Metal Bat Quotes

We've searched our database for all the quotes and captions related to Metal Bat. Here they are! All 23 of them:

Zero took the shovel. Then he swung it like a baseball bat. The metal blade smashed across Mr. Pendanski’s face. His knees crumpled beneath him. He was unconscious before he hit the ground.
Louis Sachar (Holes (Holes Series Book 1))
Tallow turned the corner into Bat and Scarly's office to be greeted by a large plastic robot on the bench waving its arms and shouting, "Say hello to my l'il frien'" in an electronically processed voiced as a small plastic penis repeatedly jabbed out from its groin on a short metal piston. Bat emerged from behind the thing. "Don't judge me," he said. "I got bored.
Warren Ellis (Gun Machine)
If you ask a human being what makes his flesh creep more, a bat or a bomb, he will say the bat. It is difficult to experience loathing for something merely metal, however ominous. We save these sensations for those with skin and flesh: a skin, a flesh, unlike our own.
Margaret Atwood (Good Bones and Simple Murders)
Let us have it plain: my society is comprised of metal-worshipers. They pray to metal, are owned by metal, and metal uses them; it shoots them, it stabs them. I witness its sycophants, grave zombies, moved about humorlessly as its agents. My minions are spiritually rapt as the ages climaxes in gunpowder. One notes that, upon first being handed a rifle -- by Burton or Speke? -- a chieftain blithely shot one of his own lackeys, expressing radiant joy as the man tumbled dead. Do not stop there, happy Klansman, but watch with me early in the morning as I come in from work: across the street here in the clean "burbs" your white policeman goes reverently to his car with a deer rifle coddled in his right arm like a precocious, beautiful child. This man lives with a pistol on his hip all week, but that is not enough, no, he is devout and it is the Christmas season. His own cowardice, affirmed by the use of guns, would not occur to him any more than the cowardice of God. The gun lobby, oh my peaceful friends, you may hate, but first you had better understand that it is a religion, only secondarily connected to the Bill of Rights. The thick-headed, sometimes even close to tearful, gaze you get when chatting with one of its partisans emanates from the view that they're holding a piece of God. There is no persuading them otherwise, even by a genus, because a life without guns implies the end of the known world to them. Any connection they make to our " pioneer past" is also a fraud, a wistful apology. Folks love a gun for what it can do. A murderer always thinks it was an accident, he says, as if a religious episode had passed over him.
Barry Hannah (Bats Out of Hell)
It is rumored by the wise-brained rats which burrow the citied earth and by the knowledgeable cats that stalk its shadows and by the sagacious bats that wing its night and by the sapient zats which soar through airless space, slanting their metal wings to winds of light, that those two swordsmen and blood-brothers, Fafhrd and the Gray Mouser, have adventured not only in the World of Nehwon with its great empire of Lankhmar, but also in many other worlds and times and dimensions, arriving at these through certain secret doors far inside the mazy caverns of Ningauble of the Seven Eyes—whose great cave, in this sense, exists simultaneously in many worlds and times. It is a Door, while Ningauble glibly speaks the languages of many worlds and universes, loving the gossip of all times and places. In each new world, the rumor goes, the Mouser and Fafhrd awaken with knowledge and speaking skills and personal memories suitable to it, and Nehwon then seems to them only a dream and they know not its languages, though it is ever their primal homeland. It is even whispered that on one occasion they lived a life in that strangest of worlds variously called Gaia, Midgard, Terra, and Earth, swashbuckling there along the eastern shore of an inner sea in kingdoms that were great fragments of a vasty empire carved out a century before by one called Alexander the Great. So much Srith of the Scrolls has to tell us. What we know from informants closer to the source is as follows:
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
The fact of the matter is that when I drink, I am 100 percent certifiably insane. Hopelessly, utterly, undeniably bat shit crazy. I do things that are abhorrent to me; anathema to my nature, my morals, and my upbringing. And once I start, I cannot stop the craziness. It just spirals on and on, ever downward, until I die or hit rock bottom. And even at rock bottom, despite all evidence that I should stop, I will grab a cold beer and a pick ax and keep digging deeper. It's insane. The only way I know to not be crazy is just not to drink.
