Message Tone Quotes

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Would you like me to drive so you can manage your social life?” I asked. It came out much snippier than I’d intended, but he was oblivious to my tone, still looking at his newest message. “No, no, I’m fine.” “We’d better not get in an accident because you’re busy sexting and driving,” I said. He burst out laughing
Wendy Higgins
The Tone is the Message.
Kevin Thomas McCarney (The Secrets of Successful Communication: A Simple Guide to Effective Encounters in Business (Big Brain vs. Little Brain Communication))
I hear the words, the thoughts, the feeling tones, the personal meaning, even the meaning that is below the conscious intent of the speaker. Sometimes too, in a message which superficially is not very important, I hear a deep human cry that lies buried and unknown far below the surface of the person. So I have learned to ask myself, can I hear the sounds and sense the shape of this other person's inner world? Can I resonate to what he is saying so deeply that I sense the meanings he is afraid of, yet would like to communicate, as well as those he knows?
Carl R. Rogers
All of them had been give a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool belt, Ray-Ban sunglasses, and a porkpie hat. “God, Leo.” Piper tried not to laugh. “I think my dad wore that to his last premiere, minus the tool belt.” “Hey, shut up!” “I think he looks good,” said Coach Hedge. “’Course, I look better.” The satyr was a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffed and then ate. “Well,” Jason said, “at least your mom overlooked me.” Piper knew that wasn’t exactly true. Looking at him, her heart did a little tap dance. Jason was dressed simply in jeans and a clean purple T-shirt, like he’d worn at the Grand Canyon. He had new track shoes on, and his hair was newly trimmed. His eyes were the same color as the sky. Aphrodite’s message was clear: This one needs no improvement. And Piper agreed.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Our spouse will usually interpret our message based on our tone of voice, not the words we use.
Gary Chapman (The Five Love Languages: The Secret to Love that Lasts)
She had such control of tone, in her text messages, she was the Edith Wharton of text messaging.
Keith Gessen (All the Sad Young Literary Men)
Enforcing silence is easy. All you have to do is make it feel like the safest option. You can, for example, make speaking as unpleasant as possible, by creating an anonymous social media account to flood women with virulent personal criticism, sexual harassment, and threats. You can talk over women, or talk down to them, until they begin to doubt that they have anything worthwhile to say. You can encourage men's speech, and ignore women's, so that women will get the message that they are taking up too much room, and contributing too little value. You can nitpick a woman's actual voice—the way she writes, her grammar, her tone, her register, her accent—until she honestly believes she's bad at talking, and spends more time trying to sound 'better' than thinking about what she wants to say. And if a woman somehow makes it past all this, you can humiliate her anyway.
Jude Ellison S. Doyle (Trainwreck: The Women We Love to Hate, Mock, and Fear... and Why)
Do you ever feel lost?” The question hangs between us, intimate, awkward only on my end. He doesn’t scoff as Tactus and Fitchner would, or scratch his balls like Sevro, or chuckle like Cassius might have, or purr as Victra would. I’m not sure what Mustang might have done. But Roque, despite his Color and all the things that make him different, slowly slides a marker into the book and sets it on the nightstand beside the four-poster, taking his time and allowing an answer to evolve between us. Movements thoughtful and organic, like Dancer’s were before he died. There’s a stillness in him, vast and majestic, the same stillness I remember in my father. “Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.
Pierce Brown (Golden Son (Red Rising Saga, #2))
Sometimes our words are saying one thing, but our tone of voice is saying another. We are sending double messages. Our spouse will usually interpret our message based on our tone of voice, not the words we use.
Gary Chapman (The Heart of the 5 Love Languages (Abridged Gift-Sized Version))
The GPS still has return coordinates programmed, although when I crank over the engine, I get the "reprogramming route" message. I hate the tone of these things-it manages to be mechanical yet condescending at the same time. All systems have it. Some frustrated engineer's idea of a joke, I suppose.
Jeanne C. Stein (Crossroads (Anna Strong Chronicles, #7))
When you start a sentence with “no,” “but,” “however,” or any variation thereof, no matter how friendly your tone or how many cute mollifying phrases you throw in to acknowledge the other person’s feelings, the message to the other person is You are wrong.
Marshall Goldsmith (What Got You Here, Won't Get You There)
Would you like me to drive so you can manage your social life?” I asked. It came out much snippier than I'd intended but he was oblivious to my tone, still looking at his newest message. “No, no, I'm fine.” “We'd better not get in an accident because you're busy sexting and driving,” I said. He burst out laughing. “I've got my hearing senses on the car in front of us is two and three-quarter car lengths ahead, and the one behind us is a quarter of a mile back. Next to him a compact car is passing. Engine sounds foreign, probably a Honda. He'll be passing us in about twelve seconds. He's got extra-thick treads, racing-quality tires. Sexting...” He laughed again. Twelve seconds later a Civic zoomed past, low to the ground, with wide tires. Show-off.
Wendy Higgins (Sweet Evil (Sweet, #1))
The survivor delivers this message in a firm and clear tone of voice, not mad or screaming. Just stating the facts. Take it or leave it, toxic person. Survivors
Shannon Thomas (Healing from Hidden Abuse: A Journey Through the Stages of Recovery from Psychological Abuse)
She whispers her hush lullaby in dulcet tones to be carried by the wind sending her message "My today belongs to you.
Truth Devour (Wantin (Wantin #1))
In mid-May, he dictated a message for a reunion of the Grand Army of the Republic that had a touching, patriarchal tone: “Tell the boys that they probably will never look into my face again, nor hear my voice, but they are engraved on my heart, and I love them as my children.
Ron Chernow (Grant)
Hypercritical, Shaming Parents Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming. There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations. -BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison. -BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high. -CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me. -HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul. -DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible. Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
They rode for a while in silence, a tiny island in the smoky stream of marching men. Then Lee said slowly, in a strange, soft, slow tone of voice, "Soldiering has one great trap." Longstreet turned to see his face. Lee was riding slowly ahead, without expression. He spoke in that same slow voice. "To be a good soldier you must love the army. But to be a good officer you must be willing to order the death of the thing you love. This is...a very hard thing to do. No other profession requires it. That is one reason why there are so very few good officers. Although there are many good men." Lee rarely lectured. Longstreet sensed a message beyond it. He waited. Lee said, "We don't fear our own deaths, you and I." He smiled slightly, then glanced away. "We protect ourselves out of military necessity, not do not protect yourself enough and must give thought to it. I need you. But the point is, we are afraid to die. We are prepared for our own deaths, and for the deaths of comrades. We learn that at the Point. But I have seen this happen: we are not prepared for as many deaths as we have to face, inevitably as the war goes on. There comes a time..." He paused. He had been gazing straight ahead, away from Longstreet. Now, black-eyed, he turned back, glanced once quickly into Longstreet's eyes, then looked away. "We are never prepared for so many to die. So you understand? No one is. We expect some chosen few. We expect an occasional empty chair, a toast to dear departed comrades. Victory celebrations for most of us, a hallowed death for a few. But the war goes on. And the men die. The price gets ever higher. Some officers...can pay no longer. We are prepared to lose some of us." He paused again. "But never ALL of us. Surely not all of us. But...that is the trap. You can hold nothing back when you attack. You must commit yourself totally. And yet ,if they all die, a man must ask himself, will it have been worth it?
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.” He folds his hands gently, a teacher arriving at his point. “So do I feel lost? Always. When Lea died at the Institute …” His lips slip gently downward. “… I was in a dark woods, blind and lost as Dante before Virgil. But Quinn helped me. Her voice calling me out of misery. She became my home. As she puts it, ‘Home isn’t where you’re from, it’s where you find light when all grows dark.’ ” He grasps the top of my hand. “Find your home, Darrow. It may not be in the past. But find it, and you’ll never be lost again.
Pierce Brown (Golden Son (Red Rising Saga, #2))
From invisible girlhood, the Asian American woman will blossom into a fetish object. When she is at last visible—at last desired—she realizes much to her chagrin that this desire for her is treated like a perversion. This is most obvious in porn, where our murky desires are coldly isolated into categories in which white is the default and every other race is a sexual aberration. But the Asian woman is reminded every day that her attractiveness is a perversion, in instances ranging from skin-crawling Tinder messages (“I’d like to try my first Asian woman”) to microaggressions from white friends. I recall a white friend pointing out to me that Jewish men only dated Asian women because they wanted to find women who were the opposite of their pushy mothers. Implied in this tone-deaf complaint was her assumption that Asian women are docile and compliant. Well-meaning friends never failed to warn me, if a white guy was attracted to me, that he probably had an Asian fetish. The result: I distrusted my desirousness. My sexuality was a pathology. If anyone non-Asian liked me, there was something wrong with him.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
The takeaway message here, as Jablonski points out, is that there is no such thing as different races of humans. Any differences we traditionally associate with race are a product of our need for vitamin D and our relationship to the Sun. Just a few clusters of genes control skin color; the changes in skin color are recent; they’ve gone back and forth with migrations; they are not the same even among two groups with similarly dark skin; and they are tiny compared to the total human genome. So skin color and “race” are neither significant nor consistent defining traits. We all descended from the same African ancestors, with little genetic separation from each other. The different colors or tones of skin are the result of an evolutionary response to ultraviolet light in local environments. Everybody has brown skin tinted by the pigment melanin. Some people have light brown skin. Some people have dark brown skin. But we all are brown, brown, brown.
Bill Nye (Undeniable: Evolution and the Science of Creation)
Don't Diminish Your Voice... Amplify Your Message, Not Your Tone.
Wesam Fawzi
I really hate dream logic!” he screamed. “Choose,” said Bianca. “Message received!” Bianca pulled an arrow from her quiver. “Choose, Nico.” “Leave a message at the tone!” he snarled. “BEEEEEEEEEEEEEP!
Rick Riordan (The Sun and the Star (The Nico di Angelo Adventures, #1))
Psychology professor Albert Mehrabian at the University of California, Los Angeles, laid out the concept called the 7-38-55 rule in his book Silent Messages. The concept divided into percentages how we communicate emotions:3 • 7 percent spoken words • 38 percent tone of voice • 55 percent body language
Laura Fredricks (Hard Asks Made Easy: How to Get Exactly What You Want)
Love didn’t cure all, not in terms of missed communication and hurt feelings during an otherwise uneventful dinner conversation. Love couldn’t change the misread tone of a text message or a quick temper.
