Miller's Girl Quotes

We've searched our database for all the quotes and captions related to Miller's Girl. Here they are! All 100 of them:

Little girls don’t stay little forever, Kyle Stephens said. They turn into strong women who return to destroy your world.
Chanel Miller (Know My Name: A Memoir)
I think if you like somebody you have to tell them. It might be embarrassing to say it, but you will never regret stepping up. I know from personal experience, however, that you should not keep telling a girl that you like her after she tells you she isn't into it. You should not keep riding your bike by her house either.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
You big crybaby," I whispered into his ear. "Now you know why your mom warned you not to hit girls. Sometimes they hit back.
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
And finally, to girls everywhere, I am with you. On nights when you feel alone, I am with you. When people doubt you or dismiss you, I am with you. I fought everyday for you. So never stop fighting, I believe you.
Chanel Miller
Art can permeate the very deepest part of us, where no words exist.
Eileen Miller (The Girl Who Spoke with Pictures: Autism Through Art)
Autism: Where the "randomness of life" collides and clashes with an individual"s need for the sameness~
Eileen Miller (The Girl Who Spoke with Pictures: Autism Through Art)
The first rule of Bi Club is that you can talk about Bi Club all you want, because most people won't believe it's real anyway.
Lindsay King-Miller (Ask a Queer Chick: A Guide to Sex, Love, and Life for Girls Who Dig Girls)
And your life,' Katie said to Christy, 'is turning into a rather predictable romance. Girl meets boy. Boy is a dork for four years. Girl blossoms into a gorgeous woman. Boy finds his brain. Girl turns into starry-eyed mush head.
Robin Jones Gunn (In Your Dreams (Sierra Jensen, #2))
I know I'm a bit rough around the edges and I know I've trampled my way through your life, but I do love you with all of my heart. Never doubt that. You're my girl, and I want you and I need you with me forever.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
You in the back," said the principal. "Don't think you can hide. Tell me. What would you like to be?" "Dangerous," said the hidden girl, without a second's hesitation.
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
In reference to Einstein's definition of insanity... No Mr. Einstein, that is not insanity, that is autism.
Eileen Miller (The Girl Who Spoke with Pictures: Autism Through Art)
What work you do! It's strange work for a Christian girl to hang old women!
Arthur Miller (The Crucible: A Play in Four Acts)
When actors are too good-looking, I can’t memorize them. For example, I have never seen a picture of Sienna Miller where I didn’t say, “That girl’s pretty. Who is that?
Tina Fey (Bossypants)
I've always found that one of the biggest benefits of being a girl is that most people refuse to take you seriously. While boys must be constantly monitored and are always the first suspects when anything goes wrong, everyone expects girls to do what they're told. It may seem a little insulting at first, but low expectations can be a blessing in disuise. If you're smart, you can use people's foolishness to your own advantage. It's amazing what you can get away with when no one bothers watching.
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
That picture changed everything. I was not the same after I saw it and I couldn’t go back to the man I’d been before seeing it either. Not after we met that night on the street. My whole world altered because of a photograph. A photograph of my beautiful American girl.
Raine Miller (Naked (The Blackstone Affair, #1))
Travel is little beds and cramped bathrooms. It’s old television sets and slow Internet connections. Travel is extraordinary conversations with ordinary people. It’s waiters, gas station attendants, and housekeepers becoming the most interesting people in the world. It’s churches that are compelling enough to enter. It’s McDonald’s being a luxury. It’s the realization that you may have been born in the wrong country. Travel is a smile that leads to a conversation in broken English. It’s the epiphany that pretty girls smile the same way all over the world. Travel is tipping 10% and being embraced for it. Travel is the same white T-shirt again tomorrow. Travel is accented sex after good wine and too many unfiltered cigarettes. Travel is flowing in the back of a bus with giggly strangers. It’s a street full of bearded backpackers looking down at maps. Travel is wishing for one more bite of whatever that just was. It’s the rediscovery of walking somewhere. It’s sharing a bottle of liquor on an overnight train with a new friend. Travel is “Maybe I don’t have to do it that way when I get back home.” It’s nostalgia for studying abroad that one semester. Travel is realizing that “age thirty” should be shed of its goddamn stigma.
Nick Miller
Since Henry Miller's Tropic books, of course, it has become difficult to talk sensibly about girls' c*nts.
Martin Amis (The Rachel Papers)
We are the centuries... We have your eoliths and your mesoliths and your neoliths. We have your Babylons and your Pompeiis, your Caesars and your chromium-plated (vital-ingredient impregnated) artifacts. We have your bloody hatchets and your Hiroshimas. We march in spite of Hell, we do – Atrophy, Entropy, and Proteus vulgaris, telling bawdy jokes about a farm girl name of Eve and a traveling salesman called Lucifer. We bury your dead and their reputations. We bury you. We are the centuries. Be born then, gasp wind, screech at the surgeon’s slap, seek manhood, taste a little godhood, feel pain, give birth, struggle a little while, succumb: (Dying, leave quietly by the rear exit, please.) Generation, regeneration, again, again, as in a ritual, with blood-stained vestments and nail-torn hands, children of Merlin, chasing a gleam. Children, too, of Eve, forever building Edens – and kicking them apart in berserk fury because somehow it isn’t the same. (AGH! AGH! AGH! – an idiot screams his mindless anguish amid the rubble. But quickly! let it be inundated by the choir, chanting Alleluias at ninety decibels.)
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
They were not asked to adhere to the same rules. If there were countless guidelines women had to follow; cover your drink, stick close to others, don't wear short skirts. Their behaviour was the constant, while we were the variable expected to change. When did it become our job to do all the preventing and managing? And if houses existed where many girls got hurt, shouldn't we hold guys to a higher standard instead of reprimanding the girl? Why was passing out considered more reprehensible than fingering the passed out person?
