Mill Wheel Quotes

We've searched our database for all the quotes and captions related to Mill Wheel. Here they are! All 49 of them:

You think you know what is just and what is not. I understand. We all think we know." I had no doubt, myself, then, that at each moment each one of us, man, woman, child, perhaps even the poor old horse turning the mill-wheel, knew what was just: all creatures come into the world bringing with them the memory of justice. "But we live in a world of laws," I said to my poor prisoner, "a world of the second-best. There is nothing we can do about that. We are fallen creatures. All we can do is to uphold the laws, all of us, without allowing the memory of justice to fade.
J.M. Coetzee (Waiting for the Barbarians)
There was not a lot of room for someone like me, who kept the gossip mill running like a hamster wheel.
Molly Harper (Driving Mr. Dead (Half-Moon Hollow, #1.5))
Below the mill the rivers merge. First they flow close beside each other, undecided, overawed by their longed-for intimacy, and then they fall into each other and get lost in one another. The river that flows out of this melting pot by the mill is no longer either the White or the Black, but it is powerful and effortlessly drives the mill wheel that grinds the grain for bread. Primeval lies on both the White and Black rivers and also on the third one, formed out of their mutual desire. The river arising from their confluence below the mill is called The River, and it flows on calm and contented.
Olga Tokarczuk (Primeval and Other Times)
IV   The bounded is loathed by its possessor. The same dull round even of a universe would soon become a mill with complicated wheels. V   If the many become the same as the few, when possess'd, More! More! is the cry of a mistaken soul, less than All cannot satisfy Man. VI   If any could desire what he is incapable of possessing, despair must be his eternal lot. VII   The desire of Man being Infinite the possession is Infinite & himself Infinite.
William Blake (The Complete Poetry and Prose)
Years may go by, and the wheel in the river Wheel as it wheels for us, children, to-day, Wheel and keep roaring and foaming for ever Long after all of the boys are away. Home for the Indies and home from the ocean, Heroes and soldiers we all will come home; Still we shall find the old mill wheel in motion, Turning and churning that river to foam. You with the bean that I gave when we quarrelled, I with your marble of Saturday last, Honoured and old and all gaily apparelled, Here we shall meet and remember the past.
Robert Louis Stevenson (A Child's Garden of Verses)
A swishing is often heard in the Carpathians, the sound as of a thousand mill wheels turning in the water. It is the dead men gnawing at the dead man, in the abyss without issue, which no man has ever seen, fearing to pass near it. It happens not seldom in the world that the earth shakes from one end to the other: learned people say it is because somewhere by the sea there is a mountain out of which flames burst and burning rivers flow. But the old men who live in Hungary and the land of Galicia know better and say that the earth shakes because there is a dead man grown great and huge in it who wants to rise.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
Thou, my slave, As thou report'st thyself, was then her servant, And for thou wast a spirit too delicate To act her earthy and abhorred commands, Refusing her grand hests, she did confine thee, By help of her more potent ministers And in her most unmitigable rage, Into a cloven pine, within which rift Imprisoned thou didst painfully remain A dozen years; within which space she died And left thee there, where thou didst vent thy groans As fast as mill wheels strike.
William Shakespeare (The Tempest)
How are you giving it magic?” he said, through his teeth. “I already found the path!” I said. “I’m just staying on it. Can’t you—feel it?” I asked abruptly, and held my hand cupping the flower out towards him; he frowned and put his hands around it, and then he said, “Vadiya rusha ilikad tuhi,” and a second illusion laid itself over mine, two roses in the same space—his, predictably, had three rings of perfect petals, and a delicate fragrance. “Try and match it,” he said absently, his fingers moving slightly, and by lurching steps we brought our illusions closer together until it was nearly impossible to tell them one from another, and then he said, “Ah,” suddenly, just as I began to glimpse his spell: almost exactly like that strange clockwork on the middle of his table, all shining moving parts. On an impulse I tried to align our workings: I envisioned his like the water-wheel of a mill, and mine the rushing stream driving it around. “What are you—” he began, and then abruptly we had only a single rose, and it began to grow. And not only the rose: vines were climbing up the bookshelves in every direction, twining themselves around ancient tomes and reaching out the window; the tall slender columns that made the arch of the doorway were lost among rising birches, spreading out long finger-branches; moss and violets were springing up across the floor, delicate ferns unfurling. Flowers were blooming everywhere: flowers I had never seen, strange blooms dangling and others with sharp points, brilliantly colored, and the room was thick with their fragrance, with the smell of crushed leaves and pungent herbs. I looked around myself alight with wonder, my magic still flowing easily. “Is this what you meant?” I asked him: it really wasn’t any more difficult than making the single flower had been. But he was staring at the riot of flowers all around us, as astonished as I was. He looked at me, baffled and for the first time uncertain, as though he had stumbled into something, unprepared. His long narrow hands were cradled around mine, both of us holding the rose together. Magic was singing in me, through me; I felt the murmur of his power singing back that same song. I was abruptly too hot, and strangely conscious of myself. I pulled my hands free.
