“
What she had realized was that love was that moment when your heart was about to burst.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
Then I discovered that being related is no guarantee of love!
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
Nobody can avoid falling in love. They might want to deny it, but friendship is probably the most common form of love.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
I would love to believe that when I die I will live again, that some thinking, feeling, remembering part of me will continue. But as much as I want to believe that, and despite the ancient and worldwide cultural traditions that assert an afterlife, I know of nothing to suggest that it is more than wishful thinking.
”
”
Carl Sagan (Billions & Billions: Thoughts on Life and Death at the Brink of the Millennium)
“
I'm unhappy. I don't want to fall in love with you. It'll hurt far too much when it's over
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
When she came to her senses again she cut off all contact with him. It had not been easy, but she had steeled herself. The last time she saw him she was standing on a platform in the tunnelbana at Gamla Stan and he was sitting in the train on his way downtown. She had stared at him for a whole minute and decided that she did not have a grain of feeling left, because it would have been the same as bleeding to death. Fuck you.
”
”
Stieg Larsson (The Girl Who Played With Fire (Millennium #2))
“
If love is liking someone an awful lot, then I suppose I'm in love with several people.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
To live in the hearts we leave behind is to live forever.
”
”
Carl Sagan (Billions & Billions: Thoughts on Life and Death at the Brink of the Millennium)
“
There is no greater power than that of a laugh and happiness is a force which can save a person from the horrors of the world.
”
”
Hillary DePiano (The Love Of Three Oranges: A Play For The Theatre That Takes The Commedia Dell'arte Of Carlo Gozzi And Updates It For The New Millennium)
“
Have you ever noticed how when you're happy, time seems to pass by fast, while when you're miserable it goes real slow? Life would have been a blink with you whether it lasted a millennium or a month.
”
”
Lynsay Sands (A Quick Bite (Argeneau #1))
“
When their love was not reciprocated, it could quickly turn to violent hatred.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
It isn't easy, it doesn't count if it's easy, it's the hardest thing. Forgiveness. Which is maybe where love and justice finally meet.
”
”
Tony Kushner (Millennium Approaches (Angels in America, #1))
“
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers.
I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail.
But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
”
”
George Carlin
“
In the 1950s kids lost their innocence.
They were liberated from their parents by well-paying jobs, cars, and lyrics in music that gave rise to a new term ---the generation gap.
In the 1960s, kids lost their authority.
It was a decade of protest---church, state, and parents were all called into question and found wanting. Their authority was rejected, yet nothing ever replaced it.
In the 1970s, kids lost their love. It was the decade of me-ism dominated by hyphenated words beginning with self.
Self-image, Self-esteem, Self-assertion....It made for a lonely world. Kids learned everything there was to know about sex and forgot everything there was to know about love, and no one had the nerve to tell them there was a difference.
In the 1980s, kids lost their hope.
Stripped of innocence, authority and love and plagued by the horror of a nuclear nightmare, large and growing numbers of this generation stopped believing in the future.
In the 1990s kids lost their power to reason. Less and less were they taught the very basics of language, truth, and logic and they grew up with the irrationality of a postmodern world.
In the new millennium, kids woke up and found out that somewhere in the midst of all this change, they had lost their imagination. Violence and perversion entertained them till none could talk of killing innocents since none was innocent anymore.
”
”
Ravi Zacharias (Recapture the Wonder)
“
I just wondered what a thing it would be...if overnight everything you owe anything to, justice, or love, had really gone away. Free.
It would be...heartless terror. Yes. Terrible, and...
Very great. To shed your skin, every old skin, one by one and then walk away, unemcumbered, into the morning.
”
”
Tony Kushner (Millennium Approaches (Angels in America, #1))
“
It's like a fairy tale. . . on crack!
”
”
Hillary DePiano (The Love Of Three Oranges: A Play For The Theatre That Takes The Commedia Dell'arte Of Carlo Gozzi And Updates It For The New Millennium)
“
Salander in love. What a fucking joke.
”
”
Stieg Larsson
“
Cortez looked like someone newly in love, the way only twenty-four-year-olds can look.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
”
”
James Patterson (Maximum Ride Five-Book Set)
“
I don't think I'm the type who falls in love. She was a friend. And we had good sex.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
At some point on the morning of the second day she came to a terrifying realisation. She had no idea how it had happened or how she was supposed to cope with it. She was in love for the first time in her life.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
I spent the first twenty-five years of my life apologizing for people like Harald because we're family. Then I discovered that being related is no guarantee of love and I had a few reasons to defend Harald.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
I fell in love with you last winter. I didn’t mean to, but it happened. And then I took stock and realised that you were only here temporarily; one day you’ll be gone for good and I’ll stay here for the rest of my life. It hurt so damn much that I decided I wasn’t going to let you in again…
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
In these dangerous times, where it seems that the world is ripping apart at the seams, we all can learn how to survive from those who stare death squarely in the face every day and [we] should reach out to each other and bond as a community, rather than hide from the terrors of life at the end of the millennium.
”
”
Jonathan Larson (Rent)
“
What she had realised was that love was that moment when your heart was about to burst.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
Then I discovered that being related is no guarantee of love and I had few reasons to defend Harald.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
I would love to believe that when I die I will live again, that some thinking, feeling, remembering part of me will continue. But as much as I want to believe that, and despite the ancient and worldwide cultural traditions that assert an afterlife, I know of nothing to suggest that it is more than wishful thinking. I want to grow really old with my wife, Annie, whom I dearly love. I want to see my younger children grow up and to play a role in their character and intellectual development. I want to meet still unconceived grandchildren. There are scientific problems whose outcomes I long to witness—such as the exploration of many of the worlds in our Solar System and the search for life elsewhere. I want to learn how major trends in human history, both hopeful and worrisome, work themselves out: the dangers and promise of our technology, say; the emancipation of women; the growing political, economic, and technological ascendancy of China; interstellar flight. If there were life after death, I might, no matter when I die, satisfy most of these deep curiosities and longings. But if death is nothing more than an endless dreamless sleep, this is a forlorn hope. Maybe this perspective has given me a little extra motivation to stay alive. The world is so exquisite, with so much love and moral depth, that there is no reason to deceive ourselves with pretty stories for which there's little good evidence. Far better, it seems to me, in our vulnerability, is to look Death in the eye and to be grateful every day for the brief but magnificent opportunity that life provides.
”
”
Carl Sagan (Billions & Billions: Thoughts on Life and Death at the Brink of the Millennium)
“
she really just wanted his company. She wanted to hear him say that he liked her for who she was. That she was someone special in his world and in his life. She wanted him to give her some gesture of love, not just of friendship and companionship.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
13
NOTES
She hesitated. For two years she had kept as far away from Mikael Blomkvist as she could. And yet he kept sticking to her life like gum on the sole of her shoe, either on the Net or in real life. On the Net it was O.K. There he was no more than electrons and words. In real life, standing on her doorstep, he was still fucking attractive. And he knew her secrets just as she knew all of his. She looked at him for a moment and realized that she now had no feelings for him. At least not those kinds of feelings. He had in fact been a good friend to her over the past year. She trusted him. Maybe. It was troubling that one of the few people she trusted was a man she spent so much time avoiding. Then she made up her mind. It was absurd to pretend that he did not exist. It no longer hurt her to see him. She opened the door wide and let him into her life again.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
Nobody can avoid falling in love,” he said. “They might want to deny it, but friendship is probably the most common form of love.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet's Nest (Millennium, #3))
“
History as a whole is the struggle between love and the inability to love, between love and the refusal to love.
”
”
Pope Benedict XVI (Salt of the Earth: The Church at the End of the Millennium - An Interview With Peter Seewald)
“
Poetical feelings are a peril to scholarship. There are always poetical people ready to protest that a corrupt line is exquisite. Exquisite to whom? The Romans were foreigners writing for foreigners two millenniums ago; and for people whose gods we find quaint, whose savagery we abominate, whose private habits we don't like to talk about, but whose idea of what is exquisite is, we flatter ourselves, mysteriously identical to ours.
”
”
Tom Stoppard (The Invention of Love)
“
He was not in love with her—they were about as unlike as two people could possibly be—but he was very fond of her and really missed her, as exasperating as she sometimes was.
