Metallic Best Quotes

We've searched our database for all the quotes and captions related to Metallic Best. Here they are! All 100 of them:

Too bad Jason wasn’t a metal automaton. At least then Leo would have some idea of how to help his best friend. But with humans … Leo felt helpless. They broke way too easily.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
I don't remember everything," he said. "Not yet. But I remember you." He brought her hand up, touched the gold ring on her right index finger, the Fair Folk metal warm to the touch. "Clary," he said. "You're Clary. You're my best friend.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
He nodded to her right forearm, not trusting himself to speak. His gloves lay on the other side of the basin, black against the gold-veined marble. They looked like dead animals. He focused on the shears, cold metal in his hands, nothing like skin. He could not do this if his hands were shaking. I can best this, he told himself.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I believe you did not have a happy life. I believe you were cheated. I believe your best friends were loneliness and misery. I believe your busiest enemies were anger and depression. I believe joy was a game you could never play without stumbling. I believe comfort, though you craved it, was forever a stranger. I believe music had to be melancholy or not at all. I believe no trinket, no precious metal, shone so bright as your bitterness. I believe you lay down at last in your coffin none the wiser and unassuaged. Oh, cold and dreamless under the wild, amoral, reckless, peaceful flowers of the hillsides.
Mary Oliver
He wondered if there was a rule that you had to love all of someone, or whether you could pick out only the best parts, like piling your plate full of desserts at a buffet table and leaving the vegetables to go cold in their little metal bins.
Jennifer E. Smith (You Are Here)
I met a girl in a U-Haul. A beautiful girl And I fell for her. I fell hard. Unfortunately, sometimes life gets in the way. Life definitely got in my way. It got all up in my damn way, Life blocked the door with a stack of wooden 2x4's nailed together and attached to a fifteen inch concrete wall behind a row of solid steel bars, bolted to a titanium frame that no matter how hard I shoved against it- It wouldn't budge. Sometimes life doesn't budge. It just gets all up in your damn way. It blocked my plans, my dreams, my desires, my wishes, my wants, my needs. It blocked out that beautiful girl That I fell so hard for. Life tries to tell you what's best for you What should be most important to you What should come in first Or second Or third. I tried so hard to keep it all organized, alphabetized, stacked in chronological order, everything in its perfect space, its perfect place. I thought that's what life wanted me to do. This is what life needed for me to do. Right? Keep it all in sequence? Sometimes, life gets in your way. It gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it. It wants you to grab an axe and hack through the wood. It wants you to get a sledgehammer and break through the concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it. Life doesn't want you to let it tell you that your little brother should be the only thing that comes first. Life doesn't want you to let it tell you that your career and your education should be the only thing that comes in second. And life definitely doesn't want me To just let it tell me that the girl I met, The beautiful, strong, amazing, resilient girl That I fell so hard for Should only come in third. Life knows. Life is trying to tell me That the girl I love, The girl I fell So hard for? There's room for her in first. I'm putting her first.
Colleen Hoover
The Devil has all the best tunes? My arse! Metalville just got a new sheriff.
Mark Rice (Metallic Dreams)
Wayne. You aren’t the best I could do. You’re the best there is. And no being, neither god nor mortal, could have wished for more than one such as you.
Brandon Sanderson (The Lost Metal (Mistborn, #7))
And then he laughed. It was short and brief, but genuine and made the dimples stand out on his scruffy cheeks. It was the best sound I’d heard all year.
Karina Halle (The Devil's Metal (Devils, #1))
Don't be afraid to make corrections! Whether the voice came from her memory or was a last whisper from the blinding new star far above, Nita never knew. But she knew what to do. While Kit was still on the first part of the name she pulled out her pen, her best pen that Fred had saved and changed. She clicked it open. The metal still tingled against her skin, the ink at the point still glittered oddly- the same glitter as the ink with which the bright Book was written. Nita bent quickly over the Book and with the pen, in lines of light, drew from the final circle an arrow pointing up-ward, the way out, the symbol that said change could happen- if, only if-
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
Tam would gut me if he caught you drinking that.” “Always looking after your best interests,” I said, and pointedly chugged the contents of the glass. It was like a million fireworks exploding inside me, filling my veins with starlight. I laughed aloud, and Lucien groaned. “Human fool,” he hissed. But his glamour had been ripped away. His auburn hair burned like hot metal, and his russet eye smoldered like a bottomless forge. That was what I would capture next. “I’m going to paint you,” I said, and giggled—actually giggled—as the words popped out. “Cauldron boil and fry me,” he muttered, and I laughed again.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Aren’t all the best songs about a girl? It doesn’t matter if it’s metal, if it’s country, if it’s blues or rock and roll; all the songs that make us remember and make us want to sing along are about the best kind of girl, the kind you can’t live without but can’t ever get ahold of.
Jay Crownover (Jet (Marked Men, #2))
A lot of the nonsense was the innocent result of playfulness on the part of the founding fathers of the nation of Dwayne Hoover and Kilgore Trout. The founders were aristocrats, and they wished to show off their useless eduction, which consisted of the study of hocus-pocus from ancient times. They were bum poets as well. But some of the nonsense was evil, since it concealed great crime. For example, teachers of children in the United States of America wrote this date on blackboards again and again, and asked the children to memorize it with pride and joy: 1492 The teachers told the children that this was when their continent was discovered by human beings. Actually, millions of human beings were already living full and imaginative lives on the continent in 1492. That was simply the year in which sea pirates began to cheat and rob and kill them. Here was another piece of nonsense which children were taught: that the sea pirates eventually created a government which became a beacon of freedom of human beings everywhere else. There were pictures and statues of this supposed imaginary beacon for children to see. It was sort of ice-cream cone on fire. It looked like this: [image] Actually, the sea pirates who had the most to do with the creation of the new government owned human slaves. They used human beings for machinery, and, even after slavery was eliminated, because it was so embarrassing, they and their descendants continued to think of ordinary human beings as machines. The sea pirates were white. The people who were already on the continent when the pirates arrived were copper-colored. When slavery was introduced onto the continent, the slaves were black. Color was everything. Here is how the pirates were able to take whatever they wanted from anybody else: they had the best boats in the world, and they were meaner than anybody else, and they had gunpowder, which is a mixture of potassium nitrate, charcoal, and sulphur. They touched the seemingly listless powder with fire, and it turned violently into gas. This gas blew projectiles out of metal tubes at terrific velocities. The projectiles cut through meat and bone very easily; so the pirates could wreck the wiring or the bellows or the plumbing of a stubborn human being, even when he was far, far away. The chief weapon of the sea pirates, however, was their capacity to astonish. Nobody else could believe, until it was much too late, how heartless and greedy they were.
Kurt Vonnegut Jr. (Breakfast of Champions)
Large metal objects moving at high speeds have such an impact on me that I just get paralyzed. Honk if you’re horny, and find men in wheelchairs sexy.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
I love you. As the same value, as the same expression, with the same pride and the same meaning as I love my work, my mills, my Metal, my hours at a desk, at a furnace, in a laboratory, in an ore mine, as I love my ability to work, as I love the act of sight and knowledge, as I love the action of my mind when it solves a chemical equation or grasps a sunrise, as I love the things I've made and the things I've felt, as *my* product, as *my* choice, as a shape of my world, as my best mirror, as the wife I've never had, as that which makes all the rest of it possible: as my power to live.
Ayn Rand (Atlas Shrugged)
When you punish a person for dreaming his dream, don't expect him to thank or forgive you / The best ever death metal band out of Denton will in time both outpace and outlive you / Hail Satan!
John Darnielle
The final stretch of drive ended at a small cottage nestled in a grove of ancient live oaks. The weathered structure, with chipping paint and shutters that had begun to blacken at the edges, was fronted by a small stone porch framed by white columns. Over the years, one of the columns had become enshrouded in vines, which climbed toward the roof. A metal chair sat at the edge, and at one corner of the porch, adding color to the world of green, was a small pot of blooming geraniums. But their eyes were drawn inevitably to the wildflowers. Thousands of them, a meadow of fireworks stretching nearly to the steps of the cottage, a sea of red and orange and purple and blue and yellow nearly waist deep, rippling in the gentle breeze. Hundreds of butterflies flitted about the meadow, tides of moving color undulating in the sun.
Nicholas Sparks (The Best of Me)
This is Lovecraft's best terrible story. It is so artificial...and so overblown...and so ludicrous...that it slithers-through tiramisu-rich prose that might as well be heavy metal lyrics ("a wolf-fanged ghost that rode the midnight lightning")-all the way to the summit of high camp.
Kenneth Hite (Tour de Lovecraft - The Tales)
It's excellence in leadership when everyone wants to manufacture a black shoe and you manufacture a designer black shoe with gold medal on top. Do something new; do something better!
Israelmore Ayivor
play has become too domesticated and regimented while playgrounds themselves have become more and more barren. May today are devoid of vegetation with which to form nests, shelters, wands, dolls, or other playthings...These concerns are best explored in a heterogeneous habitat, where several secret niches are harbored, the kinds that can no longer be found on prefabricated metal and plastic jungle gym.
Gary Paul Nabhan (The Geography of Childhood: Why Children Need Wild Places (Concord Library))
My alcoholism is in no way any sort of excuse for any of my past behaviors. Just because I quit drinking, my life was not suddenly transformed into a tabula rasa-if I have wronged someone, drunk or not, then the responsibility for this lies squarely with me. And I must do my best to set things square with that person. ... ....And just because I am sober now does not mean anyone else should care. I do not deserve a cookie for finally trying to act like a decent human being.
