Mic Sing Quotes

I laughed and pointed out that "Hash Browns Mean Nothing Without You" was a pretty good name for a band. "Or a song," the Duke said, and then she started singing all glam rock, a glove up to her face holding an imaginary mic as she rocked out an a cappella power ballad. "Oh, I deep fried for you / But now I weep 'n' cry for you / Oh, babe, this meal was made for two / And these hash browns mean nothing, oh these hash browns mean nothing, yeah these HASH BROWNS MEAN NOTHIN' without you.

Is it my turn yet?” Lassiter asked over the earpiece. “I was born ready for this.” “Of all the people who could be immortal,” V muttered, “why are you one of them?” “Because I’m awwwwwesome,” the fallen angel sang. “And I’m part of your team—” “No, you’re not—” “—living your dream!” Butch’s head started thumping even worse. “Shut up, Lass. I can’t do singing right now.” “It’s from Despicable Me,” the angel commented. Like he was being helpful. “Shut up,” V cut in. “Shut up.” Butch fought to keep his voice low. “We’ve got another four minutes in the gym. I’ll let you know when you can—” “I’m losing air over here, you know,” Lassiter bitched. “My inflatable is deflating.” V cursed. “That’s because it doesn’t want to be around you any more than we do.” “You keep this up and I’m going to start thinking my enmity is mutual.” “About fucking time.” Right, Butch didn’t get off on dragging soaking-wet, panicked idiots out of a pool—but, man, he was really frickin’ glad he wasn’t on the back side of the house with those two fighting. “Sit tight, Lass,” he said. “I’ll be in touch—and, V, for the love of God, will you turn off his fucking mic—” “Ow! Hey! What the fuck, V—

Songs do not change the world,’ declares Jasper. ‘People do. People pass laws, riot, hear God and act accordingly. People invent, kill, make babies, start wars.’ Jasper lights a Marlboro. ‘Which begs a question. “Who or what influences the minds of the people who change the world?” My answer is “Ideas and feelings.” Which begs a question. “Where do ideas and feelings originate?” My answer is, “Others. One’s heart and mind. The press. The arts. Stories. Last, but not least, songs.” Songs. Songs, like dandelion seeds, billowing across space and time. Who knows where they’ll land? Or what they’ll bring?’ Jasper leans into the mic and, without a wisp of self-consciousness, sings a miscellany of single lines from nine or ten songs. Dean recognises, ‘It’s Alright Ma (I’m Only Bleeding)’, ‘Strange Fruit’ and ‘The Trail of the Lonesome Pine’. Others, Dean can’t identify, but the hardboiled press pack look on. Nobody laughs, nobody scoffs. Cameras click. ‘Where will these song-seeds land? It’s the Parable of the Sower. Often, usually, they land on barren soil and don’t take root. But sometimes, they land in a mind that is ready. Is fertile. What happens then? Feelings and ideas happen. Joy, solace, sympathy. Assurance. Cathartic sorrow. The idea that life could be, should be, better than this. An invitation to slip into somebody else’s skin for a little while. If a song plants an idea or a feeling in a mind, it has already changed the world.

Un labirint cu bolti inalte, ca niste tunele la suprafata, imbracat in trandafiri agatatori, acoperea zona dinspre rasarit a gradinii. Din loc in loc erau intercalate mici gherete imbracate in flori ce ieseau in afara, cu o banca din lemn avand spatarul inalt. Ina nu rezistase ispitei trandafirilor. Le invatase soiurile de la Leopold: trandafirii albi „Lace Cascade” revarsati in flori marunte; „Singing in the Rain” cu petale infoliate, de culoarea caiselor, stropiti de diamantele din roua; trandafirii Thea ale caror cupe seducatoare, catifelate, imprastie parfumuri sofisticate; trandafirii japonezi amplu desfacuti in petale mari, rasfrante; trandafirii Damask invaluiti subtil in petale diafane de forma aripilor de fluturi... Ce sa aleaga mai intai? Din aceasta conjuratie picturala, trecand de la nuantele patinate de roz, galben, crem pana la rosu carmin, nu avea decat sa culeaga un buchet multicolor, prea mic pentru a cuprinde nestematele unei gradini intregi.

