Middlesex Quotes

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Biology gives you a brain. Life turns it into a mind.
Jeffrey Eugenides (Middlesex)
It was one of those humid days when the atmosphere gets confused. Sitting on the porch, you could feel it: the air wishing it was water.
Jeffrey Eugenides (Middlesex)
Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever.
Jeffrey Eugenides (Middlesex)
Can you see me? All of me? Probably not. No one ever really has.
Jeffrey Eugenides (Middlesex)
I live my own life and nurse my own wounds. It's not the best way to live. But it's the way I am.
Jeffrey Eugenides (Middlesex)
There was nowhere I could go that wouldn't be you.
Jeffrey Eugenides (Middlesex)
Maybe the best proof that the language is patriarchal is that it oversimplifies feeling.
Jeffrey Eugenides (Middlesex)
Everyone struggles against despair, but it always wins in the end. It has to. It's the thing that lets us say goodbye.
Jeffrey Eugenides (Middlesex)
The essential matrimonial facts: that to be happy you have to find variety in repetition; that to go forward you have to come back to where you begin.
Jeffrey Eugenides (Middlesex)
She understood that her heart operated on its own instructions, that she had no control over it or, indeed, anything else.
Jeffrey Eugenides (Middlesex)
The mind self-edits. The mind airbrushes. It's a different thing to be inside a body than outside. From outside, you can look, inspect, compare. From inside there is no comparison.
Jeffrey Eugenides (Middlesex)
But in the end it wasn't up to me. The bigs things never are. Birth, I mean, and death. And love. And what love bequeaths to us before we're born.
Jeffrey Eugenides (Middlesex)
The only way we know it's true is that we both dreamed it. That's what reality is. It's a dream everyone has together.
Jeffrey Eugenides (Middlesex)
I was thinking how amazing it was that the world contained so many lives. Out in these streets people were embroiled in a thousand different matters, money problems, love problems, school problems. People were falling in love, getting married, going to drug rehab, learning how to ice-skate, getting bifocals, studying for exams, trying on clothes, getting their hair-cut and getting born. And in some houses people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered.
Jeffrey Eugenides (Middlesex)
I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.
Jeffrey Eugenides (Middlesex)
So do boys and men announce their intentions. They cover you like a sarcophagus lid. And call it love.
Jeffrey Eugenides (Middlesex)
I went into the desert to forget about you. But the sand was the color of your hair. The desert sky was the color of your eyes. There was nowhere I could go that wouldn't be you.
Jeffrey Eugenides (Middlesex)
Regret, already sogging me down, burst its dam. It seeped into my legs, it pooled in my heart.
Jeffrey Eugenides (Middlesex)
It's often said that a traumatic experience early in life marks a person forever, pulls her out of line, saying, "Stay there. Don't move.
Jeffrey Eugenides (Middlesex)
Historical fact: People stopped being people in 1913. That was the year Henry Ford put his cars on rollers and made his workers adopt the speed of the assembly line. At first, workers rebelled. They quit in droves, unable to accustom their bodies to the new pace of the age. Since then, however, the adaptation has been passed down: we've all inherited it to some degree, so that we plug right into joy-sticks and remotes, to repetitive motions of a hundred kinds.
Jeffrey Eugenides (Middlesex)
Whereas I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing I might be able to catch the rainbow of consciousness in a jar.
Jeffrey Eugenides (Middlesex)
I was beginning to understand something about normality. Normality wasn't normal. It couldn't be. If normality were normal, everybody could leave it alone. They could sit back and let normality manifest itself. But people-and especially doctors- had doubts about normality. They weren't sure normality was up the job. And so they felt inclined to give it a boost.
Jeffrey Eugenides (Middlesex)
The Statue of Liberty's gender changed nothing. It was the same here as anywhere: men and their wars.
Jeffrey Eugenides (Middlesex)
You used to be able to tell a person's nationality by the face. Immigration ended that. Next you discerned nationality via the footwear. Globalization ended that.
Jeffrey Eugenides (Middlesex)
This can't be true but I remember it.
Jeffrey Eugenides (Middlesex)
But maybe they understood more about life than I did. From an early age they knew what little value the world placed in books, and so didn't waste their time with them. Whereas I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing, I might be able to catch the rainbow of consciousness in a jar.
Jeffrey Eugenides (Middlesex)
Emotions, in my experience, aren't covered by single words. I don't believe in "sadness", "joy", or "regret". Maybe the best proof that the language is patriarchal is that is oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions.
Jeffrey Eugenides (Middlesex)
The television replaced the sound of conversation that was missing from my grandparents' lives.
Jeffrey Eugenides (Middlesex)
Planning is for the world's great cities, for Paris, London, and Rome, for cities dedicated, at some level, to culture. Detroit, on the other hand, was an American city and therefore dedicated to money, and so design had given way to expediency.
Jeffrey Eugenides (Middlesex)
It was like autumn, looking at her. it was like driving up north to see the colors.
Jeffrey Eugenides (Middlesex)
We're all made up of many parts, other halves. Not just me.
Jeffrey Eugenides (Middlesex)
Pregnancy humbles husbands. After an initial rush of male pride they quickly recognise the minor role that nature had assigned them in the drama of reproduction.
Jeffrey Eugenides (Middlesex)
It was amazing how it worked: the tiniest bit of truth made credible the greatest lies.
Jeffrey Eugenides (Middlesex)
Now all the mute objects of my life seem to tell my story, to stretch back in time, if I look closely enough.
Jeffrey Eugenides (Middlesex)
We Greeks get married in circles, to impress upon ourselves the essential matrimonial facts: that to be happy you have to find variety in repetition; that to go forward you have to come back where you began.
Jeffrey Eugenides (Middlesex)
When I think back about my immediate reaction to that redheads girl, it seems to spring from an appreciation of natural beauty. I mean the heart pleasure you get from looking at speckled leaves or the palimpsested bark of plane trees in Provence. There was something richly appealing to her color combination, the ginger snaps floating in the milk-white skin, the golden highlights in the strawberry hair. it was like autumn, looking at her. It was like driving up north to see the colors.
Jeffrey Eugenides (Middlesex)
We stood silent. After a moment I said, "Real Geniuses never think they're geniuses." "Who says?" "Me." "Because why?" "Because genius is nine-tenths perspiration. Haven't you ever heard that? As soon as you think you're a genius, you slack off. You think everything you do is so great and everything.
Jeffrey Eugenides (Middlesex)
I'm the final clause in a periodic sentence, and that sentence begins a long time ago, in another language, and you to read it from the beginning to get to the end, which is my arrival.
Jeffrey Eugenides (Middlesex)
That was the deal basically: catatonia without; frenzy within
Jeffrey Eugenides (Middlesex)
There is no evidence against genetic determinism more persuasive than the children of the rich.