D. Randall Blythe (Dark Days: A Memoir)
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about. They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three. There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters. They'll stop you at the river, he says. The second corporal looks past his comrades. Are you talking to me? At the river. Be told. They'll jail you to a man. Who will? The United States Army. General Worth. They hell they will. Pray that they will. He looks at his comrades. He leans toward the Mennonite. What does that mean, old man? Do ye cross that river with yon filibuster armed ye'll not cross it back. Don't aim to cross it back. We goin to Sonora. What's it to you, old man? The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs. But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be? How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call. There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
says. Raja is hanging from a thick metal bar that is in her bedroom doorway. I have seen Rico do pull-ups on it a few times. He has Raja shirt wrapped around some kind of way and it’s almost choking her. Her breasts are coming out of her bra and she is just swinging. She tries reaching for the bar and the shirt chokes her even more. How the hell did he do that? I wondered.      “Lace, please get me down, I can’t breathe,” she says with tears falling out of her eyes. I go into the bathroom getting a pair of scissors. I come back and start cutting her shirt. She is hanging upside down now like a bat. I hold her with one hand while I cut with the other. She all of the
Natavia (Two Sides to a Love Story: Rico & Raja's Story)
The muscles of Sue’s legs tensed, and the saddle lurched. One of the little girls screamed. And then the Tyrannosaur came down from the leap that had carried her over the besieged Wardens. Sue landed with one clawed foot on the street, and the other came down squarely on the Caddy’s hood, like a falcon descending upon a rabbit. There was an enormous sound of shrieking metal and breaking glass, and the saddle lurched wildly again. I leaned over to see what had happened. The car’s hood and engine block had been compacted into a two-foot-thick section of twisted metal. Even as I looked, Sue leaned over the car in a curiously birdlike movement, opened her enormous jaws, and ripped the roof off. Inside was Li Xian, dressed in a black shirt and trousers. The ghoul’s forehead had a nasty gash in it, and green-black blood had sheeted over one side of his face. His eyes were blank and a little vague, and I figured he’d clipped his head on the steering wheel or window when Sue brought his sliding car to an abrupt halt. Li Xian shook his head and then started to scramble out of the car. Sue roared again, and the sound must have terrified Li Xian, because all of his limbs jerked in spasm and he fell on his face to the street. Sue leaned down again, her jaws gaping, but the ghoul rolled under the car to get away from them. So Sue kicked the car, and sent it tumbling end over end three or four times down the street. The ghoul let out a scream and stared up at Sue in naked terror, covering his head with his arms. Sue ate him. Snap. Gulp. No more ghoul. “What’s with that?” Butters screamed, his voice high and frightened. “Just covering his head with his arms? Didn’t he see the lawyer in the movie?” “Those who do not learn the lessons of history are doomed to repeat them,” I replied, turning Sue around. “Hang on!” I rode the dinosaur into the stream of zombies following in the Wardens’ wake and let her go to town. Sue chomped and stomped and smacked zombies fifty feet through the air with swinging blows of her snout. Her tail batted one particularly vile-looking zombie into the brick wall of the nearest building, and the zombie hit so hard and so squishily that it just stuck to the wall like a refrigerator magnet, arms and legs spread in a sprawl.
Anonymous
It’s a throwing stake,” she told me. “A vampire once tried to escape from me. He thought it would be safe, flying off in bat form. The fool. I hit him in the wing with one of these.” She held up the throwing stake, stroking its polished, red oak point. “The metal makes it heavy, so it flies better. The oak makes it lethal. The vampire was easy to trap once I took him down.” Without a flicker of hesitation, she took aim and threw the weapon straight into the heart of the bats’ roost. One of the bats dropped to the floor like dead fruit from a tree. The cave exploded with dark, flapping shapes. My heart skipped a beat as they screeched and squealed. “That’s how you kill a vampire,” Mum whispered triumphantly.
