Mind Blown Quotes

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I beg young people to travel. If you don’t have a passport, get one. Take a summer, get a backpack and go to Delhi, go to Saigon, go to Bangkok, go to Kenya. Have your mind blown. Eat interesting food. Dig some interesting people. Have an adventure. Be careful. Come back and you’re going to see your country differently, you’re going to see your president differently, no matter who it is. Music, culture, food, water. Your showers will become shorter. You’re going to get a sense of what globalization looks like. It’s not what Tom Friedman writes about; I’m sorry. You’re going to see that global climate change is very real. And that for some people, their day consists of walking 12 miles for four buckets of water. And so there are lessons that you can’t get out of a book that are waiting for you at the other end of that flight. A lot of people—Americans and Europeans—come back and go, ohhhhh. And the light bulb goes on.
Henry Rollins
Because if you base your self-worth on what everyone else thinks of you, you hand all your power over to other people and become dependent on a source outside of yourself for validation. Then you wind up chasing after something you have no control over, and should that something suddenly place its focus somewhere else, or change its mind and decide you’re no longer very interesting, you end up with a full-blown identity crisis.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
She spotted a lone dandelion,and it crossed her mind that a younger Luce would have pounced on it and then made a wish and blown. But this Luce's wishes felt too heavy for something so light.
Lauren Kate (Fallen (Fallen, #1))
Traumatic events, by definition, overwhelm our ability to cope. When the mind becomes flooded with emotion, a circuit breaker is thrown that allows us to survive the experience fairly intact, that is, without becoming psychotic or frying out one of the brain centers. The cost of this blown circuit is emotion frozen within the body. In other words, we often unconsciously stop feeling our trauma partway into it, like a movie that is still going after the sound has been turned off. We cannot heal until we move fully through that trauma, including all the feelings of the event.
Susan Pease Banitt (The Trauma Tool Kit: Healing PTSD from the Inside Out)
My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. “Hold tight,” I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami (Sleep)
You just can't go back and expect your mind to be blown by the same thing every time. Life doesn't work that way.
Holly Nicole Hoxter (The Snowball Effect)
Everyone should have their mind blown once a day.
Neil deGrasse Tyson
That's right. You'll like Owl. He flew past a day or two ago and noticed me. He didn't actually say anything, mind you, but he knew it was me. Very friendly of him. Encouraging." Pooh and Piglet shuffled about a little and said, "Well, good-bye, Eeyore" as lingeringly as they could, but they had a long way to go, and wanted to be getting on. "Good-bye," said Eeyore. "Mind you don't get blown away, little Piglet. You'd be missed. People would say `Where's little Piglet been blown to?' -- really wanting to know. Well, good-bye. And thank you for happening to pass me.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh, #2))
Oh yes!' and suddenly the wintry frost-bound look of care had left Mr. Thornton's face, as if some soft summer gale had blown all anxiety away from his mind; and, though his mouth was as much compressed as before, his eyes smiled out benignly on his questioner.
Elizabeth Gaskell (North and South)
The Joker: I just did what I do best. I took your little plan and I turned it on itself. Look what I did to this city with a few drums of gas and a couple of bullets. Hmmm? You know... You know what I've noticed? Nobody panics when things go "according to plan." Even if the plan is horrifying! If, tomorrow, I tell the press that, like, a gang banger will get shot, or a truckload of soldiers will be blown up, nobody panics, because it's all "part of the plan". But when I say that one little old mayor will die, well then everyone loses their minds. Introduce a little anarchy. Upset the established order, and everything becomes chaos. I'm an agent of chaos. Oh, and you know the thing about chaos? It's fair!
Christopher Nolan
The mind is like a circuit of Christmas tree lights. When the brain works well, all of the lights twinkle brilliantly, and it’s adaptable enough that, often, even if one bulb goes out, the rest will still shine on. But depending on where the damage is, sometimes that one blown bulb can make the whole strand go dark.
Susannah Cahalan
No one in my family, not one of my friends or classmates realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. 'Hold tight,' I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami (Sleep)
His brother's dream is here, alive. It has survived death and destruction; it hasn't blown away with the ash that settles after his fire was put out. It will go on.
Alexandra Bracken (Through the Dark (The Darkest Minds, #1.5, #2.5, #3.5))
Slowly, even though I thought it would never happen, New York lost its charm for me. I remember arriving in the city for the first time, passing with my parents through the First World's Club bouncers at Immigration, getting into a massive cab that didn't have a moment to waste, and falling in love as soon as we shot onto the bridge and I saw Manhattan rise up through the looks of parental terror reflected in the window. I lost my virginity in New York, twice (the second one wanted to believe he was the first so badly). I had my mind blown open by the combination of a liberal arts education and a drug-popping international crowd. I became tough. I had fun. I learned so much. But now New York was starting to feel empty, a great party that had gone on too long and was showing no sign of ending soon. I had a headache, and I was tired. I'd danced enough. I wanted a quiet conversation with someone who knew what load-shedding was.
Mohsin Hamid (Moth Smoke)
I brought to mind the image of the stranger lying there in the first light of dawn: the slight growth of whiskers on his chin, strands of his red hair shifting gently on the faint stirrings of the morning breeze, the pallor, the extended legs, the quivering fingers, that last, sucking breath. And that word, blown into my face ... "Vale." The thrill of it all! Yes," I said, "it was devastating.
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
He was the type of guy who pushed you into a room, locked the door and then did hot groping, a lot of dirty talk of everything he wanted to do to you, before doing them three or four times. No restrictions, just mind-blown, terribly wicked delicious things.
V. Theia (Dirty Salvation (Renegade Souls MC Romance Saga #1))
If we read the Word and do not pray, we may become puffed up with knowledge, without the love that buildeth up. If we pray without reading the Word, we shall be ignorant of the mind and will of God, and become mystical and fanatical, and liable to be blown about by every wind of doctrine.
Dwight L. Moody (Prevailing Prayer (Moody Classics))
People don’t want novelty – they want the reassurance of familiarity. No-one wants to be challenged, no-one wants to have their minds blown. There is an insatiable appetite for affirmation.
Lauren Beukes (Broken Monsters)
Kids need their minds blown every now and then. It’ll keep them from thinking that managing a McDonald’s is the most they can hope for.
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
The human mind is like a sailboat on a sea with strong currents and a steady wind. We tend to just follow the currents of our biases and can easily be manipulated and blown about.
Steven Novella (The Skeptics' Guide to the Universe: How to Know What's Really Real in a World Increasingly Full of Fake)
Your mind should be like a room with many open windows,” Bapuji told me. “Let the breeze flow in from all, but refuse to be blown away by any one.
Arun Gandhi (The Gift of Anger: And Other Lessons from My Grandfather Mahatma Gandhi)
The mint from your breath, the milk from your breast, the best of your mind, now in its worst state of condition. From the womb to the tomb, as a mild flower, you break your petals upon blossom, and seize death openly. Leaving your fragrance to spin and dance, one last time before being blown away.
Anthony Liccione
Occasionally, even today, you come across certain people who seem to possess an impressive inner cohesion. They are not leading fragmented, scattershot lives. They have achieved inner integration. They are calm, settled, and rooted. They are not blown off course by storms. They don’t crumble in adversity. Their minds are consistent and their hearts are dependable. Their virtues are not the blooming virtues you see in smart college students; they are the ripening virtues you see in people who have lived a
David Brooks (The Road to Character)
His hand was a claw, sharp enough to open her. She would be like all the others—Ruta Badowski, in her broken dancing shoes. Tommy Duffy, still with the dirt of his last baseball game under his nails. Gabriel Johnson, taken on the best day of his life. Or even Mary White, holding out for a future that never arrived. She’d be like all those beautiful, shining boys marching off to war, rifles at their hips and promises on their lips to their best girls that they’d be home in time for Christmas, the excitement of the game showing in their bright faces. They’d come home men, heroes with adventures to tell about, how they’d walloped the enemy and put the world right side up again, funneled it into neat lines of yes and no. Black and white. Right and wrong. Here and there. Us and them. Instead, they had died tangled in barbed wire in Flanders, hollowed by influenza along the Western Front, blown apart in no-man’s-land, writhing in trenches with those smiles still in place, courtesy of the phosgene, chlorine, or mustard gas. Some had come home shell-shocked and blinking, hands shaking, mumbling to themselves, following orders in some private war still taking place in their minds. Or, like James, they’d simply vanished, relegated to history books no one bothered to read, medals put in cupboards kept closed. Just a bunch of chess pieces moved about by unseen hands in a universe bored with itself.
