Messy Thoughts Quotes

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That taught us how to block a sword with two knives. But what if an ax man's coming at me?" Gilan looked suspicious. "An ax man? I don't recommend trying to block an ax with two knives." But Will wouldn't take no for an answer. "But what if he's charging at me?" Horace walked over. Gilan looked away. "Uh...shoot him." Horace intervened. "Can't, his bowstring's broken." Gilan gritted his teeth. "Run and hide." Will kept on him. "There's a sheer cliff behind me." Horace caught on. "There's a sheer cliff behind him, and his bowstring's broken. What should he do?" Gilan thought for a moment. "Jump off the cliff, it'll be less messy that way.
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
We were just us, broken and bruised, fucked-up and messy, and together we were everything we never thought we could be.
T.M. Frazier (The Dark Light of Day (The Dark Light of Day, #1))
This is why I loved the support groups so much, if people thought you were dying, they gave you their full attention. If this might be the last time they saw you, they really saw you. Everything else about their checkbook balance and radio songs and messy hair went out the window. You had their full attention. People listened instead of just waiting for their turn to speak. And when they spoke, they weren't just telling you a story. When the two of you talked, you were building something, and afterward you were both different than before.
Chuck Palahniuk (Fight Club)
Leaving her would be like tearing off my own arm. I've never been in love before. I thought I had been, but I wasn't. This overwhelming, encompassing feeling is love. It's not perfect and it's messy as hell. And it's exactly what I need.
Katie McGarry (Dare You To (Pushing the Limits, #2))
I backed us up against the wall. “How I feel? You want to know?” I ran my hands over his face and tangled them into his messy hair. “This is unlike anything else. I’ve bungeed off buildings, I’ve skateboarded off roofs. I’ve even gone train surfing. Nothing comes close to the high I feel when I’m with you. You’ve been through horrible things, and yet you’re one of the kindest, truest people I’ve ever met. At first I thought it was because you were safe. I could feel something for you because you couldn’t hurt me. Not the way Alex did. But it’s more than that. It’s you. Who you are. The way you are. Everything from your smile to the way you always say exactly what’s on your mind. Your soul, Kale.
Jus Accardo (Touch (Denazen, #1))
You are beautiful and brilliant and bold and so very passionate about life and love and those things that you believe in. And you taught me that everything I believed, everything I thought I wanted, everything I had spent my life espousing--all of it...it is wrong. I want your version of life...vivid and emotional and messy and wonderful and filled with happiness. But I cannot have it without you.
Sarah MacLean (Eleven Scandals to Start to Win a Duke's Heart (Love By Numbers, #3))
They say don’t fall in love with writers because their poems are messy and their letters are empty words dressed up to look pretty. But I say fall in love with me because underneath the mess and in between the lines is a heart too full of love that would follow you to any city.
Courtney Peppernell (Pillow Thoughts)
[The kitchen] was also messy--delightfully so, thought Jane--and it didn't look as though lots of cooking went on there. There was a laptop computer on the counter with duck stickers on it, the spice cabinet was full of Ben's toy trucks, and Jane couldn't spot a cookbook anywhere. This is the kitchen of a Thinker, she decided, and promised herself that she'd never bother with cooking, either.
Jeanne Birdsall (The Penderwicks on Gardam Street (The Penderwicks, #2))
It is, you must concede, unpleasantly messy, this business of having feelings, this mattering to each other. I've always thought of it as gory, a sort of perpetually occurring road accident - everyone going too fast, too close, without due care and attention, or with too much . . .
Glen Duncan (I, Lucifer)
It's good to leave your room super-messy when you're away. Whoever tries to break into your room will thought it has already been ransacked.
Douglas Adams
No blood at all. I could hear that phrase repeat itself in my head, louder each time. No sticky, hot, messy, awful blood. No splatter. NO BLOOD AT ALL. Why hadn't I thought of that?
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
He had been through a hundred heartbreaks, but he found himself afraid when he thought of Alexander Lightwood breaking his heart. He did not know how this boy with the messy black hair and the worried blue eyes, with his steady hands and rare sweet smile that was less rare in Magnus's presence, had acquired such power over him.
Cassandra Clare (What to Buy the Shadowhunter Who Has Everything (The Bane Chronicles, #8))
Because I’m not enough, she thought. That was the terrible echo shouting up at her: Fraud, fraud, fraud. She got drunk and talked too much and danced on tables. She had a temper and a sharp tongue, and she often blurted out things she instantly regretted. Worst of all, she suspected that was who she truly was—not so much a bright young thing as a messy young thing.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
The other night when I walked by and saw you in the media lounge, I fantasized about throwing you up on the table and doing you right there on top of the dessert trays.” “Sounds ... messy.” “And fun. I thought about all the interesting places I’d get to lick you clean.” She sounded as if she were holding her breath when she said, “I thought you don’t eat sugar.” He laughed. “I want to eat yours,” he said as he kissed the crook of her neck. “Does that shock you, little Jane?
Rachel Gibson (See Jane Score (Chinooks Hockey Team #2))
My thoughts are messy, my emotions are messy, my body goes in and out at will. The raised white scars on my arms and legs are the only aspect of my being that comes close to minimalism. They came from chaos, but it is hard to carve frustration and unease into the flesh. Only straight lines.
Emma Forrest
It hurts, right? It's messy and complicated and it's like a tattoo that never ends. A million needles inking something on your heart that isn't even beautiful." "The feeling you have in that moment right as you wake up, before your brain mucks it all up with thoughts and words? That very first feeling is where the truth lives." "Because love always wins. Always.
Emma Scott (All In (Full Tilt, #2))
The buzzer rang. Magnus pressed the button to let him enter, speechless for a moment because he had wanted Alec there, so badly, and here he was. It felt more like magic than anything he could do. Then Alec was there, standing in the open doorway. “I wanted to see you,” said Alec with devastating simplicity. “Is this okay? I can go away if you’re busy or anything.” It must have been raining a little outside. There were sparkling drops of water in Alec’s messy black hair. He was wearing a hoodie that Magnus thought he might have found in a Dumpster, and sloppy jeans, and his whole face was lit up just because he was looking at Magnus. “I think,” said Magnus, pulling Alec in by the strings on his awful gray hoodie, “that I could be persuaded to clear my schedule.
Cassandra Clare (What to Buy the Shadowhunter Who Has Everything (The Bane Chronicles, #8))
Humanity was messy. For the majority of his short life, he’d thought of people as either food or bad, clean or stained - the separation stark, the lines drawn in black and white - but the last six months had shown him a multitude of grays.
V.E. Schwab (Our Dark Duet (Monsters of Verity, #2))
The disorder of the desk, the floor; the yellow Post-it notes everywhere; the whiteboards covered with scrawl: all this is the outward manifestation of the messiness of human thought. The messiness cannot go into the program; it piles up around the programmer.
Ellen Ullman (Close to the Machine: Technophilia and Its Discontents)
I didn't properly think about what was happening even as I kissed him back, my laughter spilling into his mouth and making stutters of my kisses. I was still bound up with him, our magic snarled up into great messy tangled knots. I didn't have anything to compare that intimacy to. I'd felt the hot embarrassment of it, but I'd thought of it vaguely like being naked in front of a stranger. I hadn't connected it to sex—sex was poetic references in songs, my mother's practical instructions, and those few awful hideous moments in the tower with Prince Marek, where I might as well have been a rag doll as far as he'd cared. But now I toppled the Dragon over, clutching at his shoulders. As we fell his thigh pressed between mine, through my skirts, and in one shuddering jolt I began to form a startled new understanding.
Naomi Novik (Uprooted)
Making a story from the messy thoughts and half-thoughts in her head, building a world and lives and taking them apart again, fitting the pieces together another way until it feels right, as right as she can make it feel.
Caitlín R. Kiernan (Threshold (Chance Matthews #1))
God was never about making me spiffy; God was about making me new. New doesn't always look perfect. Like the Easter story itself, new is often messy. New looks like recovering alcoholics. New looks like reconciliation between family members who don't actually deserve it. New looks like every time I manage to admit I was wrong and every time I manage to not mention when I'm right. New looks like every fresh start and every act of forgiveness and every moment of letting go of what we thought we couldn't live without and then somehow living without it anyway. New is the thing we never saw coming- never even hoped for- but ends up being what we needed all along.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
Despite my flat still looking like a bomb thought about going off but got too depressed and just sat in the corner eating Pringles and crying, I was in an oddly good mood.
