Mermaid Soul Quotes

We've searched our database for all the quotes and captions related to Mermaid Soul. Here they are! All 63 of them:

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There is, one knows not what sweet mystery about this sea, whose gently awful stirrings seem to speak of some hidden soul beneath...
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Herman Melville (Moby-Dick or, The Whale)
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I am a creature of the Fey Prepare to give your soul away My spell is passion and it is art My song can bind a human heart And if you chance to know my face My hold shall be your last embrace. I shall be thy lover... I am unlike a mortal lass From dreams of longing I have passed I came upon your lonely cries Revealed beauty to your eyes So shun the world that you have known And spend your nights within my own. I shall be thy lover... You shall be known by other men For your great works of voice and pen Yet inspiration has a cost For with me know your soul is lost I'll take your passion and your skill I'll take your young life quicker still. I shall be thy lover... Through the kisses that I give I draw from you that I will live And though you think this weakness grand The touch of death your lover's hand Your will to live has come too late Come to my arms and love this fate I shall be thy lover... I am a creature of the Fey Prepare to give your soul away My spell is passion and it is art My song can bind a human heart And if you chance to know my face My hold shall be your last embrace.
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Heather Alexander
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Then your tail will divide and shrink until it becomes what the people on earth call a pair of shapely legs. But it will hurt; it will feel as if a sharp sword slashed through you. Everyone who sees you will say that you are the most graceful human being they have ever laid eyes on, for you will keep your gliding movement and no dancer will be able to tread as lightly as you. But every step you take will feel as if you were treading upon knife blades so sharp that blood must flow. I am willing to help you, but are you willing to suffer all this?" "Yes," the little mermaid said in a trembling voice, as she thought of the Prince and of gaining a human soul.
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Hans Christian Andersen (The Little Mermaid)
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When you love someone completely, you'll do anything to protect them, even if you sacrifice your soul. Because if you don't, you destroy your soul anyway.
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Joey W. Hill (A Mermaid's Ransom (Daughters of Arianne, #3))
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It was the last night that she would breathe the same air as he, or look out over the deep sea and up into the star-blue heaven. A dreamless, eternal night awaited her, for she had no soul and had not been able to win one.
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Hans Christian Andersen (The Little Mermaid and Other Tales)
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Souls were webs of light that contained the essence of a human's life. Memories and loves, children and families. Every moment of life, pressing in
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Carolyn Turgeon (Mermaid)
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The soul, they say, is divine and the flesh is iniquity. But I am a musician and I ask this - without the wood and the strings of the violin, where would the sonata find form?
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Kathleen Valentine (The Old Mermaid's Tale: A Novel of the Great Lakes)
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A mermaid has not an immortal soul, nor can she obtain one unless she wins the love of a human being. On the power of another hangs her eternal destiny.
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Hans Christian Andersen
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We have no immortal souls; we have no future life; we are just like the green sea-weed, which, once cut down, can never revive again! Men, on the other hand, have a soul which lives for ever, lives after the body has become dust; it rises through the clear air, up to the shining stars!
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Hans Christian Andersen (The Little Mermaid)
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Your soul is so bohemian, free and gypsy wild. Come swim with me in the calming sea, let's be mermaids for awhile.
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Melody Lee (Moon Gypsy)
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Any soul you are attached to is a mermaid for you because it slowly pulls you into the pond of its bad Karma,
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Shunya (Immortal Talks)
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Now he is certainly sailing above, he on whom my wishes hang, and in whose hand I should like to lay my life's happiness. I will dare everything to win him and an immortal soul.
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Hans Christian Andersen (The Little Mermaid)
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Soul. The word rebounded to me, and I wondered, as I often had, what it was exactly. People talked about it all the time, but did anybody actually know? Sometimes I'd pictured it like a pilot light burning inside a person--a drop of fire from the invisible inferno people called God. Or a squashy substance, like a piece of clay or dental mold, which collected the sum of a person's experiences--a million indentations of happiness, desperation, fear, all the small piercings of beauty we've ever known.
