Metro Life Quotes

We've searched our database for all the quotes and captions related to Metro Life. Here they are! All 80 of them:

Just because i know how to change a guys oil doesn't mean i want to spend the rest of my life on my back, staring up his undercarriage.
Janet Evanovich (Metro Girl (Alex Barnaby, #1))
What metro Boston AAs are trite but correct about is that both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in their life: i.e almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
David Foster Wallace (Infinite Jest)
He who is brave and patient enough to peer into the darkness his whole life will be first to see a flicker of light in it.
Dmitry Glukhovsky (Metro 2033)
People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
Life in Christ is like traveling on a metro link train, with a predetermined destination. You are not the driver, Jesus is, and God provided the route on this one time trip. He plotted everything, the date and the time of your travel and arrival. There will be stops and delays along the way, but remember this, at the bottom of a traffic light is always a green light.
Rolly Lavapie
Getting a new version of the answer every day, Artyom was unable to compel himself to believe what was true, because the next day another, no less precise and comprehensive one, might arise. Whom should he believe? And in what? ... Any faith served man only as a crutch supporting him. ... He understood why man needs this support. Without it, life would have become empty, like an abandoned tunnel.
Dmitry Glukhovsky (Metro 2033 (Metro, #1))
Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room. But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
Life always gives option to quit. If you want to compromise you always have that option
Shiv Kumar (A Metro Nightmare)
Slowly, slowly, his soul was filled with bitterness at the fact that he had stood a step away from enlightenment, from the most real enlightenment, but he hadn’t been resolute, he hadn’t dare give himself to the flow of the tunnel’s ether, and now he would be left to wander in the darkness for his whole life because he was once too afraid of the light of authentic knowledge.
Dmitry Glukhovsky (Metro 2033)
Life is not complex. It is made to be complex. Complex issues are developed around simple issues.
Shiv Kumar (A Metro Nightmare)
One aspiration and thousand aspirants fighting to make their place.
Parul Wadhwa (The Masquerade)
On the Metro she thought about how easy it would be to step off somewhere else, disappear. It occurred to her that, for the whole of her life, she might never stop having that thought.
Nicole Flattery (Show Them a Good Time)
Her purse is half open, and I see a hotel room key, a metro ticket, and a hundred-franc note folded in four, like objects brought back by a space probe sent to earth to study how earthlings live, travel, and trade with one another. The sight leaves me pensive and confused. Does the cosmos contain keys for opening up my diving bell? A subway line with no terminus? A currency strong enough to buy my freedom back? We must keep looking. I'll be off now.
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
Wages and housing costs have diverged so dramatically that, for a growing number of Americans, the dream of a middle-class life has gone from difficult to impossible. As I write this, there are only a dozen counties and one metro area in America where a full-time minimum wage worker can afford a one-bedroom apartment at fair market rent. You’d have to make at least $16.35 an hour—more than twice the federal minimum wage—to rent such an apartment without spending more than the recommended 30 percent of income on housing. The consequences are dire, especially for the one in six American households that have been putting more than half of what they make into shelter. For many low-income families, that means little or nothing left over to buy food, medication, and other essentials.
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
The night-noises of the metro night: harbor-wind skirling on angled cement, the shush and sheen of overpass traffic, TPs' laughter in interior rooms, the yowl of unresolved cat-life. Horns blatting off in the harbor. Receding sirens. Confused inland gulls' cries. Broken glass from far away. Car horns in gridlock, arguments in languages, more broken glass, running shoes, a woman's either laugh or scream from who can tell how far, coming off the grid. Dogs defending whatever dog-yards they pass by, the sounds of chains and risen hackles.
David Foster Wallace (Infinite Jest)
Why was he doing this? So that life could continue in the metro? Right. So that they could grow mushrooms and pigs at VDNKh in the future, and so that his stepfather and Zhenkina’s family lived there in peace, so that people unknown to him could settle at Alekseevskaya and at Rizhskaya, and so that the uneasy bustle of trade at Byelorusskaya didn’t die away. So that the Brahmins could stroll about Polis in their robes and rustle the pages of books, grasping the ancient knowledge and passing it on to subsequent generations. So that the fascists could build their Reich, capturing racial enemies and torturing them to death, and so that the Worm people could spirit away strangers’ children and eat adults, and so that the woman at Mayakovskaya could bargain with her young son in the future, earning herself and him some bread. So that the rat races at Paveletskaya didn’t end, and the fighters of the revolutionary brigade could continue their assaults on fascists and their funny dialectical arguments. And so that thousands of people throughout the whole metro could breathe, eat, love one another, give life to their children, defecate and sleep, dream, fight, kill, be ravished and betrayed, philosophize and hate, and so that each could believe in his own paradise and his own hell . . . So that life in the metro, senseless and useless, exalted and filled with light, dirty and seething, endlessly diverse, so miraculous and fine could continue.
Dmitry Glukhovsky (Metro 2033)
The almost-35-year-old Terry Schmidt had very nearly nothing left anymore of the delusion that he differed from the great herd of the common run of men, not even in his despair at not making a difference or in the great hunger to have an impact that in his late twenties he'd clung to as evidence that even though he was emerging as sort of a failure the grand ambitions against which he judged himself a failure were somehow exceptional and superior to the common run's - not anymore, since now even the phrase Make A Difference had become a platitude so familiar that it was used as the mnemonic tag in low-budget Ad Council PSAs for Big Brothers/Big Sisters and the United Way, which used Make a Difference in a Child's Life and Making a Difference in Your Community respectively, with B.B./B.S. even acquiring the telephonic equivalent of DIF-FER-ENCE to serve as their Volunteer Hotline number in the metro area.