Naomi Novik (Uprooted)
Oh shit, a dimple. Her core clenched. Dimples were her kryptonite. Along with beards and hard muscle. Jesus take the wheel.
Michele Mills (The Alien Assassin's Stolen Bride (In the Stars))
Language, the homeland and receptacle of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in terms of external, audible sounds, but in terms of the swiftness and power of its inner flow. Then, like the rolling mass of a river’s current, which by its very movement polishes the stones of the bottom and turns the wheels of mills, flowing speech itself, by the force of its own laws, on its way, in passing, creates meter and rhyme and thousands of other forms and constructions, still more important, but as yet unrecognized, unconsidered, unnamed.
Boris Pasternak (Doctor Zhivago (Vintage International))
There is an old lady who lives on the moon. You can see her spinning thread on her spinning wheel. Her isolation and distance from the world has made her a sage. She weaves stories. She knows every wanderer who crosses the sea grass meadows, she knows every woman who uses her blackened blue hands to grind grain in the hand mill, she is friends with the little girl who got lost in the corn fields and was never found, and she knows the story of the boy who played flute on the little hill when his lambs slept. Grandmother said that if I had been a good girl the moon lady would weave for me a magical blanket and every stitch will be made from a moment of my life, a forgotten moment, a memory. Every stitch would be special. It would be made especially for me.
Kanza Javed (Ashes, Wine and Dust)
The river - with the sunlight flashing from its dancing wavelets, gilding gold the grey-green beech-trunks, glinting through the dark, cool wood paths, chasing shadows o'er the shallows, flinging diamonds from the mill-wheels, throwing kisses to the lilies, wantoning with the weirs' white waters, silvering moss-grown walls and bridges, brightening every tiny townlet, making sweet each lane and meadow, lying tangled in the rushes, peeping, laughing, from each inlet, gleaming gay on many a far sail, making soft the air with glory - is a golden fairy stream.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
The wheels of the cars stormed underneath. Woods and pastures ran up and receded, the rails of sidings sheathed in rust, the dipping racing wires, and on the right the blue of the Sound, deeper, stronger than before. Then the enameled shells of the commuters' cars, and the heaped bodies of junk cars, the shapes of old New England mills, with narrow, austere windows; villages, convents; tugboats moving in the swelling fabric-like water; and then plantations of pine, the needles on the ground of a life-giving russet color. So, thought Herzog, acknowledging that his imagination of the universe was elementary, the novae bursting and the worlds coming into being, the invisible magnetic spokes by means of which bodies kept one another in orbit. Astronomers made it all sound as though the gases were shaken up inside a flask. Then after many billions of years, light-years, this childlike but far from innocent creature, a straw hat on his head, and a heart in his breast, part pure, part wicked, who would try to form his own shaky picture of this magnificent web.
Saul Bellow (Herzog)
One gets used to it, said Socrates, as those who live close to a mill do to the sound of the water-wheel turning.
Sarah Bakewell (How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer)
The principal reason for this limited mastery of materials was the energy constraint: for millennia our abilities to extract, process, and transport biomaterials and minerals were limited by the capacities of animate prime movers (human and animal muscles) aided by simple mechanical devices and by only slowly improving capabilities of the three ancient mechanical prime movers: sails, water wheels, and wind mills. Only the conversion of the chemical energy in fossil fuels to the inexpensive and universally deployable kinetic energy of mechanical prime movers (first by external combustion of coal to power steam engines, later by internal combustion of liquids and gases to energize gasoline and Diesel engines and, later still, gas turbines) brought a fundamental change and ushered in the second, rapidly ascending, phase of material consumption, an era further accelerated by generation of electricity and by the rise of commercial chemical syntheses producing an enormous variety of compounds ranging from fertilizers to plastics and drugs.