D. Randall Blythe (Dark Days: A Memoir)
In the castle of Benwick, the French boy was looking at his face in the polished surface of a kettle-hat. It flashed in the sunlight with the stubborn gleam of metal. It was practically the same as the steel helmet which soldiers still wear, and it did not make a good mirror, but it was the best he could get. He turned the hat in various directions, hoping to get an average idea of his face from the different distoritons which the bulges made. He was trying to find out what he was, and he was afraid of what he would find. The boy thought that there was something wrong with him. All through his life--even when he was a great man with the world at his feet--he was to feel this gap: something at the bototm of his heart of which he was aware, and ashamed, but which he did not understand. There is no need for us to try to understand it. We do not have to dabble in a place which he preferred to keep secret.
T.H. White
Too bad Jason wasn’t a metal automaton. At least then Leo would have some idea of how to help his best friend. But with humans...Leo felt helpless. They broke way too easily.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
One of my schizophrenic patients had told me heavy metal drowns the voices best.
Ellery A. Kane (Shadows Among Us (Doctors of Darkness #4))
The final stretch of the drive ended at a small cottage nestled in a grove of ancient live oaks. The weathered structure , with chipping paint and shutters that had begun to blacken at the edges, was fronted by a small stone porch framed by white columns. Over the years, one of the columns had become enshrouded in vines, which climbed toward the roof. A metal chair sat near the edge, and at one corner of the porch, adding color to the world of green, was a small pot of blossoming geraniums. The Best of Me
Nicholas Sparks
Won’t you look at me, Camilla Hect?” Camilla murmured something that Nona could not hear. The body said, “I died, and you carried me. I gambled, and you covered my bet. You kept the faith, and were the instrument of both my vengeance and my grace. And now I have fought through time, and the River, and Ianthe the First—fought and bested Ianthe the First, and I hope I never fight her ever again…Will you not look at me now, Cam, and know me?” Camilla raised her chin. She looked at the dead face. She said quietly—“Yes Warden. I will always know you.” Their foreheads touched. Camilla reached out with her slippery hand, and Palamedes clasped it with Ianthe Naberius’s cold, gloveless one. Because both of their hands were very messy, it made an embarrassing squelch, but neither of them appeared to notice or care. Nona had to look away. She heard Palamedes say, in the voice of Ianthe Naberius—“Pyrrha, I can barely do anything. I’m only the hand in a sock puppet. I don’t think I could unpick a single ward, and I can’t do a damn thing for Cam’s bleeding—thank God nothing’s protruding.” Cam said, without opening her eyes, “Don’t worry about me, Warden. I’ll walk it off.” “Yes, thank you for your input,” said Palamedes pleasantly. “I’ve taken it under advisement and will add it to the next agenda.” Camilla smiled that wonderful hot-metal smile that Nona loved as long as she had been alive. “Jackass.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
I’ll hold the door as a shield, but you’ll have to fire.” “Why can’t you just slice them to pieces like that chopstick?” “Because my telekinetic magic doesn’t work on living things. I can throw something metal fast enough to slice an opponent to pieces. I can hurl a board at him, because cut wood is dead. I can choke him with his own clothes if they are loose enough. But I can’t simply throw a body.” Oh. “So the best way to fight you is to strip naked and attack?” His eyes flashed with wicked light. “Yes. You should try it and see what happens.” Well, I did walk right into that one.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
I believe you did not have a happy life. I believe you were cheated. I believe your best friends were loneliness and misery. I believe your busiest enemies were anger and depression. I believe joy was a game you could never play without stumbling. I believe comfort, though you craved it, was forever a stranger. I believe music had to bee melancholy or not at all. I believe no trinket, no precious metal, shone so bright as your bitterness. I believe you lay down at last in your coffin none the wiser and unassuaged. Oh, cold and dreamless under the wild, amoral, reckless, peaceful flowers of the hillsides.
Mary Oliver (New and Selected Poems, Volume One)
But when God speaks, it’s silver. Psalm 12:6 says, “The words of the LORD are flawless, like silver refined in a furnace…purified seven times.” Purity and silver go together best when it comes to describing God’s Word. Why does God choose this precious metal? Perhaps it’s because gold requires impurities so it can bond. But not silver. God is less interested in attractiveness and more interested in purity.
Joni Eareckson Tada (More Precious Than Silver: 366 Daily Devotional Readings)
Beer bottles and whisky jugs exploded from ill-aimed bullets. Wood chips showered down from the rafters and the air filled with the metallic smell of gun smoke. Trace fired a shot or two of his own, but decided his best option was to find some sort of shelter--drunks made horrible shooters.
Angela Scott (Wanted: Dead or Undead (Zombie West #1))
Merciless—to me Merciless means to be relentless in your pursuit, whether it’s for the love of your wife and kids, or for your passions and goals. You never give up on what’s important to you. If you want your band to be successful, or if you want to open the best fucking ham sandwich deli in town, you need to be Merciless in that quest. Just make sure you don’t go in heavy with the mustard—words of wisdom from the Sandwich Tao of Oz.
Zakk Wylde (Bringing Metal to the Children: The Complete Berserker's Guide to World Tour Domination)
Sorry. It’s a technique I use to fend off the panic — screaming at the top of my lungs.” “That’s the best technique you have?” “I have a few different techniques. I can also massage my balls." “Excuse me?” “I have balls. Massaging them really helps.” “Your… balls? You looked like a woman to me, pretty damn shapely from the back, at least.” “They’re Boading balls. Metal meditation balls. I massage them against each other in a circular motion in my palm. It helps calm me down.” I began to frantically search through my purse. “What’s all that rustling?” he asked. “I’m trying to find them. They’re somewhere in my bag.” Without light, I wasn’t able to easily locate them. “Shit, where are they?” He chuckled. “I have some balls you could massage if you’re in a pickle.
Vi Keeland (Mister Moneybags)
There is a cyborg hierarchy. They like us best with bionic arms and legs. They like us Deaf with hearing aids, though they prefer cochlear implants. It would be an affront to ask the Hearing to learn sign language. Instead they wish for us to lose our language, abandon our culture, and consider ourselves cured. They like exoskeletons, which none of us use. They don’t count as cyborgs those of us who wear pacemakers or go to dialysis. Nor do they count those of us kept alive by machines, those of us made ambulatory by wheelchairs, those of us on biologics or antidepressants. They want us shiny and metallic and in their image.
Alice Wong (Disability Visibility: First-Person Stories from the Twenty-first Century)
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Wish you were with him?' Volfier frowned sideways. 'I wish we'd won at Ospria, then the choice wouldn't have come up. But then I wish my wife hadn't fucked the baker while I was away in the Union on campaign three years ago. Wishing don't change nothing.' Shivers grinned, and tapped at his metal eye with a fingernail. 'That there is a fact.
Joe Abercrombie
The city was shredding them block by block. No place was safe. The air was alive with hurtling chunks of hot metal. They heard the awful slap of bullets into flesh and heard the screams and saw the insides of men's bodies spill out and watched the gray blank parlor rise in the faces of their friends, and the best of the men fought back despair. They were America's elite fighters and the were going to die here, outnumbered by this determined rabble. Their future was setting with this sun on this day and in this place.
Mark Bowden (Black Hawk Down: A Story of Modern War)
I try my best to like people. To expect good from them. If you see someone as a monster, it is as good as attaching a real horn to them and poking them with a hot metal poker.
Rivka Galchen (Everyone Knows Your Mother Is a Witch)
A telephone cord used to make an excellent leash on people. Now metal chains work better.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
There are many types of ships. There are wooden ships, and metal ships, and ships that sail the sea. But the best are friendships, and may they always be.” Old Irish
Penelope Carlevato (Tea on the Titanic: 100 Years Later)
Short stories are the loose change in the treasury of fiction, easily ignored beside the wealth of novels available, an over-valued currency that often turns out to be counterfeit. At its best, in Borges, Ray Bradbury and Edgar Allan Poe, the short story is coined from precious metal, a glint of gold that will glow for ever in the deep purse of your imagination.
J.G. Ballard (The Complete Stories of J. G. Ballard)
As it turned out, heavy metal would repeatedly prove to be best inspired from a distance—where strong impressions, memories, and images were encouraged to run amok in the imagination.
Ian Christe (Sound of the Beast: The Complete Headbanging History of Heavy Metal)
I decide to take the subway uptown. I need some time to think, and I can never thing as well in cabs as I can on the subway. For one, I get carsick, and for another, I always feel self-conscious in cabs. I feel like I should talk to the driver or something. That's what one-on-one interaction forces. I prefer being underground. It's comforting, in an odd way. Too many people crammed into this moving metal space. You feel really small down there, insignificant. You'd think that would be a bad thing, but it's not. It's one of the best feelings in the world.
Rebecca Serle (The Edge of Falling)
A great lookout, my brother told me. One of the best in the neighbourhood, but step badly on a line, touch your hand to the wrong metal part while you're brushing up against another, and you'd burn,
David Chariandy
Lillian comes out of the kitchen carrying an artefact, the blue metal tin marked Danish Butter Cookies that if I didn't know better I would swear had been in the family for generations - when the Jews left Egypt, they took with them the tins of Danish Butter Cookies. And tins, which as best as I could tell never included Danish Butter Cookies, traveled from house to house, but always, always found their way back to Lillian.