Chanel Miller (Know My Name)
I can't swallow another drop of soda by this point because the carbonation is burning my throat. "Oh really? Well..." I trail off as I feel bubbling at the base of my throat. This is not good. Before I can stop myself, I let out the biggest burp I've ever, ever, ever had. I slap a hand over my mouth and stare at Logan whose eyebrows have reached astronomical heights. "Dude! So not smooth, man! Girls cannot stand rudeness," Dan yells from the back room.
Leah Rae Miller (The Summer I Became a Nerd (Nerd, #1))
I wish I wasn't an imperial highness or an ex-grand duchess. I'm sick of people doing things to me because of what I am. Girl-in-white-dress. Short-one-with-fringe. Daughter-of-the-tsar. Child-of-the-ex-tyrant. I want people to look and see me, Anastasia Nikolaevna Romanova, not the caboose on a train of grand duchesses. Someday, I promise myself, no one will be able to hear my name or look at my picture and suppose they know all about me. Someday I will do something bigger than what I am.
Sarah Miller (The Lost Crown)
There once was a miller with a daughter as lovely as a grape. He told the king that she could spin gold out of common straw. The king summoned the girl and locked her in a room full of straw and told her to spin it into gold or she would die like a criminal. Poor grape with no one to pick. Luscious and round and sleek. Poor thing. To die and never see Brooklyn. (Rumpelstiltskin)
Anne Sexton (Transformations)
My eyes have really only been opened since you came into my world. You gave me everything. You made me really want to see what was around me, for the first time in my adult life. You made me want you. You made me want... a life. You were my greatest give of all, Ethan James Blackstone." She reached up to touch my face and held her palm there, her eyes showing me so much of what she felt. I covered her palm on my cheek with my hand. "As you were for me, my beautiful American girl.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
I learned that regret gets you nothing but a bigger pile of shit to shovel around.  And so, I made a decision.  I decided not to muck around in the regret shit pile for even one more day.
Raine Miller (Cherry Girl (The Blackstone Affair, #3.5))
كانت تعتقد أن معظم المتزوجين لم يتزوجوا عن حب ، وإنما لكي يجد كل منهم تبريراً لدى الآخر
Arthur Miller (Plain Girl)
Maybe the adults around me were too cynical and old to do anything to help innocent people like Mrs. Kahn or Charlie, or the black kids who were called nigger at school, or the girls Tim Miller groped on the bus. Maybe they were numb enough to blame the system for things they were too lazy to change.
A.S. King (Please Ignore Vera Dietz)
What they were really saying is, victims can’t write. Victims aren’t smart, capable, or independent. They need external help to articulate their thoughts, needs, and demands. They are too emotional to compose anything coherent. It cannot be the same drunk girl who was found unconscious, the one who the media said uncontrollably sobbed throughout testimony. On a deep level, they wanted to take away my writing, which I would not give up so easily.
Chanel Miller (Know My Name: A Memoir)
كان من المريح لها دائماً ان تكون بين رجال غرباء ، أكثر من أن تكون بين نساء لا تعرفهن
Arthur Miller (Plain Girl)
If you don't like men who physically abuse women, stop telling your son it's okay to hit a little girl if she's bothering him.
Karen E. Quinones Miller
I gaped at the cold shock of his beauty, deep-green eyes, features fine as a girl's. It struck from me a sudden, springing dislike. I had not changed so much, nor so well.
Madeline Miller (The Song of Achilles)
The girls all know the score. No escape. No surrender. No mercy. We got to kill every last rat bastard one of them, every last one. Not for revenge. Not because they deserve it. not because it'll make the world a better place. We need a heap of bloody bodies so when the mob boss, Wallenquist, looks over his charts of profits and losses, he'll see what it cost him to mess with the girls of Old Town.
Frank Miller (Sin City, Vol. 3: The Big Fat Kill (Sin City, #3))
Little girl, little boy If love has a way Fill their fields with laughter And scatter the sun on their day And if it should happen to rain Make their raindrops kisses Straight from heaven above That touch their hands and faces And that fill them with love And make the moon reflect their smiles And their stars plenty And, above all, keep them together And hold them as you may Forever and ever Until their last day.
Laura Miller (My Butterfly (Butterfly Weeds, #2))
Most people think Marv is crazy, but I don't believe that. I'm no shrink and I'm not saying I've got Marv all figured out or anything, but "crazy" just doesn't explain him. Not to me. Sometimes I think he's retarded, a big, brutal kid who never learned the ground rules about how people are supposed to act around each other. But that doesn't have the right ring to it either. No, it's more like there's nothing wrong with Marv, nothing at all--except that he had the rotten luck of being born at the wrong time in history. He'd have been okay if he'd been born a couple of thousand years ago. He'd be right at home on some ancient battlefield, swinging an ax into somebody's face. Or in a roman arena, taking a sword to other gladiators like him. They'd have tossed him girls like Nancy, back then.
Frank Miller (Sin City, Vol. 2: A Dame to Kill For (Sin City, #2))
You’ve always made me feel as though the reason I was born…was so I could find you, love you, and that you could love me in return. I believe that with all my heart.
Raine Miller (Cherry Girl (Neil & Elaina, #1))
And I hope we can all agree that aiming for “perfect” is nothing short of bananapants.
Kelsey Miller (Big Girl: How I Gave Up Dieting and Got a Life)
We don't get montages or grand finales. We just eat dinner and do the dishes, and absolutely no one's going to clap their hands about it.
Kelsey Miller (Big Girl: How I Gave Up Dieting and Got a Life)
He landed, and the weapons were already lifted, held with a deadly poise that was like no girl, nor no man either. The greatest warrior of his generation.
Madeline Miller (The Song of Achilles)
Coming on command. That’s my girl, who does it when I tell her to. I’m such a lucky, lucky bastard.
Raine Miller (All In (The Blackstone Affair, #2))
Ruth decided that the next time she saw Evan Miller, she would wear her best pyjamas.
Talia Hibbert (A Girl Like Her (Ravenswood, #1))
you may have what girls you like in the field, but you will bring none home, for only I will hold sway in your halls.
Madeline Miller (Circe)
I had to get comfortable with uncomfortable thoughts, worry, and doubt. To expect uncompromised happiness was as unreasonable as looking for solutions at the bottom of a bowl of ice cream.