Vaclav Smil (Making the Modern World: Materials and Dematerialization)
Maslick’s 220-pound frame was wedged behind the wheel. Raindrops were collecting on the windshield, blurring ancient row houses and a street narrow enough that passing required having two wheels on the sidewalk. After days on the move in a city where good driving etiquette meant clipping fewer than three people a week, they’d resigned themselves to the impossibility of staying
Kyle Mills (The Survivor (Mitch Rapp, #14))
CONSTANTINE Trigorin has worked out a process of his own, and descriptions are easy for him. He writes that the neck of a broken bottle lying on the bank glimmered in the moonlight, and that the shadows lay black under the mill-wheel. There you have a moonlit night before your eyes, but I speak of the shimmering light, the twinkling stars, the distant sounds of a piano melting into the still and scented air, and the result is abominable.
Anton Chekhov (The Seagull)
Half the world is made of tiny communities that have grown up around nothing more than a crossroads market, or a good clay pit, or a bend of river strong enough to turn a mill wheel. Sometimes these towns are prosperous. Some have rich soil and generous weather. Some thrive on the trade moving through them. The wealth of these places is obvious. The houses are large and well-mended. People are friendly and generous. The children are fat and happy. There are luxuries for sale: pepper and cinnamon and chocolate. There is coffee and good wine and music at the local inn. Then there are the other sort of towns. Towns where the soil is thin and tired. Towns where the mill burned down, or the clay was mined out years ago. In these places the houses are small and badly patched. The people are lean and suspicious, and wealth is measured in small, practical ways. Cords of firewood. A second pig. Five jars of blackberry preserve.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
This is a friendly forty winks, Mrs. FitzEngle.” He snagged her wrist. “Join me.” She regarded him where he lay. “Ellen.” The teasing tone in Val’s voice faded. “I will not ravish you in broad daylight unless you ask it of me, though I would hold you.” She nodded uncertainly and gingerly lowered herself beside him, flat on her back. “You’re out of practice,” Val observed, rolling to his side. “We must correct this state of affairs if we’re to get our winks.” Before she could protest, he arranged her so she was on her side as well, his body curved around hers, her head resting on his bicep, his arm tucking her back against him. “The benefit of this position,” his said, speaking very close to her ear, “is that I cannot behold your lovely face if you want to confide secrets, you see? I am close enough to hear you whisper, but you have a little privacy, as well. So confide away, and I’ll just cuddle up and perhaps even drift off.” “You would drift off while I’m confiding?” “I would allow you the fiction. It’s one of the rules of gentlemanly conduct owed on summer days to napping companions.” His arm was loosely draped over her middle so he could sense the tension in her. “I can hear your thoughts turning like a mill wheel. Let your mind rest too, Ellen.” “I am unused to this friendly napping.” “You and your baron never stole off for an afternoon nap?” Val asked, his fingers tracing the length of her arm. “Never kidnapped each other for a picnic on a pretty day?” “We did not.” Ellen sighed as his fingers stroked over her arm again. “He occasionally took tea with me, though, and we often visited at the end of the day.” But, Val concluded with some satisfaction, they did not visit in bed or on blankets or with their clothes off. Ellen had much to learn about napping. His right hand drifted up to her shoulder, where he experimentally squeezed at the muscles joining her neck to her back. “Blazes,” he whispered, “you are strong. Relax, Ellen.” His right hand was more than competent to knead at her tense muscles, and when he heard her sigh and felt her relax, he realized he’d found the way to stop her mill wheel from spinning so relentlessly. “Close your eyes, Ellen,” he instructed softly. “Close your eyes and rest.” In minutes, her breathing evened out, her body went slack, and sleep claimed her. Gathering her a little more closely, he planted a kiss on her nape and closed his eyes. His hand wasn’t throbbing anymore, his belly was full, and he was stealing a few private moments with a pretty lady on a pretty day. God
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
