Mere Papa Quotes

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Mama had greeted him the traditional way that women were supposed to, bending low and offering him her back so that he would pat it with his fan made of the soft, straw-colored tail of an animal. Back home that night, Papa told Mama that it was sinful. You did not bow to another human being. It was an ungodly tradition, bowing to an Igwe. So, a few days later, when we went to see the bishop at Awka, I did not kneel to kiss his ring. I wanted to make Papa proud. But Papa yanked my ear in the car and said I did not have the spirit of discernment: the bishop was a man of God; the Igwe was merely a traditional ruler.
Chimamanda Ngozi Adichie (Purple Hibiscus)
I don't know for sure," he said, "but I can't imagine that God, who is so adept at linking parents with children, would so cruelly separate them. Perhaps it isn't anywhere near the truth. Perhaps I'm merely self-serving. I don't know, but I believe against all odds in exactly what you say." "You don't care what anyone else thinks, do you?" "No, Papa. I never did." "That can only be because you believe." "Yes." "And how does God speak to you?" "In the language of everything that is beautiful.
Mark Helprin (A Soldier of the Great War)
mere boy, who dances badly; besides, he has no fortune. And, after all, papa, none of these people have titles. I want, at least, to be a countess like my mother.
Honoré de Balzac (Works of Honore de Balzac)
Papa taught me that love was all about giving & never, ever taking. When you take something back, it diminishes love. It makes it less than what it is or ever could be. When you hold something back, out of vanity, pride or fear, you are not really loving...you are merely playing & wasting your precious heart's power. When you expect something in return for your love, you will never get what you need." From Part I. Sojourners All
Giacomino Nicolazzo
He felt as my papa felt,” Sara thought. “He was ill as my papa was; but he did not die.” So her heart was more drawn to him than before. When she was sent out at night she used sometimes to feel quite glad, because there was always a chance that the curtains of the house next door might not yet be closed and she could look into the warm room and see her adopted friend. When no one was about she used sometimes to stop, and, holding to the iron railings, wish him good night as if he could hear her. “Perhaps you can feel if you can’t hear,” was her fancy. “Perhaps kind thoughts reach people somehow, even through windows and doors and walls. Perhaps you feel a little warm and comforted, and don’t know why, when I am standing here in the cold and hoping you will get well and happy again. I am so sorry for you,” she would whisper in an intense little voice. “I wish you had a ‘Little Missus’ who could pet you as I used to pet papa when he had a headache. I should like to be your ‘Little Missus’ myself, poor dear! Good night--good night. God bless you!” She would go away, feeling quite comforted and a little warmer herself. Her sympathy was so strong that it seemed as if it must reach him somehow as he sat alone in his armchair by the fire, nearly always in a great dressing gown, and nearly always with his forehead resting in his hand as he gazed hopelessly into the fire. He looked to Sara like a man who had a trouble on his mind still, not merely like one whose troubles lay all in the past.
Frances Hodgson Burnett (A Little Princess)
Encouraged by her parents’ applause, the girl went on: “Do you think we take off our tops to give you pleasure? We do it for ourselves, because we like it, because it feels better, because it brings our bodies nearer to the sun! You’re only capable of seeing us as sex objects!” Again Papa and Mama Clevis applauded, but this time their bravos had a somewhat different tone. Their daughter’s words were indeed right, but also somewhat inappropriate for a fourteen-year-old. It was like an eight-year-old boy saying: “If there’s a holdup, Mama, I’ll defend you.” Then too the parents applaud, because their son’s statement is clearly praiseworthy. But since it also shows excessive self-assurance, the praise is rightly shaded by a certain smile. With such a smile the Clevis parents had tinged their second bravos, and their daughter, who had heard that smile in their voices and did not approve of it, repeated with irritated obstinacy: “That’s over and done with. I’m not anybody’s sex object.” Without smiling, the parents merely nodded, not wanting to incite their daughter any further. Jan, however, could not resist saying: “My dear girl, if you only knew how easy it is not to be a sex object.” He uttered these words softly, but with such sincere sorrow that they resounded in the room for a long while. They were words difficult to pass over in silence, but it was not possible to respond to them either. They did not deserve approval, not being progressive, but neither did they deserve argument, because they were not obviously against progress. There were the worst words possible, because they were situated outside the debate conducted by the spirit of the time. They were words beyond good and evil, perfectly incongruous words.
