Miller Time Quotes

We've searched our database for all the quotes and captions related to Miller Time. Here they are! All 100 of them:

There was more to say, but for once we did not say it. There would be other times for speaking, tonight and tomorrow and all the days after that. He let go of my hand.
Madeline Miller (The Song of Achilles)
Odysseus inclines his head. "True. But fame is a strange thing. Some men gain glory after they die, while others fade. What is admired in one generation is abhorred in another." He spread his broad hands. "We cannot say who will survive the holocaust of memory. Who knows?" He smiles. "Perhaps one day even I will be famous. Perhaps more famous than you.
Madeline Miller (The Song of Achilles)
I may think of you softly from time to time. But I’ll cut off my hand before I ever reach for you again.
Arthur Miller (The Crucible)
The noir hero is a knight in blood caked armor. He's dirty and he does his best to deny the fact that he's a hero the whole time.
Frank Miller
Reading changes your life. Reading unlocks worlds unknown or forgotten, taking travelers around the world and through time. Reading helps you escape the confines of school and pursue your own education. Through characters – the saints and the sinners, real or imagined – reading shows you how to be a better human being.
Donalyn Miller (The Book Whisperer: Awakening the Inner Reader in Every Child)
And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
On the meridian of time, there is no injustice: there is only the poetry of motion creating the illusion of truth and drama.
Henry Miller (Tropic of Cancer (Tropic, #1))
I survived because I remained soft, because I listened, because I wrote. Because I huddled close to my truth, protected it like a tiny flame in a terrible storm. Hold up your head when the tears come, when you are mocked, insulted, questioned, threatened, when they tell you you are nothing, when your body is reduced to openings. The journey will be longer than you imagined, trauma will find you again and again. Do not become the ones who hurt you. Stay tender with your power. Never fight to injure, fight to uplift. Fight because you know that in this life, you deserve safety, joy, and freedom. Fight because it is your life. Not anyone else’s. I did it, I am here. Looking back, all the ones who doubted or hurt or nearly conquered me faded away, and I am the only one standing. So now, the time has come. I dust myself off, and go on.
Chanel Miller (Know My Name: A Memoir)
Chris: I don't know why it is, but every time I reach out for something I want, I have to pull back because other people will suffer.
Arthur Miller (All My Sons)
...to be in a relationship with God is to be loved purely and furiously. And a person who thinks himself unlovable cannot be in a relationship with God because he can't accept who God is; a Being that is love. We learn that we are lovable or unlovable from other people...That is why God tells us so many times to love each other.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
DWIGHT: Stay smart. Stay cool. It's time to prove to you're friends that you're worth a damn. Sometimes that means dying. Sometimes it means killing a whole lot of people.
Frank Miller (Sin City, Vol. 3: The Big Fat Kill (Sin City, #3))
Anaïs, I don't know how to tell you what I feel. I live in perpetual expectancy. You come and the time slips away in a dream. It is only when you go that I realize completely your presence. And then it is too late. You numb me. [...] This is a little drunken, Anaïs. I am saying to myself "here is the first woman with whom I can be absolutely sincere." I remember your saying - "you could fool me, I wouldn't know it." When I walk along the boulevards and think of that. I can't fool you - and yet I would like to. I mean that I can never be absolutely loyal - it's not in me. I love women, or life, too much - which it is, I don't know. But laugh, Anaïs, I love to hear you laugh. You are the only woman who has a sense of gaiety, a wise tolerance - no more, you seem to urge me to betray you. I love you for that. [...] I don't know what to expect of you, but it is something in the way of a miracle. I am going to demand everything of you - even the impossible, because you encourage it. You are really strong. I even like your deceit, your treachery. It seems aristocratic to me.
Henry Miller (A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953)
Then I learned that I could bend the world to my will, as a bow is bent for an arrow. I would have done that toil a thousand times to keep such power in my hands.
Madeline Miller (Circe)
If it is very painful for you to criticize your friends, you are safe in doing it. But if you take the slightest pleasure in it, that is the time to hold your tongue
Alice Miller
There is something beautiful about a billion stars held steady by a God who knows what He is doing. (They hang there, the stars, like notes on a page of music, free-form verse, silent mysteries swirling in the blue like jazz.) And as I lay there, it occurred to me that God is up there somewhere. Of course, I had always known He was, but this time I felt it, I realized it, the way a person realizes they are hungry or thirsty. The knowledge of God seeped out of my brain and into my heart. I imagined Him looking down on this earth, half angry because His beloved mankind had cheated on Him, had committed adultery, and yet hopelessly in love with her, drunk with love for her.
Donald Miller
Try it on." "It's probably a little snug. Marcie tends to buy down when it comes to sizing." He merely smiled. "It has a slit up the thigh." His smile depened. "Zip it up?" Patch's eyes made a slow assessment of me, sharpening to vivid black. "I'm going to have a hard time sending you off with Scott in that dress. Just a heads-up, if you come home and the dress looks even slightly tampered with, I will track Scott down, and when I find him, it won't be pretty.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
The best way to take control over a people and control them utterly is to take a little of their freedom at a time, to erode rights by a thousand tiny and almost imperceptible reductions. In this way, the people will not see those rights and freedoms being removed until past the point at which these changes cannot be reversed.