I sucked on a blade of grass and watched the millwheel turn. I was lying on my stomach on the stream's opposite bank, my head propped in my hands. There was a tiny rainbow in the mist above the froth and boil at the foot of the waterfall, and an occasional droplet found its way to me. The steady splashing and the sound of the wheel drowned out all other noises in the wood. The mill was deserted today, and I contemplated it because I had not seen its like in ages. Watching the wheel and listening to the water were more than just relaxing. It was somewhat hypnotic. … My head nodding with each creak of the wheel, I forced everything else from my mind and set about remembering the necessary texture of the sand, its coloration, the temperature, the winds, the touch of salt in the air, the clouds... I slept then and I dreamed, but not of the place that I sought. I regarded a big roulette wheel, and we were all of us on it-my brothers, my sisters, myself, and others whom I knew or had known-rising and falling, each with his allotted section. We were all shouting for it to stop for us and wailing as we passed the top and headed down once more. The wheel had begun to slow and I was on the rise. A fair-haired youth hung upside down before me, shouting pleas and warnings that were drowned in the cacophony of voices. His face darkened, writhed, became a horrible thing to behold, and I slashed at the cord that bound his ankle and he fell from sight. The wheel slowed even more as I neared the top, and I saw Lorraine then. She was gesturing, beckoning frantically, and calling my name. I leaned toward her, seeing her clearly, wanting her, wanting to help her. But as the wheel continued its turning she passed from my sight. “Corwin!” I tried to ignore her cry, for I was almost to the top. It came again, but I tensed myself and prepared to spring upward. If it did not stop for me, I was going to try gimmicking the damned thing, even though falling off would mean my total ruin. I readied myself for the leap. Another click... “Corwin!” It receded, returned, faded, and I was looking toward the water wheel again with my name echoing in my ears and mingling, merging, fading into the sound of the stream. … It plunged for over a thousand feet: a mighty cataract that smote the gray river like an anvil. The currents were rapid and strong, bearing bubbles and flecks of foam a great distance before they finally dissolved. Across from us, perhaps half a mile distant, partly screened by rainbow and mist, like an island slapped by a Titan, a gigantic wheel slowly rotated, ponderous and gleaming. High overhead, enormous birds rode like drifting crucifixes the currents of the air. We stood there for a fairly long while. Conversation was impossible, which was just as well. After a time, when she turned from it to look at me, narrow-eyed, speculative, I nodded and gestured with my eyes toward the wood. Turning then, we made our way back in the direction from which we had come. Our return was the same process in reverse, and I managed it with greater ease. When conversation became possible once more, Dara still kept her silence, apparently realizing by then that I was a part of the process of change going on around us. It was not until we stood beside our own stream once more, watching the small mill wheel in its turning, that she spoke.
Roger Zelazny (The Great Book of Amber (The Chronicles of Amber, #1-10))
Trains passed in the opposite direction, taking back the cotton princes to Tidsley, Elton, Burrows, and further on to Southport, Blackpool, St. Anne's. She could see the occupants of the first-class carriages playing cards, or fallen into unlovely sleep. They did well to avert their eyes from the landscape they had made. They had made it; but they could not, like God, look and see that it was good. Monstrous slag-heaps, like ranges in a burnt-out hell; stretches of waste land rubbed bare to the gritty earth; parallel rows of back-to-back dwellings; great blocks of mill buildings, the chimneys belching smoke as thick and black as eternal night itself; upstanding skeletons of wheels and pulleys. Mills and mines; mills and mines all the way to Manchester, and the brick, the stone, the grass, the very air deadened down to a general drab by the insidious filter of soot. But Jane, Lancashire born and bred, did not find it depressing. It was no feeble, trickling ugliness, but a strong, salient hideousness that was almost exhilarating.
Dorothy Whipple (High Wages)
The wheels of the cars stormed underneath. Woods and pastures ran up and receded, the rails of sidings sheathed in rust, the dipping racing wires, and on the right the blue of the Sound, deeper, stronger than before. Then the enameled shells of the commuters’ cars, and the heaped bodies of junk cars, the shapes of old New England mills with narrow, austere windows; villages, convents; tugboats moving in the swelling fabric-like water; and then plantations of pine, the needles on the ground of a life-giving russet color. So, thought Herzog, acknowledging that his imagination of the universe was elementary, the novae bursting and the worlds coming into being, the invisible magnetic spokes by means of which bodies kept one another in orbit. Astronomers made it all sound as though the gases were shaken up inside a flask. Then after many billions of years, light-years, this childlike but far from innocent creature, a straw hat on his head, and a heart in his breast, part pure, part wicked, who would try to form his own shaky picture of this magnificent web.