Libba Bray (The Diviners (The Diviners, #1))
My mind will never be what it used to be. It will be fragmented and broken forever.Before, it only had a sliver of a crack inside of it, brought on by the years of abuse I suffered at Daddy's hand. Now, it's like a stick of dynamite was inserted into my brain at some point and my mind has blown up in front of me.
Lauren Hammond (White Walls (Asylum, #2))
Here's what you need to know: some cliches are true, and war is definitely hell. It's being afraid all the time, and when you're not afraid it's because you're pumped full of adrenaline you could literally burst. It's watching people who you love- really profoundly love- get blown to pieces right next to you. It's seeing a leg lying in the ditch and picking it up to put it in a bag because no man- or part of a man, your friend- can be left behind. It's the dark night of the soul. There's no front line over there. The war is all around them, every day, everywhere they go. Some handle it better than others. We don't know why, but we do know this: the human mind can't safely or healthily process that kind of carnage and uncertainty and horror. It just can't. No one comes back from war the same.
Kristin Hannah (Home Front)
Falling in love: how does it work? Over the years we gather the odd clue, but nothing adds up. We’d like to think we have a picture of our future partner projected in our mind, all their qualities recorded as if on film, and we just search the planet for that person until we find them, sitting in Casablanca waiting to be recognised. But in reality our love lives are blown around by career and coincidence, not to mention lack of nerve on given occasions, and we never have respectable reasons for anything until we have to make them up afterwards for the benefit of our curious friends.
Michel Faber (Some Rain Must Fall: And Other Stories)
This is closest we'll ever be. This is our escape. Our secret closet, our letter of invitation to Hogwarts, our death-star run. After this we're back to the real world, and from there the hill slopes down and only stops at six feet under.
Emil Ostrovski (The Paradox of Vertical Flight)
The world has PTSD. It is a veteran with a blown mind, having flashbacks as it begs the Sun for one more go-round.
Carl Veraha
As one door closes another opens some do say, but at times, when panic is born, all doors are blown asunder, hope driven all but fully under, and in the back of young, impressionable minds.
Rosca Marx (Panic! A Shepherd's Story)
you know, I’ve either had a family, a job, something has always been in the way but now I’ve sold my house, I’ve found this place, a large studio, you should see the space and the light. for the first time in my life I’m going to have a place and the time to create.” no baby, if you’re going to create you’re going to create whether you work 16 hours a day in a coal mine or you’re going to create in a small room with 3 children while you’re on welfare, you’re going to create with part of your mind and your body blown away, you’re going to create blind crippled demented, you’re going to create with a cat crawling up your back while the whole city trembles in earthquake, bombardment, flood and fire. baby, air and light and time and space have nothing to do with it and don’t create anything except maybe a longer life to find new excuses for.
Charles Bukowski (The Last Night of the Earth Poems)
Menelaus, if you are really going to kill her, \ Then my blessing go with you, but you must do it now, \ Before her looks so twist the strings of your heart \ That they turn your mind; for her eyes are like armies, \ And where her glances fall, there cities burn, / Until the dust of their ashes is blown \ By her sighs. I know her, Menelaus, \ And so do you. And all those who know her suffer.
Neil Curry (The Trojan Women - Helen - The Bacchae (Translations from Greek and Roman Authors))
We asked a thousand leaders to list marble-earning behaviors—what do your team members do that earns your trust? The most common answer: asking for help. When it comes to people who do not habitually ask for help, the leaders we polled explained that they would not delegate important work to them because the leaders did not trust that they would raise their hands and ask for help. Mind. Blown.
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
In the real world, he and I could never work. I kissed him just that much harder and pushed all thoughts of why this was wrong to the back of my mind and surrendered to all the reasons it felt right.
Braxton Cole (Blown)
The Eye-Mote Blameless as daylight I stood looking At a field of horses, necks bent, manes blown, Tails streaming against the green Backdrop of sycamores. Sun was striking White chapel pinnacles over the roofs, Holding the horses, the clouds, the leaves Steadily rooted though they were all flowing Away to the left like reeds in a sea When the splinter flew in and stuck my eye, Needling it dark. Then I was seeing A melding of shapes in a hot rain: Horses warped on the altering green, Outlandish as double-humped camels or unicorns, Grazing at the margins of a bad monochrome, Beasts of oasis, a better time. Abrading my lid, the small grain burns: Red cinder around which I myself, Horses, planets and spires revolve. Neither tears nor the easing flush Of eyebaths can unseat the speck: It sticks, and it has stuck a week. I wear the present itch for flesh, Blind to what will be and what was. I dream that I am Oedipus. What I want back is what I was Before the bed, before the knife, Before the brooch-pin and the salve Fixed me in this parenthesis; Horses fluent in the wind, A place, a time gone out of mind. --written 1959
Sylvia Plath (The Colossus and Other Poems)
Three years of changes, moves, uncertainties, upheavals; the war, the revolution; scenes of destruction, scenes of death, shelling, blown-up bridges, fires, ruins—all this turned suddenly into a huge, empty, waste space. The first real event since the long interruption was this vertiginous home-coming by train, in the knowledge that his home was still safe, still existing somewhere, with every smallest stone in it dear to him. This was the point of life, this was experience, this was the quest of adventure seekers and what artists had in mind—this coming home to your family, to yourself, this renewal of life.
Boris Pasternak
I would not see our candle blown out in the wind. It is a small thing, this dear gift of life handed us mysteriously out of immensity. I would not have that gift expire... If I seem to be beating a dead horse again and again, I must protest: No! I am beating, again and again, living man to keep him awake and move his limbs and jump his mind... What's the use of looking at Mars through a telescope, sitting on panels, writing books, if it isn't to guarantee, not just the survival of mankind, but mankind surviving forever!
Ray Bradbury (Mars and the Mind of Man)
On the other hand, I am not a liberal. The notion that man is a rational creature who arrives at reasonable solutions to knotty problems is much in doubt as far as I’m concerned. Liberalism depends all too much on having an optimistic view of human nature. But the history of the 20th century has not exactly fortified that notion. Moreover, liberalism also depends too much upon reason rather than any appreciation of mystery. If you start to talk about God with the average good liberal, he looks at you as if you are more than a little off. In that sense, since I happen to be—I hate to use the word religious, there are so many heavy dull connotations, so many pious self-seeking aspects—but I do believe there is a Creator who is active in human affairs and is endangered. I also believe there is a Devil who is equally active in our existence (and is all too often successful). So, I can hardly be a liberal. God is bad enough for them, but talk about the devil, and the liberal’s mind is blown. He is consorting with a fellow who is irrational if not insane. That is the end of real conversation.
Norman Mailer
Imagine you're evil. Not misunderstood. Not sad. But evil. Imagine you've got a heart that spends all day wanting more. Imagine your mind is a selfish room full of pride or pity. Imagine you're like Brandon Goff and you find poor kids in the halls and make fun of their clothes, and you flick their ears until they scream in pain and swing their arms, and so you pin them down and break their fingers. Or you spit in his food in the cafeteria. Or you just call him things like cockroach and sand monkey. Imagine you're evil and you don't do any of those things, but you're like Julie Jenkins and you laugh and you laugh at everything Brandon does, and you even help when a teacher comes and asks what's going on and you say nothing's going on, and he believes you because you get A-pluses in English. Or imagine you just watch all of this. And you act like you're disgusted, because you don't like meanness. But you don't do anything or tell anyone. Imagine how much you've got compared to all the kids in the world getting blown up or starved, and the good you could do if you spent half a second thinking about it. Suddenly evil isn't punching people or even hating them. Suddenly it's all that stuff you've left undone. All the kindness you could have given. All the excuses you gave instead. Imagine that for a minute. Imagine what it means.