A.M. Homes (May We Be Forgiven)
I felt that the metal of my spirit, like a bar of iron that is softened and bent by a persistent flame, was being gradually softened and bent by the troubles that oppressed it. In spite of myself, I was conscious of a feeling of envy for those who did not suffer from such troubles, for the wealthy and the privileged; and this envy, I observed, was accompanied—still against my will—by a feeling of bitterness towards them, which, in turn, did not limit its aim to particular persons or situations, but, as if by an uncontrollable bias, tended to assume the general, abstract character of a whole conception of life. In fact, during those difficult days, I came very gradually to feel that my irritation and my intolerance of poverty were turning into a revolt against injustice, and not only against the injustice which struck at me personally but the injustice from which so many others like me suffered. I was quite aware of this almost imperceptible transformation of my subjective resentments into objective reflections and states of mind, owing to the bent of my thoughts which led always and irresistibly in the same direction: owing also to my conversation, which, without my intending it, alway harped upon the same subject. I also noticed in myself a growing sympathy for those political parties which proclaimed their struggle against the evils and infamies of the society to which, in the end I had attributed the troubles that beset me—a society which, as I thought, in reference to myself, allowed its best sons to languish and protected its worst ones. Usually, and in the simpler, less cultivated people, this process occurs without their knowing it, in the dark depths of consciousness where, by a kind of mysterious alchemy, egoism is transmuted into altruism, hatred into love, fear into courage; but to me, accustomed as I was to observing and studying myself, the whole thing was clear and visible, as though I were watching it happen in someone else; and yet I was aware the whole time that I was being swayed by material subjective factors, that I was transforming purely personal motives into universal reasons.
Alberto Moravia (Contempt)
Well, I guess that answers my question." The deep velvet voice startles me. I jump, grab my pillow like I'm going to use it as a weapon. Will stands in the doorway, sipping from a metallic travel mug. His gray T-shirt stretches across his shoulders and chest in a way that makes my throat close up. "What question?" I ask, breathless. "Whether you're as beautiful in the morning as you are during the rest of the day." "Oh," I say dumbly, pushing the tangle of hair back off my shoulders, certain I don't look good right now, just rolling out of bed. Not that I take pains with my appearance on the average day, but still...who looks their best fresh out of bed? "You're here again," I murmur. "Apparently." "Can't stay away?" "Apparently not." I'm okay with that. Great, in fact. "I made you breakfast," he adds. "You can cook?" I'm impressed. He grins. "I live in a bachelor household, remember? My mom died when I was a kid. I hardly remember her. I kind of had to learn to cook." "Oh," I murmur, then sit up straighter. "Wait a minute. How'd you get in here?" "Opened the front door." He takes another sip from his mug and looks at me like I'm in trouble. "Your mom really should lock the door when she leaves." I arch a brow. "Would that have kept you out?" He smiles a little. "You know me well.
Sophie Jordan (Firelight (Firelight, #1))
Because my telekinetic magic doesn’t work on living things. I can throw something metal fast enough to slice an opponent to pieces. I can hurl a board at him, because cut wood is dead. I can choke him with his own clothes if they are loose enough. But I can’t simply throw a body.” Oh. “So the best way to fight you is to strip naked and attack?” His eyes flashed with a wicked light. “Yes. You should try it and see what happens.” Well, I did walk right into that one.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Along with osmium and platinum, iridium is one of the three heaviest (densest) elements on the Table—two cubic feet of it weighs as much as a Buick, which makes iridium one of the world’s best paperweights, able to defy all known office fans. Iridium is also the world’s most famous smoking gun. A thin layer of it can be found worldwide at the famous Cretaceous-Paleogene (K-Pg) boundary† in geological strata, dating from sixty-five million years ago. Not so coincidentally, that’s when every land species larger than a carry-on suitcase went extinct, including the legendary dinosaurs. Iridium is rare on Earth’s surface but relatively common in six-mile metallic asteroids, which, upon colliding with Earth, vaporize on impact, scattering their atoms across Earth’s surface. So, whatever might have been your favorite theory for offing the dinosaurs, a killer asteroid the size of Mount Everest from outer space should be at the top of your list.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
He wondered if there was a rule that you had to love all of someone, or whether you could pick out only the best parts, like piling your plate full of desserts at a buffet table and leaving the vegetables to go cold in their little metal bins.
Jennifer E. Smith (You Are Here)
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you. In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh. Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
Alistair MacLean (When Eight Bells Toll)
What if, you know—what if hanging out with Griffo Gerritszoon wasn’t always that great? What if he was weird and dreamy? What if the best part of him was the shapes he could make with metal? That part of him really is immortal. It’s as immortal as anything’s going to get.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Off they went down the highway, the taillights fading, the song dying, the black metal of the car melting into the fabric of night, and then there was only the whispery sound of good tires on wet cement and finally not even that. Just the blowing sound of the wind and the rain.
Joe R. Lansdale (The Best of Joe R. Lansdale)
Raiding followed a geographic pattern originating in the north. The southern tribes that lived closest to the trade cities of the Silk Route always had more goods than the more distant northern tribes. The southern men had the best weapons, and to succeed against them, the northern men had to move quicker, think more cleverly, and fight harder. This alternating pattern of trade and raiding supplied a slow, but steady, trickle of metal and textile goods moving northward, where the weather was always worse, the grazing more sparse, and men more rugged and violent.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
Bee-keeping was no doubt important in many places in Scandinavia. Honey was the only known sweetener, was used as a preservative and was an important ingredient in alcoholic drinks, while beeswax was necessary for certain metal-casting processes and it was also the best material for candles.
Else Roesdahl (The Vikings)
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
They [dolphins] are my least favorite member of the animal kingdom. Everyone seems to think dolphins are cute and "intelligent," but they're best described as ugly and impractical. I don't want to come across as insensitive, but show me a person whose intelligence equates to that of a dolphin and I will show you a fucking retard.
Chuck Klosterman (Fargo Rock City: A Heavy Metal Odyssey in Rural North Dakota)
They all watched as Genya checked his pulse, his breathing. She shook her head. “Zoya,” said Sturmhond. His voice had the ring of command. Zoya sighed and pushed up her sleeves. “Unbutton his shirt.” “What are you doing?” Kaz asked as Genya undid Kuwei’s remaining buttons. His chest was narrow, his ribs visible, all of it spattered with the pig’s blood they’d encased in the wax bladder. “I’m either going to wake up his heart or cook him from the inside out,” said Zoya. “Stand back.” They did their best to obey in the cramped space. “What exactly does she mean by that?” Kaz asked Nina. “I’m not sure,” Nina admitted. Zoya had her hands out and her eyes closed. The air felt suddenly cool and moist. Inej inhaled deeply. “It smells like a storm.” Zoya opened her eyes and brought her hands together as if in prayer, rubbing her palms against each other briskly. Nina felt the pressure drop, tasted metal on her tongue. “I think … I think she’s summoning lightning.” “Is that safe?” asked Inej. “Not remotely,” said Sturmhond. “Has she at least done it before?” said Kaz. “For this purpose?” asked Sturmhond. “I’ve seen her do it twice. It worked splendidly. Once.” His voice was oddly familiar, and Nina had the sense they’d met before. “Ready?” Zoya asked. Genya shoved a thickly folded piece of fabric between Kuwei’s teeth and stepped back. With a shudder, Nina realized it was to keep him from biting his tongue. “I really hope she gets this right,” murmured Nina. “Not as much as Kuwei does,” said Kaz. “It’s tricky,” said Sturmhond. “Lightning doesn’t like a master. Zoya’s putting her own life at risk too.” “She didn’t strike me as the type,” Kaz said. “You’d be surprised,” Nina and Sturmhond replied in unison. Again, Nina had the eerie sensation that she knew him. She saw that Rotty had squeezed his eyes shut, unable to watch. Inej’s lips were moving in what Nina knew must be a prayer. A faint blue glow crackled between Zoya’s palms. She took a deep breath and slapped them down on Kuwei’s chest.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Which story are you going to tell us tonight, Mother?" Tootless asked. "One that is very close to my heart," Red said. "It's called 'Beautiful and Brilliant Little Blue Riding Hood'." Just hearing the title made the Lost Boys excitedly clap. "Is it a good story, Mum? Slightly asked. "It's the best story you'll ever hear," Red said. "Does Little Blue die in the end like Cinderella, Snow White, Sleeping Beauty, and Rapunzel?" Curly asked. "I just want to know before I get attached." "Those were such sad stories," Nibs said, and shook his head. "I can't believe poor Cinderella slipped while running down the stairs at midnight, or that Snow White choked on the poisoned apple, or when Sleeping Beauty awoke, she discovered the spindle had given her a staph infection." "Poor, poor princesses," the Lost twins sniffled. "Well, these stories are supposed to teach us valuable lessons," Red said. "Never run down stairs, always chew your food, and see a doctor if your skin is punctured by rusty metal." "Is there a lesson in the story of 'Beautiful and Brilliant Little Blue Riding Hood'?" Slightly asked. "You'll have to wait to find out," she teased.
