Mildred Quotes

We've searched our database for all the quotes and captions related to Mildred. Here they are! All 100 of them:

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So many things are possible as long as you don't know they are impossible.
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Mildred D. Taylor (The Land (Logans, #1))
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Her name rang in Will's mind like the chime of a bell; he wondered if any other name on earth had such an inescapable resonance to it. She couldn't have been named something awful, could she, like Mildred. He couldn't imagine lying awake at night, staring up at the ceiling while invisible voices whispered 'Mildred' in his ears. But Tessa--
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Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
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Mildred adjusted the papers and scribbled some more. When she was finished, she took off her glasses, leaving them to swing from the chain around her neck. She gave the women around the table a pointed look. β€œNow think hard, ladies, can you come up with anything else?
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Kirsten Fullmer
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Where did you see him?” Heidi asked. β€œAt the grocery store,” Mildred replied. β€œHe was picking out a cantaloupe. Of course, I had to give him some tips. He was about to pick one that wasn’t anywhere near ripe.” The women tossed each other knowing looks.
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Kirsten Fullmer (Problems at the Pub (Sugar Mountain, #4))
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Love is like breakfast with Mildred. Who’s Mildred? How the heck should I know? I don’t eat breakfast.
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Jarod Kintz (Love quotes for the ages. And the ageless sages.)
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Baby, we have no choice of what color we're born or who our parents are or whether we're rich or poor. What we do have is some choice over what we make of our lives once we're here.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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The average personality reshapes frequently, every few years even our bodies undergo a complete overhaul - desirable or not, it is a natural thing that we should change. All right, here were two people who never would change. That is what Mildred Grossman had in common with Holly Golightly. They would never change because they'd been given their character too soon; which, like sudden riches, leads to a lack of proportion: the one had splurged herself into a top-heavy realist, the other a lopsided romantic.
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Truman Capote (Breakfast at Tiffany’s and Three Stories)
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There are things you can't back down on, things you gotta take a stand on. But it's up to you to decide what them things are. You have to demand respect in this world, ain't nobody just gonna hand it to you. How you carry yourself, what you stand for--that's how you gain respect. But, little one, ain't nobody's respect worth more than your own.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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She grabbed his arm. "Let it be, son!" she cried. "That child ain't hurt!" "Not hurt! You look into her eyes and tell me she ain't hurt!
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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Baby, you stare at my dick any longer, Miss Mildred’s gonna have to send out a search party.” … β€œI was staring at your hip muscles,” I corrected. β€œWhatever,” he muttered, his lips now smiling too, then louder, β€œjust sayin’, anything in that vicinity, your eyes on it, it’ll get thoughts on its own.” β€œSo noted,” I mumbled.
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Kristen Ashley (Raid (Unfinished Hero, #3))
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Roll of thunder hear my cryΒ Β  Over the water bye and byeΒ Β  Ole man comin’ down the lineΒ Β  Whip in hand to beat me down But I ain’t gonna let him Turn me ’round
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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Mildred waves Carlos over. 'Let me look at you.' She eyes him up and down. 'I saw you when you walked in. What's with all those tattoos? Makes you look like a hooligan.' 'I suspect I am a hooligan,' he says to her. 'Whatever that means.
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Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
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It's tough out there, boy, and as long as there are people, there’s gonna be somebody trying to take what you got and trying to drag you down. It's up to you whether you let them or not.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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I had a dream about you. Flowers were overflowing in the cemetery, so we decided to have a picnic there. You brought apple pie, and I brought my Aunt Mildred, who’d been dead for some time and I just hadn’t gotten around to disposing of her body. I thought you’d think me both efficient and romantic, but it turns out you didn’t. You only saw the romantic side of my action.
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Jarod Kintz (Dreaming is for lovers)
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Although there are those who wish to ban my books because I have used language that is painful, I have chosen to use the language that was spoken during the period, for I refuse to whitewash history. The language was painful and life was painful for many African Americans, including my family. I remember the pain.
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Mildred D. Taylor (The Land (Logans, #1))
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The hand that holds the money cracks the whip.
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James M. Cain (Mildred Pierce)
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If you have to do it, you can do it.
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James M. Cain (Mildred Pierce)
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One word can sometimes be sharper than a thousand swords
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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We have no choice of what color we're born or who our parents are or whether we're rich or poor. What we do have is some choice over what we make of our lives once we're here
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Mildred D. Taylor
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You know Mildred would never do anything wrong or foolish. I reflected a little sadly that this was only too true and hoped I did not appear too much that kind of person to others. Virtue is an excellent thing and we should all strive after it, but it can sometimes be a little depressing.