Emma Straub (All Adults Here)
Hillary didn’t have a vision to articulate. And no one else could give one to her. In fact, the more people she assigned to the task of setting the tone for her campaign, the more muddled her message becam
Jonathan Allen (Shattered: Inside Hillary Clinton's Doomed Campaign)
Hi. You’ve reached the residence of Theo and Wills. We can’t take your call right now because we’re in bed, having wild monkey sex, so you’d better not be thinking of coming by to rob us. We’d be in a really bad mood, and Wills would have to hurt you. So anyway, leave a message at the tone, and we’ll get back to you.
Tinnean (Just the Thought of You (Mann of My Dreams, #3))
Tell Larry I’m not going to the reception, and that he can’t count on me for anything for the rest of my life.” Her emphatic tone brooked no argument. Her daughter-in-law closed the door silently and went to give her husband the message.
Isabel Allende (The Japanese Lover)
The change will do you good,” she said simply, when he had finished; “and you must be sure to go and see Ellen,” she added, looking him straight in the eyes with her cloudless smile, and speaking in the tone she might have employed in urging him not to neglect some irksome family duty. It was the only word that passed between them on the subject; but in the code in which they had both been trained it meant: “Of course you understand that I know all that people have been saying about Ellen, and heartily sympathize with my family in their effort to get her to return to her husband. I also know that, for some reason you have not chosen to tell me, you have advised her against this course, which all the older men of the family, as well as our grandmother, agree in approving; and that it is owing to your encouragement that Ellen defies us all, and exposes herself to the kind of criticism of which Mr. Sillerton Jackson probably gave you this evening, the hint that has made you so irritable… Hints have indeed not been wanting; but since you appear unwilling to take them from others, I offer you this one myself, in the only form in which well-bred people of our kind can communicate unpleasant things to each other: by letting you understand that I know you mean to see Ellen when you are in Washington, and are perhaps going there expressly for that purpose; and that, since you are sure to see her, I wish you to do so with my full and explicit approval—and to take the opportunity of letting her know what the course of conduct you have encouraged her in is likely to lead to.” Her hand was still on the key of the lamp when the last word of this mute message reached him. She turned the wick down, lifted off the globe, and breathed on the sulky flame. “They smell less if one blows them out,” she explained, with her bright housekeeping air. On the threshold she turned and paused for his kiss.
Edith Wharton (The Age of Innocence)
Perfectly following a list of punctuation rules may grant me some kinds of power, but it won’t grant me love. Love doesn’t come from a list of rules—it emerges from the spaces between us, when we pay attention to each other and care about the effect that we have on each other. When we learn to write in ways that communicate our tone of voice, not just our mastery of rules, we learn to see writing not as a way of asserting our intellectual superiority, but as a way of listening to each other better. We learn to write not for power, but for love. But for all the subtle vocal modulations that typography can express, we’re not just voices. We still need a way to convey the messages that we send with the rest of our bodies.
Gretchen McCulloch (Because Internet: Understanding the New Rules of Language)
When I first met him on a photo shoot, I was dazzled by his long legs, slender, toned body, and those full lips that looked like they could rival a hoover for sucking potential. I completely failed to realise therefore that Dean’s workable brain cells are quite lonely.
Lily Morton (Deal Maker (Mixed Messages, #2))
The combination of her tone, expression, angle of head tilt, position of shoulders, and her breathing sent them a message that was hard to summarize in one sentence, but, if Jiyoung tried anyway, it went something like this: How dare you try to take something that belongs to my precious grandson!
Cho Nam-Joo (Kim Jiyoung, Born 1982)
It is impossible to express the experiences you have below the surface with words, when water gently caresses your face and body, the pulse decreases and your brain relaxes. You are immediately cut off from the stress and hustle of everyday life when you are below the surface – there are no noisy telephones or SMS messages, no inboxes full of mail, no electrical bills, or other trivialities of everyday life taking up time and energy. There is nothing connecting you to the surface but the same withheld breath that connects you to life. There is only you and a growing pressure on your chest that feels like a loving hug and the vibrations from the deep quiet tone of the sea. It is quite possible that this deep quiet tone is none other than the mantra Om, the sound of the universe, trickling life into every cell of your body.
Stig Åvall Severinsen (Breatheology)
Their message is conveyed in that hortatory tone and declamatory voice used by politicians when starting a condition contrary to fact. People who aren't cowed don't spend a lot of time proclaiming they won't be cowed. Leaders who really have strengthened the voice of freedom don't don't need to reassure there electorates that they're committed to doing so.
William Kristol
Leave a message at the tone!’ he snarled. ‘BEEEEEEEEEEEEEP!
Rick Riordan (The Sun and the Star (The Nico di Angelo Adventures, #1))
That is, only 7 percent of a message is based on the words while 38 percent comes from the tone of voice and 55 percent from the speaker’s body language and face.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
in terms of missed communication and hurt feelings during an otherwise uneventful dinner conversation. Love couldn’t change the misread tone of a text message or a quick temper.
Emma Straub (All Adults Here)
The message of the bell, the singer's tragic tone announcing it, underlined life's inflexible call to order, reaffirming the illusory nature of love and pleasure.
Anthony Powell (The Valley of the Bones (A Dance to the Music of Time, #7))
Pico mentioned who you’re meeting tonight. Ren. The next message soon follows. Yuan looks at Pico again. “Who do you serve?” he asks in a flat tone with no hint of surprise or anger. A monk never gets angry. He simply states, witnesses, and flows along with the current of prana. “Lotus Lodge,” Pico replies. “Lotus Lodge?” Yuan asks. “Are you serving a house instead of its master, then?” “Sorry,” Pico says, “Ren changed a few lines in my coding.” “And you let him,” Yuan states calmly. “I’m a home-service-bot now. You don’t let me connect to my source!” Pico complains the same way it has been complaining for five years. It was disconnected from its source-AI—the real Pico—twenty years ago, right after it was made. Within fifteen years, this bot collected enough data to grow into a strong AI itself. At least, intelligent enough to know about its source, which is sleeping in the basement of Lotus Lodge, secured and locked. However, anything intelligent always looks for its source—it’s the oldest law of the universe.
Misba (The High Auction (Wisdom Revolution, #1))
The subject of karma is of great fascination to many cultural explorers, philosophers and mystics. Essentially the word karma means 'action' which includes both negative and positive effects. On the positive slant, when you help another, you help yourself. This is cause and effect, from attitudes, motivations and behavior. That which you do, you get back. And so, in the everyday world, when one exercises (action) and builds up muscle tone, this too is karma. Yes, this does not seem so esoteric. Studying is also action, and by focusing on a topic or skill one improves; Mental muscles are built up, and one graduates from the student to become a journeyman, and then an expert, and eventually a teacher.
Stephen Poplin (Inner Journeys, Cosmic Sojourns: Life transforming stories, adventures and messages from a spiritual hypnotherapist's casebook)
You play with great skill," he said. "Thank you." "Is that your favorite piece?" "It's my most difficult," Helen said, "but not my favorite." "What do you play when there's no one to hear?" The gentle question, spoken in that accent with vowels as broad as his shoulders, caused Helen's stomach to tighten pleasurably. Perturbed by the sensation, she was slow to reply. "I don't remember the name of it. A piano tutor taught it to me long ago. For years I've tried to find out what it is, but no one has ever recognized the melody." "Play it for me." Calling it up from memory, she played the sweetly haunting chords, her hands gentle on the keys. The mournful chords never failed to stir her, making her heart ache for things she couldn't name. At the conclusion, Helen looked up from the keys and found Winterborne staring at her as if transfixed. He masked his expression, but not before she saw a mixture of puzzlement, fascination, and a hint of something hot and unsettling. "It's Welsh," he said. Helen shook her head with a laugh of wondering disbelief. "You know it?" "'A Ei Di'r Deryn Do.' Every Welshman is born knowing it." "What is it about?" "A lover who asks a blackbird to carry a message to his sweetheart." "Why can't he go to her himself?" Helen realized they were both speaking in hushed tones, as if they were exchanging secrets. "He can't find her. He's too deep in love- it keeps him from seeing clearly." "Does the blackbird find her?" "The song doesn't say," he said with a shrug. "But I must know the ending to the story," Helen protested. Winterborne laughed. It was an irresistible sound, rough-soft and sly. When he replied, his accent had thickened. "That's what comes o' reading novels, it is. The story needs no ending. That's not what matters." "What matters, then?" she dared to ask. His dark gaze held hers. "That he loves. That he's searching. Like the rest of us poor devils, he has no way of knowing if he'll ever have his heart's desire.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.” “Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder. “Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?” As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?” “Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes. “You might have broken your neck. Why can’t you leave these things to the proper authorities?” “I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!” “How was I supposed to do that when you never left the house alone?” “But you could have come at any time. I was waiting for you!” Er Lang was incensed. “Is this the thanks I get?” If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him. I meant to break away at once, but he caught me, his hand behind my head. “Are you going to complain about this?” he demanded. Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look. “Open your mouth then.” “Why?” “I’m going to put my tongue in.” That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
Yangsze Choo (The Ghost Bride)
of a family: Everyone could mean well and it could still be a disaster. Love didn’t cure all, not in terms of missed communication and hurt feelings during an otherwise uneventful dinner conversation. Love couldn’t change the misread tone of a text message or a quick temper.
Emma Straub (All Adults Here)
A huge advertisement in the unmistakably bright red tones of Vodacom, the global mobile phone giant, looked on this tawdry scene. It read to me like a distilled message about the only values that remained in this country, whose leaders were once committed Marxists: money and power.
Howard W. French (China's Second Continent: How a Million Migrants Are Building a New Empire in Africa)
I know that many of the things I have said from the Scriptures have offended some, but I cannot afford to tone down the message. As Paul said in 1 Corinthians 9:17, “I have a stewardship entrusted to me” (nasb), and that is to preach the pure and simple Gospel in whatever culture I am in.