Kelsey Miller (Big Girl: How I Gave Up Dieting and Got a Life)
Depending on what the body you’re born into looks like, you get put in a box marked either Boy or Girl. That box is packed with expectations and requirements, demands and obligations. The box says you can like This, but not That. The box says you can wear This, but not That. The box might fit you perfectly. In that case, everything will be wonderful. Alternately, the box might be so cramped and tight and full of horrible things that you’d rather be dead than spend another minute in it.
Sam J. Miller (The Art of Starving)
I kept my arms around Joi and my face buried deep in her hair while I waited for Peter Pan to slip through the window. I thought I needed him to tell me what I should do. But he never showed up. He left me alone with a girl who smelled of jasmine and cocoa butter. And before I fell asleep, I finally realized that was more than enough.
Kirsten Miller (How to Lead a Life of Crime)
If you’re going to start coming to my games, I better see Rhodes on your back and I’m not talking about my brother.”  “Is this some athlete kink you got? Need to see a girl in your jersey?” The old flirty side of me that I’ve kept hidden and locked down for the most part since Max came into my life is itching to break free.  I pop my shoulders. “I like to see pretty girls in my jersey. Like to take it off them too.”  Miller’s lips part, a shocked and satisfied grin lifting on the corners. “Well, with that kind of promise, I’ll be sure to wear it next time.
Liz Tomforde (Caught Up (Windy City, #3))
Pop's leg was across the room when I came downstairs.
Kathryn Miller Haines (The Girl Is Murder (The Girl is Murder, #1))
I love you, Elaina Morrison, and you’ll always be my Cherry Girl. Always. Nothing will change it for me.” He leaned forward and kissed me sweetly, whispering, “Believe me.
Raine Miller (Cherry Girl (Neil & Elaina, #1))
I'm Breanna Miller. The smart girl. The quiet girl. The one who belongs to a large family. I'm Breanna Miller. Number 5 in the line of 9. The girl who everybody knows and nobody sees. I'm Breanna Miller. A girl who went to Shamrock's and ended up falling in love with Thomas Turner-Razor of the Reign of Terror. The boy who everyone sees and nobody knows. I've been with him for months. I'm in love with him and I don't care who knows.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I watched with my eyes, tasted with my tongue, heard with my ears and felt with my fingers as my beautiful girl reached her climax. The only sense I didn’t use as she came apart was that of speech. There were no words to describe her, nor were there ones I could coherently form in the moment; she was a work of art, and I was speechless” Excerpt From: Raine, Miller. “Eyes Wide Open: The Blackstone Affair, Book 3.” Atria Books, 2013-05-13T22:00:00+00:00. iBooks. This material may be protected by copyright.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
The problem was the companies that sold shitty sanitary pads. Otherwise reasonable adults who believed tampons stole a girl's virginity. Doctors who didn't bother to solve common problems. Birth control that could kill you. Boys who were told that they couldn't control themselves. A society that couldn't handle the fact that roughly half of all humans will menstruate.
Kristen Miller (The Change)
If the Fates control our future, I don’t understand to what end. Here in Auveny, the belief is that the Fates judge us. That if we are generous, honest, not too chatty, placable, forgiving, they might twist our threads so we find love and earn our heart’s weight in gold. Everyone has heard of the miller’s kind daughter who marries richly, of the maid who coaxes the man out of a beast, of faithful girls in locked towers waiting for their knights. But I don’t believe in anything that supposes it knows me better than I know myself.
Gina Chen (Violet Made of Thorns (Violet Made of Thorns, #1))
One time there was a girl. Her name was Jane. She was a little baby. And she had a blanket. It was a small blanket. It was pink, and soft, and warm. In the morning she woke up. And the first thing she did was to touch the blanket, and it felt soft and warm when she put her fingers on it. Jane loved her pink blanket.
Arthur Miller (Jane's Blanket)
Because I kissed you? Seriously? You only like me because I’m a good kisser? That’s it. We’re not doing this. I’m not letting you risk your life just because you can’t think with your upstairs brain.” “No, you twit.” Ryan laughed. “Because you kissed me that day. I expected the ice queen and got a funny, go-with-the-flow girl that didn’t care what anyone thought about her. A girl willing to stir up gossip just so that I could win a date with someone else. “You didn’t have to help me. In fact, you probably should have been insulted, but you weren’t. You kissed me, you smiled, and then you wished me good luck. No one’s ever surprised me like that. I couldn’t figure out why you did it, and I just had to get to know you after that.” I had no idea that stupid kiss had that kind of effect on him. Charged him up like a battery, sure, but do all that? All this time I really thought it was just the superkissing that kept him coming back. I looked down at my lunch, feeling a little ashamed of my lack of faith in him, but Ryan couldn’t stop there. Oh, no, not Ryan Miller. “After that day, every time I was with you I got brief glimpses of the real Jamie, the one who is dying to break out, and she was this fun, relaxed, smart, funny, caring girl. Finding out the truth about you only made you that much more incredible. You’re so strong. You’ve gone through so much, you’re going through so much, but you never stop trying. You’re amazing.” I was surprised when I felt Ryan’s hand lift my chin up. I didn’t want to look at him, I knew what would happen to my heart if I did, but I couldn’t stop myself. I craved him too much. When we made eye contact, his face lit up and he whispered, “I love you, Jamie Baker.” It came out of nowhere, and it stole the breath from me, leaving me speechless. Ryan stared at me, just waiting for some kind of reaction, and then I was the one who broke the no-kissing rule. It wasn’t my fault. He totally cheated! Like anyone could resist Ryan Miller when he’s touching your face and saying he loves you? I threw myself at him so fast that I startled him for a change, and he was the one who had to pull me off him when his hair started to stick up. “Sorry,” I breathed as he pulled away. “Don’t be sorry,” he teased. “Just stop.” “Sorry,” I said again when I noticed that his leg was now bouncing under the table. “Yeah. Looks like I don’t get to sleep through economics today.” “On the bright side, Coach could make you run laps all practice long and you’d be fine.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
No girl who plays the role of a hero dates a guy who uses her. She knows who she is. She just forgot for a little while.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
Because I see A rainstorm in June Just before the sun The black of night Just before the stars And, girl, I see your ghost Just before our dawn
Laura Miller (My Butterfly (Butterfly Weeds, #2))
What if the girls on the squad realize I swoon over Peter Parker or that I secretly wish our uniforms included a cape
Leah Rae Miller (The Summer I Became a Nerd (Nerd, #1))
It was good. We were so good. “Is this all right?” I asked her. She nodded back. “Love me.” “I do. I will. Always.