Daniel Nayeri (Everything Sad Is Untrue)
When I was thirteen I spent a lot of time pretending to like dance music because everyone at my school seemed to love it. If only I'd known it was OK to have different tastes to others and that one day my mind would be blown open by an older man who would introduce me to The Smiths, The Cure, Buzzcocks, Talking Heads and almost every other band I adore to this day. I also wish I'd been reassured that one day, yes, a boy would actually fancy me in spite and potentially, deliberately, FOR my zero boob/skinny legs combo. But mainly I wish I'd listened to my mother when she said learning to play the piano might come in handy in the future and would actually be something I would thank her for forcing me to do. Every Wednesday we would drive to Mrs Batten's house listening to The ArchersI, with me in the passenger seat trying desperately to think up excuses for why I hadn't practiced that week. Though it seemed very unlikely at the time, I am thankful for those piano lessons every time I manage to impress a boy by hammering out some Chopin when drunk (swot up, kids!).
Alexa Chung (It)
In his mind’s eye, though, he sees— —Taliban moving like scorpions across a similar landscape his own caravan blown to shit blood streaming from buddies Now I’m one of them He sights in again. No time for Lack of PTSD He only hopes that Gentle Ben Increase-the-Peace Ben is one of them, too, now. Now, Ben. Find your inner Taliban.
Don Winslow
How can you be happy in this world? You have a hole in your heart. You have a gateway inside you to lands beyond the world you know. They will call you, as you grow. There can never be a time when you forget them, when you are not, in your heart, questing after something you cannot have, something you cannot even properly imagine, the lack of which will spoil your sleep and your day and your life, until you close your eyes for the final time, until your loved ones give you poison and sell you to anatomy, and even then you will die with a hole inside you, and you will wail and curse at a life ill-lived. But you won’t grow. You can come out, and we will end it, cleanly, or you can die in there, of hunger and of fear. And when you are dead your circle will mean nothing, and we will tear out your heart and take your soul for a keepsake
Neil Gaiman
that the reason Athena had sprung ‘full blown’ from the mind of Zeus was because she was an idea, given by Greek men to their God; and that ‘idea’ was the destruction of the African Goddess Isis and the metamorphosis of Isis into the Greek Goddess Athena.
Alice Walker (The Temple of My Familiar (The Color Purple Collection, #2))
I could no longer picture Rosalind in my mind's eye; the tender vision of the girl in white had been blown to pieces as if by a nuclear bomb. This was something unimaginable, something hollow as the yellowed husks that insects leave behind in dry grass, blowing with cold alien winds and a fine corrosive dust that shredded everything it touched.
Tana French (In the Woods (Dublin Murder Squad, #1))
Dieters have a fixed target in mind for their maximum daily calories, and when they exceed it for some unexpected reason, such as being given a pair of large milkshakes in an experiment, they regard their diet as blown for the day. That day is therefore mentally classified as a failure, regardless of what else happens. Virtue cannot resume until tomorrow.
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
Josie blinked. What the hell? It had been a long time since she’d been kissed so thoroughly. So masterfully. So…absolutely. His kisses had blown her mind.
Amy Andrews (No More Mr. Nice Guy (Naughty or Nice, #1))
My mind is not easily blown, but this place and this guy were amazing,” Downey said. To
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
Fake Canadian superstition: If you allow your pet bear to sleep in your bed, it will ruin your breathing by slowing it down or stopping it entirely.
Matthew Santoro (Mind = Blown: Amazing Facts About This Weird, Hilarious, Insane World)
Ninety-five percent of the work of the intelligence agencies around the world is deception and disinformation," he said...
Christopher Lee Bollyn (Solving 9-11: The Deception That Changed the World)
He’d tell himself to ignore her, and the next thing he knew his eyes would be seeking her out. But it was foolish to pretend that she wasn’t on his mind. (…) Nina had blown into his life with the wind and rain and set his world spinning. He’d been off balance ever since.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
All life will die, all mind will cease, and it will all be as if it had never happened. That, to be honest, is the goal to which evolution is traveling, that is the “benevolent” end of the furious living and furious dying. . . . All life is no more than a match struck in the dark and blown out again. The final result . . . is to deprive it completely of meaning.
David Eagleman (Incognito: The Secret Lives of the Brain)
Three months after Columbine, the FBI organized a major summit on school shooters in Leesburg, Virginia. The Bureau assembled some of the world’s leading psychologists, including Dr. Hare. Near the end of the conference, Dr. Fuselier stepped up to the microphone and gave a thorough briefing on the minds of the two killers. “It looks like Eric Harris was a budding young psychopath,” he concluded. The room stirred. A renowned psychiatrist in the front row moved to speak. Here it comes, Fuselier thought. This guy is going to nitpick the assessment to death. “I don’t think he was a budding young psychopath,” the psychiatrist said. “What’s your objection?” “I think he was a full-blown psychopath.” His colleagues agreed. Eric Harris was textbook.
Dave Cullen (Columbine)
Can what's buried beneath the ground on Oak Island possibly be worth what the search for it has already cost? Six lives, scores of personal fortunes, piles of wrecked equipment, and tens of thousands of man-hours have been spent so far, and that's not to mention the blown minds and broken spirits that lie in the wake of what is at once the world's most famous and frustrating treasure hunt.
Randall Sullivan (The Curse of Oak Island: The Story of the World's Longest Treasure Hunt)
There is a theory that when a planet, like our earth for example, has manifested every form of life, when it has fulfilled itself to the point of exhaustion, it crumbles to bits and is dispersed like star dust throughout the universe. It does not roll on like a dead moon, but explodes, and in the space of a few minutes, there is not a trace of it visible in the heavens. In marine life we have a similar effect. it is called implosion. When an amphibian accustomed to the black depths rises above a certain level, when the pressure to which it adapts itself is lifted, the body bursts inwardly. Are we not familiar with this spectacle in the human being also? The norsemen who went berserk, the malay who runs amuck—are these not examples of implosion and explosion? When the cup is full it runs over. but when the cup and that which it contains are one substance, what then? There are moments when the elixir of life rises to such overbrimming splendor that the soul spills over. In the seraphic smile of the madonnas the soul is seen to flood the psyche. The moon of the face becomes full; the equation is perfect. A minute, a half minute, a second later, the miracle has passed. something intangible, something inexplicable, was given out—and received. In the life of a human being it may happen that the moon never comes to the full. In the life of some human beings it would seem, indeed, that the only mysterious phenomenon observable is that of perpetual eclipse. In the case of those afflicted with genius, whatever the form it may take, we are almost frightened to observe that there is nothing but a continuous waxing and waning of the moon. Rarer still are the anomalous ones who, having come to the full, are so terrified by the wonder of it that they spend the rest of their lives endeavoring to stifle that which gave them birth and being. The war of the mind is the story of the soul-split. When the moon was at full there were those who could not accept the dim death of diminution; they tried to hang full-blown in the zenith of their own heaven. They tried to arrest the action of the law which was manifesting itself through them, through their own birth and death, in fulfillment and transfiguration. Caught between the tides they were sundered; the soul departed the body, leaving the simulacrum of a divided self to fight it out in the mind. Blasted by their own radiance they live forever the futile quest of beauty, truth and harmony. Depossessed of their own effulgence they seek to possess the soul and spirit of those to whom they are attracted. They catch every beam of light; they reflect with every facet of their hungry being. instantly illumined, When the light is directed towards them, they are also speedily extinguished. The more intense the light which is cast upon them the more dazzling—and blinding—they appear. Especially dangerous are they to the radiant ones; it is always towards these bright and inexhaustible luminaries that they are most passionately drawn…
Henry Miller (Sexus (The Rosy Crucifixion, #1))
MEN WAGE WARS for profit and principle, but they fight them for land and women. Sooner or later, the other causes and compelling reasons drown in blood and lose their meaning. Sooner or later, death and survival clog the senses. Sooner or later, surviving is the only logic, and dying is the only voice and vision. Then, when best friends die screaming, and good men maddened with pain and fury lose their minds in the bloody pit, when all the fairness and justice and beauty in the world is blown away with arms and legs and heads of brothers and sons and fathers, then, what makes men fight on, and die, and keep on dying, year after year, is the will to protect the land and the women.
Gregory David Roberts (Shantaram)
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.