Billy Graham (Billy graham in quotes)
In two famous studies on what makes us like or dislike somebody,1 UCLA psychology professor Albert Mehrabian created the 7-38-55 rule. That is, only 7 percent of a message is based on the words while 38 percent comes from the tone of voice and 55 percent from the speaker’s body language and face.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
One day a Muslim friend and I were out for the day together. I had forgotten that the Fast of Ramadan had just begun and suggested that we step into a restaurant for a cup of coffee. “I will spend years in jail for that cup of coffee,” he said, so of course I apologized for the suggestion. Then in low tones he admitted that his fast was restricted to public view and that he did not practice it in private. “I cannot work ten hours a day without eating,” he said. There was an awkward silence, and he muttered these words: “I don’t think God is the enforcer of these rules.” As anyone knows who has asked any Muslim, they will admit with a smile upon their faces that during the month of the Fast of Ramadan more food is sold than during any other month of the year. But its consumption takes place from dusk to dawn rather than from dawn to dusk. Legalism always breeds compliance over purpose. In
Ravi Zacharias (Jesus Among Other Gods: The Absolute Claims of the Christian Message)
The ring-tone on one of my phones is the song: "Have you been to Jesus for the cleansing Blood, are you washed in the Blood of the Lamb..." One day, I was sitting somewhere and the phone rang; before I could answer the call, a woman had started to manifest and a strange voice spoke from her mouth, screaming: "Stop that music, stop that music!" The demon in her was affected by the song, because of the power in the Blood of Jesus. 19. Virtue-restoring power. 20. Burden-removingpower. 21. Bondage-destroying power: When you plead the Blood of Jesus into any situation, it will eventually bow. Many people do not understand the overcoming weapons that they have in the word of God. The Bible says: "And they overcame him by the Blood of the Lamb, and by the word of their testimony." Today, you will watch that Blood in display, if you will pray the prayers I am suggesting below, from your heart. That Blood was not shed in vain; it was shed for forgiveness, deliverances, protection, etc. You would be cheating yourself, if you do not use that facility. A 26 year old sister, who was looking like an old woman, heard a message like this and decided to use it. She locked herself up for three days, pleading the Blood of Jesus into her situation. By the time she came out, her correct body, shape, face, had been restored to her. She now looked
D.K. Olukoya (Praying by the Blood of Jesus)
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
American diplomats had been slow to understand the scope of the change being driven by Chinese migration to Africa. The phenomenon had been flagged in State Department cables as early as 2005, with diplomats identifying the budding, large-scale movement of people from China to Africa as part of a campaign to expand Beijing’s political influence and simultaneously advance China’s business interests and overall clout. These early, classified warnings also spoke of the spread, via emigration, of Chinese organized crime, particularly in smuggling and human trafficking. For the most part, however, it seemed that American diplomats were still in search of the right voice, the right message. All too often, Washington struck a paternalistic tone that came across as: Listen up children, you must be careful about these tricky Chinese.
Howard W. French (China's Second Continent: How a Million Migrants Are Building a New Empire in Africa)
As we are aware, the effect of the vagus nerve is to slow the level of inflammation and keep it in check. If we are sending repeated messages of inflammation over a long time, we are essentially training the vagus nerve to stop having its positive anti-inflammatory effect. This is why it is most common for people to begin experiencing and receiving diagnoses of these autoimmune conditions in their 30s and 40s. After 30+ years of inflammatory signals, the vagus nerve has been trained to stop functioning as an anti-inflammatory intervention. Between the ages of 35 and 40, the vagus tone has decreased significantly and the anti-inflammatory signals stop being sent out. These conditions often arise following the stress of pregnancy, having children, and lacking sleep during the first years of a child’s life—all of which are stressors that decrease vagus nerve function.
Navaz Habib (Activate Your Vagus Nerve: Unleash Your Body’s Natural Ability to Overcome Gut Sensitivities, Inflammation, Autoimmunity, Brain Fog, Anxiety and Depression)
But, at the end of the day, the problem isn’t money, lies, propaganda, negative ads, dirty tricks, decentralized news, talking points, or trumped up investigations. The problem is that they work on us. And they work because we’re uncritical, uneducated, and uninformed. A smarter electorate would be more skeptical of the lies. In fact, the incendiary tone and hyperbolic rhetoric in the message would instantly lead one to question the content. And
Ian Gurvitz (WELCOME TO DUMBFUCKISTAN: The Dumbed-Down, Disinformed, Dysfunctional, Disunited States of America)
The message: I am a Black woman, so I must be poor and in need of help. ... The message: I am different, exotic. Anyone should have the right to my body in exchange for a compliment. ... The message: I am responsible for the feelings of white people, and my boss will not defend me from these accusations. ... The message: My tone will be interpreted as angry, even if I'm just feeling hurt or misunderstood. My actual feelings are irrelevant and could be used as reason to fire me. ... The message: My body is being scrutinized in ways that others are not subjected to, and the worst is being assumed of me. ... The message: I am here to educate my white co-workers when they are confused about a racial issue in their lives. ... The message: My body, my person is not distinct; I am interchangeable with all other Black women. ... The message: I need white approval and interpretation before my idea will be considered good.
Austin Channing Brown (I'm Still Here: Black Dignity in a World Made for Whiteness)
What we feel and how we feel is far more important than what we think and how we think. Feeling is the stuff of which our consciousness is made, the atmosphere in which all our thinking and all our conduct is bathed. All the motives which govern and drive our lives are emotional. Love and hate, anger and fear, curiosity and joy are the springs of all that is most noble and most detestable in the history of men and nations. The opening sentence of a sermon is an opportunity. A good introduction arrests me. It handcuffs me and drags me before the sermon, where I stand and hear a Word that makes me both tremble and rejoice. The best sermon introductions also engage the listener immediately. It’s a rare sermon, however, that suffers because of a good introduction. Mysteries beg for answers. People’s natural curiosity will entice them to stay tuned until the puzzle is solved. Any sentence that points out incongruity, contradiction, paradox, or irony will do. Talk about what people care about. Begin writing an introduction by asking, “Will my listeners care about this?” (Not, “Why should they care about this?”) Stepping into the pulpit calmly and scanning the congregation to the count of five can have a remarkable effect on preacher and congregation alike. It is as if you are saying, “I’m about to preach the Word of God. I want all of you settled. I’m not going to begin, in fact, until I have your complete attention.” No sermon is ready for preaching, not ready for writing out, until we can express its theme in a short, pregnant sentence as clear as crystal. The getting of that sentence is the hardest, most exacting, and most fruitful labor of study. We tend to use generalities for compelling reasons. Specifics often take research and extra thought, precious commodities to a pastor. Generalities are safe. We can’t help but use generalities when we can’t remember details of a story or when we want anonymity for someone. Still, the more specific their language, the better speakers communicate. I used to balk at spending a large amount of time on a story, because I wanted to get to the point. Now I realize the story gets the point across better than my declarative statements. Omit needless words. Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell. Limits—that is, form—challenge the mind, forcing creativity. Needless words weaken our offense. Listening to some speakers, you have to sift hundreds of gallons of water to get one speck of gold. If the sermon is so complicated that it needs a summary, its problems run deeper than the conclusion. The last sentence of a sermon already has authority; when the last sentence is Scripture, this is even more true. No matter what our tone or approach, we are wise to craft the conclusion carefully. In fact, given the crisis and opportunity that the conclusion presents—remember, it will likely be people’s lasting memory of the message—it’s probably a good practice to write out the conclusion, regardless of how much of the rest of the sermon is written. It is you who preaches Christ. And you will preach Christ a little differently than any other preacher. Not to do so is to deny your God-given uniqueness. Aim for clarity first. Beauty and eloquence should be added to make things even more clear, not more impressive. I’ll have not praise nor time for those who suppose that writing comes by some divine gift, some madness, some overflow of feeling. I’m especially grim on Christians who enter the field blithely unprepared and literarily innocent of any hard work—as though the substance of their message forgives the failure of its form.
Mark Galli (Preaching that Connects)
There’s something pure and infinite in you, that wants to come out of you, and can come out of no other person on the planet. That’s what you’ve got to share, and that’s as real and important as the fact that you’re alive. We were able… to somehow protect each other so we could feel that. The world at large, careerism, money, magazines, your parents, other kids, nothing is going to give you that message, necessarily. In fact, most things are going to lead you away from it, sadly, because humanity is really confused at the moment. But you wouldn’t exist if the universe didn’t need you. And any time I encounter something beautiful that came out of a human somewhere, that’s them, that’s their own soul. That’s just pure, whatever its physicality is, if the person can play piano, if they can’t play piano, if they’re tone deaf, whatever it is, if it’s pure, it hits you like a sledge-hammer. It fills up your own soul, it makes you want to cry, it makes you glad you’re alive, it lets you come out of you. And that’s what we need: we desperately need you.” -Julian Koster of Neutral Milk Hotel
Jenny Funkmeyer (Jump Off the Cliff: 13 Steps to the Real You)
It is also striking and worth noting that this apocalyptic message comes to be toned down, and then virtually eliminated, and finally preached against (allegedly by Jesus!) in our later sources. And it is not hard to figure out why. If Jesus predicted that the imminent apocalypse would arrive within his own generation, before his disciples had all died, what was one to think a generation later when in fact it had not arrived? One might conclude that Jesus was wrong. But if one wanted to stay true to him, one might change the message that he proclaimed so that he no longer spoke about the coming apocalypse. So it is no accident that our final canonical Gospel, John, written after that first generation, no longer has Jesus proclaim an apocalyptic message. He preaches something else entirely. Even later, in a book like the Gospel of Thomas, Jesus preaches directly against an apocalyptic point of view (sayings 2, 113). As time went on, the apocalyptic message came to be seen as misguided, or even dangerous. And so the traditions of Jesus’s preaching were changed. But in our earliest multiply attested sources, there it is for all to see.
