Mint Sayings And Quotes

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They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-- I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.
Lisa Ann Sandell (A Map of the Known World)
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
So how's Cupid Day treating you?" He pops a mint in his mouth and leans closer. It grosses me out, like he thinks he can seduce me with fresh breath. "Any big romantic plans tonight? Got someone special to cozy up next to?" He raises his eyebrows at me. [...] "We'll see," I say, smiling. "What about you? Are you going to be all by your lonesome? Table for one?" He leans forward even more, and I stay perfectly still, willing myself not to pull away. "Now why would you assume that?" He winks at me, obviously thinking that this is my version of flirting--like I'm going to offer to keep this company or something. I smile even wider. "Because if you had a real girlfriend," I say, quietly but clearly, so he can hear every word perfectly, "you wouldn't be hitting on high school girls.
Lauren Oliver (Before I Fall)
our experience with newly-minted MBAs has not been that great. Their academic records always look terrific and the candidates always know just what to say; but too often they are short on personal commitment to the company and general business savvy. It’s difficult to teach a new dog old tricks.
Warren Buffett (Berkshire Hathaway Letters to Shareholders: 1965-2024)
I love you,” he says. “I love the way you bite your bottom lip when you’re nervous. I love the annoying way you rattle mints against your teeth when you eat them. I love how brave you are. Those are the reasons I love you, Natalie, not because you have a Darkling heart.
Elizabeth Richards (Black City (Black City, #1))
You’re saying that”—Hades pointed to the mint plant—“is my assistant?” “Yes.” He didn’t look at the plant but at her. “And why is my assistant a plant, Persephone?” “Because”—She averted her eyes and admitted—“She upset me.
Scarlett St. Clair (A Touch of Darkness (Hades & Persephone, #1))
Money is made at Christmas out of holly and mistletoe, but who save the vendors would greatly care if no green branch were procurable? One symbol, indeed, has obscured all others--the minted round of metal. And one may safely say that, of all the ages since a coin first became the symbol of power, ours is that in which it yields to the majority of its possessors the poorest return in heart's contentment.
George Gissing (The Private Papers of Henry Ryecroft)
In fact we put so many things in our mouths we constantly have to be reminded what not to eat. Look at that little package of silicon gel that's inside your sneakers. It says DO NOT EAT for a reason. Somewhere sometime some genius bought a pair of sneakers and said Ooooh look. They give you free mints with the shoes
Morgan Spurlock (Don't Eat This Book)
Liz, it’s so easy to say ‘I’m sorry.’ It costs nothing and it saves a mint of pain. Those two words are the common coin of daily life, but especially between people who love each other.
Pearl S. Buck (Letter from Peking)
Nobody is familiar with his own profile, and it comes as a shock, when one sees it in a portrait, that one really looks like that to people standing beside one. For one’s full face, because of the familiarity that mirrors give it, a certain toleration and even affection is felt; but I must say that when I first saw the model of the gold piece that the mint-masters were striking for me I grew angry and asked whether it was intended to be a caricature.
Robert Graves (Claudius the God: And His Wife Messalina)
Then I’ll just pack up my Girl Scout cookies and hurry on home,” Cassel says. The man hesitates. “Do you have Thin Mints?
Alice Winters (The Former Assassin's Guide to Snagging a Reluctant Boyfriend (The Hitman's Guide, #4))
...it was one of the best meals we ever ate. Perhaps that is because it was the first conscious one, for me at least; but the fact that we remember it with such queer clarity must mean that it had other reasons for being important. I suppose that happens at least once to every human. I hope so. Now the hills are cut through with superhighways, and I can't say whether we sat that night in Mint Canyon or Bouquet, and the three of us are in some ways even more than twenty-five years older than we were then. And still the warm round peach pie and the cool yellow cream we ate together that August night live in our hearts' palates, succulent, secret, delicious.
M.F.K. Fisher (The Gastronomical Me)
If you meant to invite me, and let's proceed from that assumption, then you wanted a playwright, and I have to say what a strange choice, what with Gabriel blowing his trumpet and the Book of Revelation unfolding seal by seal and all; it's as if you'd been warned of years of calamity and famine ahead and in response you anxiously stuffed an after-dinner mint in your pocket.
Tony Kushner
God is very precise in this point; he will say to such as invent ways to worship him of their own, coin means to mortify corruption, obtain comfort in their own mint: 'Who hath required this at your hands?' This is truly to be 'righteous over-much,' as Solomon speaks, when we will pretend to correct God's law, and add supplements of our own to his rule.
William Gurnall
There's no being out too late in Whileaway, or up too early, or in the wrong part of town, or unescorted. You cannot fall out of the kinship web and become sexual prey for strangers, for there is no prey and there are no strangers -- the web is world-wide. In all of Whileaway there is no one who can keep you from going where you please (though you may risk your life, if that sort of thing appeals to you), no one who will follow you and try to embarrass you by whispering obscenities in your ear, no one who will attempt to rape you, no one who will warn you of the dangers of the street, no one who will stand on street corners, hot-eyed and vicious, jingling loose change in his pants pocket, bitterly bitterly sure that you're a cheap floozy, hot and wild, who likes it, who can't say no, who's making a mint off it, who inspires him with nothing but disgust, and who wants to drive him crazy.
Joanna Russ (The Female Man)
She said, “We can pretend. Just once. And then we’ll never say anything about it again.” What a strange, shifting person he was. The Gansey who turned to her now was a world away from the lofty boy she’d first met. Without any hesitation, she stretched her arms around his neck. Who was this Blue? She felt bigger than her body. High as the stars. He leaned toward her — her heart spun again — and pressed his cheek against hers. His lips didn’t touch her skin, but she felt his breath, hot and uneven, on her face. His fingers splayed on either side of her spine. Her lips were so close to his jaw that she felt his hint of stubble at the end of them. It was mint and memories and the past and the future and she felt as if she’d done this before and already she longed to do it again. Oh, help, she thought. Help, help, help. He pulled away. He said, “And now we never speak of it again.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Zaphod left the controls for Ford to figure out, and lurched over to Arthur. "Look, Earthman," he said angrily, "you've got a job to do, right? The Question to the Ultimate Answer, right?" "What, that thing?" said Arthur, "I thought we'd forgotten about that." "Not me, baby. Like the mice said, it's worth a lot of money in the right quarters. And it's all locked up in that head thing of yours." "Yes but ..." "But nothing! Think about it. The Meaning of Life! We get our fingers on that we can hold every shrink in the Galaxy up to ransom, and that's worth a bundle. I owe mine a mint." Arthur took a deep breath without much enthusiasm. "Alright," he said, "but where do we start? How should I know? They say the Ultimate Answer or whatever is Forty-two, how am I supposed to know what the question is? It could be anything. I mean, what's six times seven?" Zaphod looked at him hard for a moment. Then his eyes blazed with excitement. "Forty-two!" he cried. Arthur wiped his palm across his forehead. "Yes," he said patiently, "I know that." Zaphod's faces fell. "I'm just saying that the question could be anything at all," said Arthur, "and I don't see how I am meant to know.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
But I don’t let him finish. I don’t let him say another word. I lean forward and kiss him. He startles, and then he wraps his arms around me and kisses me back. His lips are gentle and warm. He is mint and lemons.
Becky Albertalli (Yes No Maybe So)
The internet reflects us at our eccentric, absurd, trivial best. It shows us as stoned online game-players and people wearing home-made Tron suits. It reveals that we enjoy watching people blend things like an iPhone, and mix 200 litres of Diet Coke with 500 Mentos mints. Laughing babies and sneezing baby panda’s speak to us, despite having nothing to say, and we find all these things hypnotically watchable and briefly hysterical.
Simon Pont (The Better Mousetrap: Brand Invention in a Media Democracy)
Stand in front of this fantastic machine, my friend, and for just 99¢ your likeness will appear, two hundred feet tall, on a screen above downtown Las Vegas. Ninety-nine cents more for a voice message. “Say whatever you want, fella. They’ll hear you, don’t worry about that. Remember you’ll be two hundred feet tall.” Jesus Christ. I could see myself lying in bed in the Mint Hotel, half-asleep and staring idly out the window, when suddenly a vicious nazi drunkard appears two hundred feet tall in the midnight sky, screaming gibberish at the world: “Woodstock Über Alles!” We will close the drapes tonight. A thing like that could send a drug person careening around the room like a ping-pong ball. Hallucinations are bad enough. But after a while you learn to cope with things like seeing your dead grandmother crawling up your leg with a knife in her teeth. Most acid fanciers can handle this sort of thing. But nobody can handle that other trip—the possibility that any freak with $1.98 can walk into the Circus-Circus and suddenly appear in the sky over downtown Las Vegas twelve times the size of God, howling anything that comes into his head. No, this is not a good town for psychedelic drugs. Reality itself is too twisted.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn't it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour rid. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul. But... how to say it?
Ray Bradbury (Something Wicked This Way Comes)
I don't hate you. I love you. And I forgive you." She rolls up her window. "You don't need to say anything. But you should know that I forgive you." I'm not sure if it's true. It feels true. It also feels transient. Like I want to add the caveat that I reserve the right to change my mind. "Thanks, baby," Her reaction is mild, like I just offered her a mint.
Rachel Harrison (Such Sharp Teeth)
Thank you from the bottom of my heart, but I don’t want my boy starting out with something like this over his head. Best way to clear the air is to have it all out in the open. Let the county come and bring sandwiches. I don’t want him growing up with a whisper about him, I don’t want anybody saying, ‘Jem Finch… his daddy paid a mint to get him out of that.
Harper Lee
Shortcake.” I ignore him. “Shortcake.” “I do not know anyone by that name.” “Play with me for a minute,” he says it softly, right in my ear. I turn my face to his and try to regulate my breathing. “HR,” I manage. His face is so close to mine I can taste his breath, hot mint sweetness. I can see the tiny stripes in his irises, tiny unexpected sparks of yellow and green. There are so many blues I think of galaxies. Little stars.
Sally Thorne (The Hating Game)
Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.
Elinor Wylie
I don’t want to talk about me. We never talk about you. I probably don’t know anything about you. He laces his fingers into mine and rests our hands on his stomach. I move my fingertips in tiny circles and he sighs indulgently. “Sure you do. Go on, list everything.” “I know surface things. The color of your shirts. Your lovely blue eyes. You live on mints and make me look like a pig in comparison. You scare three-quarters of B and G employees absolutely senseless, but only because the other quarter haven’t met you yet.” He smirks. “Such a bunch of delicate sissies.” I keep ticking things off. “You’ve got a pencil you use for secret purposes I think relate to me. You dry clean on alternate Fridays. The projector in the boardroom strains your eyes and gives you headaches. You’re good at using silence to scare the shit out of people. It’s your go-to strategy in meetings. You sit there and stare with your laser-eyes until your opponent crumbles.” He remains silent. “Oh, and you’re secretly a decent human being.” “You definitely know more about me than anyone else.” I can feel a tension in him. When I look at his face, he looks shaken. My stalking has scared the ever-loving shit out of him. Unfortunately, the next thing I say sounds deranged. I want to know what’s going on in your brain. I want to juice your head like a lemon.
Sally Thorne (The Hating Game)
A good way to fall in love is to turn off the headlights and drive very fast down dark roads. Another way to fall in love is to say they are only mints and swallow them with a strong drink. Then it is autumn in the body. Your hands are cold. Then it is winter and we are still at war. The gold-haired girl is singing into your ear about how we live in a beautiful country. Snow sifts from the clouds into your drink. It doesn’t matter about the war. A good way to fall in love is to close up the garage and turn the engine on, then down you’ll fall through lovely mists as a body might fall early one morning from a high window into love. Love, the broken glass. Love, the scissors and the water basin. A good way to fall is with a rope to catch you. A good way is with something to drink to help you march forward. The gold-haired girl says, Don’t worry about the armies, says, We live in a time full of love. You’re thinking about this too much. Slow down. Nothing bad will happen.
Kevin Prufer
...until I had been forced to bite my tongue to keep from saying what I really thought: that despite the craftsmanship it made absolutely zero difference whether Kitsey chose the x pattern or the y pattern since as far as I was concerned it was basically all the same; new, charmless, dead-in-hand, not to mention the expense: eight hundred dollars for a made-yesterday plate? One plate? There were beautiful eighteenth-century sets to be had for a fraction of the price of this cold, bright, newly-minted stuff.
Donna Tartt (The Goldfinch)
But that’s not even what she’s asking. Cassie wants to know if I’ll still walk home with her after school every day, if I’ll watch movies with her that I miss hald of because I’m answering her bizarre questions; if I’ll still tolerate her mindless chatter and scattered conversations. If I’ll still be nice to her. This girl who speaks slowly and runs awkwardly, who can only manage short spurts of eye contact and stiffens under anyone’s touch, who struggles to match appropriate emotions with situations. Who finds joy in the simplest of things, who will never sit at a cafeteria table or in a bathroom and say mean things behind people’s back. Who understands more than most people give her credit for. Who’s heart can’t seem to hold animosity, even towards those who have been cruel to her. Who only ever wanted to be a friend to me since the moment she stepped out of her mom’s car with a bag of cookies. “Of course, I will,” I promise. “Yeah, okay.” She finally looks up to offer me a wide grin and a nod. “Are you going to eat those Junior Mints?
K.A. Tucker (Be the Girl)
I'd like to make you an offer." An offer? I was suddenly reminded of who I was dealing with here. Lillian Taft wasn't a powder puff. She was the merciless, dictatorial matriarch who'd kicked my pregnant mother out of her house at the ripe old age of seventeen. I stalked to the front door and retrieved the Post-it I'd placed next to the doorbell when our house had been hit with door-to-door evangelists two weeks in a row. I turned and offered the hand-written notice to the women who'd raised my mother. Her perfectly manicured fingertips plucked the Post-it from my grasp. "'No soliciting,'" my grandmother read. "Except for Girl Scout cookies," I added helpfully. I'd gotten kicked out of the local Scout troop during my morbid true-crime and facts-about-autopsies phase, but I still had a weakness for Thin Mints. Lillian pursed her lips and amended her previous statement. "'No soliciting except for Girl Scout cookies.'" I saw the precise moment that she registered what I was saying: I wasn't interested in her offer. Whatever she was selling, I wasn't buying.