”
”
Stieg Larsson (The Girl Who Played With Fire (Millennium #2))
“
She was afraid that it was a moral issue, and that was one of his weaknesses. He was Salander’s friend. She knew her brother. She knew that he was loyal to the point of foolhardiness once he had made someone a friend, even if the friend was impossible and obviously flawed. She also the friend was impossible and obviously flawed. She also knew that he could accept any number of idiocies from his friends, but that there was a boundary and it could not be infringed. Where exactly this boundary was seemed to vary from one person to another, but she knew he had broken completely with people who had previously been close friends because they had done something that he regarded as beyond the pale. And he was inflexible. The break was for ever.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
“
Real love isn't ambivalent. I'd swear that's a line from my favorite best-selling paperback novel, "In Love with the Night Mysterious", except I don't think you've ever read it. Well, you ought to, instead of spending the rest of your life, trying to get through "Democracy in America." It's about this white woman whose daddy owns a plantation in the Deep South, in the years before the Civil War. And her name is Margaret, and she's in love with her daddy's number-one slave, and his name is Thaddeus. And she's married, but her white slave-owner husband has AIDS: Antebellum Insufficiently-Developed Sex-organs. And so, there's a lot of hot stuff going down, when Margaret and Thaddeus can catch a spare torrid ten under the cotton-picking moon. And then of course the Yankees come, and they set the slaves free. And the slaves string up old daddy and so on, historical fiction. Somewhere in there I recall, Margaret and Thaddeus find the time to discuss the nature of love. Her face is reflecting the flames of the burning plantation, you know the way white people do, and his black face is dark in the night and she says to him, "Thaddeus, real love isn't ever ambivalent.
”
”
Tony Kushner (Millennium Approaches (Angels in America, #1))
“
Blomkvist had often wondered whether it were possible to be more possessed by desire for any other woman. The fact was that they functioned well together, and they had a connection as addictive as heroin...sometimes weeks and months would go by before they saw each other. But even as alcoholics are drawn to the state liquor store after a stint on the wagon, they always came back to each other.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
We have reached a veredict, your honor. This man's heart is deficient. He loves, but his love is worth nothing.
”
”
Tony Kushner (Millennium Approaches (Angels in America, #1))
“
Let's take the gauntlet and make goodness attractive in this so-called next millennium. That's the real job that we have. I'm not talking about Pollyanna-ish kind of stuff. I'm talking about down-to-Earth actual goodness. People caring for each other in a myriad of ways rather than people knocking each other off all the time...What changes the world? The only thing that ever really changes the world is when somebody gets the idea that love can abound and can be shared.
”
”
Fred Rogers (Mister Rogers - Won't You Be My Neighbor (MUSICTIVITY))
“
A year later we were in a coffee shop, the kind taking a last stand against Starbucks with its thrift-store chairs, vegan cookies, and over-promising teas with names like Serenity and Inner Peace. I was curled up with a stack of causes, trying to get in a few extra hours of work over the weekend, and Andrew sat with one hand gripping his mug, his nose in The New York Times; the two of us a parody of the yuppie couple of the new millennium. We sat silently that way, though there wasn't silence at all. On top of the typical coffee-shop sounds - the whir of an expresso machine, the click of the cash register, the bell above the door - Andrew was making his noises, an occasional snort at something he read in the paper, the jangle of his keys in his pocket, a sniffle since he was getting over a cold, a clearing of his throat. And as we sat there, all I could do was listen to those Andrew-specific noises, the rhythm of his breath, the in-out in-out, its low whistle. Snort. Jangle. Sniffle. Clear.
Hypnotized. I wanted to buy his soundtrack.
This must be what love is, I thought. Not wanting his noises to ever stop.
”
”
Julie Buxbaum (The Opposite of Love)
“
During the first millennium BCE, even the beer-loving Mesopotamians turned their backs on beer, which was dethroned as the most cultured and civilized of drinks, and the age of wine began.
”
”
Tom Standage (A History of the World in 6 Glasses)
“
Well, life isn't cheap. It's the greatest mystery of any millennium, and television needs to do all it can to broadcast that...to show and tell what the good in life is all about.
But how do we make goodness attractive? By doing whatever we can do to bring courage to those whose lives move near our own--by treating our 'neighbor' at least as well as we treat ourselves and allowing that to inform everything that we produce.
Who in your life has been such a servant to you? Who has helped you love the good that grows within you? Let's just take ten seconds to think of some of those people who have loved us and wanted what was best for us in life, those who have encouraged us to become who we are tonight - just ten seconds of silence.
No matter where they are, either here or in heaven, imagine how pleased those people must be to know that you thought of them right now.
”
”
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
“
She hardly ever began conversations with strangers just to talk. It was not a matter of shyness. For her, a conversation had a straightforward function. How do I get to the pharmacy? or How much does the hotel room cost? Conversation also had a professional function. [...] When she worked as a researcher [...], she had never minded having a long conversation if it was to ferret out facts. On the other hand, she disliked personal discussions, which always led to snooping around in areas she considered private.
”
”
Stieg Larsson (The Girl Who Played With Fire (Millennium #2))
“
ROY [COHN]:Please. Let me finish.
Few people know this and I’m telling you this only because. . . . I’m not afraid of death. What can death
bring that I haven’t faced? I’ve lived; life is the worst.
(Gently mocking himself) Listen to me, I’m a philosopher.
Joe. You must do this. You must must must. Love, that’s a trap. Responsibility; that’s a trap, too. Like a father to a son I tell you this: Life is full of horror; nobody escapes, nobody; save yourself. Whatever pulls on you, whatever needs from you, threatens you. Don’t be afraid; people are so afraid; don’t be afraid to live in the raw wind, naked, alone. . . . Learn at least this: What you are capable of. Let nothing stand in your way.
”
”
Tony Kushner (Millennium Approaches (Angels in America, #1))
“
Well, what do you know? Fakespeare!
”
”
Hillary DePiano (The Love Of Three Oranges: A Play For The Theatre That Takes The Commedia Dell'arte Of Carlo Gozzi And Updates It For The New Millennium)
“
Congratulations to all my giveaway winners!! I look forward to hearing back from you all as to what you think of "New Millennium Love"! Chat soon :)
”
”
A. Tunson
“
He shook his head in exasperation. “Are you sure you’re not a Succubus? You seem really obsessed with the sin of lust.”
“It’s a good sin. I like gluttony an awful lot, too. Sloth has its moments, but I just don’t understand acedia at all. I mean, what the f**k is that anyway? Oh, and greed is good, to quote Gordon Gekko. Anger, envy and pride,” I ticked them off on my fingers. “I don’t often have much use for them. It’s a shortcoming that I’m hoping to correct in the next millennium or two. I’m not very old; I can’t be expected to have mastered them all yet.”
“I think you’ve worked too hard on some of those,” he said dryly. “Maybe you should switch over to virtues instead. Give yourself a much needed break.”
Virtues? Yeah, right.
“Virtues are too difficult,” I told him, shaking my head. “Look how old you are and you’ve hardly made a dent in them. I’ll admit, you seem to have zeal nailed, as well as faith and temperance. Self control? I’ve got my doubts based on your recent actions. I’m not seeing the kindness, love or generosity, either. That humility thing seems to be pretty far beyond your reach, too. Really, really far. I’m sorry to tell you this, but from what I can see, the sin of pride is a major component of your character. Dude, you’re f**king old. You should have these things pretty well ticked off your shopping list by now. I’m seriously disappointed. Seriously.
”
”
Debra Dunbar (A Demon Bound (Imp, #1))
“
He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on.
In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung.
Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect.
From the beginning, his musical peers have recognized Cohen´s ability to establish succinct analogies among life´s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.
”
”
Tom Robbins
“
Maybe Christ will come again. Maybe seeds will be planted, maybe there’ll be harvests then, maybe early figs to eat, maybe new life, maybe fresh blood, maybe companionship and love and protection, safety from what’s outside, maybe the door will hold, or maybe . . . Maybe the troubles will come, and the end will come, and the sky will collapse and there will be terrible rains and showers of poison light, or maybe my life is really fine, maybe Joe loves me and I’m only crazy thinking otherwise, or maybe not, maybe it’s even worse than I know, maybe . . . I want to know, maybe I don’t. The suspense, Mr. Lies, it’s killing me.
”
”
Tony Kushner (Millennium Approaches (Angels in America, #1))
“
Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" --
"Pagan that you are! what does that signify?"
"I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ...
I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.
”
”
Charlotte Brontë (Shirley)
“
If love is liking someone an awful lot, then I suppose I’m in love with several people,” Blomkvist said.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet's Nest (Millennium, #3))
“
What a blessing
to be able to walk half a day
in such a bright vault and in grass!
I’d be glad to be crucified for it.
It’s like having a glimpse of one’s love
”
”
Kenji Miyazawa (Miyazawa Kenji: Selections (Poets for the Millennium) (Volume 5))
“
Friendship is probably the most common form of love.
”
”
Stieg Larsson (The Girl Who Kicked the Hornet's Nest (Millennium, #5-6))
“
I love the sense of vast transformation that hangs on us at this new millennium, the feeling that we are at the brink of knowing more than people have ever known before.
”
”
Andrew Solomon (The Noonday Demon)
“
I really don’t get this whole oranges thing. It’s like, does he want to eat them or go out with them?
”
”
Hillary DePiano (The Love Of Three Oranges: A Play For The Theatre That Takes The Commedia Dell'arte Of Carlo Gozzi And Updates It For The New Millennium)
“
The command to love our enemies reminds us that our first task towards oppressors is pastoral: to help them recover their humanity. Quite possibly the struggle, and the oppression that gave it rise, have dehumanised the oppressed as well, causing them to demonise their enemies. It is not enough to become politically free; we must also become human. Nonviolence presents a change for all parties to rise above their present condition and become more of what God created them to be.