Raine Miller (Cherry Girl (Neil & Elaina, #1))
I don’t have many memories where I was truly happy.  I lived for the day and got along the best I could.  It’s always been my way.
Raine Miller (Cherry Girl (Neil & Elaina, #1))
a wonderful human being in shitty circumstances, and you will find a solution, as long as you keep setting goals and working toward them.
Lindsay King-Miller (Ask a Queer Chick: A Guide to Sex, Love, and Life for Girls Who Dig Girls)
لقد قلب كيانها وأخرجه لكي تنظر به إلى العالم ، بدلاً من أن تحبس نفسها لينظر إليها العالم ويعترض عليها
Arthur Miller (Plain Girl)
He could think only of the girl and the child. He was certain she had been ready to change her mind, had needed only the command, I, a priest of God, adjure thee, and the grace to hear it—if only they had not forced him to stop where she could witness "God's priest" summarily overruled by "Caesar's traffic cop." Never to him had Christ's Kingship seemed more distant.
Walter M. Miller Jr. (A Canticle for Leibowitz (St. Leibowitz, #1))
No one questions the home life of quiet girls with good grades and kickline practice after school. My need to be seen as perfect was as compulsive as my father’s need to surround himself with paper.
Kimberly Rae Miller (Coming Clean)
The girl running arms wide into the ocean is gone. In her place is a woman wrapped in two coats, staring at the black water, mistaking lumps of seaweed for dormant bodies, the stones for crouching men.
Chanel Miller (Know My Name: A Memoir)
Every young woman should dress well, that is, neatly, tastefully, modestly, whether she be rich or poor. Conspicuous dressing is vulgar. True refinement avoids anything showy and flashy: it never dresses better than it can afford, and yet it is always well dressed, even in simple muslin or plain calico. Another
J.R. Miller (Girls: Faults and Ideals A Familiar Talk, with Quotations from Letters)
I want this, Cherry … I want this mouth screaming my name when I’m inside you and you’re about to come. I want you in my bed so we can fuck all night long…over and over until you’re a slave to it – just as you used to be.
Raine Miller (Cherry Girl (Neil & Elaina, #1))
I realized that for years I'd thought of love as something that would complete me, make all my troubles go away. I worshipped at the altar of romantic completion. And it had cost me, plenty of times. ANd it had cost me most of the girls I'd dated, too, because I wanted them to be something they weren't. It's too much pressure to put on a person.
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
But in so many ways I'm still that kid, not sure exactly how to be emotionally intimate with a girl without feeling weak, not sure my work is good enough, not sure if the people who are clapping would really like me if they got to know me (page 2)
Donald Miller (Father Fiction: Chapters for a Fatherless Generation)
The young girl inspected her flounces and smoothed her ribbons again; and Winterbourne presently risked an observation upon the beauty of the view. He was ceasing to be embarrassed, for he had begun to perceive that she was not in the least embarrassed herself.
Henry James
Chivalry: It's treating a woman politely As long as she isn't a fright: It's guarding the girls who act rightly, If you can be judge of what's right; It's being—not just, but so pleasant; It's tipping while wages are low; It's making a beautiful present, And failing to pay what you owe.
Alice Duer Miller (Are Women People? A Book of Rhymes for Suffrage Times)
When I tell someone that the most important thing a young woman can do to avoid being raped is to avoid places with lots of young men (and if you absolutely have to go to those place, don't drink) the dumb responses range from: 'Girls have a right to have fun' to 'You're just blaming the victim' all the way up to the ludicrous, 'A woman should be able to walk naked into a biker bar and not be bothered.' These are political ideals. They might even be the way the world should work. They are not the way the world actually works. The responsibility for self-protection has to rest with the potential victim because the potential rapist has no interest whatsoever in her safety or rights. The potential victim is the one who cares.
Rory Miller (Violence: A Writer's Guide)
Decisions were permanent, and although we could regret some of them, we couldn’t call them back. I had made some poor ones. Neil had too. I guess the best we could hope for, was to love each other as honestly as possible on each day we had left together. And hope for many, many long years of those days in the future.
Raine Miller (Cherry Girl (Neil & Elaina, #1))
Did you just blackmail the game master?” She shrugs. “A girl’s gotta do what a girl’s gotta do.
Leah Rae Miller (The Summer I Became a Nerd (Nerd, #1))
Elaina owned me completely and it was so good belonging to someone. So fuckin’ good. I belonged to her as much as she belonged to me. Even more, really.
Raine Miller (Cherry Girl (Neil & Elaina, #1))
What happened?” Judy tilted her head, dismayed. “I don’t know. College.” Judy
Kelsey Miller (Big Girl: How I Gave Up Dieting and Got a Life)
If someone has a problem with your orientation, it might be painful, but you should just keep reminding yourself that it's their problem, not yours.
Lindsay King-Miller (Ask a Queer Chick: A Guide to Sex, Love, and Life for Girls Who Dig Girls)
Henry Miller, Genet, Sade, Bataille are really important writers for me and I love them, but I feel often they don’t love me, you know? I feel I always have to wrap my head around the way the girl is treated in the works, and the way the woman writer has been treated within their philosophies. I think of Kathy Acker’s Blood and Guts in High School, where Janey Smith is in an S&M relationship with Jean Genet, who she follows around the deserts of Algeria, and he’s horrible to her, and that’s what I think of when I think of my relationship to those writers. I think you have to read the text, obviously, despite that. You seem to be subverting Sade and Bataille’s ideas of the whore, and Henry Miller – all of his cunt portraits, all of his horrors that he writes about – you’re writing about it from an interiority and a subjectivity that we don’t typically get with the ‘whore’ or the ‘slut’ or the sexual girl.