David Foster Wallace (Oblivion)
Do I really deserve this? Artyom thought. Is my life so much more important than the lives of all these people? No, he was glad to have been rescued. But all these people – randomly scattered, like bags and rags, on the granite of the platform, side by side, on the rails, left forever in the poses that Hunter’s bullets had found them in – they all died so that he could live? Hunter had made this exchange with such ease, just as though he had sacrificed some minor chess figures to safeguard one of the most important pieces . . . He was just a player, and the metro was a chessboard, and all the figures were his, because he was playing the game with himself. But here was the question: Was Artyom such an important piece to the game that all these people had to perish for his preservation?
Dmitry Glukhovsky (Metro 2033)
The food in the hostel mess is worst of a kind. The grief in my words reach easily to those who have "been there and done that" Chapatti in the meal is either so uncooked or overly cooked and you can only expect dal in the ocean of water when you are ready to swim.
Parul Wadhwa (The Masquerade)
Nostalgia washes over me with tons of memors and lifetime rolled on this land. Every oblivious memory from the childhood wraps open in the fragrance of these busy roads and familiar land, long signals, irritating traffic,honking cars,rushing people,excessive pollution defining Delhi at its best.
Parul Wadhwa (The Masquerade)
Delhi people can make anything look fancy. Delhi scares me with fast pace vehicles and running life, it can almost thrill anyone.
Parul Wadhwa (The Masquerade)
I’d crossed the portal to the Spirit World looking for my family, for my life’s purpose; they weren’t what I’d expected, but I’d found them both in Faivendei.
Yana Metro (Luminiferos: The Omen of Light)
The Metro in D.C. is so clean that you could eat off the floor.
Taylor Jenkins Reid (Maybe in Another Life)
Delhi: This place is inself an oxymoron.
Parul Wadhwa (The Masquerade)
Life is not a traffic signal where one who crosses one green light feels lucky and will reach his destination faster. Life has many traffic signals. Marriage is one Traffic signal. If one gets stuck at the red light here, it does not mean that he would lose in life. Instead life is like flowing water. It creates its own path. When one path is blocked it chooses other path.
Shiv Kumar (A Metro Nightmare)
the metro was not merely a transportation facility, built at a certain point in time, that it was not merely an atomic bomb shelter, or home to some tens of thousands of people . . . Rather, somebody had breathed into it their own, mysterious, incomparable life, and it possessed a certain extraordinary kind of reason, which a human being could not fathom, and a consciousness that was alien to him.
Dmitry Glukhovsky (Metro 2033)
It was true, it was easy enough for an old man like him, with no children, to risk his moth-eaten skin, but the young man still had a long life ahead of him - too long to be concerned about immortality.
Dmitry Glukhovsky (Metro 2034 (Metro, #2))
Just because some dreams never see light that doesn’t make us nonbelievers, they are wings to our sky and fiction makes us dream. I know the truth is fatal, especially for the stubborn’s but trust me the illusion is worse.
Parul Wadhwa (The Masquerade)
WE ALL DO IT, YOU know. Distract ourselves from noticing how time’s passing. We throw ourselves into our jobs. We focus on keeping the blight off our tomato plants. We fill up our gas tanks and top off our Metro cards and do the grocery shopping so that the weeks look the same on the surface. And then one day, you turn around, and your baby is a man. One day, you look in the mirror, and see gray hair. One day, you realize there is less of your life left than what you’ve already lived. And you think, How did this happen so fast? It was only yesterday when I was having my first legal drink, when I was diapering him, when I was young. When this realization hits, you start doing the math. How much time do I have left? How much can I fit into that small space? Some of us let this realization guide us, I guess. We book trips to Tibet, we learn how to sculpt, we skydive. We try to pretend it’s not almost over. But some of us just fill up our gas tanks and top off our Metro cards and do the grocery shopping, because if you only see the path that’s right ahead of you, you don’t obsess over when the cliff might drop off. Some of us never learn. And some of us learn earlier than others. —
Jodi Picoult (Small Great Things)
It was a rite of passage each year at Manhattan Life Insurance Company. The golden doors would open every summer to a new crop of bright-eyed college students, all of which were over-qualified for a job that required little more than a high school-equivalent GED and a fully loaded MetroCard.
Phil Wohl (Manhattan Life)
I have a distinct air of myself standing amidst such a crowd of people. My eyes set above, looking at the tall building if it bespeaks a promising note. I don’t know how fair is life, All I know is I have a plan to alter the face of it, the way I choose. A purpose, a driving motive, and an obsession.
Parul Wadhwa (The Masquerade)
the Secret Service is now saying that Hinckley could have been stopped. All it would have taken was for Delahanty and the other Metro Police officers on the rope line to continue facing the crowd as Ronald Reagan departed the Hilton. It is a question that will dog Thomas Delahanty the rest of his life.
Bill O'Reilly (Killing Reagan: The Violent Assault That Changed a Presidency)
Why," he was saying, "why should one not tolerate this life, since so little suffices to deprive one of it? So little brings it into being, so little brightens it, so little blights it, so little bears it away. Otherwise, who would tolerate the blows of fate and the humiliations of a successful career, the swindling of grocers, the prices of butchers, the water of milkmen, the irritation of parents, the fury of teachers, the bawling of sergeant-majors, the turpitude of the beasts, the lamentations of the dead-beats, the silence of infinite space, the smell of cauliflower or the passivity of the wooden horses on a merry-g0-round, were it not for his knowledge that the bad and proliferative behaviour of certain minute cells (gesture) or the trajectory of a bullet traced by an involuntary, irresponsible, anonymous individual might unexpectedly come and cause all these cares to evaporate into the blue heavens.
Raymond Queneau (Zazie in the Metro)
We all do it, you know. Distract ourselves from noticing how time’s passing. We throw ourselves into our jobs. We focus on keeping the blight off our tomato plants. We fill up our gas tanks and top off our Metro cards and do the grocery shopping so that the weeks look the same on the surface. And then one day, you turn around, and your baby is a man. One day, you look in the mirror, and see gray hair. One day, you realize there is less of your life left than what you’ve already lived. And you think, How did this happen so fast? It was only yesterday when I was having my first legal drink, when I was diapering him, when I was young.