”
”
Walter Wink (The Powers That Be: Theology for a New Millennium)
“
I think of the beauty in the obvious,
the way it forces us to admit how it exists,
the way it insists on being pointed out like a bloody nose,
or how every time it snows there is always someone around to say, “It’s snowing.”
But the obvious isn’t showing off, it’s only reminding us that time passes,
and that somewhere along the way we grow up.
Not perfect, but up and out.
It teaches us something about time,
that we are all ticking and tocking,
walking the fine line between days and weeks,
as if each second speaks of years,
and each month has years listening to forever but never hearing anything beyond centuries swallowed up by millenniums,
as if time was calculating the sums needed to fill the empty belly of eternity.
We so seldom understand each other.
But if understanding is neither here nor there, and the universe is infinite,
then understand that no matter where we go,
we will always be smack dab in the middle of nowhere.
All we can do is share some piece of ourselves and hope that it’s remembered.
Hope that we meant something to someone.
My chest is a cannon that I have used to take aim and shoot my heart upon this world.
I love the way an uncurled fist becomes a hand again, because when I take notes,
I need it to underline the important parts of you:
happy, sad, lovely.
Battle cry ballistic like a disaster or a lipstick earthquaking and taking out the monuments of all my hollow yesterdays.
We’ll always have the obvious.
It reminds us who, and where we are, it lives like a heart shape,
like a jar that we hand to others and ask, “Can you open this for me?”
We always get the same answer: “Not without breaking it.”
More often than sometimes, I say go for it.
”
”
Shane L. Koyczan (Remembrance Year)
“
My only explanation for our cheeky ambition is this: Being surrounded by pet-supply e-tailors worth more than IBM has a way of getting your sense of what’s possible all out of whack. The old millennium was dying; a better one was on its way. We were in our mid-twenties, and we had no idea what we were doing. But we knew we loved books. And so we set out to write them.
”
”
Chris Baty (No Plot? No Problem!: A Low-Stress, High-Velocity Guide to Writing a Novel in 30 Days)
“
The things we love weave themselves into the framework of our being. They are the trellises on which our thoughts grow; we shape ourselves, our habits, our vocabularies, to accommodate them. If someone asks, “Why do you love this?” the question is as impossible to answer as “Why are you?” You cannot isolate the part of you that loves from the rest of you, or mark its beginning and ending. Old couples grow to look like each other. Old ruins blur into their ivy. Star Wars fans name their kids Luke and Leia and show up at conventions dressed as Jabba the Hutt. At first we loved the Millennium Falcon, so we wanted to build a scale replica in our basement. Now we love the Millennium Falcon because of the scale replica in our basement. Every time I watched Star Wars I used to hold my breath to see if it felt the same. But now I know it won’t. It hasn’t moved, but I have. It’s always there. It’s magic, still, but a different magic every time. I turn off all the lights in the house so there’s no reflection or glare, shut all the doors and windows, and settle in a chair with my arms folded over my knees and wait for takeoff.
”
”
Alexandra Petri (A Field Guide to Awkward Silences)
“
Then Pastor Falk leaned towards him and whispered, 'I think she's a Catholic. She loves magic and has not yet found her God. She needs guidance.'
The word 'Catholic' obviously had a negative connotation for Pastor Falk.
'I thought she was interested in the Pentecostal movement?'
'No, no, no, not the Pentecostals. She's looking for the forbidden truth. She is not a good Christian.
”
”
Stieg Larsson (The Girl With the Dragon Tattoo (Millennium #1))
“
Employment in the Small Bookstore"
Twelve Poems, 1975
The dust is almost motionless
in this narrowness, this stillness,
yet how unlike a coffin
it is, sometimes letting a live one in,
sometimes out
and the air,
though paused, impends not a thing,
the silence isn't sinister,
and in fact not much goes on
at the Ariel Book Shop today,
no one weeps in the back
room full of books, old books, no one
is tearing the books to shreds, in fact
I am merely sitting here
talking to no one, no one being here,
and I am blameless,
More,
I am grateful for the job,
I am fond of the books and touch them,
I am grateful that King St. goes down
to the river, and that the rain
is lovely, the afternoon green.
If the soft falling away of the afternoon
is all there is, it is nearly
enough, just
let me hear the beautiful clear voice
of a woman in song passing
toward silence, and then
that will be all for me
at five o'clock
I will walk
down to see the untended
sailing yachts of the Potomac
bobbing hopelessly in another silence,
the small silence that gets to be a long
one when the past stops talking
to you because it is dead,
and still you listen,
hearing just the tiny
agonies of old boats
on a cloudy day, in cloudy water.
Talk to it. Men are talking to it
by Cape Charles, for them it's the same
silence with fishing lines in their hands.
We are all looking at the river bearing the wreckage
so far away. We wonder how
the river ever came to be so
grey, and think that once there were
some very big doings on this river,
and now that is all over.
”
”
Denis Johnson (The Throne of the Third Heaven of the Nations Millennium General Assembly: Poems Collected and New)
“
Ode to the Beloved’s Hips"
Bells are they—shaped on the eighth day—silvered
percussion in the morning—are the morning.
Swing switch sway. Hold the day away a little
longer, a little slower, a little easy. Call to me—
I wanna rock, I-I wanna rock, I-I wanna rock
right now—so to them I come—struck-dumb
chime-blind, tolling with a throat full of Hosanna.
How many hours bowed against this Infinity of Blessed
Trinity? Communion of Pelvis, Sacrum, Femur.
My mouth—terrible angel, ever-lasting novena,
ecstatic devourer.
O, the places I have laid them, knelt and scooped
the amber—fast honey—from their openness—
Ah Muzen Cab’s hidden Temple of Tulúm—licked
smooth the sticky of her hip—heat-thrummed ossa
coxae. Lambent slave to ilium and ischium—I never tire
to shake this wild hive, split with thumb the sweet-
dripped comb—hot hexagonal hole—dark diamond—
to its nectar-dervished queen. Meanad tongue—
come-drunk hum-tranced honey-puller—for her hips,
I am—strummed-song and succubus.
They are the sign: hip. And the cosign: a great book—
the body’s Bible opened up to its Good News Gospel.
Alleluias, Ave Marías, madre mías, ay yay yays,
Ay Dios míos, and hip-hip-hooray.
Cult of Coccyx. Culto de cadera.
Oracle of Orgasm. Rorschach’s riddle:
What do I see? Hips:
Innominate bone. Wish bone. Orpheus bone.
Transubstantiation bone—hips of bread,
wine-whet thighs. Say the word and healed I shall be:
Bone butterfly. Bone wings. Bone Ferris wheel.
Bone basin bone throne bone lamp.
Apparition in the bone grotto—6th mystery—
slick rosary bead—Déme la gracia of a decade
in this garden of carmine flower. Exile me
to the enormous orchard of Alcinous—spiced fruit,
laden-tree—Imparadise me. Because, God,
I am guilty. I am sin-frenzied and full of teeth
for pear upon apple upon fig.
More than all that are your hips.
They are a city. They are Kingdom—
Troy, the hollowed horse, an army of desire—
thirty soldiers in the belly, two in the mouth.
Beloved, your hips are the war.
At night your legs, love, are boulevards
leading me beggared and hungry to your candy
house, your baroque mansion. Even when I am late
and the tables have been cleared,
in the kitchen of your hips, let me eat cake.
O, constellation of pelvic glide—every curve,
a luster, a star. More infinite still, your hips are
kosmic, are universe—galactic carousel of burning
comets and Big Big Bangs. Millennium Falcon,
let me be your Solo. O, hot planet, let me
circumambulate. O, spiral galaxy, I am coming
for your dark matter.
Along las calles de tus muslos I wander—
follow the parade of pulse like a drum line—
descend into your Plaza del Toros—
hands throbbing Miura bulls, dark Isleros.
Your arched hips—ay, mi torera.
Down the long corridor, your wet walls
lead me like a traje de luces—all glitter, glowed.
I am the animal born to rush your rich red
muletas—each breath, each sigh, each groan,
a hooked horn of want. My mouth at your inner
thigh—here I must enter you—mi pobre
Manolete—press and part you like a wound—
make the crowd pounding in the grandstand
of your iliac crest rise up in you and cheer.