Jeffrey Eugenides (Middlesex)
And in some of the houses, people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered. What really mattered in life, what gave it weight, was death.
Jeffrey Eugenides (Middlesex)
I hadn't gotten old enough yet to realize that living sends a person not into the future but back into the past, to childhood and before birth, finally, to commune with the dead. You get older, you puff on the stairs, you enter the body of your father. From there it's only a quick jump to your grandparents, and then before you know it you're time traveling. In this life we grow backwards.
Jeffrey Eugenides (Middlesex)
German wasn’t good for conversation because you had to wait to the end of the sentence for the verb, and so couldn’t interrupt.
Jeffrey Eugenides (Middlesex)
A changeableness, too, as if beneath my visible face there was another, having second thoughts.
Jeffrey Eugenides (Middlesex)
There have been hermaphrodites around forever, Cal. Forever. Plato said that the original human being was a hermaphrodite. Did you know that? The original person was two halves, one male, one female. Then these got separated. That's why everybody's always searching for their other half. Except for us. We've got both halves already.
Jeffrey Eugenides (Middlesex)
Chunks of his life fell away, so that while we were moving ahead in time, he was moving back.
Jeffrey Eugenides (Middlesex)
Normality wasn't normal. It couldn't be. If normality were normal, everybody could leave it alone. They could sit back and let normality manifest itself.
Jeffrey Eugenides (Middlesex)
Parents are supposed to pass down physical traits to their children, but it’s my belief that all sorts of other things get passed down, too: motifs, scenarios, even fates.
Jeffrey Eugenides (Middlesex)
Sourmelina's secret (as Aunt Zo put it): 'Lina was one of those women they named the island after.
Jeffrey Eugenides (Middlesex)
She had given birth to me and nursed me and brought me up. She had known me before I knew myself and now she had no say in the matter. Life started out one thing and then suddenly turned a corner and became something else.
Jeffrey Eugenides (Middlesex)
The humming of my parents' voices from behind my bedroom wall, which throughout my childhood had filled me with a sense of security, had now become a source of anxiety and panic.
Jeffrey Eugenides (Middlesex)
Children learn to speak Male or Female the way they learn to speak English or French.
Jeffrey Eugenides (Middlesex)
Even the air seemed on fire, subtly aflame with energy as it does when you are young, when the synapses are firing wildly and death is far away.
Jeffrey Eugenides (Middlesex)
Great discoveries, whether of silk or gravity, are always windfalls. They happen to people loafing under trees.
Jeffrey Eugenides (Middlesex)
Pregnancy made her feel too much like an animal. It was embarrassing to be so publicly colonized.
Jeffrey Eugenides (Middlesex)
Once you've visited the underworld, you never forget the way back.
Jeffrey Eugenides (Middlesex)
Mr. da Silva had a relevant quotation for everything that happened to him and in this way evaded real life.
Jeffrey Eugenides (Middlesex)
This whole country's stolen.
Jeffrey Eugenides (Middlesex)
the remark of a Middlesex Regiment officer in 1918. “Intelligence services,” the man had said, “are prone to looking up their own arses and wondering why it’s dark.
David Downing (Zoo Station (John Russell, #1))
Is there anything as incredible as the love story of your own parents? Anything as hard to grasp as the fact that those two over-the-hill players, permanently on the disabled list, were once in the starting lineup? It's impossible to imagine my father, who in my experience was aroused mainly by the lowering of interest rates, suffering the acute, adolescent passions of the flesh.
Jeffrey Eugenides (Middlesex)
Where else would she feel more comfortable than in this subterranean realm where people wrote down what they couldn't say, where they gave voice to their most shameful longings and knowledge?
Jeffrey Eugenides (Middlesex)
He was filled with embarrassment: embarrassment for the human race, its preoccupation with money, it love of swindle.
Jeffrey Eugenides (Middlesex)
This is my country,' Lefty said, and to prove it, he did a very American thing: he reached under the counter and produced a pistol.
Jeffrey Eugenides (Middlesex)
Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions. Germanic traincar constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy". I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age.
Jeffrey Eugenides (Middlesex)
All of a sudden America wasn't about hamburgers and hot rods anymore. It was about the Mayflower and Plymouth Rock. It was about something that had happened for two minutes four hundred years ago, instead of everything that had happened since. Instead of everything that was happening now!
Jeffrey Eugenides (Middlesex)
Jerome was sliding and climbing on top of me and it felt like it had the night before, like a crushing weight. So do boys and men announce their intentions. They cover you like a sarcophagus lid. And call it love.
Jeffrey Eugenides (Middlesex)
The last thing the hockey ball symbolized was Time itself, the unstoppability of it, the way we're chained to our bodies, which are chained to Time.
Jeffrey Eugenides (Middlesex)
and you can feel it in the air, they way the air has somehow been keeping score.
Jeffrey Eugenides (Middlesex)
I understood at those times what I was leaving behind: the solidarity of a shared biology. Women know what it means to have a body. They understand its difficulties and frailties, its glories and pleasures. Men think their bodies are theirs alone. They tend them in private, even in public.
Jeffrey Eugenides (Middlesex)
But as I peeked at my brother's inert body....I was aware only of what a strange thing it was to be male. Society discriminated against women, no question. But what about the discrimination of being sent war? Which sex was really thought to be expendable.
Jeffrey Eugenides (Middlesex)
And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...
Jeffrey Eugenides (Middlesex)
In the end he became as fragmentary as the poems of Sappho he never succeeded in restoring, and finally one morning he looked up into the face of the woman who’d been the greatest love of his life and failed to recognize her. And then there was another kind of blow inside his head; blood pooled in his brain for the last time, washing even the last fragments of his self away.
Jeffrey Eugenides (Middlesex)
The matter with us is you.
Jeffrey Eugenides (Middlesex)
I went to church. It didn’t help. In those days that was the best place to meet a girlfriend. In church! All of us praying to be different.
Jeffrey Eugenides (Middlesex)
Whereas my grandfather was getting used to a much more terrifying reality. Holding my hand to keep his balance, as trees and bushes made strange, sliding movements in his peripheral vision, Lefty was confronting the possibility that consciousness was a biological accident. Though he'd never been religious, he realized now that he'd always believed in the soul, in a force of personality that survived death. But as his mind continued to waver, to short-circuit, he finally arrived at the cold-eyed conclusion, so at odds with his youthful cheerfulness, that the brain was just an organ like any other and that when it failed he would be no more.
Jeffrey Eugenides (Middlesex)
My family suffered. My hair turned up in every corner, every drawer, every meal. Even in the rice puddings Tessie made, covering each little bowl with wax paper before putting it away in the fridge--even into these prophylactically secure desserts my hair found its way! Jet black hairs wound themselves around bars of soap. They lay pressed like flower stems between the pages of books. They turned up in eyeglass cases, birthday cards, once--I swear--inside an egg Tessie had just cracked. The next-door neighbor's cat coughed up a hairball one day and the hair was not the cat's.