Jodi Picoult (Small Great Things)
people who have made India awesome aren’t all politicians. Most of the people that did this are not from the government. Whether it is entrepreneurs like J.R.D. Tata and N.R. Narayana Murthy, sportspersons like Sachin Tendulkar or musicians like A.R. Rahman, people from all walks of life have helped improve our nation. Not just celebrities, but E. Sreedharan, responsible for the Delhi Metro, and Dr Verghese Kurien, who created the Amul revolution, were all ordinary people doing their work extraordinarily well. Mahatma Gandhi and Swami Vivekananda, two of the most influential figures in India’s history, never held political office. Aim to be one of those people who made India awesome.
Chetan Bhagat (Making India Awesome: New Essays and Columns)
Some of us let this realization guide us... We book trips to Tibet, we learn how to sculpt, we skydive. We try to pretend it's not almost over. But some of us just fill up our gas tanks and top off our Metro cards and do the grocery shopping, because if you only see the path that's right ahead of you, you don't obsess over when the cliff might drop off.
Jodi Picoult (Small Great Things)
Any faith served man only as a crutch supporting him. When Artyom was young, his stepfather’s story about how a monkey took up a cane and became a man made him laugh. After that, apparently, the clever macaque no longer let the cane out of his hand because he couldn’t straighten up. He understood why man needs this support. Without it, life would have become empty, like an abandoned tunnel.
Dmitry Glukhovsky (Metro 2033)
An age-old city is like a pond. With its colours and reflections. Its chills and murk. Its ferment, its sorcery, its hidden life. A city is like a woman, with a woman’s desires and dislikes. Her abandon and restraint. Her reserve - above all, her reserve. To get to the heart of a city, to learn its most subtle secrets, takes infinite tenderness, and patience sometimes to the point of despair. It calls for an artlessly delicate touch, a more or less unconditional love. Over centuries. Time works for those who place themselves beyond time. You’re no true Parisian, you do not know your city, if you haven’t experienced its ghosts. To become imbued with shades of grey, to blend into the drab obscurity of blind spots, to join the clammy crowd that emerges, or seeps, at certain times of day from the metros, railway stations, cinemas or churches, to feel a silent and distant brotherhood with the lonely wanderer, the dreamer in his shy solitude, the crank, the beggar, even the drunk - all this entails a long and difficult apprenticeship, a knowledge of people and places that only years of patient observation can confer.
Jacques Yonnet
These were strange, freakish, and dangerous creatures, the likes of which might well have brought Darwin himself to despair with their obvious lack of conformity to the laws of evolutionary development. As much as these beasts might differ from the animals humans were used to, and whether they had been reborn under the invisible and ruinous rays of sunlight, turned from inoffensive representatives of urban fauna into the spawn of hell, or whether they had always dwelled in the depths, only now to be disturbed by man – still, they were an evident part of life on earth.
Dmitry Glukhovsky (Metro 2033 (Metro, #1))
WE ALL DO IT, YOU know. Distract ourselves from noticing how time’s passing. We throw ourselves into our jobs. We focus on keeping the blight off our tomato plants. We fill up our gas tanks and top off our Metro cards and do the grocery shopping so that the weeks look the same on the surface. And then one day, you turn around, and your baby is a man. One day, you look in the mirror, and see gray hair. One day, you realize there is less of your life left than what you’ve already lived. And you think, How did this happen so fast? It was only yesterday when I was having my first legal drink, when I was diapering him, when I was young. When this realization hits, you start doing the math. How much time do I have left? How much can I fit into that small space? Some of us let this realization guide us, I guess. We book trips to Tibet, we learn how to sculpt, we skydive. We try to pretend it’s not almost over. But some of us just fill up our gas tanks and top off our Metro cards and do the grocery shopping, because if you only see the path that’s right ahead of you, you don’t obsess over when the cliff might drop off. Some of us never learn. And some of us learn earlier than others.
Jodi Picoult (Small Great Things)
Torrents of text conversations, tides of cell conversations, of television programs, of e-mail, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I’m going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscapes we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
Anthony Doerr (All the Light We Cannot See)
Don’t date a girl who reads because girls who read are the storytellers. You with the Joyce, you with the Nabokov, you with the Woolf. You there in the library, on the platform of the metro, you in the corner of the café, you in the window of your room. You, who make my life so god damned difficult. The girl who reads has spun out the account of her life and it is bursting with meaning. She insists that her narratives are rich, her supporting cast colorful, and her typeface bold. You, the girl who reads, make me want to be everything that I am not. But I am weak and I will fail you, because you have dreamed, properly, of someone who is better than I am. You will not accept the life that I told of at the beginning of this piece. You will accept nothing less than passion, and perfection, and a life worthy of being storied. So out with you, girl who reads. Take the next southbound train and take your Hemingway with you. I hate you. I really, really, really hate you.