Pat Miller (Willfully Ignorant)
I believe the greatest trick of the devil is not to get us into some sort of evil but rather have us wasting time. This is why the devil tries so hard to get Christians to be religious. If he can sink a man's mind into habit, he will prevent his heart from engaging God. I was into habit.
Donald Miller
I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don't want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can't I say that, Willy?
Arthur Miller (Death of a Salesman)
And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it? It might be time for you to go. It might be time to change, to shine out. I want to repeat one word for you: Leave. Roll the word around on your tongue for a bit. It is a beautiful word, isn't it? So strong and forceful, the way you have always wanted to be. And you will not be alone. You have never been alone. Don't worry. Everything will still be here when you get back. It is you who will have changed.
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
For there is only one great adventure and that is inward toward the self, and for that, time nor space nor even deeds matter.
Henry Miller (Tropic of Capricorn (Tropic, #2))
All four of us gasped at the same time—the tree reached the ceiling and curled down at least a foot! What were we to do now?
Larada Horner-Miller (Hair on Fire: A Heartwarming & Humorous Christmas Memoir)
There will be more calamities, more death, more despair. Not the slightest indication of a change anywhere. The cancer of our time is eating us away. Our heroes have killed themselves, or are killing themselves.
Henry Miller (Tropic of Cancer (Tropic, #1))
When you live on your own for a long time, however, your personality changes because you go so much into yourself you lose the ability to be social, to understand what is and isn't normal behavior. There is an entire world inside yourself, and if you let yourself, you can get so deep inside it you will forget the way to the surface. Other people keep our souls alive, just like food and water does with our body.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
It is funny,” she said, “that even after all this time, you still believe you should be rewarded, just because you have been obedient. I thought you would have learned that lesson in our father’s halls. None shrank and simpered as you did, and yet great Helios stepped on you all the faster, because you were already crouched at his feet.
Madeline Miller (Circe)
Without realizing that the past is constantly determining their present actions, they avoid learning anything about their history. They continue to live in their repressed childhood situation, ignoring the fact that is no longer exists, continuing to fear and avoid dangers that, although once real, have not been real for a long time.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
This is not a book in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty... what you will.
Henry Miller (Tropic of Cancer (Tropic, #1))
Of all the mortals on the earth, there are only a few the gods will ever hear of. Consider the practicalities. By the time we learn their names, they are dead. They must be meteors indeed to catch our attention. The merely good: you are dust to us.
Madeline Miller (Circe)
The cancer of time is eating us away
Henry Miller (Tropic of Cancer (Tropic, #1))
I will give you this, my love, and I will not bargain or barter any longer. I will love you, as sure as He has loved me. I will discover what I can discover and though you remain a mystery, save God's own knowledge, what I disclose of you I will keep in the warmest chamber of my heart, the very chamber where God has stowed Himself in me. And I will do this to my death, and to death it may bring me. I will love you like God, because of God, mighted by the power of God. I will stop expecting your love, demanding you love, trading for your love, gaming for your love. I will simply love. I am giving myself to you, and tomorrow I will do it again. I suppose the clock itself will wear thin its time before I am ended at this altar of dying and dying again. God risked Himself on me. I will risk myself on you. And together, we will learn to love, and perhaps then, and only then, understand this gravity that drew Him, unto us.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
I know this will be a shock as you’ve just arrived, but I have decided to resign. It seems our timing is off.
Karl Braungart (Lost Identity (Remmich/Miller, #1))
He saw that science had become as great a hoax as religion, that nationalism was a farce, patriotism a fraud, education a form of leprosy, and that morals were for cannibals
Henry Miller (The Time of the Assassins: A Study of Rimbaud)
Who but the artist has the power to open man up, to set free the imagination? The others - priest, teacher, saint, statesman, warrior - hold us to the path of history. They keep us chained to the rock, that the vultures may eat out our hearts. It is the artist who has the courage to go against the crowd; he is the unrecognized "hero of our time" - and of all time.
Henry Miller (Stand Still Like the Hummingbird)
And there is a time, glorious too in its own way, when one scarcely exists, when one is a complete void. I mean, when boredom seems the very stuff of life.
Henry Miller
Every time you come to the limit of what is demanded of you, you are faced with the same problem-to be yourself!
Henry Miller (Tropic of Capricorn (Tropic, #2))
I am calling to tell you that Colonel Yildiz has made travel arrangements for you, Tara, and me. We are flying to Istanbul tomorrow. I’ll call you back and with the departure time. Do you understand?
Karl Braungart (Counter Identity (Remmich/Miller, #2))
1) Work on one thing at a time until finished. 2) Start no more new books, add no more new material to "Black Spring." 3) Don't be nervous. Work calmly, joyously, recklessly on whatever is in hand. 4) Work according to Program and not according to mood. Stop at the appointed time! 5) When you can't create you can work. 6) Cement a little every day, rather than add new fertilizers. 7) Keep human! See people, go places, drink if you feel like it. 8) Don't be a draught-horse! Work with pleasure only. 9) Discard the Program when you feel like it—but go back to it next day. Concentrate. Narrow down. Exclude. 10) Forget the books you want to write. Think only of the book you are writing. 11) Write first and always. Painting, music, friends, cinema, all these come afterwards.