Saul Bellow (Herzog)
And, in truth, while our friend smiled at these wild fables, he sighed in the same breath to think how the once genial earth produces, in every successive generation, fewer flowers than used to gladden the preceding ones. Not that the modes and seeming possibilities of human enjoyment are rarer in our refined and softened era,—on the contrary, they never before were nearly so abundant,—but that mankind are getting so far beyond the childhood of their race that they scorn to be happy any longer. A simple and joyous character can find no place for itself among the sage and sombre figures that would put his unsophisticated cheerfulness to shame. The entire system of man's affairs, as at present established, is built up purposely to exclude the careless and happy soul. The very children would upbraid the wretched individual who should endeavor to take life and the world as w what we might naturally suppose them meant for—a place and opportunity for enjoyment. It is the iron rule in our day to require an object and a purpose in life. It makes us all parts of a complicated scheme of progress, which can only result in our arrival at a colder and drearier region than we were born in. It insists upon everybody's adding somewhat—a mite, perhaps, but earned by incessant effort—to an accumulated pile of usefulness, of which the only use will be, to burden our posterity with even heavier thoughts and more inordinate labor than our own. No life now wanders like an unfettered stream; there is a mill-wheel for the tiniest rivulet to turn. We go all wrong, by too strenuous a resolution to go all right.
Nathaniel Hawthorne (The Marble Faun)
What, you can’t fight?” I asked.       “Not now, Osari!” she said.         “Not now? When? You better knock on that door and get your fucking purse back! What the hell is wrong with you? You let this nigga dog you out in front of his baby mama like that? A handicap-ass nigga at that! I could’ve gotten a DUI driving over here! I fell asleep behind the wheel twice! You better do something!” I said to her.        “Like what?” she snapped.       “So you one of those bitches that runs their mouth but can’t fight? You better start wind-milling with your eyes closed or something!” I fussed.
Natavia (A Bittersweet Hood Dilemma 2: A Naptown Love Story)
Lacking any other way to locate oil underground—dowsing and consulting spiritualists would come later—Drake chose to drill in the middle of the narrow island formed by Oil Creek on one side and, on the other, the water-powered sawmill’s millrace (a channel to divert water to a mill wheel).
Richard Rhodes (Energy: A Human History)
A shortage of wood had driven the English to take up burning coal. Digging ever deeper for coal, they found their mines flooding, driving them to invent engines to pump out the water. Raising water with fire, as they said—they liked the phrase—demonstrated that heat energy could be converted to mechanical energy. And if heat energy could pump water, could it not also turn wheels? It could, in mills, in factories, on the open road clumsily, on the railed road with unimaginable power and speed. And that changed almost everything, first in England, later in America and throughout the world.
Richard Rhodes (Energy: A Human History)
There’s a way of triumphant accomplishment that comes from lowering dead or unwanted trees. (Not to say the joys of yelling, But that feeling fades pretty quickly once you look down and see unsightly—and very stubborn—Stump milling. If you hire a landscaper or arborist to chop down the trees, they typically leave the stumps behind, unless you pay a further fee. Stump-removal prices vary widely across the country and are supported by the diameter of the stump, but it typically costs between $100 and $200 to get rid of a stump that’s 24 inches in diameter or smaller. And that’s a good price if you’ve only got one stump to get rid of . But, if you've got two or more stumps, you'll save a substantial amount of cash by renting a stump grinder. A gas-powered stump grinder rents for about $100 per day, counting on the dimensions of the machine. And if you share the rental expense with one or two stump-plagued neighbors, renting is certainly the more economical thanks to going. you will need a vehicle with a trailer hitch to tow the machine, which weighs about 1,000 pounds. Or, for a nominal fee, most rental dealers will drop off and devour the grinder. To remove the 30-in.-dia. scarlet maple stump, I rented a Vermeer Model SC252 stump grinder. it's a strong 25-hp engine and 16-in.