Mice And Men Quotes

We've searched our database for all the quotes and captions related to Mice And Men. Here they are! All 100 of them:

โ€œ
Of all the words of mice and men, the saddest are, "It might have been.
โ€
โ€
Kurt Vonnegut Jr.
โ€œ
Maybe everโ€™body in the whole damn world is scared of each other.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
I got you to look after me, and you got me to look after you, and that's why.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
As happens sometimes, a moment settled and hovered and remained for much more than a moment. And sound stopped and movement stopped for much, much more than a moment.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
In the lives of children, pumpkins turn into coaches, mice and rats turn into men. When we grow up, we realize it is far more common for men to turn into rats.
โ€
โ€
Gregory Maguire (Confessions of an Ugly Stepsister)
โ€œ
A guy needs somebodyโ€•to be near him. A guy goes nuts if he ain't got nobody. Don't make no difference who the guy is, long's he's with you. I tell ya, I tell ya a guy gets too lonely an' he gets sick.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Guy don't need no sense to be a nice fella. Seems to me sometimes it jus' works the other way around. Take a real smart guy and he ain't hardly ever a nice fella.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
His ear heard more than what was said to him, and his slow speech had overtones not of thought, but of understanding beyond thought.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Trouble with mice is you always kill 'em.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Of all the words of mice and men, the saddest are, โ€œIt might have been.
โ€
โ€
Kurt Vonnegut Jr. (Cat's Cradle)
โ€œ
Just like heaven. Everโ€™body wants a little piece of lanโ€™. I read plenty of books out here. Nobody never gets to heaven, and nobody gets no land. Itโ€™s just in their head. Theyโ€™re all the time talkinโ€™ about it, but itโ€™s jusโ€™ in their head.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
We know what we got, and we don't care whether you know it or not.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
I can still tend the rabbits, George? I didn't mean no harm, George.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
We could live offa the fatta the lan'.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Ainโ€™t many guys travel around together,โ€ he mused. โ€œI donโ€™t know why. Maybe everโ€™body in the whole damn world is scared of each other.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
The best laid schemes o' mice an' men gang aft agley.
โ€
โ€
Robert Burns (Collected Poems of Robert Burns)
โ€œ
Is it dangerous to plan too much? Yes, we all need to plan, to have a plan, but life goes on regardless of our plans and we know only too well what happens to so many of the best laid plans of mice and men!
โ€
โ€
Leslie Garland (The Golden Tup (The Red Grouse Tales))
โ€œ
I ought to of shot that dog myself, George. I shouldn't ought to of let no stranger shoot my dog.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Once upon a time' These are the most magical words our world has ever known and the gateway to the greatest stories ever told. They're an immediate calling to anyone who hears them-a calling into a world where everyone is welcome and anything can happen. Mice can become men, maids can become princesses, and they can teach valuable lessons in the process.
โ€
โ€
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
โ€œ
All human plans [are] subject to ruthless revision by Nature, or Fate, or whatever one preferred to call the powers behind the Universe.
โ€
โ€
Arthur C. Clarke (2010: Odyssey Two)
โ€œ
Lennie begged, "Le's do it now. Le's get that place now." "Sure right now. I gotta. We gotta.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
The best laid plans of mice and men often go awry.
โ€
โ€
Robert Burns (To a Mouse)
โ€œ
Guys like us got nothing to look ahead to.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
The best laid schemes o' Mice an' Men, Gang aft agley. An' lea'e us nought but grief an' pain, For promis'd joy! (To A Mouse)
โ€
โ€
Robert Burns (Collected Poems of Robert Burns)
โ€œ
In every bit of honest writing in the world, there is a base theme. Try to understand men, if you understand each other you will be kind to each other. KNOWING A MAN WELL NEVER LEADS TO HATE and nearly always leads to love. There are shorter means, many of them. There is writing promoting social change, writing punishing injustice, writing in celebration of heroism, but always that base theme. TRY TO UNDERSTAND EACH OTHER!
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
At about 10 o'clock in the morning the sun threw a bright dust-laden bar through one of the side windows and in and out of the beam flies shot like rushing stars.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
George's voice became deeper. He repeated his words rhythmically as though he had said them many times before. 'Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place. They come to a ranch an' work up a stake, and the first thing you know they're poundin' their tail on some other ranch. They ain't got nothing to look ahead to.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
But little Mouse, you are not alone, In proving foresight may be vain: The best laid schemes of mice and men Go often askew, And leave us nothing but grief and pain, For promised joy! Still you are blest, compared with me!
โ€
โ€
Robert Burns
โ€œ
Well, I never seen one guy take so much trouble for another guy. I just like to know what your interest is.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Lennie said quietly, "It ain't no lie. We're gonna do it. Gonna get a little place an' live on the fatta the lan'.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Says he foun' he jus' got a little piece of a great big soul. Says a wilderness ain't no good, 'cause his little piece of a soul wasn't no good 'less it was with the rest, an' was whole.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
I ain't got no people. I seen the guys that go around on the ranches alone. That ain't no good. They don't have no fun. After a long time they get mean. They get wantin' to fight all the time. . . 'Course Lennie's a God damn nuisance most of the time, but you get used to goin' around with a guy an' you can't get rid of him.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Evening of a hot day started the little wind to moving among the leaves. The shade climbed up the hills toward the top. On the sand banks the rabbits sat as quietly as little gray, sculptured stones.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Kansas is not easily impressed. It has seen houses fly and cattle soar. When funnel clouds walk through the wheat, big hail falls behind. As the biggest stones melt, turtles and mice and fish and even men can be seen frozen inside. And Kansas is not surprised. Henry York had seen things in Kansas, things he didn't think belonged in this world. Things that didn't. Kansas hadn't flinched.