Milan Kundera (The Book of Laughter and Forgetting)
To my knowledge, none of them has ever taken advantage of a respectable female. Even my brothers had their...dalliances as bachelors." "So did your father." He would point that out. "That's different. Papa broke his marriage vows. That doesn't mean my suitors would do so." She swallowed. "Unless you think it impossible for a woman like me to keep men like them satisfied and happy?" He started. "No! I wasn't trying to say...That is-" "It's all right, Mr. Pinter," she said, fighting to keep the hurt out of her voice. "I know what you think of me." His gaze locked with hers, confusing her with its sudden fierceness. "You have no idea what I think of you." She twisted her bracelet nervously, and the motion drew his eyes down to her hands. But as his gaze came back up, it slowed, lingering on her bosom. Could Mr. Pinter...Was it possible that he... Certainly not! Proper Pinter would never be interested in a reckless female of her stamp. Why, he didn't even like her. She'd dressed carefully today, hoping to sway him into doing her bidding by showing that she could look and act like a lady, hoping to gain a measure of his respect. But the intimate way his gaze continued up past her bosom to her throat, and then paused again at her mouth, was more how her brothers looked at their wives. It wasn't so much disrespectful as it was...interested. No, she must be imagining that. He was merely trying to make her uncomfortable; she was misinterpreting the seeming heat in his glance. She refused to let herself be taken in by imagining what wasn't there.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
You must go back to bed.” “No,” I shouted. “Not yet! I have to finish this game.” I couldn’t leave Andrew, not now, not when I was finally winning. Hannah released me so suddenly I staggered backward. “I’ll fetch Papa!” she cried. Andrew threw himself at her. “Hannah, stop, you’re ruining everything!” I grabbed his arm. “Let her go. We don’t have much time!” Casting a last terrified look at me, Hannah ran downstairs, calling for Mama and Papa. Andrew turned to me, his face streaked with tears. “Quick, Drew. Shoot four more marbles out of the ring!” Holding my breath I aimed. Click, click, click. An immie, a cat’s-eye, and a moonstone spun across the floor, but I missed the fourth. Andrew knuckled down and shot at the scattered marbles. Of the seven in the ring, he managed to hit two before he missed. Downstairs I heard Hannah pounding on Papa and Mama’s door. “One more, Drew,” Andrew whispered. It was hard to aim carefully. Papa and Mama were awake. Their voices rose as Hannah tried to explain I was in the attic acting as if I’d lost my mind. My hand shook and the first marble I hit merely clicked against another. Andrew took his turn, hit three, and missed the fourth. “Send me home, Drew,” he begged. “I don’t care if I die when I get there.” Two marbles were left--a carnelian and an immie, widely separated. Neither was close to my aggie. Even for someone as good as Andrew, it was a hard shot. Holding his breath, Andrew crossed his fingers and closed his eyes. I knuckled down and aimed for the carnelian. Click. As Papa tramped up the steps with Mama at his heels, the seventh marble rolled into the shadows. My aggie stayed in the middle of the ring. Andrew let out his breath and stared at me. I’d won--what would happen now?
Mary Downing Hahn (Time for Andrew: A Ghost Story)
I have some questions for you.” Serious, indeed. He brushed her hair back from her forehead with his thumb. “I will answer to the best of my ability.” “You know about changing nappies.” “I do.” “You know about feeding babies.” “Generally, yes.” “You know about bathing them.” “It isn’t complicated.” She fell silent, and Vim’s curiosity grew when Sophie rolled to her back to regard him almost solemnly. “I asked Papa to procure us a special license.” He’d wondered why the banns hadn’t been cried but hadn’t questioned Sophie’s decision. “I assumed that was to allow your brothers to attend the ceremony.” “Them? Yes, I suppose.” She was in a quiet, Sophie-style taking over something, so he slid his arm around her shoulders and kissed her temple. “Tell me, my love. If I can explain my youthful blunders to you over a glass of eggnog, then you can confide to me whatever is bothering you.” She ducked her face against his shoulder. “Do you know the signs a woman is carrying?” He tried to view it as a mere question, a factual inquiry. “Her menses likely cease, for one thing.” Sophie took Vim’s hand and settled it over the wonderful fullness of her breast then shifted, arching into his touch. “What else?” He thought back to his stepmother’s confinements, to what he’d learned on his travels. “From the outset, she might be tired at odd times,” he said slowly. “Her breasts might be tender, and she might have a need to visit the necessary more often than usual.” She tucked her face against his chest and hooked her leg over his hips. “You are a very observant man, Mr. Charpentier.” With a jolt of something like alarm—but not simply alarm—Vim thought back to Sophie’s dozing in church, her marvelously sensitive breasts, her abrupt departure from the room when they’d first gathered for dinner. “And,” he said slowly, “some