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Sue Monk Kidd (The Mermaid Chair)
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True love can demolish any obstacles – even bond those two who are completely different creatures, because with their souls, they are one…
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Tamuna Tsertsvadze (The Mermaid and the Centaur)
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I can't stop thinking about dying the way humans do it. Imagine! If at any moment, you could just stop existing. How different everything would be.." They don't stop existing Lenia said...They have souls that live forever. Even knowing that, they fight so hard to stay alive. I think it's so beautiful. Imagine: being that fragile, that permanent.
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Carolyn Turgeon (Mermaid)
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The Aristocrat The Devil is a gentleman, and asks you down to stay At his little place at What'sitsname (it isn't far away). They say the sport is splendid; there is always something new, And fairy scenes, and fearful feats that none but he can do; He can shoot the feathered cherubs if they fly on the estate, Or fish for Father Neptune with the mermaids for a bait; He scaled amid the staggering stars that precipice, the sky, And blew his trumpet above heaven, and got by mastery The starry crown of God Himself, and shoved it on the shelf; But the Devil is a gentleman, and doesn't brag himself. O blind your eyes and break your heart and hack your hand away, And lose your love and shave your head; but do not go to stay At the little place in What'sitsname where folks are rich and clever; The golden and the goodly house, where things grow worse for ever; There are things you need not know of, though you live and die in vain, There are souls more sick of pleasure than you are sick of pain; There is a game of April Fool that's played behind its door, Where the fool remains for ever and the April comes no more, Where the splendour of the daylight grows drearier than the dark, And life droops like a vulture that once was such a lark: And that is the Blue Devil that once was the Blue Bird; For the Devil is a gentleman, and doesn't keep his word.
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G.K. Chesterton (The Collected Works of G. K. Chesterton, Volume 10: Collected Poetry, Part 1)
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Humans have the choice of being reborn, While they have no conscious memory when the're reborn, they tend to reconnect with the souls that meant the most to them, again and again. And then those that reach enlightenment are able to at least reunite with their loved ones, with full knowledge of who they are.
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Joey W. Hill (A Mermaid's Kiss (Daughters of Arianne, #1))
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How could none of them comprehend the beauty of a human soul,shining in heaven for eternity? Where it would be whole again, as they all had been once in times past?
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Carolyn Turgeon (Mermaid)
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Mermaid caught Returned to Sea By witch taught To be free Two souls bound By love, by knife True love found Restored to life Two souls fight For love, to be True love's might To save the Sea
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Maggie Tokuda-Hall (The Mermaid, the Witch, and the Sea (The Mermaid, the Witch, and the Sea, #1))
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I love him because I can’t help it. Because in the Sea Witch, I hear the deepest echo of my own soul.
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Rebecca F. Kenney (The Sea Witch: A Little Mermaid Retelling (For the Love of the Villain, #1))
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There are mainly nine emotions: Joy, Sadness, Anger, Fear, Pity, Disgust, Expectation, Surprise, and Trust. You are attached to those who give you joy. You are attached to those who make you sad. You are attached to those you fear. You are attached to those you are full of pity for. You are attached to those who disgust you. You are attached to those you expect from. You are attached to those who surprise you. You are attached to those you trust. In short, you are attached to those who evoke any kind of emotion in you. You should consider them all as mermaids, or the infected souls out to sink you in the depths of their bad Karma.
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Shunya (Immortal Talks)
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Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
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Anne Bannerman (Poems by Anne Bannerman.)
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It is the simple things that are in the ocean. People think that simple things are on the seashore, like seashells. But seashells are just illusions of the things that once used to live inside of them, that are back in the sea! They are dead things, and dead things are not simple things. Living things are simple things, things like love. People think that love isn't simple, but that's because they are on the seashore; but when you are a mermaid, when you have gills, when you need to be in the ocean; love is simple. It's about being beside someone and staying there. And then sharing your souls. What's natural to a mermaid, isn't natural to a person. But I want everyone to be a mermaid. And if they can't, at least they can know what a mermaid is like. We live with the things that are alive.