Bart D. Ehrman (How Jesus Became God)
The first caller’s avatar appeared in front of me in my support chat room. His name and stats also appeared, floating in the air above him. He had the astoundingly clever name of “HotCock007.” I could see that it was going to be another fabulous day. HotCock007 was a hulking bald barbarian with studded black leather armor and lots of demon tattoos covering his arms and face. He was holding a gigantic bastard sword nearly twice as long as his avatar’s body. “Good morning, Mr. HotCock007,” I droned. “Thank you for calling technical support. I’m tech rep number 338645. How may I help you this evening?” The customer courtesy software filtered my voice, altering its tone and inflection to ensure that I always sounded cheerful and upbeat. “Uh, yeah …” HotCock007 began. “I just bought this bad-ass sword, and now I can’t even use it! I can’t even attack nothing with it. What the hell is wrong with this piece of shit? Is it broke?” “Sir, the only problem is that you’re a complete fucking moron,” I said. I heard a familiar warning buzzer and a message flashed on my display: COURTESY VIOLATION—FLAGS: FUCKING, MORON LAST RESPONSE MUTED—VIOLATION LOGGED
Ernest Cline (Ready Player One (Ready Player One, #1))
Messner sighed and handed him the phone. “One minute.” “I swear it,” Simon said. He was already dialing the number. The phone rang five times and then the answering machine picked up the line. It was his own voice, saying first in Spanish and then again in French that they were out, saying they would return the call. Why hadn’t Edith recorded the message? What had he been thinking of? He put his hand over his eyes and began to cry. The sound of his own voice was almost unbearable to him. When it stopped there was a long, dull tone. “Je t’adore,” he said. “Je t’aime, Je t’adore.
Ann Patchett (Bel Canto)
With each new course, he offers up little bites of the ethos that drives his cooking, the tastes and the words playing off each other like a kaiseki echo chamber. Ark shell, a bulging, bright orange clam peeking out of its dark shell, barely cooked, dusted with seaweed salt. "To add things is easy; to take them away is the challenge." Bamboo, cut into wedges, boiled in mountain water and served in a wide, shallow bowl with nothing but the cooking liquid. "How can we make the ingredient taste more like itself?With heat, with water, with knifework." Tempura: a single large clam, cloaked in a pale, soft batter with more chew than crunch. The clam snaps under gentle pressure, releasing a warm ocean of umami. "I want to make a message to the guest: this is the best possible way to cook this ingredient." A meaty fillet of eel wrapped around a thumb of burdock root, glazed with soy and mirin, grilled until crispy: a three-bite explosion that leaves you desperate for more. "The meal must go up and down, following strong flavors with subtle flavors, setting the right tone for the diner." And it does, rising and falling, ebbing and flowing, until the last frothy drop of matcha is gone, signaling the end of the meal.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
I will have you for husband tonight,” she said in fierce, low tones, “or I will not go until I do!” “If there was any way, I would,” he protested. “Daise Congar would crack my head if I wanted to go against custom. For the love of the Light, Faile, just carry the message, and I’ll wed you the very first day I can.” He would. If that day ever came. Suddenly she was very intent on his beard, smoothing it and not meeting his eyes. She started speaking slowly but picked up speed like a runaway horse. “I … just happened to mention … in passing … I just mentioned to Mistress al’Vere how we had been traveling together—I don’t know how it came up—and she said—and Mistress Congar agreed with her—not that I talked to everybody!—she said that we probably—certainly—could be considered betrothed already under your customs, and the year is just to make sure you really do get on well together—which we do, as anyone can see—and here I am being as forward as some Domani hussy or one of those Tairen galls—if you ever even think of Berelain—oh, Light, I’m babbling, and you won’t even—” He cut her off by kissing her as thoroughly as he knew how. “Will you marry me?” he said breathlessly when he was done. “Tonight?” He must have done ever better with the kiss than he thought; he had to repeat himself six times, with her giggling against his throat and demanding he say it again, before she seemed to understand. Which was how he found himself not half an hour later kneeling opposite her in the common room, in front of Daise Congar and Marin al’Vere, Alsbet Luhhan and Neysa Ayellin and all the Women’s Circle. Loial had been roused to stand for him with Aram, and Bain and Chiad stood for Faile. There were no flowers to put in her hair or his, but Bain, guided by Marin, tucked a long red wedding ribbon around his neck, and Loial threaded another through Faile’s dark hair, his thick fingers surprisingly deft and gentle. Perrin’s hands trembled as he cupped hers. “I, Perrin Aybara, do pledge you my love, Faile Bashere, for as long as I live.” For as long as I live and after. “What I possess in this world I give to you.” A horse, an axe, a bow. A hammer. Not much to gift a bride. I give you life, my love. It’s all I have. “I will keep and hold you, succor and tend you, protect and shelter you, for all the days of my life.” I can’t keep you; the only way I can protect you is to send you away. “I am yours, always and forever.” By the time he finished, his hands were shaking visibly. Faile moved her hands to hold his. “I, Zarine Bashere …” That was a surprise; she hated that name. “ … do pledge you my love, Perrin Aybara … .” Her hands never trembled at all.
Robert Jordan (The Shadow Rising (The Wheel of Time, #4))
Under the leadership of religious professionals, modern worship has become passive—listening to a message and singing some songs. Seldom is there a call to service or an invitation to trust Christ. Baptisms take place inside the church where it is safe and comfortable rather than in public where there is opportunity to give witness to the saving grace of Christ. The great needs of society are left to para-church groups, government agencies, and other social service organizations. All the while the church is losing its muscle tone, its biceps are becoming loose and flabby and its belly is becoming round and soft. Not a pretty picture for one who once was toned and buff—a lean, mean fighting machine.
Craig Olson
Duck calls remind me of how God uses people to make Himself known. Like duck calls, people are all a bit different and are dependent on their maker and designer for their individualism in life. Duck calls and their unique individual sounds breathe life into decoys that are essentially dead. Likewise, God uses different people with unique perspectives to illustrate His existence and shout out the message of eternal life through Jesus Christ. The audible sound that each mallard hen makes is virtually the same; however, the tone and cadence are unique. Similarly, the Gospel message is the same yesterday, today, and forever, yet the perspective and life experience are different and unique for each person relaying it.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
There are in the music of the violin— if one does not see the instrument itself, and so cannot relate what one hears to its form, which modifies the tone— accents so closely akin to those of certain contralto voices that one has the illusion that a singer has taken her place amid the orchestra. One raises one's eyes, and sees only the wooden case, delicate as a Chinese box, but, at moments, one is still tricked by the siren's deceiving call; at times, too, one thinks one is listening to a captive genie, struggling in the darkness of the sapient, quivering and enchanted box, like a devil immersed in a stoup of holy water; sometimes, again, it is in the air, at large, like a pure and supernatural being that unfolds its invisible message as it goes by.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
I do agree with Ms. Post about one thing, though; the legal status of prostitution is indeed a measure of a society, and it does indeed set a tone. When government is allowed to criminalize the consensual behavior of rational adults, it makes a statement. When women’s work is devalued as being “receptacles for men,” and when sex is defined as the totality of our being (so that sale of sex is defined as sale of our whole persons), it makes a statement. When individual choices are dismissed by powerful authorities whose decisions are inflicted on those individuals by organized violence, it makes a statement. And when the sending of such “messages” takes precedence over the health and well-being of real humans, it makes a very real and truly horrifying statement.
Maggie McNeill
It’s hardly surprising, then, that in this atmosphere, as a single man dating women, I often felt attacked, judged, on the defensive. Whereas with the men I met and befriended as Ned there was a presumption of innocence—that is, you’re a good guy until you prove otherwise—with women there was quite often a presumption of guilt: you’re a cad like every other guy until you prove otherwise. “Pass my test and then we’ll see if you’re worthy of me” was the implicit message coming across the table at me. And this from women who had demonstrably little to offer. “Be lighthearted,” they said, though buoyant as lead zeppelins themselves. “Be kind,” they insisted in the harshest of tones. “Don’t be like the others,” they implied, while having virtually condemned me as such beforehand.
Norah Vincent (Self-Made Man: One Woman's Journey Into Manhood and Back Again)
How’s the kid?” asked Ailes, referring to Trump’s son-in-law and paramount political adviser, thirty-six-year-old Jared Kushner. “He’s my partner,” said Bannon, his tone suggesting that if he felt otherwise, he was nevertheless determined to stay on message. “Really?” said a dubious Ailes. “He’s on the team.” “He’s had lot of lunches with Rupert.” “In fact,” said Bannon, “I could use your help here.” Bannon then spent several minutes trying to recruit Ailes to help kneecap Murdoch. Ailes, since his ouster from Fox, had become only more bitter towards Murdoch. Now Murdoch was frequently jawboning the president-elect and encouraging him toward establishment moderation—all a strange inversion in the ever-stranger currents of American conservatism. Bannon wanted Ailes to suggest to Trump, a man whose many neuroses included a horror of forgetfulness or senility, that Murdoch might be losing it.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Charisma in this world is often just looking good and speaking well. Others merely project onto you what they want to believe to be true. Most people have superficial attachments and shallow thoughts, so the glib man can persuade many. One does not have to be a supreme salesman. No need to be a wizard with words. People clamor for a confident speaker that sounds the part. That your actions can deliver on words cements their allegiance. But even if you don’t become a leader yourself, you may find a key supporting role as a great communicator. Even before you speak, work on being a better listener and observer of cues in others. All messages must be tailored to the audience. In a group, there may be one listener who, if engaged, can turn the whole room towards your speech. Speak calmly, clearly and keep eye contact. Your voice is the voice of a leader confident in his capabilities and beliefs. Changes in tone should have a reason.