Henry Miller
I always wondered why survivors understood other survivors so well. Why, even if the details of our attacks vary, survivors can lock eyes and get it without having to explain. Perhaps it is not the particulars of the assault itself that we have in common, but the moment after; the first time you are left alone. Something slipping out of you. Where did I go. What was taken. It is terror swallowed inside silence. An unclipping from the world where up was up and down was down.
Chanel Miller (Know My Name)
You have killed him and taken your vengeance. It is enough.” “It will never be enough,” he says. FOR THE FIRST TIME since my death, he falls into a fitful, trembling sleep. Achilles. I cannot bear to see you grieving. His limbs twitch and shudder. Give us both peace. Burn me and bury me. I will wait for you among the shades.
Madeline Miller (The Song of Achilles)
My most recent faith struggle is not one of intellect. I don’t really do that anymore. Sooner or later you just figure out there are some guys who don’t believe in God and they can prove He doesn't exist, and there are some other guys who do believe in God and they can prove He does exist, and the argument stopped being about God a long time ago and now it’s about who is smarter, and honestly I don’t care.
Donald Miller
You don't have to wait for happiness, because there's no time but now to be happy. You don't have to go somewhere else, because there's no place but here to find it. You don't have to do something else, because there's nothing more to it. You don't have to get something else, because everything you already have is enough. You just have to be happy. ...
Karen Maezen Miller (Momma Zen: Walking the Crooked Path of Motherhood)
I felt free and chained at the same time - like one feels just before election, when all the crooks have been nominated and you are beseeched to vote for the right man.
Henry Miller (Tropic of Cancer (Tropic, #1))
An era can be considered over when its basic illusions have been exhausted.
Arthur Miller
Great drama is great questions or it is nothing but technique. I could not imagine a theater worth my time that did not want to change the world.
Arthur Miller
There isn’t a time set for Nikulin’s transfer. All we know for now is two Iraqi agents are going to Amsterdam—at least we think it’s that city. And we don’t know when this will occur. I will call you when we find out.
Karl Braungart (Lost Identity (Remmich/Miller, #1))
I didn't give a fuck whether I found anything or not. The thing is, never to be too anxious. Everything comes in due time.
Henry Miller (Tropic of Cancer (Tropic, #1))
the times we worked harder to make the day stand out. our story demanded that we change and so we did.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
A man should begin with his own times. He should become acquainted first of all with the world in which he is living and participating. He should not be afraid of reading too much or too little. He should take his reading as he does his food or his exercise. The good reader will gravitate to the good books. He will discover from his contemporaries what is inspiring or fecundating, or merely enjoyable, in past literature. He should have the pleasure of making these discoveries on his own, in his own way. What has worth, charm, beauty, wisdom, cannot be lost or forgotten. But things can lose all value, all charm and appeal, if one is dragged to them by the scalp.
Henry Miller
It would be a good thing to buy books if one could also buy the time to read them; but one usually confuses the purchase of books with the acquisition of their contents.
Andy Miller (The Year of Reading Dangerously: How Fifty Great Books Saved My Life)
I always knew it would come down to you and the big blue school boy. Planet's too big for the BOTH of you. When it all comes down, I want a piece of him. A small piece, will do? For OLD TIMES, sake, you know..it still hurts when its cold.
Frank Miller
I get here, and I don't know what to do with myself. I've always made a point of not wasting my life, and every time I come back here I know that all I've done is to waste my life
Arthur Miller (Death of a Salesman)
The world around me is dissolving leaving here and there spots of time. The world is a cancer eating itself away.
Henry Miller (Tropic of Cancer (Tropic, #1))
That's the funny thing about life. We're rarely aware of the bullets we dodge. The just-misses. The almost-never-happeneds. We spend so much time worrying about how the future is going to play out and not nearly enough time admiring the precious perfection of the present.
Lauren Miller (Parallel)
[When it comes to God] We can't run out of second chances...only time.
Robin Jones Gunn
Fred: "Is that brick wall your boyfriend?" Doug: "Only in my dreams." Fred: "Oh, you too? I'm Fred." Doug: "Doug. I should mention, in all fairness though that Christy's boyfriend is my best friend. He's the brick wall you should be worried about.
Robin Jones Gunn (A Time to Cherish (Christy Miller, #10))
He paused now, considering. I loved this about him. No matter how many times I had asked, he answered me as if it were the first time.
Madeline Miller (The Song of Achilles)
I've known I was ready to spend the rest of my life with you for a long time, Jamie. I was only waiting for your stubborn butt to realize it, too.
Kelly Oram (More Than Jamie Baker (Jamie Baker, #2))
I would not be able to bear it, I thought. I would seize him, hold him to me. But I only embraced him a final time, pressing hard as if to set him into my skin. Then I watched him take his place among them, stand upon the prow, outlined against the sky. The light darted silver from the waves. I lifted my hand in blessing and gave my son to the world.