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C. JoyBell C.
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So I shall die," said the little mermaid, "and as the foam of the sea I shall be driven about never again to hear the music of the waves, or to see the pretty flowers nor the red sun. Is there anything I can do to win an immortal soul?
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Hans Christian Andersen (The Little Mermaid)
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Death is only a launching into the region of the strange Untried; it is but the first salutation to the possibilities of the immense Remote, the Wild, the Watery, the Unshored; therefore, to the death-longing eyes of men, who still have left in them some interior compunctions against suicide, does the all-contributed and all-receptive ocean alluringly spread forth his whole plan of unimaginable, taking terrors, and wonderful, new-life adventures; and from the hearts of infinite Pacific's, the thousand mermaids sing to them--"Come hither, broken-hearted; here is another life without the guilt of intermediate death; here are wonders supernatural, without dying for them. Come hither! bury thyself in a life which, to your now equally abhorred and abhorring, landed world, is more oblivious than death. Come hither! put up thy gravestone, too, within the churchyard, and come hither, till we marry thee!" Hearkening to these voices, East and West, by early sun rise, and by fall of eve, the blacksmith's soul responded, Aye I come! And so Perth went a-whaling.
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Herman Melville (Moby-Dick or, The Whale)
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Pandora launched into a detailed account of her conversation with the hermit crab, reporting that his name was Shelley, after the poet, whose works he admired. He was a well-traveled crustacean, having flown to distant lands while clinging to the pink leg of a herring gull who had no taste for shellfish, preferring hazelnuts and bread crumbs. One day, the herring gull, who possessed the transmigrated soul of an Elizabethan stage actor, had taken Shelley to see Hamlet at the Drury Lane theater. During the performance, they had alighted on the scenery and played the part of a castle gargoyle for the entire second act. Shelley had enjoyed the experience but had no wish to pursue a theatrical career, as the hot stage lights had nearly fricasseed him. Gabriel stopped digging and listened, transported by the wonder and whimsy of Pandora's imagination. Out of thin air, she created a fantasy world in which animals could talk and anything was possible. He was charmed out of all reason as he watched her, this sandy, disheveled, storytelling mermaid, who seemed already to belong to him and yet wanted nothing to do with him. His heart worked in strange rhythms, as if it were struggling to adjust to a brand new metronome. What was happening to him?
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Lisa Kleypas (Devil in Spring (The Ravenels, #3))
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I leaned down and looked at his handsome face. I wanted to kiss him in a way that would remain soft and true on his lips, all the while help him from escaping the overwhelming sense of sadnes that he felt. I pressed forward and kissed him, tasting the saltiness of fish against his lips, and the disappointment that he held so very deeply inside. I kissed him long and wide, yet limp and yielding, pulling myself away from reality to only drown in the fantasy of our love. I touched his mouth in such a loving way, that not even his incapability to reach into my soul, could tear us away from exchanging such romance. He immediately gave into the kiss, his sadness slowly giving way to the moment that we so intimately shared. It amazed me what a merman could do, even when flowing tears streamed down his face. Through the bridge of kissing, I had healed him, and he had healed me in return.
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Keira D. Skye
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In Spanish, we say alma gemela. Soul twin.
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Barbara O'Neal (When We Believed in Mermaids)
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And a man of nobility is always such in his soul, however he may fall; and a man of humble sort is always such in his soul, however he may rise.
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Imogen Hermes Gowar (The Mermaid and Mrs. Hancock)
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Love grapples judgement and experience from the hands of even the wisest of souls: what hope is there for anybody else?