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Barbara Pym (Excellent Women)
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Now one day, maybe I can forgive John Andersen for what he done to these trees, but I ain't gonna forget it. I figure forgiving is not letting something nag at youβ€”rotting you out.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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Without knowing it, the adults in our lives practiced a most productive kind of behavior modification. After our chores and household duties were done we were give "permission" to read. In other words, our elders positioned reading as a privilege - a much sought-after prize, granted only to those goodhardworkers who earned it. How clever of them.
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Mildred Armstrong Kalish (Little Heathens: Hard Times and High Spirits on an Iowa Farm During the Great Depression)
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You have to demand respect in this world, ain't nobody just going to hand it to you. How you carry yourself, what you stand for-- thats how you gain respect. but little one aint nobody's respect worth more than your own
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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She was a little given to rehearsing things in her mind, and having imaginary triumphs over people who had upset her in one way and another.
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James M. Cain (Mildred Pierce)
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(Her husband's departure ...) had picked Mildred up by the hair and dropped her down at the doorstep of insanity. From "Butterfly on F street
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Edward P. Jones
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But that was another Mildred so deep inside this one, and so bothered, really bothered, that the two women had never met.
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Ray Bradbury (Fahrenheit 451)
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Baby, we have no choice of what color we're born or who our parents are or whether we're rich or poor. What we do have is some choice over what we make of our lives once we're here.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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A home is not a museum. It doesn't have to be furnished with Picasso paintings, or Sheraton suites, or Oriental rugs, or Chinese pottery. But it does have to be furnished with things that mean something to you.
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James M. Cain (Mildred Pierce)
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Times being like they is and all. But I figure times been hard all my life. Now don’t seem so much worse’n any other.
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Mildred D. Taylor (Let the Circle Be Unbroken (Logans #5))
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did not blame others for his own stupidity; he learned from his mistake and became stronger for it.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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Perhaps, Herr Ditzen, it is less important where one lives than how one lives.
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Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
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There are things you can’t back down on, things you gotta take a stand on. But it’s up to you to decide what them things are.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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I ain’t saying you can’t do it, Moe. Papa say you can do jus’ ’bout anything you set your mind to do, you work hard enough.
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Mildred D. Taylor (Let the Circle Be Unbroken (Logans #5))
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By nine, Mildred was powdered, puffed, perfumed, and patted to that state of semi-transparency that a woman seems to achieve when she is really dressed to go out.
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James M. Cain (Mildred Pierce)
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We, my dear Mildred, are the observers of life. Let other people get married by all means, the more the merrier. . . . Let Dora marry if she likes. She hasn't your talent for observation.
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Barbara Pym (Excellent Women)
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Poor Christopher-John had fallen into the hands of Miss. Daisy Crocker. I greatly sympathized him, but as in everything else, Christopher John tried to see the bright side in having to face such a shrew every morning. "Maybe she done changed," he said hopefully on the first day of school. However, when classes were over he was noticeably quiet. Well?" I asked him. He shrugged dejectedly and admitted, "She still the same.
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Mildred D. Taylor (Let the Circle Be Unbroken (Logans, #5))
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Then if you want something and it's a good thing and you got it in the right way, you better hang on to it and don't let nobody talk you out of it. You care what a lot of useless people say 'bout you you'll never get anywhere, 'cause there's a lotta folks don't want you to make it.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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let's get stinko.
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James M. Cain (Mildred Pierce)
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Roll of thunder hear my cry Over the water bye and bye Ole man comin’ down the line Whip in hand to beat me down But I ain’t gonna let him Turn me ’round
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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Each second that goes by, we're all one second closer to the rest of our lives and our deaths.
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Mildred D. Taylor (Roll of Thunder, Hear my Cry: By Mildred D. Taylor)
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behind
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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What is this, master - the third time I've broken you out of a jail cell?” Nathaniel coughed. β€œMinor misunderstandings, on both previous occasions,” he assured Elisabeth. (....) He spoke mildly, his lashes shading his eyes. β€œAt least you're wearing clothes this time, master.” β€œI'll have you know,” Nathaniel said, β€œthat that was an accident, and the public certainly didn't mind. One woman even sent me flowers.” To Elisabeth, he added, β€œDon't worry. She was forty years old, and her name was Mildred.
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Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
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But gay marriage is coming to America first and foremost because marriage here is a secular concern, not a religious one. The objection to gay marriage is almost invariably biblical, but nobody's legal vows in this country are defined by interpretation of biblical verse - or at least, not since the Supreme Court stood up for Richard and Mildred Loving. A church wedding ceremony is a nice thing, but it is neither required for legal marriage in America nor does it constitute legal marriage in America. What constitutes legal marriage in this country is that critical piece of paper that you and your betrothed must sign and then register with the state. The morality of your marriage may indeed rest between you and God, but it's that civic and secular paperwork which makes your vows official here on earth. Ultimately, then, it is the business of America's courts, not America's churches, to decide the rules of matrimonial law, and it is in those courts that the same-sex marriage debate will finally be settled.