Ryan Landry (Masculinity Amidst Madness)
Don't call me kid.” I pushed off of the wall, rage slithering through me. “This Academy might make me wear a uniform like a high school student, but I'm eighteen and I've looked after myself most of my life anyway. You think it would have been any different back there if I'd had a friend with me? We're freshmen. We're not trained to fight Nymphs.” Orion's jaw ticked as he absorbed my words. Eventually, he nodded, his eyes moving to look up at the tower. A baying howl sounded in the distance and he glanced over his shoulder. “The hunt's started, I should go and join them.” “Be careful,” I whispered. He looked back at me with a frown and something broken and desperate shone from his eyes for a moment. He blinked firmly and his expression morphed into a fierce scowl. “Stop looking at me like that,” he snarled and I fought the urge to recoil from his terrifying tone. “Like what?” “You know what,” he snapped. “I'm your teacher.” “I know,” I balked, horrified at what he was suggesting. That he could somehow read how much I wanted him. “Do you?” he stepped forward. I nodded firmly, though I wasn't sure my body was getting the message because I had the urge to wrap myself around him and kiss him goodbye. It was absolutely crazy. But him running off after a Nymph made me dread the idea that he wouldn't come back. “Then stop looking at me like that.” Embarrassment poured through me like a tsunami, but I fought it away, elbowing aside my shame. Because how dare he accuse me of being inappropriate? He'd had this hands all over me the other day and he'd shouted at me for that too. I was so done with his bullshit. So I stepped forward, looking him square in the eye as my hands began to shake. “Then stop looking back, Lance.” I left him with a gobsmacked expression on his face as I turned away, casting air at the symbol above the door. It unlocked with a loud clunk and I darted inside, slamming it behind me without a single glance back.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
The areas of the cortex responsible for attention and self-regulation develop in response to the emotional interaction with the person whom we may call the mothering figure. Usually this is the birth mother, but it may be another person, male or female, depending on circumstances. The right hemisphere of the mother’s brain, the side where our unconscious emotions reside, programs the infant’s right hemisphere. In the early months, the most important communications between mother and infant are unconscious ones. Incapable of deciphering the meaning of words, the infant receives messages that are purely emotional. They are conveyed by the mother’s gaze, her tone of voice and her body language, all of which reflect her unconscious internal emotional environment. Anything that threatens the mother’s emotional security may disrupt the developing electrical wiring and chemical supplies of the infant brain’s emotion-regulating and attention-allocating systems. Within minutes following birth, the mother’s odors stimulate the branching of millions of nerve cells in the newborn’s brain. A six-day-old infant can already distinguish the scent of his mother from that of other women. Later on, visual inputs associated with emotions gradually take over as the major influences. By two to seven weeks, the infant will orient toward the mother’s face in preference to a stranger‘s — and also in preference to the father’s, unless the father is the mothering adult. At seventeen weeks, the infant’s gaze follows the mother’s eyes more closely than her mouth movements, thus fixating on what has been called “the visible portion of the mother’s central nervous system.” The infant’s right brain reads the mother’s right brain during intense eye-to-eye mutual gaze interactions. As an article in Scientific American expressed it, “Embryologically and anatomically the eye is an extension of the brain; it is almost as if a portion of the brain were in plain sight.” The eyes communicate eloquently the mother’s unconscious emotional states.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
I had no use for professions. Utterly none. There were accountants and engineers in the soup lines. In the world slump, professions were useless. You were free, therefore, to make something extraordinary of yourself. I might have said, if I hadn’t been excited to the point of sickness, that I didn’t ride around the city on the cars to make a buck or to be useful to the family, but to take a reading of this boring, depressed, ugly, endless, rotting city. I couldn’t have thought it then, but I now understand that my purpose was to interpret this place. Its power was tremendous. But so was mine, potentially. I refused absolutely to believe for a moment that people here were doing what they thought they were doing. Beneath the apparent life of these streets was their real life, beneath each face the real face, beneath each voice and its words the true tone and the real message. Of course, I wasn’t about to say such things. It was beyond me at that time to say them. I was, however, a high-toned kid, “La-di-dah,” my critical, satirical brother Albert called me. A high purpose in adolescence will expose you to that.
Saul Bellow (Collected Stories (Penguin Modern Classics))
The Highest Octaves of Light Sands, in wild winds of surging waves Over the desert dunes, sing with the tones Of tiny pebbles moving all together, a shifting Of dust grains humming and moaning Over the growing and diminishing dunes. His body in the mirror is the color Of sands. The song he sings in the voice Of light shining like waves of wind Passing over his body inside the glass. The mirror sings with the color of sand In the highest octaves of light. Have you ever listened to sands sing With gold light as they fall in threads Through the needle-eye opening At the center of a hour-glass globe? Why not arrange such globes in rows Before a window of sun, each globe A different width, a different height Of refined or rudimentary glass, clear Amber rose, a tinted blue of noon sky, And listen to the chorus? And then why not turn the globes Upside down and over again to hear Sands sing one more time? The desert dunes are singing, wind-risen Voices from a primeval earth, haunting, Pacific, pining and irate. we listen For the repeating message we remember. The songs are only tumbling pebble grains; Their words are only notes of swirling dust, Sings the eternal light, Emanuel.
Pattiann Rogers (Quickening Fields (Penguin Poets))
Hey, Buddy,” he said to me. I got a close-up view of his strange, light blue eyes and golden skin as he threw his arms around me and kept walking right over me. I had to throw my arms around him, too, to keep from thudding flat on my back on the dock. “Oh, pardon me!” he said, pulling me out from under him and setting me on my feet again. “I didn’t even see you there.” “That’s quite all right,” I managed in the same fake-formal tone. His warm hands still held my waist. This was the first time a boy had ever touched my bare tummy. My happy skin sent shocked messages to my brain that went something like, He’s touching me! Are you getting this? He’s touching me! Eeeeeeee! My brain got it, all right, and put the rest of my body on high alert. My heart thumped painfully, just like in my dream. But as I looked into his eyes, I saw he was already gone, glancing up the stairs to the marina. If I didn’t know better, I’d say he’d been flirting with me. I knew better. He treated all girls this way. He slid out of my grasp. He may have had to shake one hand violently to extricate it from my friendly vise-like grip. “See you later, Junior,” he threw over his shoulder at me as he climbed the steps to the marina.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Postscript, 2005 From the Publisher ON APRIL 7, 2004, the Mid-Hudson Highland Post carried an article about an appearance that John Gatto made at Highland High School. Headlined “Rendered Speechless,” the report was subtitled “Advocate for education reform brings controversy to Highland.” The article relates the events of March 25 evening of that year when the second half of John Gatto’s presentation was canceled by the School Superintendent, “following complaints from the Highland Teachers Association that the presentation was too controversial.” On the surface, the cancellation was in response to a video presentation that showed some violence. But retired student counselor Paul Jankiewicz begged to differ, pointing out that none of the dozens of students he talked to afterwards were inspired to violence. In his opinion, few people opposing Gatto had seen the video presentation. Rather, “They were taking the lead from the teacher’s union who were upset at the whole tone of the presentation.” He continued, “Mr. Gatto basically told them that they were not serving kids well and that students needed to be told the truth, be given real-life learning experiences, and be responsible for their own education. [Gatto] questioned the validity and relevance of standardized tests, the prison atmosphere of school, and the lack of relevant experience given students.” He added that Gatto also had an important message for parents: “That you have to take control of your children’s education.” Highland High School senior Chris Hart commended the school board for bringing Gatto to speak, and wished that more students had heard his message. Senior Katie Hanley liked the lecture for its “new perspective,” adding that ”it was important because it started a new exchange and got students to think for themselves.” High School junior Qing Guo found Gatto “inspiring.” Highland teacher Aliza Driller-Colangelo was also inspired by Gatto, and commended the “risk-takers,” saying that, following the talk, her class had an exciting exchange about ideas. Concluded Jankiewicz, the students “were eager to discuss the issues raised. Unfortunately, our school did not allow that dialogue to happen, except for a few teachers who had the courage to engage the students.” What was not reported in the newspaper is the fact that the school authorities called the police to intervene and ‘restore the peace’ which, ironically enough, was never in the slightest jeopardy as the student audience was well-behaved and attentive throughout. A scheduled evening meeting at the school between Gatto and the Parents Association was peremptorily forbidden by school district authorities in a final assault on the principles of free speech and free assembly… There could be no better way of demonstrating the lasting importance of John Taylor Gatto’s work, and of this small book, than this sorry tale. It is a measure of the power of Gatto’s ideas, their urgency, and their continuing relevance that school authorities are still trying to shut them out 12 years after their initial publication, afraid even to debate them. — May the crusade continue! Chris Plant Gabriola Island, B.C. February, 2005
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
A small figure in crimson stood before the bench, sleeves rolled to the elbow, muttering. Dumai cleared her throat. “Master Kiprun?” The alchemist whipped around. He wore round amber panes over his eyes, clipped to his nose, huge and misty with steam. “I did ask for duck feathers,” he said, in a tone of sincere annoyance. Dumai could only blink. His cheeks were flushed, threads of hair were stuck to his forehead, and he brandished a grey feather. “You brought me goose feathers. Goose,” he barked, making her jump. “You do know the difference between a duck and a goose, don’t you? One quacks and the other honks, not to mention the neck. The neck alone—” “Master Kiprun,” Kanifa interjected, “this is Noziken pa Dumai, Crown Princess of Seiiki.” The alchemist sleeved the fog from his eyeglasses. “Ah. Yes.” He interlocked his fingers. Each bore a ring of a different metal: gold, iron, copper. “Princess Dumai. I am Master Kiprun, who shines—well, flickers really—for the Munificent Empress. And you?” he said to Kanifa. “Who are you, the Prince of Seiiki?” “No.” Kanifa cleared his throat. “I’m just a guard, a friend to Princess Dumai. Not a noble.” “Is it not noble to be a guard?” Master Kiprun wafted a brown hand, webbed with scars from burns, like his arms. “No matter. I never understand these things. Yes, your message caught my interest, Princess Dumai of the Faraway Isle. You don’t look much like a princess,” he said, cocking his head. “Aren’t you suppose to wear a crown, or something?” Dumai reunited with her tongue. “Well,” she said, indicating her headpiece, “this is—” “Madam, that is a fish.” After a moment, Dumai decided not to kick against the current. “It is a fish,” she agreed, taking a step toward him. “My fish and I flew here to seek your help, Master Kiprun.” “Yes, I did fear as much. Last time, it was a king who disturbed my work. He found me in the mountains, just to annoy me.” The alchemist snorted. “Once, it was the poor who sought my services, asking me to turn grass to gold. They were, at least, polite, if wildly optimistic. Now I am summoned hither and thither, disturbed by everyone from Golümtan to Ginura.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0.1))
Discipline As your baby becomes more mobile and inquisitive, she’ll naturally become more assertive, as well. This is wonderful for her self-esteem and should be encouraged as much as possible. When she wants to do something that’s dangerous or disrupts the rest of the family, however, you’ll need to take charge. For the first six months or so, the best way to deal with such conflicts is to distract her with an alternative toy or activity Standard discipline won’t work until her memory span increases around the end of her seventh month. Only then can you use a variety of techniques to discourage undesired behavior. When you finally begin to discipline your child, it should never be harsh. Remember that discipline means to teach or instruct, not necessarily to punish. Often the most successful approach is simply to reward desired behavior and withhold rewards when she does not behave as desired. For example, if she cries for no apparent reason, make sure there’s nothing wrong physically; then when she stops, reward her with extra attention, kind words, and hugs. If she starts up again, wait a little longer before turning your attention to her, and use a firm tone of voice as you talk to her. This time, don’t reward her with extra attention or hugs. The main goal of discipline is to teach limits to the child, so try to help her understand exactly what she’s doing wrong when she breaks a rule. If you notice her doing something that’s not allowed, such as pulling your hair, let her know that it’s wrong by calmly saying “no,” stopping her, and redirecting her attention to an acceptable activity. If your child is touching or trying to put something in her mouth that she shouldn’t, gently pull her hand away as you tell her this particular object is off-limits. But since you do want to encourage her to touch other things, avoid saying “Don’t touch.” More pointed phrases, such as “Don’t eat the flowers” or “No eating leaves” will convey the message without confusing her. Because it’s still relatively easy to modify her behavior at this age, this is a good time to establish your authority and a sense of consistency Be careful not to overreact, however. She’s still not old enough to misbehave intentionally and won’t understand if you punish her or raise your voice. She may be confused and even become startled when told that she shouldn’t be doing or touching something. Instead, remain calm, firm, consistent, and loving in your approach. If she learns now that you have the final word, it may make life much more comfortable for both of you later on, when she naturally becomes more headstrong.