Chris Colfer (Beyond the Kingdoms (The Land of Stories, #4))
If only humankind would soon succeed in destroying itself; true, I'm afraid : it will take a long time yet, but they'll manage it for sure. They'll have to learn to fly too, so that it will be easier to toss firebrands into cities (a pretty sight : a portly, bronze boat perhaps, from which a couple of mail-clad warriors contemptuously hurl a few flaming armored logs, while from below they shoot at the scaly beasts with howling arrows. They could also easily pour burning oil out of steel pitchers. Or poison. In the wells. By night). Well, they'll manage it all right (if I can come up with that much !). For they pervert all things to evil. The alphabet : it was intended to record timeless poetry or wisdom or memories - but they scrawl myriads of trashy novels and inflammatory pamphlets. What do they deftly make of metals ? Swords and arrow tips. - Fire ? Cities are already smoldering. And in the agora throng the pickpockets and swashbucklers, cutpurses, bawds, quacks and whores. And at best, the rest are simpletons, dandies, and brainless yowlers. And every one of them self-complacent, pretending respectability, bows politely, puffs out coarse cheeks, waves his hands, ogles, jabbers, crows. (They have many words : Experienced : someone who knows plenty of the little underhanded tricks. - Mature : has finally unlearned every ideal. Sophisticated : impertinent and ought to have been hanged long ago.) Those are the small fry; and the : every statesman, politician, orator; prince, general, officer should be throttled on the spot before he has time or opportunity to earn the title at humankind's expense. - Who alone can be great ? Artists and scientists ! And no one else ! And the least of them, if an honest man, is a thousand times greater than the great Xerxes. - If the gods would grant me 3 wishes, one of them would be immediately to free the earth of humankind. And of animals, too (they're too wicked for me as well). Plants are better (except for the insectavores) - The wind has picked up.
Arno Schmidt
Sala’s apartment on Calle Tetuan was about as homey as a cave, a dank grotto in the very bowels of the Old City. It was not an upscale neighborhood. Sanderson shunned it and Zimburger called it a sewer. It reminded me of a big handball court in some stench-ridden YMCA. The ceiling was twenty feet high not a breath of clean air, no furniture except two metal cots and an improvised picnic table, and since it was on the ground floor we could never open the windows because thieves would come in off the street and sack the place…We had no refrigerator and therefor no ice, so we drank hot rum out of dirty glasses and did our best to stay out of the place as much as possible…Night after night I would sit uselessly at Al’s, drinking myself into a stupor because I couldn’t stand the idea of going back to the apartment.
Hunter S. Thompson (The Rum Diary)
As everyone knows, flush toilets are made of pure white porcelain and have handles of sparkling metal. Were I able to have things my own way, I would very much prefer fixtures - both men's and women's - made of wood. Wood finished in glistening black lacquer is the very best; but even unfinished wood, as it darkens and the grain grows more subtle with the years, acquires an inexplicable power to calm and soothe.
Jun'ichirō Tanizaki
He looked down at her. There was uncertainty and hope in his expression, and a slightly dazed look, as if he’d just woken up from a dream and wasn’t entirely sure where he was. Then he smiled. “I don’t remember everything,” he said. “Not yet. But I remember you.” He brought her hand up, touched the gold ring on her right index finger, the Fair Folk metal warm to the touch. “Clary,” he said. “You’re Clary. You’re my best friend.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
But even in this perilous situation, the popular leader Cleophon managed to persuade the Athenians to reject the chance of a negotiated peace offered by Sparta after Arginusae, so that it is hardly surprising that the Athenians responded so warmly to the parabasis of Frogs, where the Chorus aptly upbraids them for choosing as leaders and fighters not the best men but the worst, just as they have traded their gold and silver coinage for base metal (686-705, 717-37).
Aristophanes (Frogs (Focus Classical Library))
When it came to "getting away from it all," there really weren’t many places quite like the top of the tallest mountain in the world. He glanced around the summit, noting the other reason why he enjoyed coming up here. It was tradition for every expedition to the top of Everest to leave something behind—a small token or marker indicating their successful climb to the famous peak. Each one was different and each one seemed to reflect the personality of the party it represented: small flags and banners with the hand-written names of climbers past, a used oxygen canister, a spare glove, even a small metal lunchbox with (Clark noted with a small smile) a picture of Superman on the cover. To Clark, each of these markers indicated the pinnacle of human achievement, the fulfilled promise of the best the human race had to offer. And today, it represented something else as well: man’s ability to conquer the harsh reality of nature… a point in stark contrast to the previous night’s activities. This set were Sherpa prayer flags, each displaying a symbol, not of a distant god or mythological beast, but denoting some aspect of the enlightened human mind: compassion, perfect action, fearlessness. His thoughts turned to another example of the peak of human achievement, of what one man with drive, desire and dedication could accomplish without the benefit of superpowers or metagene enhancement. One that held a much more personal meaning to Clark. Bruce.
Chris Dee (World's Finest: Red Cape, Big City)
Ancient Egypt was doubly fortunate, and doubtless owed to this its fabled wealth, in that it possessed two activities, namely, pyramid-building as well as the search for the precious metals, the fruits of which, since they could not serve the needs of man by being consumed, did not stale with abundance. The Middle Ages built cathedrals and sang dirges. Two pyramids, two masses for the dead, are twice as good as one; but not so two railways from London to York. Thus we are so sensible, have schooled ourselves to so close a semblance of prudent financiers, taking careful thought before we add to the 'financial' burdens of posterity by building them houses to live in, that we have no such easy escape from the sufferings of unemployment. We have to accept them as an inevitable result of applying to the conduct of the State the maxims which are best calculated to 'enrich' an individual by enabling him to pile up claims to enjoyment which he does not intend to exercise at any definite time.
John Maynard Keynes (The General Theory of Employment, Interest, and Money)
It was all of this: The beat and the heat and the neat repeat of the notes which poured from the congohelium—metal never made for music, matter and anti-matter locked in a fine magnetic grid to ward off the outermost perils of space. Now a piece of it was deep in the body of Old Earth, counting out strange cadences. The churn and the burn and the hot return of music riding the living rock, accompanying itself in an air-carried echo. The surge and the urge of an erotic dirge which moaned, groaned through the heavy stone.
Cordwainer Smith (The Best of Cordwainer Smith)
I’m not interested in you. I will never be interested in you. In fact, I’m fucking allergic,” he says, his jaw clenched. “To you. I’m allergic to your big silver eyes and your pouty pink lips. To your blushing cheeks and your breathy voice. I’m allergic to the way you can’t stop watching me. I told you I’m not interested in Disney movies, didn’t I? I meant it. So I suggest you find someone else to play damsel in distress with. Someone else to solve your teenage problems. Someone your age, someone who’s probably still going through a fucking growth spurt or someone who spends his weekends playing video games and jerking off. From now on, if I catch you looking at me across the hallway or if I find you within ten feet of my office or me without reason, my sister’s best friend or not, I’ll personally make sure you never see the outside of that brick wall and those black metal gates for the rest of the year.” And then before he straightens up, he adds, “And I might be closer to your dad’s age than yours, but I do remember what people call you. And I also know what your name is, Bronwyn.
Saffron A. Kent (These Thorn Kisses (St. Mary's Rebels #3))
For it is not cell nuclei, not even individual chromosomes, but certain parts of certain chromosomes from certain cells that must be isolated and collected in enormous quantities for analysis; that would be the precondition for placing the chemist in such a position as would allow him to analyse [the hereditary material] more minutely than [can] the morphologists ... For the morphology of the nucleus has reference at the very least to the gearing of the clock, but at best the chemistry of the nucleus refers only to the metal from which the gears are formed.
Theodor Boveri
I love you. As the same value, as the same expression, with the same pride and the same meaning as I love my work, my mills, my Metal, my hours at a desk, at a furnace, in a laboratory, in an ore mine, as I love my ability to work, as I love the act of sight and knowledge, as I love the action of my mind when it solves a chemical equation or grasps a sunrise, as I love the things I’ve made and the things I’ve felt, as my product, as my choice, as a shape of my world, as my best mirror, as the wife I’ve never had, as that which makes all the rest of it possible: as my power to live.
Ayn Rand (Atlas Shrugged)
Cilantro: eat half a cup a day of this herb as-is, sprinkled on salads, or in a smoothie. Parsley: eat a quarter cup a day of this herb as-is, sprinkled on salads, or in a smoothie. Zeolite: buy this mineralized clay in liquid form. Spirulina (preferably from Hawaii): if it’s in powder form (which is best for removal of metals from the gut), mix one teaspoon daily into water or a smoothie. Garlic: eat two fresh cloves a day. Sage: eat two tablespoons a day. L-glutamine: if it’s in powder form (which is preferable for removal of metals from the gut), mix one teaspoon daily into water or a smoothie. Plantain leaf: brew this herb to make tea and drink a cup a day. Red clover blossom: brew two tablespoons of these flower blossoms to make two cups of tea a day.
Anthony William (Medical Medium: Secrets Behind Chronic and Mystery Illness and How to Finally Heal)
Georgia's fingers drifted to the charm at her throat, the four worn little clover leaves. She rubbed the metal edges, sending a prayer of gratitude heavenward. Faith, hope, love, and luck--- the recipe for a charmed life. Once Georgia had thought she could make it happen on her own by planning and striving, by attaining concrete measures of success. Now she saw how wrong she had been. The real recipe for a charmed life was simple. Not easy, but simple. To do the work that filled her with wonder and delight. To walk lightly through the world, giving generously to those around her. To love all in her care as best she could. That's what she had been seeking all along. And Georgia found that now her life, which had once seemed so bitter, tasted so very sweet indeed.
Rachel Linden (Recipe for a Charmed Life)
I was raised to believe in many things,' he said in perfect Cuttish, 'but the most frightening of all was the belief that beyond a pile of stones and metal lived a kingdom of demons and death. It is what I believed until one night, a little girl wandered across my brother's path. What I have come to learn in the last few years is that there is no difference between the people of the Outlands and the people of Cutta. We have all been attacked. We have all lost family. We have all been hated for senseless reasons. I do not want a war, but I want a future. A world where we can all live good, whole lives. Where there is no fear, no starvation, no war. And perhaps the best way for this to begin is to work together to ensure that in the process of stopping them, we so not become them.