โ€
โ€
N.D. Wilson (Dandelion Fire (100 Cupboards, #2))
โ€œ
As happens sometimes, a moment settled and hovered and remained for much more than a moment.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
They come, an' they quit an' go on; an' every damn one of 'em's got a little piece of land in his head. An' never a God damn one of 'em ever gets it.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
You never oughta drink water when it ain't runnin'.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
A water snake glided smoothly up the pool, twisting its periscope head from side to side; and it swam the length of the pool and came to the legs of a motionless heron that stood in the shadows. A silent head and beak lanced down and plucked it out by the head, and the beak swallowed the little snake while its tail waved frantically.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
I use the time to finish reading Of Mice and Men, which turns out to be just as awful as I thought it would be. I hate stories with dead puppies. So depressing.
โ€
โ€
Hannah Harrington (Speechless)
โ€œ
They looked at one another, amazed. This thing they had never really believed in was coming true.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
I see hundreds of men come by on the road anโ€™ on the ranches with their bindles on their back anโ€™ that same damn thing in their heads. Hundreds of them. They come, anโ€™ they quit anโ€™ go on; anโ€™ every damn one of โ€˜emโ€™s got a little piece of land in his head. Anโ€™ never a God damn one of โ€˜em ever gets it. Just like heaven. Everโ€™body wants a little piece of lanโ€™. I read plenty of books out there. Nobody never gets to heaven, and nobody never gets no land. Itโ€™s just in their head.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Everybody wants a little bit of land, not much. Jusโ€™ somโ€™thinโ€™ that was his. Somโ€™thinโ€™ he could live on and there couldnโ€™t nobody throw him off of it.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until weโ€™re happy. Because they elevate sports to religion. Because theyโ€™re never afraid of the dark. Because they donโ€™t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naรฏve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because theyโ€™re always ready for sex. Because theyโ€™re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because theyโ€™re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them thereโ€™s no such thing as too much adrenaline. Because when all is said and done, they canโ€™t live without us, no matter how hard they try. Because theyโ€™re truly as simple as they claim to be. Because they love extremes and when they go to extremes, weโ€™re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they donโ€™t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we donโ€™t want them to. Because when we say โ€œI love youโ€ they ask for an explanation.
โ€
โ€
Paulo Coelho
โ€œ
Heโ€™s a nice fella,โ€ said Slim. โ€œGuy donโ€™t need no sense to be a nice fella. Seems to me sometimes it jusโ€™ works the other way around. Take a real smart guy and he ainโ€™t hardly ever a nice fella.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
I seen it over an' overโ€”a guy talkin' to another guy and it don't make no difference if he don't hear or understand. The thing is, they're talkin', or they're settin' still not talkin'. It don't make no difference, no difference. [...] George can tell you screwy things, and it don't matter. It's just the talking. It's just bein' with another guy. That's all.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Lives in stories have direction and meaning. Even stupid, meaningless lives, like Lenny's in "Of Mice and Men," Acquire through their places in a story at least the dignity and meaning of being Stupid, Meaningless Lives, the consolation of being exemplars of something. In real life you do not get even that.
โ€
โ€
Sam Savage (Firmin: Adventures of a Metropolitan Lowlife)
โ€œ
They come, an' they quit an' go on; an' every damn one of 'em's got a little piece of land in his head. An' never a God damn one of 'em ever gets it. Just like heaven. Ever'body wants a little piece of lan'. I read plenty of books out here. Nobody never gets to heaven, and nobody gets no land. Itโ€™s just in their head.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
With us it ainโ€™t like that. We got a future. We got somebody to talk to that gives a damn about us. We donโ€™t have to sit in no bar room blowinโ€™ in our jack jusโ€™ because we got no place else to go. If them other guys gets in jail they can rot for all anybody gives a damn. But not us.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
A stilted heron labored up into the air and pounded down the river.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Nobody never gets to heaven, and nobody gets no land. Itโ€™s just in their head.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
I seen too many you guys. If you had two bits in the worl', why you'd be in gettin' two shots of corn with it and suckin' the bottom of the glass.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Looks kinda scrummy
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Just come,
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
The best-laid schemes o' mice an' men Gang aft agley, An' lea'e us naught but grief an' pain For promised joy! Still thou art blest, compared wi' me! The present only toucheth thee:
โ€
โ€
Robert Burns (Collected Poems of Robert Burns)
โ€œ
A guy sets alone out here at night, maybe readin' books or thinkin' or stuff like that. Sometimes he gets thinkin', an' he got nothing to tell him what's so an' what ain't so. Maybe if he sees somethin', he don't know whether it's right or not. He can't turn to some other guy and ast him if he sees it too. He can't tell. He got nothing to measure by.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
It is very seldom,โ€ the young man said at last, โ€œthat dragons ask to do men favours.โ€ โ€œBut it is very common,โ€ said the dragon, โ€œfor cats to play with mice before they kill them.
โ€
โ€
Ursula K. Le Guin
โ€œ
In proving foresight may be vain: The best-laid schemes o' mice an' men Gang aft agley, An' lea'e us nought but grief an' pain, For promis'd joy!
