Michael Steele Quotes

We've searched our database for all the quotes and captions related to Michael Steele. Here they are! All 88 of them:

Will nodded toward Hadrian. “Look at the swords he’s carrying. A man wearing one—maybe he knows how to use it, maybe not. A man carries two—he probably don’t know nothing about swords, but he wants you to think he does. But a man carrying three swords—that’s a lot of weight. No one’s gonna haul that much steel around unless he makes a living using them.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
Only love could pick a nested pair of steel Bramah locks.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
His smile was bright and sweet and hot enough to melt solid steel. "Is this the part where I kiss you?" "If you like." "Oh," he said, "I like.
Rachel Caine (Black Dawn (The Morganville Vampires, #12))
Lathis rattle against steel railings. Drenched half-naked men, some with torn shirts, jump up and down waving their fists. Some chant ‘Bande Mataram,’ others ‘Mazdur ki jai,’ whatever is their preference, the motherland or the brotherhood of workers. The hammer and sickle, red but limp, flaps like a half-dead fish against the trunk of a banyan tree. The sky cries monsoon tears; it has been crying all night.
Michael Tobert (Karna's Wheel)
San: You all right? Virt: I think i crapped myself a little Sam: Just a little? you've got nerves of steel.
Michael Grant
At times it felt like I was killing myself. And yet the only thing I could recall at that moment was how much fun it had been, and how wonderful it was to do this for a living.
Michael J. Collins (Hot Lights, Cold Steel: Life, Death and Sleepless Nights in a Surgeon's First Years)
Why do we always think our pain will be less if we can make others suffer more?
Michael J. Collins (Hot Lights, Cold Steel: Life, Death and Sleepless Nights in a Surgeon's First Years)
It’s like she’s made of steel, yet the most lovely, beautiful steel ever crafted. There’s something always lingering just beneath the surface when you look at her — a sense of mystery and sex, of all the weapons one can use to be a truly compelling woman.
Michael Callahan (Searching for Grace Kelly)
Twelve days wil be heaps of time. You don't want to over-reherse these things, otherwise you lose that rough edge
Michael Gerard Bauer (Ishmael and the Hoops of Steel)
Michael and Gabriel- "Creatures of an unremembered beginning, born of light and sent to protect this place and live among men of free will. To comfort them in death and guide their souls to a new form." Angels
Jon Steele (The Watchers (The Angelus Trilogy, #1))
How are you feeling, man?" he asks me. "Great," I tell him, and it is purely the truth. Doves clatter up out of a bare tree and turn at the same instant, transforming themselves from steel to silver in the snow-blown light. I know at that moment that the drug is working. Everything before me has become suddenly, radiantly itself. How could Carlton have known this was about to happen? "Oh," I whisper. His hand settles on my shoulder. "Stay loose, Frisco," he says. "There's not a thing in this pretty world to be afraid of. I'm here." I am not afraid. I am astonished. I had not realized until this moment how real everything is. A twig lies on the marble at my feet, bearing a cluster of hard brown berries. The broken-off end is raw, white, fleshly. Trees are alive. "I'm here," Carlton says again, and he is.
Michael Cunningham (A Home at the End of the World)
We were learning that all the training and all the caring in the world were not going to solve every problem. This wasn't medical school. We weren't going to ace every exam. Silver-haired professors weren't going to pat us on the head and marvel at our intellectual acumen. We weren't going to win every battle.
Michael J. Collins (Hot Lights, Cold Steel: Life, Death and Sleepless Nights in a Surgeon's First Years)
He is a demon, Clarissa,” said Valentine, still in the same soft voice. “A demon with a man’s face. I know how deceptive such monsters can be. Remember, I spared him once myself.” “Monster?” echoed Clary. She thought of Luke, Luke pushing her on the swings when she was five years old, higher, always higher; Luke at her graduation from middle school, camera clicking away like a proud father’s; Luke sorting through each box of books as it arrived at his store, looking for anything she might like and putting it aside. Luke lifting her up to pull apples down from the trees near his farmhouse. Luke, whose place as her father this man was trying to take. “Luke isn’t a monster,” she said in a voice that matched Valentine’s, steel for steel. “Or a murderer. You are.” “Clary!” It was Jace. Clary ignored him. Her eyes were fixed on her father’s cold black ones. “You murdered your wife’s parents, not in battle but in cold blood,” she said. “And I bet you murdered Michael Wayland and his little boy, too. Threw their bones in with my grandparents’ so that my mother would think you and Jace were dead. Put your necklace around Michael Wayland’s neck before you burned him so everyone would think those bones were yours. After all your talk about the untainted blood of the Clave — you didn’t care at all about their blood or their innocence when you killed them, did you? Slaughtering old people and children in cold blood, that’s monstrous.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
It’s like the kitchen in that movie where evil rich Michael Douglas tries to have Gwyneth Paltrow murdered because she falls for a poor artist. Everything is stainless steel or marble and the island in the center is the size of a small car. I can’t remember if the poor guy gets Gwyneth in the end of the movie and it feels like it matters a lot right now.
Caroline Kepnes (You (You, #1))
I spy the eyes before me to be those of the celestial warrior the legends of men call Michael.
Jon Steele (The Watchers (The Angelus Trilogy, #1))
Solar panels require sixteen times more materials69 in the form of cement, glass, concrete, and steel than do nuclear plants, and create three hundred times more waste.70
Michael Shellenberger (Apocalypse Never: Why Environmental Alarmism Hurts Us All)
It was the first time I had ever seen someone die, and it wasn't what I expected...I stood there waiting for something momentous to happen, for someone to say something profound, but there was nothing...I still had the childish notion that since my life was so important, all lives were so important. Since my death would be so cataclysmic, all deaths would be so cataclysmic.
Michael J. Collins (Hot Lights, Cold Steel: Life, Death and Sleepless Nights in a Surgeon's First Years)
And of course she's sad about losing her leg, but she says it's made her realise how many things she hasn't lost...it's like a millionaire who loses a thousand dollars- he's sad, but he's still not that bad off.
Michael J. Collins (Hot Lights, Cold Steel: Life, Death and Sleepless Nights in a Surgeon's First Years)
In photographs she is a boxy woman, girdled with steel, shod in coal-black stompers, her bosom so large it might have housed turbines. She was all but illiterate in Yiddish and English but obliged my grandfather, and later Uncle Ray, to read to her daily from the Yiddish press so that she could keep abreast of the latest calamities to beset Jewry. From
Michael Chabon (Moonglow)
I didn't want to remind her that I was the reason she was trapped in electric bills and kid's shoes grown too small, the reason she was clawing at the windows like Michaels dying tomatoes. She was a beautiful woman dragging a crippled foot and I was that foot. I was bricks sewn into the hem of her clothes, I was a steel dress.
