those requests in the first place—and that’s what you always have to protect.” TF: This is precisely why I have stopped nearly all investing, speaking engagements, and interviews. Maria shared how famed neurologist and writer Oliver Sacks (RIP) used to put a “piece of paper on the wall by his desk that simply said, in all caps, ‘NO!’ with an exclamation point. It was to remind himself to decline invitations that took away from his writing time.

The interview took about ten minutes. Apparently my life was so boring I couldn’t even get my fifteen minutes of fame.

In the future, I expect people will long for fifteen minutes of privacy, rather than fifteen minutes of fame.

He devoured morning shows, daytime shows, late-night talk shows, soaps, situation comedies, Lifetime Movies, hospital dramas, police series, vampire and zombie serials, the dramas of housewives from Atlanta, New Jersey, Beverly Hills and New York, the romances and quarrels of hotel-fortune princesses and self-styled shahs, the cavortings of individuals made famous by happy nudities, the fifteen minutes of fame accorded to young persons with large social media followings on account of their plastic-surgery acquisition of a third breast or their post-rib-removal figures that mimicked the impossible shape of the Mattel company’s Barbie doll, or even, more simply, their ability to catch giant carp in picturesque settings while wearing only the tiniest of string bikinis; as well as singing competitions, cooking competitions, competitions for business propositions, competitions for business apprenticeships, competitions between remote-controlled monster vehicles, fashion competitions, competitions for the affections of both bachelors and bachelorettes, baseball games, basketball games, football games, wrestling bouts, kickboxing bouts, extreme sports programming and, of course, beauty contests. (He

In three minutes, I'll be a murderer. A famous one.

Social media has deceived some people, and/or even that person, into thinking that someone is famous.

Farewell, ye gilded follies, pleasing troubles; Farewell, ye honour'd rags, ye glorious bubbles; Fame's but a hollow echo, Gold, pure clay; Honour the darling but of one short day; Beauty, th' eye's idol, but a damask'd skin; State, but a golden prison, to live in And torture free-born minds; embroider'd Trains, Merely but pageants for proud swelling veins; And Blood allied to greatness is alone Inherited, not purchas'd, nor our own. Fame, Honour, Beauty, State, Train, Blood and Birth, Are but the fading blossoms of the earth. I would be great, but that the sun doth still Level his rays against the rising hill: I would be high, but see the proudest oak Most subject to the rending thunder-stroke: I would be rich, but see men, too unkind Dig in the bowels of the richest mind: I would be wise, but that I often see The fox suspected, whilst the ass goes free: I would be fair, but see the fair and proud, Like the bright sun, oft setting in a cloud: I would be poor, but know the humble grass Still trampled on by each unworthy ass: Rich, hated wise, suspected, scorn'd if poor; Great, fear'd, fair, tempted, high, still envy'd more. I have wish'd all, but now I wish for neither. Great, high, rich, wise, nor fair: poor I'll be rather. Would the World now adopt me for her heir; Would beauty's Queen entitle me the fair; Fame speak me fortune's minion, could I " vie Angels " with India with a speaking eye Command bare heads, bow'd knees, strike justice dumb, As well as blind and lame, or give a tongue To stones by epitaphs, be call'd " great master " In the loose rhymes of every poetaster ? Could I be more than any man that lives, Great, fair, rich wise, all in superlatives; Yet I more freely would these gifts resign Than ever fortune would have made them mine. And hold one minute of this holy leisure Beyond the riches of this empty pleasure. Welcome, pure thoughts; welcome, ye silent groves; These guests, these courts, my soul most dearly loves. Now the wing'd people of the sky shall sing My cheerful anthems to the gladsome spring: A pray'r-book, now, shall be my looking-glass, In which I will adore sweet virtue's face. Here dwell no hateful looks, no palace cares, No broken vows dwell here, nor pale-fac'd fears; Then here I'll sit, and sigh my hot love's folly, And learn t' affect an holy melancholy: And if contentment be a stranger then, I'll ne'er look for it, but in heaven, again.