โ€
โ€
Robert Burns (The Complete Poems and Songs of Robert Burns)
โ€œ
What the hell kind of bed you giving us, anyways? We don't want no pants rabbits.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Crooks stood up from his bunk and faced her. "I had enough," he said coldly. "You got no rights comin' in a colored man's room. You got no rights messing around in here at all. Now you jus' get out, an' get out quick. If you don't, I'm gonna ast the boss not to ever let you come in the barn no more." She turned on him in scorn. "Listen, Nigger," she said. "You know what I can do to you if you open your trap?" Crooks stared helplessly at her, and then he sat down on his bunk and drew into himself. She closed on him. "You know what I could do?" Crooks seemed to grow smaller, and he pressed himself against the wall. "Yes, ma'am." "Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it ain't even funny." Crooks had reduced himself to nothing. There was no personality, no ego--nothing to arouse either like or dislike. He said, "Yes, ma'am," and his voice was toneless. For a moment she stood over him as though waiting for him to move so that she could whip at him again; but Crooks sat perfectly still, his eyes averted, everything that might be hurt drawn in. She turned at last to the other two.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
A few miles south of Soledad, the Salinas River drops in close to the hillside bank and runs deep and green. The water is warm too, for it has slipped twinkling over the yellow sands in the sunlight before reaching the narrow pool.
โ€
โ€
John Steinbeck
โ€œ
Books ainโ€™t no good. A guy needs somebodyโ€”to be near him.โ€ He whined, โ€œA guy goes nuts if he ainโ€™t got nobody. Donโ€™t make no difference who the guy is, longโ€™s heโ€™s with you. I tell ya,โ€ he cried, โ€œI tell ya a guy gets too lonely anโ€™ he gets sick.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Yeah,โ€ said George. โ€œIโ€™ll come. But listen, Curley. The poor bastardโ€™s nuts. Donโ€™t shoot โ€˜im. He diโ€™nโ€™t know what he was doinโ€™.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
They fell into a silence. They looked at one another, amazed. This thing they had never really believed in was coming true.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
In town in a whorehouse. Thatโ€™s where your moneyโ€™s goinโ€™. Jesus, I seen it happen too many times. I seen too many guys with land in their head. They never get none under their hand.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Lennie rolled off the bunk and stood up, and the two of them started for the door. Just as they reached it, Curley bounced in. "You seen a girl around here?" he demanded angrily. George said coldly, "'Bout half an hour ago maybe." "Well, what the hell was she doin'?" George stood still, watching the angry little man. He said insultingly, "She said--she was lookin' for you." Curley seemed really to see George for the first time. His eyes flashed over George, took in his height, measured his reach, looked at his trim middle. "Well, which way'd she go?" he demanded at last. "I dunno," said George. "I didn't watch her go." Curley scowled at him, and turning, hurried out the door. George said, "Ya know, Lennie, I'm scared I'm gonna tangle with that bastard myself. I hate his guts. Jesus Christ! Come on. There won't be a damn thing left to eat.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
But that's life. We wander around like blind mice searching for whatever it is we're looking for. From mice to miserable men, from the poetry of childhood's hour to the darkness of death's goddamn dominion, we never stop searching. Why can't we just be?
โ€
โ€
Gregory Hughes (Unhooking the Moon)
โ€œ
The best-laid schemes o' mice an' men Gang aft agle
โ€
โ€
Robert Burns
โ€œ
Your days are like pages, the chapters unread. You have to keep turning your book has no end.
โ€
โ€
John Steinbeck
โ€œ
girl rabbits in anโ€™ tells the law she been raped. The guys in Weed start a party out to lynch Lennie. So we sit in a irrigation ditch under water all the rest of that day.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Now what the hell do you suppose is eatin' them two guys?
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
He ainโ€™t no cuckoo,โ€ said George. โ€œHeโ€™s dumb as hell, but he ainโ€™t crazy. Anโ€™ I ainโ€™t so bright neither, or I wouldnโ€™t be buckinโ€™ barley for my fifty and found.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Why do you got to get killed? You ain't so little as mice.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
I wanted to yell at the television like Mama and Papa, but I had to learn how to properly do it. I gathered that being a mouse was better than being a mosquita muerta, and being a snake was better than being a man, because flies pretending to be dead could be crushed, mice were shy, and men were persecuted; but everybody always avoided snakes.
โ€
โ€
Ingrid Rojas Contreras (Fruit of the Drunken Tree)
โ€œ
Before the power of Nature, its inescapable presence and fixed dominion, all men and women are as mice in the talons of the hawk. In a city, I could well imagineโ€”surrounded by streets and commerce and carriages, everyone dressed Sunday-fine, with the forests and fields only a thin shadow on a distant horizonโ€”a body might trick itself into believing that mankind held the world in its white-knuckled hand. But on our homestead, the wilderness ran right up to the front door.
โ€
โ€
Olivia Hawker (One for the Blackbird, One for the Crow)
โ€œ
The best laid schemes o'mice an' men gang aft agley, An'lea'e us nought but grief an'pain, For promis'd joy...