women are a bit queasy in the early weeks.” She moved his hand, bringing it to her mouth to kiss his knuckles, then settling it low on her abdomen, over her womb. “A New Year’s wedding will serve quite nicely if we schedule it for the middle of the day. I’m told the queasiness passes in a few weeks, beloved.” To Vim’s ears, there was a peculiar, awed quality to that single, soft endearment. The feeling that came over him then was indescribable. Profound peace, profound awe, and profound gratitude coalesced into something so transcendent as to make “love”—even mad, passionate love—an inadequate description. “If you are happy about this, Sophie, one tenth as happy about it as I am, then this will have been the best Christmas season anybody ever had, anywhere, at any time. I vow this to you as the father of your children, your affianced husband, and the man who loves you with his whole heart.” She
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
But now, strange as it seems, a peasant's small, scrawny. light brown nag is harnessed to such a large cart, one of those horses he's seen it often that sometimes strain to pull some huge load of firewood or hay. Especially if the cart has gotten stuck in the mud or a rut. The peasants always whip the horse so terribly, so very painfully, sometimes even across its muzzle and eyes, and he would always feel so sorry, so very sorry to witness it that he would feel like crying, and his mother would always lead him away from the window. Now things are getting extremely boisterous: some very large and extremely drunken peasants in red and blue shirts, their heavy coats slung over their shoulders. come out of the tavern shouting, singing. and playing balalaikas. “Git in. everyone git in!" shouts one peasant, a young lad with a thick neck and a fleshy face, red as a beet, “I'll take ya all. Git in!" But there is a burst of laughter and shouting: “That ol’ nag ain't good for nothin'!" “Hey, Mikolka, you must be outta yer head to hitch that ol' mare to yer cart!" “That poor ol' horse must be twenty if she's a day, lads!" “Git in, I'll take ya all!" Mikolka shouts again,jumping in first, taking hold of the reins, and standing up straight in the front of the cart. “Matvei went off with the bay," he cries from the cart, “and as for this ol' mare here, lads, she's only breakin' my heart: I don't give a damn ifit kills ’er; she ain't worth her salt. Git in, I tell ya! I'll make 'er gallop! She’ll gallop, all right!" And he takes the whip in his hand, getting ready to thrash the horse with delight. "What the hell, git in!" laugh several people in the crowd. "You heard 'im, she'll gallop!" “I bet she ain't galloped in ten years!" "She will now!" “Don't pity 'er, lads; everyone, bring yer whips, git ready!" "That's it! Thrash 'er!" They all clamber into Mikolka's cart with guffaws and wisecracks. There are six lads and room for more. They take along a peasant woman, fat and ruddy. She's wearing red calico, a headdress trimmed with beads, and fur slippers; she‘s cracking nuts and cackling. The crowd’s also laughing; as a matter of fact, how could one keep from laughing at the idea of a broken down old mare about to gallop, trying to pull such a heavy load! Two lads in the cart grab their whips to help Mikolka. The shout rings out: “Pull!" The mare strains with all her might, but not only can’t she gallop, she can barely take a step forward; she merely scrapes her hooves, grunts, and cowers from the blows of the three whips raining down on her like hail. Laughter redoubles in the cart and among the crowd, but Mikolka grows angry and in his rage strikes the little mare with more blows, as if he really thinks she’ll be able to gallop. “Take me along, too, lads!" shouts someone from the crowd who’s gotten a taste of the fun. “Git in! Everyone, git inl" cries Mikolka. “She'll take everyone. I‘ll flog 'er!" And he whips her and whips her again; in his frenzy, he no longer knows what he’s doing. “Papa, papa," the boy cries to his father. “Papa, what are they doing? Papa, they‘re beating the poor horse!" “Let's go, let's go!" his father says. “They’re drunk, misbehaving, those fools: let’s go. Don't look!" He tries to lead his son away. but the boy breaks from his father‘s arms; beside himself, he runs toward the horse. But the poor horse is on her last legs. Gasping for breath, she stops, and then tries to pull again, about to drop. “Beat 'er to death!" cries Mikolka. ”That's what it's come to. I‘ll flog ‘er!" “Aren't you a Christian. you devil?" shouts one old man from the crowd. “Just imagine, asking an ol' horse like that to pull such a heavy load,” adds another. “You‘ll do 'er in!" shouts a third. “Leave me alone! She’s mine! I can do what I want with 'er! Git in, all of ya! Everyone git in I'm gonna make 'er gallop!
Fyodor Dostoevsky (Crime and Punishment)
My father, Professor Beddingfeld, was one of England’s greatest living authorities on Primitive Man. He really was a genius—everyone admits that. His mind dwelt in Palaeolithic times, and the inconvenience of life for him was that his body inhabited the modern world. Papa did not care for modern man—even Neolithic Man he despised as a mere herder of cattle, and he did not rise to enthusiasm until he reached the Mousterian period.