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Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
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Baby, we have no choice of what colour we're born or who our parents are or whether we're rich or poor. What we do have is some choice over what we make of our lives once we're here.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Literature Guide: Grades 4-8))
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And in her ears the little Seashells, the thimble radios tamped tight, and an electronic ocean of sound, of music and talk and music and talk coming in, coming in on the shore of her unsleeping mind. The room was indeed empty. Every night the waves came in and bore her off on their great tides of sound, floating her, wide-eyed, toward morning. There had been no night in the last two years that Mildred had not swum that sea, had not gladly gone down in it for the third time.
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Ray Bradbury (Fahrenheit 451)
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Let me alone," said Mildred "Let you alone!" He almost cried out with laughter. "Letting you alone is easy, but how can I leave myself alone? That's what's wrong. We need not to be let alone. We need to be upset and stirred and bothered, once in a while, anyway. Nobody bothers anymore. Nobody thinks. Let a baby alone, why don't you? What would you have in twenty years? A savage, unable to think or talk--like us!
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Ray Bradbury (A Pleasure to Burn: Fahrenheit 451 Stories)
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It was only then that I realized that Jeremy never rode the bus, no matter how bad the weather. As
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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Because the students were needed in the fields from early spring when the cotton was planted until after most of the cotton had been picked in the fall, the school adjusted its terms accordingly, beginning in October and dismissing in March.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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Then he saw that the normal was the rarest thing in the world. Everyone had some defect, of body or of mind: he thought of all the people he had known (the whole world was like a sick-house, and there was no rhyme or reason in it), he saw a long procession, deformed in body and warped in mind, some with illness of the flesh, weak hearts or weak lungs, and some with illness of the spirit, languor of will, or a craving for liquor. At this moment he could feel a holy compassion for them all. They were the helpless instruments of blind chance. He could pardon Griffiths for his treachery and Mildred for the pain she had caused him. They could not help themselves. The only reasonable thing was to accept the good of men and be patient with their faults. The words of the dying God crossed his memory: Forgive them, for they know not what they do.
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W. Somerset Maugham (Of Human Bondage)
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Let me alone, said Mildred. I didn't do anything. Let you alone! That's all very well, but how can I leave myself alone? We need not to be let alone. We need to be really bothered once in a while. how long is it since you were really bothered? About something important, about something real?
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Ray Bradbury (Fahrenheit 451)
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after all, the bible was always talking about miracles. i figured that if Daniel could get out of the lion's den alive and Jonah could come up unharmed from the belly of a whale, then surely ole T.j. could get out of going to prison.
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Mildred D. Taylor (Let the Circle Be Unbroken (Logans, #5))
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Mildred sat quite still, and when she heard Veda drive off she was consumed by a fury so cold that it almost seemed as though she felt nothing at all. It didn't occur to her that she was acting less like a mother than like a lover who had unexpectedly discovered an act of faithlessness, and avenged it.
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James M. Cain (Mildred Pierce)
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The others laughed and Burt said, "All you need are girls who paddle like boys, and you're set!
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Carolyn Keene (The Secret of the Golden Pavilion (Nancy Drew Mystery Stories, #36))
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I shall not be lonely. No one who reads is ever that.
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Mildred Aldrich (A Hilltop on the Marne: Being Letters Written June 3-September 8, 1914)
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There was something unnatural, a little unhealthy, about the way she inhaled Veda's smell as she dedicated the rest of her life to this child who had been spared.
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James M. Cain (Mildred Pierce)
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flute. As I stood in the doorway, he lingered over it, then, carefully rewrapping it, placed it in his box of treasured things. I never saw the flute again. *
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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We have no choice of what color we are born or who our parents are or whether we are rich or poor. What we do have is some choice of what to do with our lives once we are here
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Literature Guide: Grades 4-8))
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He was often ridiculed by the other children at his school and had shown up more than once with wide red welts on his arms which Lillian Jean, his older sister, had revealed with satisfaction were the result of his associating with us. Still, Jeremy continued to meet us. When
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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As soon as we were outside, I whipped my hand from his. 'What's the matter with you? You know he was wrong.' Stacey swallowed to flush his anger, then said gruffly, "I know it, and you know it, but he don't know it, and that's where the trouble is. Now come on before you get us into a real mess.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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Winter came in days that were gray and still. They were the kind of days in which people locked in their animals and themselves and nothing seemed to stir but the smoke curling upwards from clay chimneys and an occasional red-winged blackbird which refused to be grounded. And it was cold. Not the windy cold like Uncle Hammer said swept the northern winter, but a frosty, idle cold that seeped across a hot land ever lookung toward the days of green and ripening fields, a cold thay lay uneasy during during its short stay as it crept through the cracks of poorly constucted houses and forced the people inside huddled around ever-burning fires to wish it gone.