โ€
โ€
Robert Burns (The Complete Poems and Songs of Robert Burns)
โ€œ
ะšัŠั€ะปะธ ะต ะบะฐั‚ะพ ะฟะพะฒะตั‡ะตั‚ะพ ะดั€ะตะฑะฝะธ ั…ะพั€ะฐ - ะฝะตะฝะฐะฒะธะถะดะฐ ะตะดั€ะธั‚ะต. ะะตะฟั€ะตะบัŠัะฝะฐั‚ะพ ัะต ะฟะพะดะบะฐั‡ะฐ ั ั‚ัั…. ะฏะด ะณะพ ะต, ะฒะธะดะธ ัะต, ะฝะฐ ั‚ัั…, ะทะฐั‰ะพั‚ะพ ะฝะต ะต ะตะดัŠั€.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
We got each other, that's what, that gives a hoot in hell about us.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Crooks avoided the whole subject now. โ€œMaybe you guys better go,โ€ he said. โ€œI ainโ€™t sure I want you in here no more. A colored man got to have some rights even if he donโ€™t like โ€™em.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
But George sat stiffly on the bank and looked at his right hand that had thrown the gun away. The group burst into the clearing, and Curley was ahead. He saw Lennie lying on the sand. โ€œGot him, by God.โ€ He went over and looked down at Lennie, and then he looked back at George. โ€œRight in the back of the head,โ€ he said softly. Slim came directly to George and sat down beside him, sat very close to him. โ€œNever you mind,โ€ said Slim. โ€œA guy got to sometimes.โ€ But Carlson was standing over George. โ€œHowโ€™d you do it?โ€ he asked. โ€œI just done it,โ€ George said tiredly.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Well, you keep your place then, nigger. I could get you strung up on a tree so easy it ainโ€™t even funny.โ€ Crooks had reduced himself to nothing. There was no personality, no egoโ€”nothing to arouse either like or dislike. He said, โ€œYes, maโ€™am,โ€ and his voice was toneless.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Cinderella, until lately, has never been a passive dreamer waiting for rescue. The forerunners of the Ash-girl have all been hardy, active heroines who take their lives into their own hands and work out their own salvations .... Cinderella speaks to all of us in whatever skin we inhabit: the child mistreated, a princess or highborn lady in disguise bearing her trials with patience, fortitude, and determination. Cinderella makes intelligent decisions, for she knows that wishing solves nothing without concomitant action. We have each been that child. (Even boys and men share thatdream, as evidenced by the many Ash-boy variants.) It is the longing of any youngster sent supperless to bed or given less than a full share at Christmas. And of course it is the adolescent dream. To make Cinderella less than she is, an ill-treated but passive princess awaiting her rescue, cheapens our most cherished dreams and makes a mockery of the magic inside us allโ€”the ability to change our own lives, the ability to control our own destinies. [The Walt Disney film] set a new pattern for Cinderella: a helpless, hapless, pitiable, useless heroine who has to be saved time and time again by the talking mice and birds because she is โ€œoff in a world of dreams.โ€ It is a Cinderella who is not recognized by her prince until she is magically back in her ball gown, beribboned and bejewelled. Poor Cinderella. Poor us.
โ€
โ€
Jane Yolen (Once Upon a Time (she said))
โ€œ
You what. Curleyโ€™s like a lot of little guys. He hates big guys. Heโ€™s alla time picking scraps with big guys. Kind of like heโ€™s mad at โ€™em because he ainโ€™t a big guy. You seen little guys like that, ainโ€™t you? Always scrappy?
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Cheese runners shouted at it, tried to grab it, and flailed at it with sticks, but the piratical cheese scythed onward, reaching the bottom just ahead of the terrible carnage of men and cheeses as they piled up. Then it rolled back to the top and sat there demurely while still gently vibrating. At the bottom of the slope, fights were breaking out among the cheese jockeys who were still capable of punching somebody, and since everybody was watching that, Tiffany took the opportunity to snatch up Horace and shove him in her bag. After all, he was hers. Well, that was to say she had made him, although something odd must have gone into the mix since Horace was the only cheese that would eat mice and, if you didn't nail him down, other cheeses as well.
โ€
โ€
Terry Pratchett (I Shall Wear Midnight (Discworld, #38; Tiffany Aching, #4))
โ€œ
I also very well remember that on another occasion the father dean said: โ€˜In order that at responsible age a man may be a real man and not a parasite, his education must without fail be based on the following ten principles. โ€˜From early childhood there should be instilled in the child: Belief in receiving punishment for disobedience. Hope of receiving reward only for merit. Love of Godโ€”but indiference to the saints. Remorse of conscience for the ill-treatment of animals. Fear of grieving parents and teachers. Fearlessness towards devils, snakes and mice. Joy in being content merely with what one has. Sorrow at the loss of the goodwill of others. Patient endurance of pain and hunger. The striving early to earn oneโ€™s bread.