Jeffrey Eugenides (Middlesex)
Now I’ve given up any hope of lasting fame or literary perfection. I don’t care if I write a great book anymore, but just one which, whatever its flaws, will leave a record of my impossible life.
Jeffrey Eugenides (Middlesex)
It was called evolutionary biology. Under its sway, the sexes were separated again, men into hunters and women into gatherers. Nurture no longer formed us; nature did. Impulses of hominids dating from 20,000 B.C. were still controlling us. And so today on television and in magazines you get the current simplifications. Why can't men communicate? (Because they had to be quiet on the hunt.) Why do women communicate so well? (Because they had to call out to one another where the fruits and berries were.) Why can men never find things around the house? (Because they have a narrow field of vision, useful in tracking prey.) Why can women find things so easily? (Because in protecting the nest they were used to scanning a wide field.) Why can't women parallel-park? (Because low testosterone inhibits spatial ability.) Why won't men ask for directions? (Because asking for directions is a sign of weakness, and hunters never show weakness.) This is where we are today. Men and women, tired of being the same, want to be different again.
Jeffrey Eugenides (Middlesex)
In those days you could identify a person's nationality by smell. Lying on her back with eyes closed, Desdemona could detect the telltale oniony aroma of a Hungarian woman on her right, and the raw-meat smell of an Armenian on her left. (And they, in turn, could peg Desdemona as a Hellene by her aroma of garlic and yogurt.)
Jeffrey Eugenides (Middlesex)
There was nowhere to go that wouldn't be me.
Jeffrey Eugenides (Middlesex)
Dr. Philbosian smelled like an old couch, of hair oil and spilled soup, of unscheduled naps.
Jeffrey Eugenides (Middlesex)
In the Orthodox Church, we don't go for partial immersion; no sprinkling, no forehead dabbing for us. In order to be reborn, you have to be buried first, so under the water I went.
Jeffrey Eugenides (Middlesex)
I never know what I feel until it’s too late.
Jeffrey Eugenides (Middlesex)
You know the rest. In the books you have read How the British Regulars fired and fled,--- How the farmers gave them ball for ball, From behind each fence and farmyard wall, Chasing the redcoats down the lane, Then crossing the fields to emerge again Under the trees at the turn of the road, And only pausing to fire and load. So through the night rode Paul Revere; And so through the night went his cry of alarm To every Middlesex village and farm,--- A cry of defiance, and not of fear, A voice in the darkness, a knock at the door, And a word that shall echo for evermore! For, borne on the night-wind of the Past, Through all our history, to the last, In the hour of darkness and peril and need, The people will waken and listen to hear The hurrying hoof-beats of that steed, And the midnight message of Paul Revere.
Henry Wadsworth Longfellow (The Midnight Ride of Paul Revere)
Here's a question I still can't answer: Did I see through the male tricks because I was destined to scheme that way myself? Or do girls see through the tricks, too, and just pretend not to notice?
Jeffrey Eugenides (Middlesex)
... but the corset had the odd power of making her seem somehow more naked; it turned her into a forbidden, armored creature with a soft side inside he had to hunt for.
Jeffrey Eugenides (Middlesex)
Figures. They let you in for free. Then you gotta pay for the rest of your life.
Jeffrey Eugenides (Middlesex)
I'm not sure, with a grandmother like mine, if you can ever become a true American in the sense of believing that life is about the pursuit of happiness.
Jeffrey Eugenides (Middlesex)
What really mattered in life, what gave it weight, was death.
Jeffrey Eugenides (Middlesex)
I mean, in the end it wasn't up to me. The big things never are. Birth, I mean, and death. And love. And what love bequeaths to use before we're born.
Jeffrey Eugenides (Middlesex)
There is a small window of opportunity for freckled girls to tan.
Jeffrey Eugenides (Middlesex)
Is there anything as incredible as the love story of your own parents?
Jeffrey Eugenides (Middlesex)
Martinis in a can, Callie. We live in an age of wonders.
Jeffrey Eugenides (Middlesex)
If they were going to kill you, would they knock?
Jeffrey Eugenides (Middlesex)
Sixty trillion years ago a god-scientist dug a hole through the earth, filled it with dynamite and blew the earth in two. The smaller of these two pieces became the moon.
Jeffrey Eugenides (Middlesex)
But in 1922 it was still a new thing to be a machine.
Jeffrey Eugenides (Middlesex)
Just like ice, lives crack, too. Personalities. Identities. Jimmy Zizmo, crouching over the Packard's wheel has already changed past understanding.
Jeffrey Eugenides (Middlesex)
A seven-year-old girl can take only so many walks with her grandfather.
Jeffrey Eugenides (Middlesex)
Here it comes, I thought. The first ex-boyfriend had been summoned. Soon the rest would follow. They would file around the table, presenting their deficiencies, telling of their addictions, their cheating hearts... But that didn't happen with Julie. This was because Julie isn't husband-hunting. So she didn't have to interview me for the job.
Jeffrey Eugenides (Middlesex)
If this story is written only for myself, then so be it. But it doesn't feel that way. I feel you out there, reader. This is the only kind of intimacy I'm comfortable with. Just the two of us, here in the dark.
Jeffrey Eugenides (Middlesex)
Aphrodite put off her famous belt, in which all the charms of love are woven, potency, desire, lovely whispers, and the force of seduction, which takes away foresight and judgment even from the most reasonable people.
Jeffrey Eugenides (Middlesex)
By cutting off my hair I was punishing myself for loving someone so much. I was trying to be stronger.
Jeffrey Eugenides (Middlesex)
(But what humans forget, cells remember. The body, that elephant …) Spring
Jeffrey Eugenides (Middlesex)
Historical fact: people stopped being human in 1913. That was the year Henry Ford put his cars on rollers and made his workers adopt the speed of assembly line.
Jeffrey Eugenides (Middlesex)
A sniper is cowardly, sneaky; he kills from a distance, unseen.
Jeffrey Eugenides (Middlesex)
My change from girl to boy was far less dramatic than the distance anybody travels from infancy to adulthood.
Jeffrey Eugenides (Middlesex)
So you cannot teach me a great deal about the shady in life. I was in the family of a Middlesex County Councillor. In
Ford Madox Ford (Parade's End)
because we watched her so closely out of the corners of our eyes, everything she did made too much noise, her cigarette smoke got into everything, she drank too much wine at dinner.