Janet Fitch (White Oleander)
Approaching the Williamsburg Bridge - not really certain of how he had managed to find himself there - he experienced an extraordinary moment of buoyancy, of grace. There was a lot more traffic now, but his shifting was smooth and the sturdy little car was adroit at changing lanes. He launched himself out over the East River. He could feel the bridge humming underneath his wheels and all around him could sense the engineering of it, the forces and tensions and rivets that were all conspiring to keep him aloft. To the south, he glimpsed the Manhattan Bridge, with its Parisian air, refined, elegant, its skirts hiked to reveal tapered steel legs, and, beyond, the Brooklyn Bridge, like a great ropy strand of muscle. In the other direction lay the Queensboro Bridge, like two great iron tsarinas linking hands to dance. And before him, the city that had sheltered him and swallowed him and made him a modest fortune loomed, gray and brown, festooned with swags and boas of some misty gray stuff, a compound of harbor fog and spring dew and its own steamy exhalations. Hope had been his enemy, a frailty that he must at all costs master, for so long now that it was a moment before he was willing to concede that he had let it back into his heart.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
Image the whole, then execute the parts— Fancy the fabric Quite, ere you build, ere steel strike fire from quartz Ere mortar dab brick!
Michael Oakeshott (Early Political Writings 1925–30: A discussion of some matters preliminary to the study of political philosophy' and 'The philosophical approach to politics ... Oakeshott Selected Writings Book 5))
Michael Shermer in the paper “Exorcising Laplace’s demon: Chaos and antichaos, history and metahistory,” History and Theory 34:59–83 (1995). Shermer’s
Jared Diamond (Guns, Germs, and Steel)
All people need to make hell is more people.
Michael R. Fletcher (Swarm and Steel (Manifest Delusions #3))
hot-water tanks, lashed to one another with straps of steel like comrades in a doomed adventure.
Michael Chabon (The Yiddish Policemen's Union)
grappling in a hernia truss with steel kegs of Yuengling. For
Michael Chabon (Moonglow)
The skyscrapers of the city had finished scraping all the sky away, and the clouds overhead were exactly the color of concrete and I was safe and cold in a canyon of glass and steel.
Michael Montoure (Slices)
And here he is, letting the massive steel street door click shut behind him, standing at the top of the three iron steps that lead down to the shattered sidewalk. New York is probably, in this regard at least, the strangest city in the world, so many of its denizens living as they (we) do among the unreconstructed remnants of nineteenth-century sweatshops and tenements, the streets potholed and buckling while right over there, around the corner, is a Chanel boutique. We go shopping amid the rubble, like the world's richest, best-dressed refugees.
Michael Cunningham (By Nightfall)
Rise up smiling, and walk with me. Rise up in the armor of thy body and what shall pass shall make thee unafraid. Walk among the yellow hills, for they belong to thee. Walk upon grass and let thy feet descend into soft soil; in the end when all has failed thee the soil shall comfort thee, the soil shall receive thee and in thy dark bed thou shalt find such peace as is thy portion. In thine armor, hear my voice. In thine armor, hear. Whatsoever thou doest, thy friend and thy brother and thy woman shall betray thee. Whatsoever thou dost plant, the weeds and the seasons shall spite thee. Wheresoever thou goest, the heavens shall fall upon thee. Though the nations shall come unto thee in friendship thou art curst. Know that the Gods ignore thee. Know that thou art Life, and that pain shall forever come into thee, though thy years be without end and thy days without sleep, even and forever. And knowing this, in thine armor, thou shalt rise up. Red and full and glowing is thy heart; a steel is forging within thy breast. And what can hurt thee now? In thy granite mansion, what can hurt thee ever? Thou shalt only die. Therefore seek not redemption nor forgiveness for thy sins, for know that thou hast never sinned. Let the Gods come unto thee.
Michael Shaara (The Book)
On cable news (with a few exceptions), if there's a panel to discuss immigration, that panel is composed of rich white dudes, and the occasional lady. A panel on the poor? Rich white dudes. An hour on racism in America? White dudes and rich Michael Steele. A panel on women's rights? They literally make the women leave the building. It's no wonder most people in this country are politically apathetic. No one is speaking for them.
Allison Kilkenny (#Newsfail: Climate Change, Feminism, Gun Control, and Other Fun Stuff We Talk About Because Nobody Else Will)
Imagine if you will—and you will—a mushroom cloud bigger than anything that you currently see out that window. Imagine jet planes and bombers the size of apartment complexes dropping technological marvels of deconstruction upon this city, this world, all around the epicenter of a blooming death cloud. Imagine that mushroom coming to a head, knowing that it is filled with unimaginable heat and concrete, dust, papers—human faces, eyes, and brains. Gray matter filling the radioactive cloud with electricity as all that is inside us leaves us and becomes one with the mushroom. Glass will melt and connect with steel, and we will melt and connect with each other as everything that made us whole is criminally dissected and rearranged. Everything below us, from the sewer tunnels to the subway line, will be consumed into the cloud and jettisoned into the stratosphere, where it will become nothing but silken ash, hardened to a black substance, and turned back to a black dust, transfixed into a black nothing. A stinking, glowing crater all that remains of where you had your first kiss and told someone that you loved them. A mess of a world where everything you’ve ever done quickly becomes all that you’ll ever do.
Michael A. Ferro (TITLE 13: A Novel)
For the first time that day, he thought about the men who abandoned him. His rage grew as he stared at the doe. Abandonment seemed too benign to describe their treachery. Abandonment was a passive act—running away or leaving something behind. If his keepers had done no more than abandon him, he would at this moment be sighting down the barrel of his gun, about to shoot the deer. He would be using his knife to butcher the animal, and sparking his flint against steel to start a fire and cook it. He looked down at himself, wet from head to toe, wounded, reeking from the skunk, the bitter taste of roots still in his mouth. What
Michael Punke (The Revenant (Peter Decker and Rina Lazarus))
There’s a soft totalitarianism coming into play,” Michael Steele professed. He spent two years leading the GOP as chairman of the Republican National Committee. “Modern-day conservatism meant lower taxes, less government, free markets. What we are witnessing now is a deconstruction of that.… I think the rational side is losing, if not having already lost. “For a party that’s all sensitive about the Left canceling them, they do a pretty good job of canceling their own,” he added. “That’s why the hammer came down so hard on Liz Cheney—to send a message of fear. No one wants to be targeted the way she’s been targeted, which makes this period we are in perhaps the most dangerous.