Alexis Hall (Boyfriend Material (London Calling, #1))
Speaking of messy, I recently quit parenting. I do not parent in August. August parenting is not a good look for me. It’s hotter than hell, and the children and I have already had a whole lot of togetherness.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
I realised something else tonight. Something about pancakes.’ ‘What about them?’ ‘We both got so obsessed about that first pancake being thrown away that we forgot something really important,’ Max explained. ‘That first pancake tastes just as good as all the other ones. It’s not its fault that it was first in line and the pan wasn’t hot enough so it got a bit lumpy and misshapen.’ ‘And when you’re really famished that first pancake tastes better than all the ones that come after it,’ Neve said, and then she couldn’t wait any longer. Her arms were around Max before she’d even finished forming the thought, but his arms were around her too in that exact same moment. Just having him there to hold, warm and solid and real, was enough for five seconds, and then she was peppering his face with kisses – his forehead, his eyebrows, the tip of his crooked nose, along his cheekbones until she reached the glittering prize of his mouth. Sometimes Neve thought that her appetite was the most robust thing about her, and she didn’t kiss Max so much as she devoured him. Graceless, messy kisses without any thought or reason, but simply because she hungered for him. Kissed him with everything she had and everything she was, and she didn’t know why she could kiss Max and have him kiss her back with the same fierceness but still be greedy for the next kiss and the one after that and the one after that and the one…
Sarra Manning (You Don't Have to Say You Love Me)
Death changes us. It takes everything we thought we knew about our lives and fast pitches it out the window, shattering the glass in the process. Wind whips in, hard and cold, and throws everything we’d had neatly in place flying around the room. No one is the same once they lose someone they love. They just have to learn to exist in the new world, no matter how messy it is.
Kandi Steiner (What He Doesn't Know (What He Doesn't Know Duet, #1))
We learn to keep our jagged bits inside for fear of appearing unattractive. I always thought there was a part of your messiness you saved for yourself, that no one else would ever see. It’s enormously humbling to realize how many times and ways my partner will pierce that. I can pretend I have all sorts of things together, but when I am at my most broken, he is still the person I turn to.
Natasha Lunn (Conversations on Love)
The trousers were miles too long, even when Peter cuffed the legs. The socks bagged in the ankles, and the shirt and sweater were equally large. But when Peter finally managed to get the collars to lie right and glanced at the reflection he'd carved out of the dust on James's mirror, a shock went through him. This was the face which had haunted him all his life, the one he had looked in the eye on the day he left the Darling house for the last time. The hair, messy and short, enthusiastically curling without the weight of his old braid to drag it down. The stubborn chin. The clear, sharp, sullen eyes full of everything he had never been allowed to be. Peter ran his hands over himself slowly, breathing tentatively, feeling the weight of his chest under his shirt. He had given this body up. He had thought it belonged to Wendy, to the girl he wasn't. He had let his family make him believe that the only way he would ever be a boy was to be born again in a different shape, leaving everything of his body and history behind. He breathed out and settled in the feeling of being himself, of being something whole.
Austin Chant (Peter Darling)
Alice thought of poor Hillary Clinton. Imagine having the whole world know that your husband had cheated on you in such a messy way. You would have thought being president of the United States should have been a pretty distracting sort of job.
Liane Moriarty (What Alice Forgot)
Sansa lowered her head. “The blood frightened me.” “The blood is the seal of your womanhood. Lady Catelyn might have prepared you. You’ve had your first flowering, no more.” Sansa had never felt less flowery. “My lady mother told me, but I . . . I thought it would be different.” “Different how?” “I don’t know. Less . . . less messy, and more magical.” Queen Cersei laughed. “Wait until you birth a child, Sansa. A woman’s life is nine parts mess to one part magic, you’ll learn that soon enough . . . and the parts that look like magic often turn out to be messiest of all.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
It’s a blur—dense, raucous, exhausting—feelings and thoughts all jumbled together into days and semesters, routines and first times, rolling along, rambling along, summer nights with all the windows open, lying on top of the covers, and darkening autumn mornings when no one wants to get out of bed, getting ready, getting better at things, wins and losses and days when it doesn’t go anyone’s way at all, and then, just as chaos begins to take some kind of shape, present itself not as a random series of emergencies and things you could have done better, the calendar, the months and years and year after year, stacked up in a messy pile starts to make sense, the sweetness of it all, right at that moment, the first times start turning into last times, as in, last first day of school, last time he crawls into bed with us, last time you’ll all sleep together like this, the three of you. There are a few years when you make almost all of your important memories. And then you spend the next few decades reliving them.
Charles Yu (Interior Chinatown)
Frank made a face; an Englishman to the bone, he would rather lap water out of the toilet than drink tea made from teabags. The Lipton’s had been left by Mrs. Grossman, the weekly cleaning woman, who thought tea made from loose leaves messy and disgusting.
Diana Gabaldon (Voyager (Outlander, #3))
They say don't fall in love with writers because their poems are messy and their letters are empty words dressed up to look pretty. But I say fall in love with me because underneath the mess and in between the lines is a heart too full of love that would follow you to any city. Darling, kiss me like you need to feel safe because my lips want to know all the places you have been hurt so they can make all the pain drift away.
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
What about you and me, Adina?” Duff said, sidling up to her by the railing. “I know I screwed up. But do you think we could start over?” Adina thought about everything that had happened. Part of her wanted to kiss Duff McAvoy, the tortured British trust-fund-runaway-turned-pirate-of-necessity who loved rock ‘n’ roll and mouthy-but-vulnerable bass-playing girls from New Hampshire. But he didn’t exist. Not really. He was a creature of TV and her imagination, a guy she’d invented as much as he’d invented himself. And this was what she suddenly understood about her mother: how with each man, each husband, she was really trying to fill in the sketchy parts of herself and become somebody she could finally love. It was hard to live in the messiness and easier to believe in the dream. And in that moment, Adina knew she was not her mother after all. She would make mistakes, but they wouldn’t be the same mistakes. Starting now. “Sorry,” she said, heading for the bow, where a spot of sun looked inviting. ”Oh, also, about that blog? Just so you know, my dads know a lot of gay lawyers. Bitches will take your ass down if you try to publish that. Peace out.
Libba Bray (Beauty Queens)
Three people were going to the guillotine. The first was a lawyer, who was led to the platform, blindfolded, and had his head put on the block. The executioner pulled the lanyard, but nothing happened. To avoid a messy lawsuit, the authorities allowed the lawyer to go free. The next man to the guillotine was a priest. They put his head on the block and pulled the lanyard, but nothing happened. The blade didn’t come down. They thought it must have been divine intervention, so they let the priest go. The third man to the guillotine was an engineer. He waived his right to a blindfold, so they led him to the guillotine and put his head on the block. As he lay there, he said, “Hey, wait. I think I see your problem.
Garrison Keillor (A Prairie Home Companion Pretty Good Joke Book)
messiness stimulates creative thought.
Eric Weiner (The Geography of Genius: A Search for the World's Most Creative Places from Ancient Athens to Silicon Valley)
My decision to become a teacher suddenly seemed even more appropriate. Life had just become that much more unpredictably precarious and ill-suited to long-term planning, and it felt that much more necessary to spread love and knowledge to those who would one day have to manage this messy and painful world of ours" Also in Zack Love's "Stories and Scripts: an Anthology
Zack Love (The Doorman)
Remember, the thought experiment is the starting point, not the end. The process is messy and nonlinear. And the answer, as we’ll see in the next section, will often come when you’re least expecting it.
Ozan Varol (Think Like a Rocket Scientist: Simple Strategies You Can Use to Make Giant Leaps in Work and Life)
I looked at my sister's white knees nestled together like a pair of Brenda's eggs and had the urge, not for the first time, to crack her right open. I wanted to pick her ribs apart until I got to the messy center of her - surely somewhere inside my sister there must be some sort of mess, I thought - and dip my fingers in
Tiffany Baker (The Little Giant of Aberdeen County)
If we didn’t have bodies, we couldn’t feel the sun on our faces or smell the earthy, mushroom-y rich smell of the ground right after the rain. If we didn’t have bodies, we couldn’t wrap our arms around the people we love or taste a perfect tomato right at the height of summer. I’m so thankful to live in this physical, messy, blood-and-guts world. I don’t want to live in a world that’s all dry ideas and theorems. Food is one of the ways we acknowledge our humanity, our appetites, our need for nourishment. And so it may seem trivial or peripheral to some people, but to me, when I’m telling a story, the part about what we ate really does matter.