Rebecca Crunden (A Time of Prophecy (The Outlands Pentalogy #5))
I know her very well,” said Sancho, “and I can say that she can throw a metal bar just as well as the brawniest lad in the village. Praise our Maker, she’s a fine girl in every way, sturdy as a horse, and just the one to pull any knight errant or about to be errant, who has her for his lady, right out of any mudhole he’s fallen into! Damn, but she’s strong! And what a voice she has! I can tell you that one day she stood on top of the village bell tower to call some shepherds who were in one of her father’s fields, and even though they were more than half a league away, they heard her just as if they were standing at the foot of the tower. And the best thing about her is that she’s not a prude. In fact, she’s something of a trollop: she jokes with everybody and laughs and makes fun of everything.
Miguel de Cervantes Saavedra (Don Quixote)
Key doesn’t answer for a long time, thinking of all the ways she could respond. Of Obaachan Akiko and the affectionate nickname of lazy summers spent hiking in the mountains or pounding mochi in the kitchen. Of her half-Japanese mother and Hawai’ian father, of the ways history and identity and circumstance can shape a girl into half a woman, until someone—not a man—comes with a hundred thousand others like him and destroys anything that might have once had meaning. So she finds meaning in him. Who else was there? And this girl, whose sneer reveals her bucked front teeth, has as much chance of understanding that world as Key does of understanding this one. Fresh fruit on the table. No uniforms. And a perfect, glittering shunt of plastic and metal nestled in the crook of her left arm. “Mine,” Key answers the girl.
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
By standardizing values into easily identifiable units, coins allowed for the creation of large markets, increasing the scope of specialization and trade worldwide. While the best monetary system technologically possible at the time, it still had two major drawbacks: the first was that the existence of two or three metals as the monetary standard created economic problems from the fluctuation of their values over time due to the ebbs of supply and demand, and created problems for owners of these coins, particularly silver, which experienced declines in value due to increases in production and drops in demand. The second, more serious flaw was that governments and counterfeiters could, and frequently did, reduce the precious metal content in these coins, causing their value to decline by transferring a fraction of their purchasing power to the counterfeiters or the government.
Saifedean Ammous (The Bitcoin Standard: The Decentralized Alternative to Central Banking)
In that case,” the herbalist said to Eragon, “you had best have this, since it seems you and I are to do most of the fighting.” She handed him her short sword, then drew a poniard with a jeweled hilt from within the folds of her dress. “What is it made of?” Eragon asked as he peered through the transparent blade of the sword, noticing how it caught and reflected the light. The substance reminded him of diamond, but he could not imagine that anyone would make a weapon out of a gemstone; the amount of energy required to keep the stone from breaking with every blow would soon exhaust any normal magician. “Neither stone nor metal,” said the herbalist. “A word of caution, though. You must take great care when handling it. Never touch the edge or allow anything you cherish to come near it, else you will regret it. Likewise, never lean the sword against something you might need--your leg, for example.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Turbines designed for low-flow situations would be wasteful in times of high water. Turbines designed for high efficiency at, say, five hundred cubic feet per second might be ineffective in times of low water. Under certain conditions, turbines can go into a state of cavitation, wherein vaporizing water creates bubbles that implode on the metal and riddle it with tiny holes. The ideal turbine for a little mill up a creek somewhere in inconsistent country would be one that was prepared to take whatever might come, to sit there and react calmly in any situation, to respond evenly to wild and sudden demands, to make the best of difficult circumstances, to remain steadfast in time of adversity, to keep going, above all to press on, to persevere, and not vibrate, fibrillate, vacillate, cavitate, or panic - in short, to accept with versatile competence what is known in hydroelectrical engineering as the run of the river.
John McPhee (Silk Parachute)
You have got to be—” Her sentence is cut short when the elevator makes an abrupt stop, jostling both of us into the walls of the small carrier. “Huh, would you look at that?” I glance around the small room, wondering what’s wrong. “No, no, no,” Dottie says over and over again, as she rushes to the panel and presses the emergency button. When nothing happens, she presses all the other buttons. “That’s intelligent,” I say, arms crossed and observing her from behind. “Confuse the damn thing so it has no idea what to do.” She doesn’t answer, but instead pulls her phone out from her purse and starts holding it up in the air, searching for a signal. “It’s cute that you think raising the phone higher will grant you service. We’re in a metal box surrounded by concrete, sweetheart. I never get reception in here.” “Damn it,” she mutters, stuffing her phone back in her purse. “Looks like you’re stuck here with me until someone figures out the elevator broke, so it’s best you get comfortable.” I sit on the floor and then pat my lap. “You can sit right here.” “I’d rather lick the elevator floor.” “There’s a disgusting visual. Suit yourself.” I get comfortable and start rifling through my bag of food. Thank God I grabbed dinner before this, because I’m starving, and if I was stuck in this elevator with no food, I’d be a raging bastard, bashing his head against the metal door from pure hunger. Low blood sugar does crazy things to me. I bring the term hangry to a new level. There’s only— “Why are you smiling like that?” I look up at her. “Smiling like what? I’m just being normal.” “No, you’re smiling like you’re having a conversation inside your head and you think you’re funny.” How would she know that? “Well, I am funny.” I pop open my to-go box filled to the brim with a Philly cheesesteak sandwich and tons of fries. Staring at it, I say, “Oh yes, come to papa.
Meghan Quinn (The Lineup)
Ode to a Dressmaker’s Dummy" Papier-mache body; blue-and-black cotton jersey cover. Metal stand. Instructions included. --Sears, Roebuck Catalogue O my coy darling, still You wear for me the scent Of those long afternoons we spent, The two of us together, Safe in the attic from the jealous eyes Of household spies And the remote buffooneries of the weather; So high, Our sole remaining neighbor was the sky, Which, often enough, at dusk, Leaning its cloudy shoulders on the sill, Used to regard us with a bored and cynical eye. How like the terrified, Shy figure of a bride You stood there then, without your clothes, Drawn up into So classic and so strict a pose Almost, it seemed, our little attic grew Dark with the first charmed night of the honeymoon. Or was it only some obscure Shape of my mother’s youth I saw in you, There where the rude shadows of the afternoon Crept up your ankles and you stood Hiding your sex as best you could?-- Prim ghost the evening light shone through.
Donald Justice (A Donald Justice Reader: Selected Poetry and Prose)
I gave him my best cryptic smile. He grimaced. “What have you found out?” he asked. “I’m not at liberty to tell you that.” Not with the Pack suspect. He leaned forward more, letting the moonlight fall on his face. His gaze was direct and difficult to hold. Our stares locked and I gritted my teeth. Five seconds into the conversation and he was already giving me the alpha-stare. If he started clicking his teeth, I’d have to make a run for it. Or introduce him to my sword. “You will tell me what you know now,” he said. “Or?" He said nothing, so I elaborated. “See, this kind of threat usually has an ‘or’ attached to it. Or an ‘and.’ ‘Tell me and I’ll allow you to live’ or something like that.” His eyes ignited with gold. His gaze was unbearable now. “I can make you beg to tell me everything you know,” he said and his voice was a low growl. It sent icy fingers of terror down my spine. I gripped Slayer’s hilt until it hurt. The golden eyes were burning into my soul. “I don’t know,” I heard my own voice say, “you look kinda out of shape to me. How long has it been since you took care of your own dirty work?” His right hand twitched. Muscles boiled under the taut skin and fur burst, sheathing the arm. Claws slid from thickened fingers. The hand snapped inhumanly fast. I weaved back and it fanned my face, leaving no scars. A strand of hair fell onto my left cheek, severed from my braid. The claws retracted. “I think I still remember how,” he said. A spark of magic ran from my fingers into Slayer’s hilt and burst into the blade, coating the smooth metal in a milky-white glow. Not that the glow actually did anything useful, but it looked bloody impressive. “Any time you want to dance,” I said. He smiled, slow and lazy. “Not laughing anymore, little girl?” He was impressive, I’d give him that. I turned the blade, warming up my wrist. The saber drew a tight glowing ellipse in the air, flinging tiny drops of luminescence on the dirty floor. One of them fell close to the Beast Lord’s foot and he moved away. “I wonder if all this changing has made you sluggish.” “Bring your pig-sticker and we’ll find out.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
On my next-to-last day in the country, I flew into Tokyo from Sapporo and needed to get to Tokyo’s main railroad station, called Shinjuku. I climbed into a taxi at the airport and said to the driver, “Shinjuku station, please.” He didn’t seem to have any idea what I meant. I repeated my request, as articulately as I could, and he looked at me as if I had asked him to take me to Boise. I pulled a map of Tokyo out and showed him Shinjuku station. He studied this with a look of great dissatisfaction, but at length put the car in gear and we set off. We drove for what seemed hours through the endless, numbing sprawl of Tokyo. Eventually we entered a long, deep tunnel—a kind of underground freeway, it seemed. About a mile along, the driver pulled into an emergency parking bay and stopped. He pointed to a metal door cut into the tunnel wall and indicated that I should get out and go through that door. “You want me to go through that door?” I said in disbelief. He nodded robustly and presented me with a bill for about a zillion yen. Everything was beginning to seem more than a touch surreal. He took my money, gave me several small bills in change, and encouraged me to depart, with a little shooing gesture. This was crazy. We were in a tunnel, for crying out loud. If I got out and he drove off, I would be hundreds of feet under Tokyo in a busy traffic tunnel with no sidewalk or other escape. You’ll understand when I say this didn’t feel entirely right. “Through that door there?” I said again, dubiously. He nodded and made another shooing gesture. I got out with my suitcase and went up three metal steps to the door and turned the handle. The door opened. I looked back at the driver. He nodded in encouragement. Ahead of me, lit with what seemed emergency lighting, was the longest flight of stairs I had ever seen. It took a very long while to climb them all. At the top I came to another door, exactly like the one at the bottom. I turned the handle and cautiously opened it, then stepped out onto the concourse of the world’s busiest railway station. I don’t know whether this is the way lots of people get to Shinjuku or whether I am the only person in history ever to have done so. But what I do know is this: it’s why I like to travel.