Miles Taylor (Blowback A Warning to Save Democracy from the Next Trump)
Blue flames and steel blades don’t forgive. If you allow your anger to distract you, you could burn or cut yourself. And, among serious cooks and chefs, burns and cuts are terribly unfashionable. The only thing worse than a burn or a cut is the need for medical attention. Abandoning your fellow linesmen because you lost focus and flayed a finger is an unforgivable offense.
Michael Gibney (Sous Chef: 24 Hours on the Line)
selvage of gray-blue radiation from the kitchen tube fringed the bedroom door and mingled with a pale shaft of nocturnal Brooklyn, a compound derived from the halos of streetlights, the headlamps of trolleys and cars, the fires of the borough’s three active steel mills, and the shed luster of the island kingdom across the river, which came slanting in through a parting in the curtains.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
a .22 shell is used to fire stainless-steel projectiles dipped in a DNA solution at a stem or leaf of the target plant. If all goes well, some of the DNA will pierce the wall of some of the cells’ nuclei and elbow its way into the double helix: a bully breaking into a line dance. If the new DNA happens to land in the right place—and no one yet knows what, or where, that place is—the plant grown from that cell will express the new gene. That’s it? That’s it.
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
Optimal Tower is a skyscraper unlike its predecessors, rising skyward as an artistic endeavor, spirited and soulful, with a steel and glass manifestation reminiscent of Claude Monet's water lilies, and instantly dismissive of the gray, steel and mortar structures of the past. The architects and builders have pilfered Monet's color pallet and painted this vertical stretch of the Cavanaugh skyline with the delicate greens and blues and grays and yellows of Giverny. Somehow, in the structure, the sensibility of an impressionist painting emerges as the muted colors are faded in splotches and sunlit in others, with gradual transitions as subtle as the delicate brush strokes of the master himself. Steel beams crisscross haphazardly throughout the towering facade, which only reinforces its intrinsic impressionistic essence by emulating the natural randomness of the lily pond. Atop the structure, a simple fifty foot spire seems to rein in the freeform work beneath it as it merges the natural splendor into one straight pinnacle skyward. This one hundred and fifteen story building reaches twenty-five stories above its surroundings, creating a gloriously artful and peaked skyline not unlike the Alps in France that will be instantly recognizable the world over and cause onlookers to gasp and utter, "C'est Magnifique.
Michael Bowe (Skyscraper of a Man)
Sebastian nodded his way. “This is Hadrian … er, Hadrian…” He snapped his fingers and looked for help. “Blackwater.” He extended his hand and shook with each. “And where do you hail from, Hadrian?” Eugene asked. “Nowhere really.” “A man with no home?” Samuel’s voice was nasal and a bit suspicious. Hadrian imagined him the type of man to count money handed him by a priest. “What do you mean?” Eugene asked. “He came off the boat from Calis. We talked about it just last night.” “Don’t be a fool, Eugene,” Sebastian said. “Do you think Calians have sandy hair and blue eyes? Calians are swarthy brutes and clever beyond measure. Never trust one, any of you.” “What were you doing in Calis, then?” Eugene’s tone was inquisitorial and spiteful, as if Hadrian had been the one to declare him foolish. “Working.” “Making his fortune, I suspect,” Sebastian said, motioning toward Hadrian. “The man wears a heavy purse. You should be half as successful, Eugene.” “All Calian copper dins, I’ll wager.” Eugene sustained his bitter tone. “If not, he’d have a fine wool robe like us.” “He wears a fine steel sword, two of them in fact. So you might consider your words more carefully,” Sebastian said. “Three,” Samuel added. “He keeps another in his cabin. A big one.” “There you have it, Eugene. The man spends all his coin on steel, but by all means go right on insulting him. I’m certain Samuel and I can manage just fine without you.
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
Before she could think of what to say, he grasped the axe and turned toward her, his face a mass of angles in the lanternlight. "Step back." This was a man who expected to be heeded. He did not wait to see if she followed his direction before he lifted the axe high above his head. She pressed herself into the corner of the dark room as he attacked the furniture with a vengeance, her surprise making her unable to resist watching him. He was built beautifully. Like a glorious Roman statue, all strong, lean muscles outlined by the crisp linen of his shirtsleeves when he lifted the tool overhead, his hands sliding purposefully along the haft, fingers grasping tightly as he brought the steel blade down into the age-old oak with a mighty thwack, sending a splinter of oak flying across the kitchen, landing atop the long-unused stove. He splayed one long-fingered hand flat on the table, gripping the axe once more to work the blade out of the wood. He turned his head as he stood back, making sure she was out of the way of any potential projectiles- a movement she could not help but find comforting- before confronting the furniture and taking his next swing with a mighty heave. The blade sliced into the oak, but the table held. He shook his head and yanked the axe out once more, this time aiming for one of the remaining table legs. Thwack! Penelope's eyes went wide as the lanternlight caught the way his wool trousers wrapped tightly around his massive thighs. She should not notice... should not be paying attention to such obvious... maleness. But she'd never seen legs like his. Thwack! Never imagined they could be so... compelling. Thwack! Could not help it. Thwack!
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
It was said that the Old Folk controlled the power of fire, among other things, but that was in the Long and Long Ago. Before that, the fathers of the Old Folk caught a spark with flint and steel and their own desire to live. It was also said that the world was a great wheel, and everything came round to what it once had been, and so Steven Boughmount knelt in the snow with rocks in his hands, trying to catch a flame. He was having little luck. Just over the low hills, beyond this scrub of forest, the village was warm and sleeping behind its wall. That’s where I should be, Steven thought as he scraped the edge of one rock against the other. Not in bed, not yet, but stretched out in my chair with my feet up, a pipe smoking just right in my hand and Heather curled up beside me. The boys are all asleep, but maybe we’ll stay up for a while. Maybe we’ll move to the bedroom, maybe not. That’s where I should be, not up to my ass in snow trying to light a fire. “C’mon, bastard,” he said, and drug the sharp edge of the rock in his right hand against the flat of the one in his left. A white spark flew, and then died before it could reach the stripped branches and dried moss he had laid out on the frozen ground. Snow crunched somewhere off to the left of him. Steven heard soft, bare footsteps. They were coming, all right. And they were in a hurry, running toward a village protected by two drunks on either side of a leaning gate. That was why Steven sat in the snow. When the Guards slept, the Hunters went to work. And what sounded like a whole clan of goblins was passing him by because he couldn’t get a damn fire lit. Steven drew his sword. It was called Fangodoom, given to him by his mother just before she died. Fangodoom was a dwarf blade, of steel mined and forged deep within the Lyme Mountains centuries ago. Goblins near, the blade all but gleamed though there wasn’t any moon. Again he wondered if this would be the last time, and again he knew that if it was, it was. His hand turned into a fist on the hilt of his weapon, and he prayed. “Lord, make me Your hammer.