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
In his frenzied thoughts, he couldn’t help thinking of Cinder at the ball. How happy he’d been to see her descending the stairs into the ball room. How innocently amused he’d been at her rain-drenched hair and wrinkled dress, thinking it was a fitting look for the city’s most renowned mechanic. He’d thought she must be immune to society’s whims of fashion and decorum. So comfortable in her own skin that she could come to a royal ball as the emperor’s own guest with messy hair and oil stains on her gloves and keep her head high as she did so.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
At some point, God will ask you to sacrifice on his altar not only your stories about your own life but your version of his stories as well. Your softly lit watercolor felt-board version of scripture stories and church history must, like all your stories, be abandoned at his feet, and the messy, vibrant, and inconvenient truths that characterize God's real work with real people will have to take center stage. If they don't, then how will God's work in your hungry messy, and inconvenient life ever do the same? When God knocks, don't creep to the door and look through the peephole to see if he looks like you thought he would. Rush to the door and throw it open.
Adam S. Miller
Taking to the road—by which I mean letting the road take you—changed who I thought I was. The road is messy in the way that real life is messy. It leads us out of denial and into reality, out of theory and into practice, out of caution and into action, out of statistics and into stories—in short, out of our heads and into our hearts.
Gloria Steinem (My Life on the Road)
I had always thought it was her way of blinding herself to the messiness of the way we lived. Now I realised it was easier for her mind to go out through the air far above the clouds than to acknowledge the ugliness right before her eyes.
Lisa See (Snow Flower and the Secret Fan)
At that, Marty howled great big, messy sobs, and Elanor, the little lady in the yellow suit, who organized the weddings at the church, came running with a box of tissue. Oz appeared in the vestibule, looking alarmed. “Is everything all right? I thought someone was strangling a duck.” “Do you mind?” Marty snapped. “Me and the bride, here, we’re having a moment.
Jenn McKinlay (Vanilla Beaned (Cupcake Bakery Mystery, #8))
Pritkin, it’s a hotel room, not a death trap!” A glance over his shoulder showed him impatient blue eyes under a fall of messy blond curls. “Anyway, you’re here.” “I can’t protect you from everything,” he forced himself to say, because it was true. It was also frankly terrifying in a way that his own mortality was not. He’d never had children, but he sometimes wondered if this was how parents felt when catching sight of a fearless toddler confidently heading toward a busy street. Not that his charge was a child, as he was all too uncomfortably aware. But the knowledge of just how many potentially lethal pitfalls lay in her path sometimes caused him that same heart-clenching terror. And the same overwhelming need to throw her over his lap and spank the living daylights out of her, he thought grimly, when she suddenly popped out of existence. “Cassie!
Karen Chance (A Family Affair (Cassandra Palmer, #4.1))
He ground his teeth and slapped some slop down into a pile. The stench was beyond overwhelming. "I thought you said pigs are clean." "Cleaner than people usually think, but not as clean as you and I." She looked at his messy boots, amusement dancing in her gray eyes. "Well, usually.
Julia Quinn (Minx (The Splendid Trilogy, #3))
The first words that floated to her lips were a lie; she hated herself for it, for wanting to give in to the easy simplicity of a fake story, rather than peel off the bandage and bleed every messy feeling and thought about the violin all over again. But she liked this honesty between them — it felt like something real and solid, strong enough to tie herself to, when there were so many lies and secrets trying to pull her in every direction at once.
Alexandra Bracken (Passenger (Passenger, #1))
If you think about it, everyone is behind someone and in front of someone. The nature of the sphere, right? No one gets left at the end or is forced to take the lead, and in this way you might say the shape of the earth is democratic. There are hesitations, of course. There are lines going in ways that you wouldn’t imagine. People are passed up or passed over. The tempo is irregular and messy. If you thought about the entirety of it, the legs, the back and forth, it’s a fiasco, an anarchy of steps. It’s impossible. And there’s no way to tidy it or make it in any way manageable, not in one’s imagination or anywhere else.
Deb Olin Unferth (Vacation)
I went and turned up the heat and hit the switch for the gas fireplace on the wall opposite the bed. Flames roared to life and filled the dim room with dancing orange. "This sure beats my dorm room," she half sighed. I laughed and turned. The breath I was taking in froze halfway to my lungs. She was sitting in the center of my bed, the blankets rumpled and piled around her. My shirt was way too large and the neck slipped down low over one of her slim shoulders, exposing a wide patch of creamy skin. Her cheeks were pink and her lips were swollen. The long thick mass of her hair was tangled and messy, falling around her face and down her back. I'd missed her. I'd missed her even more than I'd let myself realize. But seeing her sitting there taking up so little space in my bed but so much room in my chest was sorta something I couldn't deny. She tilted her head and looked at me, wrinkling her nose. "Do I look a mess?" she asked. I shook my head, unable to speak. I never thought this would happen to me. I never thought I would love someone so much. So fast.
Cambria Hebert (#Hater (Hashtag, #2))
Who is he?” Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.” I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?” Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.” I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.” I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it. “He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.” Eleanor still didn’t respond. “Shh . . .” she muttered under her breath. But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around. “Hi,” he said with a half grin that seemed to be mocking me. And that’s how I met Dante Berlin. So how do you describe someone who leaves you speechless? He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt. I wanted to say something witty or charming, but all I could muster up was a timid “Hi.” He studied me with what looked like a mix of disgust and curiosity. “You must be Eugene,” I said. “I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.” I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described. “And you are—” “Renee,” I interjected. “I was going to say, ‘in my seat,’ but Renee will do.” My face went red. “Oh, right. Sorry.” “Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.” I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move. I turned and walked to the last row, using all of my self-control to resist looking back.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.” “Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away. Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches. He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel. “Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted. The color instantly returned to Evangeline’s cheeks. “We’re in a church.” “What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps. “Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.” “And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
It seems to me that pretending to be the person everyone wants you to be is easier than grappling with the messiness underneath. "...,there's a big gap between our private thoughts and intentions and public words and actions. I think that's what intimacy is -- learning the landscape of that divide. It's not insuperable, and sometimes it's worth putting in the effort to understand another person.
Elodie Cheesman (Love, In Theory)
He continued. “So I shall simply tell you the truth. I have spent my entire life preparing for a cold, unfeeling, unimpassioned life—a life filled with pleasantries and simplicity. And then you came into it . . . you . . . the opposite of all that. You are beautiful and brilliant and bold and so very passionate about life and love and those things that you believe in. And you taught me that everything I believed, everything I thought I wanted, everything I had spent my life espousing—all of it . . . it is wrong. I want your version of life . . . vivid and emotional and messy and wonderful and filled with happiness. But I cannot have it without you. “I love you, Juliana. I love the way you have turned my entire life upside down, and I am not certain I could live without you now that I have lived with you.
Sarah MacLean (Eleven Scandals to Start to Win a Duke's Heart (Love By Numbers, #3))
With a mixture of naïveté and British arrogance, she had always thought of London as the center of all culture and knowledge, but Paris was a revelation. The city was astonishingly modern, making London look like a dowdy country cousin. And yet for all its intellectual and social advancements, the streets of Paris were nearly medieval in appearance; dark, narrow and crooked as they twined through arrondissements of artfully shaped buildings. It was a messy, delightful assault to the senses, with architecture that ranged from the gothic spires of ancient churches to the solid grandeur of the Arc de Triomphe.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Have you heard the saying by the actor Lily Tomlin, ‘The road to success is always under construction’? I like this concept. My spiritual journey has certainly been messy and uncomfortable at times. I had several emotional breakdowns before experiencing an emotional breakthrough. In essence, layers of deep denial and negative thought-patterns had to be unravelled and replaced with new and greater self-awareness.
Christopher Dines (Super Self Care: How to Find Lasting Freedom from Addiction, Toxic Relationships and Dysfunctional Lifestyles)
Sometimes a lie is just easier to deal with; more manageable than real life, not as messy. Contained. (...) Sometimes it's safer to do it too, like a shield over someone you care about, or a shield over your own image. It depends.