Bill Bryson (The Best American Travel Writing 2016 (The Best American Series))
Finally, some people tell me that they avoid science fiction because it’s depressing. This is quite understandable if they happened to hit a streak of post-holocaust cautionary tales or a bunch of trendies trying to outwhine each other, or overdosed on sleaze-metal-punk-virtual-noir Capitalist Realism. But the accusation often, I think, reflects some timidity or gloom in the reader’s own mind: a distrust of change, a distrust of the imagination. A lot of people really do get scared and depressed if they have to think about anything they’re not perfectly familiar with; they’re afraid of losing control. If it isn’t about things they know all about already they won’t read it, if it’s a different color they hate it, if it isn’t McDonald’s they won’t eat at it. They don’t want to know that the world existed before they were, is bigger than they are, and will go on without them. They do not like history. They do not like science fiction. May they eat at McDonald’s and be happy in Heaven." Pro: "But what I like in and about science fiction includes these particular virtues: vitality, largeness, and exactness of imagination; playfulness, variety, and strength of metaphor; freedom from conventional literary expectations and mannerism; moral seriousness; wit; pizzazz; and beauty. Let me ride a moment on that last word. The beauty of a story may be intellectual, like the beauty of a mathematical proof or a crystalline structure; it may be aesthetic, the beauty of a well-made work; it may be human, emotional, moral; it is likely to be all three. Yet science fiction critics and reviewers still often treat the story as if it were a mere exposition of ideas, as if the intellectual “message” were all. This reductionism does a serious disservice to the sophisticated and powerful techniques and experiments of much contemporary science fiction. The writers are using language as postmodernists; the critics are decades behind, not even discussing the language, deaf to the implications of sounds, rhythms, recurrences, patterns—as if text were a mere vehicle for ideas, a kind of gelatin coating for the medicine. This is naive. And it totally misses what I love best in the best science fiction, its beauty." "I am certainly not going to talk about the beauty of my own stories. How about if I leave that to the critics and reviewers, and I talk about the ideas? Not the messages, though. There are no messages in these stories. They are not fortune cookies. They are stories.
Ursula K. Le Guin (A Fisherman of the Inland Sea)
This isn't just Flint's fight. We built all our cities out of lead. We were sure we could make this metal work for us. History revealed a pattern of poisoning, but we were certain that we could contain it, control it. Progress came when we acknowledged how terribly harmful lead is and instituted anti-lead laws that reduced our exposure to one of the world's best-known neurotoxins. But the next great challenge - a tremendously difficult one - is reckoning with the lead that is still in our environment. Individual solutions, from purchasing bottled water and investing in private purification devices, isn't enough. As the nineteenth-century water wars revealed, a community is not safe and certainly will not thrive if only some have access to clean water and others do not. Infrastructure, the ties that literally bind us, one to another, requires our consistent care and attention. At a certain point, 'doing more with less' no longer functions as a mandate. Sometimes less is just less. Public health historians Gerald Markowitz and David Rosner put it this way: 'If the history of lead poisoning has taught us anything, it is that the worlds we as a society construct, or at least allow to be built in our name, to a large extent determine how we live and how we die.
Anna Clark (The Poisoned City: Flint's Water and the American Urban Tragedy)
Actually, the sea pirates who had the most to do with the creation of the new government owned human slaves. They used human beings for machinery, and, even after slavery was eliminated, because it was so embarrassing, they and their descendants continued to think of ordinary human beings as machines. *** The sea pirates were white. The people who were already on the continent when the pirates arrived were copper-colored. When slavery was introduced onto the continent, the slaves were black. Color was everything. *** Here is how the pirates were able to take whatever they wanted from anybody else: they had the best boats in the world, and they were meaner than anybody else, and they had gunpowder, which was a mixture of potassium nitrate, charcoal, and sulphur. They touched this seemingly listless powder with fire, and it turned violently into gas. This gas blew projectiles out of metal tubes at terrific velocities. The projectiles cut through meat and bone very easily; so the pirates could wreck the wiring or the bellows or the plumbing of a stubborn human being, even when he was far, far away. The chief weapon of the sea pirates, however, was their capacity to astonish. Nobody else could believe, until it was much too late, how heartless and greedy they were. ***
Kurt Vonnegut Jr. (Breakfast of Champions)
Nothing in the period that followed was too good for the Rouge; it had the best blast furnaces, the best machine tools, the best metal labs, the best electrical systems, the most efficient efficiency experts. At its maturity in the mid-twenties, the Rouge dwarfed all other industrial complexes. It was a mile and a half long and three quarters of a mile wide. Its eleven hundred acres contained ninety-three buildings, twenty-three of them major. There were ninety-three miles of railroad track on it and twenty-seven miles of conveyor belts. Some seventy-five thousand men worked there, five thousand of them doing nothing but keeping it clean, using eighty-six tons of soap and wearing out five thousand mops each month. By the standards of the day the Rouge was, in fact, clean and quiet. Little was wasted. A British historian of the time, J. A. Spender, wrote of its systems: “If absolute completeness and perfect adaptation of means to end justify the word, they are in their own way works of art.” Dissatisfied with the supply and quality of the steel he was getting from the steel companies, Ford asked how much it would cost to build a steel plant within the Rouge. About $35 million, Sorensen told him. “What are you waiting for?” said Ford. Equally dissatisfied with both the availability and the quality of glass, he built a glass factory at the Rouge as well. The
David Halberstam (The Reckoning)
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
Kyung-ran Jo (Tongue)
ONLY IMAGINE   In his classic self-help book Think and Grow Rich, Napoleon Hill wrote, “Whatever the mind of man can conceive and believe, he can achieve.” His premise, and that of many others, is that once the human mind is programmed with a certain expectation, it will begin to fulfill that expectation. The Scriptures declared this principle long before Hill wrote his book. Faith believes and then sees. It is the expectation of a miracle before it occurs. The Aluminum Company of America coined an interesting word: imagineering. They combined the idea of imagining a product or service, with the idea that the dream would then be engineered into a reality. Throughout history we’ve seen this principle at work.   A primitive ancestor came up with the idea that it was easier to roll objects than drag them—and he carved a wheel from stone.   A man named Gutenberg imagined that letters might be set in metal and combined to create words, which then could be printed repeatedly with the application of ink. He set about to make such a machine.   Men designed cathedrals that took decades to build—but build them they did. Ideas and dreams you have today will directly influence your future. What you begin to believe for, and then how you act on that belief, will result in what you have, do, and are in the days, weeks, months, and years ahead. Let your “faith imagination” soar today. Believe for God’s highest and best in your life. Then begin to live and work as if that miracle is on its way.   FAITH IS THE SUBSTANCE OF THINGS HOPED FOR, THE EVIDENCE OF THINGS NOT SEEN. HEBREWS 11:1 NKJV
David C. Cook (Good Morning, God: Wake-up Devotions to Start Your Day God's Way)
It was a feeling that I could be a little different from everyone else of my age, and that, if pushed, I could battle against the forces of nature and prevail. Adventure felt the most natural thing in the world, and it was where I came alive. It is what made me feel, for the first time, really myself. As I got older and the rest of my world got more complicated and unnatural, I sought more and more the identity and wholeness that adventure gave me. In short, when I was wet, muddy, and cold, I felt like a million dollars, and when I was with the lads, with everyone desperately trying to be “cool,” I felt more awkward and unsure of myself. I could do mud, but trying to be cool was never a success. So I learned to love the former and shy away from the latter. (Although I gave “cool” a brief, good go as a young teenager, buying winklepicker boots and listening to heavy metal records all through one long winter, both of which were wholly unsatisfying, and subsequently dropped as “boring.”) Instead, I would often dress up in my “worst” (aka my best) and dirtiest clothes, stand under the hosepipe in the garden, get soaking wet--in December--and then go off for a run on my own in the hills. The locals thought me a bit bonkers, but my dog loved it, and I loved it. It felt wild, and it was a feeling that captured me more and more. Once, I returned from one such run caked in mud and ran past a girl I quite fancied. I wondered if she might like the muddy look. It was at least original, I thought. Instead, she crossed the road very quickly, looking at me as if I were just weird. It took me a while to begin to learn that girls don’t always like people who are totally scruffy and covered in mud. And what I considered natural, raw, and wild didn’t necessarily equal sexy. Lesson still in progress.