Jennifer Lynn Barnes (Little White Lies (Debutantes, #1))
I think I'll say goodnight here," Jack said. "My dad's not so bad." "Oh yeah,he was great...right up until the time I started dating his daughter." I'd seen how my dad had become considerably colder toward Jack. There were little clues,like the other evening when out of nowhere he told Jack about how every football player he went to high school with had gotten fat after graduation.We'd been talking about what to make for dinner. "Okay," I said. "Maybe next time." I leaned over to peck him on the cheek, but he grabbed my face in both of his hands and kissed me. His breath tasted like the mints the chaperones had passed out when the dance was over, and when he parted his lips against mine, I shivered, but not because of the cold. I pressed against him even more and hoped the dark inside the car obscured my dad's view. But I knew better than to push it.As I was about to break away,Jack put his hands behind my waist and pulled me even closer,practically lifting me over the center console,so I was sitting in his lap. I pulled back. "My dad's going to love that-" He put his finger over my lips, cutting me off. "Please don't talk about your dad when I'm kissing you. Besides, unless he's enacted a law against it-" "Which he may well do after tonight," I interrupted. He smiled and then brought my face to his again for a few moments before finally releasing me. "After that kiss,we'd better dream of the same thing tonight," he said with a smirk. My face got even warmer,but I tried to speak in a calm voice. "I'll probably dream my usual dream,where I show up to school without any clothes on." "Me too." Jack chuckled.I gave his shoulder a playful shove.
Brodi Ashton (Everneath (Everneath, #1))
Jack picked a piece of mint from his glass and chewed on it for a second. “I’m curious,” he said, “is telling someone to relax ever helpful? It’s like saying ‘breathe’ to someone who is hyperventilating or ‘swallow’ to a person who’s choking. It’s a completely useless admonition.
Cynthia D'Aprix Sweeney (The Nest)
Later, I was in a bathroom stall. Eric was on his knees. My dick was in his mouth, my head back against warm ceramic tile that shook with the beat of the music. My fingers were in his hair and everything was hot and wet. I grunted a warning and he backed away, jacking me until I came on the dirty floor. He stood up and kissed me while he jerked himself off. He sighed into my mouth. He tasted like stale beer and mint. He came on his hand. I felt raw. “Thanks,” he said, zipping up his pants. “That was great.” “Sure,” I said, because I was unsure of what else to say. “You too.” And then he left. I
T.J. Klune (Wolfsong (Green Creek, #1))
Red Brocade" The Arabs used to say, When a stranger appears at your door, feed him for three days before asking who he is, where he’s come from, where he’s headed. That way, he’ll have strength enough to answer. Or, by then you’ll be such good friends you don’t care. Let’s go back to that. Rice? Pine nuts? Here, take the red brocade pillow. My child will serve water to your horse. No, I was not busy when you came! I was not preparing to be busy. That’s the armor everyone put on to pretend they had a purpose in the world. I refuse to be claimed. Your plate is waiting. We will snip fresh mint into your tea.
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East – A Collection About Arab-American Family Life in Jerusalem and the West Bank)
Remember how you were mad for motorcross? You’d spend all weekend the track, or fixing up bikes. You loved it so much. Didn’t I have something like that; something I loved more than anything else?” Matt comes closer, the smell of cigarettes and extra-string mints reassuringly familiar. “Me,” he says quietly. “You loved me.
Clare Mackintosh (I See You)
Actual class struggles apart, one of the aesthetic ways you could prove that there was a class system in America was by cogitating on the word, or acronym, 'WASP.' First minted by E. Digby Baltzell in his book The Protestant Establishment , the term stood for 'White Anglo-Saxon Protestant.' Except that, as I never grew tired of pointing out, the 'W' was something of a redundancy (there being by definition no BASPs or JASPs for anyone to be confused with, or confused about). 'ASP,' on the other hand, lacked some of the all-important tone. There being so relatively few Anglo-Saxon Catholics in the United States, the 'S' [sic] was arguably surplus to requirements as well. But then the acronym AS would scarcely do, either. And it would raise an additional difficulty. If 'Anglo-Saxon' descent was the qualifying thing, which surely it was, then why were George Wallace and Jerry Falwell not WASPs? After all, they were not merely white and Anglo-Saxon and Protestant, but very emphatic about all three things. Whereas a man like William F. Buckley, say, despite being a white Irish Catholic, radiated the very sort of demeanor for which the word WASP had been coined to begin with. So, for the matter of that, did the dapper gentleman from Richmond, Virginia, Tom Wolfe. Could it be, then, that WASP was really a term of class rather than ethnicity? Q.E.D.
Christopher Hitchens (Hitch 22: A Memoir)
And maybe one day—maybe I’ll have the time to go out and enjoy myself, but … there are people who need my help. It feels selfish to take time for myself, even now.” “You shouldn’t feel that way.” “And you’re any better?” Chaol chuckled, leaning back as the servant came, bearing a pitcher of chilled mint tea. He waited until the man left before saying, “Maybe you and I will have to learn how to live—if we survive this war.” It was a sharp, cold knife between them. But Yrene straightened her shoulders, her smile small and yet defiant as she lifted her pewter glass of tea. “To living, Lord Chaol.” He clinked his glass against hers. “To being Chaol and Yrene—even just for a night.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
And where's my ring? She laughs, drops her fists in her lap. 'Your Ring? Where's my ring? And why aren't you down on one knee?' Because I'm driving and because you're the one who asked me. Everybody knows the asker supplies the jewelry. 'Everybody knows? You made that up- how would everybody know? The guy always buys the ring.' Moneys tight. How about Junior Mints and a Coke instead? 'Deal,' she says.
Jessica Martinez (The Vow)
All around me, as if the scales had fallen from my eyes, I saw color flushing the slopes, a color I'd never again hoped to see: that green that is the herald of flavor and pleasure, that says: look, says: wait, says: taste: the gates of the underworld unlatched for mints and sorrels and pine-dark needles in shade and the pale sun-swell of the honeysuckle that bells out the triumphant return, after long winter, of a daughter.
C Pam Zhang (Land of Milk and Honey)
I take a tiny sip of the lemonade, which turns into a long gulp, because it's amazing, fresh, and crisp with torn mint leaves swirling around along with the ice cubes. I set the glass down and force myself to get back to business. "Look, there are a lot more experienced writers you could pair up with. There are hundreds of people who would push me in front of a bus to get this job, and honestly, I'd understand it if they did." "Troubling," Margaret says.
Emily Henry (Great Big Beautiful Life)
She sees that your heart is filled with grief. You need to go to the ocean. Write the names of the things you’ve lost on stones you will find there and then cast them away into the waters. The ocean is big enough to take your grief and keep it safe for you, freeing up space in your heart for other things. The dreamseller says this is an important lesson for you to learn now and you must remember it. It will help you later in life.’ While we were having a cup of mint tea and some
Fiona Valpy (The Storyteller of Casablanca)
When I feel comfortable enough that he is not going to trip me, I manage to look down, and see that his feet are gliding gracefully on the floor in his bloack loafers. He's even doing this very hot rhythmitic figure eight with his hips. Maybe it's the music that's growing on me, or it's that I'm giddy from not having had anything to eat except half a miniquiche, but after a moment or so, I start to move my hips, too. And suddenly, I'm breathless again, but in a good way. Once Pip gets into the groove, he stops looking at the instructor and his eyes fasten on me. So close like this, they're shocking in their brilliance, so light blue as to be almost white. Like silver medallions moving back and forth on a chain, they're hypnotizing. Where did they come from? I swear they weren't so beautiful a day ago, when we were sitting in the food court, talking about ewl and popping stag mints. " Where did you learn to do this?" I whisper in his ear, still unable to break from his gaze. " Faries love to dance. This is similar to one of theirs," he explains as he slows to near a stop. His eyes focous on Fit Lady again, and before I can ask what he's doing, he expertly glides his leg out from underneath his body, dragging his foot on the ground. " Yours should follow him," Fit Lady says, watching my legs. ...then I feel her hand on my leg, pulling it up into the air. I toddle about on one leg like a top that's about to fall, so Pip steadies me, and I hold on so tight to his arms with my sweaty hands as to cut off his circualtion. But he doesn't seem to mind. I watch as she grips my leg at the knee and pulls it, higher, higher … almost to Pip's hip level, then force me to extend and curve it around him. Ow, I am not a pretzel. " What are you doing?" " Gancho," she says. " Just take your leg up and wrap it around his body." " Wait. Wh- wh-at?" He's still staring at me with those amazing eyes as I push him away, falling back onto my elbows with a deafening crack.
Cyn Balog (Fairy Tale)
Linda," though, had a flavor that was so assertive that I almost spit when I first heard DeAnne say it. It wasn't the artificial, mellowed-out mints of toothpaste and chewing gum. I would soon identify the taste of mint leaves fresh from the garden, warmed by the sun, their aromatic oils primed and intensified. But when I first heard "Linda," I had no memory of tasting any of the other flavors that accompanied the English words that were already a part of my vocabulary, but I must have as well.
Monique Truong (Bitter in the Mouth)
See there, Heck? Thank you from the bottom of my heart, but I don’t want my boy starting out with something like this over his head. Best way to clear the air is to have it all out in the open. Let the county come and bring sandwiches. I don’t want him growing up with a whisper about him, I don’t want anybody saying, ‘Jem Finch . . . his daddy paid a mint to get him out of that.’ Sooner we get this over with the better.” “Mr. Finch,” Mr. Tate said stolidly, “Bob Ewell fell on his knife. He killed himself.
Harper Lee (To Kill a Mockingbird)
Either Jupiter or Saturn was still visible, pale against the lightening sky. The wind was blustery and full of voices. I sat as sun lipped the horizon. The grass changed in the light, from brown to yellowish to green. The grass: it was green. It was the end of March. I'd been in the country for three weeks. All around me, as if the scales had fallen from my eyes, I saw color flushing the slopes, a color I'd never again hoped to see: that green that is the herald of flavor and pleasure, that says: look, says: wait, says: taste: the gates of the underworld unlatched for mints and sorrels and pine-dark needles in shade and the pale sun-swell of the honeysuckle that bells out the triumphant return, after long winter, of a daughter. It was a green made possible by a man who held in his sway horticulturalists and biologists and chicken geneticists and meteorologists who could control the weather itself, and I forgot those wan, distant orbs in the sky as I opened my mouth, I bayed. And then, at last, it was spring.
C Pam Zhang (Land of Milk and Honey)
The friends, the relatives, the adoring public, the mint of money—they are all David's now. But once each year, man grown though he is, he picks up his violin and journeys to a little village far up among the hills. There in a quiet kitchen he plays to an old man and an old woman; and always to himself he says that he is practicing against the time when, his violin at his chin and the bow drawn across the strings, he shall go to meet his father in the far-away land, and tell him of the beautiful world he has left.
Eleanor H. Porter (Just David)
My mom's Busy Day Cake," Nellie said, lifting the carrier slightly. "With lemon frosting and some violets from the garden I sugared." Her mother had often made the cake for social gatherings, telling Nellie everyone appreciated a simple cake. "It's only when you try to get too fancy do you find trouble," Elsie was fond of saying, letting Nellie lick the buttercream icing from the beaters as she did. Some might consider sugaring flowers "too fancy," but not Elsie Swann- every cake she made carried some sort of beautiful flower or herb from her garden, whether it was candied rose petals or pansies, or fresh mint or lavender sugar. Elsie, a firm believer in the language of flowers, spent much time carefully matching her gifted blooms and plants to their recipients. Gardenia revealed a secret love; white hyacinth, a good choice for those who needed prayers; peony celebrated a happy marriage and home; chamomile provided patience; and a vibrant bunch of fresh basil brought with it good wishes. Violets showcased admiration- something Nellie did not have for the exhausting Kitty Goldman but certainly did for the simple deliciousness of her mother's Busy Day Cake.
Karma Brown (Recipe for a Perfect Wife)
He’s moved by a desire to describe in words exactly how she looks and speaks. Her hair and clothing. The copy of Swann’s Way she reads at lunchtime in the school cafeteria, with a dark French painting on the cover and a mint-colored spine. Her long fingers turning the pages. She’s not leading the same kind of life as other people. She acts so worldly at times, making him feel ignorant, but then she can be so naive. He wants to understand how her mind works. If he silently decides not to say something when they’re talking, Marianne will ask “what?” within one or two seconds. This “what?” question seems to him to contain so much: not just the forensic attentiveness to his silences that allows her to ask in the first place, but a desire for total communication, a sense that anything unsaid is an unwelcome interruption between them. He writes these things down, long run-on sentences with too many dependent clauses, sometimes connected with breathless semicolons, as if he wants to re-create a precise copy of Marianne in print, as if he can preserve her completely for future review. Then he turns a new page in the notebook so he doesn’t have to look at what he’s done.
Sally Rooney (Normal People)
Stepping out of the gate and turning onto a narrow footpath, he was immediately treated to the sight of the legendary Gu Yun, who was “up to his ears in military affairs,” sitting in a little garden. A profusion of mint plants grew in Magistrate Guo’s gardens. Gu Yun was sitting alone in a small pavilion, absent-mindedly picking leaves off the mint. He held each leaf in his mouth for a while, then chewed them up and swallowed them down. How long he sat there, who could say, but the mint plant beside him was picked nearly bald, looking for all the world like a shrub that had been ravaged by a mountain goat.
Priest (Stars of Chaos: Sha Po Lang (Novel) Vol. 1)
Lemon and... blueberries, right? No, hold on- blackberries, I think. And... lavender? Lavender, for... excitement? I think there's an old saying that lavender is good for something like that." That sounded familiar. "Just a second." I took the book out of my backpack and flipped through the beginning again. "This isn't in alphabetical order, or any kind of order at all. Oh, here it is. Lavender brings luck and adventure for those who choose to embrace it," I said. "You were right." "What book is that?" asked Vik. "It looks ancient." "I just found it. It's got all these drawings and descriptions of herbs and spices." "Cool! Can I take a look?" I handed him the book, and he spent the next few minutes leafing through it, but then returned to eating the cupcake. "I love this. It's so different from the usual boring things people make. Although..." He took another bite. "I have a suggestion." He studied the cupcake. "The cake is light, fluffy, and complex, and the creamy, tangy frosting complements it so well. It might be even better with an edible garnish. Like a sugared mint leaf." He took another bite. "Or a sugared violet," he said with his mouth half full. "That would be lovely." I gaped in surprise. He was right. It would be lovely. I'd thought about topping them with fresh, mouth-puckering blackberries, but these suggestions were so much more elegant.