W.B. Yeats (The Secret Rose and Rosa Alchemica)
The nihilist looks around at everything and comes to terms with what seems to be obvious. The sun is one tiny dying star in an enormous universe. One day the sun will burn out or explode, destroying us all. The earth is a molten rock that could either be blown up by nuclear weapons or an erratic comet. We are one of the seven billion nameless faceless ones currently living on this rock. What does our existence matter to this rock floating around a dying star within the expanse of an enormous universe? Not much.
Jon Morrison (Clear Minds & Dirty Feet: A Reason To Hope, A Message To Share)
Listen, I have been through Hell in the last few hours. I have been chased and clawed and bitten by vampires - twice! One of them being you! And my leg is torn and my mind is blown and I'm wearing somebody else's pants! I need to sleep, I need to eat, I need to wear my own damn clothes, and what I don't need is for some vampire to smile at me all amused like I'm the wife in a fifties sitcom!
Laura Bradley Rede (Darkride (Darkride Chronicles, #1))
but a mind is blown when something that you always feared but knew to be impossible turns out to be true; when the world turns out to be far vaster, far more marvelous or malevolent than you ever dreamed; when you get proof that everything is connected to everything else, that everything you know is wrong, that you are both the center of the universe and a tiny speck sailing off its nethermost edge.
Michael Chabon (Maps and Legends: Reading and Writing Along the Borderlands)
T IME'S a circumference Whereof the segment of our station seems A long straight line from nothing into naught. Therefore we say " progress, " " infinity " — Dull words whose object Hangs in the air of error and delights Our boyish minds ahunt for butterflies. For aspiration studies not the sky But looks for stars; the victories of faith Are soldiered none the less with certainties, And all the multitudinous armies decked With banners blown ahead and flute before March not to the desert or th' Elysian fields, But in the track of some discovery, The grip and cognizance of something true, Which won resolves a better distribution Between the dreaming mind and real truth. I cannot understand you. 'T is because You lean over my meaning's edge and feel A dizziness of the things I have not said.
Trumbull Stickney
If we read the Word and do not pray, we may become puffed up with knowledge, without the love that buildeth up. If we pray without reading the Word, we shall be ignorant of the mind and will of God, and become mystical and fanatical, and liable to be blown about by every wind of doctrine. The
Dwight L. Moody (Prevailing Prayer (Moody Classics))
What infinite heart's-ease Must kings neglect, that private men enjoy! And what have kings, that privates have not too, Save ceremony, save general ceremony? And what art thou, thou idle ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? what are thy comings in? O ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Think'st thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose; I am a king that find thee, and I know 'Tis not the balm, the sceptre and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced title running 'fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world, No, not all these, thrice-gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave, Who with a body fill'd and vacant mind Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell, But, like a lackey, from the rise to set Sweats in the eye of Phoebus and all night Sleeps in Elysium; next day after dawn, Doth rise and help Hyperion to his horse, And follows so the ever-running year, With profitable labour, to his grave: And, but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace, Whose hours the peasant best advantages.
William Shakespeare (Henry V)
These diseases are not really there, are they? A: They can be if people choose to allow those energies to enter into their body. But for the most part, they are only in the energetic fields. And like anything else that is talked about, or thought about, it can become reality in the physical. D: Yes, if enough people accept it as their reality. A: But the diseases are extremely blown out of proportion, and they are not epidemics as they are portrayed to be. The media and the movies are showing you their desperation as they insist in presenting to the masses information that is completely negative and fear-based. Subject matter such as murder, death and betrayal, attacks and such that keep the consciousness focused on these matters, as opposed to portraying in the media images of hope and inspiration. But nevertheless, there are enough of those positive messages being broadcast at this time, that like a domino effect, they are no longer stoppable. D: Another fear the government is trying to promote is terrorism. A: Yes. It is just another tool, like the diseases, to find excuses to give people a reason to be afraid and not unify, but to trust that the government will solve their problems. They are imaginary problems, and in the subconscious, many people are becoming aware of this. They are no longer believing, although many are in the masses. But on their subconscious level, they are beginning to awaken, and the power knows this. That is the reason they are resorting to ridiculous stories that only those who wish to believe, believe in them because anybody with a logical and reasonable mind could not believe them.
Dolores Cannon (The Three Waves of Volunteers and the New Earth)
Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it’s because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use—art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, ‘Of the appetites and passions of the body.’ And I think of Gertrude Stein’s line, ‘Rose is a rose is a rose is a rose.’ When asked what that line meant, Stein said, ‘The poet could use the name of the thing and the thing was really there.’ So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art—when it comes to studying an organically shaped giant piece of multi-colored glass—I end up thinking, ‘That looks like my kidney. Anybody’s kidney, really. And frankly, there can be no kidney-shaped art more beautiful—more useful and closer to our Creator—than the kidney itself. And beyond that, this glass isn’t funny. There’s no wit here. An organic shape is not inherently artistic. It doesn’t change my mind about the world. It only exists to be admired. And, frankly, if I wanted to only be in admiration of an organic form, I’m going to watch beach volleyball. I’m always going to prefer the curve of a woman’s hip or a man’s shoulder to a piece of glass that has some curves.
Sherman Alexie (Face)
...the presence of others has become even more intolerable to me, their conversation most of all. Oh, how it all annoys and exasperates me: their attitudes, their manners, their whole way of being! The people of my world, all my unhappy peers, have come to irritate, oppress and sadden me with their noisy and empty chatter, their monstrous and boundless vanity, their even more monstrous egotism, their club gossip... the endless repetition of opinions already formed and judgments already made; the automatic vomiting forth of articles read in those morning papers which are the recognised outlet of the hopeless wilderness of their ideas; the eternal daily meal of overfamiliar cliches concerning racing stables and the stalls of fillies of the human variety... the hutches of the 'petites femmes' - another worn out phrase in the dirty usury of shapeless expression! Oh my contemporaries, my dear contemporaries... Their idiotic self-satisfaction; their fat and full-blown self-sufficiency: the stupid display of their good fortune; the clink of fifty- and a hundred-franc coins forever sounding out their financial prowess, according their own reckoning; their hen-like clucking and their pig-like grunting, as they pronounce the names of certain women; the obesity of their minds, the obscenity of their eyes, and the toneless-ness of their laughter! They are, in truth, handsome puppets of amour, with all the exhausted despondency of their gestures and the slackness of their chic... Chic! A hideous word, which fits their manner like a new glove: as dejected as undertakers' mutes, as full-blown as Falstaff... Oh my contemporaries: the ceusses of my circle, to put it in their own ignoble argot. They have all welcomed the moneylenders into their homes, and have been recruited as their clients, and they have likewise played host to the fat journalists who milk their conversations for the society columns. How I hate them; how I execrate them; how I would love to devour them liver and lights - and how well I understand the Anarchists and their bombs!
Jean Lorrain (Monsieur De Phocas)
Her face deeply moved him. Why, he could at first not say. It gave him the impression of youth--spring flowers, yet age--a sense of having been used to the bone, wasted; this came from the eyes, which were hauntingly familiar, yet absolutely strange. He had a vivid impression that he had met her before, but try as he might he could not place her although he could almost recall her name, as he had read it in her own handwriting. No, this couldn't be; he would have remembered her. It was not, he affirmed, that she had an extraordinary beauty--no, though her face was attractive enough; it was that something about her moved him. Feature for feature, even some of the ladies of the photographs could do better; but she lapsed forth to this heart--had lived, or wanted to--more than just wanted, perhaps regretted how she had lived--had somehow deeply suffered: it could be seen in the depths of those reluctant eyes, and from the way the light enclosed and shone from her, and within her, opening realms of possibility: this was her own. Her he desired. His head ached and eyes narrowed with the intensity of his gazing, then as if an obscure fog had blown up in the mind, he experienced fear of her and was aware that he had received an impression, somehow, of evil. He shuddered, saying softly, it is thus with us all. Leo brewed some tea in a small pot and sat sipping it without sugar, to calm himself. But before he had finished drinking, again with excitement he examined the face and found it good: good for Leo Finkle. Only such a one could understand him and help him seek whatever he was seeking. She might, perhaps, love him. How she had happened to be among the discards in Salzman's barrel he could never guess, but he knew he must urgently go find her.