Michael Kanuckel (Winter's Heart)
It is a fact that today steel can be made more cheaply outside America. This is also true of many other products: shoes, shirts, toys, and so on. Cars are different—Detroit’s prosperity plummeted because auto executives made bad decisions and overpaid their workers. Consequently others figured out how to make cars better and more cheaply not only in Korea and Japan, but also in other states like North Carolina. There is unintentional comedy today in watching Michael Moore’s film Roger and Me, in which Moore chases around the head of General Motors to find out why he closed the Flint, Michigan, plant in which Moore’s father used to work. Moore thinks that the plant was closed because greedy bosses like Roger Smith wanted to keep more profits. He fails to mention that unions, like the one his dad belonged to, pressured GM to raise wages so high that GM cars just cost too much. Hardly anyone wanted to buy mediocre cars that were so expensive. Either GM had to keep losing market share, or figure out how to make cars more cheaply. So if Moore wanted to find the greedy fellows who caused the Flint plant to close, he should have started by interviewing his dad.
Dinesh D'Souza (America: Imagine a World Without Her)
It seemed to Bosch to be a form of torture heaped upon torture. Corazon was hunched over the steel table, her bloody and gloved hands deep inside the gutted torso, working with forceps and a long-bladed instrument she called the “butter knife.” Corazon was not tall and she stood on her tiptoes to be able to reach down and in with her tools. She braced her hip against the side of the autopsy table to gain leverage.
Michael Connelly (The Burning Room (Harry Bosch, #17; Harry Bosch Universe, #27))
The natural dynamic is to drink less, but drink better. There are no longer masses of workers exiting steel factories in Pennsylvania and coal mines in northern England, ready to wash away the day's work with cases of Pabst Blue Ribbon and the like. Most workers sit at computer screens. They still get thirsty, but not for Pabst Blue Ribbon. They want something better-tasting.
Michael Jackson
The eyes, when they came up to meet hers, were like unhammered steel. “You think I’m shallow enough to turn on an old friend just because you flash your tits at me?” An
Michael Dobbs (House of Cards (House of Cards Series Book 1))
pile, I started to see the golden kernels everywhere, ground into the mud by tires and boots, floating in the puddles of rainwater, pancaked on the steel rails. Most of this grain is destined for factory farms and processing plants, so no one worries much about keeping it particularly clean. Even so, it was hard not to register something deeply amiss in the sight of so much food lying around on the wet ground.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
Find Sam Temple. Tell him you escaped.” Jack gulped and bobbed his head. “Better yet, find that girl, Astrid.” Diana recovered some of her mocking attitude. “Astrid the Genius. She’ll be desperate to save Sam.” “Okay. Okay.” He steeled himself. “I better go.” Diana touched his arm. “Tell them about Andrew.” Jack froze with his hand on the key. “That’s what you want me to do?” “Jack, if Sam blinks out, Drake will turn on me, and Caine won’t be able to stop him. Drake is stronger than before. I need Sam alive. I need someone for Drake to hate. I need balance. Tell Sam about the temptation. Warn him that he’ll be tempted to surrender to the big jump, but maybe, maybe, if he says no…” She sighed. It was not a hopeful sound. “Now: go.
Michael Grant
Vardy’s rise was truly remarkable. He’d been released by Sheffield Wednesday as a teenager and completely quit football for seven months, before storming up the footballing pyramid in a manner rarely witnessed, starting at eighth-tier Stocksbridge Park Steels, where his wage was £30 a week. Following a conviction for assault, he played for six months with an electronic tag around his ankle and was forced to observe a home curfew from 6 pm every evening, which meant being substituted midway through the second half at away matches and driving home quickly. Then came a move to seventh-tier Halifax Town for £15,000, while he worked full-time at a factory making carbon-fibre splints. Twenty-nine goals in 41 games earned him a transfer to Fleetwood Town, in the fifth tier of English football. He spent just a season there, because 34 goals in 42 matches meant Leicester were prepared to spend £1m to secure his services – a record for a non-league player.
Michael Cox (The Mixer: The Story of Premier League Tactics, from Route One to False Nines)
TABLE 4-1 The top eleven: percentages, shares, and value at IPO Name Percentage Implied shares outstanding Value at IPO price ($53) First closing price ($70.38) Henry M. Paulson Jr. 1.100% 2,915,210 $154,506,120 $205,172,466 Jon S. Corzine 1.100% 2,915,210 154,506,120 205,172,466 Robert J. Hurst 1.100% 2,915,210 154,506,120 205,172,466 John A. Thain 1.050% 2,782,700 147,483,114 195,846,445 John L. Thornton 1.050% 2,782,700 147,483,114 195,846,445 Daniel M. Neidich 0.900% 2,385,172 126,414,098 167,868,381 John P. McNulty 0.900% 2,385,172 126,414,098 167,868,381 Lloyd C. Blankfein 0.900% 2,385,172 126,414,098 167,868,381 Michael P. Mortara 0.900% 2,385,172 126,414,098 167,868,381 Richard A. Friedman 0.900% 2,385,172 126,414,098 167,868,381 Robert K. Steel 0.900% 2,385,172 126,414,098
Steven G. Mandis (What Happened to Goldman Sachs: An Insider's Story of Organizational Drift and Its Unintended Consequences)
Now James though about it, he had mentioned that his favourite colour was grey and Aiden had worn grey ever since... James had been frustrated because he had wanted to talk about anthropology and Aiden hadn't had a background to make a decent contribution to the debate. A week afterwards Aiden had turned up carrying Witchcraft, Oracles, and Magic among the Azande. James clutched both sides of the crate and bent his head over it, signing. A creeping sensation crawled up the inside of his back and took residence in his hair as his analysis of the situation took a shape he didn't want to see but could not refuse. Aiden had been making himself into someone that James might fall in love with. ... Besides, Fin had already said what needed to be said. He and Michael had seen it at once, the clear-sighted bastards. They had tried to warn him: Aiden had grown up with a protector who took care of everything in his life, so that all he needed to think about was how to please Piers, It was the only way he knew how dot deal with the world. Now subconsciously or not, he must have been looking for that kind of relationship again. Of course he would look to his rescuer for it.