Charles Warnke
Do those things, god damnit, because nothing sucks worse than a girl who reads. Do it, I say, because a life in purgatory is better than a life in hell. Do it, because a girl who reads possesses a vocabulary that can describe that amorphous discontent as a life unfulfilled—a vocabulary that parses the innate beauty of the world and makes it an accessible necessity instead of an alien wonder. A girl who reads lays claim to a vocabulary that distinguishes between the specious and soulless rhetoric of someone who cannot love her, and the inarticulate desperation of someone who loves her too much. A vocabulary, god damnit, that makes my vacuous sophistry a cheap trick. Do it, because a girl who reads understands syntax. Literature has taught her that moments of tenderness come in sporadic but knowable intervals. A girl who reads knows that life is not planar; she knows, and rightly demands, that the ebb comes along with the flow of disappointment. A girl who has read up on her syntax senses the irregular pauses—the hesitation of breath—endemic to a lie. A girl who reads perceives the difference between a parenthetical moment of anger and the entrenched habits of someone whose bitter cynicism will run on, run on well past any point of reason, or purpose, run on far after she has packed a suitcase and said a reluctant goodbye and she has decided that I am an ellipsis and not a period and run on and run on. Syntax that knows the rhythm and cadence of a life well lived. Date a girl who doesn’t read because the girl who reads knows the importance of plot. She can trace out the demarcations of a prologue and the sharp ridges of a climax. She feels them in her skin. The girl who reads will be patient with an intermission and expedite a denouement. But of all things, the girl who reads knows most the ineluctable significance of an end. She is comfortable with them. She has bid farewell to a thousand heroes with only a twinge of sadness. Don’t date a girl who reads because girls who read are the storytellers. You with the Joyce, you with the Nabokov, you with the Woolf. You there in the library, on the platform of the metro, you in the corner of the café, you in the window of your room. You, who make my life so god damned difficult. The girl who reads has spun out the account of her life and it is bursting with meaning. She insists that her narratives are rich, her supporting cast colorful, and her typeface bold. You, the girl who reads, make me want to be everything that I am not. But I am weak and I will fail you, because you have dreamed, properly, of someone who is better than I am. You will not accept the life that I told of at the beginning of this piece. You will accept nothing less than passion, and perfection, and a life worthy of being storied. So out with you, girl who reads. Take the next southbound train and take your Hemingway with you. I hate you. I really, really, really hate you.
Charles Warnke
The first movie star I met was Norma Shearer. I was eight years old at the time and going to school with Irving Thalberg Jr. His father, the longtime production chief at Metro-Goldwyn-Mayer, devoted a large part of his creative life to making Norma a star, and he succeeded splendidly. Unfortunately, Thalberg had died suddenly in 1936, and his wife's career had begun to slowly deflate. Just like kids everywhere else, Hollywood kids had playdates at each other's houses, and one day I went to the Thalberg house in Santa Monica, where Irving Sr. had died eighteen months before. Norma was in bed, where, I was given to understand, she spent quite a bit of time so that on those occasions when she worked or went out in public she would look as rested as possible. She was making Marie Antoinette at the time, and to see her in the flesh was overwhelming. She very kindly autographed a picture for me, which I still have: "To Cadet Wagner, with my very best wishes. Norma Shearer." Years later I would be with her and Martin Arrouge, her second husband, at Sun Valley. No matter who the nominal hostess was, Norma was always the queen, and no matter what time the party was to begin, Norma was always late, because she would sit for hours—hours!—to do her makeup, then make the grand entrance. She was always and forever the star. She had to be that way, really, because she became a star by force of will—hers and Thalberg's. Better-looking on the screen than in life, Norma Shearer was certainly not a beauty on the level of Paulette Goddard, who didn't need makeup, didn't need anything. Paulette could simply toss her hair and walk out the front door, and strong men grew weak in the knees. Norma found the perfect husband in Martin. He was a lovely man, a really fine athlete—Martin was a superb skier—and totally devoted to her. In the circles they moved in, there were always backbiting comments when a woman married a younger man—" the stud ski instructor," that sort of thing. But Martin, who was twelve years younger than Norma and was indeed a ski instructor, never acknowledged any of that and was a thorough gentleman all his life. He had a superficial facial resemblance to Irving Thalberg, but Thalberg had a rheumatic heart and was a thin, nonathletic kind of man—intellectually vital, but physically weak. Martin was just the opposite—strong and virile, with a high energy level. Coming after years of being married to Thalberg and having to worry about his health, Martin must have been a delicious change for Norma.
Robert J. Wagner (Pieces of My Heart: A Life)
Why should I side with you? Why should I care if you win?” The phouka raked fingers through his hair. “You have seen one of them, one of their forms. That is what seeks domination over every natural thing in this place. We of the Seelie Court are capricious, and not always well-disposed toward humankind. But would you hand this city over to the likes of what you saw tonight? That is the Unseelie Court. If we fall, every park, every boulevard tree, every grassy lawn would be their dwelling place.” Eddi sighed. “It’s not just for you, it’s for the entire seven-country metro area. Couldn’t we just let them have St. Paul?” The phouka made a disgusted noise. “All right. What if they did take over? Would we all be eaten in our beds?” He shook his head. “There are places,” he began slowly, “that belong to them. Have you ever passed through some small town, surrounded by fertile country and fed by commerce, that seemed to be rotting away even as you watched? Where the houses and the people were faded, and all the storefronts stood empty?” Eddi remembered a few. “Or a city whose new buildings looked tawdry, whose old ones were ramshackle, where the streets were grimy and the wind was never fresh, where money passed from hand to hand yet benefited no one?” His words were quicker now. “This city is alive with the best magic of mortal folk. The very light off the skyscrapers and the lakes vibrate with it. If the Unseelie Court takes up residence here, this will be a place where people fear their neighbors, where life drains the living until art and wit are luxuries, where any pleasant thing must be imported and soon loses its savor.” He fell silent, as if embarrassed by his own eloquence. Eddi rubbed her hands over her face, trying to rub away her confusion, her anger, her fear. Finally she asked the only question she had left. “Can’t you get somebody else?” The phouka began to laugh weakly. “Oh, go to bed, Eddi McCandry. You could befuddle a stone. Go to bed, and sleep soundly, and tempt me not into some foolish flap of the tongue.