โ€
โ€
G.I. Gurdjieff (Meetings With Remarkable Men)
โ€œ
Curley's wife lay with a half-covering of yellow hay. And the meanness and the plannings and the discontent and the ache for attention were all gone from her face. She was pretty and simple, and her face was sweet and young. Now her rouged cheeks and reddened lips made her seem alive and sleeping very lightly. The curls, tiny little sausages, were spread on the hay behind her head and her lips were parted
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They donโ€™t belong no place. They come to a ranch anโ€™ work up a stake and then they go inta town and blow their stake, and the first thing you know theyโ€™re pound-inโ€™ their tail on some other ranch. They ainโ€™t got nothing to look ahead to.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Kitaplar bir halta yaramaz. ฤฐnsanฤฑn birine ihtiyacฤฑ vardฤฑr, birine yakฤฑn olmak ister." ฤฐnler gibi devam etti. "Kimsesi yoksa delirir insan. Kim olduฤŸu hiรง รถnemli deฤŸildir, yeter ki yanฤฑnda biri olsun. inanฤฑn bana, insan fazla yalnฤฑz kaldฤฑ mฤฑ, hastalanฤฑr.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
This is just a nigger talkin', an' a busted-back nigger. So it don't mean nothing, see? You couldn't remember it anyways. I seen it over an' over-a guy talkin' to another guy and it don't make no difference if he don't hear or understand. The thing is, they're talkin', or they're settin' still not talkin'. It don't make no difference, no difference.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
a cut cannot heal, unless you leave it alone. I'll open mine daily, leaving bones exposed
โ€
โ€
John Steinbeck
โ€œ
The Prologue to TERRITORY LOST "Of cats' first disobedience, and the height Of that forbidden tree whose doom'd ascent Brought man into the world to help us down And made us subject to his moods and whims, For though we may have knock'd an apple loose As we were carried safely to the ground, We never said to eat th'accursed thing, But yet with him were exiled from our place With loss of hosts of sweet celestial mice And toothsome baby birds of paradise, And so were sent to stray across the earth And suffer dogs, until some greater Cat Restore us, and regain the blissful yard, Sing, heavenly Mews, that on the ancient banks Of Egypt's sacred river didst inspire That pharaoh who first taught the sons of men To worship members of our feline breed: Instruct me in th'unfolding of my tale; Make fast my grasp upon my theme's dark threads That undistracted save by naps and snacks I may o'ercome our native reticence And justify the ways of cats to men.
โ€
โ€
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
โ€œ
Oh well,' said Jack: and then, 'Did you ever meet Bach?' 'Which Bach?' 'London Bach.' 'Not I.' 'I did. He wrote some pieces for my uncle Fisher, and his young man copied them out fair. But they were lost years and years ago, so last time I was in town I went to see whether I could find the originals: the young man has set up on his own, having inherited his master's music-library. We searched through the papers โ€” such a disorder you would hardly credit, and I had always supposed publishers were as neat as bees โ€” we searched for hours, and no uncle's pieces did we find. But the whole point is this: Bach had a father.' 'Heavens, Jack, what things you tell me. Yet upon recollection I seem to have known other men in much the same case.' 'And this father, this old Bach, you understand me, had written piles and piles of musical scores in the pantry.' 'A whimsical place to compose in, perhaps; but then birds sing in trees, do they not? Why not antediluvian Germans in a pantry?' 'I mean the piles were kept in the pantry. Mice and blackbeetles and cook-maids had played Old Harry with some cantatas and a vast great passion according to St Mark, in High Dutch; but lower down all was well, and I brought away several pieces, 'cello for you, fiddle for me, and some for both together. It is strange stuff, fugues and suites of the last age, crabbed and knotted sometimes and not at all in the modern taste, but I do assure you, Stephen, there is meat in it. I have tried this partita in C a good many times, and the argument goes so deep, so close and deep, that I scarcely follow it yet, let alone make it sing. How I should love to hear it played really well โ€” to hear Viotti dashing away.
โ€
โ€
Patrick O'Brian (The Ionian Mission (Aubrey & Maturin #8))
โ€œ
Then the Man threw his two boots and his little stone axe (that makes three) at the Cat, and the Cat ran out of the Cave and the Dog chased him up a tree; and from that day to this, Best Beloved, three proper Men out of five will always throw things at a Cat whenever they meet him, and all proper Dogs will chase him up a tree. But the Cat keeps his side of the bargain too. He will kill mice and he will be kind to Babies when he is in the house, just as long as they do not pull his tail too hard. But when he has done that, and between times, and when the moon gets up and night comes, he is the Cat that walks by himself, and all places are alike to him. Then he goes out to the Wet Wild Woods or up the Wet Wild Trees or on the Wet Wild Roofs, waving his wild tail and walking by his wild lone.