Rajani LaRocca (Midsummer's Mayhem)
Only a fool says in his heart There is no Creator, no King of kings, Only mules would dare to bray These lethal mutterings. Over darkened minds as these The Darkness bears full sway, Fruitless, yet, bearing fruit, In their fell, destructive way. Sterile, though proliferate, A filthy progeny sees the day, When Evil, Thought and Action mate: Breeding sin, rebels and decay. The blackest deeds and foul ideals, Multiply throughout the earth, Through deadened, lifeless, braying souls, The Darkness labours and gives birth. Taking the Lord’s abundant gifts And rotting them to the core, They dress their dish and serve it out Foul seeds to infect thousands more. ‘The Tree of Life is dead!’ they cry, ‘And that of Knowledge not enough, Let us glut on the ashen apples Of Sodom and Gomorrah.’ Have pity on Thy children, Lord, Left sorrowing on this earth, While fools and all their kindred Cast shadows with their murk, And to the dwindling wise, They toss their heads and wryly smirk. The world daily grinds to dust Virtue’s fair unicorns, Rather, it would now beget Vice’s mutant manticores. Wisdom crushed, our joy is gone, Buried under anxious fears For lost rights and freedoms, We shed many bitter tears. Death is life, Life is no more, Humanity buried in a tomb, In a fatal prenatal world Where tiny flowers Are ripped from the womb, Discarded, thrown away, Inconvenient lives That barely bloomed. Our elders fare no better, Their wisdom unwanted by and by, Boarded out to end their days, And forsaken are left to die. Only the youthful and the useful, In this capital age prosper and fly. Yet, they too are quickly strangled, Before their future plans are met, Professions legally pre-enslaved Held bound by mounting student debt. Our leaders all harangue for peace Yet perpetrate the horror, Of economic greed shored up Through manufactured war. Our armies now welter In foreign civilian gore. How many of our kin are slain For hollow martial honour? As if we could forget, ignore, The scourge of nuclear power, Alas, victors are rarely tried For their woeful crimes of war. Hope and pray we never see A repeat of Hiroshima. No more! Crimes are legion, The deeds of devil-spawn! What has happened to the souls Your Divine Image was minted on? They are now recast: Crooked coins of Caesar and The Whore of Babylon. How often mankind shuts its ears To Your music celestial, Mankind would rather march To the anthems of Hell. If humanity cannot be reclaimed By Your Mercy and great Love Deservedly we should be struck By Vengeance from above. Many dread the Final Day, And the Crack of Doom For others the Apocalypse Will never come too soon. ‘Lift up your heads, be glad’, Fools shall bray no more For at last the Master comes To thresh His threshing floor.
E.A. Bucchianeri (Vocation of a Gadfly (Gadfly Saga, #2))
and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox
Kelly Bryson (Don't Be Nice, Be Real)
The sceptic asks me, Why do you believe the existence of the external object which you perceive? This belief, sir, is none of my manufacture; it came from the mint of Nature; it bears her image and superscription; and, if it is not right, the fault is not mine: I even took it upon trust, and without suspicion. Reason, says the sceptic, is the only judge of truth, and you ought to throw off every opinion and every belief that is not grounded on reason. Why, sir, should I believe the faculty of reason more than that of perception?—they came both out of the same shop, and were made by the same artist; and if he puts one piece of false ware into my hands, what should hinder him from putting another?
Thomas Reid (An Inquiry into the Human Mind on the Principles of Common Sense: A Critical Edition)
Heather whistles to round us all up. Oliver and I reach for each other’s hands at the same time, falling into step with each other as easily as breathing. “To the Milkshake Bar,” Heather calls. “Millie Mias on the house!” “That’s what I was hoping she’d say,” says Oliver. Perhaps the most delicious consequence of all this is that Heather coined a new sundae on the menu based on last summer’s shenanigans. It’s got a scoop of mint chip for me and Georgie, strawberry for Heather and Chloe, vanilla for my dad and Beth, Nutella for Farrah, sea salt chocolate chip cookie pieces for Oliver, and Reese’s Puffs for Teddy. The whole thing is a big ooey-gooey fantastic mess, but I wouldn’t have it any other way.
Emma Lord (When You Get the Chance)
It is said,’ said the Aga Morat, ‘that blindness of the eyes is a lighter thing than blindness of the perceptive faculties of the mind. The sun is high: the perception is dazzled. One has made divers chambers available to us in these poor houses for an hour. Let us retire and, by giving ease to the flesh, bring new light also to the proper functions of the mind. There, for the Hakim’s servant Mr Blyth, and the lady. In this chamber, Crawford Efendi and I shall have much to discuss.… Sweet to be taken up, you say, as medicine is by the lip. Such a creature I enjoy, thin-skinned, tender and delicate, light of flesh and goodly in make, impulsive in walk and beautiful in the justness of stature. Communing thus, shall not our dreaming souls melt?’ For a moment, Lymond did not reply. Then he said, in the same level voice, ‘It is written before God, that after this hour we depart all four, in good health to Djerba?’ The Aga Morat had risen. Looking down, his heavy face creased in a smile. ‘It is written,’ he said. Slowly, Lymond rose also. He looked neither at Jerott nor at Marthe, but stepped straight out from under the awning and confronted the Aga. In the blinding white light, the fine lines of his skin were all suddenly visible, and his eyes by contrast quite dark. But his hair, uncut since Marseilles, shone mint-gold in the sun. ‘If it is so agreed,’ Lymond said, ‘I am solicitous for thee, as thou art for me.’ And without pausing, he followed the Aga Morat into the house.
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
Michael Ward knows. Ward loves railroads. His loves his own railroad company, CSX, which traces its origins to 1827 when the Baltimore & Ohio Railroad was formed as the nation’s first common carrier. He traces his own origins at CSX back thirty-seven years, when he took an analyst job as a newly minted Harvard Business School M.B.A., rising to become chairman, president, and CEO in 2003. And he loves the whole American freight rail industry. “Railroaders are like farmers,” Ward declares. “You heard about the farmer that won the lottery? They said to him, ‘Oh my gosh, you won the lottery; what are you going to do with all that money?’ He said, ‘I’m a farmer and I love farming, and I’m going to farm until every penny of it is gone.’ And I say railroaders are like that. When we make more money, we’re going to invest more back into the infrastructure, so we can strengthen the railroad and grow the business.” Ward may sound like a press release, but that’s exactly how he talks, and why he’s a major industry spokesman. He lavishes praise on industry performance: “While we’ve improved the profitability of the industry, we’ve also cut rates in half of what they were in 1980 for our customers, on an inflation-adjusted basis. We’re providing a more economical product to them, and it’s safer and more reliable. Over the years, as an industry, our train accident rate is down 80 percent; our personal injury rate is down 85 percent; and we’re doing this with about one-third of the workforce we had in 1980.” He calls the industry “the envy of the world.
Rosabeth Moss Kanter (Move: How to Rebuild and Reinvent America's Infrastructure)
People are not sophisticated. They see dark, they think “bad,” “shady,” “untrustworthy.” They see light, they think “clean,” “pure,” “fresh.” Jason tells me this is racist. So sue me: I’m just saying what I’ve observed. In the ice cream industry, you always want your chocolate-based flavors to appear creamy, not earthy or bitter. Our Devil’s Food Cake, our Molten Fudge, our Cocoa-Loco. Marvelous flavors, all of them, but most of them sat in the cases for weeks, slowly crystallizing. Vanilla, meanwhile, is the number-one-selling flavor in America. You can’t tell me this is simply because of the taste. Not when you have rum raisin available. Or mint chip. Yet Aryanism still carries the day, darlings, even in the ice cream freezer. I don’t like this any more than you do. But there it is.
Susan Jane Gilman (The Ice Cream Queen of Orchard Street)
What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn’t it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour ride. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
I'M AN OTAKU. Are you? You say English, We say Japanese. You say Cars, We say Nyan Cat. :D You say Justin Beiber, We say Vocaloid. -.- You say Swords, We say Bleach. You say Reality, We say Anime. You say Comics, We say Manga. You say countries, We say Hetalia. You say Hello, We say こんにちは (Konnichiwa). You learn Japanese from classes, We learn from shows. You cry if a character dies, We have a rainbow of emotions. You only feel what your favorite person feels, We feel what everyone else is feeling. You crush on popstars, We crush on anime characters. You think we're crazy, We just think you're normal. You say Crazy, We say Soul Eater. You say ocean, We say ONE PIECE!!! You say family, We say FAIRY TAIL!!! You say Ninja, We say Naruto. You say Rabbits, We say Flying Mint Bunny. You think we're fangirls/fanboys, but we're all OTAKU'S, Re-Post if Your and OTAKU and PROUND!
Anonymous
She said, "We can pretend. Just once. And then we'll never say anything about it again." What a strange, shifting person he was. The Gansey who turned to her now was a world away from the lofty boy she'd first met. Without any hesitation, she stretched her arms around his neck. Who was this Blue? She felt bigger than her body. High as the stars. He leaned toward her--her heart spun again--and pressed his cheek against hers. His lips didn't touch her skin, but she felt his breath, hot and uneven, on her face. His fingers splayed on either side of her spine. Her lips were so close to his jaw that she felt his hint of stubble at the end of them. It was mint and memories and the past and the future and she felt as if she'd done this before and already she longed to do it again. Oh, help, she thought. Help, help, help. He pulled away. He said, "And now we never speak of it again.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Open your eyes, Cassie." His mouth was on mine before I had a chance to comply, the gentle pressure of his lips stealing the breath of my lungs and pushing out any worries I might have had about whether this was a good idea. His hand slid down to my chin, gently tilting it up a little to give him better access. I was so overwhelmed with sensation that I was helpless to do anything but let him kiss me, and to kiss him back. My hands slid up his broad chest of their own volition, the fabric his shirt soft beneath my fingers as I clutched at the ends of his collar with both hands. My touch elicited a quiet moan from the back of his throat that made me dizzy with a spike of searing desire. "We can't do this here," I mumbled against his lips. Mostly because it felt like something I was supposed to say, given that this was Sam's bathroom and an entire apartment full of people was having a party on the other side of the door. But I knew, even as I said the words, that were absolutely going to do this here. It didn't seem like Frederick even heard what I'd said. If he did, he certainly wasn't paying it any mind. His kisses grew bolder, the exquisite pressure of his mouth increasing until I parted my lips for him on a ragged sigh. He tasted like breath mints and the wine he must have pretended to drink earlier this evening. I wanted to lose myself in it--- in the way he slid his tongue along mine, coaxing a whimper from my throat; in his strong arms, as they encircled me and pulled me closer. I could feel his sharp, prominent canines against my tongue as I kissed him, something I'd certainly never noticed before when I'd seen him smile. A thrilling flash of heat shot through me, the visceral reminder of who and what he was startling me for only a moment before I lost myself in the kiss again.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
We both took some adjusting to Egyptian notions of friendliness. Stepping outside our Cairo hotel, we were greeted by a host of amiable young men saying, ‘Where you from, mis-tah? Australia? Ah, my brother, he is in Australia! From Sydney, yes? No? Ah, Adelaide! So too my brother! Adelaide is a very fine city, yes, very fine. And your name, mis-tah? Ah, San-dee! My brother, he too is called San-dee! He is an astrophysicist! Please, we are friends! Come to my shop and drink tea!’ Three out of five such invitations will surely lead straight to a carpet or perfume shop, where you will be badgered into buying wares at a very special low price, as is fitting between friends. But the other two are likely to lead to a long, gentle afternoon drinking mint tea in some tiny home, being shown the family albums, meeting the wife and five kids and, sure enough, being shown a photo of the improbable brother, San-dee, standing outside Adelaide University and waving a degree in astrophysics at the camera.
A.J. Mackinnon (The Well at the World's End: The Epic True Story of One Man's Search for the Secret to Eternal Youth)
Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul. But...how to say it? “Look,” he tried, “put two men in a rail car, one a soldier, the other a farmer. One talks war, the other wheat; and bore each other to sleep. But let one spell long-distance running, and if the other once ran the mile, why, those men will run all night like boys, sparking a friendship up from memory.
Ray Bradbury (Something Wicked This Way Comes)
The soul has her own currency. She mints her spiritual coinage and stamps it with the image of some beloved face. With it she pays her debts, with it she reckons, saying, “This man has worth, this man is worthless.” And in time she forgets its origin; it seems to her to be a thing unalterable, divine. But the soul can also have her bankruptcies. Perhaps she will be the richer in the end. In her agony she learns to reckon clearly. Fair as the coin may have been, it was not accurate; and though she knew it not, there were treasures that it could not buy. The face, however beloved, was mortal, and as liable as the soul herself to err. We do but shift responsibility by making a standard of the dead. There is, indeed, another coinage that bears on it not man’s image but God’s. It is incorruptible, and the soul may trust it safely; it will serve her beyond the stars. But it cannot give us friends, or the embrace of a lover, or the touch of children, for with our fellow mortals it has no concern. It cannot even give the joys we call trivial—fine weather, the pleasures of meat and drink, bathing and the hot sand afterwards, running, dreamless sleep. Have we learnt the true discipline of a bankruptcy if we turn to such coinage as this? Will it really profit us so much if we save our souls and lose the whole world?
E.M. Forster (The Longest Journey)
Love is hourly, too. There are stories about people who have loved someone forever after laying eyes on them for a few minutes and then nevermore, but these stories have not happened to anyone we know. No, when you love someone you spend hours and hours with them, and even the mightiest forces in the netherworld could not say whether the hours you spend increase your love or if you simply spend more hours with someone as your love increases. And when the love is over, when the diner of love seems closed from the outside, you want all those hours back, along with anything you left at the lover's house and maybe a couple of things which aren't technically yours on the grounds that you wasted a portion of your life and those hours have all gone southside. Nobody can make this better, it seems, nothing on the menu. It's like what the stewardess offers, even in first class. They come with towels, with drinks, mints, but they never say, "Here's the five hours we took from you when you flew across the country to New York to live with your boyfriend and then one day he got in a taxicab and he never came back, and also you flew back, another five hours, to San Francisco, just in time for a catastrophe." And so you sit like a spilled drink, those missing hours in you like an ache, and you hear stories that aren't true and won't bring anyone back.