Emma Bull (War for the Oaks)
However we decide to apportion the credit for our improved life spans, the bottom line is that nearly all of us are better able today to resist the contagions and afflictions that commonly sickened our great-grandparents, while having massively better medical care to call on when we need it. In short, we have never had it so good. Or at least we have never had it so good if we are reasonably well-off. If there is one thing that should alarm and concern us today, it is how unequally the benefits of the last century have been shared. British life expectancies might have soared overall, but as John Lanchester noted in an essay in the London Review of Books in 2017, males in the East End of Glasgow today have a life expectancy of just fifty-four years—nine years less than a man in India. In exactly the same way, a thirty-year-old black male in Harlem, New York, is at much greater risk of dying than a thirty-year-old male Bangladeshi from stroke, heart disease, cancer, or diabetes. Climb aboard a bus or subway train in almost any large city in the Western world and you can experience similar vast disparities with a short journey. In Paris, travel five stops on the Metro’s B line from Port-Royal to La Plaine—Stade de France and you will find yourself among people who have an 82 percent greater chance of dying in a given year than those just down the line. In London, life expectancy drops reliably by one year for every two stops traveled eastward from Westminster on the District Line of the Underground. In St. Louis, Missouri, make a twenty-minute drive from prosperous Clayton to the inner-city Jeff-Vander-Lou neighborhood and life expectancy drops by one year for every minute of the journey, a little over two years for every mile. Two things can be said with confidence about life expectancy in the world today. One is that it is really helpful to be rich. If you are middle-aged, exceptionally well-off, and from almost any high-income nation, the chances are excellent that you will live into your late eighties. Someone who is otherwise identical to you but poor—exercises as devotedly, sleeps as many hours, eats a similarly healthy diet, but just has less money in the bank—can expect to die between ten and fifteen years sooner. That’s a lot of difference for an equivalent lifestyle, and no one is sure how to account for it.
Bill Bryson (The Body: A Guide for Occupants)
All of a sudden (in 1938 I think), in order to extend its autarchy to the domain of cinema, Italy decreed an embargo on American films. It wasn’t a question of censorship: as usual the censors granted or denied permission to individual films, and nobody saw the ones that didn’t get it and that was it. In spite of the awkward anti-Hollywood propaganda campaign that accompanied the measure (right around that time the regime began to conform to Hitler’s racism), the true reason for the embargo was supposed to be commercial protectionism, in order to make room in the market for Italian (and German) productions. For this reason the four largest American production and distribution companies—Metro, Fox, Paramount, Warner—(I’m still relying on memory, trusting the accuracy of the registration of my trauma), whereas films by other American companies like RKO, Columbia, Universal, United Artists (which had also been distributed before then by Italian companies) continued to arrive until 1941, that is until Italy found itself at war with the United States. I was still granted some sporadic satisfaction (in fact, one of the greatest: Stagecoach [John Ford, 1939]) but my collector’s voracity suffered a fatal blow. Compared to all of the prohibitions and obligations that fascism had imposed on us, and to the even more severe ones that it continued to enforce in those years before and then during the war, the veto on American films was certainly a minor or small loss, and I wasn’t foolish enough not to know it. Yet it was the first to affect me directly, and I hadn’t known any years other than those of fascism nor had I felt any needs other than those that the environment in which I lived could suggest and satisfy. It was the first time a right I enjoyed had been taken from me: more than a right, a dimension, a world, a space in my mind; and I felt this loss as cruel oppression which embodied all the forms of oppression that I’d heard about or seen other people suffer. If I can still talk about it today like a lost privilege it’s because something disappeared like that from my life, never to return again. So many things had changed after the war was over: I’d changed, cinema had become something else, something different in itself and in relation to me. My biography as a spectator resumed, but it was that of another spectator who wasn’t just a spectator anymore.
Italo Calvino (Making a Film)
A mesma ignorância predominou em relação a muitas criaturas maiores, inclusive um dos mais importantes e menos compreendidos de todos os animais que por vezes se encontram nas casas modernas: o morcego. Quase ninguém gosta dos morcegos, o que é lamentável, porque eles fazem muito mais bem do que mal. Comem grandes quantidades de insetos, beneficiando as plantações e o ser humano. O morcego marrom, a espécie mais comum nos Estados Unidos, consome até seiscentos mosquitos por hora. O pequenino pipistrelo — que não pesa mais que uma pequena moeda — ingere até 3 mil insetos em suas incursões noturnas. Sem os morcegos, haveria muito mais mosquitos na Escócia, larvas no solo na América do Norte e febres nos trópicos. As árvores das florestas seriam mastigadas até serem destruídas. As plantações precisariam de mais agrotóxicos. O mundo natural se tornaria um lugar estressado até a exaustão. Os morcegos também são vitais para o ciclo de vida de muitas plantas silvestres, colaborando na polinização e na dispersão de sementes. Um minúsculo morcego da América do Sul, o Carollia perspicillata, chega a comer 60 mil sementinhas a cada noite. A propagação das sementes feita por uma única colônia — cerca de quatrocentos desses morceguinhos — pode produzir, anualmente, 9 milhões de mudas de árvores frutíferas. Sem os morcegos, essas novas árvores frutíferas não existiriam. Eles também são essenciais para a sobrevivência, na natureza, de madeira balsa, abacates, bananas, frutas-pão, cajus, cravo, tâmaras, figos, goiabas, mangas, pêssegos, cactos saguaro, entre outros. Há muito mais morcegos no mundo do que a maioria das pessoas imagina. Na verdade, eles constituem aproximadamente um quarto de todas as espécies de mamíferos — cerca de 1100. Variam em tamanho desde o morcego-abelha, que realmente não é maior que uma abelha e, portanto, é o menor de todos os mamíferos, até as magníficas raposas-voadoras da Austrália e do sul da Ásia, que podem alcançar quase dois metros de envergadura. No passado já foram feitas tentativas de aproveitar as qualidades especiais dos morcegos. Na Segunda Guerra Mundial, o Exército americano investiu muito tempo e dinheiro em um plano extraordinário para acoplar minúsculas bombas incendiárias a morcegos e lançar de aviões um grande número deles — até 1 milhão de cada vez — sobre o Japão. A ideia era que os morcegos se empoleirariam nos beirais e telhados e suas pequeninas bombas-relógio iriam deflagrar, fazendo com que pegassem fogo e causassem, assim, centenas de milhares de incêndios. Elaborar bombas e timers tão pequenos exigia muita experiência e engenho; mas, finalmente, na primavera de 1943, o trabalho estava adiantado e foi marcada uma experiência em Muroc Lake, na Califórnia. No entanto, as coisas não correram bem como o planejado, para dizer o mínimo. Os morcegos estavam bem armados com suas bombas em miniatura, mas ficou claro que essa não era uma boa ideia. Eles não pousaram em nenhum dos alvos designados, mas destruíram todos os hangares e a maioria dos depósitos no aeroporto de Muroc Lake, bem como o carro de um general do Exército. O relatório do general sobre os acontecimentos do dia deve ter sido uma leitura muito interessante. Seja como for, o programa foi cancelado logo em seguida. Um plano menos maluco, mas não mais bem-sucedido, para utilizar os morcegos foi concebido pelo dr. Charles A. R. Campbell, da Escola de Medicina da Universidade de Tulane. A ideia de Campbell era construir gigantescas “torres de morcegos”, onde estes poderiam se empoleirar, procriar e sair para comer mosquitos. Isso, segundo Campbell, reduziria substancialmente a malária, e também forneceria guano em quantidades comercialmente viáveis. Várias torres foram construídas, e algumas ainda estão de pé, mesmo que precariamente, mas nunca cumpriram sua função. Ao que parece, os morcegos não gostam de receber ordens sobre onde devem morar.