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Mildred D. Taylor (Let the Circle Be Unbroken (Logans, #5))
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That's why I read so much. A book isn't going to hurt me. A book isn't going to form some opinion about me that could wreck my life. I learn about so many new and great things from reading. I keep to myself with a good book and a shot of whiskey and I'm right with the world.
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Paulette Mahurin (The Persecution of Mildred Dunlap)
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Then she got up, went to Monty's mirror, and began combing her hair, while little cadenzas absentmindedly cascaded out of her throat, and cold drops cascaded over Mildred's heart. For Veda was stark naked. From the massive, singer's torso, with the Dairy quaking in front, to the slim hips, to the lovely legs, there wasn't so much as a garter to hide a path of skin.
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James M. Cain (Mildred Pierce)
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A year and a half had indeed made some changes in Veda's appearance. She was still no more than medium height, but her haughty carriage made her seem taller. The hips were as slim as ever, but had taken on some touch of voluptuousness. The legs were Mildred's, to the last graceful contour. But the most noticeable change was what Monty brutally called the Dairy: two round, swelling protuberances that had appeared almost overnight on the high, arching chest. They would have been large, even for a woman: but for a child of thirteen they were positively startling. Mildred had a mystical feeling about them: they made her think tremulously of Love, Motherhood, and similar milky concepts.
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James M. Cain (Mildred Pierce)
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Up close, she could see the sharp, cold, look that she constantly shot at Mr. Treviso, particularly when there was a break, and she was waiting to come in. It shattered illusion for Mildred. She preferred to remain at a distance, to enjoy this child as she seemed, rather than as she was.
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James M. Cain (Mildred Pierce)
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There are things you can't back down on, things you gotta take a stand on. But it's up to you to decide what them things are. You have to demand respect in this world, ain't nobody just gonna hand it to you. How you carry yourself, what you stand for - that's how you gain respect. But, little one, ain't nobody's respect worth more than your own. You understand that?
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Mildred D. Taylor (Roll of Thunder, Hear my Cry: By Mildred D. Taylor)
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It's tough out there, boy, and as long as there are people, there's gonna be somebody trying to take what you got and trying to drag you down. It's up to you whether you let them or not.
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Mildred D. Taylor (Roll of Thunder, Hear my Cry: By Mildred D. Taylor)
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I went to the doctor," said the woman next to Ethel. "I said to him, 'I've got an itchy twat.'" [...] She went on: "The doctor says to me, he goes, 'You shouldn't say that, it's a rude word.'" [...] "I says to him, 'What should I say, then, doctor?' He says to me, 'Say you've got an itchy finger.'" [...] "He says to me, 'Do your finger itch you all the time, Mrs. Perkins, or just now and again?'" Mildred paused, and the women were silent, waiting for the punch line. "I says, 'No, doctor, only when I piss through it.
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Ken Follett (Fall of Giants (The Century Trilogy, #1))
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Is it totally conceited of me to hope you might be waiting for me?” Darius’s voice called out from the dark and my eyes fluttered open. β€œYeah,” I agreed on a breath as I drank in the sight of him standing before me in the half unbuttoned black shirt and smart trousers he’d worn to marry Mildred, my heart racing with the speed of a stallion and my throat thickening as I took in the very real man who was somehow standing a little way down the hill before me. β€œBut I think I’ve always been waiting for you, so maybe you’re right.
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Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
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Big Ma didn't need to say any more and she didn't. T.J. was far from her favorite person and it was quite obvious that Stacey and I owed our good fortune entirely to T.J.'s obnoxious personality.
