Mill On The Floss Love Quotes

We've searched our database for all the quotes and captions related to Mill On The Floss Love. Here they are! All 29 of them:

We could never have loved the earth so well if we had had no childhood in it, if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass, the same hips and haws on the autumn hedgerows, the same redbreasts that we used to call ‘God’s birds’ because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known and loved because it is known?
George Eliot (The Mill on the Floss)
No anguish I have had to bear on your account has been too heavy a price to pay for the new life into which I have entered in loving you.
George Eliot (The Mill on the Floss)
What novelty is worth that sweet monotony where everything is known and loved because it is known?
George Eliot (The Mill on the Floss)
If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them. In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the hero’s heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy. To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.
Simone de Beauvoir (The Second Sex)
We could never have loved the earth so well if we had had no childhood in it.
George Eliot (The Mill on the Floss)
In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt: it seemed to be a world where people behaved the best to those they did not pretend to love and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother’s narrow griefs—perhaps of her father’s heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no super-added life in the life of others; though we who look on think lightly of such premature despair, as if our vision of the future lightened the blind sufferer’s present.
George Eliot (The Mill on the Floss)
It is the moment when our resolution seems about to become irrevocable - when the fatal iron gates are about to close upon us - that tests our strength. Then, after hours of clear reasoning and firm conviction, we snatch at any sophistry that will nullify our long struggles, and bring us the defeat that we love better than victory.
George Eliot (The Mill on the Floss)
Perhaps I feel about you as the artist does about the scene over which his soul has brooded with love: he would tremble to see it confided to other hands; he would never believe that it could bear for another all the meaning and the beauty it bears for him.
George Eliot (The Mill on the Floss)
Love gives insight, Maggie, and insight often gives foreboding. Listen to me, let me supply you with books; do let me see you sometimes, be your brother and teacher, as you said at Lorton. It is less wrong that you should see me than that you should be committing this long suicide.
George Eliot (The Mill on the Floss)
It is a wonderful subduer, this need of love--this hunger of the heart--as peremptory as that other hunger by which Nature forces us to submit to the yoke, and change the face of the world.
George Eliot (The Mill on the Floss)
Love is natural; but surely pity and faithfulness and memory are natural too. And they would live in me still, and punish me if I did not obey them. I should be haunted by the suffering I had caused. Our love would be poisoned.
George Eliot (The Mill on the Floss)
It seems right to me sometimes that we should follow our strongest feeling; but then, such feelings continually come across the ties that our former life has made for us -- the ties that have made others dependent on us -- and would cut them in two. If life were quite easy and simple, as it might have been in paradise, and we could always see that one being first towards whom -- I mean, if life did not make duties for us before love comes, love would be a sign that two people ought to belong to each other. But I see -- I feel it is not so now; there are things we must renounce in life; some of us must resign love. Many thing are difficult and dark to me, but I see one thing quite clearly: that I must not, cannot, seek my own happiness by sacrificing others. Love is natural, but surely pity and faithfulness and memory are natural too. And they would live in me still and punish me if I did not obey them. I should be haunted by the suffering I had caused. Our love would be poisoned.
George Eliot (The Mill on the Floss)
These familiar flowers, these well-remembered bird-notes, this sky, with its fitful brightness, these furrowed and grassy fields, each with a sort of personality given to it by the capricious hedgerows—such things as these are the mother-tongue of our imagination, the language that is laden with all the subtle, inextricable associations the fleeting hours of our childhood left behind them. Our delight in the sunshine on the deep-bladed grass to-day, might be no more than the faint perception of wearied souls, if it were not for the sunshine and the grass in the far-off years which still live in us, and transform our perception into love.
George Eliot (The Mill on the Floss)
To have taken Maggie by the hand and said, “I will not believe unproved evil of you: my lips should not utter it; my ears shall be closed against it. I, too, am an erring mortal, liable to stumble, apt to come short of my most earnest efforts. Your lot has been harder than mine, your temptation greater. Let us help each other to stand and walk without more falling –“ to have done this would have demanded courage, deep pity, self-knowledge, generous trust – would have demanded a mind that tasted no piquancy in evil-speaking, that felt no self-exaltation in condemning, that cheated itself with no large words into the belief that life can have any moral end, any high religion, which excludes the striving after perfect truth, justice, and love towards the individual men and women who come across our own path.
George Eliot (The Mill on the Floss)
Poor child! it was very early for her to know one of those supreme moments in life when all we have hoped or delighted in, all we can dread or endure, falls away from our regard as insignificant; is lost, like a trivial memory, in that simple, primitive love which knits us to the beings who have been nearest to us, in their times of helplessness or of anguish.