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Imogen Hermes Gowar (The Mermaid and Mrs. Hancock)
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Souls of poets dead and gone, What Elysium have ye known, Happy field or mossy cavern, Choicer than the Mermaid Tavern? Have ye tippled drink more fine Than mine host's Canary wine?” Sweeter than those dainty pies Of venison? O generous food! Drest though bold Robin Hood Would, wit his maid Marian, Sup and bowse from horn and can β€œI have heard that on a day Mine host's sign-board flew away, Nobody knew whither, till An astrologer's old quill To a sheepskin gave the story, Said he saw you in your glory, Underneath a new old sign Sipping beverage divine, And pledging with contented smack The Mermaid in the Zodiac.
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John Keats
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The music started. I felt the blood run out of my face, leaving me cold. "Oh, oak and ash," I said. "This isn't happening." I wasn't the only to have that thought. Quentin pushed through the crowd to stand on my other side.... "That's the Luidaeg," he said, sounding dazed. "Uh huh," I agreed. "That's the Luidaeg, singing 'Poor Unfortunate Souls.' In a karaoke bar. In front of other people. "Uh huh," I agreed again. Doing anything else seemed impossible. Well, except for maybe drinking my beer. Drinking my beer, I could do. I drank some of my beer. The Luidaeg did not disappear. The Luidaeg remained on the stage, belting out the sea witch's song from Disney's 'The Little Mermaid.' Given that the Luidaeg IS the sea witch according to every legend I've ever heard, the overall effect was more than a little jarring. "We're gonna need more beer," said Danny.
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Seanan McGuire (The Brightest Fell (October Daye, #11))
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Your . . . ?” β€œMy soul mate,” I finish, and a welter of tears swells in my eyes. I have to swallow hard to control them. β€œLike we’ve known each other always.” β€œIn Spanish, we say alma gemela. Soul twin.” The words sting the raw space of my heart.
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Barbara O'Neal (When We Believed in Mermaids)
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For class is a type of bubble, a membrane around one, and although one might grow within this membrane, and strain against it, it is impossible to break free from it. And a man of nobility is always such in his soul, however he may fall; and a man of humble sort is always such in his soul, however he may climb.
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Imogen Hermes Gowar (The Mermaid and Mrs. Hancock)
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And yet, as time went by, I began to feel something was missing. Perhaps, I thought, I had no soul; I just drifted around, singing vaguely, like the Little Mermaid in the Andersen fairy tale. In order to get a soul you had to suffer, you had to give something up; or was that to get legs and feet? I couldn’t remember.
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Margaret Atwood (Lady Oracle)
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A cookie, Avis told her children, is a soul. She held up the wafer, its edges shimmering with ruby-dark sugar. "You think it looks like a tiny thing, right? Just a little nothing. But then you take a bite." Four-year-old Felice lifted her face. Avis fanned her daughter's eyes closed with her fingertips and placed it in Felice's mouth. Felice opened her sheer eyes. Lamb slid his orange length against her ankles. Avis handed a cookie to eight-year-old Stanley, who held it up to his nose. "Does that taste good?" she asked. Felice nodded and opened her mouth again. "It smells like flowers," Stanley said. "Yes." Avis paused, a cookie balanced on her spatula. "That's the rosewater. Good palate, darling." "Mermaids eat roses," Felice said. "Then they melt.
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Diana Abu-Jaber (Birds of Paradise)
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And his Soul besought him to depart, but he would not, so great was his love. And the sea came nearer, and sought to cover him with its waves, and when he knew that the end was at hand he kissed with mad lips the cold lips of the Mermaid, and the heart that was within him brake. And as through the fullness of his love his heart did break, the Soul found an entrance and entered in, and was one with him even as before. And the sea covered the young Fisherman with its waves.