”
”
Natalie Díaz
“
Even yet I do not know why the ocean holds such a fascination for me. But then, perhaps none of us can solve those things—they exist in defiance of all explanation. There are men, and wise men, who do not like the sea and its lapping surf on yellow shores; and they think us strange who love the mystery of the ancient and unending deep. Yet for me there is a haunting and inscrutable glamour in all the ocean's moods. It is in the melancholy silver foam beneath the moon's waxen corpse; it hovers over the silent and eternal waves that beat on naked shores; it is there when all is lifeless save for unknown shapes that glide through sombre depths. And when I behold the awesome billows surging in endless strength, there comes upon me an ecstasy akin to fear; so that I must abase myself before this mightiness, that I may not hate the clotted waters and their overwhelming beauty. Vast and lonely is the ocean, and even as all things came from it, so shall they return thereto. In the shrouded depths of time none shall reign upon the earth, nor shall any motion be, save in the eternal waters. And these shall beat on dark shores in thunderous foam, though none shall remain in that dying world to watch the cold light of the enfeebled moon playing on the swirling tides and coarse-grained sand. On the deep's margin shall rest only a stagnant foam, gathering about the shells and bones of perished shapes that dwelt within the waters. Silent, flabby things will toss and roll along empty shores, their sluggish life extinct. Then all shall be dark, for at last even the white moon on the distant waves shall wink out. Nothing shall be left, neither above nor below the sombre waters. And until that last millennium, and beyond the perishing of all other things, the sea will thunder and toss throughout the dismal night.
”
”
H.P. Lovecraft (H.P. Lovecraft: The Ultimate Collection)
“
The institution of slavery was, for a quarter millennium, the conversion of human beings into currency, into machines who existed solely for the profit of their owners, to be worked as long as the owners desired, who had no rights over their bodies or loved ones, who could be mortgaged, bred, won in a bet, given as wedding presents, bequeathed to heirs, sold away from spouses or children to cover an owner’s debt or to spite a rival or to settle an estate. They were regularly whipped, raped, and branded, subjected to any whim or distemper of the people who owned them. Some were castrated or endured other tortures too grisly for these pages, tortures that the Geneva Conventions would have banned as war crimes had the conventions applied to people of African descent on this soil. Before there was a United States of America, there was enslavement. Theirs was a living death passed down for twelve generations.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
“
Oh, Michael, soon we’ll be parkin’ in front of Grand Moff Tarkin Enjoying veggie moo shu to the beeps of R2-D2 And maybe even holding hands while gazing upon the Tatooine sands And knowing that our love by far has more fire power than the Death Star And though they may blow up our planet and kill every creature living on it Like Leia and Han, in the stars above, they can never destroy our love— Like the Millennium Falcon in hyperdrive our love will continue to thrive and thrive.
”
”
Meg Cabot (Princess in Waiting (The Princess Diaries, #4))
“
So, at the turn of the third millennium, you have chosen to base your principles on a collection of contradictory texts – written by various men years after the death of your man Jesus – that have been edited and selected out of hundreds of other documents, and bound together into one hotchpotch volume, under the orders of a political primate, Pope Damasus. And, you’re still content to condemn the living love I feel here and now, because of that dusty accident of bad editing? Why?
”
”
Cliff James (Of Bodies Changed)
“
It is very likely an anxiety dream, brought on by your move out of your childhood home and the comfort of the reach of your family’s love and protection.” Gideon reached to stroke her hair soothingly. “I am only surprised it has not happened sooner.”
“Are you sure?” Her nervousness was clear, but she was truly relaxing already.
“Yes. And so are you. You know everything there is to know about psychology, you tell me what you think.”
“But you thought it was this . . . new level of ability.”
“And for the first time in a millennium my diagnosis is wrong. I do despise it when such bothersome things occur. Now I shall have to start the ‘No Mistakes’ clock all over again.”
Legna giggled at him, which was of course his intention. She swung her arms around his neck, hugging him warmly.
“You smell so good,” he murmured against her ear a long minute later.
“I smell like sex,” she argued.
He nodded, making a loud noise of appreciation as he sniffed and nibbled her neck.
“You smell like very good sex,” he amended with a voracious growl and an eager mouth moving over her bare skin with bold appetite.
“Gideon!” She squealed as he went straight for her waist, knowing she was ticklish there. The playful flicker of his tongue and the scrape of his teeth drove her mad, and she twisted as she screamed for him to stop.
When he tickled her she absolutely could not use her classic escape method. She could barely catch her breath, never mind her concentration.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
I don't trust my own answers anymore. I'm too twisted up with rage, too hooked in the millennium. But I find myself combing the past these days, dreaming dreams without sleep, puzzling over any guys, the gay and the straight and the inbetween. Somewhere in there is a
horror of love, and to try to kill the beast in them, they take it out on us. Which is not to say I don't chastise myself for halving the world into us and tbem. I know that the good guys aren't all gay, or the bad all straight. That is what I am sifting for, to know what a man is finally, no matter the tribe or gender.
”
”
Paul Monette (Becoming a Man)
“
The Big Book’s chapter We Agnostics draws a line in the sand: God either is or He isn’t. What was our choice to be (Alcoholics Anonymous, 53)? Nature abhors a vacuum and a state of nothing can’t exist in either the material or spiritual world. This kind of binary thinking made sense in the autocratic world of 1939. But in a democratic, pluralist society, all-or-nothing thinking is a cognitive distortion—a philosophical assumption that everything is right or wrong, good or evil, superior or inferior. In this millennium, people can hold opposing views and be equals in the same community. Our Traditions, lovingly and tolerantly, make room for more than one truth. That’s a good thing, because the only problem with the truth is that there are so many versions of it.
”
”
Joe C. (Beyond Belief: Agnostic Musings for 12 Step Life: finally, a daily reflection book for nonbelievers, freethinkers and everyone)
“
Neliss, why is this rug wet?”
Legna peeked around the corner to glance at the rug in question, looking as if she had never seen it before.
“We have a rug there?”
“Did you or did you not promise me you were not going to practice extending how long you can hold your invisible bowls of water in the house? And what on earth is that noise?”
“Okay, I confess to the water thing, which was an honest mistake, I swear it. But as for a noise, I have no idea what you are talking about.”
“You cannot hear that? It has been driving me crazy for days now. It just repeats over and over again, a sort of clicking sound.”
“Well, it took a millennium, but you have finally gone completely senile. Listen, this is a house built by Lycanthropes. It is more a cave than a house, to be honest. I have yet to decorate to my satisfaction. There is probably some gizmo of some kind lying around, and I will come across it eventually or it will quit working the longer it is exposed to our influence. Even though I do not hear anything, I will start looking for it. Is this satisfactory?”
“I swear, Magdelegna, I am never letting you visit that Druid ever again.”
“Oh, stop it. You do not intimidate me, as much as you would love to think you do. Now, I will come over there if you promise not to yell at me anymore. You have been quite moody lately.”
“I would be a hell of a lot less moody if I could figure out what that damn noise is.”
Legna came around the corner, moving into his embrace with her hands behind her back. He immediately tried to see what she had in them.
“What is that?”
“Remember when you asked me why I cut my hair?”
“Ah yes, the surprise. Took you long enough to get to it.”
“If you do not stop, I am not going to give it to you.”
“Okay. I am stopping. What is it?”
She held out the box tied with a ribbon to him and he accepted it with a lopsided smile.
“I do not think I even remember the last time I received a gift,” he said, leaning to kiss her cheek warmly. He changed his mind, though, and opted to go for her mouth next. She smiled beneath the cling of their lips and pushed away.
“Open it.”
He reached for the ribbon and soon was pulling the top off the box.
“What is this?”
“Gideon, what does it look like?”
He picked up the woven circlet with a finger and inspected it closely. It was an intricately and meticulously fashioned necklace, clearly made strand by strand from the coffee-colored locks of his mate’s hair. In the center of the choker was a silver oval with the smallest writing he had ever seen filling it from top to bottom.
“What does it say?”
“It is the medics’ code of ethics,” she said softly, taking it from him and slipping behind him to link the piece around his neck beneath his hair. “And it fits perfectly.” She came around to look at it, smiling. “I knew it would look handsome on you.”
“I do not usually wear jewelry or ornamentation, but . . . it feels nice. How on earth did they make this?”
“Well, it took forever, if you want to know why it took so long for me to make good on the surprise. But I wanted you to have something that was a little bit of me and a little bit of you.”
“I already have something like that. It is you. And . . . and me, I guess,” he laughed. “We are a little bit of each other for the rest of our lives.”
“See, that makes this a perfect symbol of our love,” she said smartly, reaching up on her toes to kiss him.
“Well, thank you, sweet. It is a great present and an excellent surprise. Now, if you really want to surprise me, help me find out what that noise is.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
The myth of redemptive violence is, in short, nationalism become absolute. This myth speaks for God; it does not listen for God to speak. It invokes the sovereignty of God as its own; it does not entertain the prophetic possibility of radical judgment by God. It misappropriates the language, symbols, and scriptures of Christianity. It does not seek God in order to change; it embraces God in order to prevent change. Its God is not the impartial ruler of all nations but a tribal god worshiped as an idol. Its metaphor is not the journey but the fortress. Its symbol is not the cross but the crosshairs of a gun. Its offer is not forgiveness but victory. Its good news is not the unconditional love of enemies but their final elimination. Its salvation is not a new heart but a successful foreign policy. Its usurps the revelation of God's purposes for humanity in Jesus. It is blasphemous. It is idolatrous.