George Eliot (The Mill on the Floss)
They were very bitter tears: everybody in the world seemed so hard and unkind to Maggie: there was no indulgence, no fondness, such as she imagined when she fashioned the world afresh in her own thoughts. In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt: it seemed to be a world where people behaved the best to those they did not pretend to love and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother's narrow griefs - perhaps of her father's heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no super-added life in the life of others; though we who look on think lightly of such premature despair, as if our vision of the future lightened the blind sufferer’s present. Maggie in her brown frock with her eyes reddened and her heavy hair pushed back, looking from the bed where her father lay, to the dull walls of this sad chamber which was the centre of her world, was a creature full of eager, passionate longings for all that was beautiful and glad: thirsty for all knowledge: with an ear straining after dreamy music that died away and would not come near to her: with a blind, unconscious yearning for something that would link together the wonderful impressions of this mysterious life and give her soul a sense of home in it.
George Eliot (The Mill on the Floss)
Is there no other alternative, Maggie? Is that life, away from those who love you, the only one you will allow yourself to look forward to?
George Eliot (The Mill on the Floss)
The world outside the books was not a happy one, Maggie felt; it seemed to be a world where people behaved the best to those they did not pretend to love, and that did not belong to them.
George Eliot (The Mill on the Floss)
She could make dream-worlds of her own – but no dream-world would satisfy her now. She wanted some explanation of this hard, real life: the unhappy-looking father seated at the dull breakfast-table; the childish bewildered mother; the little sordid tasks that filled the hours, or the more oppressive emptiness of weary, joyless leisure; the need of some tender, demonstrative love; the cruel sense that Tom didn’t mind what she thought or felt, and that they were no longer playfellows together; the privation of all pleasant things that had come to her more than to others: she wanted some key that would enable her to understand and, in understanding, endure, the heavy weight that had fallen on her young heart. If she had been taught “real learning and wisdom, such as great men knew,” she thought she should have held the secrets of life; if she had only books that she might learn for herself what wise men knew!
George Eliot (The Mill on the Floss)
Don’t suppose that I think you are right, Tom, or that I bow to your will. I despise the feelings you have shown in speaking to Philip – I detest your insulting unmanly allusions to his deformity. You have been reproaching people all your life – you have always been sure you yourself are right: it is because you have not a mind large enough to see that there is anything better than your own conduct and your own petty aims. […] I don’t want to defend myself –“ said Maggie, still with vehemence: “I know I have been wrong – often, continually. But yet, sometimes when I have done wrong, it has been because I have feeling that you would be the better for if you had them. If you were in fault ever – if you had done anything very wrong, I should be sorry for the pain it brought you – I should not want punishment to be heaped on you. But you have always enjoyed punishing me – you have always been hard and cruel to me – even when I was a little girl, and always loved you better that any one else in the world, you would let me go crying to bed without forgiving me. You have no pity – you have no sense of your own imperfections and your own sins. It is a sin to be hard – it is not fitting for a mortal – for a Christian. You are nothing but a Pharisee. You thank God for nothing but your own virtues – you think they are great enough to win you everything else. You have not even a vision of feelings by the side of which your shining virtues are mere darkness! […] You boast of your virtues as if they purchased you a right to be cruel and unmanly as you’ve been today. Don’t suppose I would give up Philip Wakem in obedience to you. The deformity you insult would make me cling to him and care for him the more.
George Eliot (The Mill on the Floss)
you, and have no little girls’ clothes to mend.” “Yes,” said Maggie. “It is with me as I used to think it would be with the poor uneasy white bear I saw at the show. I thought he must have got so stupid with the habit of turning backward and forward in that narrow space that he would keep doing it if they set him free. One gets a bad habit of being unhappy.” “But I shall put you under a discipline of pleasure that will make you lose that bad habit,” said Lucy, sticking the black butterfly absently in her own collar, while her eyes met Maggie’s affectionately. “You dear, tiny thing,” said Maggie, in one of her bursts of loving admiration, “you enjoy other people’s happiness so much, I believe you would do without any of your own. I wish I were like you.” “I’ve never been tried in that way,” said Lucy. “I’ve always
George Eliot (The Mill on the Floss)
There is a remnant still of last year’s golden clusters of beehive-ricks rising at intervals beyond the hedgerows; and everywhere the hedgerows are studded with trees; (..) Just by the red-roofed town the tributary Ripple flows with a lively current into the Floss. How lovely the little river is, with its dark changing wavelets! It seems to me like a living companion while I wander along the bank, and listen to its low, placid voice
George Eliot (The Mill on the Floss)
I don't want to defend myself," said Maggie, still with vehemence: "I know I've been wrong — often, continually. But yet, sometimes when I have done wrong, it has been because I have feelings that you would be the better for, if you had them. If you were in fault ever - if you had done anything very wrong, I should be sorry for the pain it brought you; I should not want punishment to be heaped on you. But you have always enjoyed punishing me - you have always been hard and cruel to me: even when I was a little girl, and always loved you better than any one else in the world, you would let me go crying to bed without forgiving me. You have no pity: you have no sense of your own imperfection and your own sins. It is a sin to be hard; it is not fitting for a mortal - for a Christian. You are nothing but a Pharisee. You thank God for nothing but your own virtues - you think they are great enough to win you everything else. You have not even a vision of feelings by the side of which your shining virtues are mere darkness!
