Michael Owen Quotes

We've searched our database for all the quotes and captions related to Michael Owen. Here they are! All 10 of them:

Look at that! The entire Australian kit dates from the 1940s and the uniforms are falling apart at the seams, the fucking boots you have issued to us are the same and everything is rotten. As for bloody weapons, we are issued with the Owen sub-machine gun. While the gun is still a very good weapon, the 9mm ammunition it uses is old WW2 stock and its propellants have deteriorated to the point where I doubt if the round will penetrate the back-pack of a fleeing Noggie!
Michael G. Kramer (A Gracious Enemy)
Sometimes your passion takes work and you shouldn't give up on it just because it isn't easy... [Owen Michaels, as quoted by daughter Bailey]
Laura Dave (The Last Thing He Told Me (Hannah Hall, #1))
One of his closest friends, Owen Barfield, once said of Lewis that “what he thought about everything was secretly present in what he said about anything.”12
Michael Ward (The Narnia Code: C. S. Lewis and the Secret of the Seven Heavens)
People need hope Michael, as much as they need a leader. You and Gabe are the answer to both of those things. You’ll lead the people of earth to victory and Gabe will give them the hope they need to keep going,” Mirada said, her voice sensitive, yet unwavering.
Wendy Owens (The Guardians Crown Parts One and Two (The Sacred Guardians #4))
Again Gabe looked back at Michael, hoping he was about to step in, but all he did was give him a nod. A nod? Really? I don't need a nod. I need someone to stop this! Gabe thought.
Wendy Owens (Cursed (The Guardians, #2))
Michael felt as if his heart might burst. With the death of the council he had felt as though he had lost everything that mattered to him, but here in his arms, he found the last piece of hope he had left in the world. “We have to go back and help Gabe.
Wendy Owens (The Guardians Crown Parts One and Two (The Sacred Guardians #4))
he took out his harmonica and played the old song “Michael Row the Boat Ashore,” a yearning and melodic tune sung by slaves in the 1860s as they rowed boats to the mainland from the Sea Islands of South Carolina.
Delia Owens (Where the Crawdads Sing)
Michael staggered to his feet and turned to face his worst nightmare. Baal stood before him, a smirk on his face. He wore his signature grey, pinstripe, three-piece suit, and casually twisted his pinky ring on his long and slender well-manicured finger. As it rotated Michael caught a glimpse of the rubies in the skull’s eye sockets. His black hair was slicked back, the sight of his false appearance made Michael sick to his stomach.
Wendy Owens (The Guardians Crown Parts One and Two (The Sacred Guardians #4))
More pertinent, however, is that capitalism tends to stultify the worker’s creativity, his human urge for self-expression, freedom, mutually respectful interaction with others, recognition of his self-determined sense of self, recognition of himself as a self rather than an object, a means to an end. Karl Marx called it “alienation.” Capitalism alienates the worker—and the capitalist—from his “fundamental human need” for “self-fulfilling and creative work,” “the exercise of skill and craftsmanship,”8 in addition to his fundamental desire to determine himself (whence comes the desire to dismantle oppressive power-relations and replace them with democracy). Alternative visions of social organization thus arise, including Robert Owen’s communitarian socialism, Charles Fourier’s associationist communalism, Proudhon’s mutualism (a kind of anarchism), Marx’s communism, Bakunin’s collectivist anarchism, Kropotkin’s anarchist communism, Anton Pannekoek’s council communism, and more recently, Murray Bookchin’s libertarian municipalism, Michael Albert’s participatory economics, Takis Fotopoulos’s inclusive democracy, Paul Hirst’s associationalism, and so on. Each of these schools of thought differs from the others in more or less defined ways, but they all have in common the privileging of economic and social cooperation and egalitarianism.
Chris Wright (Worker Cooperatives and Revolution: History and Possibilities in the United States)
Caroline O’Day was one of those rare parochial-school girls who managed to wear her St. Michael’s uniform—her pleated flannel skirt and matching burgundy knee socks—as if she were a cocktail waitress in a lounge of questionable repute. With boys, Caroline O’Day was as aggressive as a Corvette, and Maureen Early enjoyed her company because Mr. Early thought the O’Days were vulgar.
John Irving (A Prayer for Owen Meany)