”
”
Walter Wink (The Powers That Be: Theology for a New Millennium)
“
CREONTA: Rope! My rope! Hang those two thieves by the neck until they are dead.
THE ROPE: Alack, but vile and ill-natured female! Upon wherein did thine affections tarry when I didst but lie here and rot for many a year? Nay, but those fellows tooketh care to remove the wetness that didst plagueth me of late and hath laid me upon the cool ground to revel in a state of dryness. Nay, I wouldst not delay them in their noble course for all thine base and bestial howling.
CREONTA: Then, you, dearest donkey, precious beast of burden, tear those two apart and eat their flesh!
DONKEY: Nay, but alas for many a season didst you but keep the food of the tummy from me and my mouth when it was that I required it of you. These fine gentlemen of fortune didst but give me carrots of which to partake which I did most verily and forthsoothe with merriment. I havest decided that thou dost suck most verily and no longer will I layth the smackth down in thine name but will rather let such gentlemen as these go free of themselves.
TRUFFALDINO: [To the audience.] Well, what do you know? Fakespeare!
”
”
Hillary DePiano (The Love Of Three Oranges: A Play For The Theatre That Takes The Commedia Dell'arte Of Carlo Gozzi And Updates It For The New Millennium)
“
High Self High Self includes our moral virtues, philosophical ideas and spiritual values. It is the essence of sensitivity and feeling, the aspect of our being that recognises and determines our needs. It expresses itself as intuition, love and wisdom. It is our highest form of expression, the God within. Action through High Self is largely right-brained: creative, spiritual and compassionate. Many people confuse love with emotions. True love is a function of High Self. Physical attraction (Basic Self) and mental conditioning (Conscious Self) frequently accompany love, but not necessarily. Love has a depth that permeates every facet of positive human expression. It enjoys expression through the emotions, but it is not governed by the emotions. High Self is best facilitated through the development of our intuition, which leads to a depth of personal freedom. Attendant to such freedom is a newfound wealth and compassion. It leads to a depth of wisdom that is almost legendary in human expression. In numerology, High Self is represented as the Soul or Feeling Plane, comprising the numbers 2, 5 and 8. The new millennium (with every birth date at least including a two) will see a more genuine spirituality manifested in human affairs.
”
”
David A. Phillips (The Complete Book of Numerology: Discovering the Inner Self)
“
In the 1950s kids lost their innocence.They were liberated from their parents by well-paying jobs, cars, and lyrics in music that gave rise to a new term—the generation gap. In the 1960s, kids lost their authority. It was the decade of protest—church, state, and parents were all called into question and found wanting.Their authority was rejected, yet nothing ever replaced it. In the 1970s, kids lost their love. It was the decade of me-ism dominated by hyphenated words beginning with self. Self-image, Self-esteem, Self-assertion . . . It made for a lonely world. Kids learned everything there was to know about sex and forgot everything there was to know about love, and no one had the nerve to tell them there was a difference. In the 1980s, kids lost their hope. Stripped of innocence, authority, and love and plagued by the horror of a nuclear nightmare, large and growing numbers of this generation stopped believing in the future. To bring it up to date, I have added two more paragraphs: In the 1990s kids lost their power to reason. Less and less were they taught the very basics of language, truth, and logic and they grew up with the irrationality of a postmodern world. In the new millennium, kids woke up and found out that somewhere in the midst of all this change, they had lost their imagination. Violence and perversion entertained them till none could talk of killing innocents since none was innocent anymore.
”
”
Ravi Zacharias (Recapture the Wonder)
“
The path of what was to come was awful. It was the enormous dying, a sea of blood. From it the new sun arose, awful and a reversal of that which we call day. We have seized the darkness and its sun will shine above us, bloody and burning like a great downfall.
When I comprehended my darkness, a truly magnificent night came over me and my dream plunged me into the depths of the millennia, and from it my phoenix ascended.
But what happened to my day? Torches were kindled, bloody anger and disputes erupted. As darkness seized the world, the terrible war arose and the darkness destroyed the light of the world, since it was incomprehensible to the darkness and good for nothing anymore. And so we had to taste Hell.
I saw which vices the virtues of this time changed into, how your mildness became hard, your goodness became brutality; your love became hate, and your understanding became madness. Why did you want to comprehend the darkness! But you had to or else it would have seized you. Happy the man who anticipates this grasp.
Did you ever think of the evil in you? Oh, you spoke of it, you mentioned it, and you confessed it smilingly; as a generally human vice, or a recurring misunderstanding. But did you know 1 what evil is, and that it stands precisely right behind your virtues, that it is also your virtues themselves, as their inevitable substance?7! You locked Satan in the abyss for a millennium, and when the millennium had passed, you laughed at him, since he had become a children's fairy tale.72 But if the dreadful great one raises his head, the world winces. The most extreme coldness draws near.
With horror you see that you are defenseless, and that the army of your vices falls powerless to its knees. With the power of daimons, you seize the evil, and your virtues cross over to him. You are completely alone in this struggle, since your Gods have become deaf You do not know which devils are greater, your vices, or your virtues. But ofone thing you are certain, that virtues and vices are brothers.
73We need the coldness of death to see clearly. Life wants to live and to die, to begin and to end.74 You are not forced to live eternally; but you can also die, since there is a will in you for both. Life and death must strike a balance in your existence.75 Today's men need a large slice of death, since too much incorrectness lives in them, and too much correctness died in them. What stays in balance is correct, what disturbs balance is incorrect. But if balance has been attained, then that which preserves it is incorrect and that which disturbs it is correct. Balance is at once life and death. For the completion of life a balance with death is fitting. If I accept death, then my tree greens, since dying increases life. If I plunge into the death encompassing the world, then my buds break open. How much our life needs death!
”
”
Jung
“
If you give me the name of the contraceptive shot you had, I will source for more of them. I am keen that nothing interrupts our enjoyment of each other.” His tone indicated the understatement of the millennium.
“It’s called Depo-Provera. It’s supposed to last three months or so, and Paul has a few more doses.” When he’d injected me, I’d said, “The idea of living another three months feels far-fetched right now.” He’d replied, “Better safe than sorry, huh?”
Aric nodded. “I will be on the lookout for it.”
Aric raised a brow at that. Then, seeming to make a decision, he eased me aside to get out of the bed. “I have something for you.” As he strode to our closet, I gawked at the sight of his flawless body.
The return view was even more rewarding.
He sat beside me and handed me a small jewelry box. “I want you to have this.”
I opened the box, finding a gorgeous gold ring, engraved with runes that called to mind his tattoos. An oval of amber adorned the band. Beautiful. The warm color reminded me of his eyes whenever he was pleased.
“My homeland was famous for amber—from pine.” He slipped the ring on my finger, and it fit perfectly. Holding my gaze, he said, “We are wed now.”
First priest I find, I’m goan to marry you. Jack’s words. I recalled the love blazing from his gray gaze before I stifled the memory. “Aric, th-this is so beautiful. Thank you.”
The symbol of his parents’ marriage had been derived from trees. Another waypoint.
”
”
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
“
Prayer of Peace
I offer this prayer of peace
Not to the Christian God
Nor to the Buddhist God
Nor to the Islamic God
Nor to the Jewish God
But to the God of all humanity.
For the peace that we wish for
Is Not a Christian peace
Nor a Buddhist peace
Nor an Islamic peace
Nor a Jewish peace
But a human peace
For all of us.
I offer this prayer of peace
To the God that lives within all of us
That fills us with happiness and joy
To make us whole
And help us understand life
As an expression of love for all human beings.
For no religion can be better
Than any other religion
For no truth can be truer
Than any other truth
For no nation can be bigger
Than the earth itself.
Help us all go beyond
Our small limits
And realize that we are one
That we are all from the earth.
That we are all earth people
Before we are Indians, Koreans, or Americans.
God made the earth
We humans have to make it prosper
By realizing that we are of the earth
And not of any nation, race, or religion,
By knowing that we are truly one
In our spiritual heritage.
Let us now apologize
To all humanity
For the hurt that religions have caused,
So that we can heal the hurt
Let us now promise to one another
To go beyond egotism and competition
To come together as one in God.
I offer this prayer of peace
To you the almighty
To help us find you within all of us
So that we may stand proudly
One day before you
As one humanity.
I offer this prayer of peace
With all my fellow earth people
For a lasting peace on earth.
Ilchi Lee originally wrote and read this prayer at the United Nations Millennium World Peace Summit of Religious and Spiritual Leaders on August 28th, 2000.