Kate Zambreno
As I worked I continued to be a bit terrified in the back of my mind that it would be awful in the end, a big mishmash of nothing in particular, and there I would be, having wasted a whole week of my life destroying things I wanted to keep. But I should have trusted the long history of women who've come before me making rag rugs from everything that wasn't nailed down because it wasn't like that at all. Instead it was like a big, incredible tapestry that just happened to--if you could decipher it--tell a million little stories from my life. I could look at it and see my old lace slip and the girls' party dresses and my high school rainbow tie-dyes, the Irish kilt and the Halloween clown pants and so many, many other things. It was all in there somewhere. I felt like the miller's daughter in the fairy tale, the one who stays up all night spinning straw into gold. But who needs yellow metal, anyway? The was way better.
Eve O. Schaub (Year of No Clutter)
She sat there admiring the beauty of the light amber fluid in the clear bottle, the way the condensation on the Miller bottle ran down the black and gold label, like it was a fine piece of art. That was the problem with alcohol. It was so beautiful to look at, how could you resist it? And what kind of place could be more inviting and seductive than a truly elegant cocktail bar?
Fannie Flagg (Welcome to the World, Baby Girl! (Elmwood Springs #1))
Anticipating this loss had a way of refining memory, filing it down to the purest, rawest form of itself. My clouded perceptions grew clearer. And someday soon I'd have to confront that. But not yet.
Wendy Paine Miller (The Flower Girls)
There, little girl, don't read, You're fond of your books, I know, But Brother might mope If he had no hope Of getting ahead of you. It's dull for a boy who cannot lead. There, little girl, don't read.
Alice Duer Miller (Are Women People? A Book of Rhymes for Suffrage Times)
Hey, did you hear about Brad Miller?” he asked, already forgetting about the Lissie conversation. “He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents it was a setup.” Violet laughed. “Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots.” She was more than willing to go along with this diversion from conversations about Jay and his many admirers. Jay laughed too, shaking his head. “You’re so cold-hearted,” he said to Violet, shoving her a little but playing along. “How’s he supposed to go cruising for unsuspecting freshmen and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?” “I don’t see you driving anything but your mom’s car yet. At least he has a bike,” she said, turning on him now. He pushed her again. “Hey!” he tried to defend himself. “I’m still saving! Not all of us are born with a silver spoon in our mouths.” They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other didn’t. “Right!” Violet protested. “Have you seen my car?” This time she shoved him, and a full-scale war broke out on the couch. “Poor little rich girl!” Jay accused, grabbing her arm and pulling her down. She giggled and tried to give him the dreaded “dead leg” by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet’s side. “Oh, yeah. Weren’t you the one”—she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage—“who got to go to Hawaii . . .” She bucked beneath him, trying to knock him off her. “. . . for spring break . . . last . . .” And then he startled to tickle her while she was pinned beneath him, and her last word came out in a scream: “YEAR?!” That was how her aunt and uncle found them.
Kimberly Derting (The Body Finder (The Body Finder, #1))
For if there are no waving flags and marching songs at the barricades as Walter marches out with his little battalion, it is not because the battle lacks nobility. On the contrary, he has picked up in his way, still imperfect and wobbly in his small view of human destiny, what I believe Arthur Miller once called "the golden threat of history." He becomes, in spite of those who are too intrigued with despair and hatred of man to see it, King Oedipus refusing to tear out his eyes, but attacking the Oracle instead. He is that last Jewish patriot manning his rifle at Warsaw; he is that young girl who swam into sharks to save a friend a few weeks ago; he is Anne Frank, still believing in people; he is the nine small heroes of Little Rock; he is Michelangelo creating David and Beethoven bursting forth with the Ninth Symphony. He is all those things because he has finally reached out in his tiny moment and caught that sweet essence which is human dignity, and it shines like the old star-touched dream that it is in his eyes.
Lorraine Hansberry
No matter how much Steve and I preached about staying legal, most of these men never believed us, and some would grin or wink as we spoke. They thought the CKKKK was like the Klan group their grandfathers belonged to back in the 1920's or 30's, when members could get by with just about anything. That ignorance about the CKKKK extended to the masses of people as well. I received hundreds of phone calls from people wanting me to go out and assault this or that person, for wrongs perceived by the callers. One 65 year old White man called, and after informing me his wife of 67 had left him and moved in with a younger man, demanded that I get some men together and, as the caller put it, "Go Klux 'em," meaning to commit some violent act upon them. A Black girl from Angier called once, saying her boyfriend was dating a White girl, and asked me, "Whut you gone do bout it?" Another elderly White lady called and said that her Black maid was stealing her jewelry, as if that was a classic crime for which the CKKKK should render traditional and just "Klan punishment." It's really incredible.
Frazier Glenn Miller (A White Man Speaks Out)
I took a breath and watched as he leaned down over my exposed, lumpy belly. Very lightly, he kissed it. He kissed the spot beneath my ribs and all the way down to my navel. He kissed across my lower stomach, that wretched expanse where the stretch marks raked across my skin, then up and down my sides. Harry kissed every inch of my horrible flesh with a tenderness so great and loving, and all the while, my eyes stayed clenched tight. 'I am loved,' a voice inside me declared.