Jeffrey Eugenides (Middlesex)
Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
Louise Erdrich (The Sentence: A Novel)
It was the custom in those days for passengers leaving for America to bring balls of yarn on deck. Relatives on the pier held the loose ends. As the "Giulia" blew its horn and moved away from the dock, a few hundred strings of yarn stretched across the water. People shouted farewells, waved furiously, held up babies for last looks they wouldn't remember. Propellers churned; handkerchiefs fluttered, and, up on deck, the balls of yarn began to spin. Red, yellow, blue, green, they untangled toward the pier, slowly at first, one revolution every ten seconds, then faster and faster as the boat picked up speed. Passengers held the yarn as long as possible, maintaining the connection to faces disappearing onshore. But finally, one by one, the balls ran out. The strings of yarn flew free, rising on the breeze.
Jeffrey Eugenides (Middlesex)
When you travel like I did, vague about destination and with an open-ended itinerary, a holy-seeming openness takes over your character. It's the reason the first philosophers were peripatetic.
Jeffrey Eugenides (Middlesex)
Desdemona, mourning her parents, was still imprisoned by the past. And so she stood on the mountain, looking down at the emancipated city, and felt cheated by her ability to feel happy by everybody else.
Jeffrey Eugenides (Middlesex)
I'm quickly approaching the moment of discovery: of myself by myself, which was something I knew all along and yet didn't know; and the discovery by poor half-blind Dr. Philobosian of what he'd failed to notice at my birth and continued to miss during every annual physical thereafter; and the discovery by my parents of what kind of child they'd given birth to (answer: the same child, only different); and finally, the discovery of the mutated gene that had lain buried in our bloodline for two hundred and fifty years, biding its time, waiting for Ataturk to attack, for Hajienestis to turn into glass, for a clarinet to play seductively out a back window, until, comint together with its recessive twin, it started the chain of events that led to me, here, writing in Berlin.
Jeffrey Eugenides (Middlesex)
After all the screaming in our house, there reigned, that winter on Middlesex, only silence. A silence so profound that, like the left foot of the President’s secretary, it erased portions of the official record.
Jeffrey Eugenides (Middlesex)
As one does the return of sun after winter, I stood still and accepted the warm glow of possibility, of feeling right in the company of this small, oddly fierce person, with the inky hair and the lovely, unemphasized body.
Jeffrey Eugenides (Middlesex)
Lefty, who'd been observing all the ways Greece had been handed down to America, arrived now at where the transmission stopped. In other words: the future. He stepped off to meet it. Desdemona, having no alternative, followed.
Jeffrey Eugenides (Middlesex)
Tessie allowed Milton to press his clarinet to her skin and fill her body with music. At first it only tickled her. But after a while the notes spread deeper into her body. She felt the vibrations penetrate her muscles, pulsing in waves, until they rattled her bones and made her inner organs hum.
Jeffrey Eugenides (Middlesex)
The heat precedes the fire.
Jeffrey Eugenides (Middlesex)
that to be happy you have to find variety in repetition; that to go forward you have to come back where you began.
Jeffrey Eugenides (Middlesex)
The pains they took to make themselves smooth! The rashes the creams left! The futility of it all! The enemy, hair, was invincible. It was life itself.
Jeffrey Eugenides (Middlesex)
Speramus meliora; resurgret cineribus. "We hope for better things; it will rise from the ashes,
Jeffrey Eugenides (Middlesex)
There's a scabbard for every dagger,' the madam says in Turkish as the whores laugh.
Jeffrey Eugenides (Middlesex)
Don’t you think it would have been easier just to stay the way you were?” I lifted my face and looked into my mother’s eyes. And I told her: “This is the way I was.”   You
Jeffrey Eugenides (Middlesex)
free will is making a comeback. Biology gives you a brain. Life turns it into a mind.
Jeffrey Eugenides (Middlesex)
Whatever happened now would become the truth, that whatever he seemed to be would become what he was - already an American, in other words.
Jeffrey Eugenides (Middlesex)
I climbed the stairs and got back into bed, pulling a pillow over my face to block out the summer light. But there was no hiding from reality that morning.
Jeffrey Eugenides (Middlesex)
I was young, and, despite dread, full of animal spirits; it was impossible for me to take a dark view too long.
Jeffrey Eugenides (Middlesex)
It was a little like Into the Sands, with Claude Barron, which she'd seen a couple of weeks ago. In that picture Claude Barron enlists in the Foreign Legion because Rita Carrol marries another guy. The other guy turns out to be a cheater and drinker, and so Rita Carrol leaves him and travels out to the desert where Claude Barron if fighting the Arabs. By the time Rita Carrol gets there he’s in the hospital, wounded, or not a hospital really but just a tent and she tells him she loves him and Claude Barron says, “I went into the desert to forget about you. But the sand was the color of your hair. The desert sky was the color of your eyes. There was nowhere I could go that wouldn’t be you.” And then he dies. Tessie cried buckets. Her mascara ran, staining the collar of her blouse something awful.
Jeffrey Eugenides
Father Mike was popular with the church widows. They liked to crowd around him, offering him cookies and bathing in his beatific essence. Part of this essence came from Father Mike's perfect contentment at being five foot four. His shortness had a charitable aspect to it, as though he had given away his height.
Jeffrey Eugenides (Middlesex)
Up until recently, Milton thought of Tessie as his prim cousin. Whenever one of his friends expressed interest in her, Milton told them to give up the idea. "That's honey from the icebox," he said, As Artie Shaw might have. "Cold sweets don't spread.
Jeffrey Eugenides (Middlesex)
I'd never seen a creature with so many freckles before. A Big Bang had occurred, originating at the bridge of her nose, and the force of this explosion had sent galaxies of freckles hurtling and drifting to every end of her curved, warm-blooded universe.
Jeffrey Eugenides (Middlesex)
I don't approve of women driving, mind you. And now they get to vote!" He grumbled to himself. "Remember that play we saw ("The Minotaur")? All women are like that. Given a chance, they'd all fornicate with a bull.
Jeffrey Eugenides (Middlesex)
- - itse tila, jota sana kuvaa, on erittäin hyvin tunnettu. Sillä nimittäin tarkoitetaan ihmissuhteen syntymisen ensimmäistä huumausta. Se aiheuttaa huimausta, hilpeyttä ja rintalastan kutinaa. Perifesenssi on rakastumisen hullu, romanttinen puoli.
Jeffrey Eugenides (Middlesex)
After the Second World War, San Francisco was the main point of re-entry for sailors returning from the Pacific. Out at sea, many of these sailors had picked up amatory habits that were frowned upon back on dry land. So these sailors stayed in San Francisco . . .
Jeffrey Eugenides (Middlesex)
It's then I smell smoke. "You even smoke while you brush your teeth?" She looks at me sideways. "Menthol", she says.
Jeffrey Eugenides (Middlesex)
Let me tell you something. Do you know why those Turkish girls cover their faces? You think it’s because of religion? No. It’s because otherwise no one can stand to look at them!
Jeffrey Eugenides
Hogy az emberek miért pont ahhoz kötik az életüket, akikhez aztán kötik, azt többnyire épp az érintettek értik a legkevésbé.