Daniel Handler (Adverbs)
My mint chocolate is delicious----and not at all leafy. Benny has made a mixed-berries-and-cream concoction that is, I hate to admit upon tasting it, next level. Nia, Seb, and Lily are brought in as the blind taste testers, and while they stress that both ice creams were excellent, two out of three prefer Benny's. He takes an obnoxious bow as the whole group---including me, grudgingly---gives him a round of applause. I try not to let my annoyance show until filming wraps up and most people disperse from the kitchen, at which point I take it out on a sticky spot on the counter where some batter spilled. "I think you got it all." Benny's voice is so close behind me that I nearly jump out of my shoes. "Keep scrubbing that hard and you'll wear a hole through the counter." "Keep minding your own business if you don't want me to wear a hole through your head, mister." He laughs as he leans against the counter beside me, one muscular forearm making its way into my line of sight. "I'm not even sure what that means, but you're cute when you're grumpy. Relax, Reese's Pieces. It's still early in the season and we're only oh-and-one. Not that anyone's keeping score." I grit my teeth but say no more, and soon enough he gets the picture and makes himself scarce. He's joking around, but I'm already all too aware of the score, picturing it in bold letters and neon lights: Benny---1, Reese---0.
Kaitlyn Hill (Love from Scratch)
Pots hung from the ceiling beams, between the festoons of braided garlic, the hams, the salsicce, bunches of mountain herbs for medicine, strings of dried porcini, necklaces of dried apple rings in winter, chains of dried figs. The smell of onions, of hot lard and smoldering oak wood, of cinnamon and pepper, always seemed to hang in the air. The larder was full of meat at all times, needless to say: not small pieces, but huge joints and sides of beef and lamb, which Mamma and Carenza could never hope to use just for our household, and which were quietly passed on to the monks of Santa Croce so that they could feed the poor. Carenza made salami with fennel seeds and garlic, prosciutto, pancetta. Sometimes the air in the larder was so salty that it stung your nostrils, and sometimes it reeked of spoiled blood from the garlands of hares, rabbits, quail, thrushes and countless other creatures that would arrive, bloody and limp, from Papa's personal game dealer. Next to the larder, a door led out to our courtyard, which Mamma had kept filled with herbs. An ancient rosemary bush took up most of one side, and the air in summer was always full of bees. Sage, thyme, various kinds of mint, oregano, rocket, hyssop, lovage and basil grew in Mamma's collection of old terra-cotta pots. A fig tree was slowly pulling down the wall, and a tenacious, knotted olive tree had been struggling for years in the sunniest corner.
Philip Kazan (Appetite)
He kisses me even though I try to raise my hand to stop him. And then I don’t stop him. His lips mold against mine like they’re perfectly shaped for each other. He tastes like mint and smells like himself. I want him to hold me forever. I want him to make everything better. And then I realize this is all wrong. Because the truth is, I’m not really mad at Jamie. I mean, I’m mad that he lied, but I’m not really mad at him. I’m mad because I need him. I need him to be perfect and strong and to protect me from everything in the world that’s terrifying. I need him to hold my hand as I walk through life because it’s so much easier than doing it alone. And needing him is a mistake. I don’t want to need anyone. I want to stand on my own two feet. I want control of my own life and my own emotions. I don’t want to be a branch in someone else’s life anymore—I want to be the tree on my own. I want all the strength to come from me. I don’t want to depend on anyone for anything ever again. I pull my face away from Jamie and it literally hurts so much I have to grip the desk to keep from falling over. I can’t hide from the truth anymore. I let Jamie become my crutch. I let him fill all the voids in my life—family, friendship, love—and it hurts so much to know what I need to do now. Panic is in his eyes. He senses what I’m going to say next. Because even when we’re hurt, we still know each other. We know each other without words.
Akemi Dawn Bowman (Starfish)
Under the spell of moonlight, music, flowers, or the cut and smell of good tweeds, I sometimes feel the divine urge for an hour, a day or maybe a week. Then it is gone and my interest returns to corn pone and mustard greens, or rubbing a paragraph with a soft cloth. Then my ex-sharer of a mood calls up in a fevered voice and reminds me of every silly thing I said, and eggs me on to say them all over again. It is the third presentation of turkey hash after Christmas. It is asking me to be a seven-sided liar. Accuses me of being faithless and inconsistent if I don’t. There is no inconsistency there. I was sincere for the moment in which I said the things. It is strictly a matter of time. It was true for the moment, but the next day or the next week, is not that moment. No two moments are any more alike than two snowflakes. Like snowflakes, they get that same look from being so plentiful and falling so close together. But examine them closely and see the multiple differences between them. Each moment has its own task and capacity; doesn’t melt down like snow and form again. It keeps its character forever. So the great difficulty lies in trying to transpose last night’s moment to a day which has no knowledge of it. That look, that tender touch, was issued by the mint of the richest of all kingdoms. That same expression of today is utter counterfeit, or at best the wildest of inflation. What could be more zestless than passing out canceled checks?
Zora Neale Hurston (Dust Tracks on a Road)
A woman decides to have a facelift for her 50th birthday. She spends $15,000 and feels pretty good about the results. On her way home, she stops at a news stand to buy a newspaper. Before leaving, she says to the clerk, "I hope you don’t mind my asking, but how old do you think I am?" "About 32," is the reply. "Nope! I’m exactly 50," the woman says happily. A little while later she goes into McDonald’s and asks the counter girl the very same question. The girl replies, "I’d guess about 29." The woman replies with a big smile, "Nope, I’m 50." Now she’s feeling really good about herself. She stops in a drug store on her way down the street. She goes up to the counter to get some mints and asks the clerk this burning question. The clerk responds, "Oh, I’d say 30." Again she proudly responds, "I’m 50, but thank you!" While waiting for the bus to go home, she asks an old man waiting next to her the same question. He replies, "I’m 78 and my eyesight is going. Although, when I was young, there was a sure-fire way to tell how old a woman was. If you permit me to put my hands under your bra, then, and only then can I tell you EXACTLY how old you are." They wait in silence on the empty street until her curiosity gets the best of her. She finally blurts out, "What the hell, go ahead." He slips both of his hands under her blouse and begins to feel around very slowly and carefully. He bounces and weighs each breast and he gently pinches each nipple. He pushes her breasts together and rubs them against each other. After a couple of minutes of this, she says, "Okay, okay...How old am I?" He completes one last squeeze of her breasts, removes his hands, and says, " Ma dam, you are 50." Stunned and amazed, the woman says, "That was incredible, how could you tell?" The old man says, "Promise you won’t get mad?" "I promise I won’t," she says. "I was behind you in McDonald’s.
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
When I start to feel him slide in, I gasp. I knew he was going to feel big---because he is big. I didn't know he'd feel this good, this quickly, though. I close my eyes and savor the way he stretches me, the immediate intensity I feel. When he starts that slow slide, my mouth falls open. Soon I'm clawing at the bedsheets like I'm crazed. I'm certain I'll go hoarse at the end of this, but I don't care. I could lose my voice for a year and it would be worth it, this feels so freaking incredible. Max eases to a slower pace, then leans over me and kisses my shoulder. "Damn it, Joelle. You are...god, you're..." My eyes roll to the back of my head as I smile to myself. His inability to finish a sentence while inside me is the highest compliment. My vision focuses, and I take in just how gorgeous he is in this moment: eyes glazed over with arousal, jaw clenched, brow dotted with sweat, lips swollen from kissing me. Seeing Max so turned on combined with just how good he feels has me tingling between my thighs once more. He digs his fingers into my hips and picks up the pace. "Do you have any idea how long I've wanted to do this with you?" he growls. I moan. "No" and push my hips up higher. "A long fucking time." "Same," I rasp. "Same, same, same." He goes harder and faster until my vision begins to go starry. And then he slips a hand between my legs and works the most sensitive part of me with the pads of his fingers. The intensity deepens until my legs start to shake. I reach around and grip a handful of his delectably rock-hard ass. "I'm gonna need to get a good look at this up close very, very soon," I say. He chuckles between pants. I babble that I'm close. "Thank fuck." And then Max puts it into some high gear I didn't know he was capable of. He goes harder and faster than I thought was humanly possible. It's enough, though. Because moments later I'm bursting once again. He isn't far behind. He tenses against me before shuddering, then grunting. He lightly bites the spot where my neck meets my shoulder. The soft scrape, so sweet and carnal at once, has me grinning in ecstasy. We collapse on the bed, him on top of me, and stay that way for nearly a minute. I close my eyes and breathe in the mint-spice scent on his bedsheets, relishing the weight of his body on top of mine.
Sarah Echavarre Smith (The Boy With the Bookstore)
Introduction When it comes to skincare, one of the most important factors we often overlook is maintaining the hydration of our skin. Dry and dehydrated skin can lead to a multitude of issues, including itching, flaking, and premature aging. That's where Tatily London Bodywash comes in. Powered by Botnica and enriched with glycerine and blueberry extract, this bodywash offers a luxurious and nourishing experience that leaves your skin feeling soft, smooth, and deeply hydrated. In this article, we will explore the science behind glycerine, the key ingredient in Tatily London Bodywash, and dive into the numerous benefits of incorporating this bodywash into your daily skincare routine. So, let's delve into the world of skincare and discover how Tatily London Bodywash can transform your skin. The Science Behind Glycerine Glycerine, also known as glycerol, is a natural compound that is derived from plant or animal fats. It is a colorless and odorless liquid that has been used extensively in the skincare industry for its moisturizing properties. Glycerine acts as a humectant, drawing moisture from the air into the skin and forming a protective barrier that helps to seal in hydration. One of the unique properties of glycerine is its ability to attract and retain water molecules. This means that when glycerine is applied to the skin, it helps to replenish and maintain the skin's moisture levels, leading to a plump and hydrated complexion. Additionally, glycerine has emollient effects, which help to soften and smooth the skin's texture Benefits of Tatily London Body-wash Tatily London Body-wash takes the power of glycerine to the next level with the added benefits of blueberry extract. This combination creates a body-wash that not only hydrates the skin but also provides it with essential nutrients and antioxidants to promote overall skin health. Here are some of the key benefits of using Tatily London Body-wash: 1. Deep Hydration: The glycerine in Tatily London Body-wash deeply moisturises the skin, leaving it feeling hydrated and supple. Say goodbye to dry and itchy skin! 2. Nourishing Blueberry Extract: Blueberries are packed with antioxidants, vitamins, and minerals that help to protect the skin against environmental damage and promote a youthful complexion. 3. Gentle and Safe: Tatily London Body-wash is free of parabens and silicons, making it suitable for all skin types, including sensitive skin. It is dermatologically tested to ensure safety and efficacy. 4. Luxurious Fragrance: The delightful scent of blueberries and mint adds a touch of luxury to your shower routine, transforming it into a spa-like experience. 5. Smooth and Soft Skin: With regular use, Tatily London Body-wash helps to improve the texture of your skin, leaving it smooth, soft, and radiant. How to Incorporate Tatily London Bodywash into Your Skincare Routine To unlock the full benefits of Tatily London Body-wash, here are some tips on how to best incorporate it into your skincare routine: - Wet Your Skin: Start by wetting your skin thoroughly in the shower. - Dispense Bodywash: Squeeze Blueberry & Mint Bodywash onto your palm or a loofah. - Apply and Lather: Gently massage the body wash onto your damp skin using circular motions. - Focus on Areas: Pay special attention to areas that tend to accumulate more oil, dirt, or impurities. - Rinse Thoroughly: Once you’ve worked up a rich lather and cleansed your skin, thoroughly rinse off the body wash using warm water. - Pat Dry: After rinsing, gently pat your skin dry with a clean, soft towel. - Frequency: You can use the Multani Mitti Bodywash daily or as needed, depending on your skin’s requirements. For best results, use Tatily London Body-wash daily as part of your skincare routine. You'll notice a visible difference in the texture and hydration of your skin
Tatily London
Let’s say an unsavory app developer that’s based in Pakistan utilizes an exchange that’s based in Thailand to rip off an Arizonan who’s using a wallet that was built in Spain, so they steal all of their Libra. And that, of course, is minted by an association based in Switzerland. So which law enforcement or government or agency in which country does the Arizonan call to seek his or her Libra and financial recourse in this situation?
David Gerard (Libra Shrugged: How Facebook Tried to Take Over the Money)
What do you think of Lord St. Vincent?” Pandora asked eagerly. West’s gaze moved to a man who appeared to be a younger version of his sire, with bronze-gold hair that gleamed like new-minted coins. Princely handsome. A cross between Adonis and the Royal Coronation Coach. With deliberate casualness, West said, “He’s not as tall as I expected.” Pandora looked affronted. “He’s every bit as tall as you!” “I’ll eat my hat if he’s an inch over four foot seven.” West clicked his tongue in a few disapproving tsk-tsks. “And still in short trousers.” Half annoyed, half amused, Pandora gave him a little shove. “That’s his younger brother Ivo, who is eleven. The one next to him is my fiancé.” “Aah. Well, I can see why you’d want to marry that one.” Folding her arms across her chest, Pandora let out a long sigh. “Yes. But why does he want to marry me?” West took her by the shoulders and turned her to face him. “Why wouldn’t he?” he asked, his voice gentling with concern. “Because I’m not the sort of girl everyone expected him to marry.” “You’re what he wants, or he wouldn’t be here. What is there to fret about?” Pandora shrugged uneasily. “I don’t really deserve him,” she confessed. “How splendid for you.” “Why is that splendid?” “There’s nothing better than having something you don’t deserve. Just say to yourself, ‘Hooray for me, I’m so very lucky. Not only do I have the biggest piece of cake, it’s a corner piece with a sugar-paste flower on top, and everyone else is sick with envy.’” A slow grin spread across Pandora’s face. After a moment, she said in an experimental undertone, “Hooray for me.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
My mother’s a psychologist and she says it’s better for everybody if you meet at least half your needs, so you don’t expect others to meet all of them.