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Mildred D. Taylor
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I'm a Southerner, born and bred, but that doesn't mean I approve of all that goes on here. And there are a lot of other white people who feel the same' 'If you and so many others feel that way,' said Uncle Hammer with a wry sneer, 'then how come them Wallaces ain't in jail.' 'Hammer,' Big Ma started. 'Because,' answered Mr. Jamison candidly. 'There aren't enough of those same white people who would admit how they feel, or even if they did, would hang a white man for killing a black one. It's as simple as that.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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In 1930 the price of cotton dropped. And so, in the spring of 1931, Papa set out looking for work, going as far north as Memphis and as far south as the Delta country. He had gone west too, into Louisiana. It was there he found work laying track for the railroad. He worked the remainder of the year away from us, not returning until the deep winter when the ground was cold and barren. The following spring after the planting was finished, he did the same. Now it was 1933, and Papa was again in Louisiana laying track. I
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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What was she dreaming about, Mrs. Ramsay wondered, seeing her engrossed, as she stood there, with some thought of her own, so that she had to repeat the message twice––ask Mildred if Andrew, Miss Doyle, and Mr. Rayley have come back?––The words seemed to be dropped into a well, where, if the waters were clear, they were also so extraordinarily distorting that, even as they descended, one saw them twisting about to make Heaven knows what pattern on the floor of the child's mind.
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Virginia Woolf (To the Lighthouse)
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Then if you want something and it's a good thing an you got it in the right way, you better hang on to it and don't let nobody talk you out of it. You care what a lot of useless people say 'bout you and you'll never get anywhere, 'cause there's a lotta folks [who] don't want you to make it.
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Mildred D. Taylor (Roll of Thunder, Hear my Cry: By Mildred D. Taylor)
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When Mildred went to bed her stomach hurt from laughter, her heart ached from happiness. Then she remembered that while Veda had kissed her, that first moment when she had entered the house, she still hadn't kissed Veda. She tiptoed into the room she had hoped Veda would occupy, knelt beside the bed as she had knelt so many times in Glendale, took the lovely creature in her arms and kissed her, hard, on the mouth.
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James M. Cain (Mildred Pierce)
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No one answered him and he said no more. When we reached the crossroads, he looked hopefully at us as if we might relent and say good-bye. But we did not relent and as I glanced back at him standing alone in the middle of the crossing, he looked as if the world itself was slung around his neck. (3.48)
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Mildred D. Taylor (Roll of Thunder, Hear my Cry: By Mildred D. Taylor)
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She has something in her that I thought I had, and now I find I haven’t. Pride, or whatever it is. Nothing on earth could make Veda do what I’m going to do.
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James M. Cain (Mildred Pierce)
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lien
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Mildred D. Taylor (Let the Circle Be Unbroken (Logans #5))
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But you know I am not of the "afraid" kind. I am not boasting. That is a characteristic, not a quality. One is afraid or one is not. It happens that I am not.
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Mildred Aldrich (A Hilltop on the Marne: Being Letters Written June 3-September 8, 1914)
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Veda began it, but when she finished it, or whether she finished it, Mildred never quite knew. Little quivers went through her and they kept going through her the rest of the night, during the supper party, when Veda sat with the white scarf wound around her throat, during the brief half hour, while she undressed Veda, and put the costume away; in the dark, while she lay there alone, trying to sleep, not wanting to sleep. This was the climax of Mildred's life.
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James M. Cain (Mildred Pierce)
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The words came so fast they seemed to roll down hill. Nobody ever calls it all that; it's just spring wheat, but I like the words. They heap up and make a picture of a spring that's slow to come, when the ground stays frozen late into March and the air is raw, and the skies are sulky and dark
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Mildred Walker (Winter Wheat)
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[...]Mildred driving a hundred miles an hour across town, he shouting at her and she shouting back and both trying to hear what was said, but hearing only the scream of the car. "At least keep it down to the minimum!" he yelled. "What?" she cried. "Keep it down to fifty-five, the minimum" he shouted. "The what?" she shrieked. "Speed!" he shouted. And she pushed it up to one hundred and five miles and tore the breath from his mouth.
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Ray Bradbury (Fahrenheit 451)
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Who was he?” β€œA magician who took me in after I left the Bone-master. On his good days, he tried to teach me everything he knew.” β€œWhat about his bad days?” β€œOn his bad days, he generally thought he was an onion.” β€œThat’s awful,” said Jinx. β€œNo, it’s not. What was awful was when he thought he was a potato masher.” β€œOh.” β€œHe always said to me, β€˜Mildred, one day this will all be yours.’” Simon made a wide gesture, encompassing books, cats, and the door to Samara. β€œEr, he called you Mildred?” β€œOften as not.” β€œMaybe he really meant to leave everything to Mildred,” said Jinx. β€œIf she ever shows up, we’ll talk,” said Simon. β€œBut I think she may have been a dog he once had.
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Sage Blackwood (Jinx's Magic (Jinx, #2))
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If all who love one another were of the same opinion, living would be monotonous, and conversation flabby. So cheer up. You are content. All me to be.