Jeffrey Eugenides (Middlesex)
I should also mention, with the vestigial pang of a once flat-chested girl, Desdemona's voluptuous figure.
Jeffrey Eugenides (Middlesex)
Stomach-sleepers like me were in retreat from reality, given to dark perception and the meditative arts. This
Jeffrey Eugenides (Middlesex)
By cutting off my hair I was punishing myself for loving someone so much.
Jeffrey Eugenides (Middlesex)
Luce even analyzed my prose style to see if I wrote in a linear, masculine way, or in a circular, feminine one.
Jeffrey Eugenides (Middlesex)
in Detroit, in July of 1967, what happened was no less than a guerrilla uprising. The Second American Revolution.
Jeffrey Eugenides (Middlesex)
The sonogram didn't exist at the time; the spoon was the next best thing.
Jeffrey Eugenides (Middlesex)
Though the weather was cool, the beach at Herringsdorf was dotted with quite a few diehard nudists. Primarily men, they lay walrus-like on towels or boosterously congregated.
Jeffrey Eugenides (Middlesex)
It is said: San Francisco is where young people go to retire.
Jeffrey Eugenides (Middlesex)
To my grandparents Detroit was like one big Koza Han during cocoon season. What they didn't see were the workers sleeping on the streets ...
Jeffrey Eugenides (Middlesex)
Their hearts were wrung with anguish, the anguish of having children, a vulnerability as astonishing as the capacity for love that parenthood brings ... [426]
Jeffrey Eugenides (Middlesex)
But who knew what would happen once he got to Canada? Canada with its pacifism and its socialized medicine! Canada with its millions of French speakers! It was like…like…like a foreign country! Father Mike might become a fugitive over there, living it up in Quebec. He might disappear into Saskatchewan and roam with the moose. -Middlesex, by Jeffrey Eugenides (2003), P. 507
Jeffrey Eugenides
I'd never been this close to the Obscure Object before. It was hard on my organism. My nervous system launched into "Flight of the Bumblebee." The violins were sawing away in my spine. The timpani were banging in my chest. At the same time, trying to conceal all of this, I didn't move a muscle. I heardly breathed. That was the deal basically: catatonia without; frenzy within.
Jeffrey Eugenides (Middlesex)
Desdemona oli tottunut näkemään heidän siamilaisvarjonsa iltaisin vasten valkeaksi kalkittua talonseinää, ja aina kohdatessaan vain oman varjonsa hänestä tuntui kuin se olisi halkaistu kahtia.
Jeffrey Eugenides (Middlesex)
Tessie and I lay in our chairs, listening to wax being violently removed. 'Oh my!' cried the large lady. 'Is nothing,' belittled Helga. 'I do it perfect.' 'Oweee!' yelped a bikini-liner. And Helga, taking an oddly femenist stance: 'See what you do for the mens? You suffer. Is not worth it.
Jeffrey Eugenides (Middlesex)
And so a strange new possibility is arising. Compromised, indefinite, sketchy, but not entirely obliterated: free will is making a comeback. Biology gives you a brain. Life turns it into a mind.
Jeffrey Eugenides (Middlesex)
On the floors above Delivery, in flowerless rooms, women lay recovering from hysterectomies and mastectomies. Teenage girls with burst ovarian cysts nodded out on morphine. It was all around me from the beginning, the weight of female suffering, with its biblical justification and vanishing acts.
Jeffrey Eugenides (Middlesex)
My grandfather's short employ at the Ford Motor Company marked the only time any Stephanides has ever worked in the automotive industry. Instead of cars, we could become manufacturers of hamburger platters and Greek salads, industrialists of spanakopita and grilled cheese sandwiches, technocrats of rice pudding and banana cream pie. Our assembly line was the grill; our heavy machinery, the soda fountain.
Jeffrey Eugenides (Middlesex)
Dear Mom and Dad, I know you’re only trying to do what’s best for me, but I don’t think anyone knows for sure what’s best. I love you and don’t want to be a problem, so I’ve decided to go away. I know you’ll say I’m not a problem, but I know I am. If you want to know why I’m doing this, you should ask Dr. Luce, who is a big liar! I am not a girl. I’m a boy. That’s what I found out today. So I’m going where no one knows me. Everyone in Grosse Pointe will talk when they find out. Sorry I took your money, Dad, but I promise to pay you back someday, with interest. Please don’t worry about me. I will be ALL RIGHT! Despite it’s contents, I signed this declaration to my parents: “Callie.” It was the last time I was ever their daughter.
Jeffrey Eugenides (Middlesex)
I was aware only of what a strange thing it was to be male. Society discriminated against women, no question. But what about the discrimination of being sent to war? Which sex was really thought to be expendable?
Jeffrey Eugenides (Middlesex)
He was like a statue being chiseled away from the inside, hollowed out. As more and more of his thoughts gave him pain, Milton had increasingly avoided them. Instead he concentrated on the few that made him feel better, the bromides about everything working out. Milton, quite simply, had ceased to think things through.
Jeffrey Eugenides (Middlesex)
From an early age they knew what little value the world placed in books, and so didn't waste their time with them. Whereas I, even now, persist in believing that these black marks on white paper bear the greatest significance, that if I keep writing I might be able to catch the rainbow of consciousness in a jar. The only trust fund I have is this story, and unlike a prudent Wasp, I'm dipping into principal, spending it all.
Jeffrey Eugenides (Middlesex)
Is there anything as incredible as the love story of your own parents? Anything as hard to grasp as the fact that those two over-the-hill players, permanently on the disabled list, were once in the starting lineup?
Jeffrey Eugenides (Middlesex)
I’d like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, “the happiness that attends disaster.” Or: “the disappointment of sleeping with one’s fantasy.” I’d like to show how “intimations of mortality brought on by aging family members” connects with “the hatred of mirrors that begins in middle age.” I’d like to have a word for “the sadness inspired by failing restaurants” as well as for “the excitement of getting a room with a minibar.
Jeffrey Eugenides (Middlesex)
Men have an annoying way of doing that. They touch your back as though there’s a handle there, and direct you where they want you to go. Or they place their hand on top of your head, paternally. Men and their hands. You’ve got to watch them every minute.
Jeffrey Eugenides (Middlesex)
It was the custom in those days for passengers leaving for America to bring balls of yarn on deck. Relatives on the pier held the loose ends. As the Giulia blew its horn and moved away from the dock, a few hundred strings of yarn stretched across the water.
Jeffrey Eugenides (Middlesex)
From my birth when they went undetected, to my baptism where they upstaged the priest, to my troubled adolescence when they didn’t do much of anything and then did everything at once, my genitals have been the most significant thing that ever happened to me.