Madeline Miller (Circe)
But perhaps this is all to the good. Perhaps it’s best to live with the possibility that around any corner, at any time, may come the person who reminds you of your own capacity to surprise yourself, to put at risk everything that’s dear to you. Who reminds you of the distances we have to bridge to begin to know anything about one another. Who reminds you that what seems to be—even about yourself—may not be. That like him, you need to be forgiven.
Sue Miller (While I Was Gone)
I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think.
Henry Miller (Tropic of Capricorn (Tropic, #2))
You heard him say it? 'Pain's the only evil I know about.' You heard that?" The monk nodded solemnly. "And that society is the only thing that determines whether an act is wrong or not? That too?" "Yes." "Dearest God, how did those two heresies get back into the world after all this time? Hell has limited imaginations down there. 'The serpent deceived me, and I did eat.
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
What we really need is somebody who loves us so much we don’t worry about death, or about [anything for that matter]… We need this; we need this so we can love other people purely and not for selfish gain, we need this so we can see everybody as equals, we need this so our relationships can be sincere, we need this so we can stop kicking ourselves around, we need this so we can lose all self-awareness and find ourselves for the first time, not by realizing some dream, but by being told who we are by the only Being who has the authority to know, by that I mean the Creator.
Donald Miller (Searching for God Knows What)
In this way, writers are indeed, as Henry Miller suggested, traitors to the human race. We may turn a light on inequity, injustice, and oppression from time to time, but we regularly kill what we love in insidious fashion.
Anthony Bourdain (The Best American Travel Writing 2008)
I remember one time - it might have been a couple times - at the Fillmore East in 1970, I was opening for this sorry-ass cat named Steve Miller. Steve Miller didn't have his shit going for him, so I'm pissed because I got to open for this non-playing motherfucker just because he had one or two sorry-ass records out. So I would come late and he would have to go on first and then we got there we smoked the motherfucking place, everybody dug it.
Miles Davis
I spent much of my prison time reading. I must have read over 200 large books, mostly fictional stories about the American pioneers, the Vikings, Mafia, etc. As long as I was engrossed in a book, I was not in prison. Reading was my escape.
Frazier Glenn Miller (A White Man Speaks Out)
I'll tell you how the sun rose A ribbon at a time... It's a living book, this life; it folds out in a million settings, cast with a billion beautiful characters, and it is almost over for you. It doesn't matter how old you are; it is coming to a close quickly, and soon the credits will roll and all your friends will fold out of your funeral and drive back to their homes in cold and still and silence. And they will make a fire and pour some wine and think about how you once were . . . and feel a kind of sickness at the idea you never again will be. So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. You will know by the page count, not by the narrative, that the Author is wrapping things up. You begin to mourn its ending, and want to pace yourself slowly toward its closure, knowing the last lines will speak of something beautiful, of the end of something long and earned, and you hope the thing closes out like last breaths, like whispers about how much and who the characters have come to love, and how authentic the sentiments feel when they have earned a hundred pages of qualification. And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you, about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it?
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
Listen, are we helpless? Are we doomed to do it again and again and again? Have we no choice but to play the Phoenix in an unending sequence of rise and fall? Assyria, Babylon, Egypt, Greece, Carthage, Rome, the Empires of Charlemagne and the Turk: Ground to dust and plowed with salt. Spain, France, Britain, America—burned into the oblivion of the centuries. And again and again and again. Are we doomed to it, Lord, chained to the pendulum of our own mad clockwork, helpless to halt its swing? This time, it will swing us clean to oblivion.
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
Here's the truth about telling stories with your life. It's going to sound like a great idea, and you're going to get excited about it, and then when it comes time to do the work, you're not going to want to do it. It's like that with writing books, and it's like that with life. People love to have lived a great story, but few people like the work it takes to make it happen. But joy costs pain.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
Why do people kill themselves? I think they do it when they can no longer find a reason to keep going. When nothing in heir lives is good enough to balance out the bad. And they do it when they no longer have the courage to carry on past some recent painful experience. They commit what is, in the end, a desperate, final call for help, that is hopefully heard in time by someone else. And what if it's not heard in time? I ask although I know the answer. Then they die.
Mary Beth Miller (Aimee)
My whole life, I had waited for tragedy to find me. I never doubted that it would... A dozen times grief had scorched, but its fire had never burned through my skin. My madness in those days rose from a new certainty: that at last, I had met the thing the gods could use against me.
Madeline Miller (Circe)
Students will read if we give them the books, the time, and the enthusiastic encouragement to do so. If we make them wait for the one unit a year in which they are allowed to choose their own books and become readers, they may never read at all. To keep our students reading, we have to let them.
Donalyn Miller (The Book Whisperer: Awakening the Inner Reader in Every Child)
I will love you like God, because of God, mighted by the power of God. I will stop expecting your love, demanding your love, trading for your love, gaming for your love. I will simply love. I am giving myself to you, and tomorrow I will do it again. I suppose the clock itself will wear thin its time before I am ended at this altar of dying and dying again. God risked Himself on me. I will risk myself on you. And together, we will learn to love, and perhaps then, and only then, understand this gravity that drew Him, unto us.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
Great God! What have I turned into? What right have you people to clutter up my life, steal my time, probe my soul, suckle my thoughts, have me for your companion, confidant, and information bureau? What do you take me for? Am I an entertainer on salary, required every evening to play an intellectual farce under your stupid noses? Am I a slave, bought and paid for, to crawl on my belly in front of you idlers and lay at your feet all that I do and all that I know?