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Oscar Wilde (The Fisherman and his Soul)
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I thought of Atargatis, the First, frightening and beautiful. The mermaid goddess who lived on in the soul of every woman who'd ever fallen in love with the ocean. I thought of Sebastian, my little mermaid queen, how happy he was the day of the parade, just getting the chance to express himself, to be himself. I thought of Vanessa, the story about how she and her girlfriends became feminist killjoys to get a women's literature core in their school, the way she'd accepted me this summer without question, gently pushed me out of my self-imposed shell. Of her mother, Mrs. James, how she'd grabbed that bullhorn at the parade and paved the way for Sebastian's joy. I thought of Lemon, so wise, so comfortable in her own skin, full of enough love to raise a daughter as a single mom and still have room for me, for her friends, for everyone whose lives she touched with her art. I thought of Kirby, her fierce loyalty, her patience and grace, her energy, what a good friend and sister she'd become, even when I'd tried to shut her out. I thought of all the new things I wanted to share with her now, all the things I hoped she'd share with me. I thought of my mother, a woman I'd never known, but one whose ultimate sacrifice gave me life. I thought of Granna, stepping in to raise her six granddaughters when my mom died, never once making us feel like a burden or a curse. She'd managed the cocoa estate with her son, personally saw to the comforts of every resort guest, and still had time to tell us bedtime stories, always reminding us how much she treasured us. I thought of my sisters. Juliette, Martine, and Hazel, their adventures to faraway lands, new experiences. Gabrielle with her island-hopping, her ultimate choice to follow her heart home. And Natalie, my twin. My mirror image, my dream sharer. I knew I hadn't been fair to her this summerβ€”she'd saved my life, done the best she could. And I wanted to thank her for that, because as long as it had taken me to realize it, I was thankful. Thankful for her. Thankful to be alive. To breathe.
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Sarah Ockler (The Summer of Chasing Mermaids)
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He could feel himself gliding down like the sail of a weightless craft, forever plunging into the great beyond below where mermaids sing and summon their lovers home, further down into the depths of some complacent serenity, further down where thoughts float away and never return and the lightness is so grand that there is no other worldly place imaginable, for there is no world left to be considered. There is only the soul, free from the prison of the body, and it is released to travel another millennium through time, carrying with it the progress and industry gathered from the mind previously occupied.
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Matthew Chase Stroud (Paths of Young Men)
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And I did a strange thing, but what I did matters not, for in a valley that is but a day's journey from this place have I hidden the Mirror of Wisdom. Do but suffer me to enter into thee again and be thy servant, and thou shalt be wiser than all the wise men, and Wisdom shall be thine. Suffer me to enter into thee, and none will be as wise as thou.' But the young Fisherman laughed. 'Love is better than Wisdom,' he cried, 'and the little Mermaid loves me.' 'Nay, but there is nothing better than Wisdom,' said the Soul. 'Love is better,' answered the young Fisherman, and he plunged into the deep, and the Soul went weeping away over the marshes.
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Oscar Wilde
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Riding high and above the waves on extemporaneous notions of an afterlife, Michael brought one foot forward and let it dangle over the roof’s edge. He knew that he did not have much time before the other would follow. Some patients below could see the figure atop the building from the courtyard. They started to rile with anticipation, their irate murmurings incomprehensible. A groundskeeper looked up to see what justified the commotion. Michael could hear the shouts from below. He almost toppled when the wind picked up again, but recovered and kept one foot dangling with the other anchored to the roof. The hoots came louder now, almost calling him toward them like sirens guiding ships in the night. From below it was impossible to make out the face of the balancing figurine now poised in suspended descent. Another gust came. He closed his eyes, felt the levity manifesting, and felt the complete freedom inside. He could feel himself gliding down like the sail of a weightless craft, forever plunging into the great beyond, below where mermaids sing and summon their lovers home, further down into the depths of some complacent serenity, further down where thoughts float away and never return and the lightness is so grand that there is no other worldly place imaginable, for there is no world left to be considered. There is only the soul, free from the prison of the body, and it is released to travel another millennium through time, carrying with it the progress and industry gathered from the mind previously occupied. The time it spans inconceivable. He let his other foot go from the roof and felt himself completely let go.