โ€
โ€
Rudyard Kipling (Just So Stories)
โ€œ
The best laid schemes oโ€™ mice and men often go astray. ย  Robert Burns 1759 -1796 ย  ย  ย  ย  โ€œLife is no straight and easy corridor along which we travel free and unhampered, but a maze of passages, through which we must seek our way, lost and confused, now and again checked in a blind alley. ย  But always, if we have faith, a door will open for us, not perhaps one that we ourselves would ever have thought of, but one that will ultimately prove good for us.โ€ ย  A.J. Cronin Parts of All of Us The Simple and The Complex ย  The four imaginary characters depicted in this storyโ€” the mice: โ€œSniffโ€ and โ€œScurry,โ€ and the Littlepeople: โ€œHemโ€ and โ€œHawโ€โ€” are intended to represent the simple and the complex parts of ourselves, regardless of our age, gender, race or nationality. ย  Sometimes we may act like Sniff Who sniffs out change
โ€
โ€
Spencer Johnson (Who Moved My Cheese?: An A-Mazing Way to Deal with Change in Your Work and in Your Life)
โ€œ
Sweet and Wild - Dierks Bentley Light it Up - Rev Theory Thick as Thieves - Cavo Rock You All Night Long - Royal Bliss Outlawed - Attila Thug Life - Attila Can You Feel My Heart - Bring Me the Horizon Forever in Your Hands - All That Remains Youโ€™re Not Alone - Of Mice & Men Jezebel - Memphis May Fire These Things Iโ€™ve Done - Sleeping With Sirens The Way of the Fist - Five Finger Death Punch As Diehard as They Come - Hatebreed Just Keep Breathing - We Came as Romans Dead in a Grave - Rev Theory I Survive - We Came as Romans Payback - Attila Youโ€™re the One - Rev Theory Pool of Booze, Booze, Booza - Volbeat Perfect - My Darkest Days Die For You - Otherwise Where Did the Party Go? - Fall Out Boy
โ€
โ€
Autumn Jones Lake (Road to Royalty (Lost Kings MC, #1-2, 3))
โ€œ
The bunk was a long, rectangular building. Inside, the walls were whitewashed and the floor unpainted. In three walls there were small, square windows, and in the fourth a solid door with a wooden latch. Against the walls were eight bunks, five of them made up with blankets and the other three showing their burlap ticking. Over each bunk there was nailed an apple-box with the opening forward so that it made two shelves for the personal belongings of the occupant of the bunk. And these shelves were loaded with little articles, soap and talcum-powder, razors and those Western magazines ranch-men love to read and scoff at and secretly believe. And there were medicines on the shelves, and little vials, combs; and, from nails on the box-sides, a few neck-ties. Near one wall there was a black cast-iron stove, its stove-pipe going straight up through the ceiling. In the middle of the room stood a big square table littered with playing-cards, and around it were grouped boxes for the players to sit on.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