Henry Miller (Tropic of Cancer (Tropic, #1))
The most often repeated commandment in the Bible is 'Do not fear.' It's in there over two hundred times. That means a couple of things, if you think about it. It means we are going to be afraid, and it means we shouldn't let fear boss us around. Before I realized we were supposed to fight fear, I thought of fear as a subtle suggestion in our subconscious designed to keep us safe, or more important, keep us from getting humiliated. And I guess it serves that purpose. But fear isn't only a guide to keep us safe; it's also a manipulative emotion that can trick us into living a boring life.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
When it is recalled that until the Christian era the underworld was never regardded as a hostile area, that all gods were useful and essentially friendly to man despite occasional lapsesl when we see the steady methodical inculcation into humanity of the idea of man's worthlesseness - until redeemed - the necessity of the Devil may become evident as a weapon, a weapon designed and used time and time again in every age to whip men into a surrender to a particular church or church state.
Arthur Miller (The Crucible)
A long time ago, I opened a book, and this is what I found inside: a whole new world. It isn't the world I live in, although sometimes it looks a lot like it. Sometimes, though, it feels closest to my world when it doesn't look like it at all. That world is enormous, yet it all fits inside an everyday object. I don't have to keep everything I find there, but what I choose to take with me is more precious than anything I own, and there is always more where that came from. The world I found was inside a book, and then that world turned out to be made of even more books, each of which led to yet another world. It goes on forever and ever. At nine I thought I must get to Narnia or die. It would be a long time before I understood that I was already there.
Laura Miller (The Magician's Book: A Skeptic's Adventures in Narnia)
*I want to keep walking away from the person I was a moment ago... *So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. *We get one story, you and I, and one story alone....It might be time for you to go. It might be time to change, to shine out.
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
When I was four or five years old, my mom made me a beautiful white dress with red embroidery on the top for Christmas. I remember her laboring over it because sewing didn’t come naturally to her. I tried it on, and the gathered waistline with the fitted bodice just didn’t please her. It didn’t lie the way it should, so she ripped it out several times.
Larada Horner-Miller
Conditioned to ecstasy, the poet is like a gorgeous unknown bird mired in the ashes of thought. If he succeeds in freeing himself, it is to make a sacrificial flight to the sun. His dreams of a regenerate world are but the reverberations of his own fevered pulse beats. He imagines the world will follow him, but in the blue he finds himself alone. Alone but surrounded by his creations; sustained, therefore, to meet the supreme sacrifice. The impossible has been achieved; the duologue of author with Author is consummated. And now forever through the ages the song expands, warming all hearts, penetrating all minds. At the periphery the world is dying away; at the center it glows like a live coal. In the great solar heart of the universe the golden birds are gathered in unison. There it is forever dawn, forever peace, harmony and communion. Man does not look to the sun in vain; he demands light and warmth not for the corpse which he will one day discard but for his inner being. His greatest desire is to burn with ecstasy, to commerge his little flame with the central fire of the universe. If he accords the angels wings so that they may come to him with messages of peace, harmony and radiance from worlds beyond, it is only to nourish his own dreams of flight, to sustain his own belief that he will one day reach beyond himself, and on wings of gold. One creation matches another; in essence they are all alike. The brotherhood of man consists not in thinking alike, nor in acting alike, but in aspiring to praise creation. The song of creation springs from the ruins of earthly endeavor. The outer man dies away in order to reveal the golden bird which is winging its way toward divinity.
Henry Miller (The Time of the Assassins: A Study of Rimbaud)
Writing, like life itself, is a voyage of discovery. The adventure is a metaphysical one: it is a way of approaching life indirectly, of acquiring a total rather than a partial view of the universe. The writer lives between the upper and lower worlds: he takes the path in order eventually to become that path himself. ”I began in absolute chaos and darkness, in a bog or swamp of ideas and emotions and experiences. Even now I do not consider myself a writer, in the ordinary sense of the word. I am a man telling the story of his life, a process which appears more and more inexhaustible as I go on. Like the world-evolution, it is endless. It is a turning inside out, a voyaging through X dimensions, with the result that somewhere along the way one discovers that what one has to tell is not nearly so important as the telling itself. It is this quality about all art which gives it a metaphysical hue, which lifts it out of time and space and centers or integrates it to the whole cosmic process. It is this about art which is ‘therapeutic’: significance, purposefulness, infinitude. ”From the very beginning almost I was deeply aware that there is no goal. I never hope to embrace the whole, but merely to give in each separate fragment, each work, the feeling of the whole as I go on, because I am digging deeper and deeper into life, digging deeper and deeper into past and future. With the endless burrowing a certitude develops which is greater than faith or belief. I become more and more indifferent to my fate, as writer, and more and more certain of my destiny as a man.