-dia. cutting wheel that's studded with 16 forged-steel teeth. this is often a loud, powerful machine with a classy mechanism , but it's surprisingly simple to work . But, before you crank up the motor and begin grinding away, it’s important to prep the world for the stumpectomy. Start by ensuring all kids and pets are indoors, or if they’re outdoors, keep them well faraway from the world and under constant adult supervision. Then, use a round-point shovel or garden mattock to get rid of any rocks from round the base of the stump [1]. this is often important because if the spinning cutting wheel hits a rock, it can shoot out sort of a missile and cause serious injury. Plus, rocks can dull or damage the teeth on the cutting wheel, which are expensive to exchange. Next, check the peak of the stump. If it’s protruding out of the bottom quite 6 inches approximately, use a sequence saw to trim it as on the brink of the bottom as possible [2]. While this step isn’t absolutely necessary, it'll prevent quite little bit of time because removing 6 inches of the Stump grinding with a chainsaw is far quicker than using the grinder. After donning the acceptable safety gear, start the grinder and drive it to within 3 feet of the stump. Use the hydraulic lever to boost the cutting wheel until it’s a couple of inches above the stump. Slowly drive the machine forward to position the wheel directly over the stump's front edge [3]. Engage the facility lever to start out the wheel spinning, then slowly lower it about 3 in. in to the stump grinding. Next, use the hydraulic lever to slowly swing the wheel from side to side to filter out all the wood within the cutting range. Then, raise the wheel, advance the machine forward a couple of inches, and repeat the method. While operating the machine, always stand at the instrument panel, which is found near the rear of the machine and well faraway from the cutting wheel. Little by little, continue grinding and advancing your way through to the opposite side of the stump. Raise the cutting wheel, shift into reverse, and return to the starting spot. Repeat the grinding process until the surface of the Stump removal is a minimum of 4 in. below the extent of the encompassing ground. At now, you'll drive the grinder off to at least one side, far away from the excavated hole. Now, discover all the wood chips and fill the crater with screened topsoil [4]. (The wood chips are often used as mulch in flowerbeds and around trees and shrubs.) Lightly rake the soil, opened up a good layer of grass seed, then rake the seeds into the soil [5]. Water the world and canopy the seeds with mulch hay.
Stump Grinding
The whole world's effort of working hard goes to waste. Just as the bull [that turns the wheels on the oil mill] gets a piece of oil-cake (as a reward), the wife gives the husband a piece of handvo (savory lentil and rice cake), and so the work continues. All day long, one is producing like the bull in the oil mill.
Dada Bhagwan
I saw that I had forgotten how beautiful the drive to Thunder Bay was; the towering sighing groves of fragrant Norway pines, the broad expanses of clean white sand, the sea gulls, always the endlessly wheeling sea gulls; an occasional bald eagle seeming bent on soaring straight up to heaven; the intermittent craggy and pine-clad granite or sandstone hills, sometimes rising gauntly to the dignity of small mountains, then again, sudden stretches of sand or more majestic Norway pines -- and always, of course, the vast glittering heaving lake, the world's largest inland sea, as treacherous and deceitful as a spurned woman, either caressing or raging at the shore, more often turbulent than not, but today on its best company manners, presenting the falsely placid aspect of a mill pond.
Robert Traver (Anatomy of a Murder)
Intruding Aryan Jews & Romans (who carried Pharaoh's heritage into Palestine) plagiarized the Semitic culture to the point where they called a location there as the Giza Wheel (גַלגַל - i.e. Golgotha); which is a location just outside what they also termed as "the Lions Gate". The Judeo-Christian children are nothing but the heirs of ancient Egypt.
Ibrahim Ibrahim (The Mill of Egypt: The Complete Series Fused)
There is much wisdom to be gleaned from the minds of the common folk, and it is their continued goodwill that drives the wheels of our barony.
Daniel Thorman (Mayhem at the Mill (The Osten Chronicles #1))
In other words, those great judges, although of course aware that a ship is no more alive than a mill-wheel, thought that not only the law did in fact deal with it as if it were alive, but that it was reasonable that the law should do so. The reader will observe that they do not say simply that it is reasonable on grounds of policy to sacrifice justice to the owner to security for somebody else but that it is reasonable to deal with the vessel as an offending thing. Whatever the hidden ground of policy may be, their thought still clothes itself in personifying language.
Oliver Wendell Holmes Jr. (The Common Law)
How had I never noticed before how dear she was? How dear, in fact, was everyone in my village, and every house and tree and garden. How comforting the whisper of the wheel of the mill, the clanging of the smith’s hammer, the lowing of the cattle, the laughter of the women.