Bill Bryson (At Home: A Short History of Private Life)
Isn't familiar to you when you find a person that speaks out in public such like buses or metro-stations because she/he finds life hard to live and is going through pain but to us they are known crazy right but they are not crazy. We all have those moments so simply police takes the person away from the scene so life can go back to way the things are, clearly others do not realize what the real problems are.
Nadair Desmar
The world is ruthless, heartless, hurtful, spiteful, selfish and much more, but that is no reason for you to be the same. That will ensure there is no difference between you and them. Be different - Be YOU
Namrata (Metro Diaries - Seventeen LOVE Classics)
Some of the key accomplishments of the executive system have been the time-bound realization of the metro railway system in Delhi; the successful, though partial, implementation of e-governance models in certain states, bringing about substantial transparency in the system; a working model of the railway reservation system; the virtual university initiatives of the three 150-year-old universities of the country, namely Madras, Calcutta and Mumbai; and the healthcare services provided through the Yeshaswini scheme. Innovative monitoring systems for electrical energy generation and distribution, leading to the reduction of losses and pilferage, have made a few state electricity boards profitable institutions.
A.P.J. Abdul Kalam (The Righteous Life: The Very Best of A.P.J. Abdul Kalam)
We look almost happy out in the sun, while we bleed to death from wounds we know nothing about.
Tony Hoagland (The Underground Poetry Metro Transportation System for Souls: Essays on the Cultural Life of Poetry (Poets On Poetry))
What humanizes the speaker’s rage, what keeps the poem a poem, is the grief which colors it—we understand that the speaker’s immoderation and anger come from deep personal injury. We recognize that the rage comes out of an experience of empathy, and that forcefield between love and denunciation moves us as much as Lear’s rage on the mountainside. It amounts to the difference between poetic terrorism and poetic tragedy.
Tony Hoagland (The Underground Poetry Metro Transportation System for Souls: Essays on the Cultural Life of Poetry (Poets On Poetry))
Our dialogue about race is complex, unresolved, and will probably be endless; a thing to be enacted forever on our shaky, shattered, and traumatized national ground. It requires of us a belief in the willingness of others, and a trust that even our misunderstandings will not be intentionally misunderstood.
Tony Hoagland (The Underground Poetry Metro Transportation System for Souls: Essays on the Cultural Life of Poetry (Poets On Poetry))
They would grow old according to the most ordinary pattern, replacing real life with simple existence, and none of that terrified them. Moreover, it did not seem to terrify the people on the metro, in the streets, anywhere I observed. They acted as if they had numerous lives ahead and didn’t care that time in this life was ticking away.
Kristin Kay (One: Angels Are Hard to Love (Awakening Madness, #1))
Problems, struggles, difficulties, whatever you want to call them, are normal. In fact, each and every person you see walking on the street, sitting in the metro, working out at the gym, wherever, is fighting a battle you know nothing about. Problems are the most human thing about being a human, and are one of the few things that each and every one of us has in common.
Jellis Vaes
She is too upfront for her own good
Parul Wadhwa (The Masquerade)
Rationality is the way to lead life. So high time, let’s stop feeding our dreams and shake hands with the reality.
Parul Wadhwa (The Masquerade)
services as a tree trimmer.92 In the fall of 1975, while still promoting Cuckoo’s Nest, Nicholson played a very small part in his pal Sam Spiegel’s production of F. Scott Fitzgerald’s The Last Tycoon, based on the life of MGM wonder boy Irving Thalberg, who made Metro the dominant
Edward Douglas (Jack: The Great Seducer: A Biography of Jack Nicholson)
had to beg a fare in the metro—missing the
Gerald Martin (Gabriel Garcia Marquez: A Life)
The look of the people, their uninhibited behavior, their open expressions of tenderness - that I saw for the first time in my life. While in Romania, where I grew up, people flirted and loved just like any place else in the world, yet people acted very discreetly. Kissing and hugging occurred only in complete privacy, expressions of tenderness were hinted at - in Paris people kissed wherever one looked: in the streets, in the Metro, under street lights. People stopped you in the street, if you walked alone, and started flirting, talking, in a non-threatening way. It seemed like the most natural thing to do.
Pearl Fichman (Before Memories Fade)
One cartridge. One death. Someone's life removed. 100 grams of tea cost 5 human lives. A length of sausage? Very cheap if you please, just 15 lives. Quality leather jacket, on sale today, is just 25 so you're saving 5 lives. The daily exchange at this market is equal in lives to the entire population of the metro.