For most of my life, I’ve pursued what the famed business expert Dr. W. Edwards Deming calls profound knowledge. To me, profound knowledge is any simple distinction, strategy, belief, skill, or tool that, the minute we understand it, we can apply it to make immediate increases in the quality of our lives.

their fifteen minutes of fame. Alan Townsend? Maybe. During their interview, Orr had told Tracy she felt guilty about what had happened to Andrea while under her roof. Could helping Andrea to start a new life have been Orr’s way to cleanse herself of her own perceived sins? What did Tracy really know about Penny Orr? Nothing. She went back to her cubicle, hit the space bar on the keyboard, and brought her monitor to life. She logged on to the Internet, pulled up the website they used to conduct LexisNexis searches, and input information to run Penny Orr through the system. The search provided a history of the person’s past employers, former addresses, relatives, and prior criminal history. The history for Penny Orr was short. She’d moved twice, from the San Bernardino home address to a townhome, to the apartment complex. She’d had one sister, deceased. She had no prior criminal history. She’d had one employer. Tracy’s stomach fluttered. Penny Orr had spent thirty years working for the San Bernardino County Assessor. Sensing something, Tracy opened another Internet page and searched for the Assessor’s website. Pulling it up, she clicked her way through the pages until she came to a page announcing that, effective January 3, 2011, the offices of the County Assessor, County Recorder, and County Clerk had been consolidated. To the left of that announcement was a light-blue drop-down menu for the departments’ various services, including a link to obtain certified copies of a birth certificate. CHAPTER 31 T

I sometimes think painters and writers have it easier than performers. They can create in private and let it stand on its own. Performers have to be the art. If they achieve any fame at all, they have to be that person the minute someone recognizes them. If they don’t they risk alienating fans.

Cantor’s 60-minute C&S shows were largely carried by himself, Wallington, and violinist Dave Rubinoff, with occasional guests. Rubinoff supposedly led the orchestra. It was typical early ’30s variety: Cantor singing and mugging, situation skits, orchestra numbers, violin solos. Rubinoff’s segments were billed as “Rubinoff and His Violin,” and his radio-fed fame in those days was greater than that of most noted concert violinists. He “was a good violinist rather than a great violinist,” Cantor wrote years later: but Rubinoff was “a showman who gave the impression of being all the great violinists put together.” His Russian accent was so formidable that he did not speak on the air. In the early days, Cantor did Rubinoff’s lines: he would ask a question in his natural voice and answer it with a Russian accent. Cantor played every conceivable dialect, from “an Irish policeman to a Swedish cook.” Later he hired people for his skits: Teddy Bergman (Alan Reed) and Lionel Stander played dialects, including the Rubinoff role.

The pinnacle of the struggle for attention, which we are promised will surely pay off through wealth and fame, is the TED Talk. Purposely informal and limited to eighteen minutes, these punchy, pithy talks are meant to inspire and entertain. They don’t invite deliberation or debate. They don’t demand immersion or even background reading. They are capsules of knowledge. To deliver a TED Talk, however, is the apex of self-branding. And, not coincidentally, one of the major ways people discover TED Talks and other self-promotional videos is through Facebook.

The minutes snailed by. Harry let Lockhart’s voice wash over him, occasionally saying, ‘Mmm’ and ‘Right’ and ‘Yeah’. Now and then he caught a phrase like ‘Fame’s a fickle friend, Harry’ or ‘Celebrity is as celebrity does, remember that’. The candles burned lower and lower, making the light dance over the many moving faces of Lockhart watching him. Harry moved his aching hand over what felt like the thousandth envelope, writing out Veronica Smethley’s address. It must be nearly time to leave, Harry thought miserably, please let it be nearly time … And then he heard something – something quite apart from the spitting of the dying candles and Lockhart’s prattle about his fans. It was a voice, a voice to chill the bone-marrow, a voice of breath-taking, ice-cold venom. ‘Come … come to me … let me rip you … let me tear you … let me kill you …’ Harry gave a huge jump and a large lilac blot appeared on Veronica Smethley’s street. ‘What?’ he said loudly. ‘I know!’ said Lockhart. ‘Six solid months at the top of the bestseller list! Broke all records!’ ‘No,’ said Harry frantically. ‘That voice!’ ‘Sorry?’ said Lockhart, looking puzzled. ‘What voice?’ ‘That – that voice that said – didn’t you hear it?’ Lockhart was looking at Harry in high astonishment. ‘What are you talking about, Harry? Perhaps you’re getting a little drowsy?

Blogs could be set up in minutes. Suddenly, anyone with internet access could become a publisher. Media consumers became media producers.