Meyer Schapiro Quotes

How can two mutually exclusive behaviors—mating and fighting—be mediated by the same population of neurons? Anderson found that the difference hinges on the intensity of the stimulus applied. Weak sensory stimulation, such as foreplay, activates mating, whereas stronger stimulation, such as danger, activates aggression. In 1952 Meyer Schapiro paid

I remember [Meyer] Schapiro telling us that before Cézanne, there had always been a place in landscape painting where the viewer could walk into the picture. There was an entrance; you could go there, like walking into a park. But this was not true of Cézanne’s landscapes, which were cut off absolutely, abstracted from their context. You could not walk into them—you could enter them only through art, by leaping. Anatole Broyard, Kafka Was the Rage

As the art historian Meyer Schapiro has said of expressionist and post-expressionist painting, “the subjective becomes tangible,” by which he means that on a canvas by, say, Monet or Cézanne, we see in “the mark, the stroke, the brush, the drip”—none of which is effaced or concealed—“the drama of decision in the ongoing process of art.” Melville’s creative process in Moby-Dick was the verbal equivalent of the “tangible subjectivity” that he had seen in the canvases of Turner. As the English critic Henry Chorley wrote astutely in 1850, “Mr. Melville stands as far apart from any past or present marine painter in pen and ink as Turner does” from lesser painters.