Annabel Chase (Mint Condition (The Bloomin' Psychic, #6))
Newton, a devout Puritan believer, has anecdote that when he claimed that no disciple had God, he refused to claim atheism, saying, "Do not speak disrespectfully about God, I am studying God." He paid much attention to the Bible and had an eschatological belief that the Saints would resurrect and live in heaven and reign with Christ invisibly. And even after the day of judgment, people would continue to live on the ground, thinking that it would be forever, not only for a thousand years. According to historian Steven Snowovell, he thought that the presence of Christ would be in the distant future centuries after, because he was very pessimistic about the deeply rooted ideas that denied the Trinity around him. He thought that before the great tribulation came, the gospel activity had to be on a global scale. 카톡pak6 텔레:【JRJR331】텔레:【TTZZZ6】라인【TTZZ6】 믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다. 24시간 문의상담과 서울 경기지방은 퀵으로도 가능합니다 믿고 주문하시면좋은인연으로 vip고객님으로 모시겠습니다. 원하시는제품있으시면 추천상으로 구입문의 도와드릴수있습니다 ☆100%정품보장 ☆총알배송 ☆투명한 가격 ☆편한 상담 ☆끝내주는 서비스 ☆고객님 정보 보호 ☆깔끔한 거래 포폴,에토미,알약수면제 판매하고있습니다 Newton studied alchemy as a hobby, and his research notes were about three books. Newton served as a member of parliament on the recommendation of the University of Cambridge, but his character was silent and unable to adapt to the life of a parliamentarian. When he lived in the National Assembly for a year, the only thing he said was "Shut the door!" In Newton's "Optics" Volume 4, he tried to introduce the theory of unification that covered all of physics and solved his chosen tasks, but he went out with a candle on his desk, and his private diamond threw a candle There is a story that all of his research, which has not been published yet, has turned to ashes. Newton was also appointed to the president of the Minting Service, who said he enjoyed grabbing and executing the counterfeiters. Newton was a woman who was engaged to be a young man, but because he was so engaged in research and work he could not go on to marriage, and he lived alone for the rest of his life. He regarded poetry as "a kind of ingenious nonsense." [6] Newton was talented in crafting inventions by hand (for reference, Newton's craftsmanship was so good at his childhood that when he was a primary school student he was running his own spinning wheel after school, A child who throws a stone and breaks down a spinning wheel, so there is an anecdote that an angry Newton scatters the child.) He said he created a lantern fountain that could be carried around as a student at Cambridge University. Thanks to this, it was said that students who were going to attend the Thanksgiving ceremony (Episcopal Mass) were able to go to the Anglican Church in the university easily. Newton lost 20,000 pounds due to a South Sea company stock discovery, when "I can calculate the movement of the celestial body, but I can not measure the insanity of a human being" ("I can calculate the movement of the stars, but not the madness of men ").
에토미데이트부작용
They always say chase your dreams. If you want it, it’ll happen. But I don’t think anyone gets what they wanted at eighteen. Maybe the dream job turns out to be a nightmare. Maybe the wife… leaves. Maybe the kids never happen. There’s no shame in changing your dream.
Ellen Mint (Mistletoe Latte)
And for a moment, the honesty of it overwhelms her. The old saying echoes in her head. Malfoy never tried to catch his flies with honey. He never promised sweetness. He threw vinegar the whole time. She wonders if she’s preferred vinegar to honey all along.
Onyx_and_Elm (Breath Mints / Battle Scars)
The second main argument to support the idea that simple living enhances our capacity for pleasure is that it encourages us to attend to and appreciate the inexhaustible wealth of interesting, beautiful, marvelous, and thought-provoking phenomena continually presented to us by the everyday world that is close at hand. As Emerson says: “Things near are not less beautiful and wondrous than things remote. . . . This perception of the worth of the vulgar is fruitful in discoveries.”47 Here, as elsewhere, Emerson elegantly articulates the theory, but it is his friend Thoreau who really puts it into practice. Walden is, among other things, a celebration of the unexotic and a demonstration that the overlooked wonders of the commonplace can be a source of profound pleasure readily available to all. This idea is hardly unique to Emerson and Thoreau, of course, and, like most of the ideas we are considering, it goes back to ancient times. Marcus Aurelius reflects that “anyone with a feeling for nature—a deeper sensitivity—will find it all gives pleasure,” from the jaws of animals to the “distinct beauty of old age in men and women.”48 “Even Nature’s inadvertence has its own charms, its own attractiveness,” he observes, citing as an example the way loaves split open on top when baking.49 With respect to the natural world, celebrating the ordinary has been a staple of literature and art at least since the advent of Romanticism in the late eighteenth century. Wordsworth wrote three separate poems in praise of the lesser celandine, a common wildflower; painters like van Gogh discover whole worlds of beauty and significance in a pair of peasant boots; many of the finest poems crafted by poets like Thomas Hardy, Robert Frost, Elizabeth Bishop, William Carlos Williams, and Seamus Heaney take as their subject the most mundane objects, activities, or events and find in these something worth lingering over and commemorating in verse: a singing thrush, a snowy woods, a fish, some chilled plums, a patch of mint. Of course, artists have also celebrated the extraordinary, the exotic, and the magnificent. Homer gushes over the splendors of Menelaus’s palace; Gauguin left his home country to seek inspiration in the more exotic environment of Tahiti; Handel composed pieces to accompany momentous ceremonial occasions. Yet it is striking that a humble activity like picking blackberries—the subject of well-known poems by, among others, Sylvia Plath, Seamus Heaney, and Richard Wilbur—appears to be more inspirational to modern poets, more charged with interest and significance, than, say, the construction of the world’s tallest building, the Oscar ceremonies, the space program, or the discovery of DNA’s molecular structure. One might even say that it has now become an established function of art to help us discover the remarkable in the commonplace
Emrys Westacott (The Wisdom of Frugality: Why Less Is More - More or Less)
A teaching-the Conflicts English department says in effect to expectant 19-year-olds - and Hobbs kindly wrote out this baffling lingo at my request - "Here is Husserlian phenomenology, here are the Jungian archetypes, here is Jakobsonian structuralism, here is Zizekian Lakanianism, here is Counterhegemonic Post-Gramscian Marxism, and here is the Deleuzoguattarian Anti-Oedipus; now you_ decide which hermeneutic should prevail." Thus a newly minted B.A. cab step confidently into the greater world, not knowing Milton or Gray perhaps, but knowing exactly how he would want to account for the magic of their art, should the occasion ever arise,
Frederick Crews (Postmodern Pooh (Rethinking Theory))
All of which is to say, when polyamorous people and organizations fail to speak or act on racial issues that come up, which is usually what happens, people of color note that fact and proceed to bail, often without stating that they are doing so. And then we [white folks] wonder why our communities are so homogeneous.” – Pepper Mint of OpenSF and freaksexual.com
Kevin A. Patterson (Love's Not Color Blind: Race and Representation in Polyamorous and Other Alternative Communities)
So,” my new tutor says. Hazel eyes pin me to the spot, magnified slightly by those glasses. “Astrophysics.” “Astrophysics,” I agree. Do my parents realize what they’ve done? Do they know that they’ve paid for the biggest distraction of my college career so far? Seriously: have they seen this guy? “Let’s discuss the Big Bang,” Ambrose says. I lean forward, propping my chin on one hand. “Oh, yes. Let’s.
Cassie Mint (Kissing Lessons (Practice Makes Perfect, #1))
The soft way she says my name… I’m undone. My chair scrapes back, and my body stands without permission from my brain. I sway on my feet, woozy.
Cassie Mint (Kissing Lessons (Practice Makes Perfect, #1))
Ambrose.” The soft way she says my name… I’m undone. My chair scrapes back, and my body stands without permission from my brain. I sway on my feet, woozy.
Cassie Mint (Kissing Lessons (Practice Makes Perfect, #1))
You sure you don’t want me to come with you, Bean?” My mom asks via the speaker. I give my travel mug a quick rinse and fill it with fresh ginger and mint tea. “No, mom, thanks.” “I can be there in ten—” I shake my head, albeit in an animated, fond manner. Cutting her off, I say, “Hey, mom, your job is complete. You raised me well, it’s on me now.” My mom’s easy laughter prompts a smile. I secure the mug’s lid better as she says, “Smartass.” “Love you too, mom. And yes, I’ll call you later. Wish me luck.
Sigal Ehrlich (By Mistake (Poison & Wine, #1))
strawberry sunrise Though its name is somewhat evocative of a sweet elderly couple holding hands as they watch the sunrise, this drink is rather bold in its combination of prosecco, white wine, and tequila. In other words, this beautiful farm-to-table beverage has a bit of a sneaky bite. It’s best enjoyed, I’d say, with a lover, though it goes down just as easily with friends over brunch, during an at-home happy hour, or when alone on a Saturday afternoon with your cat/dog/pig/opossum. TIME: 5 MINUTES SERVES: 1 2 strawberries Ground pink peppercorns 1 ounce tequila 2 ounces sauvignon blanc 1 ounce Strawberry Syrup 1½ ounces Strawberry Mint Lemonade 1 ounce prosecco Splash of fresh orange juice Cut the stem out of each strawberry with a “V” cut, then slice each strawberry from top to bottom into ¼-inch-thick slices so that each slice resembles a heart. Take the prettiest slice and cut a small notch in its narrow end. Spread the pink peppercorns on a small plate. Dip one edge of the strawberry slice in the pink pepper until the edge is coated. Set aside, reserving the pink pepper. Fill a wineglass with ice and add the remaining strawberry slices. Add the tequila, sauvignon blanc, strawberry syrup, lemonade, prosecco, and orange juice to the glass. Sprinkle a pinch of pink pepper on top of the drink. Stir with a barspoon. Secure the notched strawberry garnish to the rim of the glass. Serve and enjoy.
Moby (The Little Pine Cookbook: Modern Plant-Based Comfort)
My pulse throbs in my throat as I notch at her entrance. There’s just one last thing we need to clear up first. “Say you won’t run away with the circus.
Cassie Mint (Chef's Kiss (Sweet Cherry Cove, #3))
My grandmother used to say that mint could heat up a man's blood. She told me that it was used in love potions in the olden times and soldiers weren't allowed to eat it lest they run amuck with lust. I remember her expounding on this subject over the Sunday roast and the cautionary look that she gave my grandfather as he reached for another spoonful of mint sauce.
Caroline Scott (Good Taste)
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Mission Viejo Auto Collision
A healthy death, like anything — job promotions or looking younger — was simply a matter of “feeling good about yourself.” Which is where the sedatives came in. Sedate as a mint, a woman could place a happy hand on the shoulder of death and rasp out, “Waddya say, buddy, wanna dance?