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Mildred Aldrich (A Hilltop on the Marne: Being Letters Written June 3-September 8, 1914)
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Biting the hand that feeds you, that's what you're doing Mary Logan, biting the hand that feeds you.' Again Mama laughed, 'If that's the case, Daisy, I don't think I need that little bit of food.' With the second book finished, she stared at a small pile of second grade books on her desk. 'Well, I just think you're spoiling those children, Mary. They've got to learn how things are sometime.' 'Maybe so,' said Mama. 'But that doesn't mean they have to accept them. And maybe we don't either.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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God gave you brain, Charley. If you're using it then that's a gift from him. Not for someone else to determine for you what's right and wrong. Twenty people read the Bible and each has a different interpretation. More wars fought and blood shed over religion than anything else. That should tell you something. No clear right or wrong about anything. That's how I see it.
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Paulette Mahurin (The Persecution of Mildred Dunlap)
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Little Man turned around and watched saucer-eyed as a bus bore down on him spewing clouds of red dust like a huge yellow dragon breathing fire. Little Man headed toward the bank, but it was too steep. He ran frantically along the road looking for a foothold and, finding one, hopped onto the bank, but not before the bus had sped past enveloping him in a scarlet haze while laughing white faces pressed against the bus windows. Little
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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Last night I thought about all that kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before." He got out of bed. "It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life and then I come along in two minutes and boom! it's all over." "Let me alone," said Mildred. "I didn't do anything." "Let you alone! That's all very well, but how can I leave myself alone? We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?
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Ray Bradbury (Fahrenheit 451)
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De Profundis by Oscar Wilde (this excerpt inspired my book, The Persecution of Mildred Dunlap. Wilde wrote it to his lover while in prison.) When first I was put into prison some people advised me to try and forget who I was. It was ruinous advice. It is only by realizing what I am that I have found comfort of any kind. Now I am advised by others to try on my release to forget that I have ever been in a prison at all. I know that would be equally fatal. It would mean that I would always be haunted by an intolerable sense of disgrace, and that those things that are meant for me as much as for anybody else – the beauty of the sun and moon, the pageant of the seasons, the music of daybreak and the silence of great nights, the rain falling through the leaves, or the dew creeping over the grass and making it silver – would all be tainted for me, and lose their healing power, and their power of communicating joy. To regret one's own experiences is to arrest one's own development. To deny one's own experiences is to put a lie into the lips of one's own life. It is no less than a denial of the soul.
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Paulette Mahurin
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This is the β€œwoman’s pluck” story, the dust-bowl story, the burying-your-child-on-the-trail story, the I-will-never-go-hungry-again story, the Mildred Pierce story, the story about how the sheer nerve of even professionally unskilled women can prevail, show the men; the story that has historically encouragedΒ women in this country, even as it has threatened men. The dreams and the fears into which Martha Stewart taps are not of β€œfeminine” domesticity but of female power, of the woman who sits down at the table with the men and, still in her apron, walks away with the chips. 2000
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Joan Didion (Let Me Tell You What I Mean: An Essay Collection)
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Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” β€œSnap ending.” Mildred nodded. β€œClassics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: β€œSpeed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, β€œWhat’s this?” and hold up the hidden book with touching innocence. β€œSchool is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?
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Ray Bradbury (Fahrenheit 451)
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And because they had mass, they became simpler,” said Beatty. β€œOnce, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books leveled down to a sort of paste pudding norm, do you follow me?” β€œI think so.” Beatty peered at the smoke pattern he had put out on the air. β€œPicture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” β€œSnap ending.” Mildred nodded. β€œClassics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume.
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Ray Bradbury (Fahrenheit 451)
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When sleep came, I would dream bad dreams. Not the baby and the big man with a cigarette-lighter dream. Another dream. The castle dream. A little girl of about six who looks -like me, but isn’t me, is happy as she steps out of the car with her daddy. They enter the castle and go down the steps to the dungeon where people move like shadows in the glow of burning candles. There are carpets and funny pictures on the walls. Some of the people wear hoods and robes. Sometimes they chant in droning voices that make the little girl afraid. There are other children, some of them without any clothes on. There is an altar like the altar in nearby St Mildred’s Church. The children take turns lying on that altar so the people, mostly men, but a few women, can kiss and lick their private parts. The daddy holds the hand of the little girl tightly. She looks up at him and he smiles. The little girl likes going out with her daddy. I did want to tell Dr Purvis these dreams but I didn’t want her to think I was crazy, and so kept them to myself. The psychiatrist was wiser than I appreciated at the time; sixteen-year-olds imagine they are cleverer than they really are. Dr Purvis knew I had suffered psychological damage as a child, that’s why she kept making a fresh appointment week after week. But I was unable to give her the tools and clues to find out exactly what had happened.