If I start singing the ABC's, could you please remove the mic from my hand?" I said, a sudden fluttering of butterflies taking flight in my stomach

Then Terry - fucking Terry, the Blind King, the pain in the ass, the boy who tapped on her basement window, the kid who asked her the question that started everything, that caused all this pain, that sparked a thousand shows, the boy who said, "You wanna start a band?" - he grabbed his mic and right on time, right on cue, he said the words that were coming but that Kris thought he would never sing: "And inside that hole!" Terry shouted, and the black ocean fell silent, its colossal sound held back for three seconds, its power coiling, building up, about to overflow. "And inside that hole!" Terry shouted again, "is Black Iron Mountain!

Pippa’s hair was down and fell over her shoulders. Beneath her jersey dress, her body was easy to imagine, and I reached forward, sliding a hand around her waist to pull her just a little closer. I wanted to kiss her. I knew that in part it was the wine, and the beer, and the heady sense of freedom in a small town where I knew no one, but I also knew that in no part was that feeling about Becky. Pippa bounced against me, singing terribly into the mic—perfect for the song, really. Her earrings cascaded down from her ears, nearly touching her shoulders. Her bracelets clanged on her wrist. Her lipstick stained her lips a seductive fire-red, and it made her happy smile seem boundless.

So I turn the mic toward the fields, and the crowd just goes insane, singing my song, chanting my plea. I leave them at it and I take a little walk around the stage. The rest of the band sees what's going on so they just keep repping the chorus. When I get closer to the side of the stage, I see her there, where she always felts most comfortable, thought for the foreseeable future, she'll be the one out here in the spotlight, and I'll be the one in the wings, and that feels right, too.

Coriolanus thought it was quite a display for Arachne, disproportionate to both her life and death, the latter of which could have been avoided if she'd refrained from being such an exhibitionist. So many people had died heroically in the war, with so little recognition, that it grated on him. He was relieved that he was singing instead of having to praise her talents, which, if memory served, were limited to being loud enough to fill the school auditorium without a mic and the ability to balance a spoon on her nose.

She remembers rehearsals. Wrong notes turning to right ones, dissonance becoming harmony. She remembers “O Holy Night” sounding so perfect, in the end, her voice wrapping itself around Jonah’s like they were created just for this. She remembers his smile at her from across their shared mic. She remembers getting asked to reprise her duet with Jonah a year later. Just after everything happened with Luke. But then Mr. Boyden took her aside. Told her that Jonah had backed out. He’d said he was too busy for extra rehearsals, but she knew: it was because of her. She saw it in Jonah’s face, in the way he avoided her eyes. She saw it in everyone else’s faces too. She was a bullet he’d just dodged. She remembers standing up for the solo she was given instead—her last performance before she quit choir. She remembers opening her mouth, nothing coming out. She’d cleared her throat, tried again. Her voice emerged, but all wrong: small and shaky and sharp. With everyone looking at her, with the rumors still swirling, she felt exposed. She felt small and shaky and sharp. Vulnerable, but made of angles and thorns.

The woods came for Emeline the way they always did: creeping in with the shadows, seeping up through the cracks. Emeline, they whispered. Sing us a true song. Emeline gritted her teeth, ignoring it. From her perch on the wooden stool beneath the white lights, she continued to croon into the mic, picking the strings of her ukulele, telling herself she didn't care if the ale in the bar taps turned to mucky creek water tonight, or if the cash in the register transformed into crisp golden maple keys. She didn't care if those spongy green clumps currently sprouting up between the floorboards were, in fact, forest moss.

What are you doing here?” he asked Bailey, surprised that Bailey was roaming the streets in his wheelchair at eleven o'clock. “Karaoke, baby.” “Karaoke?” “Yep. Haven't done it in a while, and we've been getting complaints from the produce section. Seems the carrots have formed a Bailey Sheen fan club. Tonight is for the fans. Fern's got quite a following in the frozen foods.” “Karaoke . . . here?” Ambrose didn't even crack a smile . . . but he wanted to. “Yep. Closing time means we have free rein of the place. We take over the store’s sound system, use the intercom for a microphone, plug in our CDs, and rock Jolley's Supermarket. It's awesome. You should join us. I should warn you, though, I'm amazing, and I'm also a mic hog.” Fern giggled, but looked at Ambrose hopefully. Oh, hell, no. He wasn't singing Karaoke. Not even to please Fern Taylor, which he actually wanted to do, surprisingly enough.