Bear Grylls (Mud, Sweat and Tears)
A few days after that dinner, I catch up with my new friend Paul over coffee. He is telling me about a time when he cycled from the Netherlands to Spain – a many-months-long endeavour that he completed solo. I try to imagine myself in this scenario. ‘Were you lonely?’ I ask. Paul pauses, taken aback by the question. And this is the problem with Deep Talk. Not only do you have to be a bit vulnerable and a bit ballsy to ask the questions in the first place, but you’re also asking whoever you’re speaking with to be the same: open up, take your hand and embrace the depths. Paul furrows his brow. After a beat, he nods. ‘Yeah, I was,’ he says. ‘What did you do to combat it?’ ‘I wrote in my journal a lot,’ he tells me. ‘I went for walks. But I was still really lonely.’ He tells me that he’s good at talking to people but that in most of the places where he stopped along the way people were pretty guarded. When I play back this conversation in my head, I wonder how differently pre-sauna Jess would have handled it. Given that I don’t know Paul well, I would have probably asked about logistics, or how many miles he covered per day, or what kind of bike he rode. Maybe, at best, I’d have launched into a story about a bike seat I’d used in Beijing that was such a literal arse ache that I could barely walk for two weeks, followed by a monologue about the realities of life with thigh chaffing. I am so impressed by how open Paul is with me. He could have lied and told me, nah, he doesn’t get lonely, that he relished the time alone on the road, he was a lone wolf, a cowboy striking out into the sunset with nothing but his trusty metallic steed. One of the most vital parts of Deep Talk is that it has to be a two-way process – both parties have to be willing to share, to disclose, to be vulnerable. If you initiate it with someone but don’t give back, you’re likely just harassing innocent people to share extremely personal information. I realise I probably shouldn’t go around asking men about their loneliness and not share my own experience of it. Since we’re all in this together, I’ll tell you, too.
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
We need more baskets,” Pandora said triumphantly, entering the hall. The twins, who were clearly having a splendid time, had adorned themselves outlandishly. Cassandra was dressed in a green opera cloak with a jeweled feather ornament affixed to her hair. Pandora had tucked a light blue lace parasol beneath one arm, and a pair of lawn tennis rackets beneath the other, and was wearing a flowery diadem headdress that had slipped partially over one eye. “From the looks of it,” Kathleen said, “you’ve done enough shopping already.” Cassandra looked concerned. “Oh, no, we still have at least eighty departments to visit.” Kathleen couldn’t help glancing at Devon, who was trying, without success, to stifle a grin. It was the first time she had seen him truly smile in days. Enthusiastically the girls lugged the baskets to her and began to set objects on the counter in an unwieldy pile…perfumed soaps, powders, pomades, stockings, books, new corset laces and racks of hairpins, artificial flowers, tins of biscuits, licorice pastilles and barley sweets, a metal mesh tea infuser, hosiery tucked in little netted bags, a set of drawing pencils, and a tiny glass bottle filled with bright red liquid. “What is this?” Kathleen asked, picking up the bottle and viewing it suspiciously. “It’s a beautifier,” Pandora said. “Bloom of Rose,” Cassandra chimed in. Kathleen gasped as she realized what it was. “It’s rouge.” She had never even held a container of rouge before. Setting it on the counter, she said firmly, “No.” “But Kathleen--” “No to rouge,” she said, “now and for all time.” “We need to enhance our complexions,” Pandora protested. “It won’t do any harm,” Cassandra chimed in. “The bottle says that Bloom of Rose is ‘delicate and inoffensive’…It’s written right there, you see?” “The comments you would receive if you wore rouge in public would assuredly not be delicate or inoffensive. People would assume you were a fallen woman. Or worse, an actress.” Pandora turned to Devon. “Lord Trenear, what do you think?” “This is one of those times when it’s best for a man to avoid thinking altogether,” he said hastily.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
The last time I saw Collin was in 1917, at the foot of Mort-Homme. Before the great slaughter, Collin’d been an avid angler. On that day, he was standing at the hole, watching maggots swarm among blow flies on two boys that we couldn’t retrieve for burial without putting our own lives at risk. And there, at the loop hole, he thought of his bamboo rods, his flies and the new reel he hadn’t even tried out yet. Collin was imaging himself on the riverbank, wine cooling in the current his stash of worms in a little metal box and a maggot on his hook, writhing like… Holy shit. Were the corpses getting to him? Collin. The poor guy didn’t even have time to sort out his thoughts. In that split second, he was turned into a slab of bloody meat. A white hot hook drilled right through him and churned through his guts, which spilled out of a hole in his belly. He was cleared out of the first aid station. The major did triage. Stomach wounds weren’t worth the trouble. There were all going to die anyway, and besides, he wasn’t equipped to deal with them. Behind the aid station, next to a pile of wood crosses, there was a heap of body parts and shapeless, oozing human debris laid out on stretchers, stirred only be passing rats and clusters of large white maggots. But on their last run, the stretcher bearers carried him out after all… Old Collin was still alive. From the aid station to the ambulance and from the ambulance to the hospital, all he could remember was his fall into that pit, with maggots swarming over the open wound he had become from head to toe… Come to think of it, where was his head? And what about his feet? In the ambulance, the bumps were so awful and the pain so intense that it would have been a relief to pass out. But he didn’t. He was still alive, writhing on his hook. They carved up old Collin good. They fixed him as best they could, but his hands and legs were gone. So much for fishing. Later, they pinned a medal on him, right there in that putrid recovery room. And later still, they explained to him about gangrene and bandages packed with larvae that feed on death tissue. He owed them his life. From one amputation and operation to the next – thirty-eight in all – the docs finally got him “back on his feet”. But by then, the war was long over.
Jacques Tardi (Goddamn This War!)
Broaching is a precise machining process in metalworking domain which uses a toothed tool called broach to cut materials into a predetermined shape. Broaching works best for odd shapes where precision machining is needed and hence finds wide application in a number of industry in India and worldwide. Broach resembles a saw to certain extent but unlike a saw, its teeth become larger in size across its length. A broach gives shapes by roughing or removing the material, semi finishing and then by imparting the ultimate finishing. Round or odd shapes, for both internal and external surfaces, can be conveniently formed by broaching. This multi edge tool can shape any metal or metallic alloy but works best on softer materials like plastic, wood, bronze, aluminum, etc. Resharpening of the tool The broach that imparts shape to many work pieces can work properly only when the size and shape of its teeth are perfect. With time and usage, the teeth tend to lose its sharpness and become blunt. Using a dull broach may lead to permanent damage of its teeth. To enhance the broach life and minimize the tooling expense, it needs to be re-sharpened on time. When to opt for resharpening When broaching produce roughly shaped work pieces, it is definitely time for re-sharpening. However, with a little bit of watchfulness, one can even get it sharpened before it delivers poor finish or tearing. Some of the other conditions when this toothed tool will require re-sharpening are: • Excessive hydraulic press pressure required to run the broach • Nicks and scratches on the teeth making it dull • Broach starts drifting • Cutting edges show signs of wear • Chattering occurs while broaching Re-sharpening requires high precision. Removing excessive material from the teeth will adversely affect its longevity. Only proper sharpening will ensure time efficiency and high quality output. Teeth welding, grinding of gullets and teeth crest, reshaping teeth to proper taper are some of the methods used in re-sharpening. Broaching, once used for machining only internal keyways, is now used for machining a plethora of shapes and surfaces for high quantity of work pieces. Broaching requires less tools than most of the other machining process and saves considerable amount of output time and hence favoured for high volume production irrespective of its high cost. In India, broaching finds wide application in the automobile industry. Therefore, a large number of players are foraying into the broach manufacturing industry on a regular basis.