Bernard Malamud (The Magic Barrel)
It looks like fallen petals, and it looks like rain. It looks like the sounds the birds make at dawn. It looks like the aisle of grocery stores when a song I love suddenly begins to play overhead, and I cannot help but dance a little dance. It looks like a sigh, a kiss, an unmade bed. It looks like Cheerios in a white bowl with a bit of silence on the side. It looks like a plain vanilla cupcake in white paper, a dance with the wind, pink toenails, warm socks. It looks like a fire against the cold of winter, and a deep lake cool against a summer sky. It looks like chick flicks, books that make you cry, and all the candles blown out on the first try.
D. Smith Kaich Jones
A typical line of thought went something like this: I am anxious. The anxiety makes it impossible to concentrate. Because it is impossible to concentrate, I will make an unforgivable mistake at work. Because I will make an unforgivable mistake at work, I will be fired. Because I will be fired, I will not be able to pay my rent. Because I will not be able to pay my rent, I will be forced to have sex for money in an alley behind Fenway Park. Because I will be forced to have sex for money in an alley behind Fenway Park, I will contract HIV. Because I will contract HIV, I will develop full-blown AIDS. Because I will develop full-blown AIDS, I will die disgraced and alone.
Daniel B. Smith (Monkey Mind: A Memoir of Anxiety)
No one in my family, not one of my friends or classmates realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. 'Hold tight,' I would tell myself, but there was nothing for me to hold on to
Haruki Murakami (Sleep)
The trick is to not only deny the criticism any power over you, but, even more challenging, to not get caught up in the praise. There’s nothing wrong with blushingly accepting a compliment, but if you find yourself always seeking outside approval that you’re good enough or cool enough or talented enough or worthy enough, you’re screwed. Because if you base your self-worth on what everyone else thinks of you, you hand all your power over to other people and become dependent on a source outside of yourself for validation. Then you wind up chasing after something you have no control over, and should that something suddenly place its focus somewhere else, or change its mind and decide you’re no longer very interesting, you end up with a full-blown identity crisis.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
Finally, as the sky began to grow light in the morning, I’d feel that I might be drifting off. But that wasn’t sleep. My fingertips were just barely brushing against the outermost edge of sleep. And all the while, my mind was awake. I would feel a hint of drowsiness, but my mind was there, in its own room, on the other side of a transparent wall, watching me. My physical self was drifting through the feeble morning light, and all the while it could feel my mind staring, breathing, close beside it. I was both a body on the verge of sleep and a mind determined to stay awake. The incomplete drowsiness would continue on and off all day. My head was always foggy. I couldn’t get an accurate fix on the things around me—their distance or mass or texture. The drowsiness would overtake me at regular, wavelike intervals: on the subway, in the classroom, at the dinner table. My mind would slip away from my body. The world would sway soundlessly. I would drop things. My pencil or my purse or my fork would clatter to the floor. All I wanted was to throw myself down and sleep. But I couldn’t. The wakefulness was always there beside me. I could feel its chilling shadow. It was the shadow of myself. Weird, I would think as the drowsiness overtook me, I’m in my own shadow. I would walk and eat and talk to people inside my drowsiness. And the strangest thing was that no one noticed. I lost fifteen pounds that month, and no one noticed. No one in my family, not one of my friends or classmates, realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think that my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. Hold tight, I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami
It's not that I'm being shy. It's just that -- well, for one, I don't even remember the event. It's a blank: a white slate, a black hole. I have vague images, half-impressions: of being, or having been -- or, more precisely, being about to be -- hit; blue light; railings; lights of other colours; being held above some kind of tray or bed. But who's to say that these are genuine memories? Who's to say my traumatized mind didn't just make them up, or pull them out from somewhere else, some other slot, and stick them there to plug the gap -- the crater -- that the accident had blown? Minds are versatile and wily things. Real chancers.
Tom McCarthy (Remainder)
Because all dark, like those that are all light, They are cast beyond the verge, and in a cloud, Crying to one another like the bats; And having no desire they cannot tell What’s good or bad, or what it is to triumph At the perfection of one’s own obedience; And yet they speak what’s blown into the mind; Deformed beyond deformity, unformed, Insipid as the dough before it is baked, They change their bodies at a word.
W.B. Yeats
But suddenly, Pentunia spied the Book. The firecrackers had blown it open so that the pages showed. She had never seen them before. Now she saw that there was something written inside the Book which she could not read. So she sat down and thought and thought and thought, until at last she sighed, 'Now I understand. It was not enough to carry wisdom under my wing. I must put it in my mind and in my heart. And to do that I must learn to read.
Roger Duvoisin (Petunia)
She was fifty-three years old and lonely and oppressed; why couldn't he let her have her illusions? That was what her wounded, half-drunken eyes had seemed to be saying throughout his interrogation: Why can't I have my illusions? Because they're lies, he told her silently in his mind as he champed his jaws and swallowed the cheap food. Everything you say is a lie.(...) Everything you live by is a lie, and you want to know what the truth is? He watched her with murderous distaste as she fumbled with her spoon. They had ordered ice cream, and some of it clung to her lips as she rolled a cold mouthful on her tongue. Do you want to know what the truth is? The truth is that your fingernails are all broken and black because you're working as a laborer and God knows how we're ever going to get you out of that lens-grinding shop. The truth is that I'm a private in the infantry and I'm probably going to get my head blown off. The truth is, I don't really want to be sitting here at all, eating this goddam ice cream and letting you talk yourself drunk while all my time runs out. The truth is, I wish I'd taken my pass to Lynchburg today and gone to a whorehouse. That's the truth.
Richard Yates (A Special Providence)
It was a beautiful day, with fresh leaves on the trees and an impeccably blue sky. She felt herself expand, relax, open up. She was going to beat him. She was going to beat him soundly. The continuation she found on the nineteenth move was a beautiful and subtle wonder. It sprang to her mind full-blown, with half a dozen moves as clear as if they were projected on a screen in front of her, her rook, bishop and knight dancing together down in his king’s corner of the board.
Walter Tevis (The Queen's Gambit)
A clatter of metal against the concrete made me look back. Liam had moved on from the car to a nearby pile of bikes that were tangled together like brambles. He picked through the frames and spokes and wheels, working carefully, trying to get down to whatever he'd seen under them.... "Do you actually know how to ride?" "Do I know how to ride?" Liam scoffed, leaning over the bike's seat so his face was inches from mine. His pale blue eyes were electric with his excitement; they sent a charge through me, sizzling the rest of the world into peaceful, quiet static. That last bit of distance must have been as unbearable to him as it was to me, because his fingers came down over where my hands rested on the busted leather seat. I felt his touch spread over my skin like late afternoon sunshine. His lips skimmed my cheek, his breath warm against my ear as he said in low, honeyed tones, "Not only can I ride, darlin', but I can give you a few pointers– "Hey, Hell's Angels!" Cole barked. "I didn't bring you in here to shop around for yourselves! Get your assess over here!" Liam expression clouded over as he pulled back, the fluttering excitement vanishing like a candle blown out. with a single breath. I must have looked as disappointed as I felt, letting out a small sound of irritation, because just like that he was smiling again as he tucked a loose strand of hair back over my ear. A softer, smaller smile than before, but one meant for me. It warmed me down to my bones.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
By the second day, the song lyrics had faded, but in their place came darker irritations. Gradually, I started to become aware of a young man sitting just behind me and to the left. I had noticed him when he first entered the mediation hall, and had felt a flash of annoyance at the time: something about him, especially his beard, had struck me as too calculatedly dishevelled, as if he were trying to make a statement. Now his audible breathing was starting to irritate me, too. It seemed studied, unnatural, somehow theatrical. My irritation slowly intensified - a reaction that struck me as entirely reasonable and proportionate at the time. It was all beginning to feel like a personal attack. How much contempt must the bearded meditator have for me, I seethed silently, deliberately to decide to ruin the serenity of my meditation by behaving so obnoxiously? Experienced retreat-goers, it turns out, have a term for this phenomenon. The call it 'vipassana vendetta'. In the stillness tiny irritations become magnified into full-blown hate campaigns; the mind is so conditioned to attaching to storylines that it seizes upon whatever's available. Being on retreat had temporarily separated me from all the real causes of distress in my life, and so, apparently, I was inventing new ones. As I shuffled to my narrow bed that evening, I was still smarting about the loud-breathing man. I did let go of the vendetta eventually - but only because I'd fallen into an exhausted and dreamless sleep
Oliver Burkeman (The Antidote: Happiness for People Who Can't Stand Positive Thinking)
And so this end in confusion, where when things stop I never get to know it, and this moving is the space, is that what is yet to be, which is for others to see filled wherever it may finally be in the frame when the last pieces are fitted and the others stop, and there will be the stopped pattern, the final array, but not even that, because that final finitude will itself be a bit of scrolling, a percent clump of tiles, which will generally stay together but move about within another whole and be mingled, with in endless ways of other people's memories, so that I will remain a set of impressions porous and open to combination with all of the other vitreous squares floating about in whoever else's frames, because there is always the space left in reserve for the rest of their downtime, and to my great-grandchildren, with more space than tiles, I will be no more than the smoky arrangement of a set of rumors, and to their great-grandchildren, I will be no more than a tint of some obscure color, and to their great grandchildren nothing they ever know about, and so what army of strangers and ghosts has shaped and colored me until back to Adam, until back to when ribs were blown from molten sand into the glass bits that took up the light of this world because they were made from this world, even though the fleeting tenants of those bits of colored glass have vacated them before they have had even the remotest understanding of what it is to inhabit them, and if they -- if we are fortunate (yes, I am lucky, lucky), and if we are fortunate, have fleeting instants when we are satisfied that the mystery is ours to ponder, if never to solve, or even just rife personal mysteries, never mind those outside-- are there even mysteries outside? a puzzle itself -- but anyway, personal mysteries, like where is my father, why can't I stop all the moving and look out over the vast arrangements and find by the contours and colors and qualities of light where my father is, not to solve anything but just simple even to see it again one last time, before what, before it ends, before it stops. But it doesn't stop; it simply ends. It is a final pattern scattered without so much as a pause at the end, at the end of what, at the end of this.