Kelsey Miller (Big Girl: How I Gave Up Dieting and Got a Life)
Susan essentially said no. And she said that with her husband sitting right there in the audience. She said she and her husband believed they were a cherished prize for each other, and they would probably drive any other people mad. But then she said something I thought was wise. She said she had married a guy, and he was just a guy. He wasn’t going to make all her problems go away, because he was just a guy. And that freed her to really love him as a guy, not as an ultimate problem solver. And because her husband believed she was just a girl, he was free to really love her too. Neither needed the other to make everything okay. They were simply content to have good company through life’s conflicts. I thought that was beautiful. There
Donald Miller (A Million Miles in a Thousand Years: What I Learned While Editing My Life)
When Hillary Clinton’s book What Happened came out, I learned she’d quoted my final paragraph: On nights when you feel alone, I am with you . . . Then she wrote: Early on the morning of November 9, when it came time to decide on what I’d say in my concession speech, I remembered those words. Inspired by them, I wrote these: “To all the little girls watching this, never doubt that you are valuable and powerful and deserving of every chance and opportunity in the world to pursue and achieve your own dreams.” Wherever she is, I hope Emily Doe knows how much her words and her strength meant to so many. At a moment of monumental loss, she had consulted the statement for hope. She had returned to my darkest place to light the way forward. 13.
Chanel Miller (Know My Name: A Memoir)
Like most girls, I want a lot. Fame and fortune. Equal rights. Shoes no one else has. But I'd trade all that in for the perfect guy. (Don't tell me there's something wrong with that. I don't know of a single person who doesn't spend most of her time thinking about love.) Anyway, ever since I could think, I have been imagining and reimagining the exact sort of boy I want to love and who would love me back. Basically, I imagine someone who has all the good attributes of the male species and whose bad ones wouldn't ruin my life.
Sarah Miller (Inside the Mind of Gideon Rayburn (Midvale Academy, #1))
I remember a scared, young girl hiding in the guise of arrogance and rebellion. I remember feeling lost in a world where everyone else seemed to have it all figured out. I remember the tears of pain, the rants of anger and the hell that seemed to have swallowed me whole. Although I remember these things, it is now, over a decade later, more like a story that I find hard to believe. Did it all really happen? Even as I write this, my eyes begin to swell. It really did happen. I was that girl. And I’m sorry she had to suffer so. But, that is over now...
Karen Michelle Miller (Words to Ponder About Life, Love and Men)
You’ve been waiting…” “I have.” He leaned in toward my lips but didn’t touch them. “Waiting and waiting forever. For you. Waiting for you to grow up. Waiting for you to see me as something more than just a friend of Ian’s. Waiting for the right time to tell you how I feel about you.” He whispered so close, I could feel the brush of breath from his beautiful words. “Just a very long time of waiting, Elaina.” … “I don’t want to wait anymore.” His eyes melded into me and held on. “Please don’t make me wait for you any longer,” he pleaded. “I can’t do it, Cherry. I just can’t.
Raine Miller (Cherry Girl (Neil & Elaina, #1))
You don’t have to worry anymore, babe. I know I hurt you badly, and I own up to what I did to you by leaving like that.” I put my hand on his face. “But I’ll always come back to you. I love you and I can’t live without you. There is nothing that will ever keep me from my man again. I’ll always come back to you. Promise.
Raine Miller (Cherry Girl (Neil & Elaina, #1))
There was another line of argument that nagged at me: the suggestion that boys simply could not help themselves. As if he never had a choice. I have told each of my girls heading off to college: If you walk in front of a semi truck expect to get hit. Don't walk in front of a semi. If you go to a frat party expect to get drunk, drugged and raped. Don't go to a frat party. You went to a frat and got assaulted? What did you expect? I'd heard this in college, freshman girls in frats compared to sheep in a slaughterhouse. I understand you are not supposed to walk into a lion's den because you could be mauled. But lions are wild animals. And boys are people, they have minds, live in a society with laws. Groping others was not a natural reflex, biologically built in. It was a cognitive action they were capable of controlling. It seemed once you submitted to walking through fraternity doors, all laws and regulation ceased. They were not asked to adhere to the same rules, yet there were countless guidelines women had to follow: cover your drink, stick close to others, don't wear short skirts. Their behavior was the constant, while we were the variable expected to change. When did it become our job to do all the preventing and managing? And if houses existed where many young girls were getting hurt, shouldn't we hold the guys in these houses to a higher standard, instead of reprimanding the girls? Why was passing out considered more reprehensible than fingering the passed-out person?
Chanel Miller (Know My Name)
I was walking on campus when I saw the statistic on the front page of a newspaper: one in four women, one in five? I don’t remember, it was just too many, too many women on campus had been sexually assaulted. But what got me was the graphic, rows of woman symbols, the kind you see on bathroom signs, across the entire page, all gray, with one in five inked red. I saw these red figures breathing, a little hallucination. My whole life had warped below the weight of the assault, and if you took that damage and multiplied it by each red figure, the magnitude was staggering. Where were they? I looked around campus, girls walking with earmuffs, black leggings, teal backpacks. If our bodies were literally painted red, we’d have red bodies all over this quad. I wanted to shake the paper in people’s faces. This was not normal. It was an epidemic, a crisis. How could you see this headline and keep walking? We’d deadened to the severity, too familiar a story. But this story was not old to me yet. A word came to my mind, another. I remember, after learning of the third suicide at school, people shook their heads in resignation, I can’t believe there’s been another. The shock had dimmed. No longer a bang, but an ache. If kids getting killed by trains became normalized, anything could. This was no longer a fight against my rapist, it was a fight to be humanized. I had to hold on to my story, figure out how to make myself heard. If I didn’t break out, I’d become a statistic. Another red figure in a grid.
Chanel Miller (Know My Name)
Words are great, but even I can admit they have certain short-comings. No word can ever give justice to a smile from a man who never smiled or to an old woman who gives up her seat on the bus to a soldier who lost his leg. And I’m still convinced there’s no word out there for the feeling you get the first time you ever hit home plate or bury your first dog or muster up enough courage to tell a girl you love her.