Alex Beecroft (Blue Steel Chain (Trowchester Blues, #3))
Drake's whip hand spun Diana like a top. She cried out. That sound, her cry, pierced Caine like an arrow. Diana staggered and almost righted herself, but Drake was too quick, too ready. His second strike yanked her through the air. She flew and then fell. “Catch her!” Caine was yelling to himself. Seeing her arc as she fell. Seeing where she would hit. His hands came up, he could use his power, he could catch her, save her. But too slow. Diana fell. Her head smashed against a jutting point of rock. She made a sound like a dropped pumpkin. Caine froze. The fuel rod, forgotten, fell from the air with a shattering crash. It fell within ten feet of the mine shaft opening. It landed atop a boulder shaped like the prow of a ship. It bent, cracked, rolled off the boulder, and crashed heavily in the dirt. Drake ran straight at Caine, his whip snapping. But Jack stumbled in between them, yelling, “The uranium! The uranium!” The radiation meter in his pocket was counting clicks so fast, it became a scream. Drake piled into Jack, and the two of them went tumbling. Caine stood, staring in horror at Diana. Diana did not move. Did not move. No snarky remark. No smart-ass joke. “No!” Caine cried. “No!” Drake was up, disentangling himself with an angry curse from Jack. “Diana,” Caine sobbed. Drake didn’t rely on his whip hand now, too far away to use it before Caine could take him down. He raised his gun. The barrel shot flame and slugs, BAM BAM BAM BAM BAM. Inaccurate, but on full automatic, Drake had time. He swung the gun to his right and the bullets swooped toward where Caine stood like he was made of stone. Then the muzzle flash disappeared in an explosion of green-white light that turned night into day. The shaft of light missed its target. But it was close enough that the muzzle of Drake’s gun wilted and drooped and the rocks behind Drake cracked from the blast of heat. Drake dropped the gun. And now it was Drake’s turn to stare in stark amazement. “You!” Sam wobbled atop the rise. Quinn caught him as he staggered. Now Caine snapped back to the present, seeing his brother, seeing the killing light. “No,” Caine said. “No, Sam: He’s mine.” He raised a hand, and Sam went flying backward along with Quinn. “The fuel rod!” Jack was yelling, over and over. “It’s going to kill us all. Oh, God, we may already be dead!” Drake rushed at Caine. His eyes were wide with fear. Knowing he wouldn’t make it. Knowing he was not fast enough. Caine raised his hand, and the fuel rod seemed to jump off the ground. A javelin. A spear. He held it poised. Pointed straight at Drake. Caine reached with his other hand, extending the telekinetic power to hold Drake immobilized. Drake held up his human hand, a placating gesture. “Caine…you don’t want to…not over some girl. She was a witch, she was…” Drake, unable to run, a human target. The fuel rod aimed at him like a Spartan’s spear. Caine threw the fuel rod. Tons of steel and lead and uranium. Straight at Drake.
Michael Grant (Hunger (Gone, #2))
Goddamn. Who is that?” Steele pointed at the man looking down the scope and knocking off men as the truck spun him in a circle. “That’s Detective Austin Michaels.” Steele pointed to the driver, a behemoth of a man who was now darting across the road – he could move fast – towards the house, both arms raised, shooting anything in his path. Wielding those massive firearms like a true beast… like a soldier. “And him. Who the hell is he?” “That’s your new boss. Lieutenant Cashel Godfrey… they call him… God.
A.E. Via (Nothing Special V (Nothing Special, #5))
Honey is tight as a coiled spring, all steel and no magnolia.
Michael Lewis (Losers)
But most of the leaks, certainly the juiciest ones, were coming from the higher-ups—not to mention from the person occupying the topmost echelon. The president couldn’t stop talking. He was plaintive and self-pitying, and it was obvious to everyone that if he had a north star, it was just to be liked. He was ever uncomprehending about why everyone did not like him, or why it should be so difficult to get everyone to like him. He might be happy throughout the day as a parade of union steel workers or CEOs trooped into the White House, with the president praising his visitors and them praising him, but that good cheer would sour in the evening after several hours of cable television. Then he would get on the phone, and in unguarded ramblings to friends and others, conversations that would routinely last for thirty or forty minutes, and could go much longer, he would vent, largely at the media and his staff. In what was termed by some of the self-appointed Trump experts around him—and everyone was a Trump expert—he seemed intent on “poisoning the well,” in which he created a loop of suspicion, disgruntlement, and blame heaped on others.
Michael Wolff (Fire and Fury: Inside the Trump White House)
The president couldn’t stop talking. He was plaintive and self-pitying, and it was obvious to everyone that if he had a north star, it was just to be liked. He was ever uncomprehending about why everyone did not like him, or why it should be so difficult to get everyone to like him. He might be happy throughout the day as a parade of union steel workers or CEOs trooped into the White House, with the president praising his visitors and them praising him, but that good cheer would sour in the evening after several hours of cable television. Then he would get on the phone, and in unguarded ramblings to friends and others, conversations that would routinely last for thirty or forty minutes, and could go much longer, he would vent, largely at the media and his staff. In what was termed by some of the self-appointed Trump experts around him—and everyone was a Trump expert—he seemed intent on “poisoning the well,” in which he created a loop of suspicion, disgruntlement, and blame heaped on others. When the president got on the phone after dinner, it was often a rambling affair. In paranoid or sadistic fashion, he’d speculate on the flaws and weaknesses of each member of his staff. Bannon was disloyal (not to mention he always looks like shit). Priebus was weak (not to mention he was short—a midget). Kushner was a suck-up. Spicer was stupid (and looks terrible too). Conway was a crybaby. Jared and Ivanka should never have come to Washington. His callers, largely because they found his conversation
Michael Wolff (Fire and Fury: Inside the Trump White House)
It would be hard to imagine someone who expected a greater awareness of and more catering to his peculiar whims, rhythms, prejudices, and often inchoate desires. He needed special—extra special—handling. Women, he explained to one friend with something like self-awareness, generally got this more precisely than men. In particular, women who self-selected themselves as tolerant of or oblivious to or amused by or steeled against his casual misogyny and constant sexual subtext—which was somehow, incongruously and often jarringly, matched with paternal regard—got this.
Michael Wolff (Fire and Fury: Inside the Trump White House)
This was when the aging smokestacks atop the monumental factories began to shut off one by one. There were still plenty left running to keep the air over Detroit filled with that choking industrial aptitude, but you were never far from a hollowed-out factory, massive steel tubes on the roofs pointing up toward the sky with nothing left inside but dust and cobwebs. These giant pillars of concrete and metal now jutted high like extended index fingers from broken and casted hands, pointing toward something they would never touch.