Lorrie Moore (Anagrams)
Who the hell is that?” Chase barks. He watches Pete’s prideful swagger all the way down the aisle until he disappears from sight. Chase looks down at me. I shrug. “He’s a friend.” “Since when do you have friends like that?” he asks. He steps toward me, and I step back, until my back is against the shelves behind me. I don’t like to be cornered, but Chase has no way of knowing that. I skitter to the side so that I’m not hemmed in. “Friends like what?” I ask. I know he’s referring to the tattoos. Pete walks by the end of the aisle and waves at us, and then he winks at me. A grin tugs at my lips. I shrug again. “He’s really very nice.” “Where did you meet him?” I can tell the truth or I can lie. But then I hear Pete one aisle over as he starts to sing the lyrics to Elvis Presley’s “Jailhouse Rock.” I grin. I can’t help it. “He’s helping out at the camp this week,” I say instead of the truth. Well, it’s sort of the truth. “Where’s he from?” Chase asks. “New York City,” I say. Pete’s song changes from Elvis to AC/DC’s “Jailbreak.” I laugh out loud this time. I can’t help it. “Your dad’s all right with you hanging out with him?” My dad is covered in tattoos, too, but most of his are hidden by his clothing. “He likes Pete,” I say. “I do, too.” Chase puts one arm on the shelf behind me and leans toward my body. I dodge him again, and he looks crossly at me. “Don’t box me in,” I warn. He holds up both hands like he’s surrendering to the cops. But he still looks curious. “So, about tomorrow,” he says. “I can’t,” I blurt out. I think I hear a quickly hissed, “Yes!” from the other side of the aisle, but I can’t be sure. Chase touches my elbow, and it makes my skin crawl. I pull my elbow back. “Don’t touch me,” I say. Suddenly, Pete’s striding down the aisle toward us. His expression is thunderous, and I step in front of him so that he has to run into me instead of pummeling Chase like I’m guessing he wants to do. I lay a hand on his chest. “You ready to go?” I ask. He looks down at me, his eyes asking if I’m all right. His hand lands on my waist and slides around my back, pulling me flush against him. He’s testing me. And I don’t want to fight him. I admit it. Chase makes my skin crawl, and Pete makes my skin tingle. It’s not an altogether pleasant sensation, but only because I can’t control it. He holds me close, one hand on the center of my back, and the other full of breath mints and assorted sundries. He steps toward Chase, and Pete and I are so close together that I have to step backward when he steps forward. I repeat my question. “You get everything?” He finally looks down at me. “I got everything I need,” he says. His tone is polite but clear and soft as butter.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
What did you say was in that salve?” “Comfrey,” Ellen said, sounding relieved at the shift in topic. “Likely mint, as well, rosemary, and maybe some lavender, arnica if memory serves, a few other herbs, some for scent, some for comfort.” “I like the scent,” Val said, wondering how long she’d hold his hand. It was childish of him, but he suspected the contact was soothing him as much as the specific ingredients. “Is it helping?” Ellen asked, her fingers slowing again. “It helps. I think the heat of your touch is as therapeutic as your salve.” “It might well be.” Ellen sandwiched his larger hand between her smaller ones. “I do not hold myself out as any kind of herbalist. There’s too much guesswork and room for error involved.” “But you made this salve.” “For my own use.” Ellen kept his hand between hers. “I will sell scents, soaps, and sachets but not any product that could be mistaken for a medicine, tincture, or tisane.” “Suppose it’s wise to know one’s limits.” Ellen was just holding Val’s hand in hers, and he was glad for the darkness, as his gratitude for the simple contact was probably plain on his face.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
I was just beginning to wonder how long I would have to wait when finally a guard sauntered up and said, “Galloway, get your stuff, get your bed.” I ran to my cell to get my stuff and I grabbed the toothpaste. The toothpaste was in this clear tube and was clear like hair gel. It had a muted, watered-down mint flavor. Everything you got in jail was made specifically to be as safe as can be. One of the guys told me, “Don’t ever take anything from being locked up. It’s bad luck.” But I told myself, You ain’t coming back. You ain’t getting locked up again, so you’re taking a souvenir. I grabbed that little clear tube and I put it in my pocket and walked out of my cell. As I came out, all of the guys from my cellblock were lined up to say goodbye. The guard had this look on his face like, “What is going on?” I walked down the line shaking each man’s hands. They all told me they were glad they had met me. They told me that I made an impact on them. One guy said, “You came in here and you’ve been to war and back, you’re missing two limbs, but you still had a smile on your face the whole time. You’ve gone through so much and you are able to keep smiling. That motivates me.” I was really touched. I kept going down the line, shaking hands and saying my farewells, and finally I got to Michael Bolton. He said, “Hey, man, I’ve asked people this before and they never follow through with it but I believe you will. Could you print out some TV guides? Because you know we just tell them the number. We don’t know what’s on at what time, what station.” I said, “Yeah, man, I’ll do that.” And I looked around to the other guys and asked, “Does anybody want any crossword puzzles or anything like that?” They all said that would be awesome. “All right, Michael, I’ve got your address so I’m gonna send it to you. And listen, man, I’m gonna give you my email address. When you get out shoot me an email. I want to stay in touch and see how things are going.” I turned to the guard who was still baffled by what was happening and said, “I’m ready.” He rolled his eyes and opened the door. We walked out and they handed me my clothes. I pulled off the orange jumpsuit and tossed it. I changed back into my clothes. I signed everything I had to sign, got some paperwork to take with me, and walked out a free man again. Well, my epic freedom moment was short-lived, because I realized my cell phone was dead. I walked down the road to a gas station and asked if I could use the phone. I called Tracy and told her where I was and asked her to pick me up. When Tracy arrived I hopped in the car and the very first thing I said to her was “I gotta get home. I have to print out some TV guides and I need to write a letter to some of the guys in there.” She started laughing and when she could compose herself enough to talk said, “My sisters and I all said we guarantee Noah is going to come out of jail with new friends. He’s going to be friends with everybody.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
And then. Astonishing. Again. As she was skipping up the back stairs on her way to the attic bedroom to fetch something, something innocent - a book, a handkerchief, afterwards she would never remember what - she was almost sent flying by Howie on his way down. 'I was looking for a bathroom,' he said. 'Well, we only have one,' Ursula said, 'and it's not up these-' but before the sentence was finished she found herself pinned awkwardly against the neglected floral wallpaper of the backstairs, a pattern that had been up since the house was built. 'Pretty girl,' he said. His breath smelt of mint. And then again she was again subjected to pushing and shoving from the outsized Howie. But this time it was not his tongue trying to jam its way into her mouth but something inexpressibly more intimate. She tried to say something but before a sound came out his hand clamped over her mouth, over half her face in fact, and he grinned and said 'Ssh,' as if they were conspirators in a game. With his other hand he was fiddling with her clothes and she squealed in protest. Then he was butting up against her, the way the bullocks in the Lower Field did against the gate. She tried to struggle but he was twice, three times her size even and she might as well have been a mouse in Hattie's jaws. She tried to see what he was doing but he was pressed so tightly against her that all she could see was his big square jaw and the slight brush of stubble, unnoticeable from a distance. Ursula had seen her brothers naked, knew what they had between their legs - wrinkled cockles, a little spout - and it seemed to have little to do with this painful piston-driven thing that was now ramming inside her like a weapon of war. Her own body breached. The arch that led to womanhood did not seem so triumphal any more, merely brutal and completely uncaring. And then Howie gave a great bellow, more ox than Oxford man, and was hitching himself back together and grinning at her. 'English girls,' he said, shaking his head and laughing. He wagged his finger at her, almost disapproving, as if she had engineered the disgusting thing that had just happened and said, 'You really are something!' He laughed again and bounded down the stairs, taking them three at a time, as though his descent had been barely interrupted by their strange tryst. Ursula was left to stare at the floral wallpaper. She had never noticed before that the flowers were wisteria, the same flower that grew on the arch over the back porch. This must be what in literature was referred to as 'deflowering', she thought. It had always sounded like a rather pretty word. When she came back downstairs a half-hour later, a half-hour of thoughts and emotions considerably more intense than was usual for a Saturday morning, Sylvie and Hugh were on the doorstep waving a dutiful goodbye to the disappearing rear end of Howie's car. 'Thank goodness they weren't staying,' Sylvie said. 'I don't think I could have been bothered with Maurice's bluster.' 'Imbeciles,' Hugh said cheerfully. 'All right?' he said, catching sight of Ursula in the hallway. 'Yes,' she said. Any other answer would have been too awful.
Kate Atkinson (Life After Life (Todd Family, #1))
You try this before?” he asks. I shake my head. I’ve had versions of it back home, but the sight and aroma of this one renders all others imposters. I reach for a fork, but he snatches it out from under my hand and stabs a piece, bringing it to my mouth. I look from his eyes to the fork and back again. He can’t seriously think he’s feeding this to me. I reach for it but he pulls away. I check to make sure Luca and the chef’s have their backs to us. “You’re insane,” I say before hesitantly taking a bite. He mutters something I don’t even try to decipher because the juice from the tomato explodes in my mouth and my eyes close involuntarily as I savor it. The spice of pepper, the crunch of sea salt, the sweet, almost mint flavor of basil. “It’s amazing. I can’t believe you just threw that together.” Assuming he made it for me, I grab the fork from him and taste more. “Seriously,” I say between bites, “incredibile.Bruno watches me eat, obviously pleased. He takes a step toward me and opens his mouth, somehow still smiling. He wants me to feed him. With my fork. I should probably put up a fight but as if in a trance, I offer him a little sliver of tomato and cheese. He leans forward to take it, eyes on mine the whole time. Holy. Crap. I never ever thought anything about eating could be sexy. I was wrong. So very wrong.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
And it’s not like I have to have a relationship with the man. A one-night fling would do. I could be a one-night fling kind of girl. Adam’s sexy smile and flirty touches scream one-night stand. Adam leads me to his car and opens the back door. “Yep, there he is.” “Who?” He turns and smiles down at me. “Hailey’s bear.” “Oh. Right.” I’m staring at his mouth, and finally, without overthinking it, I rise up on my tiptoes and press my mouth to his firmly, then pull away and gasp. “I’m so sorry.” “Sorry?” Adam stops my hand from tugging my shirt up over my shoulder and drags his fingertip down my skin, right next to my bra strap, and every nerve ending in my body stands up on high alert. “Sweetheart, if you’re going to kiss a man, you don’t apologize after the fact.” Before I can reply, he turns me so my back is against the car, his hands on my hips, and presses in, his face so close I can feel the heat coming off of him and smell the mint from his toothpaste. His nose nudges mine, and then his lips are working their magic. I grip his arms and revel at the hard muscles there, and everywhere, as he presses his firm body against me and devours me whole. He bites my lower lip, then moves in for more. His hands skim up my sides and cup my jaw as his tongue tangles with mine. He’s all lips and hands and hard body, and oh my God, I want him. Right here. Right now. But he suddenly stops, panting hard, his forehead leaning on mine. “Let me take you out,” he whispers. “Let me see you again.” I can’t speak, so I nod weakly, making him smile. Without looking down, I pull my card out of my back pocket and slip it into his, silently high-fiving myself for touching his very fine ass. “My number’s on that.” “Okay,” he says, still whispering. Even his whisper is sexy. I nod again, swallow hard, and when he pulls away, I clear my throat and begin walking away, toward my own car, acutely aware of his eyes on my ass as I leave. “Sarah?” “Yeah?” “You forgot something.” He’s holding the bear and sporting a very satisfied grin. “Right.
Kristen Proby
Tom had automatically picked up the oily rag that lived on the corner of Grey’s desk and, with a dexterous flick, snapped a fat fly out of the air and into oblivion. “Dead whale garnished with mint? That should cause my blood to be especially attractive to the more discriminating biting insects in Charles Town—to say nothing of Canada.” Jamaican flies were a nuisance but seldom carnivorous, and the sea breeze and muslin window screening kept most mosquitoes at bay. The swamps of coastal America, though…and the deep Canadian woods, his ultimate destination… “No,” Grey said reluctantly, scratching his neck at the mere thought of Canadian deer flies. “I can’t attend Mr. Mullryne’s celebration of his new plantation house basted in whale oil. Perhaps we can get bear grease in South Carolina. Meanwhile…sweet oil, perhaps?
Diana Gabaldon (Seven Stones to Stand or Fall: A Collection of Outlander Fiction)
As I reach the front door, Daniela shouts, “Return bearing ice cream!” “Mint chocolate chip!” Charlie says. I lift my arm, raise my thumb. I don’t look back. I don’t say goodbye. And this moment slips past unnoticed. The end of everything I know, everything I love.
Blake Crouch (Dark Matter)
Somehow he released her hand and pulled his free. He wrapped his arms around her and hauled her against him so her entire body pressed against his. The man was a rock. Big, unyielding and warmed by the sun. She wanted to snuggle even closer. She wanted to rip off her clothes and give the goats something to talk about. She wanted-- He licked her lower lip. The unexpected moist heat made her gasp as fire raced through her. Every singed nerve ending vibrated with need for more. The masculine, slightly piney scent of him surrounded her. Operating only on instinct, she parted her lips to allow him entry. She had a single heartbeat to brace herself for the power of his tongue touching hers. Then he swept inside and blew her away. It was like being inside the space shuttle on take-off. Phoebe might not have any personal experience with space flight, but she could imagine. The powerful force between them left her weak and clinging to his broad shoulders. She trembled and needed and ached with equal intensity. His tongue brushed against hers again. He tasted of coffee and mint and something wonderfully sensual and sweet. His mouth seemed designed for kissing. Maybe it was all that non-conversation. Maybe talking too much undermined a man’s ability to kiss. She didn’t know and didn’t care. All that mattered was the way he stroked her, touched her, teased her. He cupped her head with one hand and ran his other up and down her back. If only this moment would never end. But it did. A sharp bark from somewhere in the distance brought Phoebe back to earth with a rude thunk. She suddenly became aware of being pressed up against a really good-looking stranger, kissing in front of a goat pen. Apparently Zane got a similar wake-up call, because he stepped back at the same second she did. At least the man was breathing hard. She would hate to think she was the only one who had been affected. “Okay, then,” she said when she realized that all feelings to the contrary, she still could breathe. Zane continued to stare at her. She swallowed. “Did you want to say something?” Anything would be fine. Just any old reaction. As long as he wasn’t going to say it was all a mistake. That would really annoy her. Or maybe she was making a big deal out of nothing. Maybe he kissed lots of women out here by the goat pens. “I have to get back to work. Can you find your way to the house?” She blinked at him. That was it? Okay. Fine. As long as she didn’t try to walk on legs that were still trembling, she could pretend nothing had happened. “Sure,” she muttered. “No problem.” He nodded, then bent down and picked up his hat. She frowned. When exactly had that fallen off? He straightened, opened his mouth, then closed it. She wasn’t even surprised when he turned and left without saying a word. It was just so typical. When she was alone, Phoebe tried to work up a case of righteous indignation. When that didn’t work, she went for humor. If nothing else, she had to give Maya credit for the promised distraction. Oh. She also had to remember that as soon as she found out what constituted a treat on the baby-goat food hit list, she would be sure to send a thank-you gift.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Cameo.” Turk nodded. “Yes, he’s been there for you, without question. Mint has been with you; there is a difference.
Iris Bolling (Phire: I'm Just Saying (Gems & Gents #8))
She unwrapped the lamb chops from their white butcher paper and peeled a few potatoes and opened a can of peas. Her father came in with the newspaper under his arm and then swatted her on the hip with it as he went to the table to sit down. And then Jimmy came in still wearing his overcoat to say, “What’s this? What’s this?” And then told their father with his hands on his hips that George was taking “our miss here” out to dinner. And her father lowered the paper and smiled at her—his round, florid face and his sparse white hair which he no longer bothered to slick down with water or tonic, being mostly housebound and hardly out of his slippers all week long—and only began to pout a little, Jimmy too, when she set the plate of lamb chops and the mint jelly and the mashed potatoes and peas in their bowls on the table and then pulled off her apron and said, “I’m just going to take a shower.” “Be sure to put it back,” Jimmy said
Alice McDermott (After This)
Let’s take the case of US law schools as an example. If you were to say to someone educated, “There are too many law schools producing too many lawyers in the US,” she would probably agree, in part because there have been dozens of articles over the past several years about the precipitous drop in positions at law firms and the many unemployed law school graduates.9 The general response to this problem is, “Well, people will figure it out and eventually stop applying to law school,” the suggestion being that the market will clear and self-correct if given enough time. On the surface it looks like this market magic is now happening. In 2013, law school applications are projected to be down to about 54,000 from a high of 98,700 in 2004.10 That’s a dramatic decrease of 45 percent. However, a closer look shows that the number of students who started law school in 2011 and are set to graduate in 2014 was 48,697, about 43,000 of whom will graduate, based on historical graduation rates.11 We’ll still be producing 36,000–43,000 newly minted law school grads a year, not far from the peak of 44,495 set in 2012, from now until the current entering class graduates in 2016. Meanwhile, in 2011, only 65.4 percent of law school graduates got jobs for which they needed to pass the bar exam, and estimates of the number of new legal jobs available run as low as 2,180 per year.12 Bloomberg Businessweek has projected a surplus of 176,000 unemployed or underemployed law school graduates by 2020.13 So even as applications plummet, there will not be dramatically fewer law school graduates produced in the coming several years, though it will have been easier to get in as acceptance rates rise due to the diminished applicant pool.14 We’ll still be producing many more lawyers than the market requires, but now they’ll be less talented. If anything, the situation is going to get worse before it gets better. Human capital markets don’t self-correct very quickly, if at all. At a minimum there’s a massive time lag that spans years, for several reasons.