Before I opened my computer in the parking lot today, I relived one of my favorite memories. It's the one with Woody and me sitting on the steps of the Metropolitan Museum after it's closed. We're watching people parade out of the museum in summer shorts and sandals. The trees to the south are planted in parallel lines. The water in the fountain shoots up with a mist that almost reaches the steps we sit on. We look at silver-haired ladies in red-and-white-print dresses. We separate the mice from the men, the tourists from the New Yorkers, the Upper East Siders from the West Siders. The hot-pretzel vendor sells us a wad of dough in knots with clumps of salt stuck on top. We make our usual remarks about the crazies and wonder what it would be like to live in a penthouse apartment on Fifth Avenue overlooking the Met. We laugh and say the same things we always say. We hold hands and keep sitting, just sitting, as the sun beings to set. It's a perfect afternoon.
โ€
โ€
Diane Keaton (Then Again)
โ€œ
he disclosed that he had been set upon by two Bedlamites, both of whom had jumped out from behind a bush, roaring at him like a couple of ferocious wild beasts ... The Sergeant cast a doubtful glance at Lieutenant Ottershaw, for, in his opinion, this had a false ring. His men, as he frequently informed them, put him forcibly in mind of many things, ranging from gape-seeds, hedge-birds, slush-buckets, and sheep-biters, to beetles, tailless dogs, and dead herrings, but none of them, least of all the two raw dragoons in question, had ever reminded him of a ferocious wild beast. Field-mice, yes, he thought, remembering the sad loss of steel in those posted to watch the Dower House; but if the young gentleman had detected any resemblance to ferocious wild beasts in his assailants, the Sergeant was prepared to take his Bible oath they had not been the baconbrained knock-in-the-cradles he had posted (much against his will) within the ground of Darracott place. But Sergeant Hoole had never, until this disastrous evening, set eyes on Mr. Claud Darracott. Lieutenant Ottershaw had beheld that Pink of the Ton picking his delicate way across the cobbles in Rye, clad in astonishing but unquestionably modish raiment, and holding a quizzing-glass up to his eye with one fragile white hand, and it did not strike him as remarkable that this Bartholomew baby should liken two overzealous dragoons to wild beasts.
โ€
โ€
Georgette Heyer (The Unknown Ajax)
โ€œ
- แƒฌแƒ˜แƒ—แƒ”แƒšแƒ™แƒแƒ‘แƒ˜แƒแƒœแƒ˜ แƒ’แƒแƒ’แƒ แƒ“แƒแƒ˜แƒœแƒแƒฎแƒ. แƒฃแƒขแƒ•แƒ˜แƒœแƒ แƒœแƒแƒ‘แƒ˜แƒญแƒ•แƒแƒ แƒ˜แƒ, แƒฃแƒœแƒ“แƒ, แƒ แƒแƒ› แƒงแƒ•แƒ”แƒšแƒแƒคแƒ”แƒ แƒก แƒจแƒ”แƒ”แƒฎแƒแƒก, แƒ แƒแƒช แƒ›แƒแƒกแƒฌแƒแƒœแƒก. แƒฐแƒแƒ“แƒ, แƒฌแƒ˜แƒ—แƒ”แƒš แƒ™แƒแƒ‘แƒแƒก แƒฎแƒ”แƒšแƒ˜ แƒฌแƒแƒแƒขแƒแƒœแƒ, แƒ’แƒแƒ’แƒแƒ› แƒ’แƒแƒ›แƒ™แƒ˜แƒœแƒแƒ•แƒ˜ แƒฎแƒ›แƒ˜แƒ— แƒงแƒ•แƒ˜แƒ แƒ˜แƒšแƒ˜ แƒ›แƒแƒ แƒ—แƒ. แƒšแƒ”แƒœแƒ˜แƒก แƒ’แƒแƒœแƒ”แƒ‘แƒ แƒแƒ”แƒ แƒ˜แƒ แƒ“แƒ แƒ’แƒแƒ’แƒแƒก แƒฉแƒแƒ”แƒญแƒ˜แƒ“แƒ, แƒ”แƒก แƒ”แƒ แƒ—แƒแƒ“แƒ”แƒ แƒ—แƒ˜แƒ, แƒ แƒ˜แƒกแƒ˜ แƒ›แƒแƒคแƒ˜แƒฅแƒ แƒ”แƒ‘แƒแƒช แƒจแƒ”แƒฃแƒซแƒšแƒ˜แƒ. แƒ’แƒแƒ’แƒแƒœแƒ แƒ™แƒ˜ แƒ’แƒแƒฃแƒ—แƒแƒ•แƒ”แƒ‘แƒšแƒแƒ“ แƒงแƒ•แƒ˜แƒ แƒแƒ“แƒ. แƒ›แƒ” แƒจแƒแƒ แƒ˜แƒแƒฎแƒšแƒแƒก แƒ•แƒ˜แƒงแƒแƒ•แƒ˜ แƒ“แƒ แƒงแƒ•แƒ˜แƒ แƒ˜แƒšแƒ–แƒ” แƒ’แƒแƒ›แƒแƒ•แƒ˜แƒฅแƒ”แƒชแƒ˜. แƒšแƒ”แƒœแƒ˜ แƒฃแƒ™แƒ•แƒ” แƒกแƒฃแƒš แƒ›แƒ—แƒšแƒแƒ“ แƒ“แƒแƒ‘แƒœแƒ”แƒฃแƒšแƒ˜ แƒ˜แƒงแƒ แƒ“แƒ แƒ’แƒแƒ’แƒแƒœแƒแƒก แƒฎแƒ”แƒšแƒก แƒแƒ  แƒฃแƒจแƒ•แƒ”แƒ‘แƒ“แƒ. แƒฆแƒแƒ‘แƒ˜แƒก แƒกแƒแƒ แƒก แƒ“แƒแƒ•แƒแƒ•แƒšแƒ” แƒฎแƒ”แƒšแƒ˜ แƒ“แƒ แƒ—แƒแƒ•แƒจแƒ˜ แƒฉแƒแƒ•แƒแƒ แƒขแƒงแƒ˜, แƒ แƒแƒ› แƒ›แƒ”แƒ˜แƒซแƒฃแƒšแƒ”แƒ‘แƒ˜แƒœแƒ แƒฎแƒ”แƒšแƒ˜ แƒ’แƒแƒ”แƒจแƒ•แƒ. แƒ˜แƒกแƒ” แƒฐแƒฅแƒแƒœแƒ“แƒ แƒ’แƒแƒœแƒ”แƒ‘แƒ แƒแƒ แƒ”แƒฃแƒšแƒ˜, แƒ™แƒแƒ‘แƒแƒก แƒแƒ  แƒ”แƒจแƒ•แƒ”แƒ‘แƒแƒ“แƒ, แƒ”แƒก แƒฌแƒงแƒ”แƒฃแƒšแƒ˜ แƒ™แƒ˜ แƒจแƒ”แƒœแƒช แƒ˜แƒชแƒ˜ แƒ แƒ แƒซแƒšแƒ˜แƒ”แƒ แƒ˜แƒ. แƒกแƒšแƒ˜แƒ›แƒ˜ แƒ›แƒจแƒ•แƒ˜แƒ“แƒแƒ“ แƒฃแƒงแƒฃแƒ แƒ”แƒ‘แƒ“แƒ, แƒ—แƒ•แƒแƒšแƒ”แƒ‘แƒกแƒแƒช แƒแƒ  แƒแƒฎแƒแƒ›แƒฎแƒแƒ›แƒ”แƒ‘แƒ“แƒ. - แƒ›แƒ”แƒ แƒ” แƒ แƒ แƒ›แƒแƒฎแƒ“แƒ? - แƒ“แƒ˜แƒœแƒฏแƒแƒ“ แƒฉแƒแƒ”แƒ™แƒ˜แƒ—แƒฎแƒ. แƒฏแƒแƒ แƒฏแƒ›แƒ แƒžแƒแƒกแƒ˜แƒแƒœแƒกแƒ˜แƒก แƒ™แƒแƒ แƒขแƒ”แƒ‘แƒ˜ แƒ’แƒฃแƒšแƒ“แƒแƒกแƒ›แƒ˜แƒ— แƒฉแƒแƒแƒ›แƒฌแƒ™แƒ แƒ˜แƒ•แƒ. - แƒ’แƒแƒ’แƒ แƒกแƒแƒกแƒแƒ›แƒแƒ แƒ—แƒšแƒแƒจแƒ˜ แƒ’แƒแƒ˜แƒฅแƒชแƒ แƒ“แƒ แƒ›แƒแƒแƒฎแƒกแƒ”แƒœแƒ, แƒ แƒแƒ› แƒ›แƒแƒกแƒ–แƒ” แƒซแƒแƒšแƒ แƒ˜แƒฎแƒ›แƒแƒ แƒ”แƒก. แƒฃแƒ˜แƒ“แƒ˜แƒก แƒ™แƒแƒชแƒ”แƒ‘แƒ˜ แƒ“แƒแƒ˜แƒ แƒแƒ–แƒ›แƒœแƒ”แƒœ แƒ“แƒ แƒ’แƒแƒ“แƒแƒฌแƒงแƒ•แƒ˜แƒขแƒ”แƒก แƒšแƒ”แƒœแƒ˜ แƒ“แƒแƒ”แƒญแƒ˜แƒ แƒแƒ— แƒ“แƒ แƒšแƒ˜แƒœแƒฉแƒ˜แƒก แƒฌแƒ”แƒกแƒ˜แƒ— แƒ’แƒแƒ”แƒกแƒแƒ›แƒแƒ แƒ—แƒšแƒ”แƒ‘แƒ˜แƒœแƒแƒ—, แƒฉแƒ•แƒ”แƒœ แƒ™แƒ˜ แƒ›แƒ—แƒ”แƒšแƒ˜ แƒ“แƒแƒ แƒฉแƒ”แƒœแƒ˜แƒšแƒ˜ แƒ“แƒฆแƒ” แƒกแƒแƒ แƒฌแƒงแƒแƒ• แƒแƒ แƒฎแƒจแƒ˜, แƒฌแƒงแƒแƒšแƒจแƒ˜ แƒ›แƒงแƒแƒคแƒ”แƒ‘แƒ›แƒ แƒ’แƒแƒ•แƒแƒขแƒแƒ แƒ”แƒ—. แƒ›แƒฎแƒแƒšแƒแƒ“ แƒ—แƒแƒ•แƒ”แƒ‘แƒ˜ แƒ’แƒ•แƒฅแƒแƒœแƒ“แƒ แƒฌแƒงแƒšแƒ˜แƒ“แƒแƒœ แƒแƒ›แƒแƒงแƒแƒคแƒ˜แƒšแƒ˜. แƒฆแƒแƒ›แƒ˜แƒ— แƒ™แƒ˜ แƒ˜แƒฅแƒ˜แƒ“แƒแƒœ แƒ›แƒแƒ•แƒฃแƒกแƒ•แƒ˜แƒ—. แƒกแƒšแƒ˜แƒ›แƒ˜ แƒชแƒแƒขแƒ แƒฎแƒแƒœแƒก แƒฃแƒฎแƒ›แƒแƒ“ แƒฃแƒงแƒฃแƒ แƒ”แƒ‘แƒ“แƒ. - แƒ’แƒแƒ’แƒแƒกแƒ—แƒ•แƒ˜แƒก แƒแƒ แƒแƒคแƒ”แƒ แƒ˜ แƒ“แƒแƒฃแƒจแƒ•แƒ”แƒ‘แƒ˜แƒ, แƒฐแƒ? - แƒ˜แƒ™แƒ˜แƒ—แƒฎแƒ, แƒ‘แƒแƒšแƒแƒก แƒ“แƒ แƒ‘แƒแƒšแƒแƒก. - แƒฏแƒแƒœแƒ“แƒแƒ‘แƒ, แƒแƒ แƒ! แƒฃแƒ‘แƒ แƒแƒšแƒแƒ“ แƒจแƒ”แƒแƒจแƒ˜แƒœแƒ. แƒ›แƒ”แƒช แƒ™แƒ˜ แƒจแƒ”แƒ›แƒ”แƒจแƒ˜แƒœแƒ“แƒ”แƒ‘แƒแƒ“แƒ, แƒแƒกแƒ” แƒ แƒแƒ› แƒ“แƒแƒ•แƒ”แƒญแƒ˜แƒ แƒ”. แƒ›แƒแƒ’แƒ แƒแƒ› แƒแƒ แƒแƒกแƒ“แƒ แƒแƒก แƒแƒ แƒแƒคแƒ”แƒ แƒก แƒ“แƒแƒฃแƒจแƒแƒ•แƒ”แƒ‘แƒ“แƒ. แƒฃแƒ‘แƒ แƒแƒšแƒแƒ“ แƒฃแƒœแƒ“แƒแƒ“แƒ แƒ˜แƒ› แƒฌแƒ˜แƒ—แƒ”แƒš แƒ™แƒแƒ‘แƒแƒก แƒจแƒ”แƒฎแƒ”แƒ‘แƒแƒ“แƒ, แƒ–แƒฃแƒกแƒขแƒแƒ“ แƒ˜แƒกแƒ”, แƒ แƒแƒ’แƒแƒ แƒช แƒ˜แƒ› แƒšแƒ”แƒ™แƒ•แƒ”แƒ‘แƒก แƒ”แƒคแƒ”แƒ แƒ”แƒ‘แƒ.
โ€
โ€
John Steinbeck (Of Mice and Men)
โ€œ
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, โ€œIโ€™m going to teach you,โ€ not โ€œIโ€™m going to judge your talent.โ€ As you look at what Collins and Esquith demanded of their studentsโ€”all their studentsโ€”itโ€™s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Platoโ€™s Republic led to discussions of de Tocquevilleโ€™s Democracy in America, Orwellโ€™s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. โ€œMaybe itโ€™s important to look for the good and be optimistic,โ€ he says, โ€œbut delusion is not the answer. Those who celebrate failure will not be around to help todayโ€™s students celebrate their jobs flipping burgers.โ€ฆ Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.โ€ All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. โ€œChallenge and nurtureโ€ describes DeLayโ€™s approach, too. One of her former students expresses it this way: โ€œThat is part of Miss DeLayโ€™s geniusโ€”to put people in the frame of mind where they can do their best.โ€ฆ Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
โ€
โ€
Carol S. Dweck (Mindset: The New Psychology of Success)