Miguel Street Quotes

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Life is a helluva thing. You can see trouble coming and you can't do a damn thing to prevent it coming. You just got to sit and watch and wait.
V.S. Naipaul
A stranger could drive through Miguel Street and just say “Sum!” because he could see no more. But we who lived there saw our street as a world, where everybody was quite different from everybody else. Mam-man was mad; George was stupid; Big Foot was a bully; hat was an adventurer; Popo was a philosopher; and Morgan was our comedian.
V.S. Naipaul (Miguel Street)
Look, boys, it ever strike you that the world not real at all? It ever strike you that we have the only mind in the world and you just thinking up everything else? Like me here, having the only mind in the world, and thinking up you people here, thinking up the war and all the houses and the ships and them in the harbour. That ever cross your mind?
V.S. Naipaul (Miguel Street)
Ah, sahib. I know you just come to comfort a old man left to live by hisself. Soomintra say I too old-fashion. And Leela, she always by you. Why you don’t sit down, sahib? It ain’t dirty. Is just how it does look.’ Ganesh didn’t sit down. ‘Ramlogan, I come to buy over your taxis.
V.S. Naipaul (The Mystic Masseur and Miguel Street)
In the dream of the planet it is normal for humans to suffer, to live in fear, and to create emotional dramas. The outside dream is not a pleasant dream; it is a dream of violence, a dream of fear, a dream of war, a dream of injustice. The personal dream of humans will vary, but globally it is mostly a nightmare. If we look at human society we see a place so difficult to live in because it is ruled by fear. Throughout the world we see human suffering, anger, revenge, addictions, violence in the street, and tremendous injustice. It may exist at different levels in different countries around the world, but fear is controlling the outside dream.
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
It was not long after that Ganesh saw a big new notice in the shop, painted on cardboard. ‘Is Leela self who write that,’ Ramlogan said. ‘I didn’t ask she to write it, mind you. She just sit down quiet quiet one morning after tea and write it off.’ It read: NOTICE NOTICE, IS. HEREBY; PROVIDED: THAT, SEATS! ARE, PROVIDED. FOR; FEMALE: SHOP, ASSISTANTS! Ganesh said, ‘Leela know a lot of punctuation marks.’ That is it, sahib. All day the girl just sitting down and talking about these puncturation marks. She is like that, sahib.
V.S. Naipaul (The Mystic Masseur and Miguel Street)
In Sevilla there was a madman who had the strangest, most comical notion that any madman ever had. What he did was to make a tube out of a reed that he sharpened at one end, and then he would catch a dog on the street, or somewhere else, hold down one of its hind legs with his foot, lift the other with his hand, fit the tube into the right place, and blow until he had made the animal as round as a ball, and then, holding it up, he would give the dog two little pats on the belly and let it go, saying to the onlookers, and there were always a good number of them: “Now do your graces think it’s an easy job to blow up a dog?” Now does your grace think it’s an easy job to write a book?
Miguel de Cervantes Saavedra (Don Quixote)
Immediately after leaving the gate we encountered a bunch of raggedly dressed street kids. They blinked sad brown eyes and held out their hands begging for money, but we ignored them. Dan flashed us an accusing look, as if we were heartless bastards. He fished some coins out of his pocket, and tossed them to the children. A frantic mob of kids immediately overwhelmed Dan, hopping up and down, clamoring for money. Dan finally broke free from the grasping children, and we set off down the street. Suddenly, Dan stopped dead in his tracks, belatedly realizing his expensive scuba diving watch was missing. While we laughed and said, “I told you so!” Dan rubbed his naked wrist and stomped around the street in disbelief, bemoaning the loss of his watch. Then an innocent looking little boy timidly approached Dan. Obviously feeling sorry for the kind-hearted American, the cute little ragamuffin timidly spoke, “Mister, I know who stole your watch. Give me a hundred pesos and I’ll get it back for you.” Dan breathed a sigh of relief, thanked the little angel profusely, and gave him a hundred pesos worth eight American dollars. The little boy quickly scuttled into the crowd never to be seen again. We laughed so hard we were choking. Dan had just set a new chump record, losing an expensive watch and a hundred pesos all within minutes of leaving the base. We dragged him into the nearest bar to console him with cold San Miguel beer.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
This honest man is going to the galleys for four years, having been paraded through the usual streets in robes of state and on horseback.”2 “That, it seems to me,” said Sancho Panza, “means he was shamed in public.” “That’s true,” replied the galley slave. “And the crime he was punished for was trading in ears, and even in entire bodies. In other words, I mean that this gentleman is going to the galleys for being a go-between,3 and for having a hint and a touch of the sorcerer about him.” “If you had not added that hint and touch,” said Don Quixote, “for simply being an honest go-between, he does not deserve to be sent to the galleys to row, but to lead and command. Because the position of go-between is not for just anyone; it is an office for the discreet, one that is very necessary in a well-ordered nation and should not be practiced except by the wellborn; there should be supervisors and examiners of go-betweens, as there are for other professions, with a fixed number of known appointees, similar to brokers on the exchange, and in this way many evils would be avoided which are caused because this practice and profession is filled with idiotic and dim-witted people, such as foolish women, pages, and rascals with few years and little experience; when the occasion demands that they find a solution to an important problem, they allow the crumbs to freeze between their hand and their mouth and do not know their right hand from their left.