Henry Miller (Henry Miller on Writing)
This is not a book. This is libel, slander, defamation of character. This is not a book, in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of Art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty . . . what you will. I am going to sing for you, a little off key perhaps, but I will sing. I will sing while you croak, I will dance over your dirty corpse . . . To sing you must first open your mouth. You must have a pair of lungs, and a little knowledge of music. It is not necessary to have an accordion, or a guitar. The essential thing is to want to sing. This then is a song. I am singing.
Henry Miller (Tropic of Cancer (Tropic, #1))
My eyes have really only been opened since you came into my world. You gave me everything. You made me really want to see what was around me, for the first time in my adult life. You made me want you. You made me want... a life. You were my greatest give of all, Ethan James Blackstone." She reached up to touch my face and held her palm there, her eyes showing me so much of what she felt. I covered her palm on my cheek with my hand. "As you were for me, my beautiful American girl.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
For a hundred generations, I had walked the world drowsy and dull, idle and at my ease. I left no prints, I did no deeds. Even those who had loved me a little did not care to stay. Then I learned that I could bend the world to my will, as a bow is bent for an arrow. I would have done that toil a thousand times to keep such a power in my hands. I thought: this is how Zeus felt when he first lifted the thunderbolt.
Madeline Miller (Circe)
They tell you that if you're assaulted, there's a kingdom, a courthouse, high up on a mountain where justice can be found. Most victims are turned away at the base of the mountain, told they don't have enough evidence to make the journey. Some victims sacrifice everything to make the climb, but are slain along the way, the burden of proof impossibly high. I set off, accompanied by a strong team, who helped carry the weight, until I made it, the summit, the place few victims reached, the promised land. We'd gotten an arrest, a guilty verdict, the small percentage that gets a conviction. It was time to see what justice looked like. We threw open the doors, and there was nothing. It took the breath out of me. Even worse was looking back down to the bottom of the mountain, where I imagined expectant victims looking up, waving cheering, expectantly. What do you see? What does it feel like? What happens when you arrive? What could I tell them? A system does not exist for you. The pain of this process couldn't be worth it. These crimes are not crimes but inconveniences. You can fight and fight and for what? When you are assaulted, run and never look back. This was not one bad sentence. This was the best we could hope for.
Chanel Miller (Know My Name)
We live in a time where it has become difficult to distinguish between the President's words and that of a 19 year old assailant. Society gives women the near impossible task of separating harmlessness from danger, the foresight of knowing what some men are capable of. When we call out assault when we hear it, Trump says, "I don't think you understand. Just words. You are overreacting. Overly offended. Hysterical. Rude. Relax." So we dismiss threatening statements and warning signs, apologizing for our paranoia. We go into a party or a meeting, thinking it's just a party or meeting, but when we are taken advantage of and come crawling back damaged they say, "How could you be so naive? You failed to detect danger, let your guard down. What did you think would happen?" Trump made it clear the game is rigged, the rules keep changing. It doesn't matter what you think is assault because, in the end, he decides.
Chanel Miller (Know My Name)
It occurred to me, as it sometimes does, that this day is over and will never be lived again, that we are only the sum of days, and when those are spent, we will not come back to this place, to this time, to these people and these colors, and I wonder whether to be sad about this or to be happy, to trust that these moments were meant for some kind of enjoyment, as a kind of blessing. And if feels, tonight, as if there is much to think about, there is much we have been given and much we have left behind. The smell of freedom is as brisk as the air through the windows. And there is a feeling that time itself has been curtained by darkness.
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
But pain may be a gift to us. Remember, after all, that pain is one of the ways we register in memory the things that vanish, that are taken away. We fix them in our minds forever by yearning, by pain, by crying out. Pain, the pain that seems unbearable at the time, is memory's first imprinting step, the cornerstone of the temple we erect inside us in memory of the dead. Pain is part of memory, and memory is a God-given gift.
Sue Miller
But you can make you happy, my father's voice repeats over and over as I stare at my ceiling. Have I been trying to do that all this time? Has that other part of me been trying to break through because deep down I know I'll never be happy until... Until what? Until I'm able to freely discuss who I think would win in a battle between Darth Vader and Lord Voldemort? (The answear obviously being Lord Voldemort. He'd Avada Kadavra Vader way before Vader could even think about the force choke move.)
Leah Rae Miller (The Summer I Became a Nerd (Nerd, #1))
I have been a little embarrassed always. But less so the last time. It will all disappear. You have such a delicious sense of humor--I adore that in you. I want always to see you laughing. It belongs to you. I have been thinking of places we ought to go together--little obscure places, here and there, in Paris. Just to say--here I went with Anais--here we ate or danced or got drunk together. Ah, to see you really drunk sometime, that would be a treat! I am almost afraid to suggest it--but Anais, when I think of how you press against me, how eagerly you open your legs and how wet you are, God, it drives me mad to think what you would be like when everything falls away.