Dmitry Glukhovski
I think fate doesn't just happen, you need to arrive at it.
Dmitry Glukhovsky (Metro 2033 (Metro, #1))
That toilets in Japan were objets d’art has already been established. But their true awesomeness lay not in their gadgetry so much as in their cleanliness and easy availability. As a woman on the move, a decent toilet was manna. We had smaller bladders than men, we had monthly periods, and those of us who had given birth had urinary tracts that were as capricious in the timing of their needs as the annual blooming of the cherry blossoms. The simple fact of being able to use a toilet with confidence in public spaces – parks, metro stations, highway pit stops – enhanced the quality of life enough to make toilets my number one favourite thing about Japan.
Pallavi Aiyar (Orienting: An Indian in Japan)
You are introducing chaos into my ordered world of cardiology. See this. This is your heart—a perfect pump. It's not just a pump. The heart is life, the holder of the soul. the keeper of dreams and the place inside yourself where you talk to the angels. -Cardiologist Angela Perkins getting schooled on the heart by medical student Michael Harper in High Risk
Carina Alyce (High Risk (MetroGen Downtown Forbidden Love Duets, #4))
You are introducing chaos into my ordered world of cardiology. See this. This is your heart—a perfect pump. It's not just a pump. The heart is life, the holder of the soul, the keeper of dreams, and the place inside yourself where you talk to the angels. -Cardiologist Angela Perkins getting schooled on the heart by medical student Michael Harper in High Risk
Carina Alyce (High Risk (MetroGen Downtown Forbidden Love Duets, #4))
I once asked her why that was so important to her, why she’d dedicated her entire life to helping those who couldn’t help themselves. “‘It’s simple,’” she told me. “‘Because I never would have gotten anywhere if people weren’t there to help me. And no one ever told me I couldn’t achieve my dreams if I worked hard enough. Yet there were so many without dreams, or who’d had their dreams dashed. I want to give their dreams back to them,’ she said. ‘I want to give them hope.
Jon Land (Murder on the Metro (Capital Crimes #31))
Director of the CIA was aware of a terrorist group’s plan to bomb the Washington, D.C., metro system. He let the bombing occur, in order to gain congressional approval for the use of extreme measures against that group.
Ted Chiang (Stories of Your Life and Others)
Your magic carpet to the "Reeperbahn" or "St. Pauli" is the Metro known as the S Bahn or U Bahn. My visit to this seedy part of Hamburg was cut short primarily because it was expensive and my time in Lisbon cost more than I had expected, but aside from that you always have to be aware of pickpockets and tricksters. A large police presence does, for the greatest part, keep crime down and fortunately I didn’t have any problems. Many of the establishments are closed during the day and the area doesn’t come to life before 8 PM. If you do visit St. Pauli during the daylight hours, expect things to be quiet and perhaps you’ll get a lucky break. If nothing else, you’ll have a fantastic view of the busy harbor as the street runs alongside the Elbe River. Go early on Sunday morning and the St. Pauli Landungsbrücken, the boat landing, will have become an active flee market.
Hank Bracker
But who is he, my protagonist? Jacob? Marusya? Genrikh? Me? Yurik? No. No one, in fact, who is conscious of an individual existence, of birth and an anticipated, and unavoidable, death. Not a person at all, one might say, but a substance with a certain chemical makeup. And is it possible to call a “substance” something that, being immortal, has the capacity to transform itself, to change all its fine, subtle little planes and angles, its crooks and crevices, its radicals? It is more likely an essence that belongs neither to being nor to nonbeing. It wanders through generations, from person to person, and creates the very illusion of personality. It is the immortal essence, written in code, that organized the mortal bodies of Pythagoras and Aristotle, Parmenides and Plato, as well as the random person one encounters on the road, in the streetcar, on the metro, or in the seat next to you in an airplane. Who suddenly appears before you, and calls up a familiar, dim sensation of a previously glimpsed outline, a bend or a curve, a likeness—perhaps of a great-grandfather, a fellow villager, or even someone from the other side of the world. Thus, my protagonist is essence itself. The bearer of everything that defines a human being—the high and the low, courage and cowardice, cruelty and gentleness, and the hunger for knowledge. One hundred thousand essences, united in a certain pattern and order, form a human being, a temporary abode for each and every person. This is, in fact, immortality. And you, a human being—a white man, a black woman, an idiot, a genius, a Nigerian pirate, a Parisian baker, a transvestite from Rio de Janeiro, an old rabbi from Bnei Brak—you, too, are just a temporary abode.
Lyudmila Ulitskaya (Лестница Якова)
Глядя на аккуратные ряды «пулек» на прилавках, Артем вспомнил слова своего отчима. «Я читал когда-то, что Калашников гордился своим изобретением, тем, что его автомат – самый популярный в мире. Говорил, счастлив тем, что именно благодаря его конструкции рубежи Родины в безопасности. Не знаю, если бы я эту машину придумал, я бы, наверное, уже с ума сошел. Подумать только, именно при помощи твоей конструкции совершается большая часть убийств на земле! Это даже страшнее, чем быть изобретателем гильотины». Один патрон – одна смерть. Чья-то отнятая жизнь. Сто граммов чая – пять человеческих жизней. Батон колбасы? Пожалуйста, совсем недорого: всего пятнадцать жизней. Качественная кожаная куртка, сегодня скидка, вместо трехсот – только двести пятьдесят, вы экономите пятьдесят чужих жизней. Ежедневный оборот этого рынка, пожалуй, равнялся всему оставшемуся населению метро.
Dmitry Glukhovsky (Metro 2033 (Metro, #1))
He was dreaming of immortalising everyone that life and fate brought him into contact with, but instead he had been appointed an absurd, bald, powerless angel of death. His wings had been clipped and he had been ringed, setting him a fixed term of thirty days, and that had galvanised him into action.