George Eliot (The Mill on the Floss)
They were very bitter tears; everybody in the world seemed so hard and unkind to Maggie; there was no indulgence, no fondness, such as she imagined when she fashioned the world afresh in her own thoughts. In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt; it seemed to be a world where people behaved the best to those they did not pretend to love, and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother’s narrow griefs, perhaps of her father’s heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no superadded life in the life of others; though we who looked on think lightly of such premature despair, as if our vision of the future lightened the blind sufferer’s present.
George Eliot (The Mill on the Floss)
There is no sense of ease like the ease we felt in those scenes where we were born, where objects became dear to us before we had known the labour of choice, and where the outer world seemed only an extension of our own personality: we accepted and loved it as we accepted our own sense of existence and our own limbs. Very commonplace, even ugly, that furniture of our early home might look if it were put up to auction; an improved taste in upholstery scorns it; and is not the striving after something better and better in our surrounding, the grand characteristic that distinguishes man from the brute - or, to satisfy a scrupulous accuracy of definition, that distinguishes the British man from the foreign brute? But heaven knows where that striving might lead us, if our affections had not a trick of twining round those old inferior things - if the loves and sanctities of our life had no deep immovable roots in memory. One's delight in an elderberry bush overhanging the confused lea age of a hedgerow bank, as a more gladdening sight than the finest cistus or fuchsia spreading itself on the softest undulating turf, is an entirely unjustifiable preference to a nursery-gardener, or to any of those severely regulated minds who are free from the weakness of any attachment that does not rest on a demonstrable superiority of qualities. And there is no better reason for preferring this elderberry bush than that it stirs an early memory - that it is no novelty in my life, speaking to me merely through my present sensibilities to form and colour, but the long companion of my existence, that wove itself into my joys when joys were vivid.
George Eliot (The Mill on the Floss)
Philip had never been soothed by that mother’s love which flows out to us in the greater abundance because our need is greater, which clings to us the more tenderly because we are the less likely to be winners in the game of life; and the sense of his father’s affection and indulgence toward him was marred by the keener perception of his father’s faults. Kept aloof from all practical life as Philip had been, and by nature half feminine in sensitiveness, he had some of the woman’s intolerant repulsion toward worldliness and the deliberate pursuit of sensual enjoyment; and this one strong natural tie in his life,—his relation as a son,—was like an aching limb to him. Perhaps there is inevitably something morbid in a human being who is in any way unfavourably excepted from ordinary conditions, until the good force has had time to triumph; and it has rarely had time for that at two-and-twenty. That force was present in Philip in much strength, but the sun himself looks feeble through the morning mists.
George Eliot (The Mill on the Floss)
Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little. "Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!" ...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie–perhaps it was even more bitter–than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
George Eliot (The Mill on the Floss)
There is no sense of ease like the ease we felt in those scenes where we were born, where objects became dear to us before we had known the labor of choice, and where the outer world seemed only an extension of our own personality; we accepted and loved it as we accepted our own sense of existence and our own limbs. Very commonplace, even ugly, that furniture of our early home might look if it were put up to auction; an improved taste in upholstery scorns it; and is not the striving after something better and better in our surroundings the grand characteristic that distinguishes man from the brute, or, to satisfy a scrupulous accuracy of definition, that distinguishes the British man from the foreign brute? But heaven knows where that striving might lead us, if our affections had not a trick of twining round those old inferior things; if the loves and sanctities of our life had no deep immovable roots in memory. One's delight in an elderberry bush overhanging the confused leafage of a hedgerow bank, as a more gladdening sight than the finest cistus or fuchsia spreading itself on the softest undulating turf, is an entirely unjustifiable preference to a nursery-gardener, or to any of those regulated minds who are free from the weakness of any attachment that does not rest on a demonstrable superiority of qualities. And there is no better reason for preferring this elderberry bush than that it stirs an early memory; that it is no novelty in my life, speaking to me merely through my present sensibilities to form and color, but the long companion of my existence, that wove itself into my joys when joys were vivid.
George Eliot (The Mill on the Floss [with Biographical Introduction])
Their mother came in now, and Maggie rushed away, that her burst of tears, which she felt must come, might not happen till she was safe upstairs. They were very bitter tears; everybody in the world seemed so hard and unkind to Maggie; there was no indulgence, no fondness, such as she imagined when she fashioned the world afresh in her own thoughts. In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt; it seemed to be a world where people behaved the best to those they did not pretend to love, and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother’s narrow griefs, perhaps of her father’s heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no superadded life in the life of others; though we who looked on think lightly of such premature despair, as if our vision of the future lightened the blind sufferer’s present. Maggie, in her brown frock, with her eyes reddened and her heavy hair pushed back, looking from the bed where her father lay to the dull walls of this sad chamber which was the centre of her world, was a creature full of eager, passionate longings for all that was beautiful and glad; thirsty for all knowledge; with an ear straining after dreamy music that died away and would not come near to her; with a blind, unconscious yearning for something that would link together the wonderful impressions of this mysterious life, and give her soul a sense of home in it. No wonder, when there is this contrast between the outward and the inward, that painful collisions come of it.
George Eliot (The Mill on the Floss)