Henry Miller
Only a rich cunt can save me now,' he says with an air of utmost weariness. 'One gets tired of chasing after new cunts all the time. It gets mechanical. The trouble is, you see, I can't fall in love. I'm too much of an egoist. Women only help me to dream, that's all. It's a vice, like drink or opium. I've got to have a new one every day; if I don't I get morbid. I think too much. Sometimes I'm amazed at myself, how quick I pull it off — and how little it really means. I do it automatically like. Sometimes I'm not thinking about a woman at all, but suddenly I notice a woman looking at me and then, bango! it starts all over again. Before I know what I'm doing I've got her up to the room. I don't even remember what I say to them. I bring them up to the room, give them a pat on the ass, and before I know what it's all about it's over. It's like a dream.... Do you know what I mean?
Henry Miller (Tropic of Cancer (Tropic, #1))
On the meridian of time there is no injustice: there is only the poetry of motion creating the illusion of truth and drama. If at any moment anywhere one comes face to face with the absolute, that great sympathy which makes men like Gautama and Jesus seem divine freezes away; the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured―disgrace, humiliation, poverty, war, crime, ennui―in the belief that overnight something will occur, a miracle, which will render life tolerable.
Henry Miller (Tropic of Cancer (Tropic, #1))
Imagine you’re walking down the street eating a sandwich and someone says, Damn, that looks like a delicious sandwich, can I have a bite? You’d think, why would I ever let you eat this sandwich? This is my sandwich. So you’d walk on and continue eating, and they’d say, What? You’re not going to say anything? No need to get mad, I was just trying to compliment your sandwich. Let’s say this happened three times a day, strangers stopping you on the street, letting you know how good your food looks, asking if they can have some of it. What if people started yelling out of their cars about how much they wanted your sandwich. Let me have some! they’d exclaim, driving by with a honk. Were you supposed to say, I’m sorry, no thank you, every time? Would you feel obligated to explain over and over again that you don’t wish to share because it’s your lunch and you don’t know them? That you don’t owe them any of it? That it’s a little unreasonable that they’re asking in the first place? All you would want is to walk down the street eating your sandwich in peace. Maybe I am making this worse by comparing a woman’s body to a sandwich, but do you see what I mean?
Chanel Miller (Know My Name: A Memoir)
Most people think Marv is crazy, but I don't believe that. I'm no shrink and I'm not saying I've got Marv all figured out or anything, but "crazy" just doesn't explain him. Not to me. Sometimes I think he's retarded, a big, brutal kid who never learned the ground rules about how people are supposed to act around each other. But that doesn't have the right ring to it either. No, it's more like there's nothing wrong with Marv, nothing at all--except that he had the rotten luck of being born at the wrong time in history. He'd have been okay if he'd been born a couple of thousand years ago. He'd be right at home on some ancient battlefield, swinging an ax into somebody's face. Or in a roman arena, taking a sword to other gladiators like him. They'd have tossed him girls like Nancy, back then.
Frank Miller (Sin City, Vol. 2: A Dame to Kill For (Sin City, #2))
Imagine a young Isaac Newton time-travelling from 1670s England to teach Harvard undergrads in 2017. After the time-jump, Newton still has an obsessive, paranoid personality, with Asperger’s syndrome, a bad stutter, unstable moods, and episodes of psychotic mania and depression. But now he’s subject to Harvard’s speech codes that prohibit any “disrespect for the dignity of others”; any violations will get him in trouble with Harvard’s Inquisition (the ‘Office for Equity, Diversity, and Inclusion’). Newton also wants to publish Philosophiæ Naturalis Principia Mathematica, to explain the laws of motion governing the universe. But his literary agent explains that he can’t get a decent book deal until Newton builds his ‘author platform’ to include at least 20k Twitter followers – without provoking any backlash for airing his eccentric views on ancient Greek alchemy, Biblical cryptography, fiat currency, Jewish mysticism, or how to predict the exact date of the Apocalypse. Newton wouldn’t last long as a ‘public intellectual’ in modern American culture. Sooner or later, he would say ‘offensive’ things that get reported to Harvard and that get picked up by mainstream media as moral-outrage clickbait. His eccentric, ornery awkwardness would lead to swift expulsion from academia, social media, and publishing. Result? On the upside, he’d drive some traffic through Huffpost, Buzzfeed, and Jezebel, and people would have a fresh controversy to virtue-signal about on Facebook. On the downside, we wouldn’t have Newton’s Laws of Motion.
Geoffrey Miller
When society questions a victim’s reluctance to report, I will be here to remind you that you ask us to sacrifice our sanity to fight outdated structures that were designed to keep us down. Victims do not have the time for this. Victims are also students, teachers, parents, who can’t give up work or education. The average adult can barely find time to renew their license at the DMV. It is not reasonable to casually demand that victims put aside their lives to spend more time pursuing something they never asked for in the first place. This is not about the victims’ lack of effort. This is about society’s failure to have systems in place in which victims feel there’s a probable chance of achieving safety, justice, and restoration rather than being retraumatized, publicly shamed, psychologically tormented, and verbally mauled. The real question we need to be asking is not, Why didn’t she report, the question is, Why would you?