”
”
Ilchi Lee (Songs of Enlightenment)
“
My sister and I grew older. My mother educated us herself, always reminding us that though the Daglan had been vanquished, evil lived on. Evil lurked beneath our very feet, always waiting to devour us. I believe she told us this in order to keep us honest and true, certainly more than she had ever been. Yet as we aged and grew into our power, it became clear that only one throne could be inherited. I loved Helena more than anything. Should she have wanted the throne, it was hers. But she had as little interest in it as I did. It was not enough for my mother. Possessing all she had ever wanted was not enough. “Classic stage mom,” Bryce muttered. My mother remembered the talk of the Daglan—their mention of other worlds. Places they had conquered. And with two daughters and one throne … only entire worlds would do for us. For her legacy. Bryce shook her head again. She knew where this was going. Remembering the teachings of her former mistress, my mother knew she might wield the Horn and Harp to open a door. To bring the Fae to new heights, new wealth and prestige. Bryce rolled her eyes. Same corrupt, delusional Fae rulers, different millennium. Yet when she announced her vision to her court, many of them refused. They had just overthrown their conquerors—now they would turn conqueror, too? They demanded that she shut the door and leave this madness behind her. But she would not be deterred. There were enough Fae throughout her lands, along with some of the fire-wielders from the south, who supported the idea, merchants who salivated at the thought of untapped riches in other worlds. And so she gathered a force. It was Pelias who told her where to cast her intention. Using old, notated star maps from their former masters, he’d selected a world for them.
”
”
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
“
If I understand anything at all about this great symbolist, it is this: that he regarded only subjective realities as realities, as “truths”—that he saw everything else, everything natural, temporal, spatial and historical, merely as signs, as materials for parables. The concept of “the Son of God” does not connote a concrete person in history, an isolated and definite individual, but an “eternal” fact, a psychological symbol set free from the concept of time. The same thing is true, and in the highest sense, of the God of this typical symbolist, of the “kingdom of God,” and of the “sonship of God.” Nothing could be more un-Christian than the crude ecclesiastical notions of God as a person, of a “kingdom of God” that is to come, of a “kingdom of heaven” beyond, and of a “son of God” as the second person of the Trinity. All this—if I may be forgiven the phrase—is like thrusting one’s fist into the eye (and what an eye!) of the Gospels: a disrespect for symbols amounting to world-historical cynicism.... But it is nevertheless obvious enough what is meant by the symbols “Father” and “Son”— not, of course, to every one—: the word “Son” expresses entrance into the feeling that there is a general transformation of all things (beatitude), and “Father” expresses that feeling itself —the sensation of eternity and of perfection.—I am ashamed to remind you of what the church has made of this symbolism: has it not set an Amphitryon story at the threshold of the Christian “faith”? And a dogma of “immaculate conception” for good measure?... And thereby it has robbed conception of its immaculateness—
The “kingdom of heaven” is a state of the heart—not something to come “beyond the world” or “after death.” The whole idea of natural death is absent from the Gospels: death is not a bridge, not a passing; it is absent because it belongs to a quite different, a merely apparent world, useful only as a symbol. The “hour of death” is not a Christian idea —“hours,” time, the physical life and its crises have no existence for the bearer of “glad tidings.”... The “kingdom of God” is not something that men wait for: it had no yesterday and no day after tomorrow, it is not going to come at a “millennium”—it is an experience of the heart, it is everywhere and it is nowhere....
This “bearer of glad tidings” died as he lived and taught—not to “save mankind,” but to show mankind how to live. It was a way of life that he bequeathed to man: his demeanour before the judges, before the officers, before his accusers—his demeanour on the cross. He does not resist; he does not defend his rights; he makes no effort to ward off the most extreme penalty—more, he invites it.... And he prays, suffers and loves with those, in those, who do him evil.... Not to defend one’s self, not to show anger, not to lay blames.... On the contrary, to submit even to the Evil One—to love him....
36.
—We free spirits—we are the first to have the necessary prerequisite to understanding what nineteen centuries have misunderstood—that instinct and passion for integrity which makes war upon the “holy lie” even more than upon all other lies.... Mankind was unspeakably far from our benevolent and cautious neutrality, from that discipline of the spirit which alone makes possible the solution of such strange and subtle things: what men always sought, with shameless egoism, was their own advantage therein; they created the church out of denial of the Gospels....
That mankind should be on its knees before the very antithesis of what was the origin, the meaning and the law of the Gospels—that in the concept of the “church” the very things should be pronounced holy that the “bearer of glad tidings” regards as beneath him and behind him—it would be impossible to surpass this as a grand example of world- historical irony—
”
”
Nietszche
“
At some point I tried willing things along, mentally focusing on a rapid delivery. That didn't work. I got up to walk around-walking is supposed to help you progress-then quickly got back in the chair.
“Argh!!!!!” I groaned. And other stuff.
The way I saw it, my baby should have been out by now, shaking hands with his dad and passing around cigars to the nurses. But he apparently had other plans. Labor continued very slowly.
Very slowly.
We were in that room for eighteen hours. That was a lot of contractions. And a lot of PG versions of curse words, along with the X-rated kind. I may have invented a whole new language.
Somewhere around the twelve-hour mark, Chris asked if I’d mind if he changed the music, since our songs had been playing on repeat for what surely seemed like a millennium.
“Sure,” I said.
He switched to the radio and found a country station. That lasted a song or two.
“I’m so sorry,” I told him. “I need Enya. I’m tuned in to it, and it calms me…ohhhhh!”
“Okay. No problem,” he said calmly, though not quite cheerfully. I’m sure it was torture.
Chris would take short breaks, walking out into the waiting room where both sides of our family were waiting to welcome their first grandchild and nephew. He’d look at his dad and give a little nod.
“She’s okay,” he told everyone. Then he’d wipe a little tear away from his eye and walk back to me.
Chris said later that watching me give birth was probably the most powerless feeling he’d ever had. He knew I was in pain and yet couldn’t do a whit about it. “It’s like watching your wife get stabbed and not being able to do anything to help.”
But when he came into the room with me, his eyes were clear and he seemed confident and even upbeat. It was the thing he did when talking to me from the combat zone, all over again: he wasn’t about to do anything that would make me worry.
I, on the other hand, made no secret of what I was feeling. An alien watermelon was ripping my insides out. And it hurt.
Whoooh!
Suddenly one of the contractions peaked way beyond where the others had been. Bubba had finally decided it was time to say hello to the world.
I grabbed the side rail on the bed and struggled to remain conscious, if not exactly calm.
Part of me was thinking, You should remember this, Taya. This is natural childbirth. This is beautiful. This is what God intended. You should enjoy this precious moment and remember it always.
Another part of me was telling that part to shut the bleep up.