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Matthew Chase Stroud (Paths of Young Men)
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The merman does not want to seduce Agnes, although previously he had seduced many. He is no longer a merman, or, if one so will, he is a miserable merman who already has long been sitting on the floor of the sea and sorrowing. However, he knows (as the legend in fact teaches), that he can be delivered by the love of an innocent girl. But he has a bad conscience with respect to girls and does not dare to approach them. Then he sees Agnes. Already many a time when he was hidden in the reeds he had seen her walking on the shore. Her beauty, her quiet occupation with herself, fixes his attention upon her ; but only sadness prevails in his soul, no wild desire stirs in it. And so when the merman mingles his sighs with the soughing of the reeds she turns her ear thither, and then stands still and falls to dreaming, more charming than any woman and yet beautiful as a liberating angel which inspires the merman with confidence. The merman plucks up courage, he approaches Agnes, he wins her love, he hopes for his deliverance. But Agnes was no quiet maiden, she was fond of the roar of the sea, and the sad sighing beside the inland lake pleased her only because then she seethed more strongly within. She would be off and away, she would rush wildly out into the infinite with the merman whom she loved – so she incites the memman. She disdained his humility, now pride awakens. And the sea roars and the waves foam and the merman embraces Agnes and plunges with her into the deep. Never had he been so wild, never so full of desire, for he had hoped by this girl to find deliverance. He soon became tired of Agnes, yet no one ever found her corpse, for she became a mermaid who tempted men by her songs.
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SΓΈren Kierkegaard (Fear and Trembling)
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The two girls descended the slope of the little mountain. A few steps round a turn in the pathway which skirted the foot of it took them to the pavilion. Near the water's edge, linking it with Lotus Pavilion farther along the shore, was a bamboo railing. The two old women who were on night watch in it, little imagining that an overspill from the hilltop party would come their way, had long since put their light out and gone to sleep. Dai-yu and Xiang-yun laughed when they saw that the pavilion was in darkness. "They've gone to sleep. Never mind. All the better. Let's sit outside here on the covered verandah and look at the moonlight on the water." They found a couple of drum shaped bamboo stools to sit down on. A great white moon in the water reflected the great white moon above, competing with it in brightness. The girls felt like mermaids sitting in a shining crystal palace beneath the sea. A little wind that brushed over the surface of the water making tiny ripples seemed to cleanse their souls and fill them with buoyant lightness.
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Cao Xueqin (The Story of the Stone, or The Dream of the Red Chamber, Vol. 3: The Warning Voice)
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At this point, harking back to the stuff about souls, Andersen bolts on a perplexing Christian salvation message about how the Little Mermaid can earn a soul if she is good for three hundred years, but every time she sees 'a rude, naughty child', she'll get more time in purgatory. Don't be rude or naughty or the mermaids will suffer? Please. Even as a child, I knew this was ridiculous.
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Samantha Ellis (How to Be a Heroine)
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choose your own path. And what is best is not always what we think we want.
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Natasha Bowen (Soul of the Deep (Of Mermaids and Orisa #2))
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we honor you and your life. Your death will not be forgotten.