Agatha Christie (The Man in the Brown Suit (Colonel Race, #1))
Once she and Edwin were alone, she shifted away from his curiously possessive hand. This would be hard. What could she say? How could she break it to him gently? Then Edwin glanced at her with the accusing gray eyes that made her feel like a schoolgirl being taken to task by her papa, and she squirmed guiltily. “I take it that you are not really heading to the duke and duchess’s town house from here,” he said coolly. Sweet Lord, but he was astute. “No.” “And I suppose that means that you and Rathmoor have renewed your…er…friendship.” Blunt, too. Not that she was surprised. Edwin had always been blunt. But he’d never taken that hard tone with her, and it rankled a bit. “Yes.” She tipped up her chin. “I’m afraid we have.” Edwin strolled over to the fireplace and stood with his back to her, rigid as the pokers next to him. “You and I had a deal.” A long sigh escaped her. “I realize that. And I feel bad about reneging on it. I was looking forward to helping Yvette in society. She deserves a good marriage.” She squared her shoulders. “But I think I deserve one, too. With a man who wants me to be more than just a companion to his sister.” He muttered something under his breath. “I did intend our marriage to be a real one, you know.” That was a shock. Edwin had always been cynical about the institution. “Surely you’re not serious.” She wished he would look at her again so she could better guess what he was thinking. “Don’t tell me you’re going to give me some nonsense about how you’ve fallen in love with me.” “No.” As if realizing how sharply he’d answered, he shot her a rueful glance. “I suppose I could eventually come to love you. I’d at least make the attempt.” Poor man. “There’s no attempting with love. You either love someone or you don’t. Trust me on that.” He searched her face. “Are you in love with Rathmoor, then?” “Yes.” The answer came without her even thinking about it. Because she was. She probably always had been. She’d told Dom that he’d killed her love for him, but the truth was, it was unkillable. Though she’d thought to root him out of her heart, he’d merely lain dormant in the wintry ground, waiting until spring when he could grow over her heart like the pernicious honeysuckle in Uncle’s arbor. She should have told Dom last night how she felt, but she’d been too afraid that loving him might mean forgiving him for what he’d done. And she hadn’t been quite ready for that. She wasn’t sure she was now, either. All she knew was she loved him. Whether she could live with him was another matter entirely.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
The poor souls on the other side of the gate bars were merely frightened papa-sans and mama-sans clinging as fast to their children as they were to their hopes—families to whom the United States had made a promise. They’d bet their lives on that promise, and now they were going to lose. He was haunted by their pleading eyes. A
Bob Drury (Last Men Out: The True Story of America's Heroic Final Hours in Vietnam)
For God’s sake, you are as bad as Louisa.” Joseph took his gaze from Harrison’s fancy town coach—and what was a mere portraitist doing with such a rig?—and surveyed Moreland’s features. “I beg your pardon?” “Your affianced wife, Louisa. She’s incorrigible. The girl has loving family on every hand, every hand, and yet she must make her own way. Has always had to forge her own path and I suspect she’s met her match in you, so to speak.” The duke was trying to communicate something, while Joseph was trying to make out the crest on Harrison’s coach. “Your presence here is still not well advised, Your Grace. Hanging felonies will likely be committed.” Moreland thwacked a riding crop against gleaming field boots. “Listen to me, young man: You have no father, no brothers, no uncles, not even a damned third cousin to see you through this. If a prospective papa-by-marriage is all you’ve got, then by God, that’s what you’ll take.” There was something heartening and familiar in the way Moreland delivered a scold. Warmth, unexpected and welcome, bloomed in Joseph’s chest. “Your Grace, may I say first, thank you, and second, you are as bad as Louisa yourself.” “Where do you think she came by it? One wonders what you’ll have to say to Arthur if he ever bestirs his bones to leave his carriage.” The
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Nic walked to the end of the hallway and opened the door that led to the unfinished attic. She flipped on the light switch and gasped aloud. The attic wasn’t merely finished. It had been transformed. He’d chosen a mountain wildlife theme for the nursery that suited the space to a T, and he’d included two sets of everything—two cribs, two dressers, two changing tables, and even two full-size rocking chairs. Both rockers sported cushions that had been embroidered with two words: Mama Bear on one, Papa Bear on the other. “Oh, Gabe,” she said with a sigh. She sat in the Mama Bear rocker, rubbed her belly, and that’s when she saw the mural on the wall. Papa Bear, Mama Bear, two Baby Bears, and a crooked-tailed boxer sprawled at their feet. Papa Bear held a T-square. Mama Bear had a stethoscope draped around her neck. In the sky to the right, a happy-faced sun shined down upon them. In the sky to the left, two silhouettes with angel wings sat perched at the apex of a rainbow. Gabe