I begged for mercy-for painkillers.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
What do you call an evil leader digging a hole? Darth Spader What do you call Obi Wan eating crunchy toast? Obi Crumb What do call a padawan who likes to play computer games? i'Pad' me What do you call a starship pilot who likes to drink cocoa? Han Coco What starship is always happy to have people aboard? The Millennium Welcome What did Yoda say to Luke while eating dinner? Use the fork Luke. What do you call a Sith who won't fight? A Sithy. Which Star Wars character uses meat for a weapon instead of a Lightsaber? Obi Wan Baloney. What do call a smelly droid? R2DPOO What do call a droid that has wet its pants? C3PEE0 What do you call a Jedi who loves pies? Luke PieWalker? What do call captain Rex when he emailing on a phone? Captain Text What evil leader doesn’t need help reaching? Ladder the Hutt What kind of evil lord will always say goodbye? Darth Later Which rebel will always win the limbo? Han LowLow What do you call R2D2 when he’s older? R2D3 What do you call R2D2 when he’s busting to go to the toilet? R2DLoo What do call Padme’s father? Dadme What’s do you call the Death Star when its wet? The Death Spa What do call R2D2 when he climbs a tree? R2Tree2 What do you say a Jedi adding ketchup to his dinner? Use the sauce Luke. What star wars baddy is most likely to go crazy? Count KooKoo What do call Count Dooku when he’s really sad? Count Boohoo Which Jedi is most likely to trick someone? Luke Liewalker Which evil lord is most likely to be a dad? Dadda the Hutt Which rebel likes to drink through straws? Chew Sucker Which space station can you eat from? The Death bar What do call a moody rebel? Luke Sighwalker What do you call an even older droid R2D4 What do call Darth Vader with lots of scrapes? Dearth Grazer What call an evil lord on eBay? Darth Trader What do call it when an evil lord pays his mum? Darth Paid-her What do call an evil insect Darth Cicada What sith always teases? General Teasers Who's the scariest sith? Count Spooko Which sith always uses his spoon to eat his lunch Count Spoonu What evil lord has lots of people living next door? Darth Neighbour What Jedi always looks well dressed? Luke TieWalker Which evil lord works in a restaurant? Darth waiter What do you call a smelly storm trooper? A storm pooper What do you call Darth Vader digging a hole? Darth Spader What do you C3PO wetting his pants? C3PEE0 What do you call Asoka’s pet frog? Acroaka What do you call a Jedi that loves pies? Luke Piewalker What rebel loves hot drinks? Han Coco What did Leia say to Luke at the dinner table? Use the fork Luke. What do call Obi Wan eating fruit? Obi plum What do you call Obi in a band? Obi Drum What doe Luke take out at night? A Night Sabre What is the favourite cooking pot on Endor? The e Wok
”
”
Reily Sievers (The Best Star Wars Joke Book)
“
What was the very FIRST GAME Mario appeared in? a) Super Mario Bros. b) Donkey Kong c) Super Smash Bros. d) Super Mario World. What is the newest Mario game out today? a) New Super Mario Bros. b) Super Mario Galaxy. What does Luigi say when he wins a race on Mario Cart 64? What is Mario’s last name? a) Costanza b) Italiano c) Mario d) Luigi. Who is the LAST person you play in Mario Party 3 (64 version)? a) Millennium Star b) Waluigi c) Daisy d) Bowser. Correct answers: b b Letsa go (let’s go, here we go) c a. Results: 0 out of 5 – did you play any Mario game at all? The game itself isn’t very complicated. Start playing and you’ll definitely get a higher score. Right now, this is bad. These answers make Mario question his own abilities to do something right. 1 out of 5 – you have probably played Mario games, when someone made you. Come on, you can do way better than this. Even Koopas can get a higher score and you’re way smarter than them. Plus, Princess Peach is most certainly not impressed with this score. 2 out of 5 – well, you’re not totally bad, but you’re also far away from an expert. Let’s just assume you hurried to answer as faster as possible and you made a couple of mistakes. You know what they say, everything gets better with practice. 3 out of 5 – you’re in the middle; still a long way to go to become an expert, but you’re not an amateur at the same time. However, Princess Peach doesn’t want someone who’s going to be happy being “in the middle”. What does this tell you? To do your best, achieve a greater score and, of course, to improve your overall game style as well. 4 out of 5 – very good. You are just one step away from being an expert. If you continue like this, you would be able to do a better job than Mario. You know the game quite well and you would gladly go on an adventure in Super Mario style. 5 out of 5 – expert. Congratulations! You love the game, your favorite pastime is playing Super Mario and let’s face it; you’d give Mario run for his money. You know the game “inside and out” and unlike Mario, you’d actually find princess in the right castle. But, don’t let this get into your head. Always strive to do better. Conclusion Thank you again for downloading this book! I hope you find the third volume of Super Mario joke book as equally entertaining as previous two volumes. In case you haven’t read Super Mario joke book volumes 1 and 2, this is the perfect opportunity to get those books and see what jokes, memes, and other useful and entertaining info you missed out on. Throughout this book, you got to see various jokes, memes, comics, and read about interesting Mario fun facts you didn’t know before. Besides that, the book also included quiz where you had the opportunity to test your knowledge of Mario games. Hopefully, you got the top score and even if you didn’t, you can always retake the test. This joke book is ideal for all people who love Super Mario and it’s impossible to hate this little, chubby guy. With good humor, funny memes, interesting comics, and special Princess Peach section, this book is everything you need whenever you feel sad, bored, or in the mood for a good laugh. I hope this book was able to help you understand the importance of Super Mario as well as to understand
”
”
Jenson Publishing (Super Mario: The Funniest Super Mario Jokes & Memes Volume 3)
“
When we ascend we have to give
people what they deserve: dignity. What I understand by dignity is that man is an instrument for love,
”
”
Michael Barnett (Rastafari in the New Millennium: A Rastafari Reader)
“
I wish I could've
done for you what
time has.
”
”
J. Andrew Schrecker (Post-Millennium Rhapsody)
“
I was twenty years old at the time. Three years earlier I had experienced for the first time the new life, the love, the joy of knowing Jesus Christ in a personal way. A crisis came, I called upon Him, and suddenly He was there, alive! In fact, two thousand years had not aged Him a bit! I found He still had the same power to transform men's lives and hold their loyalty that He had manifested in the Gospels two millenniums before.
”
”
Don Richardson
“
How difficult it is for today's woman to cast aside this capacity, internalized in the course of centuries, of millenniums, with which she tried to assimilate herself to the man whom fate seemed to have singled out to be her lord and master. How difficult she will find it to convince herself that woman must reckon self-renunciation as a sin, even a renunciation for the sake of the beloved and for the sake of the power of love.
”
”
Alexandra Kollontai (The Autobiography of a Sexually Emancipated Communist Woman)
“
Tortilla Pinwheels
Why, hello, 1994! It’s wonderful to see you again. I’ve missed you so much, and I’d really like my small waist back. Thank you. And while you’re at it, could you please send me some of those crazy easy tortilla roll-ups that people used to make for casual get-togethers? Because life has gotten rather complicated here in the new millennium and people think these are out of style. Which they are. But I don’t care.
And never mind, no need to send. I’ll just make a batch myself!
Love ya. Say hi to my size 6 jeans!
”
”
Ree Drummond (The Pioneer Woman Cooks: Come and Get It! Simple, Scrumptious Recipes for Crazy Busy Lives)
“
Ancient Ways
Considering their favorable strategic location, pleasant climate, and natural beauty, is it any wonder that the Greek Isles became the cradle of Western culture? For millennia, the Greek islands have exerted a powerful magnetic force on people around the world. Seafaring conquerors have long recognized the importance and beauty of these islands. Ancient Phoenician ships came ashore as early as the third millennium B.C.E., followed by would-be conquerors from mainland Greece, Rome, Venice, and Turkey. Invaders have laid claim to these islands from antiquity well into the modern era.
Pleasure seekers have also been drawn to the area. Ancient Minoan kings built their luxurious palaces among the citrus groves and rugged hillsides that overlook the placid seas. Scenes depicted in ancient wall paintings and on decorated pottery suggest that the islands have been a center of hedonistic activity--dancing, drinking, and romance--for eons. Today, visitors from around the world indulge in these same activities, drawn to the beaches, tavernas, and discotheques that pepper the many island harbors.
Contemporary travelers to the Greek Isles come for myriad reasons and find a dazzling array of unexpected delights, for each of the more than three thousand islands has its own particular character. From the larger, bustling islands of Crete, Rhodes, and the island nation of Cyprus to the quieter havens of Folegandros and Kárpathos, to the hundreds of tiny, uninhabited islets of the region, the Greek Isles present a collage of diverse landscapes and customs. Mykonos is fun-loving, with lively tavernas and populated beaches. Delos is stoic, protecting the ruins of its ancient sanctuaries in solemn dignity. Milos is magical, with its volcanic rock formations and stunning village vistas.
”
”
Laura Brooks (Greek Isles (Timeless Places))
“
What is it about the Greek character that has allowed this complex culture to thrive for millennia? The Greek Isles are home to an enduring, persevering people with a strong work ethic. Proud, patriotic, devout, and insular, these hardy seafarers are the inheritors of working methods that are centuries old. On any given day, fishermen launch their bots at dawn in search of octopi, cuttlefish, sponges, and other gifts of the ocean. Widows clad in black dresses and veils shop the local produce markets and gather in groups of two and three to share stories. Artisans stich decorative embroidery to adorn traditional costumes. Glassblowers, goldsmiths, and potters continue the work of their ancient ancestors, ultimately displaying their wares in shops along the waterfronts.
The Greeks’ dedication to time-honored occupations and hard work is harmoniously complemented by their love of dance, song, food, and games. Some of the earliest works of art from the Greek Isles--including Minoan paintings from the second millennium B.C.E.--depict the central, day-to-day role of dance, and music. Today, life is still lived in common, and the old ways often survive in a deep separation between the worlds of women and men. In the more rural areas, dancing and drinking are--officially at least--reserved for men, as the women watch from windows and doorways before returning to their tasks. At seaside tavernas throughout the Greek Isles, old men sip raki, a popular aniseed-flavored liqueur, while playing cards or backgammon under grape pergolas that in late summer are heavy with ripe fruit.
Woven into this love of pleasure, however, are strands of superstition and circumspection. For centuries, Greek artisans have crafted the lovely blue and black glass “eyes” that many wear as amulets to ward off evil spirits. They are given as baby and housewarming gifts, and are thought to bring good luck and protect their wearers from the evil eye. Many Greeks carry loops of wooden or glass beads--so-called “worry beads”--for the same purpose. Elderly women take pride in their ability to tell fortunes from the black grounds left behind in a cup of coffee.
”
”
Laura Brooks (Greek Isles (Timeless Places))
“
Dakle, nije najveći onaj tko može najviše razoriti - svijet još uvijek moćž razaranja smatra pravim dokazom moći - nego posve suprotno, već i najmanja snaga ljubavi jača je od najveće snage razaranja.
”
”
Pope Benedict XVI (Salt of the Earth: The Church at the End of the Millennium - An Interview With Peter Seewald)
“
Dropout Scientist (The Sonnet)
I am a scientist who doesn't have a degree,
I am a poet who has no control over words.
I am a philosopher who has no intellect whatsoever,
I am a monk with no idea, what it means to be religious.
If I am being honest, I have no clue what I am,
And I know quite well that you do not know either.