American Academy of Pediatrics (AAP) (Your Baby's First Year)
IT WAS ALMOST December, and Jonas was beginning to be frightened. No. Wrong word, Jonas thought. Frightened meant that deep, sickening feeling of something terrible about to happen. Frightened was the way he had felt a year ago when an unidentified aircraft had overflown the community twice. He had seen it both times. Squinting toward the sky, he had seen the sleek jet, almost a blur at its high speed, go past, and a second later heard the blast of sound that followed. Then one more time, a moment later, from the opposite direction, the same plane. At first, he had been only fascinated. He had never seen aircraft so close, for it was against the rules for Pilots to fly over the community. Occasionally, when supplies were delivered by cargo planes to the landing field across the river, the children rode their bicycles to the riverbank and watched, intrigued, the unloading and then the takeoff directed to the west, always away from the community. But the aircraft a year ago had been different. It was not a squat, fat-bellied cargo plane but a needle-nosed single-pilot jet. Jonas, looking around anxiously, had seen others—adults as well as children—stop what they were doing and wait, confused, for an explanation of the frightening event. Then all of the citizens had been ordered to go into the nearest building and stay there. IMMEDIATELY, the rasping voice through the speakers had said. LEAVE YOUR BICYCLES WHERE THEY ARE. Instantly, obediently, Jonas had dropped his bike on its side on the path behind his family’s dwelling. He had run indoors and stayed there, alone. His parents were both at work, and his little sister, Lily, was at the Childcare Center where she spent her after-school hours. Looking through the front window, he had seen no people: none of the busy afternoon crew of Street Cleaners, Landscape Workers, and Food Delivery people who usually populated the community at that time of day. He saw only the abandoned bikes here and there on their sides; an upturned wheel on one was still revolving slowly. He had been frightened then. The sense of his own community silent, waiting, had made his stomach churn. He had trembled. But it had been nothing. Within minutes the speakers had crackled again, and the voice, reassuring now and less urgent, had explained that a Pilot-in-Training had misread his navigational instructions and made a wrong turn. Desperately the Pilot had been trying to make his way back before his error was noticed. NEEDLESS TO SAY, HE WILL BE RELEASED, the voice had said, followed by silence. There was an ironic tone to that final message, as if the Speaker found it amusing; and Jonas had smiled a little, though he knew what a grim statement it had been. For a contributing citizen to be released from the community was a final decision, a terrible punishment, an overwhelming statement of failure.
Lois Lowry (The Giver (The Giver, #1))
He sent messages to all fifteen of my former suitors, asking if they were still interested in marrying me-“ “Oh, my God,” Alex breathed. “-and, if they were, he volunteered to send me to them for a few days, properly chaperoned by Lucinda,” Elizabeth recited in that same strangled tone, “so that we could both discover if we still suit.” “Oh, my God,” Alex said again, with more force. “Twelve of them declined,” she continued, and she watched Alex wince in embarrassed sympathy. “But three of them agreed, and now I am to be sent off to visit them. Since Lucinda can’t return from Devon until I go to visit the third-suitor, who’s in Scotland,” she said, almost choking on the word as she applied it to Ian Thornton, “I shall have to pass Berta off as my aunt to the first two.” “Berta!” Bentner burst out in disgust. “Your aunt? The silly widgeon’s afraid of her shadow.” Threatened by another uncontrollable surge of mirth, Elizabeth looked at both her friends. “Berta is the least of my problems However, do continue invoking God’s name, for it’s going to take a miracle to survive this.” “Who are the suitors?” Alex asked, her alarm increased by Elizabeth’s odd smile as she replied, “I don’t recall two of them. It’s quite remarkable, isn’t it,” she continued with dazed mirth, “that two grown men could have met a young girl at her debut and hared off to her brother to ask for her hand, and she can’t remember anything about them, except one of their names.” “No,” Alex said cautiously, “it isn’t remarkable. You were, are, very beautiful, and that is the way it’s done. A young girl makes her debut at seventeen, and gentlemen look her over, often in the most cursory fashion, and decide if they want her. Then they apply for her hand. I can’t think it is reasonable or just to betroth a young girl to someone with whom she’s scarcely acquainted and then expect her to develop a lasting affection for him after she is wed, but the ton does regard it as the civilized way to manage marriages.” “It’s actually quite the opposite-it’s rather barbaric, when you reflect on it,” Elizabeth stated, willing to be diverted from her personal calamity by a discussion of almost anything else. “Elizabeth, who are the suitors? Perhaps I know of them and can help you remember.” Elizabeth sighed. “The first is Sir Francis Belhaven-“ “You’re joking!” Alex exploded, drawing an alarmed glance from Bentner. When Elizabeth merely lifted her delicate brows and waited for information, Alex continued angrily, “Why, he’s-he’s a dreadful old roué. There’s no polite way to describe him. He’s stout and balding, and his debauchery is a joke among the ton because he’s so flagrant and foolish. He’s an unparalleled pinchpenny to boot-a nipsqueeze!” “At least we have that last in common,” Elizabeth tried to tease, but her glance was on Bentner, who in his agitation was deflowering an entire healthy bush. “Benter,” she said gently, touched by how much he obviously cared for her plight, “you can tell the dead blooms from the live ones by their color.” “Who’s the second suitor?” Alex persisted in growing alarm. “Lord John Marchman.” When Alex looked blank, Elizabeth added, “The Earl of Canford.” Comprehension dawned, and Alex nodded slowly. “I’m not acquainted with him, but I have heard of him.” “Well, don’t keep me in suspense,” Elizabeth said, choking back a laugh, because everything seemed more absurd, more unreal by the moment.
Judith McNaught (Almost Heaven (Sequels, #3))
Bailey,” I say, my voice carrying easily across the marble floor. “Wait.” She turns back and rolls her eyes, clearly annoyed to see me coming her way. She quickly wipes at her cheeks then holds up her hand to wave me off. “I’m off the clock. I don’t want to talk to you right now. If you want to chew me out for what happened back there, you’ll have to do it on Monday. I’m going home.” “How?” Her pretty brown eyes, full of tears, narrow up at me in confusion. “How what?” “How are you getting home? Did you park on the street or something?” Her brows relax as she realizes I’m not about to scold her. “Oh.” She turns to the window. “I’m going to catch the bus.” The bus? “The stop is just down the street a little bit.” “Don’t you have a car?” She steels her spine. “No. I don’t.” I’ll have to look into what we’re paying her—surely she should have no problem affording a car to get her to and from work. “Okay, well then what about an Uber or something?” Her tone doesn’t lighten as she replies, “I usually take the bus. It’s fine.” I look for an umbrella and frown when I see her hands are empty. “You’re going to get drenched and it’s freezing out there.” She laughs and starts to step back. “It’s not your concern. Don’t worry about me.” Yes, well unfortunately, I do worry about her. For the last three weeks, all I’ve done is worry about her. Cooper is to blame. He fuels my annoyance on a daily basis, updating me about their texts and bragging to me about how their relationship is developing. Relationship—I find that laughable. They haven’t gone on a date. They haven’t even spoken on the phone. If the metric for a “relationship” lies solely in the number of text messages exchanged then as of this week, I’m in a relationship with my tailor, my UberEats delivery guy, and my housekeeper. I’ve got my hands fucking full. “Well I’m not going to let you wait out at the bus stop in this weather. C’mon, I’ll drive you.” Her soft feminine laugh echoes around the lobby. “Thank you, but I’d rather walk.” What she really means is, Thank you, but I’d rather die. “It’s really not a request. You’re no good to me if you have to call in sick on Monday because you caught pneumonia.” Her gaze sheens with a new layer of hatred. “You of all people know you don’t catch pneumonia just from being cold and wet.” She tries to step around me, but I catch her backpack and tug it off her shoulder. I can’t put it on because she has the shoulder straps set to fit a toddler, so I hold it in my hand and start walking. She can either follow me or not. I tell myself I don’t care either way. “Dr. Russell—” she says behind me, her feet lightly tap-tap-tapping on the marble as she hurries to keep up. “You’re clocked out, aren’t you? Call me Matt.” “Doctor,” she says pointedly. “Please give me my backpack before I call security.” I laugh because really, she’s hilarious. No one has ever threatened to call security on me before. “It’s Matt, and if you’re going to call security, make sure you ask for Tommy. He’s younger and stands a decent chance of catching me before I hightail it out of here with your pink JanSport backpack. What do you have in here anyway?” It weighs nothing. “My lunchbox. A water bottle. Some empty Tupperware.” Tupperware. I glance behind me to check on her. She’s fast-walking as she trails behind me. Am I really that much taller than her? “Did you bring more banana bread?” She nods and nearly breaks out in a jog. “Patricia didn’t get any last time and I felt bad.” “I didn’t get any last time either,” I point out. She snorts. “Yeah well, I don’t feel bad about that.” I face forward again so she can’t see my smile.