Grayson Grave (Etty Steele: Vampire Hunter (The Hunter Series #1))
We had reached the bathing pavilion. There I checked the bag, together with my watch and money, putting the two last-named articles in a big manila envelope and writing my name across the back. I received in exchange a numbered metal tag on a thick rubber band. I followed Bat Shayne’s example of putting this band around my neck, feeling just a little like a licensed dog as I did so.
Albert Payson Terhune (An Albert Payson Terhune Reader)
I felt heady in the swirl of colour, skirts of deep red, emerald green, peacock blue, the glint of yellow metal. Quick hands brushed our faces, and a blur of white-toothed smiles flashed around us. I couldn’t help laughing aloud, batting these flapping creatures away from me. They were like soulscape harpies in plumage of white silk, who might carry us off to a final and exquisite devouring.
Storm Constantine (Burying the Shadow)
A marching band played an out-of-tune fight song that sounded like somebody hitting a bag of cats with a metal baseball bat.
Rick Riordan (Percy Jackson: The Complete Series (Percy Jackson and the Olympians, #1-5))
A god of war is also the god of those who are caught in the wheel of eternal struggle, who fight on despite knowledge of certain defeat, who stand with their companions against spear and catapult and gleaming metal, armed with only their pride, who strive and assay and press and toil, all the while knowing that they cannot win.’ ‘You are not only the god of the strong, but also the god of the weak. Courage is better displayed when it seems all is lost, when despair appears the only rational course.’ ‘True courage is to insist on seeing when all around you is darkness.’ And Fithowéo stood up and ululated. As his voice filled the cave walls and bounced back to his ears, he seemed to see the stalactites hanging overhead like bejeweled curtains, the stalagmites growing out of the ground like bamboo shoots, the bats careening through the air like battle kites, the night-blooming orchids and cave roses blooming like living treasure—the cave was filled with light. The god of war laughed and bowed down to the orchid and kissed her. ‘Thank you for showing me how to see.’ ‘I am but the lowest of the Hundred Flowers,’ said the orchid. ‘But the tapestry of Dara is woven not only from the proud chrysanthemum or the arrogant winter plum, the bamboo who holds up great houses or the coconut who provides sweet nectar and pleasing music. Chicory, dandelion, butter-and-eggs, ten thousand species of orchids, and countless other flowers—we have no claim to the crests of the great noble families, and we are not cultivated in gardens and not gently caressed by the fingers of great ladies and eager courtiers. But we also fight our war against hail and storm, against drought and deprivation, against the sharp blade of the weeding hoe and the poisonous emanations of the herbicide-sprayer. We also have a claim on time, and we deserve a god who understands that every day in the life of the common flower is a day of battle.’ And Fithowéo continued to ululate, letting his throat and ears be his eyes, until he strode out of the cave, emerged into the sunlight, and picked up two pieces of darkest obsidian and placed them in his eye sockets so that he had eyes again. Though they were blind to light, they sowed fear into all who gazed into them.
Ken Liu (The Wall of Storms (The Dandelion Dynasty, #2))
They stripped him and tied him to a metal chair where they beat him with a bat, cut his arms and legs with dull knives, and three days later killed him by wrapping his entire head in plastic wrap, watching as he suffocated to death. His long punishment and slow death
Paige Dearth (When Smiles Fade)
The din of clanking metal rose above the racket of roof-denting rocks. Or maybe he only thought so because he was so heartened by the bat tenèb. Maybe he wouldn’t die today after all. Maybe none of them would die, because their neighbors were making their presence known, demanding peace from the gangs as well as from the authorities, from all sides.