Chanel Miller (Know My Name: A Memoir)
I turn to look at him. His face is smooth, without the blotches and spots that have begun to afflict the other boys. His features are drawn with a firm hand; nothing awry or sloppy, nothing too large—all precise, cut with the sharpest of knives. And yet the effect itself is not sharp. He turns and finds me looking at him. “What?” he says. “Nothing.” I can smell him. The oils that he uses on his feet, pomegranate and sandalwood; the salt of clean sweat; the hyacinths we had walked through, their scent crushed against our ankles. Beneath it all is his own smell, the one I go to sleep with, the one I wake up to. I cannot describe it. It is sweet, but not just. It is strong but not too strong. Something like almond, but that still is not right. Sometimes, after we have wrestled, my own skin smells like it. He puts a hand down, to lean against. The muscles in his arms curve softly, appearing and disappearing as he moves. His eyes are deep green on mine. My pulse jumps, for no reason I can name. He has looked at me a thousand thousand times, but there is something different in this gaze, an intensity I do not know. My mouth is dry, and I can hear the sound of my throat as I swallow. He watches me. It seems that he is waiting. I shift, an infinitesimal movement, towards him. It is like the leap from a waterfall. I do not know, until then, what I am going to do. I lean forward and our lips land clumsily on each other. They are like the fat bodies of bees, soft and round and giddy with pollen. I can taste his mouth—hot and sweet with honey from dessert. My stomach trembles, and a warm drop of pleasure spreads beneath my skin. More.
Madeline Miller (The Song of Achilles)
ALONE One of my new housemates, Stacy, wants to write a story about an astronaut. In his story the astronaut is wearing a suit that keeps him alive by recycling his fluids. In the story the astronaut is working on a space station when an accident takes place, and he is cast into space to orbit the earth, to spend the rest of his life circling the globe. Stacy says this story is how he imagines hell, a place where a person is completely alone, without others and without God. After Stacy told me about his story, I kept seeing it in my mind. I thought about it before I went to sleep at night. I imagined myself looking out my little bubble helmet at blue earth, reaching toward it, closing it between my puffy white space-suit fingers, wondering if my friends were still there. In my imagination I would call to them, yell for them, but the sound would only come back loud within my helmet. Through the years my hair would grow long in my helmet and gather around my forehead and fall across my eyes. Because of my helmet I would not be able to touch my face with my hands to move my hair out of my eyes, so my view of earth, slowly, over the first two years, would dim to only a thin light through a curtain of thatch and beard. I would lay there in bed thinking about Stacy's story, putting myself out there in the black. And there came a time, in space, when I could not tell whether I was awake or asleep. All my thoughts mingled together because I had no people to remind me what was real and what was not real. I would punch myself in the side to feel pain, and this way I could be relatively sure I was not dreaming. Within ten years I was beginning to breathe heavy through my hair and my beard as they were pressing tough against my face and had begun to curl into my mouth and up my nose. In space, I forgot that I was human. I did not know whether I was a ghost or an apparition or a demon thing. After I thought about Stacy's story, I lay there in bed and wanted to be touched, wanted to be talked to. I had the terrifying thought that something like that might happen to me. I thought it was just a terrible story, a painful and ugly story. Stacy had delivered as accurate a description of a hell as could be calculated. And what is sad, what is very sad, is that we are proud people, and because we have sensitive egos and so many of us live our lives in front of our televisions, not having to deal with real people who might hurt us or offend us, we float along on our couches like astronauts moving aimlessly through the Milky Way, hardly interacting with other human beings at all.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap. To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…
Henry Miller (Sexus (The Rosy Crucifixion, #1))
Every time you come to the limit of what is demanded of you, you are faced with the same problem - to be yourself! And with the first step you make in this direction you realize that there is neither plus nor minus; you throw the skates away and swim. There is no suffering any more because there is nothing which can threaten your security. And there is no desire to be of help to others even, because why rob them of a privilege which must be earned? Life stretches out from moment to moment in stupendous infinitude. Nothing can be more real than what you suppose it to be. Whatever you think the cosmos to be it is and it could not possibly be anything else as long as you are you and I am I. You live in the fruits of your action and your action is the harvest of your thought. Thought and action are one, because swimming you are in it and of it, and it is everything you desire it to be, no more, no less. Every stroke counts for eternity. The heating and cooling system is one system, and Cancer is separated from Capricorn only by an imaginary line. You don't become ecstatic and you are not plunged into violent grief; you don't pray for rain, neither do you dance a jig. You live like a happy rock in the midst of the ocean: you are fixed while everything about you is in turbulent motion. You are fixed in a reality which permits the thought that nothing is fixed, that even the happiest and mightiest rock will one day be utterly dissolved and fluid as the ocean from which it was born.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just because you can’t think with your upstairs brain.” “No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else. “You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t. You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith in him, but Ryan couldn’t stop there. Oh, no, not Ryan Miller. “After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed, smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much, you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much. When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me, leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule. It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you? I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up. “Sorry,” I breathed as he pulled away. “Don’t be sorry,” he teased. “Just stop.” “Sorry,” I said again when I noticed that his leg was now bouncing under the table. “Yeah. Looks like I don’t get to sleep through economics today.” “On the bright side, Coach could make you run laps all practice long and you’d be fine.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))