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Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
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There'll be a whole lot of things you ain't gonna want to do, but you'll have to do in this life just so you can survive. 'Now, I don't like the idea of what Charlie Simms did to you no more than your Uncle Hammer, but I had to weigh the hurt of what happened to you to what could've happened if I went after him. If I'd-a gone after Charlie Simms and given him a good thrashin', like I felt like doing, the hurt to all of us would've been a whole lot more than the hurt to you. So I let it be. I don't like letting it be, but I can live with that decision. 'But there are other things, Cassie, that if I'd let be, they'd eat away at me and destroy me in the end. And it's the same with you, baby. There are things you can't back down on. Things you gotta take a stand on, but it's up to you to decide what them things are. 'You have to demand respect in this world. Ain't nobody just gonna hand it to you. How you carry yourself, what you stand for, that's how you gain respect. But little one, ain't nobody's respect worth more than your own. You understand that?' 'Now, there ain't no sense going around being mad. You clear your head so you can think sensibly. Then I want you to think real hard about whether Lillian Jean's worth taking a stand about. But keep in mind that Lillian Jean probably won't be the last white person to think you this way.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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When Augustus Townsend died in Georgia near the Florida line, he rose up above the barn where he had died, up above the trees and the crumbling smokehouse and the little family house nearby, and he walked away quick-like, toward Virginia. He discovered that when people were above it all they walked faster, as much as a hundred times faster than when they were confined to the earth. And so he reached Virginia in little or no time. He came to the house he had built for his family, for Mildred his wife and Henry his son, and he opened and went through the door. He thought she might be at the kitchen table, unable to sleep and drinking something to ease her mind. But he did not find his wife there. Augustus went upstairs and found Mildred sleeping in their bed. He looked at her for a long time, certainly as long as it would have taken him, walking up above it all, to walk to Canada and beyond. Then he went to the bed, leaned over and kissed her left breast. The kiss went through the breast, through skin and bone, and came to the cage that protected the heart. Now the kiss, like so many kisses, had all manner ofkeys, but it, like so many kisses, was forgetful, and it could not find the right key to the cage. So in the end, frustrated, desperate, the kiss squeezed through the bars and kissed Mildred’s heart. She woke immediately and she knew her husband was gone forever. All breath went and she was seized with such a pain that she had to come to her feet. But the room and the house were not big enough to contain her pain and she stumbled out ofthe room, out and down the stairs, out through the door that Augustus, as usual, had left open. The dog watched her from the hearth. Only in the yard could she begin to breathe again. And breath brought tears. She fell to her knees, out in the open yard, in her nightclothes, something Augustus would not have approved of. Augustus died on Wednesday.
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Edward P. Jones (The Known World)
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Watching her, I remembered a girl I'd known in school, a grind, Mildred Grossman. Mildred: with her moist hair and greasy spectacles, her strained fingers that dissected frogs and carried coffee to picket lines, her flat eyes that only turned toward the stars to estimate their chemical tonnage. Earth and air could not be more opposite than Mildred and Holly, yet in my head they acquired a Siamese twinship, and the thread of thought that had sewn them together ran like this: the average personality reshapes frequently, every few years even our bodies undergo a complete overhaul--desirable or not, it is a natural thing that we should change. All right, here were two people who never would. That is what Mildred Grossman had in common with Holly Golightly. They would never change because they'd been given their character too soon; which, like sudden riches, leads to a lack of proportion: the one had splurged herself into a top-heavy realist, the other a lopsided romantic. I imagined them in a restaurant of the future, Mildred still studying the menu for its nutritional values, Holly still gluttonous for everything on it. It would never be different. They would walk through life and out of it with the same determined step that took small notice of those cliffs at the left.
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Truman Capote (Breakfast at Tiffany’s and Three Stories)
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With this money I can get away from you. From you and your chickens and your pies and your kitchens and everything that smells of grease. I can get away from this shack with its cheap furniture, and this town and its dollar days, and its women that wear uniforms and its men that wear overalls. You think just because you've made a little money you can get a new hairdo and some expensive clothes and turn yourself into a lady. But you can't, because you'll never be anything but a common frump, whose father lived over a grocery store and whose mother took in washing. With this money, I can get away from every rotten, stinking thing that makes me think of this place or you!
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James M. Cain (Mildred Pierce)
β€œ
A receptionist is a lazy dame that can’t do anything on earth, and wants to sit out front where everybody can watch her do it. She’s the one in the black silk dress, cut low in the neck and high in the legs, just inside the gate, in front of that little one-position switchboard, that she gets a right number out of now and then, mostly then. You know, the one that tells you to have a seat, Mr Doakes will see you in just a few minutes. Then she goes on showing her legs and polishing her nails. If she sleeps with Doakes she gets twenty bucks a week, if not she gets twelve. In other words, nothing personal about it and I don’t want to hurt your feelings, but by the looks of this card I’d say that was you.’ β€˜It’s quite all right. I sleep fine.