Edwidge Danticat (Brother, I'm Dying)
I knew exactly what was going on, but I unfortunately didn't have a firearm. (Adam have most likely offered someone 6000 Euros, to end this all, then and there. Tomas. 10%) Only a mini baseball bat. A Louisville Slugger. And Martina’s weapon of choice: a broom. The witches’ vehicle. Before I could tell him to go to Hell, a neighbor exited the building and let the stranger claiming to be from the gas company inside. Now the stranger dressed in black was running up the 94 stairs. I could hear his footsteps approaching. I didn't have time to react, grab the biggest knife from the kitchen, and stand by my entrance door. He was already upstairs, right outside my apartment door. He began knocking loudly and aggressively, whether with his metal ring or a lighter. I looked through the peephole, but he had covered it with a black folder, which I soon realized was an iPad. Covering his face. Covering my eyes. The same speech repeated played through the iPad, ensuring that I wouldn't recognize his voice and open the door. „I am from the gas company, looking for Tomas Adam Nyapi.” He kept playing in a prerecorded voice on the iPad outside my door, "Open up", "It's the gas company", and "We are looking for Tomas Adam Nyapi." I was trying to pay attention and make sense of it all, trying to figure out who it could be. But the Catalan girl couldn't keep quiet and yelled at the person in Spanish with her strong Catalan accent, after a minute or two: "Who are you and what do you want? Go away before I call the police!" Suddenly, the stranger began sprinting down the 94 stairs upon realizing that I wasn't alone. In case the reason for his visit wasn't clear enough. He was running so fast that he nearly stumbled, clearly determined to prevent me from catching up with him. I swung open my door and peered down the stairwell, straining my eyes to discern his identity, but the darkness obscured any details in the vertical tunnel below. By the time he reached the bottom of the stairs, I hurried to my loggia to catch a glimpse of him. He was tall and thin, with long legs, and his strides were hurried and distinct, unlike anyone else. Deep inside, I knew it was Mario Larese. Mister Twister. I recognized his movements, but it wasn't until 2023 that I had concrete confirmation. An evidence orgy. Mario had been sent to either spy on me or seek revenge for my closure of the club, with him being responsible for triggering the landslide, the avalanche. The mafia had dispatched Mario to finish what he/they had started. With Adam and the rest of them. Mario. Adam. Nico. Ferran. „The Beatles.” „Plus Yoko.” The Nazi junkies had sent him to deliver the final blow, the fatal shot, the kill. It was Mario who was accountable - the thief, the liar, the "Romanian gypsy." To deliver „The Final Solution”, to sever ties. And keep that 60,000 as well of course. Shortly after the stranger (Mario) had left our address Martina called me on the phone.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
I just wanted to be quiet and alone – get my head around everything. Make sure I was really back to normal. I drank hot chocolate and … waited. I even slept for a bit. When I was sure nothing bad was going to happen, I came home. And, you know, found Mio nearly being eaten by a giant spider.”   “What? I didn’t see that!” Jack yelped.   “You were too busy grabbing the firebombs,” Hikaru put in. “I saw it, though. Rachel clocked it in the side and knocked it right off. It went flying.”   I gave Rachel a questioning look.   She shrugged again and put down her mug on the coffee table. Picking up an empty metal serving plate with her right hand, she poked it sharply with the index finger of her left. There was a rending noise, and Rachel’s finger popped out of the bottom of the plate.   “I’m pretty strong,” she said, with what I thought was epic understatement. “But I can control it now.”   Seeing the alarmed expressions on Hikaru and my dad’s faces, I quickly said, “The king – your king, Hikaru – told me this could happen. If people recover from the Nekomata’s bite, they have gifts. Seeing in the dark. Speed. Strength.”   “Let me get this straight,” Jack said slowly. “My sister is Catwoman now?”   “I suppose that makes you the Joker, then.” Rachel reached out to mess up Jack’s spiky hair.   Jack squeaked, trying to bat Rachel’s hands away. “Not the hair!”   “Oh, please. Try that on me when you don’t have an inch of roots.”   Hikaru leaned out of their way, looking confused and not sure if he should try to intervene. I could sympathize. Siblings were odd.