Olívia S. Zanini (How to Kill an Angel)
Read thought-provoking books. Give long hugs. Grow your own vegetables. Help a neighbor grow theirs. Grind your own coffee. Take a walk in the sunshine. Talk to strangers. Ask questions. Look deeply into people's eyes. Listen. Listen some more. Go somewhere alone. Listen to your own soul. Make something beautiful. Make something messy. Write a letter. Write a poem. Go to the park. Play with your children. Ask them questions. Listen. Listen some more. Make your life beautiful. Plant flowers. Chase dreams. Smile. Cry. Laugh. Hope. Try. Fail. Try again. And again. Peace and happiness come from you, not to you. Don't seek them. Create them. And then help others to do the same. You get one life. Live it well.
L.R. Knost
if people thought you were dying, they gave you their full attention. If this might be the last time they saw you, they really saw you. Everything else about their checkbook balance and radio songs and messy hair went out the window. You had their full attention. People listened instead of just waiting for their turn to speak. And when they spoke, they weren’t telling you a story. When the two of you talked, you were building something, and afterward you were both different than before.
Chuck Palahniuk (Fight Club)
Every time i Struggled to fit into the world around me, I thought if I flew far away enough, like Chang'e, the perfect home would magically appear. But when your roots are tangled up across so many different places, that perfect world may not exist.
Laura Gao (Messy Roots: A Graphic Memoir of a Wuhanese American)
know what yer thinking: how can I not know if all day, every day I’m hearing every thought of the two men who run my house? That’s the thing, tho. Noise is noise. It’s crash and clatter and it usually adds up to one big mash of sound and thought and picture and half the time it’s impossible to make any sense of it at all. Men’s minds are messy places and Noise is like the active, breathing face of that mess. It’s what’s true and what’s believed and what’s imagined and what’s fantasized and it says one thing and a completely opposite thing at the same time and even tho the truth is definitely in there, how can you tell what’s true and what’s not when yer getting everything? The Noise is a man unfiltered, and without a filter, a man is just chaos walking.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
Is she pretty?” That would be a hell yes. Big soft eyes, full pink lips. Legs and tight skirts. And those damn cowboy boots. And the yoga pants and bra top she wore sailing. Long blond hair—-at least he thought it was long; she always kept it wound up and clipped in a messy bun. He’d dated white girls before, a time or two. But never someone that white, from Texas. Or that young. She was what, fifteen years younger, at least. An itty-bitty thing who could throw a grown man to the ground. “Yeah,” he said. “She’s real pretty.
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
There are three phrases that make possible the world of writing about the world of not-yet (you can call it science fiction or speculative fiction; you can call it anything you wish) and they are simple phrases: What if . . . ? If only . . . If this goes on . . . “What if . . . ?” gives us change, a departure from our lives. (What if aliens landed tomorrow and gave us everything we wanted, but at a price?) “If only . . .” lets us explore the glories and dangers of tomorrow. (If only dogs could talk. If only I were invisible.) “If this goes on . . .” is the most predictive of the three, although it doesn’t try to predict an actual future with all its messy confusion. Instead, “If this goes on . . .” fiction takes an element of life today, something clear and obvious and normally something troubling, and asks what would happen if that thing, that one thing, became bigger, became all-pervasive, changed the way we thought and behaved. (If this goes on, all communication everywhere will be through text messages or computers, and direct speech between two people, without a machine, will be outlawed.)
Ray Bradbury (Fahrenheit 451)
I thought my body was unacceptable, and that I had to hide. That's what the world tells us, right? But, now, maybe, if enough of us stand up and show ourselves, just as we are, if we post about our thriving, busy, messy, beautiful lives, our daughters won't have to swallow the same lies.
Jennifer Weiner (Big Summer)
Self-care can also just be another thing you procrastinate on and feel shitty about not doing. It can be another bullet on our to-do list, or a mask—Think positive thoughts! Document your gratitude!—that hides our messiness from ourselves and others. It is also some shamey, disingenuous bullshit to be told that if we practice deep breathing or detox from sugar, we’ll find some ease when the pain and exhaustion we’re feeling is mostly perpetuated by our culture. Your getting in your steps doesn’t make the hardship of experiencing systemic oppression or the energy suck of capitalism go away.
Mia Birdsong (How We Show Up: Reclaiming Family, Friendship, and Community)
She is the force, that you end up reading about in thick novels. She is the kind of woman, you adore, for being so content with messy hair. She is the kind, who would decline whatever the mankind would exalt- and redesign everything that is inclined to remind her of how strongly, the society wants her confined. To this girl, on a romantic date, he asked the question inaccurate- "Honey, why do you always take the road that is so untold, hard and loathed?" She thought of giving him a second chance, and resisting any anger-loaded advance, She replied, "Why do you speculate, that I choose my fate, imagining there are two roads?
Jasleen Kaur Gumber
Life isn't convenient, Devon. It's rather messy. It's a series of emotions tied together on this tightrope we walk with others. People don't always have the same thoughts or paths or shared aspirations. Sometimes the best things we can do are to just wait ... or listen ... or look for signs. Wait for him. He will return.
Carly Kade (Cowboy Away (In The Reins #2))
I lay in bed last night and thought of G.P. I thought of being in bed with him. I wanted to be in bed with him. I wanted the marvellous, the fantastic ordinariness of him. His promiscuity is creative. Vital. Even though it hurts. He creates love and life and excitement around him; he lives; the people he loves always remember him. I've always felt like it sometimes. Promiscuous. Anyone I see, even just some boy in the Tube, some man, I think what he would be like in bed. I look at their mouths and their hands, put on a prim expression and think about them having me in bed. Even Toinette, getting into bed with anyone. I used to think it was messy. But love is beautiful, any love. Even just sex.
John Fowles
So walk across the street, or drive across town, or fly across the country, but don’t let really intimate loving friendships become the last item on a long to-do list. Good friendships are like breakfast. You think you’re too busy to eat breakfast, but then you find yourself exhausted and cranky halfway through the day, and discover that your attempt to save time totally backfired. In the same way, you can try to go it alone because you don’t have time or because your house is too messy to have people over, or because making new friends is like the very worst parts of dating. But halfway through a hard day or a hard week, you’ll realize in a flash that you’re breathtakingly lonely, and that the Christmas cards aren’t much company.
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
Fucking is primal and almost desperate, so heated that every cell in your body explodes from shared passion. Fucking disregards time or space, the desire to satisfy the other taking over every thought. And fucking is wet and messy, two bodies becoming one. So what I’m going to do to you has nothing to do with sex. I’m going to fuck you like you’ve never been fucked before.
Piper Stone (Cruel Prince (Benedetti Empire #1))
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
Rick said something, then tapped Isaac on the shoulder and said it again, so Isaac took Rick's penis out of his mouth and looked straight at him, paying attention this time. "If you keep doing that, things are going to get messy," said Rick in a heavy, breathy whisper. "I know," said Isaac, and he went back to his explorations. Messy was the point. Honestly, it was as though Rick thought Isaac hadn't done any research at all.
Shukyou (Bodies in Space)
But that night we both lay awake, staring at the ceiling, silent. I thought, Who fixes broken people? Is it only other broken people, ones who’ve already been ruined? And do we need to be fixed? It was the messiness and hurt in our pasts that drove us, and that same hurt connected us at a subdermal level, the kind of scars written so deeply in your cells that you can’t even see them anymore, only recognize them in someone else.
Leah Raeder (Unteachable)
When people ask me why I still have hope and energy after all these years, I always say: Because I travel... Taking to the road — by which I mean letting the road take you — changed who I thought I was. The road is messy in the way that real life is messy. It leads us out of denial and into reality, out of theory and into practice, out of caution and into action, out of statistics and into stories —in short, out of our heads and into our hearts.
Gloria Steinem
Taking to the road—by which I mean letting the road take you—changed who I thought I was. The road is messy in the way that real life is messy. It leads us out of denial and into reality, out of theory and into practice, out of caution and into action, out of statistics and into stories—in short, out of our heads and into our hearts. It’s right up there with life-threatening emergencies and truly mutual sex as a way of being fully alive in the present.