Paul Harding
So it had long been a secret pleasure of Lydia’s that, hidden among all the more popular goods, she was able to make a home for some of her best-loved secret treasures, gems that had blown open her mind and changed her life, books that in some cases had never even been translated into Spanish but that she stocked anyway, not because she expected she’d ever sell them, but simply because it made her happy to know they were there. There were perhaps a dozen of these books, stashed away on their ever-changing shelves, enduring among a cast of evolving neighbors. Now and again when a book moved her, when a book opened a previously undiscovered window in her mind and forever altered her perception of the world, she would add it to those secret ranks.
Jeanine Cummins (American Dirt)
Later, I interviewed a prominent psychoanalyst, who told me that trauma destroys the fabric of time. In normal time, you move from one moment to the next, sunrise to sunset, birth to death. After trauma, you may move in circles, find yourself being sucked backwards into an eddy, or bouncing about like a rubber ball from now to then and back again. August is June, June is December. What time is it? Guess again. In the traumatic universe, the basic laws of matter are suspended: ceiling fans can be helicopters, car exhaust can be mustard gas. Another odd feature of traumatic time is that it doesn’t just destroy the flow of the present into the future, it corrodes everything that came before, eating at moments and people from your previous life, until you can’t remember why any of them mattered. What I previously found inconceivable is now inescapable: I have been blown up so many times in my mind that it is impossible to imagine a version of myself that has not been blown up. The man on the other side of the soldier’s question is not me. In fact, he never existed. The war is gone now, but the event remains, the happening that nearly erased the life to come and thus erased the life that came before. The soldier’s question hangs in the air the way it always has. The way it always will.   Have you ever been blown up before, sir?
David J. Morris (The Evil Hours: A Biography of Post-Traumatic Stress Disorder)
Insight, then. Wisdom. The quest for knowledge, the derivation of theorems, science and technology and all those exclusively human pursuits that must surely rest on a conscious foundation. Maybe that's what sentience would be for— if scientific breakthroughs didn't spring fully-formed from the subconscious mind, manifest themselves in dreams, as full-blown insights after a deep night's sleep. It's the most basic rule of the stymied researcher: stop thinking about the problem. Do something else. It will come to you if you just stop being conscious of it... Don't even try to talk about the learning curve. Don't bother citing the months of deliberate practice that precede the unconscious performance, or the years of study and experiment leading up to the gift-wrapped Eureka moment. So what if your lessons are all learned consciously? Do you think that proves there's no other way? Heuristic software's been learning from experience for over a hundred years. Machines master chess, cars learn to drive themselves, statistical programs face problems and design the experiments to solve them and you think that the only path to learning leads through sentience? You're Stone-age nomads, eking out some marginal existence on the veldt—denying even the possibility of agriculture, because hunting and gathering was good enough for your parents. Do you want to know what consciousness is for? Do you want to know the only real purpose it serves? Training wheels. You can't see both aspects of the Necker Cube at once, so it lets you focus on one and dismiss the other. That's a pretty half-assed way to parse reality. You're always better off looking at more than one side of anything. Go on, try. Defocus. It's the next logical step.
Peter Watts (Blindsight (Firefall, #1))
Oh. My. God. I am buzzing with sensory overload. With just his mouth and that wicked, wicked tongue, this man has me losing my ever-loving mind. Five years and I’ve only ever been aroused in my dreams – and only because they were of Seb. My body is on fire and I feel like I could come from just this kiss! I can’t believe my parts are still working after all these years. I thought for sure I had dry rot. I can’t stop the sounds coming from my mouth, like a deranged kitten or something. I never would have guessed that he would want me and that confession has completely blown my mind.
Freya Barker (Hundred to One (Cedar Tree #2))
I think every one who has some vague belief in God, until he becomes a Christian, has the idea of an exam, or of a bargain in his mind. The first result of real Christianity is to blow that idea into bits. When they find it blown into bits, some people think this means that Christianity is a failure and give up. They seem to imagine that God is very simple-minded! In fact, of course, He knows all about this. One of the very things Christianity was designed to do was to blow this idea to bits. God has been waiting for the moment at which you discover that there is no question of earning a pass mark in this exam, or putting Him in your debt. Then comes another discovery. Every faculty you have, your power of thinking or of moving your limbs from moment to moment, is given you by God. If you devoted every moment of your whole life exclusively to His service you could not give Him anything that was not in a sense His own already. So that when we talk of a man doing anything for God or giving anything to God, I will tell you what it is really like. It is like a small child going to its father and saying, "Daddy, give me sixpence to buy you a birthday present." Of course, the father does, and he is pleased with the child's present. It is all very nice and proper, but only an idiot would think that the father is sixpence to the good on the transaction. When a man has made these two discoveries God can really get to work. It is after this that real life begins. The man is awake now.
C.S. Lewis (Mere Christianity)
Let’s blow their little minds. A mind is not blown, in spite of whatever Hollywood seems to teach, merely by action sequences, things exploding, thrilling planetscapes, wild bursts of speed. Those are all good things; but a mind is blown when something that you always feared but knew to be impossible turns out to be true; when the world turns out to be far vaster, far more marvelous or malevolent than you ever dreamed; when you get proof that everything is connected to everything else, that everything you know is wrong, that you are both the center of the universe and a tiny speck sailing off its nethermost edge.
Michael Chabon (Maps and Legends: Reading and Writing Along the Borderlands)
No institution of learning of Ingersoll's day had courage enough to confer upon him an honorary degree; not only for his own intellectual accomplishments, but also for his influence upon the minds of the learned men and women of his time and generation. Robert G. Ingersoll never received a prize for literature. The same prejudice and bigotry which prevented his getting an honorary college degree, militated against his being recognized as 'the greatest writer of the English language on the face of the earth,' as Henry Ward Beecher characterized him. Aye, in all the history of literature, Robert G. Ingersoll has never been excelled -- except by only one man, and that man was -- William Shakespeare. And yet there are times when Ingersoll even surpassed the immortal Bard. Yes, there are times when Ingersoll excelled even Shakespeare, in expressing human emotions, and in the use of language to express a thought, or to paint a picture. I say this fully conscious of my own admiration for that 'intellectual ocean, whose waves touched all the shores of thought.' Ingersoll was perfection himself. Every word was properly used. Every sentence was perfectly formed. Every noun, every verb and every object was in its proper place. Every punctuation mark, every comma, every semicolon, and every period was expertly placed to separate and balance each sentence. To read Ingersoll, it seems that every idea came properly clothed from his brain. Something rare indeed in the history of man's use of language in the expression of his thoughts. Every thought came from his brain with all the beauty and perfection of the full blown rose, with the velvety petals delicately touching each other. Thoughts of diamonds and pearls, rubies and sapphires rolled off his tongue as if from an inexhaustible mine of precious stones. Just as the cut of the diamond reveals the splendor of its brilliance, so the words and construction of the sentences gave a charm and beauty and eloquence to Ingersoll's thoughts. Ingersoll had everything: The song of the skylark; the tenderness of the dove; the hiss of the snake; the bite of the tiger; the strength of the lion; and perhaps more significant was the fact that he used each of these qualities and attributes, in their proper place, and at their proper time. He knew when to embrace with the tenderness of affection, and to resist and denounce wickedness and tyranny with that power of denunciation which he, and he alone, knew how to express.