I feel like I’m on holy ground here, do you?' she called to the crowd through her mic. 'Special spot, special spot,' somebody called back. They were not wrong: what happened here in a mountainous backwater of a colonial outpost had gathered enough momentum to shift the course of history. Shepherd told the story of the anonymous woman who was said to have started the first trash house fire on the night of December 27, 1831. 'Yes, it led to her death,' she said, 'but it gave birth to abolition within the British Empire. I’m going to rename her tonight. Guess what I’m going to name her? ‘Fire.’ Tonight we christen ‘Fire.’ This time we want to have the flames of passion in our hearts. As I look across the hills, I can almost see the fires lit in 1831. I believe the hills were joyful that night as they witnessed our ancestors stand against oppression and torture.' Her voice rose: 'Ancestors, we see you! We hear you every time we sing or dance. Everything we do, the roots are in what our ancestors did to survive.

Songs do not change the world,” declares Jasper. “People do. People pass laws, riot, hear God, and act accordingly. People invent, kill, make babies, start wars.” Jasper lights a Marlboro. “Which raises a question. ‘Who or what influences the minds of the people who change the world?’ My answer is ‘Ideas and feelings.’ Which begs a question. ‘Where do ideas and feelings originate?’ My answer is, ‘Others. One’s heart and mind. The press. The arts. Stories. Last, but not least, songs.’ Songs. Songs, like dandelion seeds, billowing across space and time. Who knows where they’ll land? Or what they’ll bring?” Jasper leans into the mic and, without a wisp of self-consciousness, sings a miscellany of single lines from nine or ten songs. Dean recognizes “It’s Alright, Ma (I’m Only Bleeding),” “Strange Fruit,” and “The Trail of the Lonesome Pine.” Others, Dean can’t identify, but the hardboiled press pack look on. Nobody laughs, nobody scoffs. Cameras click. “Where will these song-seeds land? It’s the Parable of the Sower. Often, usually, they land on barren soil and don’t take root. But sometimes, they land in a mind that is ready. Is fertile. What happens then? Feelings and ideas happen. Joy, solace, sympathy. Assurance. Cathartic sorrow. The idea that life could be, should be, better than this. An invitation to slip into somebody else’s skin for a little while. If a song plants an idea or a feeling in a mind, it has already changed the world.

Pretend mic in hand, she danced into the bedroom, singing Rod Stewart's "Do Ya Think I'm Sexy." She executed a few dance steps she'd read about in books on modern dance. Losing herself to the groove of the music, she swayed and gyrated as she belted out the lyrics. She toed off her shoes and shimmied out of her jeans, bending to slip them over her feet... "I'm thinking this is a sight and a sound I could get used to.

Bryan Ferry: I have terrible memories of it all going wrong. I’d put together an all-star band, and the set was fraught with problems. We had David Gilmour on guitar and, poor David, his guitar wasn’t working for the first couple of songs. With his first hit, the drummer put his stick through the drum skin. And then my microphone wasn’t working, which for a singer is a bit of a handicap. A roadie ran on with another mic, so then I was holding two mics taped together, and I wasn’t really sure which one to sing into. It was a great day, though.

How I still want to sing despite all the truth of our wars and our gunshots ringing louder than our school bells, our politicians smiling lies at the mic, the deadlock of our divided voices shouting over each other instead of singing together. How I want to sing again-- beautiful or not, just to be harmony--from sea to shining sea--with the only country I know enough to know how to sing for.

She arrives there and puts music on her phone. I put my headphones in and turn on her mic, just so I can hear her sing along to the melody.

Talking of lists, we’re here.” “What? Where?” I turn to look out the window as the car comes to a stop. “Cam’s—my friend’s bar. We’re eating here, and then you’re going to cross another thing off your list.” “I am?” I turn back to him, my brow raised in question. “Yeah—sing in public. Cam has a resident band. Tonight is open mic night, so it’s the perfect opportunity for you to cross it off your list.” “Oh…I don’t know. I was thinking that I’d maybe do one thing a day. And the hair constitutes as one thing.” Liam laughs. “Stop being a chicken.” “I’m not being a chicken. I was the one who put it on my list, wasn’t I?” “So then, what’s the point in waiting? Do it now.” He’s right. What’s the point in stalling? It’s not like I have the luxury of time. “Okay, let’s do it.” He smiles wide. “This is going to be epic.” “It’s going to be terrible. I’m a really awful singer.” “And that’s why it’s going to be epic.” He flashes a grin at me.