Emily March (Angel's Rest (Eternity Springs, #1))
Why won’t you give up this silly idea of homesteading?” Gertrude went on. Her tone of voice was moderate, but her blue eyes were snapping. “I can’t help thinking you’re just being stubborn, Lily. Caleb is well able to provide for you, I assure you. He comes from one of the finest families in Pennsylvania—I’ve known the Hallidays a long time.” Lily looked down at the floor for a moment, gathering her courage. “You wouldn’t understand,” she said softly. Gertrude sighed. “Do sit down,” she told Lily kindly, taking a chair herself. “Now what is it that I would find so difficult to understand?” “I love Caleb very much,” Lily began in a shaky voice, “but I’m not the woman for him.” Mrs. Tibbet raised her eyebrows. “Oh? And why not?” Lily leaned forward in her chair and lowered her voice to a whisper. “I think I may be like my mother.” “How so?” Mrs. Tibbet asked, smoothing her skirts. “She was—she drank. And there were men. Lots of men.” “Oh, dear,” said Mrs. Tibbet seriously. “And you drink?” Lily swallowed. “Well—no.” “Then there are men.” “Only Caleb,” Lily said quietly. “But he can make me do and say the most shameful things. I’m so afraid it’s because I’m—er—hot-blooded.” Mrs. Tibbet looked as though she might be trying to suppress a smile. “You wouldn’t be the first girl who’d given herself to a man before marriage, Lily. It isn’t a wise course of action, but it happens often enough.” Lily drew in a deep breath. “I suppose the drinking would come later,” she said, discounting Mrs. Tibbet’s remarks as mere kindness. “And then the men. No, I’m sure I’m better off going on with my life just as I’ve planned.” There was a rap at the door, and then Velvet put her head inside. “Pardon, missus, but dinner’s ready, and the men say they’re going to eat without you if you don’t hurry.” “We’ll be there in a moment,” Mrs. Tibbet answered. “And tell the men that if they don’t wait, they’ll have me to deal with.” “Yes, ma’am,” Velvet replied with a hint of laughter in her voice. The door closed with a click. Mrs. Tibbet turned back to her guest. “If you were my own daughter, Lily, I would tell you the same thing. You couldn’t do better than Caleb Halliday if you searched the world over for a man. Don’t throw away a chance at real happiness—it might be the only one you get.” Lily pushed herself out of her chair and went to stand at the window. From there she could see the moon rising above the roof of the house next door; it looked as though it had just squeezed out of the chimney. “Sometimes I think I know what I want. I’ll decide that I want to marry Caleb and forget all about having a homestead. But then I remember what Mama was like.” “Lily, you’re not your mother.” “No,” Lily agreed sadly, turning to face Mrs. Tibbet, her hands clasped in front of her. “But Mama was young and happy once, and she must have thought she was in love with my father. She married him, she had his children. And then something changed, and she began to drink. Papa went away—I don’t even remember him—and the men started coming around, one after the other …” Gertrude came to take Lily’s hands in her own. “Things will be different for you,” she said quietly. “You’re strong, and so is Caleb. Oh, Lily, don’t be afraid to take a chance.” At that moment the colonel thundered from the hallway that he was going to have his supper right then whether the women cared to come to the table or not, and Lily smiled. “I promise I’ll think things through very carefully, Mrs. Tibbet.” “Don’t take too long,” Gertrude answered, ushering her toward the door of the study. “Fate can take the strangest twists and turns, sealing us off from someone when we least expect it.” At
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
There is a pleasure you could allow me, Anna.” He kept using her name, she thought, using it like a caress, a reminder that he knew the taste of her. “There are many pleasures I could allow you,” she said, caution in her tone, “few that I will.” “So I’m to earn your favors?” He merely smiled. “Then, allow me this: The heat and our rambling are threatening the integrity of your coiffure. Let me brush your hair.” “Brush my…?” Anna blinked and gave him a puzzled look. “I used to brush Her Grace’s hair when I was small, then my sisters’. I’ve taken a turn or two with Rose, but she demands a certain dispatch only her step-papa and mama seem to have perfected.” “You want to brush my hair,” Anna said, as if to herself. “That is an unusual request.” “But not too unusual. It requires no removal of clothing nor touching of the hands nor lascivious