But believe you me my friend, one day in sheer awe,
Your descendants will come up with the rightful answer.
In my 30 years of life, I've traveled quite a distance,
Which will take the world at least a millennium to cover.
That's why archaic designations fall short to define life,
No designation is qualified to define a being beyond border.
My faith is humanity, my reason is humanity, my love is humanity.
I am but a glimpse of the future, without coldness and rigidity.
”
”
Abhijit Naskar (Amantes Assemble: 100 Sonnets of Servant Sultans)
“
Master? Master… She looked up and almost lost control of her voice in an exclamation. The wind and snow roared wildly. What was that thing flying over her head? It was a huge white bird, instantly spreading its wings, rushing down from the cloudy sky right into the pillar of fire!
“Ah!” Zhu Yan finally couldn’t help shouting, “Four…Four-eyed bird?”
Chongming! After so many years, she finally met again the ancient divine bird who had accompanied her in her childhood. This huge white bird is the Millennium Guardian in the temple of Jiuyi Mountain. It belongs to her Master as Imperial Soul Guard.
”
”
沧月 (Zhuyan (With Prequel of Mirror) 朱颜(附镜子上卷镜前传))
“
No hunger or thirst of my youth was as strong as my love for my child. We'd never be apart, not completely. Even after death we'd find each other. Our atoms would be released into the earth, air, water, and they'd find each other; even if it took a hundred years. One atom of her and one of me would mingle in a sun shot blade of grass and so we'd embrace again. And a millennium later we'd kiss in a raindrop seeding in a cloud. And after an eon wed be hugging tightly in the scale of a fish in the sea. It would be so forever.
”
”
Frances Liardet (We Must Be Brave)
“
They—those experts who seem to know everything—say that online dating is the biggest change to the mating ritual in a millennium. Once upon a time, your dating pool was limited to a small group of say fifty-to-a-hundred-plus people. It was an intimate, if somewhat shallow pool—your neighborhood, town, school, church. The first big change was the rise of agriculture and the growth of cities and towns. The pool got bigger, but ways to connect remained somewhat consistent in that you had to meet someone somewhere, or through someone else you know. Close tie connections—family, friends, geography. Then, enter the internet and the rise of dating websites, and that pool grew to essentially everyone else in the world looking for—whatever. Sex. Love. The fulfillment of whatever other appetite, need, desire. Some might view this is as a positive thing—this new era of choice, of plenty. But the truth is that these loose tie connections are almost never lasting. There’s no social obligation to treat people well. You’re not going to find yourself sitting in the church pew next your Torch date’s grandmother on Sunday. So, when you’re done with someone, you can potentially discard him, and realistically expect to never see him or anyone he knows again.
”
”
Lisa Unger (Last Girl Ghosted)
“
There are two questions that the thinking heart might ask about the new millennium. It may wonder if we can survive the world our brain has created for us and the pace at which it is running us and, even if the brain is clever enough to keep us alive in its new millennium world, will we want to live in that world if we only end up feeling more disconnected, hostile, self-protective, afraid, and alone in the universe—brilliant minds lacking loving souls. An objective of this book is to offer the possibility of putting more heart into our life by learning to quiet the restless, passionate brain so it may listen for the code of a gentler, more loving heart capable of reminding it that it is supposed to not only fulfill a biological evolutionary imperative but also be an instrument for refinement and expression of the soul.
”
”
Paul Pearsall (The Heart's Code: Tapping the Wisdom and Power of Our Heart Energy)
“
Politicians love to portray methamphetamine as the crack cocaine of the new millennium.
”
”
Frank Owen (No Speed Limit: Meth Across America)
“
One may ask what makes Pai Hsien-yung's fiction still so compelling in the new millennium. I suggest that it is because instead of being a conservative, Pai impresses as a radical, one who relentlessly campaigns for the power of qing - feeling, sentience, love, affect - via a vis human adversities from national vicissitudes or erotic frustrations, and from fanaticism to the doom of life and death. "Qing is of source unknown, yet it grows ever deeper. The living may die of it, by its power the dead live again," wrote Tang Xianzu (1550-1616), the perennial spokesperson of the "cult of qing.
”
”
Pai Hsien-yung (Taipei People)
“
Have you understood me? That which defines me, that which makes me stand apart from the whole of the rest of humanity, is the fact that I unmasked Christian morality. For this reason I was in need of a word which conveyed the idea of a challenge to everybody. Not to have awakened to these discoveries before, struck me as being the sign of the greatest uncleanliness that mankind has on its conscience, as self-deception become instinctive, as the fundamental will to be blind to every phenomenon, all causality and all reality; in fact, as an almost criminal fraud in psychologicis. Blindness in regard to Christianity is the essence of criminality—for it is the crime against life. Ages and peoples, the first as well as the last, philosophers and old women, with the exception of five or six moments in history (and of myself, the seventh), are all alike in this. Hitherto the Christian has been the "moral being," a peerless oddity, and, as "a moral being," he was more absurd, more vain, more thoughtless, and a greater disadvantage to himself, than the greatest despiser of humanity could have deemed possible. Christian morality is the most malignant form of all false too the actual Circe of humanity: that which has corrupted mankind. It is not error as error which infuriates me at the sight of this spectacle; it is not the millenniums of absence of "goodwill," of discipline, of decency, and of bravery in spiritual things, which betrays itself in the triumph of Christianity; it is rather the absence of nature, it is the perfectly ghastly fact that anti-nature itself received the highest honours as morality and as law, and remained suspended over man as the Categorical Imperative. Fancy blundering in this way, not as an individual, not as a people, but as a whole species! as humanity! To teach the contempt of all the principal instincts of life; to posit falsely the existence of a "soul," of a "spirit," in order to be able to defy the body; to spread the feeling that there is something impure in the very first prerequisite of life—in sex; to seek the principle of evil in the profound need of growth and expansion—that is to say, in severe self-love (the term itself is slanderous); and conversely to see a higher moral value—but what am I talking about?—I mean the moral value per se, in the typical signs of decline, in the antagonism of the instincts, in "selflessness," in the loss of ballast, in "the suppression of the personal element," and in "love of one's neighbour" (neighbouritis!). What! is humanity itself in a state of degeneration? Has it always been in this state? One thing is certain, that ye are taught only the values of decadence as the highest values. The morality of self-renunciation is essentially the morality of degeneration; the fact, "I am going to the dogs," is translated into the imperative," Ye shall all go to the dogs"—and not only into the imperative. This morality of self-renunciation, which is the only kind of morality that has been taught hitherto, betrays the will to nonentity—it denies life to the very roots. There still remains the possibility that it is not mankind that is in a state of degeneration, but only that parasitical kind of man—the priest, who, by means of morality and lies, has climbed up to his position of determinator of values, who divined in Christian morality his road to power. And, to tell the truth, this is my opinion. The teachers and I leaders of mankind—including the theologians—have been, every one of them, decadents: hence their) transvaluation of all values into a hostility towards; life; hence morality. The definition of morality; Morality is the idiosyncrasy of decadents, actuated by a desire to avenge themselves with success upon life. I attach great value to this definition.
”
”
Friedrich Nietzsche (Ecce Homo/The Antichrist)
“
Georgians are a combination of Klingons and Apaches. They are warriors, men from another millennium who get along very well with the United States because they think the rest of Europe are a bunch of wimps.” The prominent highway between the airport and downtown Tbilisi, he noted, is named George W. Bush Street in honor of a 2005 visit by the American president. “They love Bush. He mispronounces words and starts wars. What’s not to like?
”
”
John Shiffman (Operation Shakespeare: The True Story of an Elite International Sting)
“
There were no remaining communities that worshipped Jupiter or Odin. Only the Jews were allowed to live and to worship separate from the church. As the eighteenth-century Jewish philosopher Moses Mendelssohn put it, but for Augustine’s “lovely brainwave, we would have been exterminated long ago.
”
”
Jeffrey Gorsky (Exiles in Sepharad: The Jewish Millennium in Spain)
“
You are the explosion of carnations
in a dark room.
Or the unexpected scent of pine
miles from the woods of Maine.
You are a full moon
that gives midnight it's meaning.
And the explanation of water
For all living things.
You are a compass,
a sapphire,
a bookmark.
A rare coin,
a smooth stone,
a marble.
You are an old lore,
a small shell,
a saved silver dollar.
You are a fine quartz,
a feathered quill,
and a fob from a favorite watch.
You are a valentine
tattered and loved and reread a hundred times.
You are a medal found in the drawer of a once sung hero.
You are honey,
and cinnamon
and West Indies spices,
lost from the boat
that was once Marco Polo's.
You are a pressed rose,
a pearl ring,
and a red perfume bottle found near the Nile.
You are an old soul from an ancient place
a thousand years, and centuries
and millenniums ago.
And you have traveled all this way
just so I could love you.
I do.
”
”
James Patterson (Suzanne's Diary for Nicholas)