Miguel de Cervantes Saavedra (Don Quixote)
Being impeccable with your word is not using the word against yourself. If I see you in the street and I call you stupid, it appears that I’m using the word against you. But really I’m using my word against myself, because you’re going to hate me for this, and your hating me is not good for me. Therefore, if I get angry and with my word send all that emotional poison to you, I’m using the word against myself.
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
Così i due, Augusto ed Eugenia, procedettero in direzioni opposte, tagliando con le loro anime la fitta ragnatela spirituale della strada. Perché la strada forma una tela in cui si incrociano sguardi carichi di desiderio, di invidia, di disprezzo, di compassione, di amore, di odio, parole dette chissà quando, il cui senso è rimasto cristallizzato, pensieri, aneliti, tutto un intreccio misterioso che avvolge le anime di quelli che la attraversano.
Miguel de Unamuno
Frida Kahlo, San Miguel, Ash Wednesday You faded so long ago but here in the souvenir arcade you’re everywhere: the printed cotton bags, the pierced tin boxes, the scarlet T-shirts, the beaded crosses; your coiled braids, your level stare, your body of a deer or martyr. It’s a meme you can turn into if your ending’s strange enough and ardent, and involves much pain. The rope of a hanged man brings good luck; saints dangle upside down or offer their breasts on a plate and we wear them, we invoke them, insert them between our flesh and danger. Fireworks, two streets over. Something’s burning somewhere, or did burn, once. A torn silk veil, a yellowing letter: I’m dying here. Love on a skewer, a heart in flames. We breathe you in, thin smoke, grief in the form of ashes. Yesterday the children smashed their hollowed eggs on the heads of others, baptizing them with glitter. Shell fragments litter the park like the wings of crushed butterflies, like sand, like confetti: azure, sunset, blood, your colours.
Margaret Atwood (Dearly: New Poems)
Throughout the world we see human suffering, anger, revenge, addictions, violence in the street, and tremendous injustice.
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
Blaming Satan can absolve oppressors quicker than God's grace. I really am not that bad - so the logic goes - it is Satan, since the Garden of Eden, who has been leading humanity astray. I am really a good person, but I do wrestle with my secret demons. When I participate in the pain of others (not just physical but also caused by society and economics) of others, it is the devil that made me do it. Thankfully, Jesus took our place on the cross so that we do not need to pay the price for our sins. The devil made me do it, and Jesus cleaned up my mess. As a new creature in Christ "I" can move on without really addressing the consequences of or restitution for those sins the devil made me do. Hence, Nazi concentration guards can torture all week long and still attended worship ship services on Sunday mornings. Politicians can lead armies to war under false pretenses without addressing the tens of thousands, if not hundreds of thousands, who are killed or maimed because, after all, our intentions were pure - it was the enemy who was really evil. Repentance from Wall Street greed that tanked the U.S. economy and swindled thousands out of their life savings in 2008 can occur without having to deal with issues of public accountability and restitution to individual investors.
Miguel A. de la Torre (The Quest for the Historical Satan)
Dentro de un licuado de durazno, puedo engordar. En treinta segundos más el sol puede hacerme caer ocho milímetros de piel de la frente, si camino un metro más la tira del bikini puede meterse un centímetro más en mi traste y el efecto no será el mismo. Chicas por las que Miguel Angel mearía cada uno de sus frescos de la Capilla Sixtina se duermen entre llantos, viéndose deformes. Otras vomitan bulimia en el inodoro del hotel, o comen sólo en las semanas impares, y viven desmayándose como poetas del Romanticismo. Unas y otras recurren al pareo, que funciona en este caso como la cultura: sirve para cubrir imperfecciones. El estado de tensión en el que viven estas chicas es mucho peor que el de un broker de Wall Street en la crisis financiera de los ochenta: ========== Lanata, Jorge - Vuelta De Pagina
Anonymous
Even as a curious song filters through the streets of San Miguel, one with the heartbeat of the guitarron, one with a melancholy melody, it isn’t enough to help him forget that he must continue to speak the creature's name. Not because it prevents the old gods from coming back to life, but to keep them from slipping into those dark places, like sun-obscured cenotes, where slivers of light cannot reach far enough to keep those malevolent things from being forgotten.
Mary Rajotte (Collage Macabre: An Exhibition of Art Horror)
Even as a curious song filters through the streets of San Miguel, one with the heartbeat of the guitarron, one with a melancholy melody, it isn’t enough to help him forget that he must continue to speak the creature's name. Not because it prevents the old gods from coming back to life, but to keep them from slipping into those dark places, like sun-obscured cenotes, where slivers of light cannot reach far enough to keep those malevolent things from being forgotten.
Mary Rajotte
The news about Eddoes and the shoes travelled round the street pretty quickly. My mother was annoyed. She said, ‘You see what sort of thing life is. Here I is, working my finger to the bone. Nobody flinging me a pair of shoes just like that, you know. And there you got that thin-arse little man, doing next to nothing, and look at all the things he does get.
V.S. Naipaul (Miguel Street)
Boy, the only thing to make is the thing without a name.
V.S. Naipaul (Miguel Street)