Andrew Yang (Smart People Should Build Things: How to Restore Our Culture of Achievement, Build a Path for Entrepreneurs, and Create New Jobs in America)
Tell me about your last conversation with the account,” my manager would say. Then he would run through the drill: “Who are we meeting with? Describe each person’s behavioral style. What is important to each person attending this sales call? Why do they think we are here today? What is going on in their business that I need to know about? What is your main objective today? What is a ‘win’ for us walking out of here? Tell me your plan for the call. How are you going to handle introducing our new offering? What role would you like me to play? Where are we vulnerable? What is our Achilles’ heel? Which competitors are involved here? Who is more entrenched? How do you like my tie? I wore it just to help you close this sale today. Don’t forget your breath mints. May the force be with you.
Mike Weinberg (New Sales. Simplified.: The Essential Handbook for Prospecting and New Business Development)
Every time he returned from a trip to Lebanon, I wanted to sit him down and discuss, in detail, every bite of food he’d eaten. He was happy to oblige, but nothing he described, even the elaborate meals with family and more family, made his eyes go wide like the man’oushe. It’s street corner bakery food, he said. you get it wrapped in paperand off you go. They’d stopped on a whim because they were hungry and needed a snack, and it turned out to be the best Lebanese food he’d ever put in his mouth. The flatbread was chewy, but with a crisp exterior. It was blistered (okay, my word, not his) and warm, topped with za’atarorcheese, filled with tomatoes and pink pickled turnips and mint and folded over on itself. I had to stop him. I couldn’t take it. Breads like this were not unfamiliar to me; I’d had them before. But those were breads that came in plastic bags. No matter how fresh they say the bread is, it’s still bread that you get in a plastic bag. Warmfrom-the-oven man’oushe is something breaddreams are made of, something you are only going to get from your own kitchen.
Anonymous
Key to their deeper understanding is the coinage. When some numismatists look at the coins circulating in Britain in the middle of the first century BC, they spot a clean break. After the Roman invasion of 54 BC the old Celtic coins disappear and are replaced with new – suggesting one hierarchy had been replaced by another. In his wonderfully readable Britannia: The Creation of a Roman Province, John Creighton identifies three ways in which the new coins differ from the old. Firstly there is an abrupt change in the familiar depictions of a human head on one side and a horse on the other. After Caesar’s time in Britain, the imagery suddenly mimics that of coins minted in Gaul. The second change is in the amount of gold in gold coins: where once the gold content was highly variable, suddenly it became carefully regulated and consistent. Thirdly, says Creighton, hoards featuring both old and new coinages are rare – making it likely that the old coins were withdrawn and replaced wholesale by the new version. ‘The combination of these three changes in the gold coinage, all happening at the same time, suggests a radical restructuring of the political arrangement of south-east Britain at this date, even though otherwise in the archaeology we see little alteration,’ he wrote. ‘A recoinage across all of south-east Britain required the mobilisation of a significant degree of power or authority.’ Creighton infers the ‘radical restructuring of the political arrangement’ went further than just issuing new coins. He believes the Romans also installed two Gallic aristocrats as kings of two new territories, one south of the Thames and one in the east.
Weidenfeld & Nicolson (A History of Ancient Britain)
No, I went to the bar to ask for a mojito and that guy Johnny said he didn’t make mojitos. Then he offered to make me a mint julep, in one of those silver cups and everything.” “Did you know say the true cause of the Civil War was some Northerner adding nutmeg to a mint julep?” Lucy asked.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
an artist. My mother’s deluded sense of reality.” What pisses me off is that she talks like she got the short end of the stick. Like her life is full of hard knocks. She doesn’t have a fucking clue what tough luck is like. I think of the mint-green trailer home, of sitting out a storm in a makeshift shelter while we watched our home blow over. “I’m supposed to feel sorry for you?” I ask. A bird begins to warble. In the distance, another returns its call. Her voice is quiet. “I never asked you to feel sorry for me. You asked a question. I gave you an answer,” she confides. “You’re just full of self-pity, aren’t you?” “It isn’t like that.” “Always the victim.” I’m unsympathetic. This girl doesn’t know a damn thing about tough luck. “No,” she hisses at me. She thrusts the fishing rod into my hands. “Take it,” she says. She unzips
Mary Kubica (The Good Girl)
Mom, I want something.” Lora grinned at her daughter, knowing that at some point she would have to curb the ‘I-wants’, but not just yet. “What’s that, honey?” “I want Chad to stay here with us. All the time.” Chad went still beside her, but when she looked up, he was grinning at Mercy. He glanced at her, brows raised, to check her response. Lora sucked in a breath, knowing that she was on uncharted, sandy ground. In her deepest heart, she wanted the same thing, but did she dare say it? As she looked into the gentle reassurance in his expression, she knew it would just take a tiny leap of courage. “Chad, would you like to stay here with us?” Lora forgot how to breathe as she waited for some kind of response. Chad seemed to be dragging out the anticipation though. After several long seconds, he nodded his head. But he held up a cautioning finger. “I would love to be a kept man, but it kind of goes three ways.” Moving from the couch, he went down on one knee in front of Mercy, sitting on the floor. He reached into his pocket and pulled out a tiny gold ring. “Mercy O’Neil, will you marry me and be my awesome daughter? To have and to hold, in muddy times and clean? And help me keep your mother happy and safe?” Mercy nodded her head as hard as she could, laughing and crying at the same time. She flung her arms around Chad’s neck and sobbed. Lora’s eyes were leaking as well, so overcome with love that he had thought to include Mercy. But then he turned his damp eyes to her and she was rocked with the deep-in-her-heart knowledge of what was coming next. Levering to his feet, still holding Mercy against him, he circled the table to kneel in front of her. Then he reached into that pocket again and pulled out a shining white gold solitaire ring. His eyes incredibly kind, he held it out. “Lora O’Neil, would you do me the honor of wearing my ring? I promise to protect you and love you as long as I’m allowed, in whatever way I’m allowed, and I promise to always have Starlight mints at the ready.” Lora wept with fear and joy and laughter, knowing that she would never find another man like him. Nodding, she held her shaking hand out and allowed him to slip the ring onto her finger. Then she whipped her arms around his neck, and the three of them rocked back and forth. He pulled back enough to capture her lips with his own, sealing the love between them. “No rush,” he murmured in her ear. “We’ll take it a day at a time. Just know that I love you with all my heart.” “And I love you,” she whispered. “More than I ever dared dream I could.” Mercy
J.M. Madden (Embattled Home (Lost and Found, #3))
PUDOVKIN: Kind of pooped, eh? You’ll lose that bay window before we’re through with you. BESSEMER (panting): Say, bud, bring me a glass of water, will you? MRS. BESSEMER: I’ll take some plain ginger ale. PUDOVKIN: Wouldn’t you rather have a tall, cool rum collins with mint and lots of ice? MRS. BESSEMER: Why, that sounds delicious. PUDOVKIN (comfortably) : Doesn’t it? I’ll hop down the mountain and get one. It’s only four miles—the exercise’ll do me good. BESSEMER: Look, if it’s any trouble, I’d just as soon— PUDOVKIN: Nonsense, that’s what I’m paid for, to run down every time some lush wants a snort. Or if you prefer, I can carry you down on my back.
S.J. Perelman (The World of SJ Perelman: The Marx Brother's Greatest Scriptwriter)
Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billon-mile-an-hour ride. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
Ray Bradbury, Something Wicked This Way Comes
He kisses me even though I try to raise my hand to stop him. And then I don’t stop him. His lips mold against mine like they’re perfectly shaped for each other. He tastes like mint and smells like himself. I want him to hold me forever. I want him to make everything better. And then I realize this is all wrong. Because the truth is, I’m not really mad at Jamie. I mean, I’m mad that he lied, but I’m not really mad at him. I’m mad because I need him. I need him to be perfect and strong and to protect me from everything in the world that’s terrifying. I need him to hold my hand as I walk through life because it’s so much easier than doing it alone. And needing him is a mistake. I don’t want to need anyone. I want to stand on my own two feet. I want control of my own life and my own emotions. I don’t want to be a branch in someone else’s life anymore—I want to be the tree on my own. I want all the strength to come from me. I don’t want to depend on anyone for anything ever again. I pull my face away from Jamie and it literally hurts so much I have to grip the desk to keep from falling over. I can’t hide from the truth anymore. I let Jamie become my crutch. I let him fill all the voids in my life—family, friendship, love—and it hurts so much to know what I need to do now. Panic is in his eyes. He senses what I’m going to say next. Because even when we’re hurt, we still know each other. We know each other without words.
Akemi Dawn Bowman (Starfish)
He kisses me even though I try to raise my hand to stop him. And then I don’t stop him. His lips mold against mine like they’re perfectly shaped for each other. He tastes like mint and smells like himself. I want him to hold me forever. I want him to make everything better. And then I realize this is all wrong. Because the truth is, I’m not really mad at Jamie. I mean, I’m mad that he lied, but I’m not really mad at him. I’m mad because I need him. I need him to be perfect and strong and to protect me from everything in the world that’s terrifying. I need him to hold my hand as I walk through life because it’s so much easier than doing it alone. And needing him is a mistake. I don’t want to need anyone. I want to stand on my own two feet. I want control of my own life and my own emotions. I don’t want to be a branch in someone else’s life anymore—I want to be the tree on my own. I want all the strength to come from me. I don’t want to depend on anyone for anything ever again. I pull my face away from Jamie and it literally hurts so much I have to grip the desk to keep from falling over. I can’t hide from the truth anymore. I let Jamie become my crutch. I let him fill all the voids in my life—family, friendship, love—and it hurts so much to know what I need to do now. Panic is in his eyes. He senses what I’m going to say next. Because even when we’re hurt, we still know each other. We know each other without words.
Akemi Dawn Bowman (Starfish)
You take, say, a hundred coins, and you melt them down and put cheap stuff in to bulk it out, then you mint ’em new again, and then you have a hundred and twenty coins. Free money, right? So life is good. Until everybody finds out, and adjusts accordingly, and then you’re back where you started.
Alexandra Rowland (A Taste of Gold and Iron)
I’m hungry. Last night I dreamed of food. Ordinarily I dream of you, but last night I’m sorry to say that you were eclipsed by lamb with mint sauce.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
If you can’t say no in relationships, then you can’t be intimate,” Dr. Rosen said. “Say that again.” I held still so that each word would seep inside me, past my skin and muscle, and settle in my bones. “If you can’t say no, there can be no intimacy.” People said no to me all the time, and I still loved them. Is this what people were learning in high school when I was bingeing on Girl Scout Thin Mint cookies and making mixtapes with Lionel Richie and Whitney Houston songs?
Christie Tate (Group: How One Therapist and a Circle of Strangers Saved My Life)
She keeps walking, so I keep following, making our way down a stone path that leads to a set of tiered gardens. It is magical back here, garden after garden, the first filled with herbs like Mama grows, rosemary and lavender and mint and sage. Beyond that is a rose garden. There must be fifty rosebushes in it, all with different-colored blooms. We keep walking, down to the third tier, where there are tended beds like Daddy's vegetable patch in our backyard. "Look at this," Keisha says. She stands beside row upon row of little green plants with thick green leaves. She kneels beside one of them and pulls back a leaf. There are small red strawberries growing underneath. She picks one and hands it to me. I've never eaten a strawberry that tastes like this before. It's so rich, with juice like honey. It's nothing like the ones Mama buys at Kroger.
Susan Rebecca White (A Place at the Table)
She is never going to let me live down that stupid Thanksgiving," Kai says. I can't help but take the bait. "You made prime rib!" "It was delicious," Kai says, shrugging. "IT WAS BEEF! You can't have beef on Thanksgiving, except for appetizers like meatballs or something. You have TURKEY on Thanksgiving." Last Thanksgiving I spent with Phil and Kai, since I was orphaned and separated and Gilly couldn't make it from London. Everything was delicious, but it was like a dinner party and not Thanksgiving. The prime rib wasn't the only anomaly. No mashed potatoes or stuffing or sweet potatoes with marshmallows or green bean casserole. He had acorn squash with cippolini onions and balsamic glaze. Asparagus almondine. Corn custard with oyster mushrooms. Wild rice with currants and pistachios and mint. All amazing and perfectly cooked and balanced, and not remotely what I wanted for Thanksgiving. When I refused to take leftovers, his feelings were hurt, and when he got to the store two days later, he let me know. "Look," Kai says with infinite patience. "For a week we prepped for the Thanksgiving pickups." He ticks off on his fingers the classic menu we developed together for the customers who wanted a traditional meal without the guilt. "Herb-brined turkey breasts with apricot glaze and roasted shallot jus. Stuffing muffins with sage and pumpkin seeds. Cranberry sauce with dried cherries and port. Pumpkin soup, and healthy mashed potatoes, and glazed sweet potatoes with orange and thyme, and green beans with wild mushroom ragu, and roasted brussels sprouts, and pumpkin mousse and apple cake. We cooked Thanksgiving and tasted Thanksgiving and took Thanksgiving leftovers home at the end of the day. I just thought you would be SICK OF TURKEY!
Stacey Ballis (Good Enough to Eat)
Look at that giant bag of peppermint Hershey’s Kisses. That is my dream right there. I could live off that for a month.” He follows my attention to the five-pound bag on display and gives a dramatic shudder. “You’re kidding.” “They’re my favorite! I can only find them this time of year, and I eat so many I get a stomachache.” Andrew turns in my arms, frowning down at me. “Are you a white chocolate evangelist?” “One hundred percent!” I laugh-yell. “Oh my God, are we having our first fight?” “I will die on the White Chocolate Is Not Chocolate hill.” “It may not be chocolate, but it is delicious.” “Wrong, Maisie,” he says in Mandrew voice. “It tastes like fake mint and ass.” “Like fake mint and ass?” I reply in outraged Maisie voice. “You’re the one who steals the crappy, plasticky chocolate from the Advent calendar.” “Well . . . it’s hard to argue with that.
Christina Lauren (In a Holidaze)
Now my face is flushed too. And then out of nowhere, I’m leaning toward Annie. I’m not thinking. I’m too tired and worn out to think. I’m inches away from her now. She smells like baby powder and mint. She freezes. Her face is stiff, her eyes too large. And then the tiny Annie smile flashes across her lips and I know she wants to kiss me too. Her lips feel springy, her breath smells like spearmint, her hair is as soft as puppy fur. Who knew kissing Annie Bomini would feel so nice? We sit there for a minute, my arm warm against hers. The sun is down now, but it isn’t night yet. One time is gone and the other has not yet begun. We get up and start walking back to 64. “Forget we did that,” I say. “I’ve already forgotten,” she says. But I’m still holding her hand and I won’t let go.