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Natasha Bowen (Soul of the Deep (Of Mermaids and Orisa #2))
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other pagan beliefs which have found a home in rabbinical Judaism, such as the existence of demons in bathrooms,[193] the breaking of glass in weddings,[194] reincarnation of souls,[195] belief in the existence of the little Mermaid,[196] practices of witchcraft,[197] God versus the god of the sea,[198] the belief in a time of purgatory,[199] prayers for raising the souls of the dead (β€œkaddish”),[200] the industry of amulets,[201] turning Purim into a pagan carnival,[202] putting rocks on tombstones,[203] worshipping pictures of saints,[204] using sacred candles,[205] changing the new year (i.e., Rosh Hashanah) into a pagan date,[206] and the custom of women separating a tenth of the challah bread (Χ”Χ€Χ¨Χ©Χͺ Χ—ΧœΧ”).[207]
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Eitan Bar (Rabbinic Judaism Debunked: Debunking the myth of Rabbinic Oral Law (Oral Torah) (Jewish-Christian Relations Book 3))
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Can’t you get away any sooner?” So eager to conclude our business and be rid of me? There’s a sting in her voice, and a corresponding twinge of pain through my heart. β€œYes,” I reply. Because there is nothing else to be done. No sense dragging out the inevitable. No use pretending that the tug I feel when I’m with her is anything but a foolish lust for what’s forbidden to me. Never mind the strange way my soul longs to nestle against hersβ€”never mind that I want to slaughter any man who might touch her or crave herβ€”nothing can come of it.
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Rebecca F. Kenney (The Sea Witch: A Little Mermaid Retelling (For the Love of the Villain, #1))
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To know where you came from holds so much power over how you feel about yourself.
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Natasha Bowen (Soul of the Deep (Of Mermaids and Orisa #2))
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think we both know that you are a creature unto yourself. One that I created but have been unable to control or contain. I accept and celebrate you, Simidele.
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Natasha Bowen (Soul of the Deep (Of Mermaids and Orisa #2))
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I think we both know that you are a creature unto yourself. One that I created but have been unable to control or contain. I accept and celebrate you, Simidele.
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Natasha Bowen (Soul of the Deep (Of Mermaids and Orisa #2))
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Olokun’s words are cushioned in the indigo satin of the water.
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Natasha Bowen (Soul of the Deep (Of Mermaids and Orisa #2))
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She'd started to convince herself what's on the outside doesn't matter. But that's not true, is it? It matters because everyone agreed it matters. It's what decides if people look at you. Love you. I see a girl who is invisible...No. Not invisible. Sometimes you meet people and somehow they can see right through you to the real you. Even if you try to hide...I see a girl whose hair and skin are more important to her than her heart and soul. Those rotted away a long time ago.
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Plain Jane and the Mermaid
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I’ve come to understand that in this world, there are those who, in their untouchable privilege, believe that they’re entitled to a perfect life, and the perfect life they get is because they’re so deserving, so good, and true. Their crippled souls are blinded by a naivety that can only understand their life, their pain, their truth. These are the ones who look at usβ€”the mermaids, the fairies, the unicornsβ€”and see only that we don’t fit into their little box of what beauty and truth are. They make token gestures of kindness that are not about what we need, but about what they need to look good in their own eyes, and in the eyes of the world they have moulded to their shallow, selfish limits, leaving usβ€”the magical, the different, the dreamersβ€”feeling less than them; feeling unheard, unseen, and unloved.
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J A Croome (The Sand People: a collection of magical realism and other stories)
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These humans, these creatures who play at kindness, are each ruled by wounds that, when triggered, make them the opposite of kind. Often, they justify their actions with excuses as shallow as a rain puddle, unable to see that I have my own kind of beauty simply because I’m a mermaid.
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J A Croome (The Sand People: a collection of magical realism and other stories)
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Souls were webs of light that contained the essence of a human’s life.
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Carolyn Turgeon (Mermaid: A Twist on the Classic Tale)
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That they have souls that live forever. Even knowing that, they fought so hard to stay alive.