I was clearing some plates off a table when I heard the familiar strum of guitar chords. My heart clenched painfully as I slowly made my way to the kitchen. Tonight was another open-mic night, and while I enjoyed having live music playing throughout the bar and dining room, I didn’t usually pay that much attention to it. But there was no way to miss this song. The deep, husky voice began crooning through the speakers as I came back out of the kitchen empty-handed. And I couldn’t shake the feeling that I knew that voice as I made my way to a spot where I could see the stage. I rubbed a hand over my aching chest and stopped suddenly when I saw Kash sitting on the stool in front of the mic with a guitar in his hands. What was he doing? Since when did he play guitar and sing? And why this song? His eyes searched the dining area and landed on me just as he began the first chorus of “I’ll Be.” Tears pricked the back of my eyes and my entire body warmed under his intense stare as he continued through words that meant more to me than he could have known. Not once did he take his eyes from me, and my mind and heart fought over my conflicting feelings. Part of me wanted to yell that he was the guy I’d been waiting for. That I was in love with him and was done being only his friend. The other part wanted to know why he was torturing me with this song. With everything else that had happened tonight and the fourth anniversary of my parents’ death less than two months away, I wanted to run away from there, to curl in a ball and mourn what I had lost and would never have. I couldn’t call my mom and tell her I’d met a guy whose presence alone made me dizzy. Who sang to me the same song Dad had always sung to her. I couldn’t tell my parents that no matter how hard I fought my feelings and pushed Kash away, I knew I’d met the man I wanted to marry. The haunting words drifted to an end, and soon the chords did too. When Kash was finished, he put the guitar on the stand and began walking in my direction. Throughout all of this, his eyes still hadn’t left mine. Before he could reach me, the bitter side of me won out and I turned on my heel and rushed back to my customers. I kept myself busy for the rest of the hour and whenever I had to go over to the bar, I made sure to go to Bryce’s side so I wouldn’t have to face Kash again. I knew I was being ridiculous, but if it had been any song other than that one, if it had been on a night that wasn’t wearing me completely down, I may have been brave enough to finally fight for what I wanted. But right now all I could think of was finishing out this shift at work and staying far from Logan Hendricks. Somehow, he knew how to get to me. And somehow, I knew that our being together was right. But especially after that morning, everything about him—and us together—scared me. And I wasn’t sure I could handle that right now. People say that being in love is amazing. They lie. It’s freaking terrifying.  

Another artist, Nikki McClure, used to take long walks in the woods around sunset, making up songs and singing them to herself at the top of her voice; when she hit on something that sounded good to her, she’d run back to whatever house was hosting a show and sing into the mic, knowing the audience would be receptive.

The problem was Luke had decidedly different ideas about what her role should be. He kept trying to convince her to sing louder, to leave the safety of her keyboard and join him at his mic, kept looking at her like he knew exactly how much she wanted to do just that. How much she wanted them to be them . And she did. Obviously. More than anything. Well, almost anything. And that was the issue. Because one of the only things she wanted more than to join her band again for real, and feel that adrenaline rush that only came with letting go on stage, and connecting and being Julie and Luke ...was to make sure they were ok when she left. And she would have to leave eventually. She just had to.

I’m sort of nervous you’ll find out Even though I want you to I’m sort of nervous you’ll be angry Even though I know that’s not you We’ve been through this all before And you never made me feel unsure But still A hush had fallen over the crowd as soon as she began to sing and Julie marveled at how different this atmosphere was from the raucous one the boys had described to her from their visit to the club. She wondered if Caleb would be satisfied with her slow and emotional song choice but if he was dissatisfied with her he didn’t show it on his face. He merely glanced around at the rapt expressions of the lifers and smirked. Julie allowed her eyes to slide over to her friends who were both watching her with knowing looks. She knew that the sadness in her lyrics was reflected in their eyes, that they felt sorry for her and that they ached for Luke too. She forced her gaze away from them, needing to focus on getting through the song and finding it almost impossible in the face of their pity. I’m sort of hopeful you’ll find out Even though that’s not fair I’m sort of hopeful you'll guess Even though I’m so scared I don’t know what the right choice is And part of me wants you to insist But still Despite all of the circumstances that made singing this particular song in this particular venue absolutely loaded down with baggage she found herself slipping into the zone she always occupied when performing. She could feel the heady rush of doing what she was meant to do in front of people hanging on her every word. She wished Luke was there to sing with her but she had also never been so glad that he wasn’t. She gripped the mic stand and raised her voice to new heights as she began the chorus. How do I tell you this isn’t where I belong? How do I tell you this was a tragedy all along? That we never had a chance At a happy ending at all Just a few brief stolen moments Between your heart and mine How do I tell you? How do I tell you? Goodbye She could hear emotion breaking through into her voice but she didn’t care. The ghost band once again seemed to sense what she had heard in her head and the music built and built before suddenly dropping to next to nothing. A few chords on the piano were all that accompanied the final verse as she gave it her all. I’m sort of happy we happened Even though I know the memories Will hurt I’m sort of happy we met here Even if it took a curse I know that I’ve made mistakes And some of them are hard to shake But still Julie allowed herself to truly see the audience for the first time. They were still watching her with awed expressions but something about the lighting in the club seemed different. There was a soft golden glow settling over the whole room. Julie blinked and the glow was gone. She barely had time to wonder if she had imagined it before the band came back in full force for the final chorus. How do I tell you this isn’t where I belong? How do I tell you this was a tragedy all along? That we never had a chance At a happy ending at all Just a few brief stolen moments Between your heart and mine How do I tell you? How do I tell you? Goodbye The band fell away again and Julie’s voice echoed through the ballroom alone on the final lines. How do I tell you? Goodbye