glances.” “All right,” Anna said, more perplexed than alarmed, but then, she was in the company of a man who scheduled his passions. She fished inside the hamper and withdrew her reticule, producing a small bone-handled brush. “Pretty little thing,” the earl remarked, thumbing the bristles. “Now”—he sat up—“sit you here.” He thumped the blanket beside him, and Anna scooted, only to find that the earl had shifted so she sat between his bent knees. “Is this decent?” she murmured. “Have another glass of wine,” the earl suggested. “It will feel frustratingly decent.” They fell silent, and Anna felt the earl’s fingers easing through her hair to find her hairpins. He slid them free carefully and began piling them to one side. When the bun at the nape of Anna’s neck was loosened, he let her thick plait tumble down her back. “I like this part,” he said. “When you free up a braid, and a single shiny rope becomes skeins and curls and riots of silky, soft hair. How do you keep it so fragrant?” She felt him lean in for a sniff, and her heart nearly skipped a beat. “I make a shampoo scented with roses.” And ye gods, it had been a struggle to utter that single coherent sentence. His hands were lacing through her unbound hair to massage her scalp and the back of her neck. His touch was perfect—deliberate, knowing, and competent without using too much strength. He trailed her hair down her back, leaving little trickles of pleasure to skitter along her spine, and then she felt him gathering the mass of it, to move it to one side. “It’s beautiful,” he murmured, his words breathed near her ear. “I’m going to forbid you to wear those hideous caps of yours when we return to Town.” His
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Papa suggested you had some options to put before me. What have you to offer besides this lunatic proposal that I should join myself to a man who is not much given to vice and not at all given to stealing kisses?” Now he was watching her mouth. “The only other option I see, Louisa Windham, is for you to marry me.” He braced himself for her to whip away, to laugh, to pucker up with the presumption of it. “Say something, Louisa. I mean you no insult, I hope you know that.” “You think I’d take insult because you raise swine and I am a duke’s daughter?” She still had not moved away, and a distracting olfactory tickle of clove and citrus wended its way into Joseph’s awareness. “There is that salient reality, but it’s also the case that I must have children, Louisa, there being the matter of that da—deuced title. I could not offer you the cordial union you might seek.” “By cordial, you mean unconsummated.” He managed another nod. Merely standing near her, her arm twined with his, their fingers linked—when had that happened?—was wreaking havoc with his composure. She stared past him into the fire, her brows knit. “I like children. They’re honest. They might lie about whether they stole the pie, but they don’t deceive themselves about enjoying every bite. Children love a good story. They don’t twitch their noses at a lively tale because it does not ‘improve the mind.’ Eve and Jenny adore children.” What was she saying? “Louisa, I am offering a marriage in truth, though I am not the better bargain.” This
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Miss Addie!” Edward, too, rushed to her side, but Gideon reached her first and pranced around her. “I’m all right,” she said as John arrived. He knelt beside her and slipped his arm around her. “Are you injured?” She had no idea of her true condition with him so close. Assessing the pain level, she leaned her head against his shoulder. His presence was the best medicine. “I-I don’t think so.” Edward threw himself atop her, and she pulled him onto her lap when she realized he was crying. “It’s okay, darling.” “You’re bleeding,” the child wailed. John moved away, and she hugged Edward, relishing the little-boy scent of grass and dog. “It’s merely a scratch, Edward. Proof of valor.” John was still near enough that she could smell his bay rum hair tonic. “I should call the doctor,” John said. He placed his hand on her shoulder. “No, no, I think I can get up with your assistance.” Aware she was showing more of her leg than was seemly, Addie flipped her skirt into place. She brushed a kiss across Edward’s cheek and scooted him onto the grass. “Papa’s going to help me up.” She grasped John’s arm and allowed him to lift her to her feet. “Does anything hurt?” he asked. She smiled into his face. “Only my pride.” “Let’s get you inside.” She glanced at the heap of wheels and metal. “No, I want to get back on the bicycle.” His mouth gaped. “You aren’t afraid?” “I’m terrified. But if I don’t get back on now, I might never do it. The fall will expand in my mind. I want to learn this.” She released his arm and stepped away, though she preferred to stay close to him. “The bicycle appears unharmed.” “But you’re not. You’re bleeding.” She bent her elbow up to have a look. “As I said, it’s merely a scratch.