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Carolyn Turgeon (Mermaid: A Twist on the Classic Tale)
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[comrades] are ashes, entrails, dung, stove smoke, clay, and they’ll all return to clay. They’re full of dirt, candle oil, droppings, dust. You, O Book, my pure, shining precious, my golden singing promise, my dream, a distant callβ€” O tender specter, happy chance, Again I heed the ancient lore, Again with beauty rare in stance, You beckon from the distant shore!” You, Book! You are the only one who won't deceive, won't attack, won't insult, won't abandon! You're quiet--but you laugh, shout, and sing; you're obedient--but you amaze, tease and entice; you're small but you contain countless peoples. Nothing but a handful of letters, that's all, but if you feel like it, you can turn heads, confuse, spin, cloud, make tears spring to the eye, take away the breath, the entire soul will stir in the wind like a canvas, will rise in the waves and flap its wings! Sometimes a kind of wordless feeling tosses and turns in the chest, pounds its fists on the door, the walls: I'm suffocating! Let me out! How can you let that feeling out, all fuzzy and naked? What words ca you dress it in? We don't have any words, we don't know! Just like wild animals, or a blindlie bird, or a mermaid--no words, just a bellowing. But you open a book--and there they are, fabulous, flying words: O city! O wind! O snowstorms and blizzards! O azure abyss all raveled and tattered! Here am I! I'm blameless! I'm with you forever... ...Or there's bile and sadness and bitterness. The emptiness dries your eyes out and you search for the words, and here they are: But is the world not all alike? From the Cabbala of Chaldaic signs Throughout the ages, now and ever more, To the sky where the even star shines. The same old wisdom--born of ashes, And in that wisdom, like our twin, The face of longing, frailty, fear, and sin, Stares straight across the ages at us.
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Tatyana Tolstaya (The Slynx)
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His voice, like the pluck of a bass guitar, reverberated through her, sending a shiver up the back of her neck. Irma quickly revised her assessment of Ezra from confident to dangerous.
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Tricia O'Malley (A Good Soul (Siren Island, #6))
β€œ
Question the Fairytale What if Cinderella had an attitude problem and Snow White just liked the idea of strangers and poisons too much? What if the Little Mermaid always enjoyed human company more than her own kind’s and Sleeping Beauty just liked her solitude more than human touch? What if the only rabbit hole Alice ever fell down was a terrible mistake with an awful substance, never discussed as such? What if they locked Wendy away for hallucinating about Neverland and a boy who never grew up? What if fairytales aren’t as innocent as they sound and even princesses aren’t perfect? What if I told you that your damage doesn’t define you and the way you survive is no one else’s damned business?
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Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
β€œ
The sun has its seasons and tides flow upon its surface and currents through its depths. The moon, a magic mirror, reflects the future and all that exists. Her soul unfolds cycles of time in ways the sun cannot imagine. And the two together, their gravity waves pulse in the land, the mountains, the seas.
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William R. Mistele (Mermaids, Sylphs, Gnomes, and Salamanders: Dialogues with the Kings and Queens of Nature)
β€œ
Through the endless pain, I thought of my parents and friends on Eriana Kwai, who had shown me love and compassion through the most difficult moments of my life. I thought of Lysi. I thought of the day we’d met, and the way our hands had lined up perfectly, like two halves of a broken stone. I remembered the shade of her eyes, the sound of her laugh, the smoothness of her skin, the purity of her heart, and the way I felt when it was the two of us togetherβ€”like the world was perfect and peaceful.
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Tiana Warner (Ice Kingdom (Mermaids of Eriana Kwai, #3))
β€œ
...If you are never to see yourself depicted... Not in story nor song nor poem nor painting nor prose... No shred of a tale by some distant kindred soul who saw and knew and felt then as you do now, and else another who loved and bore witness... Never see yourself except as crude caricature, mythical beast, or Magdalene penitent... You believe no other like you ever existed. You begin to wonder if you even exist at all. Unquiet women, defiant women--we live invisible lives, and if we are seen and seen by strangers, we are reduced to monsters. Vampires, who have no reflection in a looking glass. Mermaids, who die and become sea foam, blown away by the wind. We will take up and take back the tools to tell our stories as our own. Civilizations may rise and fall and rewrite the history of the dead, as so often they do. But we were here... and we lived, and loved, and mattered.
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Marguerite Bennett (Insexts Vol. 2: the Necropolis)