Gennifer Choldenko (Al Capone Does My Homework)
Any meal that includes all six tastes is balancing to all doshas. Unless someone is very imbalanced, a six-taste meal is enough. In the case of any imbalance, keep meals simple, light, fresh, and easy to digest. This will suit all doshas. Prepare a large single-course meal and adjust portion size and spicing for individual doshas. For example, say you make rice, mung dal, and sautéed greens for a group. A person with vata imbalance can make the rice their largest portion, and add an extra dollop of ghee or stir in their favorite warming spice. A person with pitta imbalance can have equal portions and add a generous garnish of fresh cilantro, mint, or dill. A person with kapha imbalance can reduce the portion of rice, favoring instead the dal and the greens, and sprinkle with red pepper flakes. Use meal plans as templates, and be creative. Repeat days that work well for you.. Pick one day of the week to prepare foods in advance.
Tiffany Shelton (Ayurveda Cookbook: Healthy Everyday Recipes to Heal your Mind, Body, and Soul. Ayurvedic Cooking for Beginners)
Newton, a devout Puritan believer, has anecdote that when he claimed that no disciple had God, he refused to claim atheism, saying, "Do not speak disrespectfully about God, I am studying God." He paid much attention to the Bible and had an eschatological belief that the Saints would resurrect and live in heaven and reign with Christ invisibly. And even after the day of judgment, people would continue to live on the ground, thinking that it would be forever, not only for a thousand years. According to historian Steven Snowovell, he thought that the presence of Christ would be in the distant future centuries after, because he was very pessimistic about the deeply rooted ideas that denied the Trinity around him. He thought that before the great tribulation came, the gospel activity had to be on a global scale. 카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】 믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다. 24시간 문의상담과 서울 경기지방은 퀵으로도 가능합니다 믿고 주문하시면좋은인연으로 vip고객님으로 모시겠습니다. 원하시는제품있으시면 추천상으로 구입문의 도와드릴수있습니다 ☆100%정품보장 ☆총알배송 ☆투명한 가격 ☆편한 상담 ☆끝내주는 서비스 ☆고객님 정보 보호 ☆깔끔한 거래 포폴,에토미,알약수면제 판매하고있습니다 Newton studied alchemy as a hobby, and his research notes were about three books. Newton served as a member of parliament on the recommendation of the University of Cambridge, but his character was silent and unable to adapt to the life of a parliamentarian. When he lived in the National Assembly for a year, the only thing he said was "Shut the door!" In Newton's "Optics" Volume 4, he tried to introduce the theory of unification that covered all of physics and solved his chosen tasks, but he went out with a candle on his desk, and his private diamond threw a candle There is a story that all of his research, which has not been published yet, has turned to ashes. Newton was also appointed to the president of the Minting Service, who said he enjoyed grabbing and executing the counterfeiters. Newton was a woman who was engaged to be a young man, but because he was so engaged in research and work he could not go on to marriage, and he lived alone for the rest of his life. He regarded poetry as "a kind of ingenious nonsense." [6] Newton was talented in crafting inventions by hand (for reference, Newton's craftsmanship was so good at his childhood that when he was a primary school student he was running his own spinning wheel after school, A child who throws a stone and breaks down a spinning wheel, so there is an anecdote that an angry Newton scatters the child.) He said he created a lantern fountain that could be carried around as a student at Cambridge University. Thanks to this, it was said that students who were going to attend the Thanksgiving ceremony (Episcopal Mass) were able to go to the Anglican Church in the university easily. Newton lost 20,000 pounds due to a South Sea company stock discovery, when "I can calculate the movement of the celestial body, but I can not measure the insanity of a human being" ("I can calculate the movement of the stars, but not the madness of men ").
프로포폴,에토미데이트,카톡【AKR331】텔레【RDH705】에토미데이트가격,프로포폴가격,에토미데이트팔아요
Then there is the curse of the prophet. You know, the one that says any two people that put Christ first can make a relationship work? That is both a blessing and a curse. A blessing, because it is a simple truth. A curse because people still have that nasty free agency thing, and then, most people don’t read the fine print. Yeah, it is true, but I have to be interested in the person before I can really be certain I want to put Christ first with them. Like ice cream, I have my flavor profile. I like chocolate. I love chocolate with raspberries and brownie bites. I am not a fan of chocolate covered chicken hearts. I am very certain that a chocolate covered poo is still a poo and no amount of chocolate is going to make me interested. So, I have to find my flavor profile first. Of course, there are the aesthetics of chocolate: I like my chocolate brown, especially dark. I don’t understand red velvet (I didn’t even know it was a chocolate until recently…), and white chocolate is just some weird animal parading around in a chocolate suit. I want chocolate with raspberries and brownie bites, but I am also happy with mint chocolate, or mint with chocolate chips. I also like Rocky Road; the list goes on. But I am not a fan of strawberry, unless it is covered in chocolate. That’s just how I roll. If I find someone that I think is my flavor profile, I get excited, but I also get fearful “Dang it, I am going to have to call the NSA to figure this out. Again.
Rick Jacobs
I've got a leftover cooked pork chop from dinner last night, an acorn squash, pistachio nuts, and honey vinegar." "Okay," I say, practically watching the wheels turning in his little head. "Time starts... now!" Ian gets down to business, steeling his little chef's knife. "Talk me through it as you go," I say. "I'm going to do a pork chop and roasted squash quesadilla with pistachio chimichurri and honey vinegar crema." "That seems smart. Tell me why as you prep." Ian begins slicing the acorn squash into rings, laying them on a baking sheet and drizzling with olive oil. "Well, the pork chop is already cooked, and quesadillas are a smart use for leftovers because they cook fast so things don't have time to dry out or get tough. The squash has good sweetness, which will go well with the pork, and will also be friends with the honey vinegar." "Good. Why not just toss the pistachios into the quesadilla?" He seasons the acorn squash rings expertly with kosher salt, taking a pinch from the bowl and holding his hand at eye level, raining the salt crystals down evenly over the squash, and then pops the tray in the oven. "Because the heat of cooking would make them lose their snap and you need that textural element for contrast with the soft quesadilla." "Excellent. Tell me about the chimichurri." He throws the pistachios into a small nonstick sauté pan and starts to toast them. "Well, I'm toasting the nuts to bring out the flavor and intensify the crunch, and I'm going to chop them roughly and mix them with minced green olives, mint, parsley, shallots, olive oil, a touch of the honey vinegar, maybe some red pepper flakes for heat.
Stacey Ballis (How to Change a Life)
I should say that a manual worker, if he is in steady work and drawing good wages — an ‘if which gets bigger and bigger — has a better chance of being happy than an ‘educated’ man. His home life seems to fall more naturally into a sane and comely shape. I have often been struck by the peculiar easy completeness, the perfect symmetry as it were, of a working-class interior at its best. Especially on winter evenings after tea, when the fire glows in the open range and dances mirrored in the steel fender, when Father, in shirt-sleeves, sits in the rocking chair at one side of the fire reading the racing finals, and Mother sits on the other with her sewing, and the children are happy with a pennorth of mint humbugs, and the dog lolls roasting himself on the rag mat — it is a good place to be in, provided that you can be not only in it but sufficiently of it to be taken for granted.
George Orwell (Essais, articles, lettres T. 1: (1920-1940))
Her eyes remind him of the lush foliage.... Green like the crayon in the box that says green. Not forest green, not lime green, not mint, olive or sea green. Green.
Justin Titus (Senses and Bones)
Luckily for Nina’s anxiety, they found themselves in one of those restaurants where the menu gave the full provenance of every ingredient. Plentiful reading material is so helpful on a first date. “It says here,” said Nina, “that the fresh mint used in the lamb burger was grown in a hand-thrown but unattractive pot on the kitchen windowsill.” “Really?” said Tom. “Did they include a photo?” Nina shook her head. “Not even a witty little pencil sketch.” “Disappointing.” Tom looked at his menu. “Well, it says here that the pomegranate extract used in the salad dressing was hand squeezed by the middle daughter of the farmer who grew it.” “Really?” said Nina, hiding a smile. “Well, if one of us orders the steak frites, a young boy named Harold will catch a bus to the the nearest community garden and dig up the potatoes for the frites himself.” “Well,” said Tom, gravely, “it’s getting a little late for Harold to be out alone. Maybe we should choose something else.
Abbi Waxman (The Bookish Life of Nina Hill)
Well then,” I said, “let’s get beyond the gossip and into the heart of the matter, the nub of the mystery. None of your disciples, from Marc Andreessen to Nick Szabo—has fully explained it. They prefer to talk of the ‘Byzantine Generals’ problem” or the double-spending conundrum or remembered lessons and lemmas from computer science classes. Even, if I may say so—my time with you being limited—even you yourself. You fail to illuminate the inner sanctums of your system.” “The ‘inner sanctums’? Bitcoin is a currency and a payment network, not a religion. What do you mean by ‘sanctums’?” “I mean the place or the process—I don’t know which—where your empty bits become valuable coins. Where and how does the transubstantiation occur? Is it in the ‘mine’? Or in the ‘mint’? How does it happen? Alchemy? Magic? Hope and change? Overclock your CPUs and GPUs, plunge them into the ice of liquid nitrogen, and prove your useless work? Then you just may win some chump change of coins that don’t even clink or tinkle?” I have to admit today that the chump change has been piling up.
George Gilder (Life After Google: The Fall of Big Data and the Rise of the Blockchain Economy)
Your favorite color is mint green. You like dramas and comedies. Can't stand gory movies. Hate carrot cakes but will never say no to brownies. You love all animals, except spiders. Your favorite candy is Reese's Peanut Butter Cups. You can't stand bullies and attention seekers. You'll try everything in life once, because you want to prove that you can live as normal a life as everyone else." He stopped at the dazed look on my face. "What? Have I got it all wrong?" That was the problem. He didn't. He got all of them right.
Cynthia Timoti (Salty, Spiced, and a Little Bit Nice)
As soon as the plank-walking was finished, the Pirate Captain pointed the boat towards England, and all the remaining pirates and their guests went below decks for a feast. For a change the pirates had lamb instead of ham, with the usual accompaniment of green mint sauce and a salad. As a nice added touch the roast lamb was sprinkled with a little minced parsley. A few of Darwin’s monkeys had also been served up as an appetiser. There had been some debate as to the best way to cook a monkey, but eventually the pirates had decided to treat the monkeys as if they were turkeys, so after the sinews had been drawn from the legs and thighs, and the monkeys carefully trussed, they were stuffed with sausage meat and veal. It was all served with gravy and bread sauce. Too late the Pirate Captain realised that he had invited Mister Bobo to the feast, but if the creature was put out at being offered a slice of his chimpanzee brethren he was far too polite to say anything.
Gideon Defoe (The Pirates! In an Adventure with Scientists)
Did you take part in the chocolate production directly?" she asks, without quite knowing why. Maybe because she can't imagine his bulky fists tinkering with soft caramel and finely ground licorice powder. "Oh, yes. Every step in the process. White chocolate, milk chocolate, dark chocolate." A much younger man smiles through the wrinkles surrounding his brown eyes. "There isn't a sweet temptation that doesn't lure me in." Ingrid has to smile back, feels the optimism like a gust breezing through her. No, like a taste on her tongue! Wildrid can feel the saliva pooling behind her teeth: soft mint spreading out on the back of her tongue, salty caramel sticking to her molars. Chili chocolate burning the inside of her cheeks, rum cream with ginger melting down her throat. "Pineapple truffle!" she says. "Mango nougat! Marzipan-covered kiwi!" Johnny looks at her and chuckles. "I thought you said you wanted to start slowly and carefully?" The others grow quiet and Ingrid stops, embarrassed by her outburst. An erotic poem wrapped in cellophane.
Anne Østby (Pieces of Happiness)
She chuckled. “You won’t have any trouble finding him. You could pick that man out of any crowd.” “Why?” I asked. “What’s wrong with him? What does he look like?” “Well … ” she said, still grinning, “he’s the funniest looking thing I’ve seen in a long time. He has this … ah … this growth all over his face. As a matter of fact it’s all over his head.” She nodded. “You’ll know him when you see him; don’t worry about that.” Great creeping Jesus, I thought. That screws the press credentials. I had a vision of some nerve-rattling geek all covered with matted hair and string-warts showing up in the press office and demanding Scanlan’s press packet. Well … what the hell? We could always load up on acid and spend the day roaming around the grounds with big sketch pads, laughing hysterically at the natives and swilling mint juleps so the cops wouldn’t think we’re abnormal. Perhaps even make the act pay up: set up an easel with a big sign saying, “Let a Foreign Artist Paint Your Portrait, $10 Each. Do It NOW!
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers, #1))
What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn't it? Could he say how he felt about their all being there tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour ride. We have common cause against the night. You start with little common cause. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers the iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses, life haves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, tongue, hand, nose, flesh, heart and soul.
Ray Bradbury
This right here is the holiest of holies, my mother's garden. This is where she grew mint for tea and lavender for sachets and belladonna for--- honestly, I always wondered, but maybe she knew this day was coming? My mother did have a kind of sixth sense for things... Maybe she knew that someday her soul mate would fall prey to a woman who would move in, insult his family, and pour concrete over her garden..." I could see that the comments were coming in hot now, and I kept going. "Some of you say I don't have sympathy for widows going out on the dating scene, but you know what? I do. In fact, are there any of you Callie Knox fans out there who are looking for a great guy? My mother was magic, and I know some of you are magic, too. Maybe you have the kind of magic that can save me and my family from this massive b----" And then I did it. I gave my dad's name, address, and phone number to an Instagram Live audience that was now apparently upward of ten thousand people.
Victoria Benton Frank (The Violet Hour (A Lowcountry Tale, #2))
All around Portia, there are those saying that more must be done to secure Great Nest from its new-minted enemies, and thereby to secure the will of their divine creator. They are performing that oldest of tricks: constructing a path by which to reach a destination, only in this case the destination is permanent security. With each step they take towards it, that security recedes. And, with each step they take, the cost of progressing towards such security grows, and the actions required to move forward become more and more extreme.
Adrian Tchaikovsky (Children of Time (Children of Time, #1))