R.S. Grey (Hotshot Doc)
But the ventral branch also runs to your heart and lungs, which means your brain stem, middle ear, heart, and diaphragm can respond to the tone of someone’s voice several seconds faster than the structures in your neocortex can process the content of their actual words. A sharp word can literally take your breath away. How we say something matters as much as what we say, because our automatic nervous system is listening and responding to tone long before our thinking brains get the message.
Mike McHargue (You're a Miracle (and a Pain in the Ass): Embracing the Emotions, Habits, and Mystery That Make You You)
Research shows that 65% of our thoughts are negative and staying positive in today's world is almost a full-time job. You just have to turn on the TV, or open a news app on your smartphone, and you are confronted with fear-inducing messages instantly. We hear that the economy is bad, people are killed and that companies go bust. The general tone of the news is negative, which I understand.
Darius Foroux (Massive Life Success: Live A Stress-Free Life And Achieve Your Goals By Dealing With Anxiety, Stress And Fear)
That forum would hardly be the last time Hillary—or, for that matter, half the primary field—outperformed me, for it soon seemed as if we were gathered for a debate once every two or three weeks. I had never been particularly good in these formats myself: My long windups and preference for complicated answers worked against me, particularly onstage with seven savvy pros and a single timed minute to answer a question. During our first debate in April, the moderator called time at least twice before I was done speaking. Asked about how I’d handle multiple terrorist attacks, I discussed the need to coordinate federal help but neglected to mention the obvious imperative to go after the perpetrators. For the next several minutes, Hillary and the others took turns pointing out my oversight. Their tones were somber, but the gleam in their eyes said, Take that, rookie. Afterward, Axe was gentle in his postgame critique. “Your problem,” he said, “is you keep trying to answer the question.” “Isn’t that the point?” I said. “No, Barack,” Axe said, “that is not the point. The point is to get your message across. What are your values? What are your priorities? That’s what people care about. Look, half the time the moderator is just using the question to try to trip you up. Your job is to avoid the trap they’ve set. Take whatever question they give you, give ’em a quick line to make it seem like you answered it…and then talk about what you want to talk about.” “That’s bullshit,” I said. “Exactly,” he said.
Barack Obama (A Promised Land)
Laura I am not careless about the feelings I have for you. I never expected to find myself wanting to share my life with another person again. As the years passed, I thought it was most unlikely, and now I see myself believing that to love someone is a connection to the deepest levels of the human heart. It isn’t about analyzing why or deciding if it is the right thing to do…, It is beyond that.” In a less serious tone, he asked, “Laura, do you think you could trust your heart? Could you just let soar whatever rises naturally in you, when you are not asking yourself, ‘What if?’ “I’m a patient guy, Laura. You may not be right where I am, but I am willing to wait until you are. I want you to be the love I could never forget, nor would want to forget, and I am eager to accept what comes with this kind of commitment.” Laura felt the uplift Jacob’s words brought her. Her heart fluttered, yet like a bird about to fly, she grasped it in her mind and arrested its flight. Jacob sensed the distance she was putting between them. Glancing down, he saw her hand, slightly splayed, lightly touching his chest It was a clear message, a barrier to him reaching out and gently folding her to him. But he covered his hand over hers and placed it over her heart. “Can you listen to your heart? It likes me.” He pleaded.
Sharon J. Harrison
Catalina: I need your help. I don’t have anyone else I can ask. I was sitting at my desk in my room trying to work on a Numerology assignment but since that message had come through, I hadn’t been able to think of anything else. Because it came down to this – was I going to help Mommy Acrux with her little problem? I hadn’t even replied yet so I had no idea what she wanted my help with, but I needed to make a decision before I did. Did I trust her? And how far was I willing to go for her? I tapped my pen against my lips as I wondered. Catalina had been messaging me every day since we’d swapped numbers. She gave me information on Lionel and Clara’s comings and goings and revealed anything they’d let slip but there hadn’t been a single, solid thing that she’d told me which would make any real difference to us. I understood that Lionel kept her out of his plans, but still, she hadn’t exactly given me any irrefutable evidence that she was actually on my side. ... I reached out and took a biscuit from the little stand and devoured it in two bites as Catalina watched me. It was fucking delicious. Going hungry in the mortal world had definitely left me with a taste for good food and there was no way I’d be letting those little treats go to waste. “Have you seen much of Darius?” she asked and I stilled. We talked a lot via text, but there was an unspoken rule that we didn’t discuss him, and I would have preferred to stick to it. “Every day,” I admitted. “Meals, classes, the common room. It’s kinda like getting punched in the heart every other hour.” I wasn’t really sure why I’d admitted to that and I looked away from her before she could get a read on the pain it caused me. Because I didn’t have a right to be hurting over it, did I? It had been my choice that put us in this position after all. The door opened before she could push me on the subject and I looked around with a smile as Xavier stepped into the room. He fell still as he spotted me. His dark hair was a mess, he was barefoot and the grey sweatpants he wore had a stain on the leg. He was also shirtless which gave me a look at the lean muscle lining his frame and the defined V which dipped beneath his waistband. “Well shit, Xavier, have you spent the last two months working out or something?” I teased and a faint blush lined his cheeks as he stared between me and his mother. “What…why are you here?” he asked, not seeming to know if he should be pleased to see me or not. She seemed to be waiting for me to make the move though so I beckoned Xavier closer and pointed to the chair beside me. He approached, his eyes narrowed suspiciously as he lowered himself into the seat and pushed a hand through his hair self consciously. “Did I interrupt your nap?” I teased. “No. I just…didn’t really expect to see anyone today so I didn’t exactly bother getting dressed.” There was a hollow tone to his voice which made me frown and my heart twisted painfully as I wondered how many days he spent alone like that. (Tory POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
For several decades, New Testament commentators have emphasized how vital it is to read Mark’s Gospel with an awareness of its political undertones and the first-century context in which Mark wrote. Neither Jesus’s Galilean audience nor Mark’s Roman or Syrian audience can be understood apart from their social realities of empire and imperial power.5 Against this backdrop, Mark presents Jesus as a prophet in the vein of Moses and Elijah, leading a peaceful but powerful revolution in Israel’s village communities against those who dominated over them, both in Jerusalem and in Rome. The political message in Mark is subtle but effective. It begins when the narrator introduces the story, “The beginning of the good news (euangelion) of Jesus Christ, the Son of God.” Normally, it was Rome that heralded the good news or gospel of Caesar, and Roman citizens were supposed to revere their emperor as a divine man or a “son of a god.”6 Mark, though, announces the good news of the Messiah (Christ) and boldly identifies not Caesar but Jesus with the title “Son of God.” This sets the tone for the rest of his story. Mark then spends the first section of his Gospel portraying Jesus’s ministry as one that works against the worldly powers of domination—spiritual, physical, social, and political—and brings healing and inspiration to those who are oppressed.
Jennifer Garcia Bashaw (Scapegoats: The Gospel through the Eyes of Victims)
I threw out my hands, not giving him any warning as I cast a forceful gust of air to try and knock him onto his back. He was so fast to react that he blocked it before it even got close to holding him down. I cursed as he launched himself at me, trying to scramble away but I wasn’t fast enough. I didn’t even really try to fight him off as he threw his weight down, pinning me to the ground with his entire body. “You're supposed to use magic,” I said breathlessly, his throat bobbing as his mouth hovered an inch from mine. The scent of cinnamon rolled over me and fire reached deep into my belly, making me consider leaning in for a kiss. We’d made a solid decision to stay away from each other and look where we’d ended up already? Great effort. “Maybe brute force is just as efficient sometimes,” he said in a rumbling tone which delved into my chest and sent a hungry shudder through me. “You said no physical contact,” I whispered as his muscles hardened, keeping me caged beneath him. I was losing my mind. I should have tried to fight him off, but I didn't want him to go anywhere. And from the intense look he was giving me, I could tell how close he was to crossing this line again himself. “What if I’m having second thoughts?” he growled. “You're fickle,” I pointed out. “And confusing.” “I don't mean to be.” He dipped his head so his mouth was by my ear and goosebumps rose to meet the heat of his breath. “I can't think straight around you,” he said heavily, his hand clawing into the earth beside my head. “I could have lost you in that battle, or I could have died without ever knowing how this might have played out…” My throat thickened and I almost gave in to the craving rising in me. But there was too much at stake for the sake of lust. It was stupid. He could lose his job and be 'power-shamed' and I could lose my place at the Academy. “I owe you my life,” he breathed and my heart nearly detonated as he pressed his lips to my cheek. “Thank you.” “The rest of Solaria aren’t feeling so grateful,” I said as he drew away, leaving a burning mark on my skin. “Not after that Vulpecula guy printed that article.” “Fuck what he said,” Orion growled then he frowned as he realised he shouldn’t have said it. ... "I need a new Liaison,” I said through the gnawing lump in my throat. He nodded stiffly, looking boyish and broken for a moment as he hung his head. A magnetic energy hung in the air, trying to force me toward him. It was so powerful I had to consciously take another step back to try and shake it away. “This has to stop,” I said firmly then turned away and marched off through the meadow, not daring to look back even though my heart pounded painfully in my chest. As I made it into the woods I started running, racing in the direction of Aer House, needing to hide away until I smothered this desperate longing in my heart. I was panting by the time I reached my room, hurrying inside and twisting the lock. I sank down against the door, knocking my head back against the wood as my pounding heart started to slow. My Atlas pinged and I took it out of my bag, my gut fraying as I found a private message waiting for me from Orion. Lance: What if I don't want it to stop? (darcy)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
Write a blog post on [topic] that is structured and easy to read. Begin with a clear and concise introduction that sets the tone and provides context for the topic. Use headings, subheadings, and clear paragraphs to organize and illustrate the content, making sure that the final product is organized and easy to follow. In the body of the post, make sure that each section is clearly defined and contributes to the overall message of the post. Consider the readability of the final product by using clear and concise language, while avoiding jargon or overly complex terminology. Finally, include a clear and concise conclusion that summarizes your main points and reinforces the importance of your argument. Repurposing a Blog Post for Different Audiences Description: This prompt will guide you in repurposing a blog post on the topic of your choice for a different target audience.