Dmitry Glukhovsky (Metro 2034 (Metro, #2))
Mark longs for the days when his father was a farmer. Things were hard, but life was good. Easier somehow. He’s conveniently forgetting the farm crisis of the ’80s in order to justify his worldview. In reality, there was never a time when people didn’t engage in a relentless battle with the earth. There was never a time when it wasn’t hard to be a farmer, or a time when all families were good and moral and Christian. Even the belief in the wholesome rural community is ill-founded. According to Rural People and Communities in the Twenty-First Century, rural residents are “more likely to experience chronic or life-threatening illnesses.”5 They are more likely to have cancer, diabetes, high blood pressure, obesity, and mental illness. While rates of drug and alcohol use overall are slightly higher in metro areas, use among young people in rural areas is significantly higher than among their urban peers. Additionally, according to the Rural Health Information Hub, “A 2010 report to Congress from the Administration for Children and Families (ACF)6 states that the incidence for all categories of maltreatment was higher in rural counties than in urban counties, with rural children being [two] times more likely to experience harm or endangerment.”7
Lyz Lenz (God Land: A Story of Faith, Loss, and Renewal in Middle America)
Disfigured, perverted - but a part of life here all the same. And they remained subject to that very same driving impulse known to every organic thing on this planet. Survive. Survive at any cost.
Dmitry Glukhovsky (Metro 2033 (Metro, #1))
Everyone knows that death is unavoidable. Death was a part of daily life in the metro. But it always seemed that nothing unfortunate would happen to you, that the bullets would fly past you, the disease would skip over you. Death of old age was a slow affair so you needn’t think about it. You can’t live in constant awareness of your mortality. You had to forget about it, and though these thoughts came to you anyway, you had to drive them away, to smother them, otherwise they could take root in your consciousness and they would make your life a misery. You can’t think about the fact that you’ll die. Otherwise you might go mad. There’s only one thing that can save a man from madness and that’s uncertainty. The life of someone who has been sentenced to death is different from the life of a normal person in only one way: the one knows exactly when he will die, and the regular person is in the dark about it, and consequently it seems he can live forever, even though it’s entirely possible that he could be killed in a catastrophic event the following day. Death isn’t frightening by itself. What’s frightening is expecting it.
Dmitry Glukhovsky (Metro 2033 (Metro, #1))
Każda wiara służyła człowiekowi tylko jako laska, która podtrzymywała, by nie upaść, i pomagała wstać, kiedy ludzie jednak się potykali i przewracali.
Dmitry Glukhovsky (Metro 2033 (Metro, #1))
Jeremy George Lake Charles Corvette Industry The Detroit metro automotive industry is indeed a significant part of the overall GSP (including vehicle production) of Michigan's economy and serves as an important hub for manufacturing, R & D, incubation, research and manufacturing. Jeremy George Lake Charles Automobile production accounts for more than 60% of total employment in Michigan, far higher than any other state. Michigan is the leading nation in terms of manufacturing jobs and the percentage of total employment in automobile production. In 1929, before the Great Depression, there were 32,028,500 cars in use worldwide, and the US automobile industry produced about 1,200,000 of them. Ford has done a lot to broaden the sales base of cars and create an industry for cars and automotive products. Jeremy George Lake Charles Two years later, GM, Ford, and Chrysler made profits, created jobs, invested and invested in research and development, and in developing new technologies.
Jeremy George Lake Charles
More red lights on top of the cars than on roads. Glamorous lifestyle coexisting with some underprivileged lives. Big showrooms on the left, begging kids on the right. Azaan from the mosque blending smoothly with the pleasant sound of temple bells. The modern travel miracle Delhi Metro passes by the ancient temples and monuments. Crowded streets coexist with lonely hearts. This city is like the most beautiful girl in a college. That is what I know about Delhi, the capital city of the nation.
Misbah Khan (Blanks & Blues)
South Delhi is such a rich area in Delhi, you could call it the heart of Delhi or a slice of heaven for the rarest sight of Delhiites served with cherry.
Parul Wadhwa (The Masquerade)
Dholera is emerging as a pivotal destination for industrialists and investors globally, driven by its ambitious development projects, including the Dholera Smart City. This initiative, envisioned as part of India's Delhi-Mumbai Industrial Corridor (DMIC), aims to transform Dholera into a global manufacturing hub with world-class infrastructure. The project is not only a testament to India's growth ambitions but also a realization of Prime Minister Narendra Modi's vision for sustainable urban development. Dholera Smart City: The Vision and Goals Dholera Smart City, India's first smart city, will be twice the size of Delhi and six times that of Shanghai. With ₹3,000 crores in initial funding, it aims to enhance local industries and resident's quality of life. Its strategic location and government support make it an appealing investment destination, offering abundant land at lower valuations for retail and international investors. Notable features include: - World-class infrastructure, including a 250-meter wide central spine expressway - High-speed metro rail and BRTS connectivity - Proximity to major cities like Ahmedabad, Bhavnagar, and Vadodara - An international airport with cargo facilities - A seaport nearby for enhanced trade capabilities Bleisure at Praveg Safari Velavadar For investors visiting Dholera for business meetings or investment discussions, there are several excellent destinations to consider. One noteworthy option is the Praveg Safari Velavadar, a resort close to Blackbuck National Park. The resort serves as an ideal retreat that seamlessly combines business and leisure. It is just a 50-minute drive from Dholera Smart City, making it a convenient setting for relaxation after a busy day of meetings. Guests can enjoy modern amenities while taking in the natural beauty of the surrounding area. Conclusion Dholera is more than just a developing city; it represents a significant opportunity for both domestic and international investors. With an increasing number of industrialists drawn to this growing city, Dholera is set to become one of the most important economic centres in India.
Dizcover Praveg