Michael A. Ferro (TITLE 13: A Novel)
Many young children might rejoice at the chance to identify as Superman or Wonder Woman, but their inevitable failure to fly or melt steel with a glance can only lead to confusion and disappointment. Education once existed to correct delusions and disordered desires; through political correctness, it has come to encourage those fantasies and destructive appetites. p. 188
Michael J. Knowles (Speechless: Controlling Words, Controlling Minds)
Hammett, David Morrell, Michael Crichton, and even Georges Simenon translations.
Danielle Steel (The Right Time)
His will had become as hard as steel, neither fatigue nor hardship could bend it.
Michael Ende (The Neverending Story)
My brothers Rob, Bob, Tom, Paul, Ralph, Phil, Noah, William, Nick, Dennis, Christopher, Frank, Simon, Saul, Jim, Henry, Seamus, Richard, Jeremy, Walter, Jonathan, James, Arthur, Rex, Bertram, Vaughan, Daniel, Russel, and Angus; and the triplets Herbert, Patrick, and Jeffrey; identical twins Michael and Abraham, Lawrence and Peter, Winston and Charles, Scott and Samuel; and Eric, Donovan, Roger, Lester, Larry, Clinton, Drake, Gregory, Leon, Kevin and Jack — all born on the same day, the twenty-third of May, though at different hours in separate years — and the caustic graphomaniac, Sergio, whose scathing opinions appear with regularity in the front-of-book pages of the more conservative monthlies, not to mention on the liquid crystal screens that glow at night atop the radiant work stations of countless bleary-eyed computer bulletin-board subscribers (among whom our brother is known, affectionately, electronically, as Surge); and Albert, who is blind; and Siegfried, the sculptor in burning steel; and clinically depressed Anton, schizophrenic Irv, recovering addict Clayton; and Maxwell, the tropical botanist, who, since returning from the rain forest, has seemed a little screwed up somehow; and Jason, Joshua, and Jeremiah, each vaguely gloomy in his own “lost boy” way; and Eli, who spends solitary wakeful evenings in the tower, filing notebooks with drawings — the artist’s multiple renderings for a larger work? — portraying the faces of his brothers, including Chuck, the prosecutor; Porter, the diarist; Andrew, the civil rights activist; Pierce, the designer of radically unbuildable buildings; Barry, the good doctor of medicine; Fielding, the documentary-film maker; Spencer, the spook with known ties to the State Department; Foster, the “new millennium” psychotherapist; Aaron, the horologist; Raymond, who flies his own plane; and George, the urban planner who, if you read the papers, you’ll recall, distinguished himself, not so long ago, with that innovative program for revitalizing the decaying downtown area (as “an animate interactive diorama illustrating contemporary cultural and economic folkways”), only to shock and amaze everyone, absolutely everyone, by vanishing with a girl named Jana and an overnight bag packed with municipal funds in unmarked hundreds; and all the young fathers: Seth, Rod, Vidal, Bennet, Dutch, Brice, Allan, Clay, Vincent, Gustavus, and Joe; and Hiram, the eldest; Zachary, the Giant; Jacob, the polymath; Virgil, the compulsive whisperer; Milton, the channeler of spirits who speak across time; and the really bad womanizers: Stephen, Denzil, Forrest, Topper, Temple, Lewis, Mongo, Spooner, and Fish; and, of course, our celebrated “perfect” brother, Benedict, recipient of a medal of honor from the Academy of Sciences for work over twenty years in chemical transmission of “sexual language” in eleven types of social insects — all of us (except George, about whom there have been many rumors, rumors upon rumors: he’s fled the vicinity, he’s right here under our noses, he’s using an alias or maybe several, he has a new face, that sort of thing) — all my ninety-eight, not counting George, brothers and I recently came together in the red library and resolved that the time had arrived, finally, to stop being blue, put the past behind us, share a light supper, and locate, if we could bear to, the missing urn full of the old fucker’s ashes.
Donald Antrim (The Hundred Brothers)
We fix things. Do you understand that? We don’t analyze things. We don’t discuss things. We don’t wring our hands and cry about things. We fix them! If somebody wants to be analyzed they can see a shrink. When they come to the Department of Orthopedics at the Mayo Clinic they want only one thing: they want to be fixed. “Now get the hell out of here and go fix things. And I better not get any more reports of touchy-wouchy, hand-holding sessions in this department.
Michael J. Collins (Hot Lights, Cold Steel: Life, Death and Sleepless Nights in a Surgeon's First Years)
Typically, the culture of low cost permeates the entire company, as it does with companies as diverse as Vanguard (financial services), IKEA (home furnishings), Teva (generic drugs), Walmart (discount retailing), and Nucor (steel manufacture). Not only has Nucor historically achieved cost advantages in production, for example, but for years it ran a multibillion-dollar company out of a corporate headquarters about the size of a dentist’s office. The “executive dining room” was the deli across the street.
Joan Magretta (Understanding Michael Porter: The Essential Guide to Competition and Strategy)
Borowczyk headed for his department, K-5, on the other side of a canal that runs through the middle of the shipyard. Rusting away in a corner of the department were piles of imported steel-welding equipment, costing millions of dollars, which nobody had learned how to put to use properly.
Michael Dobbs (Down with Big Brother: The Fall of the Soviet Empire)
These evangelical [leaders] are the biggest phonies of all,” says Michael Steele, the former party chairman. “These are the people who spent the last forty years telling everyone how to live, who to love, what to think about morality. And then this motherfucker comes along defiling the White House and disrespecting God’s children at every turn, but it’s cool, because he gave them two Supreme Court justices. They got their thirty pieces of silver.
Tim Alberta (American Carnage: On the Front Lines of the Republican Civil War and the Rise of President Trump)
The socialist planning system had a number of important achievements to its credit. It introduced mass production into Soviet industry. It greatly increased the output of a number of key industrial sectors, such as oil and steel. It produced the huge number of weapons necessary to emerge victorious from World War II. It provided full employment. It produced the world’s first earth satellite. It invested heavily in human capital. Its educational system (except in the social sciences) was good by international standards, and produced large numbers of qualified people. During the 1950s the USSR enjoyed a golden age with growth rates much in excess of those in the USA or UK. However, socialist planning also had a number of problems. These included: shortages of consumer goods; inability to take full advantage of the world market for goods, capital and people; slow home-grown technical progress; and living standards that lagged behind those in capitalist countries. In addition, the high growth rates of the 1950s gradually declined.
Michael Ellman (Socialist Planning)
Solar panels require sixteen times more materials69 in the form of cement, glass, concrete, and steel than do nuclear plants, and create three hundred times more waste.70 Solar panels often contain lead and other toxic chemicals that cannot be removed without breaking apart the entire panel.