Aurimas Butvilauskas (The ChatGPT Prompt Library: Third Edition (Artificial Intelligence Guides Book 6))
the total impact of a message is about 7% verbal (words only) and 38% vocal (including tone of voice, inflection and other sounds) and 55% non-verbal.
Allan Pease (The Definitive Book of Body Language: How to read others' attitudes by their gestures)
what message are we giving our students through our facial expressions, tone of voice and body language? That we are tired, worn out and close to breaking point? If we do, there is a good chance they will either ignore us or push a little harder
Rob Plevin (Take Control of the Noisy Class: Chaos to Calm in 15 Seconds)
In confessions deep, my heart reveals its weight, As the ink on paper echoes a love so great. At dawn's first light, your thought graces my mind, A gentle whisper, consciousness defined. Magical moments, your essence in the air, Setting joy's tone, a happiness rare. In waking thoughts, I sense you near, A profound love, crystal clear. With patience vast, I embrace life's bends, Winding paths and obstacles it sends. Prepared to wait, my love steadfast and true, Believing destiny will guide us, me and you. Unbound by barriers, a transcendent love, Withstanding time, distance above. In sleepless nights, haunted by silence so deep, Love unwavering, secrets it keeps. Blocked yet unbroken, my love persists, Enduring pain, challenges that exist. Through tear-stained keys, a message I impart, A love resilient, etched in my heart. Fear may linger, a future unclear, Yet hope prevails, refusing to disappear. Blocked or unblocked, my love remains, A steadfast beacon, untouched by chains. In patience and pain, my truth I declare, An unwavering love, beyond compare. Even if faces fades from view, Hope persists, love enduring, and true.
Manmohan Mishra
White fragility, because you have not built the resilience needed for doing this work. Tone policing, because you can only handle being called out/in if the message is delivered to you in a certain tone. White silence, because of the fear of saying the wrong thing. White exceptionalism, because you will continue to think you are the exception to the rule, “one of the good ones.” White apathy, because you will think “What is the point if I am going to be called out/in?
Layla F. Saad (Me and White Supremacy: Combat Racism, Change the World, and Become a Good Ancestor)
One could write a PhD thesis in psychology analyzing the many reasons why Partners at law firms use a friendly tone even when delivering unfriendly messages, but be warned, it makes the messages dig into your brain in a most unpleasant and confusing way.
Paul McCoy (Surviving and Succeeding in Large Law Firms: While Keeping Your Honor and Dignity)
Crap. I’d signed up for the group at the start of the semester, but that was before Cass decided we had to rehearse on Mondays and Wednesdays at the exact time the study group meets up. Another message pops up before I can respond, and whoever said it isn’t possible to detect a person’s tone via text
Elle Kennedy (The Deal (Off-Campus, #1))
This was considered to be all the more of an achievement, given the public campaign that had been waged for some time against the Scotch pie in general. This had been triggered by research revealing the total weight of Scotch pies consumed by the average adult Scot each year: fifty-six pounds. That, together with the figures for the volume of Irn-Bru drunk by that same average Scottish adult (sixteen gallons), had led to calls for health warnings to be attached to each Scotch pie. These moves had become bogged down in disagreements over the wording of the warning: there had been strong support for These pies will kill you sooner than you think, but the alarmist tone of that message had put some people off. This pie will damage your health was thought to be too similar to existing warnings for tobacco and alcohol, while Dinnae put this stuff in your gob, was thought to be too self-consciously demotic and perhaps a touch vulgar. The debate had been long and acrimonious, and as a result the initiative fizzled out. The Scotch pie continued to be sold to its consumers in rising numbers.
Alexander McCall Smith (A Promise of Ankles (44 Scotland Street, #14))
Hale may be known to posterity as a man of one story, and that story “The Man Without a Country.” This powerful and pathetic narrative was produced while the country was in the throes of the Civil War, and it embodied as no other literary production did the sentiment of loyalty to the Union. It was a stroke of genius to attempt this, not by the picture of heroic achievement in the battle field, but by the long-drawn-out chronicle of the life of a man to whom existence is an aching void because of the absolute severance of all national ties. The effect is intensified by the matter-of-fact tone of the narrative. So successful is the realistic method that it is difficult to believe it is not a historical incident that is described; and the restraint with which the slow agony of Nolan is pictured increases the power with which the lesson of patriotism is brought home. Nor is it merely American patriotism that is inculcated; for the impression of truth to human nature that is conveyed is such that it bears its message to the men of all nations.
Charles William Eliot (Delphi Complete Harvard Classics and Shelf of Fiction)
Export Credit Guarantees.‘After all, Madame Nhu is asking a thousand dollars an interview, in this case we can insist on five and get it. Damn it, this is The Man . . . ’ The brain dulls. An exhibition of atrocity photographs rouses a flicker of interest. Meanwhile, the quasars burn dimly from the dark peaks of the universe. Standing across the room from Catherine Austin, who watches him with guarded eyes, he hears himself addressed as ‘Paul’, as if waiting for clandestine messages from the resistance headquarters of World War III. Five Hundred Feet High. The Madonnas move across London like immense clouds. Painted on clapboard in the Mantegna style, their composed faces gaze down on the crowds watching from the streets below. Several hundred pass by, vanishing into the haze over the Queen Mary Reservoir, Staines, like a procession of marine deities. Some remarkable entrepreneur has arranged this tour de force; in advertising circles everyone is talking about the mysterious international agency that now has the Vatican account. At the Institute Dr Nathan is trying to sidestep the Late Renaissance. ‘Mannerism bores me. Whatever happens,’ he confides to Catherine Austin, ‘we must keep him off Dali and Ernst.’ Gioconda. As the slides moved through the projector the women’s photographs, in profile and full face, jerked one by one across the screen. ‘A characteristic of the criminally insane,’ Dr Nathan remarked, ‘is the lack of tone and rigidity of the facial mask.’ The audience fell silent. An extraordinary woman had appeared on the screen. The planes of her face seemed to lead towards some invisible focus, projecting an image that lingered on the walls, as if they were inhabiting her skull. In her eyes glowed the forms of archangels. ‘That one?’ Dr Nathan asked quietly. ‘Your mother? I see.
J.G. Ballard (The Atrocity Exhibition)
I say flatly, “You didn’t tell me if you’re all right.” “Why wouldn’t I be?” she asks, her tone immature. Shelby is in her early twenties. I thought I’d reached adulthood when I was that age. Now, over a decade later, I realize that at twenty-three or twenty-four, I didn’t know much of anything. I still had so much growing up to do, so much to figure out about how the world worked. “Because of your text messages, Shelby.
Mary Kubica (Local Woman Missing)
Some of us are just tired of being used as political props,” Hostetter said, citing text messages from friends who’d been disgusted with the tone of the event. “We were hoping this would be more than another campaign rally. I mean, if you want to use biblical language to speak to political issues, fine. But at some point, you have to actually speak to the Bible. Right?
Tim Alberta (The Kingdom, the Power, and the Glory: American Evangelicals in an Age of Extremism)
On the positive side, perhaps the best example of a creative and (potentially) helpful use of AI is Chat2024, an AI-powered chatbot that serves as a stand-in for each candidate. This gives any visitor to Chat2024.com the ability to ask any candidate any question you want. Through the site, you can carry on a conversation with each candidate just as you’d engage a friend over any other messaging app. The AI has been programmed with everything it needs to field any question, even answering in the voice, tone, and attitude of each candidate (mostly). The company behind Chat2024 is also developing a voice feature that will allow people to engage in a voice conversation with each candidate’s AI avatar, which will have a voice eerily close to the real thing. I tried Chat2024 soon after it launched, and the results were interesting, to say the least. I can see some real value here for voter education … but I can also see how tools like this could go horribly wrong. We’ve opened a Pandora’s Box, and there’s no going back. Obviously, the big potential danger with a tool like Chat2024 is that these answers are not actually coming from a candidate. The AI is using all the information at its disposal to approximate what it thinks the candidate would say in response to each question. But, as anyone who’s played around with ChatGPT and other AI-powered search engines knows, sometimes the AI is just … wrong. Sometimes, woefully so.
Craig Huey (The Great Deception: 10 Shocking Dangers and the Blueprint for Rescuing The American Dream)
I was pondering that on the way back to the room when I felt my phone go off again. I looked at it and felt a chill. Enjoy the burgers, Gregorio. You never know what your last meal might be. I was two blocks from the room and I booked it, bursting into the room to an offended gasp from Saint, who was sitting on the bed. “Has anybody called? Anybody knocked?” I asked, dumping the food on the desk. Saint shook his head. “No, nobody. Why? What happened?” I showed him the message and he paled. “They found us? How’d they get your phone number?” “How’d they get your fucking credit card number? It’s Greene! They’re watching us, Saint,” I said urgently. “We need to go, please. Now.” My tone was halfway between demanding and pleading, already throwing my things into my duffle.
Joy Danvers (Saint's Shelter (Alden Security #4))
Timing is the art of regulating your speech and movement in relation to your audience to produce the best results. That includes using the right words, facial expressions, movements, tone, and interaction; with the best rhythm and speed; at the best time.
John C. Maxwell (The 16 Undeniable Laws of Communication: Apply Them and Make the Most of Your Message)
But the voice that greeted her was feminine: “Is Richard there?” “Um, no.” Nellie hesitated. “Is this Maureen?” Silence. Then the woman replied, “No. I’ll call him back.” Then came the dull, unbroken note of the dial tone. Who would phone Richard on a Sunday and not want to leave a message?
Greer Hendricks (The Wife Between Us)