Laura Miller (By Way of Accident)
Hardly had Juana had time to get settled when there was a clatter in the courtyard. The night sprang into excitement; instructions were shouted, torches brought. And suddenly the doors burst open; suddenly Philip -- hot, handsome, disheveled -- strode in. Philip was blond and sturdy; the gunpowder-train of Juana's emotions, long and dark and twisting, exploded at last. Philip's eyes must have seen, if nothing else, a girl in virginal flush, a young body of sixteen. He could hardly endure the formal presentations of the nobles. As soon as they were ended, he did what is generally referred to as commanding the nearest cleric to marry them on the spot. This person, however -- the Spaniard don Diego Villaescusa, Dean of Jaen -- it was not in Philip's power to order about. But the fact that it must have been Juana who gave the command only serves to underline the mutuality of their haste and hunger. The Dean did as he was bidden; the ignited youngsters kneeled; Philip hurried Juana out. In a room on the rez de chaussee overlooking the turbulent river they tore off their clothes. Someone had managed to get a gilded crucifix nailed on the ceiling above the bed -- surely one of the unnoticed ornaments (and, as things turned out, one of the most inappropriate) ever put up.
Townsend Miller
Lots of talk lately about the GREAT AMERICAN NOVEL that seems to be exclusively masculine. And how many of the characters in the GENIUS BOOKS are likable? Is Holden Caulfield likable? Is Meursault in The Stranger? Is Henry Miller? Is any character in any of these system novels particularly likable? Aren’t they usually loathsome but human, etc., loathsome and neurotic and obsessed? In my memory, all the characters in Jonathan Franzen are total douchebags (I know, I know, I’m not supposed to use that, feminine imagery, whatever, but it is SO satisfying to say and think). How about female characters in the genius books? Was Madame Bovary likable? Was Anna Karenina? Is Daisy Buchanan likable? Is Daisy Miller? Is it the specific way in which supposed readers HATE unlikable female characters (who are too depressed, too crazy, too vain, too self-involved, too bored, too boring), that mirrors the specific way in which people HATE unlikable girls and women for the same qualities? We do not allow, really, the notion of the antiheroine, as penned by women, because we confuse the autobiographical, and we pass judgment on the female author for her terrible self-involved and indulgent life. We do not hate Scott Fitzgerald in “The Crack-Up” or Georges Bataille in Guilty for being drunken and totally wading in their own pathos, but Jean Rhys is too much of a victim.
Kate Zambreno
Omo explains Buddhism to Robbie: ‘Some human dudes believe in reincarnation. Being born more than once? As if once wasn’t bad enough. Like, suppose the universe is a hologram, and the human dudes are outside the universe and some big ugly cosmic dude beams them into the hologram.’ ‘Why does he?’ asked Robbie. ‘Because he wants to fuck with their heads. And it’s like his universe, his rules. So the proto-human dudes get sent into a body, and the body is male or female and more or less athletic, and more or less clever and good looking. And they live their lives and when it ends they are back in the place outside the universe until the big ugly cosmic dude decides he wants them back again to fuck with their heads some more, so the next time they might be a boy instead of a girl, and better looking, not so athletic, more quick tempered, less optimistic, whatever, whatever and so it goes on until they learn so much stuff that the big ugly cosmic dude can’t fuck with them any more and the proto-human dudes don’t get beamed into the universe any more. Unless the dudes want to be. Which would be weird.
D. Miller (Robbie the Dysfunctional Robot)
Once upon a time there was a child who had a golden brain. His parents only discovered this by chance when he injured his head and gold instead of blood flowed out. They then began to look after him carefully and would not let him play with other children for fear of being robbed. When the boy was grown up and wanted to go out into the world, his mother said: “We have done so much for you,we ought to be able to share your wealth.” Then her son took a large piece of gold out of his brain and gave it to his mother. He lived in great style with a friend who, however, robbed him one night and ran away. After that the man resolved to guard his secret and to go out to work, because his reserves were visibly dwindling. One day he fell in love with a beautiful girl who loved him too, but no more than the beautiful clothes he gave her so lavishly. He married her and was very happy, but after two years she died and he spent the rest of his wealth on her funeral, which had to be splendid. Once, as he was creeping through the streets,weak,poor, and unhappy, he saw a beautiful little pair of boots that would have been perfect for his wife. He forgot that she was dead- perhaps because his emptied brain no longer worked- and entered the shop to buy the boots. But in that very moment he fell, and the shopkeeper saw a dead man lying on the ground. This story sounds as though it were invented, but it is true from beginning to end. There are people who have to pay for the smallest things in life with their very substance and their spinal cord. That is a constantly recurring pain, and then when they are tired of suffering… Does not mother love belong to the ‘smallest’, but also indispensable, things in life, for which many people paradoxically have to pay by giving up their living selves?
Alice Miller
Can we say that she had no courage? No, we can’t; she showed more courage than most people in denouncing lies, but her family could not come to terms with such honesty. This is not surprising. The little girl continued to live in an adult woman’s body, fearing her molesting half-brothers and her beloved parents, who remained silent. Had she been able to listen to her body, the true Virginia would certainly have spoken up. In order to do so, however, she needed someone to say to her: “Open your eyes! They didn’t protect you when you were in danger of losing your health and your mind, and now they refuse to see what has been done to you. How can you love them so much after all that?” No one offered that kind of support. Nor can anyone stand up to that kind of abuse alone, not even Virginia Woolf. Malcolm
Alice Miller (The Body Never Lies: The Lingering Effects of Hurtful Parenting)
Hey, did you hear about Brad Miller?" he asked, already forgetting about the Lissie conversation. "He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents that it was a setup." Violet laughed. "Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots." She was more than willing to go along with this diversion from conversations about Jay and his many admirers. Jay laughed too, shaking his head. "You're so cold-hearted," he said to Violet, shoving her a little but playing along. "How's he supposed to go cruising for unsuspecting freshman and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?" "I don't see you driving anything but your mom's car yet. At least he has a bike," she said, turning on him now. He pushed her again. "Hey!" he tried to defend himself. "I'm still saving! Not all of us are born with a silver spoon in our mouths." They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other one didn't. "Right!" Violet protested. "Have you seen my car?" This time she shoved him, and a full-scale war broke out on the couch. "Poor little rich girl!" Jay accused, grabbing her arm and pulling her down. She giggled and tried to give him the dreaded "dead leg" by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet's side. "Oh, yeah. Weren't you the one"-she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage-"who got to go to Hawaii..." She bucked beneath him, trying to knock him off her. "...For spring break...last..." And then he started to tickle her while she was pinned beneath him, and her last word came out in a scream: "...YEAR?!" That was how her aunt and uncle found them. Violet never heard the key in the dead bolt, or the sound of the door opening up. And Jay was just as ignorant of their arrival as she was. So when they were caught like that, in a mass of tangled limbs, with Jay's face just inches from hers, as she giggled and squirmed against him, it should have meant they were going to get in trouble. And if it had been any other teenage boy and girl, they would have. But it wasn't another couple. It was Violet and Jay...and this was business as usual for the two of them. Even her aunt and uncle knew that there was no possibility they were doing anything they shouldn't. The only reprimand they got was her aunt shushing them to keep it down before they woke the kids. After Jay left, Violet took the thirty dollars that her uncle gave her and headed out. As she drove home, she tried to ignore the feelings of frustration she had about the way her aunt and uncle had reacted-or rather hadn't reaction-to finding her and Jay together on the couch. For some reason it made her feel worse to know that even the grown-ups around them didn't think there was a chance they could ever be a real couple.