Joseph Lewis (Ingersoll the Magnificent)
footpace! d'ye mind me? And if you've got holsters to that saddle o' yourn, don't let me see your hand go nigh 'em. For I'm a devil at a quick mistake, and when I make one it takes the form of Lead. So now let's look at you." The figures of a horse and rider came slowly through the eddying mist, and came to the side of the mail, where the passenger stood. The rider stooped, and, casting up his eyes at the guard, handed the passenger a small folded paper. The rider's horse was blown, and both horse and rider were covered with mud, from the hoofs of the horse to the hat of the man. "Guard!" said the passenger, in a tone
Charles Dickens (A Tale of Two Cities)
Bruce has wrestled with his moods, and a psyche genetically prone to extremes, for most of his adult life. Decades of psychotherapy helped reveal and cast light on some of his most primal traumas and conflicts, but his raw moods, and occasional descents into full-blown depression, never quite went away. "You go through periods of being good, then something stimulates it," he says. "The clock, some memory. You never know. The mind wants to link all your feelings to a cause. I'm feeling that because I'm doing this, or because that happened." Eventually Bruce realized that his worst moods had nothing to do with what was actually taking place in his life. Awful, stressful things could happen - conflicts, stress, disappointments, death - and he'd be unflappable. Then things would be peaceful and easy and he'd find himself on his knees. "You're going along fine, and then boom, it hits you. Things that just come from way down in the well. Completely noncasual, but it's part of your DNA, part of the way your body cycles." Bruce knows his particular brain chemistry will never leave him completely in the clear. "You manage it, you learn and evolve, but another recognition you gotta have is that these are the cards you were dealt," he says. "These things are never going to be out of your life. You gotta be constantly vigilant and realistic about these things.
Peter Ames Carlin (Bruce)
Dr. Chanter, in his brilliant History of Human Thought in the Twentieth Century, has made the suggestion that only a very small proportion of people are capable of acquiring new ideas of political or social behaviour after they are twenty-five years old. On the other hand, few people become directive in these matters until they are between forty and fifty. Then they prevail for twenty years or more. The conduct of public affairs therefore is necessarily twenty years or more behind the living thought of the times. This is what Dr. Chanter calls the "delayed realisation of ideas". In the less hurried past this had not been of any great importance, but in the violent crises of the Revolutionary Period it became a primary fact. It is evident now that whatever the emergency, however obvious the new problem before our species in the nineteen-twenties, it was necessary for the whole generation that had learned nothing and could learn nothing from the Great War and its sequelae, to die out before any rational handling of world affairs could even begin. The cream of the youth of the war years had been killed; a stratum of men already middle-aged remained in control, whose ideas had already set before the Great War. It was, says Chanter, an inescapable phase. The world of the Frightened Thirties and the Brigand Forties was under the dominion of a generation of unteachable, obstinately obstructive men, blinded men, miseducating, misleading the baffled younger people for completely superseded ends. If they could have had their way, they would have blinded the whole world for ever. But the blinding was inadequate, and by the Fifties all this generation and its teachings and traditions were passing away, like a smoke-screen blown aside. Before a few years had passed it was already incredible that in the twenties and thirties of the twentieth century the whole political life of the world was still running upon the idea of competitive sovereign empires and states. Men of quite outstanding intelligence were still planning and scheming for the "hegemony" of Britain or France or Germany or Japan; they were still moving their armies and navies and air forces and making their combinations and alliances upon the dissolving chess-board of terrestrial reality. Nothing happened as they had planned it; nothing worked out as they desired; but still with a stupefying inertia they persisted. They launched armies, they starved and massacred populations. They were like a veterinary surgeon who suddenly finds he is operating upon a human being, and with a sort of blind helplessness cuts and slashes more and more desperately, according to the best equestrian rules. The history of European diplomacy between 1914 and 1944 seems now so consistent a record of incredible insincerity that it stuns the modern mind. At the time it seemed rational behaviour. It did not seem insincere. The biographical material of the period -- and these governing-class people kept themselves in countenance very largely by writing and reading each other's biographies -- the collected letters, the collected speeches, the sapient observations of the leading figures make tedious reading, but they enable the intelligent student to realise the persistence of small-society values in that swiftly expanding scene. Those values had to die out. There was no other way of escaping from them, and so, slowly and horribly, that phase of the moribund sovereign states concluded.
H.G. Wells (The Holy Terror)
There is a small wooden viewing tower, and pamphlets from the State of Ohio, but they focus on facts—for instance, the Serpent Mound is as long as four football fields—not on meaning. In The Sacred Hoop, Paula Gunn Allen, a Native poet, mythologist, and scholar, explains that Serpent Woman was one of the names of the quintessential original spirit “that pervades everything, that is capable of powerful song and radiant movement, and that moves in and out of the mind…she is both Mother and Father to all people and all creatures. She is the only creator of thought, and thought precedes creation.” In Western mythology, she might be compared to Medusa, the serpent-haired Greek goddess whose name means Knowing Woman or Protectress. She once was all-powerful—until patriarchy came along in the form of a mythic young man who chopped off her head. He was told to do this by Athena, who sprang full-blown from the mind of her father, Zeus—a goddess thought up by patriarchy and therefore motherless. There is history in what is dismissed as prehistory.
Gloria Steinem (My Life on the Road)
One time I sat down in a bath where there was a beautiful girl sitting with a guy who didn’t seem to know her. Right away I began thinking, “Gee! How am I gonna get started talking to this beautiful nude babe?” I’m trying to figure out what to say, when the guy says to her, “I’m, uh, studying massage. Could I practice on you?” “Sure,” she says. They get out of the bath and she lies down on a massage table nearby. I think to myself, “What a nifty line! I can never think of anything like that!” He starts to rub her big toe. “I think I feel it,” he says. “I feel a kind of dent—is that the pituitary?” I blurt out, “You’re a helluva long way from the pituitary, man!” They looked at me, horrified—I had blown my cover—and said, “It’s reflexology!” I quickly closed my eyes and appeared to be meditating. That’s just an example of the kind of things that overwhelm me. I also looked into extrasensory perception and PSI phenomena, and the latest craze there was Uri Geller, a man who is supposed to be able to bend keys by rubbing them with his finger. So I went to his hotel room, on his invitation, to see a demonstration of both mindreading and bending keys. He didn’t do any mindreading that succeeded; nobody can read my mind, I guess. And my boy held a key and Geller rubbed it, and nothing happened. Then he told us it works better under water, and so you can picture all of us standing in the bathroom with the water turned on and the key under it, and him rubbing the key with his finger. Nothing happened. So I was unable to investigate that phenomenon.
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
Finally, as the sky began to grow light in the morning, I’d feel that I might be drifting off. But that wasn’t sleep. My fingertips were just barely brushing against the outermost edge of sleep. And all the while, my mind was awake. I would feel a hint of drowsiness, but my mind was there, in its own room, on the other side of a transparent wall, watching me. My physical self was drifting through the feeble morning light, and all the while it could feel my mind staring, breathing, close beside it. I was both a body on the verge of sleep and a mind determined to stay awake. The incomplete drowsiness would continue on and off all day. My head was always foggy. I couldn’t get an accurate fix on the things around me—their distance or mass or texture. The drowsiness would overtake me at regular, wavelike intervals: on the subway, in the classroom, at the diner table. My mind would slip away from my body. The world would sway soundlessly. I would drop things. My pencil or my purse or my fork would clatter to the floor. All I wanted was to throw myself down and sleep. But I couldn’t. The wakefulness was always there beside me. I could feel its chilling shadow. It was the shadow of myself. Weird, I would think as the drowsiness overtook me, I’m in my own shadow. I would walk and eat and talk to people inside my drowsiness. And the strangest thing was that no one noticed. I lost fifteen pounds that month, and no one noticed. No one in my family, not one of my friends or classmates, realized that I was going through life asleep. It was literally true: I was going through life asleep. My body had no more feeling than a drowned corpse. My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think that my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. Hold tight, I would tell myself, but there was nothing for me to hold on to.