Gloria Steinem (My Life on the Road)
Taking to the road - by which I mean letting the road take you - changed who I thought I was. The road is messy in the way that real life is messy. It leads us out of denial and into reality, out of theory and into practice, out of caution and into action, out of statistics and into stories - in short, out of our heads and into our hearts. It's right up there with life-threatening emergencies and truly mutual sex as a way of being fully alive in the present.
Gloria Steinem (My Life on the Road)
See, guys, I have a little problem. Actually, it’s turning into a big problem. I’m not very good at being flexible, handling frustration, and solving problems. And you—and lots of other people—expect me to handle changes in plans, being told what to do, and things not going the way I thought they would as well as other kids. When you expect these things, I start to get frustrated, and then I have trouble thinking clearly, and then I get even more frustrated. Then you guys get frustrated, and that just makes things worse. Then I start doing things I wish I didn’t do and saying things I wish I didn’t say. Then you sometimes do things you wish you didn’t do and say things you wish you didn’t say. Then you punish me, and it gets really messy. After the dust settles—you know, when I start thinking clearly again—I end up being really sorry for the things I did and said. I know this isn’t fun for you, but rest assured, I’m not having any fun either.
Ross W. Greene (The Explosive Child: A New Approach for Understanding and Parenting Easily Frustrated, Chronically Inflexible Children)
Has someone made you feel shame for taking selfies? For daring to believe so much in your beauty, in your style, in your badassery, in your joy, in your body, in your sensuality, in your humanity that you'd be so audacious, so bold, so (insert judgmental word of choice here) to want to witness and be witnessed for who and what you are. ⠀ ⠀ Has someone out there sold you their own truth that this is conceited or narcissistic or superficial? How dare you think so much of yourself that you stop to take a photo?⠀ ⠀ Forget. those. people. ⠀ ⠀ Seriously. You are worthy of capture. Of celebration. Of admiration. You are worthy of being seen and witnessed. Of being looked at with awe and with joy. Just as you are, right now. All made up and wearing the outfit that makes you feel like you can take on the world or just waking up in bed, bare skin and messy hair and eyes hazy with dreams. ⠀ ⠀ Here's the thing. Self-portraiture in art is as old as time. We are fascinated with the visible proof of our own existence, our own reality, and for damn good reason. We are infinite and complex and ever changing. We are majestic and mundane. Self-portraits, regardless of the medium, offer us a way to capture ourselves at a specific moment in time. ⠀ ⠀ For me, this is an act of self-love. Of self-honoring. Of owning myself as beautiful and sovereign. It is the way I learned to look at myself without needing to look away. It is how I learned to trace the lines of my own being with the sort of admiration I used to reserve for others, for those I loved or for rarified celebrities I never thought I could live up to. ⠀ ⠀ When I stop to take a photo of myself, it is a way to say that I am here. I have something to say that can't be spoken in words. It might be deep and poetic, or maybe I just damn well love my outfit and think you should see it. And that yes, it is a way to say I want to be seen and I no longer hold shame in that wanting.
Jeanette LeBlanc
Ink was black, in inkwells and bottles, in the past. It would get all over your fingers because it would run and flow relentlessly. This inevitable messiness was the flip side of writing. I always felt caught between two kinds of black: that of the dirty and dirtying substance and that of the signs that miraculously emerged from it through the magic of wayward fountain pens, which, when dipped too deep in the inkwell, had a strong tendency to cover the paper with what used to be called “inkblots.” Oh, the miracle of a clear and possibly elegant sentence emerging from the sticky ink and wending its way between the blots! It is the black of meaning wrung from the black of matter. (…) Isn’t the most profound education the one that was afforded me at my childhood elementary school, the one that divides the ink sharply between thought become Letter and drive turned into splotches and blots? How will those who begin with the darkish gray on the palish gray of computer screens manage? Without the slightest inkblot? Won’t they think that thought is just another variation of formlessness, that the intellect is just a thin additional coat of gray over the gray of drive, and drive a mere stripping of the gray of the intellect? Everything in the world is the result of a creative and careful dosing of black as it is projected onto the formidable invariability of white. Anyone who hasn’t experienced this, and sooner rather than later, will never learn anything.
Alain Badiou (Black: The Brilliance of a Non-Color)
Can't say I've ever been too fond of beginnings, myself. Messy little things. Give me a good ending anytime. You know where you are with an ending." "Now then, you mustn't say things like that. You know you don't mean them. Purl one, plain one, purl two together... Why, that's what I like about making things for people. You can start off in Birmingham and finish in, well Tanganyika or somewhere. That's not messy, my cherub. That's exciting." "Exciting my aunt banana! What's so exciting about it?" "Well, every one we make's unique. Never seen before. Never seen again." "Hmmph. I don't know why that's exciting. It's not like anyone notices what we do. Not like anyone cares. And they're always complaining: they don't like the fit of it; too loose-- too tight-- too different-- too much like everyone else's. It's never what they want, and if we give them what they think they want they like it less than ever. 'I never thought it would be like this.' 'Why can't it be like the one I had before?' I don't know why we bother.
Neil Gaiman (The Sandman, Vol. 9: The Kindly Ones)
This isn’t about just sex, Catherine. Sex is nothing more than a man getting pleasure then refusing to provide his partner with anything they need. Fucking is primal and almost desperate, so heated that every cell in your body explodes from shared passion. Fucking disregards time or space, the desire to satisfy the other taking over every thought. And fucking is wet and messy, two bodies becoming one. So what I’m going to do to you has nothing to do with sex. I’m going to fuck you like you’ve never been fucked before.
Piper Stone (Cruel Prince (Benedetti Empire #1))
She dropped her coat on the back of a chair and crept quietly up to Jay’s room. She did her best not to wake him as she pulled the door closed behind her. She watched him sleep, stretched out on his back, feeling herself coming back to life in his presence. “What are you doing?” he mumbled without opening his eyes. Violet startled, feeling like she’d been caught doing something she shouldn’t have been. Like when they were little and they were busted for looking at a dirty magazine one of the other kids brought to school. Jay rolled onto his side and squinted one eye open at Violet, grinning. “Come over here,” he growled, lifting the corner of his sheet up, inviting her in. He looked rumpled and messy and alluring. Violet slipped off her shoes and climbed in beside him. He wrapped his arm around her back, pulling her close. His breath was warm, his body warmer, and she felt herself thawing for the first time since she’d stepped out into the shipyard that morning. Even the heat blasting inside her car on the way home hadn’t helped. She tucked her feet between his legs. “What are you doing here so early?” His voice was rough from sleep but it sounded like soft velvet. He stroked her back lazily. “Are you feeling better today?” Neither question really needed an answer; they were just Jay’s way of letting her know he’d been worried about her. “I didn’t mean to wake you,” she whispered as she let herself get comfortable against him. She’d been cold and tired, and now that she was warm again she thought she might actually be able to fall asleep, right there in his arms. He rested his chin against the top of her head. “You didn’t,” he assured her. “I was already awake.” Violet sighed. It felt so good to be here. It was the first time she’d felt comfortable since she’d gone to Seattle yesterday with Chelsea. Jay made her feel safe—among other things—and she needed that right now. She closed her eyes; they were gritty and raw from lack of sleep. She breathed deeply, inhaling him, and relaxing as she sank further into him . . . and into the pillow beneath her head. She fell asleep like that, wrapped in warmth. Wrapped in Jay.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
As Harvard University psychologist Mahzarin Banaji puts it, there is no “bright line separating self from culture,” and the culture in which we develop and function enjoys a “deep reach” into our minds. It’s for this reason that we can’t understand gender differences in female and male minds – the minds that are the source of our thoughts, feelings, abilities, motivations, and behavior – without understanding how psychologically permeable is the skull that separates the mind from the sociocultural context in which it operates. When the environment makes gender salient, there is a ripple effect on the mind. We start to think of ourselves in terms of our gender, and stereotypes and social expecations become more prominent in the mind. This can change self-perception, alter interests, debilitate or enhance ability, and trigger unintentional discrimination. In other words, the social context influences who you are, how you think, and what you do. And these thoughts, attitudes, and behaviors of yours, in turn, become part of the social context. It’s intimate. It’s messy. And it demands a different way of thinking about gender.