Jeffrey Eugenides (Middlesex)
I’ve lived more than half my life as a male, and by now everything comes naturally. When Calliope surfaces, she does so like a childhood speech impediment. Suddenly there she is again, doing a hair flip, or checking her nails. It’s a little like being possessed.
Jeffrey Eugenides (Middlesex)
Según mi experiencia, las emociones no pueden describirse con una sola palabra. «Tristeza», «alegría», «remordimiento», esos términos no me dicen nada. La mejor prueba de que el lenguaje es patriarcal quizá sea que simplifica demasiado los sentimientos. Me gustaría tener a mi disposición emociones híbridas, complejas, construcciones germánicas encadenadas, como «la felicidad presente en la desgracia». O esta otra: «la decepción de acostarse con las propias fantasías». Me gustaría mostrar la relación entre «el presentimiento de la muerte suscitado por los ancianos de la familia» y «el odio por los espejos que se inicia en la madurez». Me gustaría hablar de «la tristeza inspirada por los restaurantes malogrados», así como de «la emoción de conseguir una habitación con minibar». Nunca he encontrado palabras adecuadas para describir mi propia vida, y ahora que ya he entrado en mi historia es cuando más las necesito. Ya no me puedo quedar sentado a ver lo que pasa. A partir de ahora, todo lo que cuente estará teñido de la experiencia subjetiva de formar parte de los acontecimientos. Aquí es donde mi historia se divide, se escinde, sufre una meiosis. Noto más el peso del mundo, ahora que formo parte de él.
Jeffrey Eugenides (Middlesex)
(And did I mention how in summer the streets of Smyrna were lined with baskets of rose petals? And how everyone in the city could speak French, Italian, Greek, Turkish, English, and Dutch? And did I tell you about the famous figs, brought in by camel caravan and dumped onto the ground, huge piles of pulpy fruit lying in the dirt, with dirty women steeping them in salt water and children squatting to defecate behind the clusters? Did I mention how the reek of the fig women mixed with pleasanter smells of almond trees, mimosa, laurel, and peach, and how everybody wore masks on Mardi Gras and had elaborate dinners on the decks of frigates? I want to mention these things because they all happened in that city that was no place exactly, that was part of no country because it was all countries, and because now if you go there you'll see modern high-rises, amnesiac boulevards, teeming sweatshops, a NATO headquarters, and a sign that says Izmir...)
Jeffrey Eugenides (Middlesex)
Her father was about to have a heart attack, and my memories of her are now tinged with a blue wash of misfortune that hadn't quite befallen her at the time. She was standing bare-legged in the jungly weeds that grew up between our houses. Her skin was already beginning to react to the grass cuttings stuck to the ball, whose sogginess was suddenly explained by the overweight Labrador who now limped into view.
Jeffrey Eugenides (Middlesex)
You used to be able to tell a person's nationality by the face. Immigration ended that. Next you discerned nationality via the footwear. Globalization ended that. Those Finnish seal puppies, those German flounders - you don't see them much anymore. Only Nikes, on Basque, on Dutch, on Siberian feet.
Jeffrey Eugenides (Middlesex)
There were pencil scrawls and ink stains, dried blood, snack crumbs; and the leather binding itself was secured to the lectern by a chain. Here was a book that contained the collected knowledge of the past while giving evidence of present social conditions...The dictionary contained every word in the English language but the chain knew only a few. It knew thief and steal and, maybe, purloined. The chain spoke of poverty and mistrust and inequality and decadence.
Jeffrey Eugenides (Middlesex)
Постепенно умът му стана също толкова фрагментарен, колкото поемите на Сафо, които така и не успя да възстанови, и накрая една сутрин погледна лицето на жената, която беше обичал повече от всичко, и не я позна. В този миг преживя трети удар; кръвта нахлу в мозъка му за последен път, отмивайки и последните фрагменти от неговата личност.
Jeffrey Eugenides (Middlesex)
Desde temprana edad eran conscientes del escaso valor que el mundo daba a los libros, de manera que no perdían el tiempo con ellos. Mientras que yo, incluso ahora, persisto en creer que esos signos negros trazados en papel blanco son de la mayor importancia, y que si continúo escribiendo lograré atrapar el arco iris de la conciencia y guardarlo en un tarro.
Jeffrey Eugenides (Middlesex)
I went into the desert to forget about you. But the sand was the color of your hair. The desert sky was the color of your eyes. There was nowhere I could go that wouldn’t be you.
Jeffrey Eugenides (Middlesex)
— Никогда не надо жениться, если тебе за это не платят, — сказал Зизмо. — Именно поэтому я так долго ждал, когда мне предложат достойную цену
Jeffrey Eugenides (Middlesex)
Именно так мужчины заявляют о своих намерениях, придавливая женщин, как крышка саркофага. Они называют это любовью
Jeffrey Eugenides (Middlesex)
To anyone who never personally experienced it, it’s difficult to describe the ominous, storm-gathering quality of my grandmother’s fanning.
Jeffrey Eugenides (Middlesex)
Her body was a constant embarrassment to her. It was always announcing itself in ways she didn’t sanction.
Jeffrey Eugenides (Middlesex)
What’s the reason for studying history? To understand the present or avoid it?
Jeffrey Eugenides (Middlesex)
It was convenient to call them snipers, because if they weren’t snipers, then what were they? The governor didn’t say it; the newspapers didn’t say it; the history books still do not say it, but I, who watched the entire thing on my bike, saw it clearly: in Detroit, in July of 1967, what happened was nothing less than a guerrilla uprising. The Second American Revolution.
Jeffrey Eugenides (Middlesex)
Tessio Zizmo had been a virgin when she married Milton Stephanides at the age of 22. Their engagement,which coincided with the Second World War, had been a chaste affair. My mother was proud of the way she'd managed to simultaneously kindle and snuff my father's flame,keeping him at a low burn for the duration of a global cataclysm.... She didn't surrender until after Japan had.
Jeffrey Eugenides (Middlesex)
I hadn’t gotten old enough yet to realize that living sends a person not into the future but back into the past, to childhood and before birth, finally, to commune with the dead. You get older, you puff on the stairs, you enter the body of your father. From there it’s only a quick jump to your grandparents, and then before you know it you’re time-traveling. In this life we grow backwards.
Jeffrey Eugenides (Middlesex)
Emotions, in my experience, aren’t covered by single words. I don’t believe in ‘sadness,’ ‘joy’, or ‘regret.’ Maybe the best proof that the language is patriarchal is that it oversimplifies feeling.
Jeffrey Eugenides (Middlesex)
…as she peered distrustfully over the rail of my crib, she saw my face—and blood intervened. Desdemona’s worried expression hovered above my (similarly) perplexed one. Her mournful eyes gazed down at my (equally) large black orbs. Everything about us was the same. And so she picked me up and I did what grandchildren are supposed to do: I erased the years between us. I gave Desdemona back her original skin.