Haruki Murakami (The Elephant Vanishes)
Monstrous Sea Private Message 2:54 p.m. 28 - Oct -16 rainmaker: Hey, it’s Wallace. Please tell me I blew your mind again. You make the best face when your mind is being blown. MirkerLurker: Whoa that sounded dirty. rainmaker: Too much? MirkerLurker: Ummmmmmmmmm rainmaker: Too much. Noted. MONSTROUS SEA FORUMS USER PROFILE rainmaker * Fanfiction Moderator AGE: Not telling you LOCATION: NO INTERESTS: MS. Writing things.Campfires. Sweaters. Sleeping in. Dogs. Followers 1,350,199 | Following 54 | Posts 9,112 [Unique Works 144] UPDATES View earlier updates Oct 20 2016 The next chapter of the Auburn Blue fanfic will probably be a little late. Just started at the new school. So, that’s fun. Oct 21 2016 Thanks to @joojooboogee for my new avatar! #DallasRainerForever Oct 23 2016 If math homework were a real person, I’d be doing 25 to life. #Mathslaughter Oct 24 2016 There might actually be other MS fans at this school. THANK JESUS I’M SAVED. Oct 26 2016 Life is destroying me today. No time to write. Stupid math. #Mathslaughter Oct 27 2016 Definitely another MS fan at this school. Pros: Awesome; Not alone; Pretty girl. Cons: Pretty girl. #Fuuuuuuuuck Oct 28 2016 Heyyyy let’s not talk about the pretty girl anymore okay she’s probably looking at this.
Francesca Zappia (Eliza and Her Monsters)
Feeling stressed and feeling overwhelmed seem to be related to our perception of how we are coping with our current situation and our ability to handle the accompanying emotions: Am I coping? Can I handle this? Am I inching toward the quicksand? Jon Kabat-Zinn describes overwhelm as the all-too-common feeling “that our lives are somehow unfolding faster than the human nervous system and psyche are able to manage well.” This really resonates with me: It’s all unfolding faster than my nervous system and psyche can manage it. When I read that Kabat-Zinn suggests that mindful play, or no-agenda, non-doing time, is the cure for overwhelm, it made sense to me why, when we were blown at the restaurant, we weren’t asked to help problem-solve the situation. We were just asked to engage in non-doing. I’m sure experience taught the managers that doing nothing was the only way back for someone totally overwhelmed. The non-doing also makes sense—there is a body of research that indicates that we don’t process other emotional information accurately when we feel overwhelmed, and this can result in poor decision making. In fact, researcher Carol Gohm used the term “overwhelmed” to describe an experience where our emotions are intense, our focus on them is moderate, and our clarity about exactly what we’re feeling is low enough that we get confused when trying to identify or describe the emotions. In other words: On a scale of 1 to 10, I’m feeling my emotions at about 10, I’m paying attention to them at about 5, and I understand them at about 2. This is not a setup for successful decision making. The big learning here is that feeling both stressed and overwhelmed is about our narrative of emotional and mental depletion—there’s just too much going on to manage effectively.
Brené Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)
Bereavement is useful; full-blown depression is not. William Styron renders an eloquent description of “the many dreadful manifestations of the disease,” among them self-hatred, a sense of worthlessness, a “dank joylessness” with “gloom crowding in on me, a sense of dread and alienation and, above all, a stifling anxiety.”14 Then there are the intellectual marks: “confusion, failure of mental focus and lapse of memories,” and, at a later stage, his mind “dominated by anarchic distortions,” and “a sense that my thought processes were engulfed by a toxic and unnameable tide that obliterated any enjoyable response to the living world.” There are the physical effects: sleeplessness, feeling as listless as a zombie, “a kind of numbness, an enervation, but more particularly an odd fragility,” along with a “fidgety restlessness.” Then there is the loss of pleasure: “Food, like everything else within the scope of sensation, was utterly without savor.” Finally, there was the vanishing of hope as the “gray drizzle of horror” took on a despair so palpable it was like physical pain, a pain so unendurable that suicide seemed a solution. In such major depression, life is paralyzed; no new beginnings emerge. The very symptoms of depression bespeak a life on hold. For
Daniel Goleman (Emotional Intelligence)
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
I can’t find out anything, but I’ve put together a network. I’ll find her.” “The thing is, she doesn’t want to be found. That isn’t going to make things any easier.” He didn’t want to ask, but he had to know. “Why doesn’t she want to be found?” “Because you’re marrying Audrey at Christmas,” Colby said simply. “I’m not marrying Audrey,” came the sort reply. “I never meant to marry Audrey. She outflanked me while I was getting used to the idea of being a media snack.” “Well, Cecily doesn’t know that,” Colby replied. “Great,” he muttered. “That’s just great. I leave the country and come home to find myself engaged to a woman I wouldn’t have, at any price!” “That’s not the only reason Cecily left,” Colby said tersely. “She knew you wouldn’t forgive her for not telling you about Matt Holden.” Tate ran a hand through his hair, missing the former length of it. “I’ve had a rough few weeks.” “So has she,” the other man said curtly. “She could have told me about my mother and Holden!” “Cecily gives her word and keeps it. There aren’t a lot of people on the planet who could make that claim. She promised the senator she wouldn’t tell you anything.” The senator. His father. Tate paced with the phone to his ear, his mind busy with possible places she might have gone to. “She might have told my mother where she was going.” “I’d bet good money that she didn’t,” Colby returned immediately. “She doesn’t want you to find her.” Tate stopped pacing. He scowled. “She doesn’t want me to find her?” “Actually, she doesn’t want any of us to find her. Especially you.” Tate’s eyes narrowed thoughtfully. “Any particular reason for that? Other than what I already know?” “Oh, boy.” Colby made a rough sound in his throat. “I still don’t think I should tell you. But if something should happen to her…” “Damn you, tell me!” Colby took a breath and went for broke. “All right. Cecily’s pregnant. That’s why she ran.” “You son of a bitch!” The phone slammed down so hard that Colby shuddered at the noise. He put the receiver down with a grimace. He shouldn’t have blown Cecily’s cover. But what else could he do? She was pregnant and alone and an attempt had been made on her life. It Tate wasn’t told, and Cecily was hurt or lost the baby, he might never get over it. That went double for Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Do not worry,” the Rebbe told me, or rather I told myself using the image of that aged Jew who was dressed as a rabbi. “Loneliness means not knowing how to be with oneself.” Of course, I do not mean to imply that a child of seven years can speak in such a fashion. But I understood these things, albeit not in a rational manner. The Rebbe, being an internal image, put things into my mind that were not intellectual. He made me feel something that I swallowed, in the way that a newly hatched eaglet, its eyes still closed, swallows the worm that is placed in its beak. Much later as an adult I began to find words to translate things that were, at that young age—how can I explain it?—openings into other planes of reality. “You are not alone. Remember last week when you were surprised to see a sunflower growing in the courtyard? You concluded that the wind had blown a seed there. A seed, though it looks insignificant, contains the future flower. This seed somehow knew what plant it was going to be, and this plant was not just in the future: although immaterial, although only a design, the sunflower existed there, in that seed, blowing in the wind over hundreds of kilometers. And not only was the plant there, but also the love of light, the turning in search of the sun, the mysterious union with the pole star, and—why not?—a form of consciousness. You are not different. All that you are going to be, you are. What you will know, you already know. What you will search for, you are already seeking: it is in you. I may not be real, but the old man who you now see, although he has my inconsistent appearance, is real because he is you, which is to say, he is what you will be.
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.
Annie Dillard (Pilgrim at Tinker Creek)
Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....
Helene Andorre Hinson Staley