Then we went into “Nobody’s Fault.” This was one of the highlights of my creative career. If you listen really close to the front of “Nobody’s Fault,” there isn’t an intro to the song. I suggested to Joe that he turn his amp volume to 12 and the volume on his guitar off. Since the key of the song was an E, I suggested he start by fingering a D chord, and then turn the volume knob all the way up slowly. I told Brad to play an A chord, same dealio as Joe. Then Joe played a C, did the same thing—Brad played a G, Joe played a B-flat, Brad played an F, Joe played an A-flat, Brad played an E-flat, and then Joe and Brad both played a D chord. And when they played that D together, rolling the volume knob up with their pinkies—and holding it for a second—then the band came in on a crashing E chord like Hitler was at the door. I looked over and Jack Douglas was internally hemorrhaging with bliss. I was in the middle of the room with my headphones on (which we called “cans”) and a live mic in front of me, because I loved singing live vocals as the band tracked. It always seemed to incite a little riot inside of everyone. Right before the band came in on the downbeat, the union engineer from Columbia marked his presence for all time by opening the door right in the middle of that sweet silence. He had a clarinet in his hand that wound up on the front of “Pandora’s Box,” but that’s another story. You can actually hear the door opening in “Nobody’s Fault” to this day and it somehow seems to get louder and louder with each play, only ’cause you know it’s there now.

What would you say to people who think you wouldn’t be where you are now if it wasn’t for Rhyson Gray?” Luke clears his throat and begins to speak before I can. “I think Kai—” “It’s okay, Luke,” I hold up a hand, eyes never leaving Randy’s. “I’d love to answer this question.” I lick my suddenly dry lips before going in. “I would tell them that no one finds success without the help of others along the way.” I look down at the hands in my lap for a second before looking back up. “I wouldn’t be here without my mother, who sacrificed all my life to make sure I had dancing and singing lessons. I wouldn’t be here without my best friend, Santos, who dragged me out to LA to pursue my dreams. I wouldn’t be here without my vocal coach, Grady, who took me under his wing in a strange new city.” I pause, swallowing back unexpected emotion I hope I’m hiding well. “And, yes, I wouldn’t be here without Rhyson, whose music and work ethic inspired me years before I even met him when I was just a fan. So in that sense, they’re right.” I lean forward, elbows propped on the table, lips pressed close to the mic like the producer told me to. “But I would also invite those people out to see me on the road because, though so many have helped me, I’m the one who has to perform night in, night out, and no one does that for me. I’d offer them a ticket, but my shows are all sold out.” Randy’s mouth hangs open a little.

I just know there’s a moment I want to invite you to: that moment when the unexpected happens, when the judge turns around in his chair and is surprised at what you, little old you, is capable of. I might sound cheesy and not at all cool, but sometimes cool is a form of cowardice to prevent you from admitting the things you deeply care about. The chair turn is one of my favorite things ever. It’s also why I believe in finishing. Most of us spend most of our lives wondering what if. We imagine. We dream. We hope. And a week turns into a month turns into a year. The stage stays empty. The mic stays quiet. The chair won’t spin around because no one is singing.

Then Max strums the guitar, Cole brings the mic up to his mouth, and in a deep, rich timbre, he starts singing “Blue Christmas.” My hand immediately goes to my chest as his eyes shut, the lyrics conveying the pain of missing his parents during Christmas. Max