Martine Leavitt (Keturah and Lord Death)
The central point is this: in the vast majority of cases, bail doesn’t make the public safer and it’s not necessary to make sure people come back to court. Its true though unstated function is to keep the wheels of the courthouse—and in the D.A.’s office—turning with quick guilty pleas. In Harris County, people who sat in jail because they couldn’t make bail were 25 percent more likely to plead guilty than those who committed similar offenses but were released. The effect of pretrial detention on conviction was twice as great for first-time defendants, suggesting that they were particularly eager—or desperate—to cut a deal. In the end, it’s not complicated. Jails serve as plea mills. When people are faced with the choice of waiting in jail for months or pleading guilty and getting out, it’s not surprising that they often take the deal.
Emily Bazelon (Charged: The New Movement to Transform American Prosecution and End Mass Incarceration)
Life didn't stop grinding time, even when their mill wheels slowed.
Sarah McCoy (Marilla of Green Gables)
Despite their numbers, the crowd did not come close to filling the square. Along the edges people jostled each other in a milling mass, all going about their day’s business, but closer to the Tower grounds there were ever fewer people, until a band of bare paving stones at least fifty paces wide bordered the tall white walls. Aes Sedai were respected and more in Tar Valon, of course, and the Amyrlin Seat ruled the city as she ruled the Aes Sedai, but few wanted to be closer to Aes Sedai power than they had to. There was a difference between being proud of a grand fireplace in your hall and walking into the flames.
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
Prosperity rolled river-like and stopped, Making their mill go; but when wheel wore out, The wave would find a space and sweep on free And, half-a-mile off, grind some neighbour's corn
Robert Browning (The Ring and the Book)
He was nine years old; he was a child; but he knew his own soul, it was precious to him, he protected it as the eyelid protects the eye, and he let no one into his soul without the key of love. His teachers complained that he did not want to learn, but his soul was filled with an abundant thirst for knowledge. He learned from Kapitonich, from his nanny, from Nadenka, from Vasily Lukich, but not from his teachers. The water that his father and his teacher were expecting to turn the wheels of their mill had long ago leaked away and was working elsewhere.
Leo Tolstoy (Anna Karenina)
It’s not until I’ve cranked the Caddy that it dawns on me. He called me Princess. I bang my head on the steering wheel.
Ilsa Madden-Mills (Beauty and the Baller (Strangers in Love, #1))
The rain feeds the seed, and the seed the mill. When the rain stops, the mill wheels stop — or, if they continue to turn, they grind despair for the man who owns them. My father owned them.
Beryl Markham (West with the Night)
LOVE IS THE MASTER Love is the One who masters all things; I am mastered totally by Love. By my passion of love for Love I have ground sweet as sugar. O furious Wind, I am only a straw before you; How could I know where I will be blown next? Whoever claims to have made a pact with Destiny Reveals himself a liar and a fool; What is any of us but a straw in a storm? How could anyone make a pact with a hurricane? God is working everywhere his massive Resurrection; How can we pretend to act on our own? In the hand of Love I am like a cat in a sack; Sometimes Love hoists me into the air, Sometimes Love flings me into the air, Love swings me round and round His head; I have no peace, in this world or any other. The lovers of God have fallen in a furious river; They have surrendered themselves to Love's commands. Like mill wheels they turn, day and night, day and night, Constantly turning and turning, and crying out.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
A brief look at the role of tested building blocks in technical innovations will help us understand the role of building blocks in the specific case of rule innovation. A scan of history shows that technical innovations almost always arise as a particular combination of well-known building blocks. Take two technological innovations that have revolutionized twentieth-century society, the internal combustion engine and the digital computer. The internal combustion engine combines Volta's sparking device, Venturi's (perfume) sprayer, a water pump's pistons, a mill's gear wheels, and so on. The first digital computers combined Geiger's particle counter, the persistence (slow fade) of cathode ray tube images, the use of wires to direct electrical currents, and so on. In both cases most of the building blocks were already in use, in different contexts, in the nineteenth century. It was the specific combination, among the great number possible, that provided the innovation. When a new building block is discovered, the result is usually a range of innovations. The transistor revolutionized devices ranging from major appliances to portable radios and computers. Even new building blocks are often derived, at least in part, by combining more elementary building blocks. Transistors were founded on knowledge of selenium rectifiers and semiconductors.
John H. Holland (Hidden Order: How Adaptation Builds Complexity (Helix Books))
IT IS NO ACCIDENT that “wheels of industry” is such a cliché description of a manufacturing economy, since the application of force in the form of rotational motion is by far the most important component of useful work. In late eighteenth-century Britain, the wheels that mattered most were the ones turning the mills that ground the nation’s grain, and the ones that spun the nation’s cloth. Most of them used water; some used wind. None used steam.