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James M. Cain (Mildred Pierce)
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White ain't nothing.' Mama's grip did not lessen. 'It is something, Cassie. White is something just like black is something. Everybody born on this Earth is something, and nobody, no matter what color is better than anybody else.' 'Then how come Mr. Simms don't know that.' 'Because he's one of those people who has to believe that white people are better than black people to make himself feel big.' I stared questionably at Mama, not really understanding. Mama squeezed my hadn't and explained further, 'You see, Cassie, many years ago, when our people were fist brought from Africa in chains to work as slaves in this country--' 'Like Big Ma's Papa and Mama?' Mama nodded. "Yes, baby. Like Papa Luke and Mama Rachael. Except they were born right here is Mississippi, but their grandparents were born in Africa. And when they came, there was some white people who thought that is was wrong for any people to be slaves. So the people who needed slaves to work in their fields and the people who were making money bringing slaves from Africa preached that black people weren't really people like white people were, so slavery was all right. They also said that slavery was good for us because it thought us to be good Christians, like the white people.' She sighed deeply, her voice fading into a distant whisper, 'But they didn't teach us Christianity to save our souls, but to teach us obedience. They were afraid of slave revolts and they wanted us to learn the Bible's teachings about slaves being loyal to their masters. But even teaching Christianity didn't make us stop wanting to be free and many slaves ran away.
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Mildred D. Taylor
β€œ
White ain't nothing.' Mama's grip did not lessen. 'It is something, Cassie. White is something just like black is something. Everybody born on this Earth is something, and nobody, no matter what color is better than anybody else.' 'Then how come Mr. Simms don't know that.' 'Because he's one of those people who has to believe that white people are better than black people to make himself feel big.' I stared questionably at Mama, not really understanding. Mama squeezed my hadn't and explained further, 'You see, Cassie, many years ago, when our people were fist brought from Africa in chains to work as slaves in this country--' 'Like Big Ma's Papa and Mama?' Mama nodded. "Yes, baby. Like Papa Luke and Mama Rachel. Except they were born right here is Mississippi, but their grandparents were born in Africa. And when they came, there was some white people who thought that is was wrong for any people to be slaves. So the people who needed slaves to work in their fields and the people who were making money bringing slaves from Africa preached that black people weren't really people like white people were, so slavery was all right. They also said that slavery was good for us because it thought us to be good Christians, like the white people.' She sighed deeply, her voice fading into a distant whisper, 'But they didn't teach us Christianity to save our souls, but to teach us obedience. They were afraid of slave revolts and they wanted us to learn the Bible's teachings about slaves being loyal to their masters. But even teaching Christianity didn't make us stop wanting to be free, and many slaves ran away.” ... She was silent for a moment, then went on. 'Well, after a while, slavery became so profitable to people who had slaves and even to those who didn't that most people started to believe that black people weren't really people like everybody else. And when the Civil War was fought, and Mama Rachel and Papa Luke and all the other slaves were freed, people continued to think that way. Even the Northeners who fought the war didn't really see us equal to white people. 'So, now, even though seventy years have passed since slavery, most white people still think of us as they did then, that we're not as good as they are. And people like Mr. Simms hold onto that belief harder than some other folks because they have little else to hold onto. For him to believe that he is better than we are makes him think that he's important, simply because he's white.
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Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
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And you've gone on all these years hating each other. Gil felt that hate. He could tell just being here. That's one of the things that drove him away from here, from me...' Mom was still so long I looked up at her...She shook her head. ...'No, Yelena, I never hate Ben an' Ben don't hate me. Gospode Boge! I love him here so all these years!' Mom touched her breast and her face broke into life. Her eyes were softer. 'Me hate Ben!' she laughed... I couldn't look at her, but I had to say what was in my mind. 'But all these years, even when I was a child, I've felt that you hated each other. When I heard you that night you both sounded cold and hard.' Mom made a sound of disgust in her throat. 'That don't mean nothing. We get mad, sure! Like ice an' snow an' thunder an' lightning storm, but they don't hurt the wheat down in the ground any.' Mom picked up her whitewash brush and slapped it against the rough boards. 'Yolochka, you don't know how love is yet.' ...She finished her wall and poured the whitewash that was left back in the bigger pail. 'You can write that young Gil of yours that he don't know what he think he does. Sure, we fight sometime, but we got no hate here.
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Mildred Walker (Winter Wheat)