Ankur sood
SUPPLEMENT DAILY DOSAGE Vitamin A 10,000 IU or 6 mg beta-carotene (choose mixed carotenes if available)     B-complex vitamins B1, B2, B3, B5: 50 mg B6: 50 mg, or 100 mg if nauseated (can be higher: if necessary up to 250 mg to prevent nausea) B12: 400 mcg Choline, Inositol, PABA: 25 mg Biotin: 200 mcg Folic acid: 500 mcg (increase this to 1000 mcg if you have suffered a previous miscarriage, if there is a history of neural tube defects in your family, or if you are over 40 years of age)     Vitamin C 1–2 g (take the higher dose if you are exposed to toxicity or in contact with, or suffering from, infection)     Bioflavonoids 500–1000 mg (helpful for preventing miscarriage and breakthrough bleeding)     Vitamin D 200 IU     Vitamin E 500 IU (increasing to 800 IU during last trimester)     Calcium 800 mg (increasing to 1200 mg during middle trimester when your baby’s bones are forming, or if symptoms such as leg cramps indicate an increased need)     Magnesium 400 mg (half the dose of calcium)     Potassium 15 mg or as cell salt (potassium chloride, 3 tablets)     Iron Supplement only if need is proven; dosage depends on serum ferritin levels (stored iron) If levels < 30 mcg per litre, take 30 mg If levels < 45 mcg per litre, take 20 mg If levels < 60 mcg per litre, take 10 mg This test for ferritin levels should be repeated at the end of each trimester, and we give further details in Chapter 11.     Manganese 10 mg     Zinc 20–60 mg, taken last thing at night on an empty stomach (dose level to depend on results of zinc taste test, which ideally should be performed at two monthly intervals during your pregnancy; see page 172–174 for details)     Chromium 100–200 mcg (upper limit applies to those with sugar cravings or with proven need)     Selenium 100–200 mcg (upper limit for those exposed to high levels of heavy metal or chemical pollution). Selenium is best taken away from vitamin C, but can be taken with zinc.     Iodine 75 mcg (or take 150 mg of kelp instead)     Acidophilus/Bifidus Half to one teaspoonful, one to three times daily (upper limits for those who suffer from thrush)     Evening primrose oil 500–1000 mg two to three times daily     MaxEPA (or deep sea fish oils) 500–1000 mg two to three times daily     Garlic 2000–5000 mg (higher levels for those exposed to toxins)     Silica 20 mg     Copper 1–2 mg (but only if zinc levels are adequate)     Hydrochloric acid and digestive enzymes For those with digestive problems. There are numerous proprietary preparations which contain an appropriate combination of active ingredients. Ask your health practitioner, pharmacist or health food shop for guidance, and take as directed on the label.     Co-enzyme Q10 10 mg daily
Francesca Naish (The Natural Way To A Better Pregnancy (Better babies))
Though it’s best not to be born a chicken at all, it is especially bad luck to be born a cockerel. From the perspective of the poultry farmer, male chickens are useless. They can’t lay eggs, their meat is stringy, and they’re ornery to the hens that do all the hard work of putting food on our tables. Commercial hatcheries tend to treat male chicks like fabric cutoffs or scrap metal: the wasteful but necessary by-product of an industrial process. The sooner they can be disposed of—often they’re ground into animal feed—the better. But a costly problem has vexed egg farmers for millennia: It’s virtually impossible to tell the difference between male and female chickens until they’re four to six weeks old, when they begin to grow distinctive feathers and secondary sex characteristics like the rooster’s comb. Until then, they’re all just indistinguishable fluff balls that have to be housed and fed—at considerable expense. Somehow it took until the 1920s before anyone figured out a solution to this costly dilemma. The momentous discovery was made by a group of Japanese veterinary scientists, who realized that just inside the chick’s rear end there is a constellation of folds, marks, spots, and bumps that to the untrained eye appear arbitrary, but when properly read, can divulge the sex of a day-old bird. When this discovery was unveiled at the 1927 World Poultry Congress in Ottawa, it revolutionized the global hatchery industry and eventually lowered the price of eggs worldwide. The professional chicken sexer, equipped with a skill that took years to master, became one of the most valuable workers in agriculture. The best of the best were graduates of the two-year Zen-Nippon Chick Sexing School, whose standards were so rigorous that only 5 to 10 percent of students received accreditation. But those who did graduate earned as much as five hundred dollars a day and were shuttled around the world from hatchery to hatchery like top-flight business consultants. A diaspora of Japanese chicken sexers spilled across the globe. Chicken sexing is a delicate art, requiring Zen-like concentration and a brain surgeon’s dexterity. The bird is cradled in the left hand and given a gentle squeeze that causes it to evacuate its intestines (too tight and the intestines will turn inside out, killing the bird and rendering its gender irrelevant). With his thumb and forefinger, the sexer flips the bird over and parts a small flap on its hindquarters to expose the cloaca, a tiny vent where both the genitals and anus are situated, and peers deep inside. To do this properly, his fingernails have to be precisely trimmed. In the simple cases—the ones that the sexer can actually explain—he’s looking for a barely perceptible protuberance called the “bead,” about the size of a pinhead. If the bead is convex, the bird is a boy, and gets thrown to the left; concave or flat and it’s a girl, sent down a chute to the right.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
Exclamations arose from the personnel as they recognized the lifeless legs hanging in the air above them as having once belonged to Slaughter.  Derek swore and reached up to pull the body out, but it did not budge.  He looked closely and noted that the body and clothing had fused into the vessel’s own metallic material.  Everyone’s attention was so riveted above that they failed to notice the shadows in time.  Once the dark forms reached the squad’s rear, the screams began.  Laser fire erupted next, but it had no effect.  Bodies of the dead fell about the corridor.  Anne’s hands shook as she assembled the cannon.  Derek covered her as best as he was able, but his weapon seemed useless. The laser would cut through a shadowy figure, then it would simply re-materialize.  He dropped the rifle and went for his backup weapon, which was an old .45 caliber handgun in his belt pouch.  He jammed the magazine in and chambered the round and fired twice into the darkness, punctuated with flashes of white light and fire.
Karl Bjorn Erickson (Alcatraz Burning: Four Mind-Bending Short Stories)
Miss Addie!” Edward, too, rushed to her side, but Gideon reached her first and pranced around her. “I’m all right,” she said as John arrived. He knelt beside her and slipped his arm around her. “Are you injured?” She had no idea of her true condition with him so close. Assessing the pain level, she leaned her head against his shoulder. His presence was the best medicine. “I-I don’t think so.” Edward threw himself atop her, and she pulled him onto her lap when she realized he was crying. “It’s okay, darling.” “You’re bleeding,” the child wailed. John moved away, and she hugged Edward, relishing the little-boy scent of grass and dog. “It’s merely a scratch, Edward. Proof of valor.” John was still near enough that she could smell his bay rum hair tonic. “I should call the doctor,” John said. He placed his hand on her shoulder. “No, no, I think I can get up with your assistance.” Aware she was showing more of her leg than was seemly, Addie flipped her skirt into place. She brushed a kiss across Edward’s cheek and scooted him onto the grass. “Papa’s going to help me up.” She grasped John’s arm and allowed him to lift her to her feet. “Does anything hurt?” he asked. She smiled into his face. “Only my pride.” “Let’s get you inside.” She glanced at the heap of wheels and metal. “No, I want to get back on the bicycle.” His mouth gaped. “You aren’t afraid?” “I’m terrified. But if I don’t get back on now, I might never do it. The fall will expand in my mind. I want to learn this.” She released his arm and stepped away, though she preferred to stay close to him. “The bicycle appears unharmed.” “But you’re not. You’re bleeding.” She bent her elbow up to have a look. “As I said, it’s merely a scratch.
Colleen Coble (The Lightkeeper's Daughter (Mercy Falls, #1))
We have now developed for Agni a re-entry structure, for which we have developed this new material, a very light material called carbon-carbon. One day an orthopedic surgeon from Nizam Institute of Medical Sciences visited my laboratory. He lifted the material and found it so light that he took me to his hospital and showed me his patients. There were these little girls and boys with heavy metallic calipers weighing over three kilograms each, dragging their feet around. He said to me, “Please remove the pain of my patients” In three weeks, we made these floor-reaction Orthosis 300-gram calipers and took them to the orthopedic center. The children didn’t believe their eyes. From dragging around a three kilogram load on their legs, they could now move around! Their parents had tears in their eyes.
Nitin Agarwal (Best Victorian Sensationalism Novels Ever Written: Riveting Works on Mystery, Suspense, Deception & Betrayal (including The Woman in White, Lady Audley's Secret, East Lynne & more!) (Grapevine Books))
Thor braced himself as best he could, as yet another blow rained down on him. He tried to resist with all his might, but with his wrists bound behind him in Akdon shackles, there was little he could do. His energy had been sapped by this magical metal, and he found himself unable to fight back as a large group of Empire soldiers punched him in the face, the chest, the back, and finally knocked him face-first onto the ground.
Morgan Rice (A Rite of Swords (The Sorcerer's Ring, #7))
Reggie, sweetheart, I’ll need you to open your eyes. Just for a bit.” “Ugh,” she said and sighed. “All right.” The light still hurt. She was staring into Colin’s eyes now, though. They were the same metallic silver that they’d been in his dragon form, with serpentine vertical pupils. “You . . .” She waved a hand, trying to think of words. “You changed.” “It seemed wise at the moment. And you can shut your eyes again. What’s your name?” “Regina Talbot-Jones. Typical of a man to forget, after,” she said, laughing as the idea struck her. Colin’s hand tightened on hers. “And what year is it?” “Eighteen ninety-five.” He sighed. “All right. I’ll be picking you up now. Put your arms around my neck, aye? And hold tight. This will take a while.” “I guess you can’t fly me,” she said with a sigh of her own, “in the middle of the day.” “For sixpence I would,” he said curtly, “and damn the daylight. But I’d not be able to carry you without hurting you, and you can’t hang on like this. Brace yourself.” Then his arms were around her, beneath her knees and her neck. Colin lifted her and held her, her head against his hard chest. It would have been very pleasant to lie that way if the motion hadn’t set her brain bouncing against the inside of her skull. She bit her lip. She would not cry out, because Colin was doing the best he could, and she would certainly not be sick, because it was disgusting and would just make her head hurt more.
Isabel Cooper (The Highland Dragon's Lady (Highland Dragon, #2))
But after all, there was no alternative. I just had to make the best of it, and lie here like a lox until I was discovered—which seemed to me to be a long-overdue event. I had been sprawled here in direct sunlight for at least half an hour: Can a corpse get a sunburn? I was certain dead people avoided tanning booths—even in zombie movies—but here in the midday sun, was it possible for dead skin to tan? It didn’t seem right; we all like to think of cadavers as pale and ghostly, and a healthy sun-kissed epidermis would certainly spoil the effect. But now I hear a rising chorus of fuss and bother nearby: A metallic door thumps shut, hushed voices murmur urgently, and finally I hear the sound for which I have been yearning: the hurried clatter of approaching footsteps. They stutter to a stop beside me and a woman gasps and cries out, “Nooo!” At last: some real concern for my tragic condition. A trifle melodramatic, perhaps, but it’s touching, and would even be heartwarming, if only Dexter had a heart to warm. The woman bends over me, and in the bright halo of sunlight surrounding her head, I can’t make out her features. But there is no mistaking the shape of the gun that appears in her right hand. A woman with a gun—could this be Dexter’s dear sister, Sergeant Deborah Morgan, stumbling across her beloved brother’s tragically murdered self? Who else could possibly put on such a rare display of well-armed grief for me? And there is real tenderness in her left hand as it drops to my neck to feel for a pulse: in vain, alas, or whatever it is we say instead of “vain” nowadays. Her left hand drops away from my neck and she raises her head to the heavens and says through a tightly clenched jaw, “I’ll get the bastards who did this. I swear it.…” It is a sentiment I approve completely—and actually, it does sound a little bit like Deborah, but not quite enough. There is a hesitant, musical fluctuation in the voice that my sister would never permit. No,
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))