Michael Shellenberger (Apocalypse Never: Why Environmental Alarmism Hurts Us All)
And there are times, Prince Elric, I’ll admit, when a decent piece of steel has a certain advantage over a neatly turned phrase!
Michael Moorcock (Elric of Melniboné (The Elric Saga #1))
Cold steel on flesh is eminently obvious but men are unaware of the inner chains they carry, all the while bearing the illusion that they are free.
Michael Ronin
The Human Heart CONSIDER, FOR example, the human heart and its accompanying circulatory system. The human heart is vastly superior to any human artifact. Every second it undergoes a cycle of contraction and expansion, and beats continually and faithfully for the duration of a human lifetime. It starts beating in the womb and in eighty years will beat about two billion times. The cardiac muscle itself consists of an interconnected syncytium of billions of muscle cells specially adapted to resist fatigue and contract autonomously without external activation or control. Within the cardiac muscle cells there are trillions of tightly packed molecular arrays of contractile filaments whose regular rhythmic lengthening and shortening generate the cardiac cycle. At rest each of us needs about a fourth a liter of oxygen per minute to satisfy our energy needs.30 This involves the movement every minute of one hundred trillion oxygen molecules across every square millimeter of the alveolar surface of the lungs. And with every contraction the heart pumps one hundred billion red blood cells through hundreds of kilometers of tiny capillaries.31 Coursing through the capillaries in the lungs, each of these tiny nano-machines carries one billion molecules of oxygen (O2) from the lungs to the tissues, each loosely bound to an iron atom in the hemoglobin. By the heart’s unceasing activity it ensures a bountiful supply of oxygen to provide us with the vital energy of life. The red cells themselves, no less than the heart, are also miracles of bioengineering. During its 120-day lifetime in the circulatory system, each red cell makes hundreds of thousands of circuits, covering hundreds of miles. It is only because the red cell membranes are uniquely soft and strong—one hundred times softer than a latex membrane of comparable thickness but stronger than steel32—that they can withstand these repeated deformations as they squeeze though the smallest capillaries, which in many cases have a diameter of five microns, almost half the diameter of the average red blood cell.
Michael Denton (The Miracle of Man: The Fine Tuning of Nature for Human Existence (Privileged Species Series))
The river instantly resumed its thundering way toward the Salton Sea. Cory brought the river back under control on November 4 “by exhausting the capacities of every quarry between Los Angeles and Nogales, four hundred and eighty-five miles to the east.” Yet one month later, the river busted loose again. For Harry Cory, the sixth failed attempt to close the breach was the last straw. The Southern Pacific had poured more than a million dollars “into that hole” and the river had swept it all away. A sustainable repair required not only a dam, but the construction and permanent maintenance of fifteen miles of levees along the west bank, reinforced with concrete and steel to keep the river corralled even at its most violent. These would be the most expensive levees ever built over such a distance—not a job for the Southern Pacific, in his weary judgment. The railroad was the most resourceful, rich, and powerful enterprise in the Southwest, yet the river had brought it to its knees.
Michael A. Hiltzik (Colossus: The Turbulent, Thrilling Saga of the Building of the Hoover Dam)
murdered. Michael had left a trail of bodies
Danielle Steel (Prodigal Son)
You can smash a snow globe with a ball-peen hammer and be disappointed that the glass is actually plastic and the snow actually ground-up Styrofoam. • You can laminate anything by winding it in plastic wrap before a five-minute tumble on Cotton in the dryer. • You can microwave a lightbulb for nearly twenty beautiful seconds as it turns in there like a pink comet before it finally goes supernova. • You can safely remove your Helmet and whack your head repeatedly on the drywall, weaving an orange velvet into your vision, before you manage to leave a dent. • You can cover a wall dent by hanging a masterpiece over it and claiming that you need the work at eye level to properly appreciate it. • You can simulate immortality by sticking a rubberhandled flathead screwdriver directly into the outlet and only trip a breaker. • You can ride the laundry basket down the carpeted stairs like a mine cart four times until it catches and ejects you to the bottom, where you strike your elbow and it swells red as a hot-water bottle. • You can safely light the fluff on your sweatpants with a barbecue lighter and send flame rolling over your legs like poured blue water, leaving a crispy black stubble. • You can halt a fan if you thrust your hand into the blades bravely—only when you hesitate will your knuckles be rapped. • You can stick the chilly steel tube of the vacuum to your belly and generate a hideous yet painless bruise, and these pulsating circles when placed carefully can form an Olympic symbol that lasts well into a second week. Of course his mother’s catching wind of any of
Michael Christie (If I Fall, If I Die)
She wandered moodily about the clearing, kicking at the grass, then bent down and picked something up. It was an old steel helmet, thick with rust, a jagged hole in the side. You still find these all over the woods, she said. I'm not even sure whether it's Russian or German. She turned it slowly over and over in her hands, crumbling more of the rusty metal off. Then she hurled it away and brushed the rust off her hands. The helmet hit a tree, bounced off in a shower of rust and fell into a bramble bush where it perched on a a branch, bobbing up and down like some great brown bird alighting. Raya seemed to be abashed by the ridiculousness of it, and picked it out of the bush. They sat down side by side on a fallen tree trunk sodden, like everything else, with the stored wetness of winter. Raya turned the helmet over in her hands again, feeling its texture curiously. Poor old helmet, she said, Manufactured and issued and worn and punctured and lost and rusted by the forces of historical necessity. Found and touched and lost again by Raissa P. metelius, lecturer.
Michael Frayn (The Russian Interpreter)
How long have you two been married?” I asked her. “One month—today!” she answered with a little smile. “Well,” I said, “you have a bladder infection. In fact, this is a fairly common problem in newlyweds. It’s called honeymoon cystitis. It’s usually not serious. We’ll start some antibiotics tonight. You’ll need to get another urine test in a few days to be sure you’re responding to treatment.” “Why is it common in newlyweds?” she asked. “Well,” I said, “when a woman isn’t used to having sexual relations, sometimes a little infection can get into her bladder.
Michael J. Collins (Hot Lights, Cold Steel: Life, Death and Sleepless Nights in a Surgeon's First Years)
Smith & Wesson 9mm—satin finished, stainless steel and loaded with eight rounds of XTPs.
Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
Plucking your hair and collecting your snot and nail clippings is one thing, but hacking off a finger to make a damned puppet is insane
Michael R. Fletcher (Swarm and Steel (Manifest Delusions #3))
Why are we sneaking out in the night?” Jack repeated. “I already explained,” Sam snapped. “If you don’t listen—” Taylor jumped in to say, “Because otherwise Astrid would find some way to stop him.” She mimicked Astrid’s voice, injecting it with steel and a tense, condescending tone. “Sam. I am the smartest, hottest girl in the world. So do what I tell you. Good boy. Down, boy. Down!” Sam remained silent, walking steadily just a few feet ahead. Taylor continued, “Oh, Sam, if only you could be as smart plus as totally goody-goody as I am. If only you could realize that you will never be good enough to have me, me, wonderful me, Astrid the Blond Genius.” “Sam, can I shoot her now?” Dekka asked. “Or is it too soon?” “Wait until we’re over the ridge,” Sam said. “It’ll muffle the sound.” “Sorry, Dekka,” Taylor said. “I know you don’t like talking about boy-girl things.” “Taylor,” Sam warned. “Yes, Sam?” “You might want to think about how hard it would be to walk if someone were to turn off gravity under your feet every now and then.” “I wonder who would do that?” Dekka said. Suddenly Taylor fell flat on her face. “You tripped me!” Taylor said, more shocked than angry. “Me?” Dekka spread her hands in a completely unconvincing gesture of innocence. “Hey, I’m all the way over here.” “I’m just saying: you can see where that could make a long walk just a lot longer,” Sam said. “You guys are so not fun,” Taylor grumped. She bounced instantaneously to just behind Sam. She grabbed his butt, he yelled, “Hey!” and she bounced away innocently. “To answer your question, Jack,” Sam said, “we are sneaking out at night so that everyone doesn’t know we’re gone and why. They’ll figure it out soon enough, but Edilio will have to have more of his guys on the streets if I’m not there playing the big, bad wolf. More stress for everyone.” “Oh,” Jack said. “The big, bad wolf,” Taylor said. She laughed. “So, when you play that fantasy in your head is Astrid Little Red Riding Hood or one of the Three Little Pigs?” “Dekka,” Sam said. “Hah! Too slow!
Michael Grant (Plague (Gone, #4))
THE OLD CAR WAS SUNK TO THE BUMPERS WHEN I DISCOVERED IT, but my first thought was how good it would be to sleep in there and hear the rain drumming on steel rather than splattering against our tattered old tarp. I was Maggie back then. Maggie, the name my parents gave me. A nice name. But these weren’t nice times. We were tired and hungry, and the GreyDevil bonfires were burning brighter and the solar bear howls were getting closer, and every morning as I strapped my SpitStick across my back and set out to scavenge, I found myself thinking I needed a better name. A stronger name. I mean, the name Maggie was fine, it just seemed kinda underpowered. So when I scrubbed the moss from the side of that old car overlooking Goldmine Gully and saw the chrome letters—Ford Falcon—I climbed up on the hood and stood there with my steel-toed boots planted wide and I wedged my fists on my hips and I announced that Maggie was yesterday, and from this day forward I would answer only to Ford Falcon. Ford, because we had a lot of rivers to cross. Falcon, because, well, if you have a lot of rivers to cross, a pair of wings can’t hurt, and then once you get across the river it’s likely you will need sharp eyes and an even sharper beak. Yes. I know. I named myself after an old dead car. Worse yet, it’s not even a cool car. It’s a station wagon. Station wagons were how parents hauled kids around during the time between covered wagons and minivans. These days you won’t see a minivan unless it’s being pulled by a horse, and even horses are hard to come by. But if you see me you will know me because I wear a vest made from the hide of a beast that tried to kill me and lost. I skinned that beast myself, and also I skinned the lettering from that old dead car and stitched it to the vest across my shoulder blades using copper wire so that in polished chrome the world can read my name and know it: Ford Falcon.
Michael Perry (The Scavengers)
Get thee behind me, Satan.” A wink broke the horsetrader’s appraisal in the Devil’s gaudy eyes: The thought had occurred: “Are angels equipped for such roguery?” : Like man, made in God’s image-: “-So God has an arsehole?” :Yes. He calls him Michael: Lucifer laughed in such merriment that Kit smiled. :Surely thou has heart of l’osculum inflame: “The infamous kiss. Your kiss. The one that bestows power of witchcraft. ’Tis not a kiss on the mouth, I hear.” Lucifer only smiled.
Elizabeth Bear (Ink and Steel (Promethean Age, #3))
The sound of my own screams woke me. I flipped on the lights and reached into the nightstand drawer for my Glock. The cold steel helped ease my fears, and I took a few deep breaths, wiping the sweat off my face with the back of my hand.
Elisa Archer (Compromised Position (Lexie Sarcone/Michael Riley Romantic Suspense Book 3))
Show me the artist who is not insane For all art is suffering, torture and pain We dream in colors you can not find For we are the artists, you are the blind." -Halber Tod, Cotardist Poet
Michael R. Fletcher (Swarm and Steel)
He felt women understood him. Or, the kind of women he liked—positive-outlook, can-do, loyal women, who also looked good—understood him. Everybody who successfully worked for him understood that there was always a subtext of his needs and personal tics that had to be scrupulously attended to; in this, he was not all that different from other highly successful figures, just more so. It would be hard to imagine someone who expected a greater awareness of and more catering to his peculiar whims, rhythms, prejudices, and often inchoate desires. He needed special—extra special—handling. Women, he explained to one friend with something like self-awareness, generally got this more precisely than men. In particular, women who self-selected themselves as tolerant of or oblivious to or amused by or steeled against his casual misogyny and constant sexual subtext—which was somehow, incongruously and often jarringly, matched with paternal regard—got this.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Doing a stupid thing for a long time doesn’t make it smart,
Michael R. Fletcher (Swarm and Steel (Manifest Delusions #3))
Fools always mistake wealth for wisdom.
Michael R. Fletcher (Swarm and Steel (Manifest Delusions #3))
The guileless are easy meat.
Michael McClung (Prayers in Steel (The Skin Walker War, #1))
Evil is thinking you know what the right thing even is.
Michael R. Fletcher (Swarm and Steel (Manifest Delusions #3))
For most of us, the vast majority of what we do in life is not sexy. Our daily grind isn’t glamorous or newsworthy, it’s just making stuff out of steel. But faithful leaders don’t need things to glitter for their work to produce gladness. Faithful leaders find meaning in the mundane knowing that their faithfulness in their daily hard work pleases the Lord. They know that behind the simple things we do is an eternal mission, a purpose, and an impact worth our faithfulness.
Brandon Michael West (It Is Not Your Business to Succeed: Your Role in Leadership When You Can't Control Your Outcomes)
for men serving life without parole. You checked in but you never checked out. This was where Charlie Manson died of old age. But many inmates didn’t make it to old age. Homicides in the cells were common. Jorge Ochoa was just two steel doors down from an inmate who had been beheaded
Michael Connelly (Resurrection Walk (The Lincoln Lawyer, #7))