Cordelia Fine (Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference)
I should know; perfectionism has always been a weakness of mine. Brene' Bown captures the motive in the mindset of the perfectionist in her book Daring Greatly: "If I look perfect and do everything perfectly, I can avoid or minimize the painful feelings of shame, judgment, and blame." This is the game, and I'm the player. Perfectionism for me comes from the feelings that I don't know enough. I'm not smart enough. Not hardworking enough. Perfectionism spikes for me if I'm going into a meeting with people who disagree with me, or if I'm giving a talk to experts to know more about the topic I do … when I start to feel inadequate and my perfectionism hits, one of the things I do is start gathering facts. I'm not talking about basic prep; I'm talking about obsessive fact-gathering driven by the vision that there shouldn't be anything I don't know. If I tell myself I shouldn't overprepare, then another voice tells me I'm being lazy. Boom. Ultimately, for me, perfectionism means hiding who I am. It's dressing myself up so the people I want to impress don't come away thinking I'm not as smart or interesting as I thought. It comes from a desperate need to not disappoint others. So I over-prepare. And one of the curious things I've discovered is that what I'm over-prepared, I don't listen as well; I go ahead and say whatever I prepared, whether it responds to the moment or not. I miss the opportunity to improvise or respond well to a surprise. I'm not really there. I'm not my authentic self… If you know how much I am not perfect. I am messy and sloppy in so many places in my life. But I try to clean myself up and bring my best self to work so I can help others bring their best selves to work. I guess what I need to role model a little more is the ability to be open about the mess. Maybe I should just show that to other people. That's what I said in the moment. When I reflected later I realized that my best self is not my polished self. Maybe my best self is when I'm open enough to say more about my doubts or anxieties, admit my mistakes, confess when I'm feeling down. The people can feel more comfortable with their own mess and that's needs your culture to live in that. That was certainly the employees' point. I want to create a workplace where everyone can bring the most human, most authentic selves where we all expect and respect each other's quirks and flaws and all the energy wasted in the pursuit of perfection is saved and channeled into the creativity we need for the work that is a cultural release impossible burdens and lift everyone up.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
Between the shower steam and her skin, our tiny bathroom felt like a furnace. I never would have thought I could feel such peace while my heart hammered and my skin burned, but that’s what she brought me. I’d always thought love was this complicated, messy, frankly ugly thing. Possibly because, growing up, I’d not had much of an example for what a relationship should be. I didn’t know it could be any other way. But Bliss chased away the gray and made everything seem black and white. No matter the question, she was the answer. She was my everything—­the lungs that allowed me to breathe, the heart that had to beat, the eyes that let me see.
Cora Carmack (Keeping Her (Losing It, #1.5))
This is why you’re not supposed to catch more than one lightning bolt at a time,” Elwin said, leading a familiar round-faced boy into the treatment area. “I thought I’d found a way to do it,” Jensi said, patting the ends of his brown hair, which was sticking out in every direction. Both Jensi and Elwin froze when they spotted Fitz and Sophie—and the panic in their eyes reminded Sophie they still had their masks on. “It’s okay,” she said, tossing back her hood and shoving her mask up on her forehead. Fitz did the same, and Jensi and Elwin each did a double take. Then Elwin laughed. “Should’ve known you’d find a way to end up here,” he said, wrapping them up in a group hug. Sophie hugged him back, remembering how once upon a time she’d been afraid of Elwin. It hadn’t been Elwin’s fault—she’d been afraid of all doctors after growing up with needles and hospitals and scary human medicine. But now she knew that Elwin was a giant teddy bear, with dark, messy hair, and smiling dragons all over his tunic. “Yeah—they told us you were banished,” Jensi said in his trademark rapid-fire manner. “But I knew they couldn’t keep you away—and cool—you have to tell me about Exillium—are those the uniforms—they’re awesome—but what are the masks for?” The happy reunion lasted about ten seconds, until Elwin noticed their patient.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Now, where were we when our conversation had to be abandoned downstairs?” he said when Ian handed the papers back to him. Ian’s thoughts were still in the study, where a desk was filled with his likenesses and carefully maintained reports of every facet of his life, and for a moment he looked blankly at the older man. “Ah, yes,” the duke prodded as Ian sat down across from him, “we were discussing your future wife. Who is the fortunate young woman?” Propping his ankle atop the opposite knee, Ian leaned back in his chair and regarded him in casual, speculative silence, one dark brow lifted in amused mockery. “Don’t you know?” he asked dryly. “I’ve known for five days. Or is Mr. Norwich behind in his correspondence again?” His grandfather stiffened and then seemed to age in his chair. “Charity,” he said quietly. With a ragged sigh he lifted his eyes to Ian’s, his gaze proud and beseeching at the same time. “Are you angry?” “I don’t know.” He nodded. “Do you have any idea how difficult it is to say ‘I’m sorry’?” "Don't say it," Ian said curtly. His grandfather drew a long breath and nodded again, accepting Ian's answer. "Well, then, can we talk? For just a little while?" "What do you want to talk about?" "Your future wife, for one thing," he said warmly. "Who is she?" "Elizabeth Cameron." The duke gave a start. "Really? I thought you had done with that messy affair two years ago." Ian suppressed a grim smile at his phrasing and his gall. "I shall send her my congratulations at once," his grandfather announced. "They'd be extremely premature," Ian said flatly.
Judith McNaught (Almost Heaven (Sequels, #3))
There is nothing more romantic than this. Holding the very person you thought you lost, and knowing you'll never lose them again. I don't think that true love means your only love. I think true love means loving truly. Loving purely. Loving wholly. Maybe, if you're the kind of person who's willing to give all of yourself, the kind of person who is willing to love with all of your heart even though you've experienced just how much it can hurt... maybe you get lots of true loves, then. Maybe that's the gift you get for being brave. I am a woman who dares to love again. I finally love that about myself. It's messy to love after heartbreak. It's painful and it forces you to be honest with yourself about who you are. You have to work harder to find the words for your feelings, because they don't fit into any prefabricated boxes. But it's worth it. Because look what you get: Great loves. Meaningful loves. True loves.
Taylor Jenkins Reid (One True Loves)
I open the back door of my car for Ginger to buckle the baby in. She smiles and goes to it. I spin around and I'm face-to-face with Logan Kilgore. “Hey, good lookin',” he says, leaning against my door to block my path. “What do you want?” I ask, cracking a slight smile as I wait. He's wearing a dirty, Auburn Football t-shirt, worn out jeans and the same bedraggled baseball cap he always wears. His hair is sticking out just around the edges of the cap in messy twigs and the occasional curl. His curious eyes are dancing around like maybe he's in a very good mood. Despite the obvious, he's kind of beautiful, a little. “Not a thing,” he tells me before turning to walk away. “...was just passing through, wanted to say hello. See you.” I watch him amble away. Ginger shuts Chucky in and opens the door across from mine. She stops before getting in to look up at Logan too. “He's kind of charming,” she tells me, giggling a little. “No offense, but you thought Doug was charming,” I tell her, skeptically. “Good point,” she agrees, before getting into the car.
Elizabeth Nicole (September, After Everything)
Tina and Pete stood together. Pete knew he should be grilling the girl, getting the full story before details were lost, but he was too spellbound by the reunion. The boy he was watching was so different. There was no way to avoid the truth. Someone, a very evil someone, had hurt his boy. Pete felt his fists clench. Whoever it was that had turned Lockie into the skinny kid trapped behind his pain, he would pay. If he had to spend his whole life looking for him, Pete would find him and then he would make him pay. The girl had obviously helped Lockie. He had no idea if she had found him or if she had been with him the whole time, but Lockie kept saying that she had ‘saved’ him. He was a clever kid and he knew what the word meant. Pete liked the way she looked at Lockie—like a lioness, like a sister, like a mother. The skinny girl with short messy black hair could have been anyone. She looked about fifteen but when she spoke she sounded a lot older. She was wearing a big coat but underneath that Pete had caught a glimpse of a short skirt and a tight red top. Not the kind of thing a nice girl would wear. Maybe she wasn’t a nice girl but she was smart. That was easy to see. She was watching Lockie with his dad and Pete could see her body sag with relief. She was relieved to get him home. It must have been a promise she had made the boy. Pete had no idea how she’d got him home. She didn’t look like she had a cent to her name. He sighed. So many questions to answer and the worst part was that some of the answers would be things he did not want to hear. Some of the answers would keep him up at night for the rest of his life. He wished he didn’t have to know, but he figured that if Lockie had been through it his family should know about it. If Lockie had been one of the small skeletons buried in the yard in Sydney they would have only been able to imagine what he had suffered. Now they would know. Which way was better? Pete thought about all the other parents who were waiting for the results of tests from the police. For a moment he let go of what needed to be done and what was to come and he offered up a prayer of thanks. Then he offered up a prayer for strength for all those other parents who would never again get to feel their kid’s arms around their neck. And then he wiped his eyes because he was a grown man and a cop and he really shouldn’t be standing in the driveway crying.