Jeffrey Eugenides (Middlesex)
According to an ancient Chinese legend, one day in the year 240 B.C., Princess Si Ling-chi was sitting under a mulberry tree when a silkworm cocoon fell into her teacup. When she tried to remove it, she noticed that the cocoon had begun to unravel in the hot liquid. She handed the loose end to her maidservant and told her to walk. The servant went out of the princess's chamber, and into the palace courtyard, and through the palace gates, and out of the Forbidden City, and into the countryside a half mile away before the cocoon ran out. (In the West, this legend would slowly mutate over three millennia, until it became the story of a physicist and an apple. Either way, the meanings are the same: great discoveries, whether of silk or of gravity, are always windfalls. They happen to people loafing under trees.)
Jeffrey Eugenides (Middlesex)
Part of my interest was zoological. I's never seen a creature with so many freckles before. A Big Bang had occurred, originating at the bridge of her nose, and the force of this explosion had sent galaxies hurtling and drifting every end of her curved, warm-blooded universe. There were clusters of freckles on her forearms and wrists, an entire Milky Way spreading across her forehead, even a few sputtering quasars flung into the wormholes of her ears.
Jeffrey Eugenides (Middlesex)
Within the substandard construction of the Charlevoix church, literally upon a shaky foundation, I was baptized into the Orthodox faith; a faith that had existed long before Protestantism had anything to protest and before Catholicism called itself catholic; a faith that stretched back to the beginnings of Christianity, when it was Greek and not Latin, and which, without an Aquinas to reify it, had remained shrouded in the smoke of tradition and mystery whence it began.
Jeffrey Eugenides (Middlesex)
And so now, having been born, I’m going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I’m sucked back between my mother’s legs. She gets really fat again.
Jeffrey Eugenides (Middlesex)
Every morning a great wall of fog descends upon the city of San Francisco. It begins far out at sea. It forms over the Farallons, covering the sea lions on their rocks, and then it sweeps onto Ocean Beach, filling the long green bowl of Golden Gate Park. The fog obscures the early morning joggers and the lone practitioners of tai chi. It mists up the windows of the Glass Pavilion. It creeps over the entire city, over the monuments and movie theaters, over the Panhandle dope dens and the flophouses in the Tenderloin. The fog covers the pastel Victorian mansions in Pacific Heights and shrouds the rainbow-colored houses in the Haight. It walks up and down the twisting streets of Chinatown; it boards the cable cars, making their clanging bells sound like buoys; it climbs to the top of Coit Tower until you can’t see it anymore; it moves in on the Mission, where the mariachi players are still asleep; and it bothers the tourists. The fog of San Francisco, that cold, identity-cleansing mist that rolls over the city every day, explains better than anything else why that city is what it is.
Jeffrey Eugenides (Middlesex)
For instance, as the police arrive, there are girls lined along the street, girls in miniskirts, thigh-highs, and halter tops. (The sea wrack Milton hoses from the sidewalk every morning includes the dead jellyfish of prophylactics and the occasional hermit crab of a lost high heel.)
Jeffrey Eugenides (Middlesex)
Callie rises up inside me, wearing my skin like a loose robe. She sticks her little hands into the baggy sleeves of my arms. She inserts her chimp’s feet through the trousers of my legs. On the sidewalk I’ll feel her girlish walk take over, and the movement brings back a kind of emotion, a desolate and gossipy sympathy for the girls I see coming home from school. This continues for a few more steps. Calliope’s hair tickles the back of my throat. I feel her press tentatively on my chest—that old nervous habit of hers—to see if anything is happening there. The sick fluid of adolescent despair that runs through her veins overflows again into mine.
Jeffrey Eugenides (Middlesex)
Two hours later, Revere trotted into Lexington, his mount thoroughly lathered after outgalloping a pair of Gage’s equestrian sentinels near Charlestown. Veering north toward the Mystic River to avoid further trouble, Revere had alerted almost every farmstead and minute captain within shouting distance. Popular lore later credited him with a stirring battle cry—“The British are coming!”—but a witness quoted him as warning, more prosaically, “The regulars are coming out.” Now he carried the alarm to the Reverend Jonas Clarke’s parsonage, just up the road from Lexington Common. Here Clarke had written three thousand sermons in twenty years; here he called up the stairs each morning to rouse his ten children—“Polly, Betsey, Lucy, Liddy, Patty, Sally, Thomas, Jonas, William, Peter, get up!” And here he had given sanctuary, in a bedroom to the left of the front door, to the renegades Hancock and Samuel Adams. A squad of militiamen stood guard at the house as Revere dismounted, spurs clanking. Two warnings had already come from the east: as many as nine mounted British officers had been seen patrolling the Middlesex roads, perhaps “upon some evil design.” At the door, a suspicious orderly sergeant challenged Revere, and Clarke blocked his path until Hancock reportedly called out, “Come in, Revere, we’re not afraid of you.” The herald delivered his message: British regulars by the hundreds were coming out, first by boat, then on foot. There was not a moment to lose.
Rick Atkinson (The British Are Coming: The War for America, Lexington to Princeton, 1775-1777 (The Revolution Trilogy Book 1))
Lefty had seen Desdemona undress many times, but usually as no more than a shadow and never in moonlight. She had never curled onto her back like this, lifting her feet to take off her shoes. He watched and, as she pulled down her skirt and lifted her tunic, was struck by how different his sister looked, in moonlight, in a lifeboat. She glowed. She gave off white light. He blinked behind his hands. The moonlight kept rising; it covered his neck, it reached his eyes until he understood: Desdemona was wearing a corset. That was the other thing she'd brought along: the white cloth enfolding her silkworm eggs was nothing other than Desdemona's wedding corset. She thought she'd never wear it, but here it was. Brassiere cups pointed up at the canvas roof. Whalebone slats squeezed her waist. The corset's skirt dropped garters attached to nothing because my grandmother owned no stockings. In the lifeboat, the corset absorbed all available moonlight, with the odd result that Desdemona's face, head, and arms disappeared. She looked like Winged Victory, tumbled on her back, being carted off to a conqueror's museum. All that was missing was the wings.
Jeffrey Eugenides (Middlesex)
So, to recap: Sourmelina Zizmo (née Papadiamandopoulos) wasn’t only my first cousin twice removed. She was also my grandmother. My father was his own mother’s (and father’s) nephew. In addition to being my grandparents, Desdemona and Lefty were my great-aunt and -uncle. My parents would be my second cousins once removed and Chapter Eleven would be my third cousin as well as my brother.
Jeffrey Eugenides (Middlesex)
… was confronting the possibility that consciousness was a biological accident. Though he’d never been religious, he realized now that he’d always believed in the soul, in a force of personality that survived death. But … he finally arrived at the conclusion, so at odds with his youthful cheerfulness, that the brain was just an organ like any other and that when it failed he would be no more.