Colleen Coble (The Lightkeeper's Daughter (Mercy Falls, #1))
Who's that?" Playing an old game, Roy pointed at Juanita. Serena grinned and raced to plant a kiss on Juanita's cheek. "'Nita!" she cried triumphantly. Juanita pointed her toward Lily. "Quien es?" "Mama and baby!" Serena climbed into Lily's lap for a hug. As Cade bent his large form beneath the flap to join them, Lily pointed in his direction. "What's his name?" "Papa-padre-daddy," she crowed, laughing as Cade lifted her and sat down with her in his lap. She liked having several names for everything and everyone, and could chatter incessantly in two languages. Cade pointed at an unshaven Travis who glared blearily at their laughter as he untangled himself from his damp bedroll. "Que esta?" Unaware of the Spanish niceties as to being addressed as a "what" instead of "who," Travis glared at their cheerfulness until Serena flung herself at him and hugged his neck. "Snake-oil man!" she cried. Laughter erupted all around—despite the dreary rain, despite their fear and weariness. Welcome waves of amusement relieved some of the tension. Travis growled and tickled Serena until she ran to Roy for help, then grinning, he met Cade's eyes. "Can't you teach her something else to call me?" "Tio Travis?" Cade suggested. "Tio, tio!" Serena cried, sticking her tongue out at Travis and hiding behind Roy's back. "Why do I get the feeling that means 'snake oil' in Spanish?" Travis muttered, reaching for the tin cup of coffee Juanita offered him. "It means 'uncle.' Whether you know it or not, you've just adopted a niece. That means you get to carry her today." Cade took his cup and settled back cross-legged beside Lily. "I don't think I'm ready for the responsibilities of a family man. I'm not even certain how I got into this." Travis threw Lily a wry look. "You're more trouble than you're worth, you know." "Look who's talking." Undisturbed, Lily called Serena to come eat her breakfast. She had spent eight years raising Travis's son. It was time he took on a little responsibility. Travis shrugged his shoulders, unabashed. "You could have had a smart, good-looking man like myself and you chose that man-mountain over there. You lost your chance, Lily." Lily didn't need to reply to that. She merely looked at his rumpled curls and beard-stubbled face and grinned. Relieved that she could still find humor in the midst of her grief, Cade finished his food and leaned over to kiss her before rising to finish packing the horses. Lily watched him go with astonishment. Cade never made public displays of affection. Their
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Oh, dear,” she gasped, pulling back. “I just thought of something horrible.” Nigel blinked a few times in confusion. “I don’t mean to criticize, Amelia, but that is hardly the reaction a man looks for when he first kisses the girl he loves.” She clutched at his cravat again, completely demolishing it this time. “You love me?” “Of course I love you,” he said simply. “How could I not? Now, tell me what’s wrong.” “My parents,” she said, feeling rather dazed by everything. “They’ll be furious if I reject Lord Broadmore. Especially for a man…” She trailed off, hating to insult Nigel. And, strictly speaking, he hadn’t yet asked her to marry him. “A man like me,” he finished. “Is it because I don’t have a title?” “Yes, and because you’re not rich. I know how awful that sounds, but you mustn’t think less of them because of it. Mamma and Papa just want the best for me.” He studied her. He didn’t seem offended, but he did look wary. “Are those things important to you, as well?” She winced, hating that she might have made him doubt himself. “No. Well, of course I don’t want to be poor, but I don’t need to be rich, either. And a title means little to me.” She huffed out a sigh. “I’ll just have to reconcile myself to the notion that Mamma and Papa will be angry with me for not marrying Lord Broadmore. Or anyone else, simply because they’re rich.” The tension seemed to bleed from Nigel’s shoulders as his hands drifted down to her waist. “And would you consider marrying a mere gentleman?” “Of course I would, but…” “But what?” She glanced anxiously at Gwen to make sure she was still asleep. Nigel waited patiently for her to respond. “What if my father cuts me off?” When Nigel frowned, Amelia’s heart sank. “Are you sure he would do that?” he asked. She sighed. “It’s certainly possible. I do hope that wouldn’t...” He leaned down to press a swift kiss on her lips. “My dear girl, while I might not be a nobleman, I am as rich as Croesus. Your parents might lament the lack of a title, but I’m sure the marriage settlements will make up for it nicely.” She stared at him. “I thought your fortune was quite modest, by all accounts.” He grinned. “I rarely talk about money, but for you I’ll make an exception.” After he named a staggering sum, Amelia could only gape at him like an idiot. With a little snort of laughter, he tapped her mouth shut. “I do hope your esteemed father will approve,” he said. Amelia pressed a hand over her heart, right where a bubble of joy was expanding outward. “Oh, I think he’ll be able to reconcile himself to the notion. Not that I give a fig how much you’re worth, Mr. Dash.” Nigel made a great show of wiping his brow. “Well, that’s a relief,” he said in a voice warm with laughter. “I’d hate to disappoint either of you.” Amelia went up on her toes to press a kiss on his lips. “That, my dear, wonderful sir, would be quite impossible. After all, you are the nicest, most dependable man in the world.
Anna Campbell (A Grosvenor Square Christmas)
When the baby was tidied up and turned into a stiff little doll, Lizaveta Petrovna rocked him once, as if proud of her work, and drew back so that Levin could see his son in all his beauty. Kitty, not taking her eyes away, looked sidelong in the same direction. ‘Give him here, give him here!’ she said and even rose slightly. ‘No, no, Katerina Alexandrovna, you mustn’t make such movements! Wait, I’ll bring him. Here, we’ll show papa what a fine fellow we are!’ And Lizaveta Petrovna held out to Levin on one hand (the other merely propping the unsteady head with its fingers) this strange, wobbly, red being whose head was hidden behind the edge of the swaddling-clothes. There was also a nose, crossed eyes and smacking lips. ‘A beautiful baby!’ said Lizaveta Petrovna. Levin sighed with dismay. This beautiful baby inspired only a feeling of squeamishness and pity in him. It was not at all the feeling he had expected. He turned away while Lizaveta Petrovna was putting him to the unaccustomed breast. Suddenly laughter made him raise his head. It was Kitty laughing. The baby had taken the breast. ‘Well, enough, enough!’ said Lizaveta Petrovna, but Kitty would not let go of him. The baby fell asleep in her arms. ‘Look now,’ said Kitty, turning the baby towards him so that he could see him. The old-looking face suddenly wrinkled still more, and the baby sneezed. Smiling and barely keeping back tears of tenderness, Levin kissed his wife and left the darkened room. What he felt for this small being was not at all what he had expected. There was nothing happy or joyful in this feeling; on the contrary, there was a new tormenting fear. There was an awareness of a new region of vulnerability. And this awareness was so tormenting at first, the fear lest this helpless being should suffer was so strong, that because of it he scarcely noticed the strange feeling of senseless joy and even pride he had experienced when the baby sneezed.