Zoë Marriott (Frail Human Heart (The Name of the Blade, #3))
(The distribution of playgrounds Moses constructed) was not at all even. The areas of the maps on which the dots were clustered most thickly corresponded in the main to those areas inhabited by families that were well-to-do or at least "comfortable." The areas of the maps on which the dots were sprinkled most thinly corresponded in part to undeveloped outlying areas of the city that did not really need playgrounds, but they corresponded also to some of the city's most congested areas, to the tenement neighborhoods and slums inhabited by families that were poor—to areas that needed playgrounds desperately. Most of Robert Moses' neighborhood playgrounds had, in other words, been built in the neighborhoods that needed playgrounds least. Few of the playgrounds had been built in the neighborhoods that needed playgrounds most. The areas of the maps on which the dots were sprinkled most thinly of all corresponded to those areas of the city inhabited by its 400,000 Negroes. Robert Moses built 255 playgrounds in New York City during the 1930's. He built one playground in Harlem. (...) “After a building program that had tripled the city's supply of playgrounds, there was still almost no place for approximately 200,000 of the city's children—the 200,000 with black skin—to play in their own neighborhoods except the streets or abandoned, crumbling, filthy, looted tenements stinking of urine and vomit; or vacant lots carpeted with rusty tin cans, jagged pieces of metal, dog feces and the leavings, spilling out of rotting paper shopping bags, of human meals. Children with white skin had been given swings and seesaws and sliding ponds. Children with black skin had been left with the old broomsticks that served them as baseball bats. Children with white skin had been given wading pools to splash in in summer. If children with black skin wanted to escape the heat of the slums, they could remove the covers from fire hydrants and wade through their outwash, as they had always waded, in gutters that were sometimes so crammed with broken glass that they glistened in the sun.
Robert Caro
Against the wounded sky, a lone angel circles above us. No, not an angel. Light glints off curved metal on one of the edges of his wings. They are not shaped like a bird’s wings. It’s a giant bat-wing shape. My heart speeds up with my need to shout out to him. Could
Susan Ee (Angelfall (Penryn & the End of Days, #1))
She weaved a spell around him until he forgot everything but the drugging sensation of her mouth. That was, until a cold metal cuff clicked onto his wrist. He jerked back, tugging, only to find that she’d somehow managed to lock the other end to the chair. “What the hell?” She straightened, looking oh so pleased. “Now I’ve got you right where I want you.” He made a grab for her, but she jumped back, sliding onto the desk and out of his grasp. Although he could reach her, he wasn’t able straighten enough to get a good hold on her. He said in his most deadly voice, “I hope you have the key, little girl.” She batted her lashes, slipped a hand into her bra, and extracted a key. “I’ve got it right here.” What was she up to? He narrowed his eyes. “You know, once I get free, I’m going to turn you over this desk and paddle that ass until you can’t sit for a week.” “Sounds like quite a punishment,” she said, not sounding scared at all. The little vixen. Despite
Jennifer Dawson (Take a Chance on Me (Something New, #1))
He looked out across the field. He seemed to have forgotten where he was, and for a while Larry rocked, bats fluttering over his view and crickets chirping in the monkey grass along the edge of the porch and his mother's wind chime jingling, delicate notes too tender to be metal, more like soft bone on wire; he'd always thought the chime sounded like a skeleton playing a guitar, and for a time they sat together on the porch and watched the sun scald the sky red and the trees black.
Tom Franklin (Crooked Letter, Crooked Letter)
It led on and on; vistas of forgotten metal; moribund, stiff in a thousand attitudes of mortality; with not a rat, not a mouse; not a bat, not a spider. Only the Lamb, sitting in his high chair with a faint smile upon his lips; alone in the luxury of his vaulted chamber, where the red carpet was like blood, and the walls were lined with books that rose up...up... volume after volume until the shadows engulfed them.
Mervyn Peake (Boy in Darkness and Other Stories)