William Rosen (The Most Powerful Idea in the World: A Story of Steam, Industry, and Invention)
lanes. The mill wheel on the horizon turning its daily grind as chimneys breathed tendrils of smoke into the Wiltshire sky and smartly attired gentlemen played cricket on the Barley Field. Nothing now. Not even the distant din of agricultural equipment ploughing the fields. Just silence. Heavy. Oppressive. I glimpsed something then, a quick movement at the very edge of my field of vision. There were enough trees in the churchyard; it might easily have been a branch stirring on the wind . . . I looked to the great elm tree at the far end of the churchyard and saw, in the shadow cast by its overhanging branches, an ornate memorial stone fashioned from smooth white marble in the shape of a lamb. On either side of the lamb were two stone urns. Something told me there was only one family in Imber who could have afforded such a monument. With weather-worn angels looming on all sides of me, I crossed the churchyard to examine the impressive monument, and wasn’t surprised to find I was right. IN LOVING MEMORY OF PIERRE HOWISON HARTWELL APRIL 1925 – OCTOBER 1930
Neil Spring (The Lost Village (The Ghost Hunters, #2))
His laugh was like the sound of trees bending in the wind, the bubbling of a river where the mill wheel spins. All the tension in Janner’s neck and face eased away, and he laughed too. Leeli giggled.
Andrew Peterson (North! or Be Eaten)
She had had convictions once, beliefs about justice and honor, right and wrong, but the slow turning of the world, like a mill wheel over grain, had ground them down to flour so fine that it slipped softly and silently between her fingers.
Brian Staveley (The Providence of Fire (Chronicle of the Unhewn Throne, #2))
One week into my new Silicon Valley life, and the lesson was this: if you want to be a startup entrepreneur, get used to negotiating from positions of weakness. I’d soon have trickier situations to negotiate than convincing a cop to let me take a cab. And so will you if you play the startup game. The next morning, I wasn’t merely hungover, but was in fact still mildly drunk. The company all-hands meeting, wherein the entire company gathered to hear about new deals and employees, and generally to get pep-rallied by Murthy Nukala, the CEO, was scheduled for noon that day. I had to be there or risk having my coworkers file a missing persons report, as well as look like a pussy. My frazzled brain was slow to realize my car was still somewhere in San Mateo. One hundred and thirty dollars and too much sunlight later, I was standing beside my four-wheeled Bavarian steed at the scene of last night’s triumph over the rule of law, and fifteen minutes later I was an acceptable five minutes late for the all-hands. As I walked into the company-wide meeting, a murmur was heard from a corner of the assembled crowd, expressing either surprise or amusement at my being both alive and unincarcerated. The company rumor mill had been busy that morning. I probably looked as pickled and embalmed as I felt. Murthy launched into his weekly harangue. The wheels of capitalism ground ever on.
Antonio García Martínez (Chaos Monkeys: Obscene Fortune and Random Failure in Silicon Valley)
The Jew presence on Elephantine coincided with Khnum's cult, for that the Jew maintained his own temple there (i.e. the House of YHWH) which functioned alongside that of Khnum's. Khnum was the creator of children, which he made on a potter's wheel from clay. Therefore, we expect to find some evidence of Ihy's creation story in Egypt - taking into consideration his important role as a rejuvenated god in the New Kingdom and that is exactly what we see in Dendera's Temple complex where Khnum moulds Ihy.
Ibrahim Ibrahim (The Mill of Egypt: The Complete Series Fused)
The agricultural and pastoral character of the people upon whom the town depended for its existence was shown by the class of objects displayed in the shop windows. Scythes, reap-hooks, sheep-shears, bill-hooks, spades, mattocks, and hoes at the iron-monger’s; bee-hives, butter-firkins, churns, milking stools and pails, hay-rakes, field-flagons, and seed-lips at the cooper’s; cart-ropes and plough-harness at the saddler’s; carts, wheel-barrows, and mill-gear at the wheelwright’s and machinist’s, horse-embrocations at the chemist’s; at the glover’s and leather-cutter’s, hedging-gloves, thatchers’ knee-caps, ploughmen’s leggings, villagers’ pattens and clogs.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))