Kimberly Derting (The Body Finder (The Body Finder, #1))
So Dad was a tedious, well-connected workaholic. But the other thing you need to understand is that Mom was a living wet dream. A former Guess model and Miller Lite girl, she was tall, curvy and gorgeous. At thirty-eight, she had somehow managed to remain ageless and maintained her killer body. She’s five-foot-nine with never-ending legs, generous breasts and full hips that scoop dramatically into her slim waist. People who say Barbie’s proportions are unrealistic obviously never met my stepmother. Her face is pretty too, with long eyelashes, sculpted cheekbones and big, blue eyes that tease and smile at the same time. Her long brown hair rests on her shoulders in thick, tousled layers like in one of those Pantene Pro-V commercials. One memory seared in to my brain from my early teenage years is of Mom parading around the house one evening in nothing but her heels and underwear. I was sitting on the couch in the living room watching TV when a flurry of long limbs and blow-dried hair burst in front of the screen. “Teddy-bear. Do you know where Silvia left the dry cleaning? I’m running late for dinner with the Blackwells and I can’t find my red cocktail dress.” Mom stood before me in matching off-white, La Perla bra and panties and Manolo Blahnik stilettos. Some subtle gold hoop earrings hung from her ears and a tiny bit of mascara on her eye lashes highlighted her sparkling, blue eyes. Aside from the missing dress, she was otherwise ready to go. “I think she left them hanging on the chair next to the other sofa,” I said, trying my best not to gape at Mom’s perfect body. Mom trotted across the room, her heels tocking on the hard wood floor. I watched her slim, sexy back as she lifted the dry cleaning onto the sofa and then bent over to sort through the garments. My eyes followed her long mane of brown hair down to her heart-shaped ass. Her panties stretched tightly across each cheek as she bent further down. “Found it!” She cried, springing back upright, causing her 35Cs to bounce up and down from the sudden motion. They were thrusting proudly off her ribcage and bulging out over the fabric of the balconette bra like two titanic eggs. Her supple skin pushed out over the silk edges. And then she was gone as quickly as she had arrived, her long legs striding back down the hallway.
C.R.R. Crawford (Sins from my Stepmother: Forbidden Desires)
I couldn’t wait to follow through. I couldn’t wait to end this. “Your revenge?” Matthias laughed. “You’re revenge? What could you possibly do that would make any difference to me?” I looked up at Kane and he looked down at me. I smiled at him sweetly and he smiled back. I leaned in and he mirrored me. I tilted my face up to kiss him and he gladly reciprocated. Then I pulled back and swiveled my gaze to Matthias. “I will take your family away. Just like you took mine. I will pluck them from you one by one and make them suffer until they beg for death. Or, I will simply rescue them and give them a better life than you ever could.” Matthias barked out a louder laugh. “That’s sweet. It sounds like you’ve put thought into all that, but you can’t. It’s just not possible. “Sure it is,” I told him. “I’ve already gotten two of your children. Tyler isn’t here.” I gestured at Tyler. “Tyler will never be here. Unless you count that. Which being a self-respecting person, I wouldn’t. But who knows about you. And Miller isn’t here either. Miller is worse than Tyler. Look! You got Tyler to come to breakfast, but I seem to have forgotten Miller’s excuse. Could you remind me?” He stayed quiet. Which was a miracle in itself. So I continued, “I’m waiting for the right opportunity for Linley. I’ve been waiting for it for a while now. I’ve been watching her and watching her and just waiting. I cannot wait until I get her alone. I cannot wait until it’s just the two of us. It will be so fun. It’s what helps get me through these long days. Just thoughts of Linley. Just thoughts of what I will do to her and how slowly I will make those last painful moments last. And Kane? I could take him in a second. I could rip him out of your hands so fast you would blink and he would be gone. He might deny that if you ask him. But I know better. I hear everything else he says. I feel everything else he means. Kane is mine. You’re a smart man, Matthias, so don’t think for a second he isn’t. Right?” I turned to Kane. He leaned down again and kissed me. Point proved. I relaxed into Kane and let my threats soothe my soul and settle over the man I wanted to watch burn in hell. His reply was an arrogant smirk and hard eyes. “Little girl, you just asked for trouble, I’m-” “Do it,” I hissed. “Do whatever it is you want to do and see if I’m bluffing. Try me! Hurt someone I love. Hurt me. Take something away from me and see how painfully and how permanently I take something away from you.” I stood up and pushed aggressively away from the table. I stared him down the entire time. Kane let me go without even an attempt to restrain me. I was beyond that. I was beyond all of this. I was leaving. Today. Because without a doubt I would follow through with every single one of my threats. I stomped from the warehouse. I could feel Kane behind me, but he still didn’t try to slow me down. And I knew he wouldn’t. He really was mine. Matthias, Hendrix, nobody could take him from me. And he would do whatever I wanted as long as he thought we could survive. I hoped both of us could survive what I was about to ask him to do.
Rachel Higginson (Love and Decay Omnibus: Season Two (Episodes 1-12) (Love and Decay, A Novella Series Book 2))