Nicole Trope (The Boy Under the Table)
The father of communism, Karl Marx, famously predicted the “withering away of the state” once the proletarian revolution had achieved power and abolished private property. Left-wing revolutionaries from the nineteeth-century anarchists on thought it sufficient to destroy old power structures without giving serious thought to what would take their place. This tradition continues up through the present, with the suggestion by antiglobalization authors like Michael Hardt and Antonio Negri that economic injustice could be abolished by undermining the sovereignty of states and replacing it with a networked “multitude.”17 Real-world Communist regimes of course did exactly the opposite of what Marx predicted, building large and tyrannical state structures to force people to act collectively when they failed to do so spontaneously. This in turn led a generation of democracy activists in Eastern Europe to envision their own form of statelessness, where a mobilized civil society would take the place of traditional political parties and centralized governments. 18 These activists were subsequently disillusioned by the realization that their societies could not be governed without institutions, and when they encountered the messy compromises required to build them. In the decades since the fall of communism, Eastern Europe is democratic, but it is not thereby necessarily happy with its politics or politicians.19 The fantasy of statelessness
Francis Fukuyama (The Origins of Political Order: From Prehuman Times to the French Revolution)
In about 1980, he says, at a time when he was still struggling to articulate his own vision of a dynamic, evolving economy, he happened to read a book by the geneticist Richard Lewontin. And he was struck by a passage in which Lewontin said that scientists come in two types. Scientists of the first type see the world as being basically in equilibrium. And if untidy forces sometimes push a system slightly out of equilibrium, then they feel the whole trick is to push it back again. Lewontin called these scientists "Platonists," after the renowned Athenian philosopher who declared that the messy, imperfect objects we see around us are merely the reflections of perfect "archetypes." Scientists of the second type, however, see the world as a process of flow and change, with the same material constantly going around and around in endless combinations. Lewontin called these scientists "Heraclitans," after the Ionian philosopher who passionately and poetically argued that the world is in a constant state of flux. Heraclitus, who lived nearly a century before Plato, is famous for observing that "Upon those who step into the same rivers flow other and yet other waters," a statement that Plato himself paraphrased as "You can never step into the same river twice." "When I read what Lewontin said," says Arthur, "it was a moment of revelation. That's when it finally became clear to me what was going on. I thought to myself, "Yes! We're finally beginning to recover from Newton.
M. Mitchell Waldrop (Complexity: The Emerging Science at the Edge of Order and Chaos)
Ladies,” he said as he stepped forward. “I’m afraid we don’t have enough tents or saddles to add you to the group.” “I already tried to stop them,” Elaine said, “but they insisted.” She turned to Phoebe. “Eddie and Gladys are known for being a little hardheaded.” “Among other things,” Maya added wryly. “That one’s Eddie, and that one’s Gladys,” she said, pointing. “We’re not additions,” Eddie said, “we’re replacements.” Gladys dug through the large black purse strapped over her forearm and pulled out a checkbook. “We met a nice couple at Ronan’s last night, and they couldn’t say yes fast enough when we offered to buy their spots on the cattle drive.” “They said they’re gonna stay in town and get a hot stone massage every day instead.” “But--” “We already paid,” Eddie said. “Five hundred bucks a pop. Figured it would be worth it if we could see some sexy cowboys. We’ve taken riding lessons from Shane Stryker, but he refuses to take off his shirt for us. I hope you’re not going to be so stubborn.” Phoebe thought Zane might call off the whole thing, after all, but all he did was mutter, “Fine. Head inside, I’ll bring your things.” She supposed the novices were a bit of a challenge and senior novices would be even more of one, but to her mind, the older women were quirky and delightful. “We’re mighty excited about this trip,” Gladys said. “Eddie here has wanted to go on a cattle drive since she first saw City Slickers.” She winked. “Not that either of us have a hankering to help with a birthing, mind you. It looked a tad messy.” Phoebe was charmed.
Susan Mallery (Kiss Me (Fool's Gold, #17))
That’s the thing. The people you’re controlling don’t have a voice in how you control them. As long as everyone’s on the same page, things may be great, but when there’s a question, you win. Right?” “There has to be a way to come to a final decision.” “No, there doesn’t. Every time someone starts talking about final anythings in politics, that means the atrocities are warming up. Humanity has done amazing things by just muddling through, arguing and complaining and fighting and negotiating. It’s messy and undignified, but it’s when we’re at our best, because everyone gets to have a voice in it. Even if everyone else is trying to shout it down. Whenever there’s just one voice that matters, something terrible comes out of it.” “And yet, I understand from Ms. Fisk that the Transport Union was condemning whole colonies that didn’t follow its rule.” “Right?” Holden said. “And so I disobeyed that order and I quit working for them. I was all set to go retire in Sol system. Can you do that?” “Can I do what?” “If you are given an immoral order, can you resign and walk away? Because everything I’ve seen about how you’re running this place tells me that isn’t an option for you.” Singh crossed his arms. He had the sense that the interrogation was getting away from him. “The high consul is a very wise, very thoughtful man,” he said. “I have perfect faith that—” “No. Stop. ‘Perfect faith’ really tells me everything I need to know,” Holden said. “You think this is a gentle, bloodless conquest, don’t you?” “It is, to the degree that you allow it to be.” “I was there for the war Duarte started to cover his tracks. I was there for the starving years afterward. Your empire’s hands look a lot cleaner when you get to dictate where history begins and what parts of it don’t count.
James S.A. Corey (Persepolis Rising (The Expanse, #7))
Wave after wave of an orgasm broke over her, but soon it would be over for him. “Stop,” Livia panted. Blake paused as Livia swallowed to try to compose herself. She was here for a reason. “The mask. Take it off. I want you to kiss me.” Livia watched his eyes. He was scared. “Blake, you’re inside of me. I’ll keep you safe. You’re inside of me.” Livia squeezed him again, reminding him exactly where he was. Blake smiled at the sensation. “Do it for me, Livia. Please.” And even though they were naked and locked in the most intimate embrace, this was the striptease. Livia went slowly, rolling up the knit ski mask like a stocking. First his jaw came into the light. Livia slowed, tracing its strong line with her finger. Next, his lips lost their frame, then his eyes left their prison. He closed them. Finally, his wild, messy hair was free. Livia tossed the mask aside. And waited. Open your eyes. After a moment Blake looked around his sunny meadow. A breeze stirred the trees high up, and they released a shower of fall colors. In the silence of the day, the leaves hitting the ground sounded like applause. Quiet applause for a quiet victory. The o in sorry vanished. Blake looked at Livia beneath him. She smiled. “Five hundred ninety-eight,” he whispered. Still counting. “Yes! Yes. I knew you could do this. I knew you could do this.” Livia beamed with pride. Blake blurred as her eyes became two pools of tears. He kissed her softly, but Livia wanted the rough thrusts back. She pulled away and wiped her eyes. “Giddy up!” Livia spanked Blake playfully. He gave a little chuckle before he put her out of her misery. If she thought he was going fast and hard before, she was wrong. Blake was almost done when he let Livia’s leg slip from his shoulder. He kissed her with his clever tongue and moaned loudly into her mouth.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
To be honest? I'd thought myself above them. What a nasty little counter-culture snob I was. There they were, doing their fucking best, trying to have a life, trying to bring up their children decently, struggling to make the payments on the little house, wondering where their youth had gone, where love had gone, what was to become of them and all I could do was be a snotty, judgmental cow. But it was no good. I couldn't be like them. I'd seen too much, done too much that was outside anything they knew. I wasn't better than them, but I was different. We had no point of contact other than work. Even then, they disapproved of my attitude, my ways of dealing with the clients. Many's the time I'd ground my teeth as Andrea or Fran had taken the piss out of some hapless, useless, illiterate get they were assigned to; being funny at the expense of their stupidity, their complete inability to deal with straight society. Sure, I knew it was partly a defence mechanism; they did it because it was laugh or scream, and we were always told it wasn't good to let the clients get too close. But all too often - not always, but enough times to make me seethe with irritation - there was an ingrained, self-serving elitism in there too. Who'd see it better than me? They sealed themselves up in their white-collar world like chrysalides and waited for some kind of reward for being good girls and boys, for playing the game, being a bit of a cut above the messy rest - a reward that didn't exist, would never come and that they would only realise was a lie when it was far too late. Now I would be one of the Others, the clients, the ones who stood outside in the cold and, shivering, looked in at the lighted windows of reason and middle-class respectability. I would be another colossal fuck-up, another dinner party story. But my sin was all the greater because I'd wilfully defected from the right side to the hopelessly, eternally wrong side. I was not only a screw-up, I was a traitor.