Jeffrey Eugenides (Middlesex)
Maybe you want a harem girl. Is that right? You think I don’t know about those types of loose girls, those poutanes? Yes, I do. I’m not so stupid. You like a fat girl shaking her belly in your face? With a jewel in her fat belly? You want one of those? Let me tell you something. Do you know why those Turkish girls cover their faces? You think it’s because of religion? No. It’s because otherwise no one can stand to look at them!” And now she shouted, “Shame on you, Eleutherios! What’s the matter with you? Why don’t you get a girl from the village?” It was at this point that Lefty, who was now brushing off his jacket, called his sister’s attention to something she was overlooking. “Maybe you haven’t noticed,” he said, “but there aren’t any girls in this village.” Which, in fact, was pretty much the case. Bithynios had never been a big village, but in 1922 it was smaller than ever.
Jeffrey Eugenides (Middlesex)
Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
Louise Erdrich (The Sentence: A Novel)
Desdemona had always loved her brother as only a sister growing up on a mountain could love a brother: he was the whole entertainment, her best friend and confidant, her co-discoverer of short cuts and monks' cells. Early on, the emotional sympathy she'd felt with Lefty had been so absolute that she'd sometimes forgotten that they were separate people. As kids they'd scrabbled down the terraced mountainside like a four-legged, two-headed creature. She was accustomed to their Siamese shadow springing up against the whitewashed house at evening, and whenever she encountered her solitary outline, it seemed cut in half.
Jeffrey Eugenides (Middlesex)
Eleven finally allowed to dye his own eggs, and then only in one color: red. All over the house red eggs gleam in lengthening, solstice rays. Red eggs fill bowls on the dining room table. They hang from string pouches over doorways. They crowd the mantel and are baked into loaves of cruciform tsoureki. But now it is late afternoon; dinner is over. And my brother is smiling. Because now comes the one part of Greek Easter he prefers to egg hunts and jelly beans: the egg-cracking game. Everyone gathers around the dining table. Biting his lip, Chapter Eleven selects an egg from the bowl, studies it, returns it. He selects another. “This looks like a good one,” Milton says, choosing his own egg. “Built like a Brinks truck.” Milton holds his egg up. Chapter Eleven prepares to attack. When suddenly my mother taps my father on the back. “Just a minute, Tessie. We’re cracking eggs here.” She taps him harder. “What?” “My temperature.” She pauses. “It’s up six tenths.” She has been using the thermometer. This is the first my father has heard of it. “Now?” my father whispers. “Jesus, Tessie, are you sure?” “No, I’m not sure. You told me to watch for any rise in my temperature and I’m telling you I’m up six tenths of a degree.” And, lowering her voice, “Plus it’s been thirteen days since my last you know what.” “Come on, Dad,” Chapter Eleven pleads.
Jeffrey Eugenides (Middlesex)
Почему мужчины не умеют общаться друг с другом? Потому что на охоте они должны были сохранять молчание. Почему женщины так любят общаться друг с другом? Потому что они должны были ставить друг друга в известность, где растут плоды и ягоды. Почему мужчины никогда ничего не могут найти в собственном доме? Потому что поле зрения у них сужено и направлено лишь на преследование дичи. Почему женщины так хорошо всё видят? Потому что, защищая свое убежище, они привыкли окидывать взглядом всё пространство. Почему женщины так плохо припарковывают машины? Потому что низкий уровень тестостерона подавляет способность пространственной ориентации. Почему мужчины никогда не просят подсказать им дорогу? Потому что это признак слабости, а охотник не может быть слабым. Таковы наши представления сегодня. Мужчины и женщины устали от своей одинаковости и снова хотят быть разными
Jeffrey Eugenides (Middlesex)
Eleven finally allowed to dye his own eggs, and then only in one color: red. All over the house red eggs gleam in lengthening, solstice rays. Red eggs fill bowls on the dining room table. They hang from string pouches over doorways. They crowd the mantel and are baked into loaves of cruciform tsoureki. But now it is late afternoon; dinner is over. And my brother is smiling. Because now comes the one part of Greek Easter he prefers to egg hunts and jelly beans: the egg-cracking game. Everyone gathers around the dining table. Biting his lip, Chapter Eleven selects an egg from the bowl, studies it, returns it. He selects another. “This looks like a good one,” Milton says, choosing his own egg. “Built like a Brinks truck.” Milton holds his egg up. Chapter Eleven prepares to attack. When suddenly my mother taps my father on the back. “Just a minute, Tessie. We’re cracking eggs here.” She taps him harder. “What?” “My temperature.” She pauses. “It’s up six tenths.” She has been using the thermometer. This is the first my father has heard of it. “Now?” my father whispers. “Jesus, Tessie, are you sure?” “No, I’m not sure. You told me to watch for any rise in my temperature and I’m telling you I’m up six tenths of a degree.” And, lowering her voice, “Plus it’s been thirteen days since my last you know what.” “Come on, Dad,” Chapter Eleven pleads. “Time out,” Milton says. He puts his egg in the ashtray. “That’s my egg. Nobody touch it until I come back.” Upstairs, in the master bedroom, my parents accomplish the act. A child’s natural decorum makes me refrain from imagining the scene in much detail. Only this: when they’re done, as if topping off the tank, my father says, “That should do it.” It turns out he’s right. In May, Tessie learns she’s pregnant, and the waiting begins.
Jeffrey Eugenides (Middlesex)
The neighborhood of Indian Village lay just twelve blocks west of Hurlbut, but it was a different world altogether. The four grand streets of Burns, Iroquois, Seminole, and Adams (even in Indian Village the White Man had taken half the names) were lined with stately houses built in eclectic styles. Red-brick Georgian rose next to English Tudor, which gave onto French Provincial. The houses in Indian Village had big yards, important walkways, picturesquely oxidizing cupolas, lawn jockeys (whose days were numbered), and burglar alarms (whose popularity was only just beginning). My grandfather remained silent, however, as he toured his son’s impressive new home. “How do you like the size of this living room?” Milton was asking him. “Here, sit down. Make yourself comfortable. Tessie and I want you and Ma to feel like this is your house, too. Now that you’re retired—” “What do you mean retired?” “Okay, semiretired. Now that you can take it a little bit easy, you’ll be able to do all the things you always wanted to do. Look, in here’s the library. You want to come over and work on your translations, you can do it right here. How about that table? Big enough for you? And the shelves are built right into the wall.” Pushed out of the daily operations at the Zebra Room, my grandfather began to spend his days driving around the city. He drove downtown to the Public Library to read the foreign newspapers. Afterward, he stopped to play backgammon at a coffee house in Greektown. At fifty-four, Lefty Stephanides was still in good shape. He walked three miles a day for exercise. He ate sensibly and had less of a belly than his son. Nevertheless
Jeffrey Eugenides (Middlesex)