Leo Tolstoy (Anna Karenina)
The subway, too, was not as she had expected. She had thought a subway would be a shining thing way way down in the middle of the earth. But there, one had merely to go down a flight of stairs and one beheld the subway; and she did not see the escalator that Papa flew up. But in New York Rachel tasted the best meal she ever had in her whole life. She and Mama had walked for miles and miles and hours and hours. They had had nothing to eat because on the train Rachel had eaten up the hard-boiled egg sandwiches that were supposed to be eaten in some quiet park with the squirrels and pigeons.
Eleanor Estes (Ginger Pye (The Pyes #1))
Pariva was a small village, unimportant enough that it rarely appeared on any maps of Esperia. Bordered by mountains and sea, it seemed untouched by time. The school looked the same as she remembered; so did the market and Mangia Road---a block of eating establishments that included the locally famous Belmagio bakery---and cypress and laurel and pine trees still surrounded the local square, where the villagers came out to gossip or play chess or even sing together. Had it really been forty years since she had returned? It seemed like only yesterday that she'd strolled down Pariva's narrow streets, carrying a sack of pine nuts to her parents' bakery or stopping by the docks to watch the fishing boats sail across the glittering sea. Back then, she'd been a daughter, a sister, a friend. A mere slip of a young woman. Home had been a humble two-storied house on Constanza Street, with a door as yellow as daffodils and cobblestoned stairs that led into a small courtyard in the back. Her father had kept a garden of herbs; he was always frustrated by how the mint grew wild when what he truly wanted to grow was basil. The herbs went into the bread that her parents sold at their bakery. Papa crafted the savory loaves and Mamma the sweet ones, along with almond cakes drizzled with lemon glaze, chocolate biscuits with hazelnut pralines, and her famous cinnamon cookies. The magic the Blue Fairy had grown up with was sugar shimmering on her fingertips and flour dusting her hair like snow. It was her older brother, Niccolo, coaxing their finicky oven into working again, and Mamma listening for the crackle of a golden-brown crust just before her bread sang. It was her little sister Ilaria's tongue turning green after she ate too many pistachio cakes. Most of all, magic was the smile on Mamma's, Papa's, Niccolo's, and Ilaria's faces when they brought home the bakery's leftover chocolate cake and sank their forks into a sumptuous, moist slice. After dinner, the Blue Fairy and her siblings made music together in the Blue Room. Its walls were bluer than the midsummer sky, and the windows arched like rainbows. It'd been her favorite room in the house.
Elizabeth Lim (When You Wish Upon a Star)
Becoming like Jesus is not merely about gaining greater emotional stability. It is about learning to die. It is about sacrifice for the good of others. Suffering for the joy of others. In this, God’s glory will be seen.
Matt Papa (Look and Live: Behold the Soul-Thrilling, Sin-Destroying Glory of Christ)
As I die I’ll be holding her in my arms when she was close to your age now, Luciana, and the two of you, when you were babies. When you were infants I loved you more than you can imagine. In my flight through darkness I’ll hold to that image: the four of us—your mother in her early twenties, and you at two and a half, or three. “And my own father,” their father said in a suddenly high and weak voice. “When I see him I will have to be a child myself. It wouldn’t do for me to be an old man. Alessandro, can I be a child for the sake of my father, and a father for the sake of my children? Will God grant that?” “I don’t know,” Alessandro said. “How do you know?” his father asked. Rather than disappoint him, Alessandro improvised. “I don’t know for sure,” he said, “but I can’t imagine that God, who is so adept at linking parents with children, would so cruelly separate them. Perhaps it isn’t anywhere near the truth. Perhaps I’m merely self-serving. I don’t know, but I believe against all odds in exactly what you say.” “You don’t care what anyone else thinks, do you?” “No, Papa. I never did.” “That can only be because you believe.” “Yes.” “And how does God speak to you?” “In the language of everything that is beautiful.
Mark Helprin (A Soldier of the Great War)
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