Joolz Denby (Wild Thing)
She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles. A voice said quietly and insistently in her ear, “Alice?” and she tipped back her head and let the cool water slide silently over her face. Tiny dots of light danced before her eyes. Was it a dream or a memory? “I don’t know!” said a frightened voice. “I didn’t see it happen!” No need to get your knickers in a knot. The dream or memory or whatever it was dissolved and vanished like a reflection on water, and instead fragments of thought began to drift through her head, as if she were waking up from a long, deep sleep, late on a Sunday morning. Is cream cheese considered a soft cheese? It’s not a hard cheese. It’s not . . . . . . hard at all. So, logically, you would think . . . . . . something. Something logical. Lavender is lovely. Logically lovely. Must prune back the lavender! I can smell lavender. No, I can’t. Yes, I can. That’s when she noticed the pain in her head for the first time. It hurt on one side, a lot, as if someone had given her a good solid thwack with a baseball bat. Her thoughts sharpened. What was this pain in the head all about?
Liane Moriarty (What Alice Forgot)
This isn’t weird for you, Mark? I mean, not even a little bit?” Green questioned. “Why? Is it for you?” Ruxs inquired, slightly nervous. “No. Not at all. I’ve thought of a million sexual things I could do to you and what I wanted you to do to me. But that’s because I’m bi. You on the other hand, have never been with a man. Now you just had your finger in my ass. I’m just wondering. You’re not the slightest bit weirded out.” Ruxs thought for a second. He stared into those smoky eyes and knew exactly why he wasn’t weirded out. Green was his friend, his best friend. The only person he had, his family. Nothing about them coming together was weird for him. Ruxs was a man who always did his own thing. He wasn’t judgmental and he didn’t worry about labels or societal conformity. If it felt good, then it was all good. He’d lived by that motto since college. Ruxs finally shook his head no. “I feel good about this. You and I being together this way is only strange in a good way. It’s wild to be able to finally touch you like I’ve been wanting too. To see you come, to watch you get off. I’m just trying to wrap my head around you wanting me.” Ruxs had a hard time meeting Green’s eyes. He hoped like hell that Green did want him.  Green cupped his jaw and turned him so he was facing him. “I do want you. More than you think. I want you because you’re an amazing man, Mark Ruxsberg. You have to stop thinkin’ otherwise. You’re smart, caring, loyal, a damn good cop, you’re great to Curtis and…” Green tilted his still half-hard cock against Ruxs’ pelvis. “You’re sexy as fuck. Big and beautiful. Muscles all over the fuckin’ place. It’s a huge turn-on for me.” Ruxs blushed. He loved Green telling him this. Most of all he believed him. Green wasn’t a liar and he didn’t do anything that he didn’t want to do… just like him. “So no more of this self-doubting shit. Or else I won’t blow you anymore.” Green winked, rolling off of him and climbed out of the messy bed. “Now get your lazy ass up, and don’t worry about the sheets, the maid comes today. We got to get going. We’re supposed to be doing surveillance on that damn warehouse.” Ruxs
A.E. Via (Here Comes Trouble (Nothing Special #3))
Marlboro Man opened the passenger door of the semi and allowed me to climb out in front of him, while Tim exited the driver-side door to see us off. That wasn’t so bad, I thought as I made my way down the steps. Aside from the manicure remark and my sweating problem, meeting Marlboro Man’s brother had gone remarkably well. I looked okay that evening, had managed a couple of witty remarks, and had worn just the right clothing to conceal my nervousness. Life was good. Then, because the Gods of Embarrassment seemed hell-bent on making me look bad, I lost my balance on the last step, hooking the heel of my stupid black boots on the grate of the step and awkwardly grabbing the handlebar to save myself from falling to my death onto the gravel driveway below. But though I stopped myself from wiping out, my purse flew off my arm and landed, facedown, on Tim’s driveway, violently spilling its contents all over the gravel. Only a woman can know the dreaded feeling of spilling her purse in the company of men. Suddenly my soul was everywhere, laid bare for Marlboro Man and his brother to see: year-old lip gloss, a leaky pen, wadded gum wrappers, and a hairbrush loaded up with hundreds, if not thousands, of my stringy auburn hairs. And men don’t understand wads of long hair--for all they knew, I had some kind of follicular disorder and was going bald. There were no feminine products, but there was a package of dental floss, with a messy, eight-inch piece dangling from the opening and blowing in the wind. And there were Tic Tacs. Lots and lots of Tic Tacs. Orange ones. Then there was the money. Loose ones and fives and tens and twenties that had been neatly folded together and tucked into a pocket inside my purse were now blowing wildly around Tim’s driveway, swept away by the strengthening wind from an approaching storm. Nothing in my life could have prepared me for the horror of watching Marlboro Man, my new love, and his brother, Tim, whom I’d just met, chivalrously dart around Tim’s driveway, trying valiantly to save my wayward dollars, all because I couldn’t keep my balance on the steps of their shiny new semi. I left my car at Tim’s for the evening, and when we pulled away in Marlboro Man’s pickup, I stared out the window, shaking my head and apologizing for being such a colossal dork. When we got to the highway, Marlboro Man glanced at me as he made a right-hand turn. “Yeah,” he said, consoling me. “But you’re my dork.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Lesson one: Pack light unless you want to hump the eight around the mountains all day and night. By the time we reached Snowdonia National Park on Friday night it was dark, and with one young teacher as our escort, we all headed up into the mist. And in true Welsh fashion, it soon started to rain. When we reached where we were going to camp, by the edge of a small lake halfway up, it was past midnight and raining hard. We were all tired (from dragging the ridiculously overweight packs), and we put up the tents as quickly as we could. They were the old-style A-frame pegged tents, not known for their robustness in a Welsh winter gale, and sure enough by 3:00 A.M. the inevitable happened. Pop. One of the A-frame pegs supporting the apex of my tent broke, and half the tent sagged down onto us. Hmm, I thought. But both Watty and I were just too tired to get out and repair the first break, and instead we blindly hoped it would somehow just sort itself out. Lesson two: Tents don’t repair themselves, however tired you are, however much you wish they just would. Inevitably, the next peg broke, and before we knew it we were lying in a wet puddle of canvas, drenched to the skin, shivering, and truly miserable. The final key lesson learned that night was that when it comes to camping, a stitch in time saves nine; and time spent preparing a good camp is never wasted. The next day, we reached the top of Snowdon, wet, cold but exhilarated. My best memory was of lighting a pipe that I had borrowed off my grandfather, and smoking it with Watty, in a gale, behind the summit cairn, with the teacher joining in as well. It is part of what I learned from a young age to love about the mountains: They are great levelers. For me to be able to smoke a pipe with a teacher was priceless in my book, and was a firm indicator that mountains, and the bonds you create with people in the wild, are great things to seek in life. (Even better was the fact that the tobacco was homemade by Watty, and soaked in apple juice for aroma. This same apple juice was later brewed into cider by us, and it subsequently sent Chipper, one of the guys in our house, blind for twenty-four hours. Oops.) If people ask me today what I love about climbing mountains, the real answer isn’t adrenaline or personal achievement. Mountains are all about experiencing a shared bond that is hard to find in normal life. I love the fact that mountains make everyone’s clothes and hair go messy; I love the fact that they demand that you give of yourself, that they make you fight and struggle. They also induce people to loosen up, to belly laugh at silly things, and to be able to sit and be content staring at a sunset or a log fire. That sort of camaraderie creates wonderful bonds between people, and where there are bonds I have found that there is almost always strength.
Bear Grylls (Mud, Sweat and Tears)