Metropolitan Film Quotes

Our taverns and our metropolitan streets, our offices and furnished rooms, our railroad stations and our factories appeared to have us locked up hopelessly. Then came the film and burst this prison-world asunder by the dynamite of the tenth of a second, so that now, in the midst of its far-clung ruins and debris, we calmly and adventurously go traveling.

Once a month, The Metropolitan hosts Films Under the Stars. The rooftop is converted to a luxury movie theatre. They show both new releases and classics and there’s a large staff serving traditional movie snacks, meals from the restaurant downstairs, and drinks from one of the two bars. There’s regular seating, oversized bean bags, and private seating in one of five cabanas. Each cabana has a couch, cooler, and two large, side by side, plush lounge chairs. The cooler has complimentary waters and wine. During the summer months, misting fans are included and during colder months, small heaters. We have two small heaters. The best part is the heavy curtains that surround the cabana; they give us extra privacy.

February 10: The press quotes Wilder’s vow never to do a film with Marilyn again. Marilyn and Miller attend a performance of Macbeth at the New York Metropolitan Opera. She is photographed autographing one of the programs.

we are to believe major press outlets in France, the Americanization of French society has been far-reaching, relentless, and totally to the detriment of whatever the case may be. We encounter the Americanisation of French and European accounting practices, the constitutional system, electoral campaigns, the growth of single family clusters outside metropolitan areas, the use of credit cards, urban and suburban planning, sports, films, music, language, habits. Even the world of Parisian haute couture seems to have been bastardized by “a violent Americanization of taste.” And of course antonymy in this all-around evil of Americanisation prevails.